#he’s complex with complex motivations

[pretty-emo-dad]

Some of you only view Lucas’s character as the Good Boyfriend and it shows

[frodo-a-gogo]

Let us be brutally honest with ourselves and with eachother for a moment. If he weren't obese you motherfuckers would be capable of percieving evrart claires sexy sexy moral ambiguity and complex charms

[poorly-drawn-mdzs]

He was just being a silly little guy!

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[piscean-professional]

*hands you this*

[deerspherestudios]

Not a question, just wanted to say that I love how you got everyone to think Mychael was a yandere in the first day of the game, now that the second day is out people are still confused as to whether he's a yandere or not- including me 😭

GUYS-

I mention it literally everywhere I can!! 😭 You're not the only one that asked me this hahaha!

I think I understand the confusion, since Mychael hasn't shown any serious yandere traits despite the claim that he is. I mean, if a yandere is content, of course they're not gonna show off their crazy so early. Plus it takes a lot for someone that's never fallen in love to really dig into the feeling and become obsessive/possessive about it.

I noticed a lot of yan VNs (at the time I started making MO) had the yans already in love with the MC. We never get to see what it is that makes them love so hard in the first place. That's what I wanted to explore with Mychael! I didn't want him to just be a yandere. That's why the VN is a slow burn first and foremost, he's slowly figuring it out!

Bonus: Here's a comic I did last year about the dynamic I had in mind.

[icycove]

@piliiiiiconfusionf you inspired me earlier! Here, have this Patty XD 🩵

[little-smartass]

"AU where JGY isn't evil" tag is an immediate fic red flag for me like we could not more clearly have irreconcilable differences around this character. so how did you make him "not evil" - did you make the jianghu an equal opportunity utopia with no social class hierarchy? did you raise him and his mother out of poverty? did you allow him to experience genuine compassion and consistent kindness from his peers so he could process and move past his trauma? did you stop him from having to suffer years and years of emotional and physical abuse at the hands of his father and father's wife? no?

oh, you just made him make the choices WWX would. cool cool cool.

[redlyriumidol]

the plot of inquisition is fairly basic/unoriginal imo UNTIL you factor trespasser in as the real ending. that elevates the story so far beyond a simple fantasy "bad monster guy wants to take over the world. the plucky hero and his friends stops him" to something much more compelling. the moment you find out corypheus was really just small potatoes and you should have been worrying about the unassuming, soft-spoken elf who you thought was your friend and would always be by your side.... unparalleled. of course trespasser shouldn't have been a dlc I mean... we shouldn't have had to pay extra for something which is absolutely critical to the story of inquisition, but anyway...... it's truly the plot twist of all time. corypheus was a bit blah as a bad guy but really he was just a distraction- all you've been doing this whole time is cleaning up solas's mess so he can freely carry out his plans. solas is already an incredibly good villain, just being able to see and get to know the "human" side of him for an entire game is amazing set-up for da:d

[zarnzarn]

"Penelope," Odysseus whispers, heartbroken. She cannot stop crying enough to see him, and it makes her cry harder, even as the familiar scent of him moves closer and is followed by his arms around her, holding her up as she falls to pieces.

"I couldn't- I couldn't find-" She gasps for air, desperately hoping no one is around. Grief comes slamming into her like a tidal wave, laying her low with unrelenting memories of the injustice of wanting her husband home the most of anyone in the war and being the only to not get her wish and fear for how her reign would end and all the other feelings she should have gotten over already. "I couldn't find you," she sobs out finally, the words shaking out of her as her shoulders heave.

"Easy, my love, breathe," Odysseus coaxes, picking her up like it was nothing, tilting her at an angle that must be straining his shoulders to let her cling to him tighter. Cry, like it's the first time she realised how her wait had outlasted their marriage, where cannot breathe in for how hard she weeps, lungs burning. "Peace. I'm here, my darling, see, would a shade be able to do this?"

A choked, teary laugh is forced out of her as he spins on his heel suddenly, stopping her sobs with the momentum, leaving her gasping for breath and sniffing, shaking like a beaten dog, out in the rain. Alone and pawing at the memories of a warm hearth, with a pack's responsibilities on her shoulders and nowhere to set it down.

