globalspaceandrocketgroup

[andreburakovskyisgod]

I started writing this Cole Sillinger/Adam Fantilli fic after seeing the NHL videos they did together and it’s devolving very quickly into me seeing how much anxiety I can give Cole about everything. I haven’t even written anything shippy yet.

[tealottie]

imagine if della, like, actually got to be there

[cream-and-tea]

what she says: yea i’m fine

what she’s thinking: the story brought both carpenter and faulkner to their inevitable end points that have been foreshadowed from the v first episode of the show ambiguity of carpenters death aside she stood on the banks of the river singing like her nana glass and was gunned down by the military and faulkner was drowned dragged delivered by the god and story he had let devour him but. but. before those things happened right before the narrative reached its end both of them stood up and said no! i want to go forward! i want to find something past this whatever it might be i don’t want it to take me yet im going to keep on walking! and it was too late! the thing is it was too fucking late!!!!!!! the aquifer was already flooding the soldiers were closing in she was to hurt to run he can’t swim. the chance had come and gone at the beginning of the episode for any hope of them reaching each other ever again but even though it was too little too late never ever going to be enough they both looked the site of their doom in the eyes and said i do not accept this. not here. not now. i am staring at you– the thing that will eat me — and resolving to pry open the jaws and choose to use the last moments of my life (whether i know it or not) to run and stumble and crawl and cry and sing in the hopes of reaching the people who matter to me more than being made your meal. and of course they got fucking eaten anyways. of course they did bc they were walking towards it from the beginning. but there is a way out, there is a way forward, there is a land beyond the storm that is possible to reach if you choose to step out of the story that has been built for you to find it. we walk on, with a rough and tarnished hope, and a tangled, ruined love. it can end with love, and it can end with kindness. even as the jaws are closing. ours is a world of miracles.

[hinamie]

hhmmmmm uh im dusting the cobwebs off my brain trying 2 come up w something interestinf uhh.......anything non spoiler-y you can discuss w regards to geto in the atla au perchance?

hi rin !!!!! tysm fr sending i hope u r doing well <3

atla geto lore fr u courtesy of sam:

he's a waterbender from the northern water tribe. he can bloodbend but finds it distasteful

he gave gojo the betrothal necklace/proposed to him when they were 20 (all of the adult characters are aged up in the fic vs jjk canon ages)

all of his decisions are driven by a desire to lighten the burden placed on gojo's shoulders

aaaaand atla geto draws fr u courtesy of Me :3

jjk atla!au with @philosophiums

[anna-scribbles]

if the agrestes weren't rich i think that gabriel would be the normal one. like gabe's problem is that he stopped running into natural limits due to absurd wealth and his obsessive nature led him to develop some kind of god complex where he won't accept that anything is out of his control. I think that if gabe was broke again and just simply couldn't afford to go on an international goose chase for ancient magic artifacts of untold power, if he had to work a 9-5 to live and couldn't just disappear into his basement lair to commit domestic terrorism and say evil monologues to himself, then he would be way more normal. he'd just be some guy. he might even let himself have a mowhawk again. but I think that emilie would be way LESS normal if they weren't rich. like emilie needs so many people to be obsessed with her so much all the time in order for her to function. and gabe would still have his toxic codependent obsession with her, sure, but that wouldn't be nearly enough. emilie has to be at the center of the world's spotlight at all times because she doesn't know how to exist if she's not performing. anyway all this to say I am so certain that if the agrestes were not disgustingly wealthy, emilie agreste would one million percent be running a massive family vlogger youtube channel

[thewhizzyhead]

looking at the npmd tumblr posts I'm kinda glad that we seem to be all on the same page when it comes to npmd's portrayal of bullying and that putting a stop to it isn't as easy as simply having the victims stand up to them - examples being Max still beating the shit up out of Pete, Richie, and Ruth even when they make a stand in their own way. Standing up to them directly and telling them "i'm not a loser" or "you're just a bully" or something along those lines in order to take away their power is simply a disproven cliche because bullies don't care if their victims retaliate. They only care about the power they hold and when such power is taken away from them by force - so kudos to Starkid for having bullying portrayed as not just a regular schoolboy nuisance but as genuinely life-threatening shit that needs to be taken seriously because if it isn't nipped in the bud, once that bully gains more power, they will grow crazy with it.

[shriika]

"who are you?"

@fancifulplaguerat got me thinking about nina and victor and now i genuinely cannot stop... (doodles below the cut)

[amuelia]

small drawing as im looking forward to watching tales of the empire tomorrow

[ghostdrinkssoup]

the thing that really gets me about mizumono is that will doesn’t even fight back. he saw alana mangled outside. he knows jack might be dead. he has a loaded gun in hand. but not once does he try to hurt hannibal. he doesn’t even shoot. will just lets him caress his cheek, fingers curling into his hair. there’s no resistance. when hannibal stabs him, will leans into it. he doesn’t want to escape. and it all hurts so badly because it’s not like will tricked hannibal into loving him; he simply persuaded him that he might love him back. because that’s what will thought hannibal did to him in s1, and only now does he realise that maybe it was more real for hannibal than he thought. or worse, that maybe he wants to be with hannibal regardless of whether hannibal genuinely loves him. that maybe it’s worth it to be close to him, even if his touch splits his stomach open

[barrel-crow-n]

I was just thinking about how Kaz built this heartless persona for himself and how everyone falls for it to varying degrees: He's widely regarded as a monster and as "not made right"; Inej thought he wouldn't come for her and that once she was useless to him that he would discard her; Jesper never knows where exactly he stands with him; Nina "doesn't want to know what dark hole he crawled out of"; Wylan calls him "the most vengeful creature he had ever met"; Matthias believes he's a demon. But in reality his true motives for most things are love and grief and loss of family.

