#he's so funny i'm actually crying

[fircyrk-na-kolkach]

THE PHIL JOKING ABOUT STEALING CUTLERY STORY I'M ROLLING ON THE FLOOR

[poorly-drawn-mdzs]

Cite your sources.

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[xxplastic-cubexx]

Marvel's Squirrel Girl: The Unbeatable Radio Show! | All of Erik Lehnsherr's Call-In's

Episodes featured: The Fate of My Universe The Sinister Six Are No More Who Would Win In A Fight? Unbeatable

Full Podcast Playlist (Spotify)

Credits below:

Written by: Ryan North

Directed by: Giovanna Sardelli

Voice Cast: Milana Vayntrub - Squirrel Girl/Doreen Green Crystal Lucas Perry - Nancy Whitehead Leo Sheng - Koi Boi/Ken Shiga Davied Morales - Chipmunk Hunk/Tomas Lara-Perez Erica Schroeder - Tippy T. Squirrel Rob Nagle - Erik Lehnsherr

Key Art: "Squirrel Girl Infinity Comic (2022)" by Derek Charm - Doreen, Nancy, Ken, Tomas, Tippy "Magneto (2023)" by Todd Nauck - Erik

[lesbianherald]

You won't believe it but I met the Troy Bolton ao3 account in a jayvik discord, just out in the wild!! He exists out there in servers talking about your fic and professing his love for you, I felt like you should know this!

TROY BOLTON MY ABSOLUTE BELOVED!!! ICON ICON!!!

I need to provide tumblr with the context:

So after posting coming home i got this comment. Iconic. I assumed it was too good to be true and was spam. I then posted about it on twitter sorry the text is small for this one.

Literaly immediately after i posted this i got another comment

AND THEN when I posted Here at the End I got THIS

Troy is an icon. Troy is a legend. I love him and I hope he's having a great day gearing up for his basketball game. Please tell him GO WILDCATS!

[nonndrawz]

OMG!!! I JUST FOUND THIS ROBOT CHICKEN CROSSOVER VIDEO WITH GOD OF WAR AND IT CONFIRMS KRATOS IS BISEXUAL!!! I'M SO SERIOUS!!! WATCH IT!!! HE LITERALLY HAS A SEX MINI GAME WITH A WOMAN AND MAN!!!

Side Note: Unfortunately it's difficult to find the video because it's not posted on any of the main channels (besides Adult Swim Dutchland) but luckily I found it in this compilation video.

(Go to timestamp 10:47)

[ryllen]

"I decided it's my break day today, Oh coincidentally, I'm gonna sit here, and watch you work." also it's too cute how Nemo just came run at me whenever i sat on a bench

[dazais-guardian-angel]

Well, at least Fukuzawa got his wish granted, I guess.... he's finally inside Fukuchi <3

[cryingoverpalta]

nsfw BingQiu headcanon

Idk if this is a safe space to let out the freak living inside me but I need a fic where bingmeified LBH squirts while topping. Like, if there's a top I would like to see squirting, it's LBH. He has the perfect flavor of patheticness for it; just thinking about him all embarrassed and flustered, thinking he lost face in front of his shizun 😫🤌🏽✨ majestic

[le-panda-chocovore]

So today @kaurruption taught me that Shiu's last name is written with the kanji "hole" and it also have the same base as "kid" & "seed" and I was like-

You're telling me this man's name means breedable ?

[fromtheseventhhell]

I ignore about 95% of the conversations surrounding Arya having killed people because, outside of Arya stans, people refuse to include the context of the very violent circumstances she experiences + her trauma which influences her actions. She wasn't destined to be a killer and her being forced on the run, having to survive during a war (at times on her own), having to witness countless people being tortured and murdered, being enslaved as a prisoner of war, having to witness the deaths of her family, etc. are all hugely important factors. Not to mention the times when her life is literally on the line and she has to make tough decisions to ensure her survival. The only time her trauma is acknowledged is when people are using it to prove she's "too far gone", otherwise it's essays on how she hasn't suffered that much. It's so boring how people ignore well-developed characters just to reduce them to one or two aspects of their story. And this treatment is only for certain characters; let someone mention Sansa being part of the plot to poison Sweetrobin and all of a sudden, people can understand being forced to make questionable decisions under difficult circumstances.

