#he would say that because it's true

[mapplesand]

i have to write in the college library to kill time but i'm scared someone will randomly look at my computer and as i'm writing Marco say something like "maybe i'm like this because i grew up with a picture of jesus right above my computer desk as i was watching porn"

[bunnieswithknives]

OH MY GOD??? HAS IT SERIOUSLY BEEN A MONTH????? I am so sorry guys

Prev | Next

[starry-bi-sky]

mmm throwaway conversation between Dan and Danny that popped into my head that I had to write out:

"You spent ten years being a one-man mass extinction event, then went back in time and fought me, and lost." Danny snarls, arms crossed and throat tight. His mouth pulls back to bare dagger-sharp teeth, and his eyes burn with the familiar thrum of ectoplasm heating up behind his eyes. "If I didn't believe you were half of Vlad before, I do now."

His other self -- and really, can he even call him that? He's half of Vlad too. Two halves severed from each other and welded together to make a new whole, -- snaps his head over to him. Wild-eyed and furious, he looks unlike the man Danny fought before, the one unruffled and untouched, unbothered by the world around him. It's familiar, but not like the way a reflection is.

"What's that supposed to mean." The Other hisses, matching Danny's scowl one-for-one with fangs much bigger and sharper than his.

But there's a reason lions fear hyenas. Danny matches the rumble in The Other's chest with one of his own, and shoves his face close to his. "I don't lose."

[oceanwithouthermoon]

saikis powers are a vital part of him so it makes sense that people who dont know about them cant truly understand his whole self, but its also very silly to me when people act like its the ONLY important part of him... people act like his friends that arent in the know are completely blind to who saiki is, but i feel like that kinda means you missed some major points... he cant keep his powers a secret forever and it DOES matter, but he can still be loved and KNOWN without knowing about them... hes still human, he still has a personality, he still has regular likes and dislikes, etcetc

his friends perspectives on him may have been wrong at first, but they CHANGED... they know him and love him, and theyll KEEP loving him the SAME once they know of his powers...

​some people cough cough cough in this fandom like to reduce saiki to JUST his powers and its so obvious that you just. missed everything. you didnt absorb anything from the show, you just saw it and went "ha, everyone thinks hes just a guy when hes actually super cool and powerful" no no no, he IS cool and powerful but look a little closer and at his core he is still LITERALLY JUST A GUY 😭😭😭

hes such a guy.....

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[keferon]

*clasps your shoulders gently and looks you straight in the eye*

Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.

You are the seventh person that recommended this fic to me so ahahahaha yeah

I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender

…..I made the moodboard….

[tenaciousmilkshakecandy]

When James and Regulus had their first fight in a relationship Regulus thought James was going to break up with him and James had to sit down and comfort him cause "people in relationship sometimes don't see eye to eye but it doesn't mean they're breaking up"

[fisheito]

before mirage of scales: I NEED YAKUYA EVENT

after mirage of scales: ah. um. i . i don't need yakuya event so much, anymo.re... hah..a...

[watchfuldeer]

last night i went to a really fun and informal fundraiser evening with jesse and lucy at westminster school, where they were interviewing each other. i got to ask a question which i’ve mused upon for some time about tom, shiv and greg. enjoy! full transcript under cut

Transcript

me: so i’m gonna have to look at what i wrote down.

jesse: that’s alright, you’re highly in credit since you know more about the show than us. more about john berryman.

(laughter)

lucy: tell us what we’ve done wrong so far!

me: god, no. i wouldn’t! so my question, this is a character based question, and one thing that probably got a bit subsumed in the fourth season just because everything was happening. but i’d like to know more about tom and shiv, and also greg. because my read on the situation between the three of them is that greg is a source of marital strife (laughter) that shiv never noticed, and what would it have taken for shiv to notice the depth of greg’s presence in their marriage.

jesse: uh huh.

me: and tom’s attachment to him.

jesse: uh huh. sometimes you get little bits in life or you see something and you’re like, i wish we were making the show, because i suddenly do want to hear shiv say ‘greg you’re a source of marital strife’.

(laughter)

jesse: that’s like, when you’re like, that’s gonna be in, we’re not gonna cut that.

lucy: absolutely.

jesse: (doing greg voice) wh-wh-what?!

(laughter)

lucy: yeah. well we enjoyed that, didn’t we. we had a scene in america decides, which was the only scene between shiv and greg.

jesse: oh yeah.

lucy: the election episode in the final season where she takes him into a little room and threatens him.

me: ah, but it’s jealousy over lukas, over the greg and lukas thing, and it’s like, have you forgotten your husband, who is also very attached to this limpet?

lucy: yeah. i would also say that there are marriages in which a third party is not an unuseful thing, as well. not in a forgiving way about infidelity, but i would say that there are things that tom can express with and at and on greg (laughter) as it were, to greg, that are useful because he’s both a - you know the great, the interesting thing about tom is that he’s both a courtier and a bully. he’s that rare combination of someone who you totally believe as being almost like (mimes bowing and doffing cap) ‘oh yes sorry thank you yes ma’am’ and also like, ‘i’m gonna kill you’ and that juxtaposition is what makes him so interesting.

but in his marriage to shiv he has no real way, until quite late i guess in the final season, where we explore it, to hold power over her and to use that part of himself. so he’s accepted the acquiescing, he’s accepted the role of courtier in that marriage, and greg is quite a useful place where he gets to express all of that, the bully in him so that maybe it doesn’t have to come out in the marriage. which might be bad, because perhaps it should do and then the marriage would’ve ended much earlier, yknow, when shiv would just be like ‘i’m not dealing with you challenging me in any way’. so it’s not until that balcony scene i think where he really challengers her much at all. possibly the beach scene, where he sort of says that he’s considered leaving her, and how that would feel. but with aggressive challenge? it’s all directed at greg, and greg is allowed to be the place where all those feelings go.

me: but the affection - there’s also affection between them.

jesse: YEAH. and i think that’s the other thing maybe you’re alluding to is like, she… i think, some things you know you’re putting in the show because you talk about them and other things just naturally occur, and audiences and people tell you what the show is and what you put in there and you didn’t even realise, but i think we were aware of this - she’s oblivious. her obliviousness is a big part of her wealth and her upbringing and… so there’s something homoerotic going on between greg and tom.

me: i mean it’s not for me to say.