Kaz only wanted money for revenge, he didn't want to try and build a meaningful connection with Imogen because she would distract him from pursuing his vengeance, he only mentions how Pekka conned them out of money to explain how they ended up on the streets, how it was never about the money but about Jordie.

Kaz says that he and Jordie were such easy marks because they missed their dad. Kaz's biggest gripe was not just the loss of Jordie but the illusion of a home and family that Pekka had snatched away before the plague snatched Jordie away too.

It all always leads back to Jordie and his loss and avenging him and about never wanting to be that vulnerable again. Kaz created Kaz Brekker to protect himself, to hide his vulnerabilities. His grief is hidden behind a fake name, his naivety is hidden behind violence, his touch aversion is hidden behind the gloves.

Kaz pushes people away because he fears what will happen if he lets them in. He gets mean when he's vulnerable to hide said vulnerability. He did it in the clocktower, he did it in the bathroom. After he accidently calls Jesper Jordie he lashes out verbally and physically, when Inej asks about Jordie and Pekka's involvement in what happened he recounts how he tortured someone. In both incidents it's again Jordie that he's hiding, that is causing him to be vulnerable. It always leads back to Jordie. Even with Van Eck! He's again angry that he fell for what he fell for before, the thing that made him lose Jordie making him temporarily lose Inej.

In both the Jesper and Inej examples he hides behind violence - by brawling with Jesper and recounting a time when he tortured a young boy. He does this because he loves Inej and Jesper, and it scares him, and he doesn't know what to do with it. Because everyone he's ever loved has died in horrible ways (his father was torn apart by a plough, his brother died from a horrible sickness) and he doesn't want to go through it again - especially since he still hasn't let go of Jordie, although it has been eight years.

Kaz is a person who loves so deeply. Who is mainly motivated by love. Who, when Pekka asks him what he wants, replies "Bring my brother back from the dead." because he never cared about money, nor power, nor anything else. He just wants his brother. All he wanted this whole time is his brother, and since he no longer has him he lashes out, all hurt and grieving. He's hurting so badly that he destroys everyone even mildly involved in what took Jordie away from him. But he only did that because he loved Jordie. It wasn't revenge for the sake of money it was for the sake of love. It was for the sake of Jordie.

Kaz loved Jordie so much that he became the most feared person in Ketterdam, that he took down the King of the Barrel and a merchant from one of the oldest families in Ketterdam (because even if his gripe with Van Eck was unrelated, it's because of Jordie's loss that life snowballed into their interactions and the consequent betrayal and destruction of everything Van Eck held dear). Kaz loved Jordie so much that it changed the entire course of the narrative.

If not for Jordie's loss the heist wouldn't of happened, all of the Crows lives would've been different, some of the Crows would even most likely be dead, and this extends even further to much more major things. The King of Ravka managed to steal the titanium because of his help which will aid Ravka in wars, the path to jurda parem is no longer in the hands of the Fjerdans and a cure is being safely developed in Ravka because Kaz rescued Kuwei, Wylan took over the Van Eck empire because Kaz tampered with Van Eck's will and papers, Inej is working on taking down the slave trade which is only possible because Kaz freed her from her indenture, Nina became the queen of Fjerda because of things that Kaz started (her joining the Dregs instead of being indebted to the Dime Lions, him freeing Matthias, him organising the heist, Matthias dying in the aftermath, her going to Fjerda to bury Matthias and the results which ended up being her and her new lover on the Fjerdan throne trying to fix prejudice against grisha, and women, in the most conservative country).

All of it leads back to Kaz. And he did all of it for Jordie. It all always leads back to Jordie. Jordie and Kaz's love for his big brother and his grief over having him snatched away from him.

[bleuarte]

Lord Esen in she who became the sun

And General Ouyang in he who drowned the world

[leoisstillalive]

not someone asking if marc did pecco a favour in the championship like people thought back in 2015???? im going crazy

the fate who is writing this damn narrative just spilled his ink pot of tragic irony all over the page wtf

( @motogpnewbie pointed this out already but i wanted to post the clip because i think it's super sweet)

[stardustedknuckles]

It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.

Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.

There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.

And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.

[greenfiend]

[eliotquillon]

i think a lot about john and ian and their strange, implicit estrangement. it is never explicitly addressed but it is there. blunt going out of his way to say that ian was a good agent but john was a better one. alex always being compared to john despite ian being the man who raised him. ian never telling alex anything about his parents. john never sparing a thought for ian in the snakehead coda. ash being chosen to be the best man at john's wedding and alex's godfather instead of ian. ian being recruited to mi6 straight out of university while john went military and none of it mattering in the end because it was still john who was chosen for the scorpia mission, john who died the hero, john who got blown up and martyred while ian's own death barely registered. you're twentysomething years old and your older brother has just been murdered after being better than you at the one thing you are defined by and you will spend fourteen years raising his son, and none of it will matter. here's a question: why does ian hate being called 'uncle' so much? here's another: can you still be an uncle without a brother?

[arianna-creates]

Something something... mama's boy... something something... doomed yaoi...

Guys I'm gonna be honest here and say that I think that Timothy Jackson Drake-Wayne— the boy who became Robin to save Batman and keep Robin's legacy alive, the boy who was haunted by this poor dead boy and constantly hallucinated his existence, the boy whose middle name is a constant reminder that his father is dead— would NOT want to name his kid after a dead person! I know lots of people are fans of him naming his kids Jack/Jackie or Wendy, but I can't really see him naming his kid after a TV character...I wish I was good with baby names so that I could branch this out a bit,,,

N E WAYS this silly little phone sketch was bc of @hyperblue 's post!! <3 Thanks for the inspo!