#he's incredible i love him

[platoapproved]

louis + cruelty

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[crumb-crumblet-s-crumbington]

"You and me, Ethan. Together we go save Rose, and then we can grind Miranda into paste!"

[verishii]

Absolutely incredible how a season based on chaos and trickery got won by the one of the most chaotic and impulsive players not through living up to that wildness but by doing the opposite and subverting it.

[aslyran]

Visions

[poorly-drawn-mdzs]

Tis but a flesh wound!

[First] Prev <–-> Next

[cattamouche]

I think scara is a sloppy kisser...

he can be so, so impatient and even more emotional. all it takes is your addictive smile and a warm welcome-home-hug after a particularly long day of work and his feelings start to spill over so quick at the reminder that hes so fortunate to have somebody to come back home to. someone who loves and accepts him even with all his flaws, who has stuck with him through thick and thin. his person, who does so much for him every day, just because you love him. of all people, you love him. and he gets so emotional over the fact. he wants to feel all of you, grabbing at every inch of your body he can reach and holding on so tightly as if you're moments away from disappearing. he gets so overwhelmed he forgets he's the only one who doesn't need to breathe, and you're left pushing his face away despite his attempts at chasing your lips just to catch your breath because my god is he relentless. now you're suddenly pressed against the wall, forehead to forehead and panting in your living room, his silent apology at the realization that he once again got too carried away is to just stare. admire the way your eyebrows crease and your eyes are half lidded, mesmerized by the way he singlehandedly got your chest to rise up and down at such a fast pace he almost begins to mimic it. but all he does is watch, impatiently so, waiting for you to catch your breath and give him the greenlight to keep going.

[geraskierfanficprompts]

Prompt 140

"What?" Geralt asks, frowning, a furrow in his brow. "I turn into a wolf every full moon." Jaskier repeats. "How-" "You were always away on a hunt. You'd just meet me back in the morning." "...You were a werewolf this whole time?" "..Yes. I- I'm sorry, Darling. I never wanted to lie." "Why didn't you trust me with this? Did you think I would hurt you?" "No! I thought I would hurt you. I'm not myself on full moons, Geralt. I can't even remember them. All I know is that the moon raises, i feel this ache in my bones, and the next thing I know, I'm waking up the next morning, nude, with a full stomach of what is HOPEFULLY nothing gross." "...You've not transformed in towns, have you?" "No! Of course not! I'm terrified of hurting someone, Geralt! That's the only reason I'm telling you now! I got the charts mixed up, I thought the moon was still a week away, but it isn't, and we're near a town, and I need you to keep me restrained." A long pause settles between them. "You want me to guard you?" "Guard them. From me. Keep me trapped in a shack and- And lock it up tight. Chain me, hurt me, knock me out, whatever you must do. Keep me from being a danger. I never wanted to be a terrifying beast, Geralt." Jaskier says, with those damned wet doe eyes of his. Geralt agrees. Because he doesn't know a world where he wouldn't. Mere hours later, Jaskier is sat against a beam in an old rundown barn. He's tied up with rope, and chained on top of that. There are no windows in the barn, the door is fully barricaded and locked, and Geralt guards it. "You really should guard it from outside" Jaskier had said. "I'm not leaving you to do this alone. You never should have had to." Geralt replied. Thus, Geralt stands and watches as Jaskier pales and starts twitching. The moon is rising. "It's coming- I'm going to be a beast." Jaskier says with fear, before the transformation takes the air out of his lungs. Geralt watches in horror and awe as Jaskier's body changes, changes, changes.... In... Into a songbird? sitting on the ground is a fat little songbird. It easily hops over the ropes and chains, now much too lose to hold it. Him. Oh my gods. Jaskier's not a werewolf. He's a... were.... werebird... And not even a scary one. Jaskier starts pecking the barn floor and Geralt rubs a hand over his face in exhaustion. He prepared for the worst, and instead is treated to watching Jaskier struggle to bathe in a trough. "Jaskier, it's too deep." He tells the bird, as it fluffs up it's wings. "Jaskier, you're going to-" Jaskier tries to take a step into the birdbath, only to fall, dunking his whole fat little body into the depths of the trough. He flails about in the water, chirping panickedly. Geralt rushes to his aid, gently lifting him out of the water with gentle hands. Perhaps guarding over Jaskier will still be a challenge after all.

