#he’s directly responsible for all of her trauma

[the-fallen-blue]

Aveline is a fascinating example of a phenomenon I like to call "expectation bias." Because let's be real, Aveline is a dirty cop who makes exceptions to the law for her friends. She makes Hawke deal with things, from thugs in the street to qamek terrorism, that are the Guard's job, but also like. Dangerous, and Maker forbid she put her own people at risk, even to protect civilians, even though that is their one and only reason to exist as an organization. She botches the Lily Killer investigation, she only doesn't show Donnic favoritism because he gets mad when she tries, she puts rapists on administrative leave and is thus a major contributor to the disaster with the Arishok. She's a disaster who's actively corrupt and bad at her job.

However.

Isabela is a pirate who is the only reason the Qunari were even in Kirkwall to cause the disaster with the Arishok in the first place, who will not even return to try to fix the problem she caused unless Hawke makes a point of befriending her. Fenris murdered an entire group of Fog Warriors who had been protecting him, can hypocritically murder his own sister for doing the exact thing he did with the Fog Warriors for the same reason, will look a romanced mage Hawke directly in the face and say "what does magic touch that it doesn't spoil." Merrill brings a formerly Blighted artifact that she doesn't understand into a thin-Veiled, densely-populated city and spends seven years projecting all responsibility for her own actions onto her clan and being mad when they don't thank her for it. We hardly need to talk about what Anders gets up to, and even Varric is the most #bothsides centrist fence-sitter who ever sat on a fence, which is not a great trait in someone who could probably have set himself up as Viscount the minute Dumar died and saved everyone a lot of pain and suffering. All of these people are corrupt disaster shitbags. Aveline is not special! Every single member of the Kirkwall Crew is an ugly mess, and every single one of them is that ugly mess because of profound trauma, and generally speaking, we understand that and forgive them their vices and love them for their virtues.

But with the rest of them, their trauma is upfront. Their dirt is upfront. This is a pirate, this is a deserter twice over, this is an exile who practices magic that everyone in the setting, including her own people, condemn as evil. The player is presented with a flawed character, and expects and embraces the flaws they find. And in this and this alone, Aveline is different. Aveline claims to stand for Order, for the law, for doing the right thing. She's a guard, a keeper of the peace. The player is presented with an archetype of righteousness, and when they find flaws, they pull up hard, immediately condemning them. Is anything Aveline does worse than murdering the people who took care of you at your enemy's behest, or starting a minor war that gets half a city killed out of selfishness? Of course not. But we never expected better from Fenris and Isabela. Aveline, though. Aveline's supposed to be good, right? She has no leeway to make mistakes at all.

"aveline is just a cop who only cares about maintaining the status quo and actively works against the underprivileged" aveline is an ex-soldier who lost her men, her home, and her husband all on the same day because of one man's attempt at seizing power for himself and has made it her purpose to ensure that no one will ever be used as disposable fodder under her watch again. should hawke challenge her authority and her decisions the player will slowly realize the hard armor she wears is chipping away and the woman underneath the role she has forced herself into is deeply insecure and constantly second guessing herself and her capabilities as a leader and the reason she is so staunch in her adherence to protocol is because she's learned that even a millisecond of hesitation leads to loss of life. aveline is literally loyal to a Fault and this is immediately shown all the way at the beginning when she willfully follows hawke into the criminal underworld and even continues keeping the guard off your back when she's earned enough coin to stand on her own without you and btw she is literally the most difficult companion to drive out in the endgame she will literally Only leave hawke if for some reason you just straight up ignored her entire questline she abandons her own values time and time again throughout the entire game for anders for merrill for varric for fenris for ISABELA because despite her surface level actions being so rigidly tied to the law aveline is dictated only by her love for her friends and comrades

[wander-wren]

i’ve never seen a darkling stan talk about genya. i’m just saying

[please-picturemeintheweeds]

Re: the end of your Joever/renegade post, it’s almost like wondering at what point does the “rough patch” cease to be a rough patch and just how the person *is*. As in, this is just how they choose to exist or are most comfortable living as a person.

(Not villainizing him at all, it’s just alluding to what you and others said… at some point it stops being a single issue or issues to fix and starts revealing itself to just be fundamental differences in compatibility and outlook.)

Just got this and I know it was sent pre-TTPD tracklist, but yeah!! Like it makes so much sense to me that a relationship would take over a year to go from Renegade to YLM and then another year to reach breaking up for good. That honestly feels like the most normal progression in the world, and I’m sooo interested to hear how she describes this experience and gives voice to something that I think a lot of people have been through.

I’ve talked about it on here before but my current relationship is 6 years old, and Renegade literally sparked some very VERY serious conversations for us when it came out because it gave voice to things we were dealing with and we were able to address using the language she offered us in the song. That was a definite “rough patch.” We nearly broke up, and had a real epiphany about things that we both needed to change in order to continue, and the types of support we both needed in order to stay safe and healthy. I felt so seen by Renegade and then in midnights as well- labyrinth and The Great War come to mind - the decision to stick it out. When I heard about joever it hit me (and others, from what I’ve heard!) suuuuper hard because it was like wait. Whatever measures they took after Renegade and the Great War actually didn’t fix it; what does that mean for me!? I was soo shaken up because of how strongly I related to the struggle (as it was portrayed to us). But that gets to the point of this ask: the difference between a rough patch and something un-fixable. I’m certain this will come up on TTPD, and it’ll be a deep portal time travel exploration of how she came to that exact conclusion. I can’t wait.

[theres-whump-in-that-nebula]

This house is so fucking gloomy and depressing. All the time. It’s oppressive. Religious doctrine looms over it like a vengeful spirit exacting punishment on an innocent family who recently moved in; except, we’ve been like this since before I was born.

[blueprint-han]

did i make a mistake?

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[darkmatilda]

𝐬𝐧𝐨𝐰𝐛𝐨𝐮𝐧𝐝 𝐬𝐨𝐮𝐥𝐬 | 𝐬.𝐫𝐞𝐢𝐝

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: spencer had heard rumors that a few female students secretly had a crush on him, but he always dismissed it as a joke and never intended to engage in any kind of relationship with them. that is, until a certain bright and quiet one caught his attention.

𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬/𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐭𝐰: professor reid x student!female reader, spence's pov only, uni looks like a f1ucking hogwart just for the vibe, reader having some daddy issues and revealing some past experiences, father's death anniversary, trauma dumping actually but it's not a self-insert story i just really got into it lol, age gap, fingering, insane sexual tension during their convos, kinda socially awkward reader who's also an irony queen from time to time, talking, lots of talking blah blah

𝐚/𝐧: a special dedication to my beloved girlies who feel that if they ever crossed paths with spencer reid they’d be too stupid to talk to him. it's also a request i got from one of you <3 hope you'll enjoy it

𝐰𝐨𝐫𝐝𝐬: 8.9k

Dr. Reid didn’t notice her right away.

Alright, fine. Dr. Reid did notice her. His analytical mind placed great importance on everything happening around him. He observed the faces of his students, instantly committing their names to memory—he wanted to know who attended his lectures. A more accurate statement would be that, at first, he didn’t pay her any special attention.

She struck him as quiet. And she was quiet. Silent and observant—that was the impression he had of her. When he formed that opinion, he wasn’t thinking about her yet. While reading, he didn’t wonder whether the book he had chosen would appeal to her, nor did he consider which aspects of it might draw her into the depths of discussion, making her usually tightly pressed lips come alive with unceasing words. Arriving at the university with a briefcase in hand, his coat tightly wrapped around him, he didn’t fixate on the ever-thickening layer of snow or brush its delicate flakes from his hair. His mind was entirely absorbed by thoughts of whether her clothing was suited to the weather and if she might be cold. Most importantly, when he formed that opinion, his gaze, upon entering the lecture hall, didn’t immediately begin searching for her face—unassuming and half-hidden among the others—before he’d even greeted the rest of the students.

Because when he formed that opinion, she was just a student, like all the others.

His lectures with her group were held twice a week, at a time when everything outside the window slowly began to gray, and they usually ended with a sense of relief for all the students, as another day of study came to a close. Reid always stayed a moment longer in the room, ready to answer any lingering questions or offer help with any issues. These questions often repeated. Sometimes, when he felt particularly tired, he didn’t have to exert much effort in his responses. That didn’t mean, of course, that he was ignorant. It was simply that his lips seemed to know the right words; he didn’t need to fully wake up or concentrate.

It was the same that late November afternoon. She approached slowly, almost shyly, to his desk, waiting for the moment when everyone else would finally disappear through the door. As if she were embarrassed that her question might reach unwanted ears. He lifted his gaze to her, immediately noticing her retreat and uncertainty, and smiled gently, encouragingly, to embolden her. And the question she asked had the effect of caffeine injected directly into his veins.

His brain immediately sprang into action, so absorbed and genuinely intrigued. Surprised, even. He answered her question, of course, but when he felt the penetrating, eager gaze of her eyes on him, he couldn’t shake the feeling that everything he said was inadequate and couldn’t satisfy her curiosity. He even became somewhat stressed and lost his train of thought. A slight hint of amusement stretched her lips, but, luckily for him, she ignored it, sparing him any embarrassment. They discussed a topic unusually connected to the lecture, and he hadn’t felt so intellectually engaged in a long time, though it lasted only a quarter of an hour. Afterward, she disappeared through the door like everyone else, thanking him for the answer before she left.

He didn’t hide the fact that his thoughts returned to that conversation. And when, after another lecture, she approached him again in that same characteristic manner, he hoped she would pick up where they left off. That they would continue their discussion exactly at that interrupted point. But her question was about something else, something equally fascinating, and at that moment, in that instant, he completely erased everything from his mind that had come before, fully absorbed in what they were now discussing.

Slowly, it all stopped being solely about criminology lectures and started touching on every possible tangent, from literature to more mundane matters, like current events at the university. But no matter what they were talking about, he approached it with the same level of engagement. He was pleased that it had become their little ritual.

Being, let’s not shy away from the word, a genius, meant that it was hard for him to find someone on the same intellectual level. And he didn’t say this with disdain for others, absolutely not. Spencer always enjoyed those little chats with others, truly cherished the time spent with his close ones. He just sometimes needed that kind of intellectual stimulation.

With the second week of December, something changed.

It was probably something about her general mood. Well, this month was often exceptionally depressing for a large portion of the population, but it didn’t seem like that was the issue. She had once mentioned to him that she really valued winter.

 “Really?” he asked then, resting one hand on the desk. Usually, their conversations followed the typical, unspoken arrangement of their bodies in relation to each other. He, more relaxed, often prone to gestures, and she, much less expressive. Her hip didn’t tilt to either side, she maintained a straight posture, and liked to hold something in her hands—like a notebook. When she had nothing, her fingers gently brushed the edge of the desk. Spencer couldn’t help but constantly lower his gaze to her hands and analyze their subtle movements. When he spoke, they remained still, frozen in focus. When she spoke, they would move in fluid, wave-like motions to the sides. He tried not to stare too much, as he was sure that if she caught him, she’d stop. But he liked those moments of uncontrolled naturalness in her. “What do you like about it so much?”

Her facial expressions were fascinating. Complex, like the world depicted in some novel. At the same time, difficult to decipher; sometimes, he had to guess what some small gestures meant. She blinked rarely, and when she did it more often than usual, it seemed to substitute for a shrug or uncertainty.