"See, now, there you go, drifting away again," Odysseus chides, twirling them both around once more, fast enough to make her half-squeal. "Am I so boring to you, compared to the mamba's nest of statespeople you have toyed with these long years? Must I put on a silly costume and dance around as entertainment, my dearest, tell you jokes and riddles to keep your attention? You wound me if you say yes, for I will lose the little respect our son still has for me."

She laughs wetly again at his chatter, the tempest in her head fading enough for the sobs to go from wailing to crying.

"Penelope," Odysseus sings her name in that strange way that sounds oddly like an owl's call, that no one can replicate. The chains around his feet jangle, a familiar sound she has trained herself into associating with her husband. She blinks the tears from her eyes, calming a little at the sound so she can see him. He clicks his tongue and wipes her tears away by rubbing their cheeks together, making her burst into choked giggles.

They don't last long, and she returns back to gasping for air as she runs out of energy, trembling.

Odysseus sighs, bittersweet, as he gives up on trying to make her laugh. Penelope sniffs, clinging on tight when she's suddenly lowered into soft sheets. "I'm here," He whispers, stroking her hair, letting her dig her nails in. "Oh, my poor beautiful wife. I'm back now. I would not leave for anything."

"I couldn't find you," Penelope whispers, small and scared. "I was calling for you from the door and there was no answer. I couldn't hear the chains. And no one knew where you were."

"All those who knew were with me, which won't happen again. I was only out at the merchants to see the new cloth with Tele," Odysseus murmurs. "Darling-"

"I cannot let go of the fear," She confesses in a rush. Closes her eyes and rocks them back and forth, trying to bury her face into Odysseus' shoulder and disappear into him. "Don't know how to convince myself that you are not an illusion. How to stop missing you, even when you are right in front of me. That I will wake up and still have to do it all alone."

Odysseus pulls back and stares at her, devastated, tears in his eyes. He opens his mouth and shuts it, helplessly. "Sweetest of my heart," he says finally, and lowers himself down on top of her so she can feel the full weight of him, smell his sweat and the ointment he applies on his scars and the juices of the fruit he fed her that morning by hand.

(Telemachus had sighed the sigh of the long-suffering when he took his seat next to them that morning for breakfast. "Must you?"

"Must we what?" Penelope had teased, and then opened her mouth for another fruit from her husband's hand, who was hiding a laugh in her hair, perched on her lap, his chair knocked to the side and lying sadly on the floor.

Telemachus shook his head, mock-disappointed and sighed louder.

"Come," Odysseus had said, patting his own lap. "Here, Tele, I will feed you too. Come."

"I'm not a dog," Telemachus had complained, over Penelope's sudden protests about not agreeing to this- and then came over and jumped up into Odysseus' grasp anyway, making Penelope yell at the sudden weight and her two rascals cackle at her.)

"Odysseus," She whispers as she exhausts of her crying and interspersing sobs an hour later, letting it curl on her tongue. She had stopped saying it, when the looks around her transformed from sympathy to concern over her sanity, and it became a political decision to not say her husband's name until he returned.

"Penelope," He returns, tightening his arms around her until her ribs creak. She sometimes wishes he were a violent man, that war had changed him enough to be rough with her, so she would have bruises to carry around to remind her he was there with her. But if he was, would she love him still?

"Give me something," She begs. She feels incredibly small and stupid, shaking like a child, and it is the only the fact that her real husband wouldn't falter or recoil in the face of her weaknesses and breakdowns that keeps her talking. "Something to prove you're here, please, please, husband-"

"Peace, Penelope," Odysseus says, in a voice sterner than he's ever used with her; the one he uses in court, making her stomach swoop. He moves back when he feels her tense under her, and studies her expression with a sharp eye. She loves him more than anything, would gladly slit open her torso to give him her innards if he so much as implied a passing fancy to having them, but even that isn't enough to fend off the slight bloom of mortification when realisation flashes across his eyes.

He kisses her, harder than usual, and she tries to focus on it rather than her still-racing thoughts.