[paxopalotls]

Bro does *not* know how to handle being a celebrity

[laniidae-passerine]

There’s a very easy way to get around the fact that Assad is unable to pass for a teeenager if the show wants to adapt TVA and that’s to rely on the theme of unreliable narration. Armand begins retelling his history and according to him, he looked like he was in his early adulthood. No older than twenty four, for sure, but also not any younger than twenty. And then, just when the audience has bought it, just when this version of events has been presented as the truth for long enough, someone questions it. Asks if he really looked like that. Asks if he’s being honest with himself. And for the briefest moment, we flashback to Amadeo, the age he was when Marius first saw him. Beaten, shackled, afraid. And undeniably a child.

[vaguely-concerned]

literally never am I getting over the unexpected and acknowledged throughline in this game that 'part of the reason lucanis is so good at what he does is, surprisingly, that he has a frankly remarkable capacity for empathy'. his instinct for it is so strong that it even kicks in looking at actual demons he's been culturally conditioned to think of as mindless monsters and lets him realize that they are just as innocent in the middle of this horror as every other prisoner, which is what helps him survive in there and reach an understanding (and even a warmth beneath it all!) with spite, when spite was at his most terrified and confused and needed him. it makes him an incredibly kind and devoted friend, and a terrifying enemy. shorn of most of the compassion that goes along with it in his private life, he uses it in his professional one as one more knife to kill with as easily as he does in SO gently and softly helping to untangle lace harding's people pleasing problems with her. so long as the three categories of people -- family, enemies, targets -- stay distinct and separate in his head, this seems to be working out swimmingly for him! (well. that's probably what he'd tell you at least lol it's certainly helped him survive and do his job I'll give him that.) the MOMENT the lines start to blur, he is fucked. this dude was compartmentalized to hell and back long before the ossuary.

(he shares the 'incredible insight into people and human nature -- as long as I don't have to interpersonally engage with and adapt to it on the spot. b/c then you'll see the biggest mess you could ever imagine' trait with merrill. which does make quite a bit of sense in that they're written by the same person and also in my estimation a not entirely dissimilar shade of autistic lol. also yet another tick on the 'lucanis - iron bull parallels' tally haha. 'ben-hassrath, kid. we can use anything.' what if your circumstances and upbringing forced you to turn some of the kindest fundamental instincts inside you into tools for violence and you only got to keep guarded scraps of it for yourself. what if you're so fucking scared it'll break bad inside you some day and turn you into a monster and you'll end up hurting the people you love. saddest freeze slash dissociative trauma response handshake meme duo To Me)

[sesamestreep]

I really feel like one of the best details in “A Scandal in Bohemia” that I never see people fixate on enough is that the story starts with Watson stopping in to see Holmes at Baker Street on a complete whim, because he happens to see that he’s home (and Watson is now married and living elsewhere). Like he doesn’t send word first, he’s not invited, he just shows up and surprises Holmes. Which is not that weird but then Holmes is like “oh good, I’ve got a case anyway, you might as well hang out!” which just makes it funnier when the King shows up and is like “I’d really rather speak to you alone, actually” and Watson tries to leave and Holmes is just like “anything you can say to me, you can say to my best friend John Watson, and if you ask him to leave, I would consider it a grave insult, you would be my enemy and I will not help you ever!!” And the king is like “…ok” and just moves on.

like, that is crazy behavior. Holmes is talking about how there’s probably lots of money in this case, and then almost turns away the client for…not knowing who the fuck Watson is?? He’s not even supposed to be there?? He just came to say hi?? “It is both or none”… girl, GET UP.

[egophiliac]

so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!

with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:

[o-sunny-day]

@forgettable-au FAN ANIMATION ! LOUD NOISE WARNING!

*What was it all for…?

Song: Vishnu <3 by Peter Cat Recording Co.

…okay.

The main inspiration for this…can be summed up with I LOVE HOW SAD THIS CONCEPT IS. BUT i also adore how WEIRD it is.

This whole thing must be pretty weird and creepy for the characters right??? Like- we dont know for certain what EXACTLY is gonna happen, but we know for a fact that Wingdings finds out hes in a game, then kills himself so he can be closer with god-

THATS PRETTY WEIRD 😭😭 also sad but we can ignore that for now

I also experimented a tad with this in working with silence, so timing things at my own pace! It was really hard! I HAD SO MUCH FUN!!!!!!!

But, time for my FAVORITE PART….ANALYSIS!!!

DISCLAIMER: some things stated as fact haven’t been said in the blog/arent canon to the au itself, just my animation/theories/interpretation, cause i’m silly and headcanoning :3

TITLE:

The proper title ive given this is “To You” which means 2 different and very vague things. What happened to you? and sending a message like “this is To You”.