“I think it’s mostly how short the days are. When one of them turns out to be a failure, you don’t have to wait long until the new one begins.”

“When a day feels like a failure, you don’t have to write it off completely. Maybe sometimes it’s worth trying to fix it, at any moment you find yourself in.”

“That’s very wise advice, professor. But not for me,” she scoffed. “When something goes wrong, I’d rather start over right away than linger in that bad streak. Even when I make a mistake while taking notes, I...”

“You tear the page out and start writing on a clean one,” he blurted out the end of the sentence, his back straightening slightly when he realized he had said it out loud.

He had noticed how she did that, not once or twice. However, he was slightly embarrassed by the fact that he had admitted to staring at her during lectures. And he didn’t do it on purpose! Most of all, not obsessively. It just happened that the longer they knew each other, the more their private conversations continued, the more often his gaze drifted toward her. Sometimes, while analyzing a topic, he was so curious about what she thought, specifically what she thought, that he simply couldn’t stop himself… although usually, he still couldn’t read much from her face.

At his observation, her hand resting on the edge of the desk froze.

“Exactly,” she admitted, giving him a gentle smile. He looked at her more closely then, noticing the slight radiance on her face. That expression suited her. It wasn’t as if she always wore a completely serious or sad face. More often, though, she hid her emotions instead of eagerly presenting every little feeling she had. She cleared her throat, and Spencer immediately dropped his gaze. “I hope the sound of tearing paper doesn’t throw you off rhythm.”

“Of course not,” he reassured her quickly. “Don’t even worry about it. The only thing that throws me off rhythm is conversations.”

“That doesn’t happen often, though,” she replied. “I mean, others don’t talk to each other when you’re speaking. It’s completely different in other classes.”

This comment surprised him immensely; he frowned and asked what she meant by it.

"Maybe it's just my observation," she noted at the start. "Maybe it's about the way you speak—you’re... you're very engaged in the topic, and listening to you is so pleasant that others don't feel the need to make silly remarks or interrupt. Or maybe..." She suddenly stopped, a tension flickered across her face, as if she desperately wanted to pull back from what she was about to say.

"Or maybe...?" He couldn't stop himself, so curious to hear the end of the sentence. Then he noticed her discomfort, her gaze fixed on the desk, embarrassment washing over her. His curiosity wasn’t worth making her feel that way, and he quickly scolded himself. "It's fine, you don't have to continue..."

"Or maybe I just think that others are quieter because of how focused I am," she blurted out in one breath, pressing her lips together in embarrassment. Spencer felt an unidentified shift in the rhythm of his heart, beating against his chest. "On you. On the lecture, of course."

"On the lecture," he repeated, his voice strangely husky. He swallowed, trying to clear it, struggling to find the right words. "I'm... I'm really glad that you find everything I say so interesting."

"Of course I do," she replied carefully. "Criminology is my passion, and it's the field I want to explore as deeply as I can. And you're a huge authority to me. Like, I’m sure, to all the other students too," she added hastily.

As December progressed, their conversations became a bit less lively and shorter. Or maybe it was just some mistaken impression of his? Maybe he had grown to like them so much and looked forward to them so eagerly that no matter how long they lasted, it would never be enough for him? He felt strange with such a thought and immediately reprimanded himself. He shouldn't be placing so much importance on his meetings with his student. 

She shouldn’t occupy his thoughts as much as she did.

Brilliant, now he was starting to pin all the blame on her. 

Pathetic.

Looking back, that day was exceptionally bright. Snowflakes fell relentlessly from the sky, twirling in a dance-like motion and tracing delicate patterns in the air. A thick layer of snow on the windowsills cast a white glow across the room and seemed to shield the interior from the intrusion of any potential darkness.

Spencer had promised himself he wouldn’t look at her the moment he walked into the room. And yet, he did. Though she might have seemed like a loner, she had a small circle of friends—three, to be precise. A quiet girl, a guy, and, finally, another girl who was their complete opposite, always seeming to voice the thoughts of their entire group aloud.

Before his arrival, they seemed to be discussing something. She was only half-listening, her eyes fixed on the book she was reading. When she did respond, which was rare, her lips barely parted. Meanwhile, as she turned the pages, her hands gripped them so tightly it looked as if she might tear them apart.

He mentally noted the detail, curious about what kind of book could evoke such emotions in her. He desperately needed to know the title. Or maybe it wasn’t about the book at all? It didn’t matter. He had to find out anyway.

Reid couldn’t make out the writing on the cover—simple and black, like some kind of journal. Throughout the entire lecture, it lay closed right under her nose. Craning his neck and trying to identify it he probably looked like a total idiot. It was only after some time that he reminded himself, sobered by the thought that, based on what she had once told him—and assuming it had been a sincere admission—he was, in some way, an authority figure to these students. He ought to focus on passing on as much of his knowledge to them as possible in return. 

When the class finally came to an end, everyone began heading for the exit. She usually packed her things at a very slow pace, making sure to be the last one in the room, apart from him. She wasn’t doing anything wrong; she had the right to stay and talk to her professor, but she still approached it with some caution. Maybe she didn’t want to raise the curiosity of her friends? In any case, that day she didn’t slow down as she made her way to his desk. She followed the other figures toward the exit, arm in arm with a friend who was saying something to her. Spencer was surprised to notice that she didn’t turn toward him even once.

Before he could understand what she was doing, he called her name. Loudly.

She wasn’t the only one who turned around, but she was the only one who stayed. He tried hard to read the expression on her face. She seemed a little distracted, her gaze moving from the door to him, and he began to suspect that maybe she had simply forgotten about their brief conversations. He deeply hoped that was the case. Not that she had any problems, or that he had said something she didn’t like…

“Yeah?” she asked, tightly holding a thick book against her chest. He still hadn’t figured out which one, and it still intrigued him. “Do you want to talk about something, professor?”

Reid suddenly realized in panic that he hadn’t prepared any topic. He had called her over spontaneously, not even really knowing why. Usually, it was her who approached him with a question, and the conversation would flow on its own… but the weight of her gaze left him no time to think. 

"Well..." he began, nervously swallowing and feeling like a small, pathetic boy. "Actually, no... actually, I just wanted to know... if you had any questions. About the lecture, I mean."

He leaned one hand on the desk, hoping he didn’t look as deeply embarrassed as he felt. What the hell was happening to him?

"I don't have any," she replied. Spencer almost sighed in disappointment, barely managing to stop himself. She had been standing very close to the closed door, turning toward it as if making sure no one was behind it. Then, suddenly, she timidly stepped closer to him. "To be honest, I wasn't really focused today. I guess... it’s just not my day."

 His brows furrowed in brief concern.

"I'm sorry to hear that. Do you need me to explain something in more detail? It's... really no trouble for me, and I don’t want you to fall behind."

"Please don't worry about it, professor," she assured him. Her fingers tightened around the book she was holding, and the sigh that escaped her lips carried with it a small... smile? "Thank you for that, but I'll just take notes from someone and catch up on my own. I don't want to take up your time..."

 "It's really no trouble..."

 "...And by the way... I don't feel too well. My focus is nonexistent so it wouldn’t make much sense."

"Alright," he gave in, and for a moment, they both fell silent. Looking at her face, he tried to find any signs of illness, a developing cold, or maybe the flu. She did look a bit pale. She shifted from foot to foot, and he realized he had been staring at her and quickly shook his head. "Sorry for holding you up. You should go and try to rest. Have…have something warm to drink. It will do you good."

She wasn’t gazing longingly at the door, impatient with his words and eager to leave, as he had thought she would. In fact... she seemed to be looking at him with a hint of hesitation.

"It’s not that... I can’t focus at all," she began. "It’s just that more complicated topics can’t settle in my mind. Related to studying, mostly. But that doesn’t mean I want to shut myself off completely. Honestly, I think I could use a bit of conversation..." A sudden laugh escaped her lips. "Sorry, really. I didn’t mean to bother you with... nonsense. I should probably talk to a friend, not a professor, if I just wanted to chat..."

She flinched, as if about to turn and leave—almost run away. Spencer straightened abruptly, wanting to stop her.

“No, wait—don’t go. You can talk to me. What is it? Is something bothering you?”

Her gaze wandered aimlessly around the room for a moment before she finally shook her head.

"Nothing specific. Stress, the end of the semester, you know. Everyone’s only talking about that, and I just want to think about something else for a moment. Anything."

"I completely understand," Reid admitted. Leaning back against the edge of his desk, arms crossed over his chest, he studied her more intently. A flicker of doubt sparked within him—was it really just that? Something inside him tugged, eager to uncover everything weighing on her mind and causing such a somber mood. But he knew her well enough by now to realize that a direct question would only make her retreat.

He paused, considering what he would want to talk about if he needed to distract himself from a troubling thought.

"Does... does literature fall under those complicated topics you can’t quite settle in your mind?"

She dropped her head with a sudden laugh. A fleeting sense of satisfaction washed over him, as if he’d just achieved some long-term goal. Odd, but pleasant.

“No,” she replied. “Literature is actually a topic I could talk about even in the middle of the night, freshly woken from sleep. In theory, at least. In practice, I’d probably start mixing up names so much you wouldn’t even know which work I was referring to. I mean, they wouldn’t. The person who woke me up wouldn’t know—I didn’t mean you specifically…”

This time, it was him who started laughing as she, embarrassed, tried to untangle herself from her own words.

"I got the general message."

"Thank God. You know, I've been thinking lately that if I just kept my mouth shut every time I said something stupid, I’d save myself from a ton—no, an enormous amount of incredibly awkward social situations."

It amused him that she had pointed out a problem he himself often dealt with. He opened his mouth to say something, but almost immediately had to close it again. He nearly blurted out that he found all her moments of embarrassment genuinely endearing and didn’t want her to hold back from speaking around him just out of fear of self-embarrassment. 

Before he could even decide if it was the appropriate thing to say, she spoke again.

“So… why did you ask about literature?”

He was so lost in thought that for a brief moment, he almost forgot that he had even brought up the topic. It wasn’t until his gaze once again landed on the book she was holding that he snapped back to reality.

“I spent most of the lecture wondering what you were reading,” he admitted, still standing with his back to the desk, leaning on it with his hands, trying to hide their brief, slight tremor. Maybe he had said it too directly… or perhaps it was just his usual tendency to overanalyze every word he said to her. Quickly, he added, “Because I’m sure I’ve never seen that book before. I don’t recognize the cover at all, although I know there can be different editions. What’s the author’s name?”

She gave him the name with a strange expression. Spencer furrowed his brows, but she beat him to it, speaking before he could say anything.

“That’s right, it’s my father’s book.”

Honestly intrigued, he tilted his head to the side.

"I didn’t know he was a writer. And... to be completely honest, I’ve never heard of him..."

To his surprise, she laughed. Not shyly and genuinely as before, but with a bitterness that lingered in her voice.

"It’s not that he was a writer. He just really, really wanted to be one. But no publisher was really interested in what came out of his office. Which doesn’t surprise me much. Anyway, in the end, he gave up and printed that one copy just to have something to proudly put on the shelf."

He felt that they had stepped onto some unstable ground, one that required him to tread carefully. Or perhaps even retreat if it might cause her any pain. And it seemed that it did. However, Spencer felt too concerned to pull back. 