"You are no longer Queen of Ithaka," Odysseus says, low and final, and the horrifying shock of the sentence nearly makes her moan. "Not in this room. You have held the burden of the kingdom for fifteen long years, and now you will let me make you put it down."

"No," Penelope protests, between kisses. She is still coming down from the fear planted in her by all the strong women that buoyed her these years, who grimly predicted that her husband would snatch the throne back as soon as he returned, coupled with the guilty relief that she no longer had to be in charge, no matter that it was by force. "I love her. My Ithaka. Rough and beautiful."

Odysseus huffs, smiling against her skin. "She loves you too. Which is why you must listen to her beckoning for you to rest." He punctuates his sentence by pressing down on her stomach, entire body weight on his hands as he drags his palms up her abdomen, between her breasts, up to her shoulders. "Relax, Penny. The kingdom wants for nothing, food is overabundant, no one fights, no ruler gives us trouble. You do not have to hold everything together on your own anymore."

Penelope snorts. "Ithaka says so, does she?"

"Am I not Ithaka?" Odysseus says, voice twisting and changing until it sounds like a woman speaking. Penelope is hit sideways by lust, stomach flipping at the smirk sent her way. It gets wider at her expression, as he leans down and croons, "Penelope."

"Oh, gods," Penelope says, strangled, bracing herself on his shoulders.

"Give you something," Odysseus muses, in that same voice, that lights on fire the part of her that used to be obsessed with the stable master's daughter. "How about..."

He picks up her hand and kisses her wrist gently, tenderly, like it is the most delicate of pottery, the most precious of gems. He rubs a hand over her veins once lovingly, then fits his teeth around them, eyes flashing with heat as he glances over her.

Her heart skips a beat. She nods. He bites down with canines sharper than he'd left with and she screams.

"Oh," She gasps when it's done, looking at the bleeding wound lovingly marked around her pulsepoint. Her husband tips her chin up and she smiles finally, stretching up to meet his bloody kiss. "Oh, more. More, Ody."

"As my wife desires," He murmurs, possessiveness catching fire in his eyes as he turns to set his teeth to his neck- still not violent, but perhaps the slightest bit loosened from the leash.

Penelope moans, vision hazy as her head rolls, staring up at the ceiling. She takes a deep breath, then another, letting the panic recede in the face of a daydream of wandering around with a necklace of bruises every day, until they grow old.

He always knows how to handle her so well. She had begun to think she'd imagined it, how well the man she married had met her at every turn, every trick. Yet only a few months in his return and still he guides her expertly from all the bad things in life like a sheepdog, like an overanxious newlywed; some days making her so happy that the fifteen years past had never happened.

"You will look at these and remember no one else could leave them but me," Odysseus orders, the sneer of the rabid slaughterer in his gaze. It makes all the tension seep out of her, tears escaping in relief as she nods. "And I won't go out of earshot ever again, so you always can hear how you've chained your poor husband down like a mule, forever to trip over his own feet and smash into the floor."

"Chained you like a bird," Penelope corrects, her smug, thrilled smile returning at the reminder, reaching down to shorten the chain. "No more flying for you."

"None," He agrees.

Her smile wavers as the tail end of her grief comes sliding back. "Hold me?"

"Forever and ever and ever," He promises, wrapping his hands around her. She shakes in his hold. He kisses the side of her head, holding his wrist still scarred with her own teethmarks up to her lips in offering. Her eyes roll back as the familiar blood rolls over her tongue, calming the storm in her chest at last. He pulls his hand back and cards it through her hair, pulling out all the ornaments that mark her as Queen, staining them with blood. "I promise. Calm, Penelope."

"I'm calm," She sniffs wetly. "I wouldn't do it for anyone but you."

"Neither would I," Odysseus replies. "Would you like to have sex? I can please you with my mouth if you want."

Penelope snorts ungracefully at the formal way he still says it, like it's an offer to go fetch something from the kitchens. "No. Just hold me."

Odysseus murmurs something in response and starts humming, rocking then back and forth. Blood on both their mouths still.

"Actually-" Penelope says abruptly, and Odysseus bursts into laughter like she knew he would. She smiles at the sound, and closes her eyes to bathe in it, and carefully brings herself to take the first step to trusting that he will still be there when she opens them.