In that case, “you” is whichever version of Papyrus/Wingdings/Gaster you want- Its not exactly clear which version of him means “you” which is kinda the point. The lines blur together sometimes…

But yeah, Gaster/crazy WD sends messages TOO himself so they’re “To You”

CONTEXT

Wingdings has JUST turned himself into Gaster. Ignore how impossible Sans interacting with him in this moment is, and just hear me out on the angst possibilities-

SCENE 1

As Sans approaches the mess- Gaster is encased in shadow, and looks at him. Expression not telling much- just looking blankly. Doesn’t even look like he’s alive… just… moving. Also the eye thats open, is just a slit. because- perspective. BUT I also had fun putting that there and going hehehehe it looks like WD/Papyrus’ eye

Sans approaches, and getting engulfed in the shadow, leaving the light.

His expression here was REALLY fun and REALLY hard to draw. Angry? maybe. stunned and terrified? DEFINITELY.

In this context (that doesn’t have a lot to go off of with the comics, YET) Sans knows that this was all very much intentional. He absolutely does not want to be angry, and is certainly only feeling it subconsciously.

But… he wanted so badly to understand, and enter his brother world. But now, Sans is just… Baffled. Hes like “what the fuck did you do???”

SCENE 2

Gaster continues to look blank. Looking up at Sans as he approaches, encasing him in even more shadow.

Sans’ hand reaches to Gasters face. From Sans’ perspective, his intentions are like checking for a pulse. Not literally ofc cause pulses arent on our face- but like, feeling for him. For a sign that something is there. (It’s also meant to be something motherly/comforting)

But then, Gaster leans into the touch, somewhat reciprocating this wordless “ive got you” gesture. That’s what makes Sans go from Terrified to just purely grief stricken. His brother is still alive. And he loves him.

But this form wont last for long…For universe fixing screw ups reasons :D 👍

SCENE 3

Gaster then opens his eyes, revealing hes even still got eye lights available for him. Thats what just SHATTERS the dam, and Sans embraces him suddenly.

SCENE(S) 4

Then, the “reset” happens, Gaster is gone, and Papyrus appears in place of Wingdings in his bed.

Nothing is boiling to add to a “frozen in terror” feeling!

Now- drawing all of the differences between the past and present rooms. DESTROYED ME. i HAD SO MUCH FUN BUT I ALSO CRIED 😭 There are no thank-you letters to santa, no racecar bed, no silly bone painting, no action figures, just BORING

I also wanted to keep everything monochromatic, so ofc we’ve got black and white for the void/Gaster, blue for Sans, red for Papyrus, and purple for Sans and Papyrus together.

The tape recorder and lab coat are still greyscale though cause Wingdings still has SOME of his stuff lying around. But the tapes are indecipherable, and Papyrus threw out that lab coat the first chance he got. It gave him the absolute worst feeling, worse than anything he’s ever experienced.

Something I also really enjoy is the fact that the dress shirts were still technically Wingdings’ but they’re red for Papyrus. The lab coat is the only real WINGDINGS thing that Papyrus wants absolutely no part in. Some things that were Wingdings’ are now Papyrus’ cause :D👍

in place of the bone painting are just family photos that I also have extra to say about. Someday I wanna make a comic of what happened to those/what I think would happen to em.

One day Papyrus is like “HEY UH- SANS! THESE PHOTOS! I DON’T LIKE LOOKING AT THEM! CAN WE NOT!?” Aka, he doesn’t remember these things happening/these photos being taken… BUT THEYRE PHOTOS OF HIM.

So he just feels really uncomfortable looking at memories he should reasonably remember, but doesn’t at all- and Sans gets that. But he keeps em in his drawer. Then! they hung up the bone thing in place of it cause SILLY!

But the family photos, I still had fun with. From left to right theyre a photo of Semi with the twins, the twins as baby bones, then as slightly older kids, then WDs graduation photo.

CONCLUSION!

This entire thing was so much fun, and I feel i’ve really grown as an artist over the process of experimenting and not being knocked down by annoying setbacks,

Also, as usual, Works In Progress’ plus extra behind the scenes stuff will be posted shortly after this!! YIPPEEE!!! HAPPY NIGHTMARES!!!!!

OHHHH ALSO EXTRA ART!!!

“AREN’T THEY BEAUTIFUL?”

That silly moment when your clone is really weirdly obsessed with stars and enthusiastically holds your eye sockets open to show you them

[crumb-crumblet-s-crumbington]

hi wintersberg nation

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.