“Why are you reading his book, anyway?” he asked cautiously. Her face remained expressionless, and he wondered if she even caught the gist of his question. Most likely, she did—without a problem—but he felt an inner need to add something more, to keep the conversation flowing smoothly instead of making it feel like an interrogation. “Maybe… maybe it’s just my completely wrong assumption—correct me if I’m off—but you didn’t exactly look… like you were enjoying it much.”

She drew in a breath and let it out slowly. She forced herself to stay calm, forced herself to appear at ease. But it was too late—the enigmatic shield that had protected her from all sides had been cracked, and her expression turned transparent, everything behind it 

"He's gone. Two years ago, in December," she admitted, her voice lacking overt despair, though tinged with the unmistakable weight of layered pain. She seemed uncomfortable sharing it—not with him as a person, but with him as her professor. "A few days before Christmas. Last year... I don’t know why, maybe just to torture myself, I started reading it. And this year, the same thing. The month started, and somehow, subconsciously... I just woke up with the book in my hands at one point. That’s... for context. Forgive me if this doesn’t interest you at all. I probably said too much…”

“No, you didn’t. Don’t think that,” he assured her, instinctively taking a step forward, closer to her, though he couldn’t quite explain why. The conversation had drifted into an unexpected territory, but this was exactly what he had wanted—to know what had been weighing on her. “At least… at least now I understand what’s been making you feel the way you do lately. I won’t keep catching myself trying to guess what’s behind it anymore. And I won’t worry so much, now that I know.”

“Worry,” she repeated immediately after him, before the echo of his previous words had a chance to dissolve into the void. Her tone was the kind used to point out someone’s grammatical slip-ups—sharp, quick, decisive. As if she simply couldn’t help herself.

Spencer froze in place, just one step away from her. Now that he was finally this close, he could have taken a proper look at the cover of the book she was holding, but suddenly, it didn’t matter at all. His focus was entirely on her—her words, her face, and the quiet weight of the troubles she carried.

He didn’t know what he should do, his hands falling limply at his sides. He imagined what it would feel like to gently touch her cheek—he could do it, all it would take was moving his hand forward. That was all that separated them. Just that small distance and some ingrained barrier in his mind, shaking its head in disapproval and conjuring painfully vivid images of her pulling away before his fingers even grazed her skin, leaving him as quickly as she could.

“It’s not that… reading this book is such a complete torment,” she began with a sigh, relaxing her posture slightly as his shadow loomed just above her. She held the book out toward him, so close that she didn’t even have to extend her elbow. She had clearly changed the subject. “You can… check for yourself. It’s decently written. At times, good. It has some insightful points. Page 814, for example. Verse 6.”

Surprised not only by the request but also by her precise instructions, Reid took the book from her without hesitation. It was incredibly thick and heavy, with no interesting illustrations on the cover, only the author’s name written in fancy font. Though his reading speed was impressive, instead of absorbing the information on the following pages, he focused on reaching the one she had pointed out.

The mentioned quote was underlined with a black line, as if drawn with a ruler.

"It is impossible to prove your loyalty under favorable conditions. For it to happen, something must shake your world, the walls of your home must begin to crumble, and challenges must materialize outside. Only then, in that most difficult moment for both of you, can you finally prove to the other person that you will never leave them, and that your love will never reach their back."

"I love this quote," she said before he could formulate any thought. Surprisingly, there was no trace of irony in her voice. "Honestly. It's accurate and aligns with my personal worldview. But at the same time, it amuses me incredibly..." She scoffed bitterly. "...That it came from the pen of a guy who, after sixteen years of marriage, got another woman pregnant. Oopsie. A bit of hypocrisy, don't you think?"

Completely shaken by the confession, Spencer placed his hand on her shoulder. He didn't care that she had said it all in a tone dripping with sarcasm, not in the form of a broken lament. He still felt that he had to, felt that he needed to offer her some form of support, even if it was as weak as touching her hand.

She seemed to be in shock. Those earlier words had almost escaped from her lips on their own, and she kept them slightly parted, as if hoping they would return. And when they didn't, she must not have expected his reaction. Or maybe she was counting on a response just as sharp as her tone, a snicker or a biting retort. Not a touch, not a tender furrowing of his brow.

Her bottom lip trembled, and her cheeks flushed with a delicate redness.

 “Sorry, really. Can I... can I open the window? I think I need some fresh air…”

Instead of responding, he guided her toward the window, his hand resting on her back, hovering just at the edge of touch. She closed her eyes, feeling the winter chill against her face, and sighed. Spencer, though reluctantly, stepped back a couple of paces, giving her space. But he couldn't stop himself from studying her face. He hadn't noticed it before, too focused on her mind, but now he saw that her face, her presence, was just as beautiful.

Was it just a simple statement of fact, or a thought that had emerged from the unpredictable corners of his inner self?

They spent a moment, maybe even a few minutes, in silence. After that, she hesitantly turned to him over her shoulder.

"Oh no, don't you dare apologize again," he warned, extending his hand in a firm gesture.

"But I should," she said. "You're my professor, and I just came to you and started unloading about my life. It's not even just inappropriate anymore, it's simply pathetic."

"As long as I don't consider it inappropriate or pathetic, then it isn't. And you place too much importance on the fact that I'm your professor. Maybe... it would help you if you stopped seeing me only in that context, and started... seeing me as, say, a friend. And if that's too much, then at least as a genuinely interested conversational partner?"

The corners of her lips suddenly trembled.

"Isn't that the same thing?"

"Well, I think we could argue about the definition if we wanted to."

“There’s no need for that,” she said, turning fully away from the window and leaning on the windowsill with her elbows. A few traces of a blush still lingered on her face, adding so much charm that Spencer’s thoughts began to wander in such a dangerous direction that he had to look away. “But… I need to know. Is that… what you really think of me? A conversation companion? A slash, a friend?”

“I’m not sure… if I understand,”

 One of her nails bent as she nervously tapped it on the windowsill.

 “I just want to know if you think of me as someone more than an annoying student who bothers you after every lecture.”

Reid was momentarily taken aback.

“You thought I thought of you like that?”

Unfazed, she blinked.

“You tell me.”

"He didn’t know how to put it into words without it sounding inappropriate. In the end, he decided to stop worrying about propriety and just be honest.

"Not once, since you started coming to see me, have I thought you were irritating. But more than once, I’ve thought that you’re truly fascinating, and I even... I even found myself eagerly awaiting what you’d want to talk about next."

Her head tilted slightly to the side as she listened to him. The old, familiar impenetrability returned to her expression—her eyes slightly narrowed, her lips... perhaps on the verge of an uncertain smile?

He never got the chance to find out. Immediately after his words, someone interrupted them, completely shattering the atmosphere inside.

"Are there any more classes here?" asked the man responsible for cleaning, peeking inside. "I thought they were over..."

"Because they are," Reid quickly replied, only now noticing that, indeed, darkness had fallen outside. Their classes had taken place in the afternoon, and the conversation had stretched so long that early winter evening had already begun. "We were just... just leaving."

"Well then, I guess goodbye," she said once they were outside. "It really got late, and I need to rewrite my notes..."

For some reason, he felt incredibly disappointed.

*

The last lecture before the Christmas break took place in a dreamy atmosphere. Everyone's spirit was already outside the classroom, far from criminology-related topics, surrounded by family and loved ones.

As usual, he couldn't stop glancing in her direction. He was incredibly pleased that nothing had changed since their memorable conversation, and their routine of chatting after every class remained untouched. Or perhaps something had changed? Their mutual ease with one another had grown, as had the range of topics they navigated. His impatience for their conversations had grown as well...

That day, he waited for her to approach his desk with her characteristic, slow, perfectly controlled step. He watched, almost hypnotized, as she did, adjusting her bag on her shoulder before standing up from her seat. But when she was right in front of him, one of her friends, the loud one, suddenly grabbed her hand.

"Don't tell me you're planning to bother him again," she scoffed. "We were supposed to go out and eat together before I head home, remember?"

"Oh," her friend hesitated, casting an apologetic glance at Spencer. They were too close for him not to overhear their conversation. He felt a selfish frustration rising within him. "Actually, sorry, I forgot. But...Can you give me a minute?"

Her friend rolled her eyes but nodded, and after a moment, they were left alone in the room.

"You're not staying to chat, or has my deduction skills gotten worse?"

"Unfortunately. I mean, unfortunately, I'm not staying. For long. I just wanted to... wish you a Merry Christmas."

Sometimes, when he talked to her, he forgot there was a world outside of their conversation, and that such a thing as months existed, and one of them was December. Christmas, right.

"Merry Christmas, to you too. I hope... I hope you'll have a really nice time."

He didn't know what else to add. Everything he said could lead to a long discussion, and outside the door, her friend was probably waiting for her to join her. So he stayed silent, a little awkwardly. She gave him an equally awkward smile. Awkward, but sincere.

Her feet shuffled in place, as if they wanted to stay in the room, not leave.

She waved goodbye once more to break the tension and disappeared through the door.

Spencer let out a heavy sigh. Maybe he should've said something. Suddenly, so many possible topics came to his mind. For example, the holiday party, the ball, organized by her department. Was she planning to go? What about Christmas itself? Was she going to spend it with her family? How was she feeling? How had her day gone? Did she enjoy the lecture? They were short questions, ones she'd probably answer just as briefly. He could have asked any of them.

But it was too late. They won't see each other until the beginning of the new semester.

He overanalyzed the interaction for a few more hours, later that evening, on his way to the university library. The corridors were almost empty; the students had either left or were attending the Christmas ball that had just begun. It might have sounded a bit serious and pompous, but such an event was indeed organized every year by a different department. It shouldn’t be confused with a student party, as formal attire was required, and the music was usually classical or instrumental versions of traditional carols. It was a way to thank the students, faculty, and university management for completing another semester.

He overanalyzed the interaction for a few more hours, later that evening, on his way to the university library. The corridors were almost empty; the students had either left or were attending the Christmas ball that had just begun. It might have sounded a bit serious and pompous, but such an event was indeed organized every year by a different department. It shouldn’t be confused with a student party, as formal attire was required, and the music was usually classical or instrumental versions of traditional carols. It was a way to thank the students, faculty, and university management for completing another semester.

Initially, Reid had planned to stop by briefly, but after feeling strange for a few hours and sensing a migraine coming on, he decided to skip it. He definitely preferred to spend the evening among the shelves and books. He rarely admitted it to others, but the reason he chose this particular university was not the salary offered, but the richness of their library’s resources.

He had hoped that spending time there would help distract him from a certain student, who had progressively been occupying his thoughts more and more. In fact, she already had a room in his mind. A room. A damn palace with seven bedrooms, each dedicated to a different day of the week. What he hadn’t expected, however, was to see her almost immediately after stepping into the library. Fast asleep in one of the corners, her face resting on a small table with four seats around it, only one of which was occupied—hers.

Reid couldn't help but chuckle at the irony of it.

Before he had a chance to think about it, before the thought even crossed his mind that perhaps she didn’t want anyone disturbing her in the middle of her late-night solo study session, he moved closer, carefully stepping so as not to wake her. It didn’t take long for him to realize that he could probably jump up and down, and it wouldn’t make a difference. Both of her ears were plugged with headphones, effectively shutting her off from the sounds of the outside world.