[lock-my-feelings-in-a-jar]

Russ Ballard producing Daltrey's album

1975 Interview

Russ Ballard has something special. Call it professionalism, the sure touch, luck, talent, a mixture of the lot if you like, but everything he's involved in seems to turn out pretty good, even when it's something completely new to him, like record producing.

When he was fourteen, he wrote his first song and sold it to The Shadows after having had the sense to demo it after their style. Having mastered the guitar and scored quite a bit of acclaim for his playing, he turned to keyboards and now nobody hearing him play would think he hadn't been brought up on them. Argent reached the height of their success when he was with them, he gave Colin Blunstone a monster hit with I Don't Believe In Miracles and now Ride A Rock Horse is enjoying considerable favour. Its producer? Russ Ballard! The man, wearing his customary shades, exudes an air of quiet confidence. He can afford to. He's well respected as a musician and as a writer and he's now in a position many people could envy. After all, a singer of Daltrey's calibre doesn't call up just anybody and say "How about producing my album?"! What is really surprising is that Roger should ignore all the established record producers in favour of Russ, who has only ever produced one album before in his life and that was the solo one he made after leaving Argent.

How did his new role come about? "Well, I worked with Daltrey on his first album, played a little drums and piano on it, but I didn't produce that one, just put in some ideas. He must have liked them because when he was planning his second, he just asked me if I wanted to do it." Russ explained. In an issue of Beat dated April 1966, Daltrey himself described his voice in pretty disparaging terms. "I don't have a good voice, no-one needs to tell me that. I'm a screamer with a group and I'm happy. I'm not worried about my voice, though, it is developing and I can notice the change." He also added "I'd get a real kick if I could have a proper girl vocal group backing." It's taken nine years, but now he's achieved what he hoped for, a voice which no-one can deny is pretty exceptional, and backing singers led by Marsha Hunt, care of Russ Ballard! "I was involved with everything." said Russ. "Going through songs with him, deciding what musicians should be used, who would be good for this and who for that." For a reluctant producer, who admits that "I'm not really into production, even though it's a creative thing, I'd rather be an artist." Russ had some pretty definite ideas as to his treatment of the album. "I deliberately kept his voice well up because in so many recordings I've heard of Roger, he's been immersed in sound. He's got such a powerful and such a good voice which contains many aspects that people haven't heard before. What I set out to do on the album was to expose all those voices for the first time. I don't think it is a good thing for a producer to put his own standpoint on an album, the most important thing is to project the artist." Russ thinks that Daltrey's film work has given a lot more confidence and he also found getting to know him has radically changed the concept he had of The Who. "Many people would imagine Daltrey as an ego tripper, but he's not in the slightest. Before I got to know him well, I was under the impression that The Who were Pete Townshend's baby. But speaking to Roger, listening to his ideas, I think that a hell of a lot of his ideas must have always gone into The Who, a lot more than people think."

It was originally Roger's idea to record an album of his early influences. Then he changed rock horses in mid-stream. "By then we'd already recorded Walking The Dog and that Beachboys sounding song, so we were lumbered with them." The second idea was to project the different sides of Daltrey's voice in a collection of mixed rockers and ballads, including three songs of Russ's, Come And Get Your Love, Proud and Near To Surrender. "We didn't actually discuss the point but I felt he wanted to make a heavier album than the one we'd originally planned. Yet not totally heavy, but a record which would compliment the heavier stuff with lighter stuff. Right from the very first session when he sang the first song I could see his voice was so much better, I feel it's improved tremendously since the early Who days even though I think he had a good voice in 1964."

The next thing to decide on was the overall sound and the arrangements. Ex-Shadows drummer Tony Meehan was the man who worked on these. "I decided to make the sound quite sparse,-" explained Russ, "- rather than over-producing it. Some people just don't know where to stop. I decided that if a song called for piano and nothing else, that's what I was going to do." (Hence Phillip Goodhand Tait's beautiful slow rocker Oceans Away with the composer on piano.) "The most important thing in an arrangement is the song. If it's a good one you should be able to sing it with no backing at all and it should still sound great. If it's not, no matter how many extras you add it won't work." Russ reckons that having been in bands himself definitely helped him as a producer, enabling him to put himself in the artist's shoes. Yet he doesn't think he'd like to produce his own next album entirely alone. "When I was in Argent I found being produced by somebody else was very frustrating because I could tell people were veering away from the original ideas I'd had for my songs. That's why I decided to produce my first solo album, which turned out a bit of a mixture because I had a backlog of work to get out of my system. My next album will be slightly deeper, not so light-hearted. I hope to be co-producing it with Muff Winwood, whom I really admire because he's got such a good ear and can really make a musical point."