[bisexualfbiagents]

You of all people should realize that sometimes motivations for behavior can be more complex and mysterious than tracing them back to one single childhood experience.

THE X FILES GIF MEME [2/9] SCENES from Oubliette (3.08)

[sammygender]

i’ve never been as angry on behalf of a character as i am for sam winchester

[infinitelystrangemachinex]

Veilguard vaguing:

It's not automatically a good thing, actually, that the game de-emphasizes or even outright removes racism against elves, and bigotry against other groups, from the story

[torchstelechos]

I do think its really important to remember that SY was suppose to be the villain character but its only because of his kindness and newly gained life that he didn’t end as one. In the very beginning of the story we learn that Peerless Cucumber Bro often left comments on how SJ didn’t get his dues and needed to be punished more, and only after he transmigrated did he acknowledge how awful of a death SJ had. He also made point to explain that he only read the book for LBH, which he noted to enjoy his decisive actions and deft ability to kill. Markedly, he liked his brutality and personality over the erotica that the majority of PIDW fans enjoyed. Peerless Cucumber Bro is someone who loves action and the ability to cut right to the chase, something that he does not do and most likely has difficulty with in his world.

Speaking of, it is something to note that Peerless Cucumber bro is rich. He had head chefs, he could pay for a 6k+ chapter book of erotica in 20 days, he noted that he could not understand SJs envy and ambition for power since he lives well, and he even noted to himself that his family was well off. He is incredibly wealthy, and it shows. Which is important to note because he, not once, showed any guilt or remorse on dying and leaving his family behind. Yes, he sometimes refers to people as being similar to his family but he never showed any pain for losing that life like he did when he lost LBH. This is important because I genuinely think SY was depressed and self destructive to himself, which goes against popular HC that he was chronically/terminally ill (I do like this HC and like how its portrayed in fanfiction). It would explain how he ended up dying all alone by himself, and how blase he was to his own life and death.

SQQ is a self destructive force who ended up dying three times, and didn’t feel anything about death itself. He was worried about others and the effect it had on them, but for himself it was up and on again like it never happened. He does not care for his health, had self isolated as SY to the point he died alone, and has a horrible self esteem to the point that he continuously agrees when other people put him down and often calls himself the villain. Even though we have seen the evidence of someone who is always being thrust into new situations and awful plots, he calls himself lazy and easy going. He hides his thoughts and feelings behind his fan and has a remarkably thin face. At the very base of his actions and his thoughts, he is self destructive, powerful, and smart. This is the set up for a villain.

However, when shown the actual people in front of him and forced to act as SJ did towards LBH and his disciples, he flinches from it. He notes that it happening in front of him was different. His entire self soothing comedy monologue went quiet when he had to enforce the Endless Abyss scene, and grieved for the childish innocence he killed from one of his favourite people. SY was set up to be the villain and obviously thinks of himself as one, but can not act as one. If he had the choice LBH would have been his sticky sweet white lotus disciple for as long as LBH wished to be.

His kindness, as seen in the book, is what turned him from being “the scumbag villain” to the protagonist we see in the novels. Which, yes, he is a protagonist! He even has the protag halo that LBH has and its very funny in the meta way for SQQ not to realize this, but thats for another post. But he loves his disciples, he loves his peak lord siblings, he loves his Binghe, he loves his new life, and he is kind. That is what kept him from being the villain he sees himself as, his kindness and love for others. Whether that be romantic, platonic, or familial, he loves the people he has met and he treats them kindly. That is why it is important to remember that he was set up as the villain by everything in the story we do not see, but what we do see is him continuously changing the story to fit a new genre that lets as many people as he can save live. Sorry sorry, I just think about SY being set up as a villain so much. It changes a lot of views I have on the series when I remember the duality of SYs story and character development.