Despite this fact, he carefully sat down on the edge of the table to her left, so close that her limp hand, resting on it, ended up parallel and very close to his leg. First, he glanced at the textbooks spread out before her, then at the thick book by her father, the one she still read every day. Finally, his gaze fell on her—on that face, deeply asleep. Unable to resist, he lifted his trembling hand and gently tucked the strands of hair that had fallen onto her face behind her ear.

The moment his fingers brushed her skin, she jolted awake with a startled flinch. Spencer blushed, realizing only then what he had done. To avoid embarrassing himself, he quickly cleared his throat and spoke up.

“Sorry to wake you. But this probably isn’t the most comfortable place to nap.”

She straightened up, blinking in confusion.

“Did I fall asleep…?” Her gaze locked on him, and she shook her head, now fully awake. “Oh, I definitely fell asleep. I didn’t even notice you coming up.”

“Maybe I was sneaking around too much. Anyway, what were you working on before you passed out? Studying, reading?”

Still rubbing her tired face, she looked at her things.

“I guess a bit of both. I had some catch-up work I wanted to do. Then I decided I had enough, and my brain just couldn’t absorb any more new facts or information. So, I started reading.” She nodded toward the book.

Reid stared at her for a moment longer.

“You know… I’ve been thinking about it lately,” he began. It was a little hard for him to focus on speaking when she rested her chin on her hand, looking at him from beneath her lifted lashes. Her eyes were puffy, mascara slightly smudged under her eyelids, but she still looked… well, it was hard to put it into a single word. “About your dad’s book, I mean.” Actually, he'd mostly been thinking about her, but that topic had popped into his mind for a moment. “And that quote you read to me once. It seemed pretty good, and I’m surprised no publisher wanted to release it. What’s it actually about?”

He felt confused by the sudden amusement that appeared on her face.

“What’s going on?” He furrowed his brows.

She shook her head, trying to suppress her laughter.

“Just so you know, I’m not laughing at you,” she quickly reassured him. “It’s just when I imagined your reaction… okay, just listen. My dad’s novel is about a young student, a poor one, who, in a moment of desperation, decides to murder a woman from whom he borrowed money. And then for the next thousand pages, he alternates between hating himself and trying to justify his actions in his own eyes.”

Spencer was silent, his brows lowering more and more.

“Sorry… I really don’t want to accuse your dad of plagiarism, but this sounds like…”

“Crime and Punishment, I know. And it is plagiarism. Well, he preferred to call it inspiration, and, to be fair, not everything is the same. The story takes place in New York instead of Petersburg, the main character’s name is different, but everything else… it’s the same, only longer. Every chapter stretched to its limits, with reflections on every possible subject. It’s almost twice the length of the original.”

Not knowing how exactly to respond, he did what felt most natural. He laughed, and she followed with a quick chuckle.

“Sorry, this is so absurd. Why... why did he actually do it?”

“I ask myself that question every day, believe me. He was kind of a Dostoyevsky wannabe. On his desk, he kept a photo of me and a collector’s edition of The Brothers Karamazov. He even... he even tried to force me to study Russian philology instead of criminology, but, well… you can see how that turned out. And if this sounds absurd to you, guess what the main character’s name is?”

“You mentioned it’s different. But I have no idea, probably something more in line with American standards…”

“Oh, very much. Rodney Rozzleknock. Now I bet you’re not surprised nobody wanted to publish it?”

For a moment, they sat in silence, he alternately shook his head in disbelief and hid his face in his hands. This was probably the most absurdly funny thing he had heard in a long time, and if it weren’t for the actual version of the book they were talking about being right in front of him, he wouldn’t believe it existed.

"So that's why you know so much about Russian literature," he said. They had once had a brief conversation on the topic, and he had actually been impressed.

"It wasn’t knowledge I willingly acquired. And by the way, what are you doing here, Professor?"

He shrugged. She hadn’t used that title for him in a while, but hadn’t yet started using his first name either, and he wasn’t sure how to suggest it.

"I was planning to drop by the ball for a bit, but I decided I’d rather spend some time among books. Speaking of which, the ball. Didn’t you want to go?"

He assumed that she might be similar to him in that regard and didn’t really care for events like that. But, to his surprise, a certain, not so obvious expression crossed her face.

"Actually, I would have gone if I had gotten an invitation."

"I don’t understand," he furrowed his brows. "You don’t need an invitation. Your department organized it, you were all invited just by the fact of it.”

Her lips parted in shock, and a short Oh escaped.

"In that case... I guess it doesn't matter anymore. It's too late. My friend won't be there, the rest of my friends have probably already gone, and I won’t be able to find them in the crowd, and..." She sighed, a bit embarrassed. "And I guess I'm just kind of too shy to show up there alone."

Reid watched her in silence for a moment. A foolish thought crossed his mind. Foolish, but... was it really? He had no idea how she might interpret it, whether she’d even want to, or what she’d think of him.

“I’d be happy to... go with you,” he blurted out, nervously swallowing the lump in his throat as soon as the words left his mouth. His eyes stayed fixed on her, searching for her reaction.

And she... burst into laughter, probably assuming he was joking.

“Wait... seriously?” she asked, straightening her shoulders, her tone suddenly more incredulous. “But... how do you even imagine that? It’s already started, I’m completely unprepared, and it’s formal attire only…”

"I’ll need to change too. But it won’t take long, and the ball goes on late. We’ll only be a little late," he reasoned logically, realizing he was actively trying to convince her. He hated these kinds of events, but this was a chance to spend time together... Besides, he was doing it for her. Why should she miss out on something she clearly wanted to attend just because of a misunderstanding and a bit of shyness?

"Yeah... but I’ll still have to deal with everything else. I look—"

Before she could finish, he leaned in and gently wiped the smudged mascara from under her eye with his thumb.

"You look perfect. Just right for the ball. So?"

Her eyes widened at the gesture, and a sharp exhale escaped her lips.

“Okay. Okay. I think... I think we can do this... Why not? Just give me fifteen minutes. Thirty. Thirty minutes...”

As she spoke, she hastily gathered all her belongings into her bag, glanced at him for a brief moment, then disappeared in a rush, not even looking back over her shoulder.

Spencer, on the other hand, felt as though he had been glued to the table he was perched on. His heart was pounding wildly in his chest.

Did he just... ask the girl he liked to a ball?

And she said yes?

He still couldn’t quite believe it, even when, exactly thirty minutes later—almost as though she’d measured the time with a stopwatch—they met again at the entrance to the gymnasium, now transformed for the occasion.

The floor had been covered in polished wooden panels, and the walls were draped with light-colored fabrics, adorned with strings of glowing garlands shaped like snowflakes. In the corner of the room, a small stage, decorated with sprigs of evergreen, hosted a modest orchestra of students and members of the college choir, playing gentle holiday tunes live.

The scene was beautiful, almost magical, but Spencer only took it in once as they entered. For the rest of the evening, his attention was solely on her—because, once again, he couldn’t find the words to describe what he was seeing.

And that didn’t happen very often.

"Do you think... do you think any of the other professors might disapprove of you being here with me?" she asked hesitantly as they made their way along the edge of the gym, skirting the buffet and staying far from the crowd dancing in the center.

For a moment, Spencer didn’t process her question. He was too focused on the way her lips moved as she spoke, too focused on her. Shaking himself out of it, he replayed her words in his mind.

"I… uh… no, I don’t think so," he replied, stumbling over his words. "Why would they? We’re both adults."

She still didn’t look convinced. Her brow furrowed, her gaze darting between the dance floor and him. Her hand rested lightly on his forearm, keeping them connected in the growing crowd, though she kept adjusting her grip as if unsure about the contact.

When Spencer tried to pull away, thinking she might be uncomfortable, she surprised him by grabbing his arm again, more firmly this time. Her insistence sent a strange, electrifying warmth through him.

He sighed softly, acutely aware of how close they were now—so close that their hips nearly brushed with every step. "Besides," he added, trying to sound reassuring, "this is a ball. Everyone’s here to have fun. No one’s going to pay any attention to us."

She nodded, as if trying to convince herself of the same thing, though her gaze drifted once more to the couples twirling around the dance floor. He felt a pang of apprehension, hoping she didn’t want to join them. That would be a disaster—he’d only manage to humiliate himself in front of her.

"I’m not much of a dancer," he blurted out quickly. "Okay, that’s an understatement. I’m a terrible dancer. You’d… you’d really rather not see me try, trust me."

For a moment, she stayed silent, her expression unreadable. Then, a small smile tugged at her lips.

"I, on the other hand, am a pretty good dancer," she admitted, attempting to sound modest. But after a beat, she rolled her eyes at herself and added with a wry laugh, "Okay, fine—I’m very good. My dad was a Dostoyevsky fanatic, but my mom? She was obsessed with dance. She practically dragged me to lessons for years. She thought it was a terrible shame not to know how to dance—especially for a man. No offense, of course."

Spencer ducked his head with a soft laugh.

"None taken. Listen, I believe you're a fantastic teacher... but I also believe I'm a lost cause. I might accidentally step on your feet..."

"You should pray that I don't step on your feet," she retorted with a laugh, extending her foot and tapping the heel of her shoe for emphasis. "But I think you should at least give it a try. After all, it’s a ball."

Spencer looked at her for a moment, caught between amusement and mild dread, before finally shrugging with a resigned grin. 

Earlier in life, he hadn’t had many opportunities to dance, so he was relieved that the piece being played by the school orchestra turned out to be incredibly slow. He could only cautiously mimic her movements, trying not to hurt her. However, focus came with difficulty as his nostrils were constantly filled with the sweet, distracting scent of her perfume and her body itself.

“You’re doing great,” she whispered softly, briefly lifting her gaze to him. He stared at her face for a moment, so close to his, cursing in his mind when she lowered her gaze again…

All evening, he had to fight with himself to avoid doing anything foolish.

But when, at midnight, they found themselves in his office, it became incredibly difficult.

Especially when she was slightly leaning against his desk, just in front of him, and the blush of dance-induced fatigue covered most of her neck. He wanted to touch that particular spot on her skin, expecting the blood to be pulsing there very quickly.

Her breath seemed quickened too, and every sound that escaped her lips drew him closer and closer to her. To the point where he thought he might lose his mind.

“Thank you for tonight,” he said, hoping that if he focused on the words, on speaking them, it might somehow sober him from this state. “I really... didn’t expect to have such a great time at the ball.”

Speaking wasn’t helping; the way her gaze wandered over him certainly wasn’t helping. The way the dress fit her body... none of it was helping.

"I'm glad," she said softly, the redness now covering not just her neck but most of her cheeks as well. She took a deep breath, as if calming herself. "You know, I felt a little guilty because I had the impression that you went there just for me."

"Well, I considered going alone... earlier," he confessed. "But in the end, I changed my mind, and I'm glad I did, because otherwise, I wouldn't have run into you, and I wouldn't remember any of this so clearly. Thank you," he repeated, and before he knew it, he was standing even closer to her, closer than propriety would dictate. Unable to fight it any longer, he reached for her hip, hidden beneath the fabric of her dress. She sharply inhaled, seeming embarrassed by her own reaction. He started to pull back, but then she lightly perched herself on the edge of the desk... and his hand slid down her body, gently grazing her knee. “"Really, I would like to thank you..."