At the moment, Russ is doing very well with songs of his which are being covered by other artists. One called Heartbreak, has recently been recorded by Olivia Newton-John and yet another is currently being recorded in L.A. by Stevie Wonder's band. Russ has got a new band together consisting of the ex-drummer from Curly, Alan Wickett, bass player Tony Lester and guitarist Alan Skates- "He really does!" joked Russ. He's got three weeks booked in E.M.I. Studios to get the album done. As for his producing career, it looks like Ride A Rock Horse may be his swansong. What if Roger asks him to produce his third album? "Well… if I want to do what I want to do, that is, sing, play, write and record, I just won't have time to produce anybody." said Russ. There's nothing like getting out when you're on top!

[star-lights-up]

just had like the worst ever mental breakdown

and it all started because of the FUCKING OFFICE.

the COMEDY. TV. SHOW.

what is my life i am such an idiot

[necrotic-nephilim]

Sorry this is out of nowhere, but I just read your Ra'sTim ask and the mental link DamiTim ask in quick succession and then started cackling out loud because all I could imagine is Damian simultaneously not only a) having his feelings for Tim forcibly outed to the whole family, but also b) having to live with the detailed knowledge of Tim having been deeply intimate with his grandfather. In conjunction with also now knowing way too much about how both Bruce and Jason fucked Talia. Like, this boy is really going through it.

ljkhjghgjhkjlk i'm CRYING help this is so funny. unrequited DamiTim featuring Tim sleeping with Ra's is the funniest thing in the world and honestly a genuine idea i've toyed with before. but combining those two concepts is so fun and cursed. Damian having to deal with double the horror of Jason and his mother sleeping together and Tim and his grandfather sleeping together, while his own feelings for Tim are outed, honestly I'd just move to another planet if that happened to me. it's fun as a serious idea for the complexities and the layers of it, but oh it gives me a giggle. someone else in the Batfam has gotta take one for the team and fuck Mara al Ghul or Respawn or something just to bring it full circle.

[sciderman]

I saw this in A friends T shop while on my trip to Georgia and it radiates Peter Parker

i don't know WHAT you're talking about. uncle ben could hardly outwrestle him PRE-spider-bite. he was always a stud.

[teddybeartoji]

i survived the movie premiere and i only had a few sightings which is very good but . i feel like i just got beat up. in an alleyway idk there is no other way to describe what i'm feeling rn. the movie was about just some guy who quits his lame cashier job and then struggles to find a job he actually likes (me). who loves to watch movies, who loves to go to a cinema and who prefers to sit in the last row and who wants to eat popcorn (me)(since this was an estonian film he was talking about THE exact cinema i go to btw)(there are so many other cinemas here). who wanted to go and study something creative but then just.. didn't (me). who does nothing all day long (me). who feels like every opportunity has already passed and that it's too late to really pick up anything now because it's just way too fucking embarrassing (me). who feels like he has nothing to offer (me). and who feels like he's just an interesting "hello" and nothing more (me).

extra (me) points for when he and his girlfriend went to hang out with her father and then after it he went "i think it's amazing how well you get along with your dad" . as if that isn't something i have said .. countless times before😭😭😭

[dreamyintersexouppy]

sending love to all head mates with complex relationships to the body, language isn’t build to adequately describe our senses of identity and that’s fucking rough sometimes! However y’all choose or opt out of labels, I respect your choices!

thank you! but i think that's the thing about it, tma/tme (from how i understand it novas a good explainer but idk if im a good rememberer) isn't opt in or out, it just describes something that exists already, and while my identity as a boy is real queer how i get treated while fronting is still more affected by how people see the body. it feels like a tma if you don't know me/don't know im fronting and tme if you do but even that seems strange (nova says: that sounds like just tme to me cuz of the opportunity to opt out but it could be more complicated). i think the language is good but i also think it matters more to me to be an ally to nova and all my transfem friends than to think forever about where i sit in a framework that wasn't made to benefit me. in the end that stuff is for trans women and as funny as the joke of boy headmate in tma body is i think my position as boy headmate makes me not the authority on actual meaningful discussion