[triglycercule]

dust with a fucked up savior complex save me dust with a fucked up savior complex SAVE ME!!!! he's literally sooo savior complex coded. he killed his underground to "save" everyone and stop the human from killing them. he thinks that it's better that he does the murdering instead of the human because he has better intentions. he's sad at the beginning (rightfully so) but savior complex dust really gets so much cooler when you add in the fact that dust eventually started to LIKE killing his underground 😭😭 like just..... imagine a manic dust who's gone mad going around claiming he's helping everyone with what he's doing when he's really,,,, not. soo cool.,,, (like dude how are you SAVING people if they don't exist after you've killed the person who was killing them. there is nobody to be safe but yourself anymore) (can you tell this was inspired by the one comic of dust killing his papyrus and saying "it was better if i did it" or something)

but also also on the other hand,,,,, revenge fueled dust??? he's gotten SO bitter from the repeated resets and genos that he's genuinely bitter enough to risk it all to stop the human. he doesn't have pure intentions in this one. dust doesn't claim he's saving anybody with what he's doing murdering them all. he KNOWS it's bad and wrong and hypocritical but he does it anyways because he wants to not only stop the human but to make them suffer. he purposely wants them to keep coming back after killing them just so he can kill them over and over and over and have them experience a fragment of the suffering he did with having all of his friends and family killed. but i think a revenge fueled dust (in contrast to savior complex dust) would be a lot cooler if he still felt shitty for killing everyone. it's painful to do but hate is stronger than love and dust's hate for the human is MUCH stronger than his love for the underground atp

[lifegrowsfromashes]

Grian can taste Death.

The metallic, cast-iron taste of Death, lingering in the back of his throat. The schizophrenic visions of Death, in the corners of his eyes, flickering like static.

Death follows Grian, like the last thing that’ll stay with him. His friends can get sick of him, his enemies can disappear, but Death, Death remains. And Death is out for him.

He can’t let his friends help; can’t let them get in the way. This fight is between him and the End, only. So, no, he won’t let Scar save him. And no, he won’t let Scar run off, like he’s trying to right now.

They’ve been keeping their distance from each other over the past few days, but Grian can tell when Scar’s planning something. He’s been unpacking less and less, when they settle down to sleep. His agreements to Grian’s plans have been more and more reluctant.

So, yeah, okay, Grian’s been hard on Scar recently. But Scar doesn’t get it. 

Ever since that incident, with the creeper, he’s kept his guard up. He can’t let him go down to red. And, okay, maybe shouting at him and calling him useless isn’t the bast way to do that. But- If Grian doesn’t save him, doesn’t tell him what to do, he knows that Scar will die. 

And he cannot let Scar die. Not again.

So cannot let Scar run off, like Grian knows he’s trying to.

He tries to confront him, when they’re settling down to sleep, in the dirt house. 

Hiding behind his wings, Grian shares across at Scar. The wide, jagged lines of burns raise the skin over his face, distorting his eyes. He’s staring up at the stars. 

“Are you going to leave?” The words startle Scar out of his stupor, and he looks across to where Grian’s laying on top of his sheets.

“What do you mean?”

“I’ve seen you, these past few days. Since that creeper. You’ve been unpacking less and less.”

“That doesn’t mean I’m going to leave.”

“Well, what- what about the way I acted? The way I was, with you. After. Didn’t you think- you’d be better off alone?’

“No.”

Grian tenses. He watches Scar’s eyebrows knit together.

“Is this your way of trying to apologise? Because it’s not working.”

“I just-“

“I’m not leaving, Grian. What do you want me to say?”

“Well-“

“That you’ve been acting like a dick? That you haven’t been taking my feelings into account? That your brashness hasn’t just jeopardised me, but both of us? I know this is stressful and I know it’s scary, but we have to work together on this. There’s nobody else we can turn to. So no, I’m not going to leave you. And you’ve got to stop thinking like that.”

Scar’s breathing heavily, now. His voice is raised. They both turn towards the door, and watch for something to happen. And then he sees it. 

The shriek. The death call. 

The darkness.

[stopthatfool]

Currently trying to understand and pinpoint Ron "Slider" Kerner. Who are you Slider... what are your motivations... what are your goals... what is your favourite colour... why are you in the navy...

if anyone has any concrete thoughts about slider... please share them with me... who is this man... do you think he listens to nickelback? or does he think Metallica is the greatest band of all time?