His throat went dry, a nervous sweat rose on his neck. He felt her knee, then her thigh under his finger, his whole hand under the fabric of her dress, heading higher and higher…but suddenly stopped, when her trembling hands began to untie his tie.

"Probably... probably you're uncomfortable," she explained, swallowing. She looked at the collar of his shirt, at the place where his hands were, but couldn't bring herself to look him in the eyes. "It's a bit... stuffy in here."

He could feel the moisture on his fingers even though his fingers didn’t even get inside. He hesitated right there, glancing uncertainly at her face. Her eyes were closed, and she was breathing heavily, exhales escaping her lips with a quiet hiss.

"Are you okay?" he asked, making sure. He didn't like the fact that her eyes were closed; he couldn't read many emotions from her face, and he needed to be certain that this was what she wanted. Her face didn't even twitch at his question. "I won't do anything more if you don't answer me."

She swallowed, their faces were inches apart, and he could see and hear it.

"What... what would you like me to answer?"

"Just that you want this," he whispered.

"I want this...Spencer."

It was probably the first time she addressed him by his name, but the state he was in didn’t allow him to trust his memory too much. He hadn’t expected himself to ever think like that. In any case, it acted like a catalyst for him. Barely had the last syllable left her lips, his finger sank into her. 

One, and soon after, another.

His name escaped her lips again, but this time, halfway through, it turned into a sweet, pleading moan. For a while, no sound other than their restless breaths could be heard in the office. Her moan tore through the surroundings, pierced the air, and lodged itself there forever. Just as it became lodged in his ears, tickling them from within. He wanted to hear it again...He quickly found the rhythm that most often caused it.

She spread her legs wider which allowed him to get closer, to gain better access. At first, both of her hands were gripping the edge of the desk, her knuckles almost white. With each of his movements, stronger and gradually faster, they began to loosen slowly, until they finally released completely. Surprised, she sighed, not knowing where to place them, and threw them around his neck.

“Is… is this how you’re thanking me for today?’ she asked, her voice high, he could barely understand her through the chaotic breaths. He was so focused that he didn’t even notice she had opened her eyes. 

Her beautiful eyes. So pleading, begging him not to stop.

"Are you taking this as a form of thanks?"

She nodded, and at the same moment, she closed her eyes again, tilting her head back. Spencer groaned at the sight of her exposed neck, the blush covering it. He leaned to taste her warm skin, pressing his lips against it, then sighed directly into her, as a shiver ran through her entire body.

He had a feeling that if one more sound escaped her lips, he would simply lose his mind. Barely managed to speak again, his voice completely out of place with the words he intended to say, so high, almost crying.

"That's... that's not enough to thank you, don't you think?"

taglist: @she-wont-miss @mggslover @kakamixoxo @nyeddleblog @dylanobrienswife0420 @wmoony @heddgie @khxna @marauder-exe-old @yujyujj @charleyreid @aristeia29 @kitty-kai @sp3ncelle @nightfullofparadox

[natandacat]

Claudia talking to Louis while he's having sex with Lestat is still making me insane. How to better represent the complete absence of appropriate boundaries in rue royale. We all laugh at claudia' "two blood fat cocks" comment in s2 but in s1 she was fully having a conversation about how to kill lestat while he was balls deep in Louis. It's just another example of how enmeshed she is in Louis' sexual life despite his efforts to fulfill his protective roll at first (he's righteously upset at Lestat for first crossing that line by bringing her to the cruising spot to hunt and therefore being directly responsible for her sexual awakening).

Claudia's accusatory "which one of you is gonna fuck me" is not just a provocation, it's a sobbering and factually true assessment of her situation. The only times she explores sexuality outside of Louis' relationships (first with Lestat then with Armand), she is severely punished (first emotionally by lestat for Charlie's death then lethally by armand and the coven for the making of Madeleine). In her inability to make a companion or to control herself with humans, she fully depends on Louis for either direct sexual connection (talking to him while he's having sex with lestat or witnessing his fantasies of armand) or for the making of a sexual companion that she can safely engage with sexually (we see that she fears her lack of control around Madeleine's menstruation).

Incestuous dynamics truly are a product of isolation and lack of oversight that plague the nuclear family especially when they are as marginalized as the rue royale (a mixed race vampiric queer family) and later on claudia and louis as a single unit (codependent trauma bonded parent/child duo).

L'enfer c'est les autres, I'd even add l'enfer c'est la famille

[beforetimes]

my headcanon about the alternate timeline we see in s2ep7 is that instead of ekko and powder being close friends throughout their childhoods who became lovers with no friction, it actually took a while for them to bridge the gap that vi's death caused.

when we see ekko and powder go to vi's memorial for the first time and ekko asks if she was the one who caused their death, powder very quickly retorts that it was ekko's tip that ended up sending them on the job that killed her. i think that this is important not just because the writers wanted to explicitly say that the chain of events that led to the original timeline hinged on ekko's tip but also because in how quickly she said it, we can assume that this is something that's come up between them before.

ekko already is seen as a character who carries a lot of responsibilities on his shoulders, mostly self-ascribed, which i tend to characterize as being born partially of guilt. i think guilt is a large part of his character and it would be somewhat irresponsible to shrug that off when speaking about his character in the alternate timeline that the original ekko drops in on.

powder is characterized as brighter and happier than jinx when she grows up in this universe with a support system, obviously, but she still has a tendency to anger. this is shown through how she tells ekko to get out before she does something she'll regret rather than rolling over in the face of his interrogation and insensitive statements. she also holds a grudge, as we see it takes ekko physically taking her to see vi's painted memorial in the firelight lair before she stops scowling at him in the bar and warms up to him again.

looking at all of these things, i think it's a fair assumption to make that following vi's death, there was a period of time where powder directly blamed ekko for what happened, and that ekko blamed himself as well. this, in my opinion, doesn't cheapen their relationship when they grow up into the people we see in s2ep7, but deepens it.

i think the act of forgiving is something that takes a long time, whether you're forgiving yourself or someone else, and ekko and powder's relationship being as comfortable and easy as it is in s2ep7 speaks to the fact that they had a long stretch of time to get to that space where they could move past the circumstances that led to vi's death. at least, they both do until original timeline ekko drops in and reopens that wound, which in turn leads powder to throw blame back in his face, similarly to how i assume she must have done directly following vi's passing.

the idea that powder and ekko in this alternate timeline had to move past anger, grief, guilt, and blame makes their relationship feel more heartfelt than if they were locked in since day one and there was no more work to be done. love as something that has to be earned and worked for even in a world where things seem mostly ideal shows that it wasn't just a fluke that they got together but a deliberate continuous choice to work through trauma to allow themselves to be together.

it also legitimizes the idea that original timeline ekko and jinx could hypothetically be together as well. not just because we see "oh, one version of powder and ekko can get together so this one can, too" but because both versions have baggage to work past before getting together, but the universe we see displays how this pair managed that with the luxury of a support system and a kinder environment that original timeline ekko and jinx unfortunately weren't afforded.

i think this also makes their team-up in s2ep9 more heartfelt because we can see ekko move past blame when he comes back for jinx to help in the fight, similarly to how i assume ekko in the alternate timeline had to work through his own to eventually get together with powder. both relationships hinge on the fact that they have to put effort in to get comfortable with each other following the consequences of the job that ekko sent them on rather than letting the alternate universe relationship ultimately act as a fluke that can't be replicated because of how drastically different that world is.

[jaythes1mp]

Do you think readers' lives would be different if they were a deer hybrid?

Fun Fact: Did you know that cervids (from the deer, deer and elk family) are considered extremely sensitive animals. When suffering severe stress, such as when captured or rescued, for example, the animal's reaction can cause what is called 'capture myopathy' ', which compromises the organism of these animals.

I do, actually. Because, another fun fact! In June of this year me and my roommate saved a baby deer who was laying next to her mums dead body (she was less than 48 hours old). Fortunately she wasn’t injured. We were extremely lucky to be living next to a wildlife specialist, our neighbour, who’s been looking after Astrid and will continue to until she’s old enough to be relocated. Thankfully this wasn’t the first deer that’s been brought to her. So unfortunately I'm very acquainted with that fact.

She’s still striving strong though! These were the first pics taken of her.

Anyway, how they’d react:

Batfam x deer hybrid reader

With Damian's exceptionally caring nature when it comes to animals, he has already meticulously planned out the perfect environment for your deer forms comfort. He has considered every possible scenario and tailored everything to ensure your contentment as well as a space to meet all of your needs.

The young Wayne would thoughtfully strategize and visualise your reactions to every minor action or stimulus. He would carefully consider the most appropriate responses and adapt his behaviour to ensure a positive and nurturing environment for you. Even if the environment in question was one that you were forced into.

The bats would handle your transformed state with great caution, disregarding if your human mind was in control when you were transformed or not. Given your affiliation with the Cervidae family in your animal form, the Wayne family would be especially mindful and considerate of your natural tendencies, behaviours, and instincts.

Despite Dick's intelligence and expertise as a vigilante, being second only to Bruce Wayne himself, his impatience would become apparent within the twenty-ninth attempt to approach you for some affectionate ‘big brother cuddles’. Assuming you’re an adult or older teen, you would be extremely skittish and resistant in your deer form to his advances and attempts to get close, if not completely avoid his presence altogether, let alone let him cling to you for a ‘snuggle.’

Jason wouldn’t comprehend why you’d consistently conceal yourself, in both forms, hiding behind the couch every time he arrives, or why you involuntarily freeze at the sound of his motorcycle, or even why you instinctively flee at the slightest hint of him standing or making a move. But despite his confusion, he doesn't hold it against you. He’s witnessed the horrific experiences and trauma the children of Gotham City are subjected to, and if hiding and evading is the way you cope with what you’re going through, then he’s willing to wait patiently for you to feel secure in his presence. As your sibling, he vowed never to give you a reason to fear him. He knows just how overwhelming it is in this new environment, and he’s not planning on giving you any more reasons to be frightened by them.

Tim would find it easier to deal with your distressed nature than the others, opting to monitor you through the security cameras, allowing him to work on his cases simultaneously, rather than being overly affectionate with you. This way, he could keep a watchful eye on you without having to directly interact, which allows him to multi-task and focus on both keeping you safe and solving his cases.

Despite Jason and Dick no longer living in the Manor, Bruce would likely be the one to spend the least time with you. However, he's not neglecting you. He makes a conscious effort to rearrange his busy schedule, keeps certain days free every week, and meticulously plans time for some quality family bonding. Even if the quality time in question only consists of him quietly sitting in your vicinity, sipping on some freshly made tea while reading the newspaper, he cherishes every moment that he gets to share with you. Simply being near you is enough. Because you're his child, and he's not planning on fucking that up ever again.

[evelynvipah]

I’ve been wanting to talk about how even Jinx is very ignorant, or just comes off as uncaring, to the extent of Vi’s trauma in regard to before her prison time and after. I’ve also always found it quite weird and unfunny how quick people were to make jokes and say that Jinx “clocked” Vi in the tunnels when they were searching for Vander and fought about what they were doing after all the time had passed.

Jinx has actively watched her sister lose herself for months without interference—with knowledge that she was thrown into Stillwater, facing things that Vi obviously isn’t going to be that vulnerable abt—knowing that they both share the intense childhood trauma of losing an entire family in one night, and still finding it within herself to make fun of Vi being passively suicidal is honestly horrible to me. Especially considering the position Jinx has nonstop been putting Vi in since they reunited. Yes, Jinx has been going through some traumatic things, but not once has she even stopped to think (that we’ve seen) of what her sister has been through for the past seven years. The guilt she must be harboring for things she should not have had anything to do with, or responsibility over.

There have been plenty scenes where Vi recounts bits and pieces of her experiences in Still and most times she not only downplays it for the sake of trying to help other people understand where her position on a situation is from, but goes unacknowledged. With Jayce, when she asks him if he knows what being trapped for days, months, or years in a stone box is like he changes the subject to talk about their plans to go against what the council thinks and be more active against Silco. And with Jinx, her own sister, it doesn’t go any further than Vi wanting to reassure her that she’s always been there thinking about her and hoping to someday find her way back. No one, even Ekko, truly tries to reach out to her in a way that validates her own trauma and how the many changes she’s been through so far is affecting her. It’s all about what she can do for them or what position she holds in their lives. And I don’t say that in a way of meaning that everyone should drop everything they’re doing to focus on her, but a little goes a long way. Vi speaking out about her own prison trauma in multiple conversations could be her subconsciously asking for someone to show her some support or care that she hasn’t been on the receiving end of in years. She’s Jinx’s family—her only family left really—and all Jinx does is constantly disrespect her and what she’s willing to do or put aside for her.

This is me ranting at 2am so it might not make much sense (needed to get this out here), but I really hate that Jinx says to her “I busted half of Zaun out of Stillwater while you were passed out in the bottom of a mug,” as if that makes her such a good and heroic person. Yes, Jinx doesn’t really feel like that, but for her to throw it in Vi’s face like the girl hasn’t been carrying the weight of the world on her shoulders since she was a child is sickening.

Some may hate me for saying this but I really feel like so far the only person that has put more thought into Vi and what she’s ever gone through is Caitlyn. Caitlyn is the one who got Vi out of Stillwater and saw first hand her conditions. Caitlyn is the one that got to witness Vi’s world be turned upside down when she came back to Zaun and saw it’s all gone to shit. Caitlyn is the one that Vi told about Powder and her family and what it all meant to her. The amount of guilt and responsibility weighing on her shoulders over something she had no control over whatsoever. Being parentified by her own father figure and community, leaving her with no space to be a child. Caitlyn has stuck by her side when her sister was harming them directly too, seeing Vi as her own individual and not an extension of Jinx. Even when they separated, Caitlyn still managed to do some good thinking about Vi by forbidding the use of the cells on the lower levels of the prison because of how inhumane they were. To say that Vi had only known Caitlyn for such a short time, Vi had become Caitlyn’s everything real quick and I feel like it says something when compared to Vi’s strained relationship with Jinx. Or even Ekko, the only other person who would truly understand what Vi had been through and is still going through. Being the protector, being the savior, being someone that people feel can solve every last one of their problems. Jinx had a chance to really connect with Vi outside of saving Vander, and she chose to hurt Vi because she knew she could. She knew she wasn’t the only one with open wounds not even close to healing, and she couldn’t help but rub salt in the ones of her own sister to make herself feel better.

-rereading and this is all over the place but whatever loll

[gublerryswift]

You're just a little bit too much like me | Spencer Reid x Reader

Enemies to lovers | angsty fluff

Word count: 1755

Warnings: Normal criminal minds type of violence, mention of guns and gunshots, age gap (Reader is about 25, and Spencer is in his late 30s)

Content: Spencer being an asshole because he doesn't know how to deal with his feelings and how you remind him of his older self, past Spencer trauma (implied but not directly mentioned), self-doubt, Post prison! Spence

It was a difficult situation, only your second week on the job and the first time you had to make that kind of decision. You went alone to a location where the suspect might have been at, all of your teammates were further away so, as reckless as you now recognize it was, you went there alone, instead of waiting like Spencer and Emily asked you too. You didn't want to lose your chance, there were more than 3 days on the field at stake here, you did not want to disappoint your colleagues and just stand there waiting like a dumb newbie, so you made the decision.

“I'm going in” You warn your teammates in the radio, not waiting for a response before storming into the unsubs house.

You bust the door open with your feet, storming into the house. As you look inside, you find the unsub taking his gun from a drawer. Thinking you had an advantage as his back was facing you, you rush to try and immobilize him, but somehow he managed to turn around and shoot you.

You growled in pain as your body dropped to the ground, just before you passed out completely you heard the sound of rushed footsteps. You heard two voices, one you recognized as Emily's going after the unsub, and the other as Reid's talking to you.

“Please don’t go to sleep, we need you awake” His voice was soothing, far different from the tone he always used with you ever since you joined the team this year, but he sounded so worried, and you really did try to stay awake for him, for your team, to show that you were okay and that they needed to go after what's important, the unsub, but you couldn't. The last thing you heard as your vision got black was him yelling at his radio, “Medical, we need medical right now”. And then, everything went black.

You are now back at your first day on the job. Still at your house, confused as to what outfit you should use, so anxious about being so young at the top team of profilers, even thought it was a last year internship you hoped to impress them enough that they would hire you officially for the team, so your anxiety was through the roof wondering whether you really deserved to be there (goddamn that impostor syndrome). But most of your worries went away when you met the team, you would never imagine that the best profilers in the FBI and maybe in the world would be such good, kind and even funny people. They all welcomed you, seeming excited to be able to work with you, except from one of them.

Doctor Spencer Reid, you had read about him and his genius mind, you even went to a couple of his lectures on forensic psychology, honestly? You were a fan, and you were so excited to meet and work with someone you looked up to. Unfortunately, he didn't seem as eager to meet his new coworker. He just stood there in the back, staring at you while you introduced yourself to the team, the most he did was mutter a “morning” when you sat next to him in the briefing room.

Never meet your heroes, they say.

Now, you're back at… Where are you again?

Your eyes begin to open, you're completely adrift until you finally begin to recognize the awful white light, and the coldness of the room. You're at the hospital, no idea as to how much time has passed.

Jennifer comes into your line of vision, holding your hand, “Hey, how are you feeling?” her voice is calm, as she watches you sit up in the hospital bed.

“I'm fine, I think... I didn't even realize what happened back then. Oh shit, did you guys catch him?” You abruptly try to sit up, remembering how you couldn't get the unsub when you got shot, guilt washing over you as you started to piece together what happened

“Hey slow down, Emily went after him and made the arrest, the victim was rescued. He shot you, but it just grazed you. You did lose a lot of blood, that's why you passed out, but the doctors say you'll be fine to leave today. Don't worry.” She says as the doctor comes in to do his final checking.

You just agree with your head, lost in your own thoughts. You knew it wasn't your fault that you got shot, but still you felt so stupid. The hurt of not being able to catch the unsub might've been even bigger than the one from your wound, all of them had been in even more difficult situations than you and made it out without so much as a scratch, and you couldn't even catch an unsub that was alone?

After a few hours, you were back on the jet, finally heading home. The guilty was still bothering you, and you even apologized for the mistake. Hotch just asked you to be more careful and follow instructions next time, but overall, the team seemed genuinely happy you were fine. Except, of course, for Spencer, who ever since you got in the jet was staring daggers at you.

Later, the jet finally landed, and you were eager to get home. You quickly went to the office to get a few of your things, Unfortunately, you and Spencer were now all alone in an uncomfortable silence waiting for the elevator.

“That was reckless” Spencer mutters under his breath

“I'm sorry, what?” You turn in your heels to face him, had you heard that right? Is that the first thing he's going to tell you after you just got shot?

“What you did on the case, was reckless and naive. You should've followed our instructions, you can't just do what you feel like doing” he's looking in your eye now, his voice coming out angry but with a hint of… worry?

“I'm sorry ok? I tried to do something, I just did not want to just stay there waiting while he could be doing god knows what inside that house” Your voice comes out more shaky than you wanted it to, the weight of the guilt pressing into your chest

“Still, it was reckless and stupid, you should never just storm into, alone, a place where an unsub might be, you never know what he might do to you, what might be waiting inside.” His gaze is cold, almost as if he's not actually here talking to you, but somewhere inside his head and his memories.

“Trust me, I know that. I regret my decision, but I wasn't doing what I felt like, I tried my best, Reid.” You turn to look directly in his eye. Yes you did something wrong, but you wouldn't let him out of all people talk like that to you “I might be the youngest on the team, the one with less experience but trust me… I'm not dumb, I earned my place here.” Your voice shaky when you said that last sentence, the insecurity you felt showing through your words.

Something in his gaze shifted after that, his expression became softer, almost sympathetic. “Listen, I'm not saying you're not qualified, I'm sorry if it came off like that, just be careful… That could have ended a lot worse, trust me I know”

“ I will” The air between you two less intimidating now but still heavy with tension, you two step in the elevator, the whole way to the garage an awkward silence until you two finally reach the bullpen's garage.  

Even thought you felt like now maybe he didn't absolutely want you gone from the team, you were still curious as to why he is so cold to you

“Sorry, I need to ask… Why do you hate me?” You turn to him, after finally gathering the courage to ask this question

“What do you mean, don't hate you”

“Yes you do, I mean you're not obligated to like me but since I joined, you didn't even meet me yet and just gave this cold look”

His eyebrows furrowed as he processed your words, clearly taken aback by your directness. He sighed, a hint of regret in his eyes, and rubbed the back of his neck awkwardly. "It's not about you personally," he finally admitted, his voice softer than before.

“What is it about, then?”

He takes a deep breath before starting to talk “You're only 3 years older than me when I joined this team, I know what it does you, to your mind. I guess I just saw way too much of me, of who I used to be, in you, and it terrified me to be honest” His cold facade disappeared completely now, in its place a soft and genuine expression.

“So you were, and I'm sorry for the words, an asshole to me because you were worried?” You almost can't wrap your head around it, all this time you felt like one of your biggest references in the BAU hated you, but instead he was caring for you.

“Yes, I see how it comes out as “asshole” behavior, but my brain just went full shutdown when i saw you” His face turns slightly red when he notices what he just said – Freudian slip or just a bad choice of words? He doesn't's know for sure – His hand goes to awkwardly scratch the back of his neck “I mean… for the resemblance, of how I acted when I had just joined, of course”

You give him a small smile, and just like that your side that has been a fan and read all of this man's articles comes back to life “Of course. Thank you for worrying but maybe instead of hating me you could… I don't know, if it's not too much of a bother of course, help me? I value your worries Doc, maybe you could help me not make the same mistakes you did”

He nodded, a hint of relief washing over his features. "I'd be happy to help," he said, a genuine smile finally breaking through. "I might not have all the answers, but I can definitely share what I've learned along the way."

“I'm happy to hear that, thanks, Doc. Reid” You wave at him as you begin walking over to your car.

“Hey, just call me Spencer” He smiles warmly at you

“See you tomorrow Spencer”

[sepublic]

“It’s funny how Luz thinks her friends won’t accept her for helping Belos meet the Collector when she sees them being chill with Hunter and his war crimes”

Y’all… Understand why Luz feels that her helping Philip meet the Collector is significant, right?

Don’t you think it’s crazy how in Hollow Mind, Luz sees Belos use the magic of the covens to dazzle people into following him, helping establish his regime. We see how his coven bindings literally killed people. And then she finds out she helped Belos meet the Collector, who gave him this type of magic? Who reiterates in the season finale that they have Belos “magic stronger than anybody’s” as well as the draining spell???

Luz gave Magic Hitler what he needed to rise to power, she saw people directly die because of what she gave him. Those ruins on the Knee she explored? They were ruins because of Luz, people displaced from their homes because Luz ran from hers, and now here she is enjoying what they lost. She knows about all of the systemic devastation, the environmental damage, all of the living things and artifacts and culture endangered; So many lives ruined or hurt or even cut short because of what Luz helped Belos find. Think of the damage the sigils have done, before their role in the draining spell is even accounted!

And the draining spell meant the Collector had to be freed; Luz thinks the Collector committed genocide on the Titans, and even misremembers them as more violent than they actually were. She doesn’t know what this successfully-genocidal being, who enthusiastically helped Belos attempt genocide on the isles, will do to its people! The Collector being freed led to Luz and her friends being stranded in the human realm, away from their families; The families Luz sees them missing, while Luz gets to have hers despite abandoning it.

Her nightmare sequence in the finale is about Luz seeing the dead bodies of everyone she’s met filling up a pit because of her, while Luz’s surviving friends blame her for this, with Gus reiterating that he lost his dad because of Luz, and losing a father is something Luz can deeply relate to.

And yet people just boiled Luz’s guilt down to just teenage self-loathing and angst, and made jokes about how Luz thinks her friends won’t forgive her for this but they’ll forgive Hunter’s war crimes! You know, the war crimes that fans just made up. That would still be Luz’s responsibility (in her eyes) since she aided in the rise of the coven regime Hunter did them for, if they were real. The war crimes of Hunter that, even if they did happen, he didn’t matter in the long run, he wasn’t needed for the genocide, and part of Hunter’s existential crisis in Hollow Mind is realizing that! But Luz was vital!

It’s absolutely insane, Luz was as explicitly suicidal as a Disney TV show could make a character, she went on a whole rant about it, and the fandom just barely skimmed over it. Idgaf if Hunter lost Flapjack, if their positions were reversed people would be drooling over suicidal Hunter! If Luz was also a white boy people would still remember this, don’t blame this on fans being distracted by what happened to Flapjack. I remember people making fun of Luz’s suicidal rant while cradling poor Hunter’s trauma in their hands!!!

For people who claim to love angst and dark topics and using it as an excuse to focus on Hunter and maybe those white guys over everyone else, it’s just wild to me. And now the fandom has gotten to a point where it’s making up angst for Hunter about him feeling guilty for killing witches (because his colonial violence is about HIS feelings amirite), instead of talking about other characters’ canonical issues. People would rather talk about Hunter’s hands.

The point is that Luz sees herself as just like Belos; A human who saw a world to play out their fantasy in, and ended up causing a genocide because of it… Dare Luz say, she’s a colonizer like Philip. Luz sees it as a butterfly effect where she’s also responsible for the coven system that her friends and the entire Boiling Isles suffered from, because without the Collector it likely wouldn’t have happened. This is why in the finale, Luz’s nightmare has herself as Belos.

And it doesn’t matter if Luz meant well, she’s seen how people, including her own mother, mean well but still hurt others who as Eda says, “have a right to be upset.” This is why in the finale, the Titan insinuates, when condemning Belos, that intent does still matter to some degree; Luz came from a place of compassion and good faith. Likewise, we have her friends pointing out that it’s disingenuous to take this blame because anyone else could’ve been tricked by Belos, he was going through different victims like Blue Fang until he succeeded in getting the Collector.

I’m sorry, but… Hunter killing people and being a war criminal is fanon. It’s not out of the question that maybe he killed others, but nothing’s confirmed, especially in regards to the others knowing. In his debut he’s averse to violence, doing minimal manhandling and resorting to threats, but avoiding killing the Selkidomus and not even checking its corpse. And this tracks with Hunter’s eventual development and belief he’s doing something good.

And even if he had killed, Hunter’s destruction is nothing compared to the coven system, the Day of Unity, the Collector’s reign, etc. Hunter’s a literally replaceable cog in the system and Belos even brings this up to the Collector. But Luz sees herself, partially because of her prior guilt, as a key part of Belos’ genocide from the start.

I get that you’re not trying to invalidate Luz’s trauma by comparing it to someone else’s and yes Luz suffers from a horrendous double standard of self-loathing. But c’mon, the show was NOT subtle about why Luz would think she’s done worse than Hunter, who has no confirmed kills, nobody dead via butterfly effect. And I’m sick of people always downplaying Luz’s trauma and feelings to hype up Hunter. Or even giving it to Hunter because they just gloss over what the nightmare in the finale meant to Luz specifically.

[the-cat-and-the-birdie]

We talk about how mischaracterized Hobie is - which he is - but I honestly think someone else is characterized REALLY weirdly by fandom

Miguel O'Hara and Misrepresentation of His Rage: a.k.a Miguel has Ken Energy you fools

[this is a breakdown where I examine Miguel's trauma, his relationship with Miles, his role in The Society, and his personality]

I talk a lot of shit about the Hobie tag, but the over-saturation of smut in the Miguel tag is at critical mass.

And like Latino-fetishization aside, I feel like he's not written as a human.

He's written so flat.

I swear ya'll be writing him as the angriest, coldest, most anti-social man on earth. Ya'll be having him rude and avoidant with no friends whatsoever or a romantic soft latin lover and NO IN BETWEEN

which is so funny cause like... I feel like Miguel is Just A Guy

I know they're easy to overlook but I think about moments like these all the time

But I ALWAYS see him written him as friendless, and cold, or constantly irritated and angry but like - I feel like most of the time Miguel is just some dude. Like in a Good Way.

And he's fine with that.

Miguel runs a Society Full of Spider-people, and they're working for him voluntarily. Peter Parkers wouldn't work for someone they didn't think was genuinely, good-likeable, and level-headed.

He compliments Lego-Spider-Man. When Hobie was there he wasn't pissed he was just like 'not in the mood rn ngl'

and Hobie didn't take the piss outta him - because I feel like him and Hobie have a mutal understanding/relaxed relationship. All throughout the movie Hobie isn't talking bad about Miguel in specific - he never says anything about Miguel being annoying or evil - he's always taking about The Society Miguel has made.

Even Hobie - who will openly talk bad about the PM, doesn't really feel the need to diss Miguel's character in specific. Which I find very interesting.

I think this, along with a couple other things shows that the way we view Miguel in fandom is not really how he is, like..when he's not going buckwild insane.

Miguel and His Role as Canon

I could see Miguel taking his role as boss very seriously - the same way he took being a father.

Miguel has assumed the role of 'leader' over these Spider-people. In his eyes, it's his job to lead these people through their canon events to the other side, for the safety of the universe, and for them to become the people fate says they're supposed to be.

Because he made the mistake of 'going against fate'. A lot of the time we say that Miguel's justification is 'because I suffered, you must too'. But in his eyes, it's more like 'I tried to run from who I was supposed to be and it blew up in my face. Please don't make the same mistake - it's not worth it.'

Quiet literally 'Do what you're supposed to do, and things won't fall apart around you.'

And I think that really says a lot about how he feels about his own choices, and his own daughter.

Miguel broke canon to be with his daughter, and because of that, she - and billions of others, died. And Miguel feels directly responsible for that. In his eyes, he killed his daughter and murdered billions of people.

And although he loves his daughter - he sees it as not worth it. He sees taking her father's place as a mistake.

To Miguel, canon events and the pain they cause are much more 'worth it' and 'tolerable', than the pain and guilt of killing an entire universe.

Because with canon events, there is no fault. It's not your fault you couldn't catch Gwen Stacy. It's not that you're not fast enough, it's that it's suppose to happen. It's not your fault.

But in Miguel's case - it was his fault. It wasn't suppose to happen.

That's why Miles sets him off in a way others don't and can't. Because he wasn't supposed to happen.

When things are under control, Miguel is fine. When things aren't, Miguel isn't.

Miguel needs order. He needs canon. Not because he likes it, but because he feels beaten into submission by it. He feels safe in the idea that canon events happen even if you do everything right, because he still feels the guilt of having done something 'wrong'.

That's why he sees letting people die in canon events as 'the right thing'.

It's the trolley problem.

A trolley is hurtling at someone you love, on the other track there are 5 people. Do you let the one you love die, or do you hit the switch and save them - and take the blame for killing five people?

What's the right thing to do? Save your captain father and letting a universe die? Or letting your father die, but the universe will for sure live.

Miguel has already made his choice, even if he didn't know it at the time. By becoming a father, Miguel hit the switch. And he chose his daughter at the expense of a universe. And he regrets that decision. He feels guilt, like he's to blame.

When canon events happen, there's no one to blame. When anomalies happen, there is.

Miles and Miguel

Miles and Miguel have an interesting and unique dynamic with each other, one that I haven't seen anyone mention yet.

When I look at Miles and Miguel, especially in this scene:

I kinda see Miguel and a past version of himself. Miguel trying to stop what he sees - as someone about to make the same mistake he did.

When Miguel met his daughter, he didn't know about it's threat to the multiverse. And although it might be described as the best time in Miguel's life, he regrets it. If he would go back, he would have rather let his daughter live. Fatherless, but at least she would have lived.

Miguel didn't know. But Miles does. And that's what makes Miguel so furious.

Miles is going to go against canon, be with his dad, and threaten the multiverse. And Miguel believes that if Miles does this, billions of people and beings across a universe will die. 100% totality rate, 100% assured.

Miles is in the same position as Miguel once was. Miles has the same choice. To choose the one he loves over canon.

The only difference is Miles knows. He has a chance.

Miguel believes that Miles can spare himself the pain, and the guilt of murdering billions - if he just listened to him.

Miguel is the only Spider-person who has ever killed a Spider-verse. And he doesn't want that for Miles.

Miles being an anomaly was one thing. He was ready to calmly talk about that. But when Miguel sees him going down the same road as he once did, making the same choice even though Miguel is telling him not to - it makes it snap.

Because if Miguel could go back, knowing what he knows - if Miguel could only be in Miles' place - he wouldn't. Like Rio said - Miguel would kill to be in his place.

He sees Miguel like how Rio describes herself, oddly enough. Rio says she'd kill to be in Miles place, and she doesn't understand his 'irresponsible' behavior. But unbeknownst to her - his 'irresponsible' behavior is more heroic than she can understand.

Miguel is just the same. He sees Miles' choice as irresponsible, that he's making all the wrong choices even though people are throwing opportunity at him.

Miles is the only other Spider-person to risk what Miguel risked. And, genuinely believing everyone will die because of this - he's furious at Miles, the same way he's still furious at himself. He loved his daughter, and he knows Miles loves it dad. But having been on the other side of it all, he sees it as not worth it.

Miguel wants to be the only Spider-man who is the way he is. He doesn't want to Miles to do what he did, become what he is. Because he knows theres no coming back from that.

If Miguel could go back and shake himself and scream in his face to leave Gabriella alone, to just leave her dimension alone, he would. But he can't.

So he does it to Miles.

Miguel as a Boss

I don't think Miguel is an outright mean or abrasive person. I feel like outside of Miles, he's fairly calm, albeit a bit stressed. I could see him being really organized and good at time management -

And I can see Miguel being good with people. I don't think he's the kinda boss that'd be like 'Oh, you had a canon event last night? Your girlfriend fell off a building? Yeah, we get that a lot, get over it.'

And if anything - I think he'd want to help the Spider-people when it comes to processing canon events.

Miguel believes that canon events are necessary, not just to the multiverse, but to the development of who Spider-people are 'supposed' to be. So I think he'd set up support systems around HQ to help them process it, and he'd at least be a bit understanding.

I could absolutely see Miguel as the type to ask a teammate "Are you alright?" after something intense, or telling them to sit out. I could see him giving generous leave for Spiders who are going through stuff.

By Jess's response, it seems as if he leaves most of that to her, but I feel like the fact he stops to tell Gwen "Don't worry, kid." shows that he's use to comforting people, or prioritizes putting people at ease.

I mean, what Spider-man doesn't?

Miguel does seem to get along with people (aside from Miles and Gwen when he's scolding her), and it seems like people do like Miguel.

Miguel's Personality

Tbh - I don't think he's nearly as angry as fandom makes him out to be.

He was raising a child. I imagine that for the most part, he's pretty patient.

Like if you call him a name, he's not gonna get pissed. I feel like he's more likely to be like "Haha. Very funny." Or just pinch his nose bridge and be like "You done?"

I mean I know with all the gnashing and clawing and yelling and going apeshit, it can be easy to imagine Miguel as JUST that.

But I also like to imagine that most of the time, he's just like that normal boss as Target.

And a lot of his day is spent doing boring mundane things.

He's not always standing there brooding over videos of him and his dead daughter. He only does that when he's psyching himself up to yell at Miles.

Outside of that, he probably has a lot more things to do, realistically speaking. Organizing missions, checking status reports, looking over intake forms of anomalies, okaying and vetoing different protocols. Approving new technology, taking complaints from members, dealing with Hobie (an extra job in its own right), fixing things MayDay breaks, etc, etc.

And he's completely fine with that. Maybe he even finds calmness in it. When there's order, and routine, and everyone is working together and there's no kinks in the hose per say, he can operate.

Like yeah he's a little irritated and looks like he only slept 4 hours - but he's here and he's going to work with his team and employees, make sure things run smoothly, and make sure everyone gets home safe.

He's gonna try and make the society a nice place to be and make sure people on the team (like Lego) feel appreciated and odd-one-outs like Hobie get to hang and do what they want without much kickback.

The other Spider-people - like Pavi - wouldn't have joined otherwise.

If Pavi had showed up and Miguel was all stern and cold and rude, he probably would've been like 'no thanks my friend'

Miguel knew Peter B. before he lost Gabriella. So he had to become friends with Peter some way. He was putting up with Peter and his humor by choice, and in return Peter must have found Miguel cool enough to hang out with.

I think it's because Miguel is good with people, a lot of different types of people.

He's pretty down to earth, even if he is a work-aholic. He can be fun to chill or hang out with, even if he's a bit of a tight-ass.

Sure his humor may be dry, and his personality tame, but he's just him.

But I can see him as being a guy who you see at the gym routinely and never say hi to but you just nod at each other in silent respect while doing your workouts sometime.

Or the dude at your job you only see at the coffee machine - you know he does other stuff, but you never run into him anywhere else.

Or the dude who'll stop on the street when you ask for the time and lift one earphone before telling you it, then walking away without another word.

DO YOU GET WHAT I MEAN DO YOU GET THAT VIBE Like just Dude He's like a dad but not like a 'Dad vibe' with like sneakers or anything but like 'Dad who comes to PTA meeting but doesn't talk to anybody and quietly leaves when it's over'.

DO YOU UNDERSTAND PLEASE TELL ME IF YOU UNDERSTAND THIS VIBE It's giving Ken.

Anyways stop avoiding Miguel's Kenergy.

[biasbuck]

BiAsBuck’s ficrec frenzy

Hi everyone, after a little bit of a break I'm back for 2025 with a new rec post of fic that I've read and loved over the last month! Delighting in the hiatus spec fic, thank you to all the authors for making winter hibernation so much fun. As always you can find previous rec lists here.

25 January 2025

like a lonely seabird by organyx is a 55k one shot that picks up directly from the buddie realtor scene, with Buck spiralling and Eddie trying to follow his heart and find joy, just with a bit of a push to get there. It's beautifully characterised, and a rollercoaster spanning to El Paso and back again, with vital conversations. With excellent teenage Chris characterisation and inclusion. There's a call mishap that had me gasping, and an amazing coming together with mutual understanding. Gorgeous, romantic and satisfying!

if you like it weird, i like it strange by @pairofraggedclaws I am definitely a greedy reader of everything Lou writes! These stories have such a fun indulgent and sexy writing style and the way Buck and Eddie get hot under the collar is incredibly enticing. Here we see them have some fun with orgasm control and a dream inspired fantasy of Buck's set at work. And in the equally gorgeous TRUST! we have Eddie who is particularly sensitive and insecure about it, however Buck has a fantastic time showing him just how they can work with it in their favour. It's a lovely fic that shows partnership and play in a both heartwarming and hot dynamic that suits them so well.

The Whale Fall Principle by @fastcardotmp3 another author whose work I've been delighting in, The Whale Fall Principle is an alternate timeline fic in which Daniel Buckley survives childhood, and it shifts the dynamics of the Buckley siblings forever. Daniel takes on some of the Buck we know and loves escapism needs, he's the one who travels to find himself, whilst Buck is left behind with the sense of responsibility and pressure of being the saviour baby, meanwhile Maddie is trying to keep her brothers together in her life. Eddie is simply trying to understand Buck and where he fits in to their lives. This is such a beautiful, thoughtful, heartbreaking and uplifting fic. I could talk about it for hours. And I also loved:

carefully, I was going to live by fastcardotmp3 - in which Buck finds out about Eddie's will after the shooting....but not from Eddie. Thrust into guardianship, he finds his way with Chris, whilst grieving for his best friend who is in a coma....but after two years, Eddie is waking up, and for him, no time has passed at all. Told in dual POV, each alternate chapter explores Eddie's perspective from two years on and pairs it with Buck's from the time Eddie slips away from him, and eventually, they meet in the middle. It's complicated and full of love, hurt and healing.

paving hell with energy by Elgney ahhhh an 8b spec fic that fits with MY 8b spec re the serial killer based on that trailer...'Buck is having a hard time dealing with Eddie's impending move to El Paso and resorts to some Buck 1.0-style coping mechanisms. Unfortunately for everybody, this backfires in spectacular fashion. Especially for Eddie, who waited until now to realize he was in love with his best friend.' Heed trigger warnings, but I love the sibling dynamics with Buck and Maddie here, and the way the author has nailed the character voices in the 118 banter. Dark and twisty!

Where the Light Enters by @beecauseevan is SUCH a beautifully written and heartfelt story dealing with Eddie's religious trauma. 'Chris is 800 miles away, and Eddie's house feels emptier than ever. As always, Buck is right there, ready to have his back, to catch him without hesitation if he falls...This is fine, until it isn't. Until Eddie finds himself drawn to Buck in ways he never expected—ways that might not be so new at all.' I'm in awe of the way the narrative threads weave together and peel back the layers to let the light into Eddie's story. This one has so much vulnerability, it was healing to read.

and longingly i long by @effervescentwolf explores established relationship Buddie and a touch starved Buck, who craves being held and touching and revelling in the physicality of their love. And Eddie, who he learns feels similarly. I love how the craving and need is written here, it's powerful and sympathetic, and the eventual communication and asking for what you want unfolds so well.

Death Becomes Him by @kungfunurse was such a cool way of examining the 118 (and Buck specifically's) many brushes with death! 'Each time Buck dies, something in him changes. After all, every change is a sort of death, and death is the ultimate change. Or, what does the supernatural look like in the "real world"?' Such a clever character examination, like Buck's lightning math superpowers on acid! And how it affects those closest to him, and his developing relationship with Eddie, with some questions answered and some left to linger enticingly.

A Life For A Life by icewhisper RAVIIIIIII! 'The first time Ravi met Evan Buckley, he never got his name. He only knew him as the man who pulled him onto a firetruck during a tsunami before he jumped back into the water after his son. Five years later, in a collapsed building, it’s Buck who needs saving and Ravi gets a chance to return the favor.' An excellent team based call gone wrong fic, this is Buddie in the background with Ravi and Buck friendship at heart, and it's fantastic hurt/comfort fic. Ravi beloved.

Next to your heartbeat, where I should be by @rainbow-nerdss in which Buck sends Eddie an accidental dick pic, and then through their resulting texts Eddie realises the power of exchanging photos as a means of self love and self esteem boosting to reclaim and celebrate his body...so pic exchanges ensue...totally platonically of course. This is sexy and silly and so much fun, the oneupmanship is hilarious and hot, and as their inhibitions drop...so do their pants.

the sweetest apparition by @hyruling in which 'Eddie moves to Texas. Buck keeps accidentally telling people Eddie's dead. It goes about as well as you'd expect.' I died laughing and then swooned and then cackled, and then cried, and it was all so wonderful. Crack treated seriously, this is one for anyone who is a fan of Buck's perpetual foot in mouth syndrome.

I'll be back next month with my next round of recs, happy reading everyone! 40 days until 8b!

[ccrypticcorvidae]

RE: Mouthwashing, Curly

I wanna talk a bit abt Curly's so-called "punishment" because I like the symbolism an immense amount and I think his character is really complex.

Before the crash, when Anya tells Curly that she's pregnant, he feels like he's powerless to bring her justice because of the circumstances. Jimmy was his best friend, who he believed to be a good person despite his past mistakes, and who he was able to get a decent job by having his employers look past the criminal records. The team is stuck on the same ship without locks in the sleeping quarters for months, and he wants to do everything in his power to keep the peace so that everyone would make it out of the less-than-ideal situation mostly unharmed. As the captain, he's protective over his crew, and he's already failed one of its members directly by inviting a dangerous man to live amongst them without room for the potentially severe repercussions he would face in society (i.e. "take responsibility"). When he does confront Jimmy, he sees his true colors, having expected him to take responsibility for his actions instead of covering things up. Curly is kind to a fault - sees the good in people - and for this, he takes the brunt of the ship's crashing due to his own selflessness in trying to save as much of it as possible.

Now he's physically powerless; he can't be there to protect his crew mates, to act as a mediator between them via verbal communication as opposed to violence. He can't assist Anya in her deteriorating mental status due to the trauma she endured, and she's ultimately consumed by it - all while he watches on helplessly, wishing he had noticed her struggles sooner. He can't stop the fight between Jimmy and Swansea once Anya reveals to the latter what was done to her, and consequentially, the deaths that followed. The plight of his character is to witness the downfall of those he was supposed to lead and be the only one to survive in the end, continually tormented with the knowledge that Pony Express would likely sweep these horrid events under the rug the same way they did Jimmy's criminal history. If he is successfully rescued, Jimmy's framing guarantees he will be blamed for everything, without any real way to defend himself. In the end, he had no decision in whether he would live or die as the others did, his personal liberties taken from him. Curly is left alone and vulnerable, in parallel to Anya, the cycle of endless pain starting over once again. In the end, Jimmy would never truly take accountability for the pain he caused, and in one, final, selfish move, he sentenced his only real friend to live with it under the pretense of "fixing things."