(laughter)

jesse: and does she… i think there’s two ways of reading that, either she’s oblivious, and that’s intriguing and possible. the other is that she sort of - there’s a scene in, you know that one, in the sun valley media conference in argestes, where we wrote a bit where shiv shows up unexpected and tom’s sort of flirting with someone, and it never really landed that much. i think we were like, oh this really gonna, shiv’s gonna spark up when she sees him flirting with someone. and it’s one of those things where you were like, you know what? i don’t think she gives a hoot, really, does she.

(laughter)

jesse: it’s like, she hasn’t got that, that’s not in her belly, that fear of loss.

lucy: no.

jesse: so i think that goes, that probably goes for a same-sex relationship or flirtation as much as it does for with a woman.

lucy: i think that’s true.

jesse: like she really… even if he was like - and this is not the way that tom would be like - ‘i think i’d like to sleep with greg’, i think she’d be like (mimes looking at watch) ‘when?’.

(laughter)

jesse: (as shiv) ‘not when i’m in the city, that’s weird, tom’.

(laughter)

jesse: i don’t think she’d have any fundamental objection to that.

lucy: that’s true. i think jealousy is quite a low status emotion.

jesse: yes.

lucy: and i think that she would struggle to feel it.

(jesse laughs)

lucy: even if it was present in some way, she would never be able to access it because it would put her too much at a disadvantage. so i think yeah exactly that, it would be like, ‘oh i guess you’re going to fuck that boring woman now are you, tom’ or do that, like… she has to be here (mimes one hand above another hand) so jealousy can’t really be accessed by her. so she might be irritated by greg, but in the way you would be by a mosquito.

me: to her detriment.

lucy: to her detriment, sure, ultimately yeah.

[somegrumpynerd]

Actually it turns out I had more thoughts about that post that I forgot about lol

Would Nightmare actually give up his boys? Yes and no

If it was just a black and white situation of they're miserable, they don't wanna be here, they have somewhere better to be, then yes. He would leave them out to wherever they needed to be despite his own feelings and very quickly realise afterwards just how much he'd gotten used to the noise and company. I think he would get a little clingy with Dream about it, which I'm sure Dream would find very weird after everything but not unwelcome, he did miss his brother after all.

(If he couldn't attach himself to Dream's side for whatever reason, I think he might just sit in his castle and go insane. Or maybe he'd just spend all day at Ccino's trying really hard to project that he just likes the atmosphere and isn't lonely as hell)

But the thing is, most of them don't have somewhere better to be. Horror has his au, and Nightmare would keep up the supply of food even if Horror said he wanted to quit at this point, so he would understandably let him return home. Killer, Dust and Cross effectively don't have aus anymore though, and they tend to get into self-destructive habits when they're left to their own devices. (Obviously bringing Color and Epic into the mix to make sure Killer and Cross are taken care of eases matters, but Dust doesn't really have any friends outside their group he could go stay with - that Nightmare knows about at least).

The flipside of this is that his boys may not necessarily want to be given up. I think if Nightmare got really in his head about this he could easily end up convinced this is the right thing to do without ever asking them if it's what they want, with potentially terrible results. He's established such a pattern of always returning to find Killer when they get seperated, that if he never showed up Killer might just keep sitting there and waiting for him greyfriar's bobby style, refusing to leave because he's certain his boss is coming back.

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[wiseatom]

“mike and will wouldn’t call each other baby” wrong. they’re hopeless romantic embarrassing losers. not only would they call each other baby, they’d call each other bubs. goober zoober. zeebie pie even. the more embarrassing the more in character it is 😌

[smile-files]

i am the world's leading henryologist. here is some of my research

[macksartblock]

I hope Trudy wasn’t always a robot bc that would be way more fucked up of Tucker also because what robot is programmed to suffer from comphet

[digitalmidnight]

Project Eden's Garden Predictions

This is meant to be silly. Spoilers in post and in tags

There's a really big influencer light and Kai just walks right up to it and gets fried like a moth. Kai is a victim.

An area opens up with remote controlled RC cars. During the race, everyone hits the sand bags at least once. The sand bags start leaking pink. They open it like a cocoon. The butterfly was broken upon the wheel. Kai is a victim.

Toshiko forces Kai to watch teen rom-coms with her. Kai is a victim.

Grace goes "Screw you Damon. The man I shared a bed with is gone, so I'm killing the man you share a bed with." Kai is a victim.

Damon was supposed to die in Chapter 4. Kai becomes aware of the plan, but ends up dying himself to save Damon. This kickstarts a series of events (like the butterfly effect) that lead to Damon finally being fully into being part of the group and ending the killing game. Kai and his killer are treated as martyrs. Kai is a victim.

Same thing as above but Damon commits a murder instead. He gets away with it. It doesn't matter anyways. Kai was a victim.

Damon goes: "so how did the victim die?" Kai says: "Like this!" Kai is a victim.

Eloise is training late at night and sees Kai acting odd. A misunderstanding happens where she doesn't know it's Kai specifically. Still, she believes whoever she saw, which just happened to be Kai, was a horrible, irredeemable person. She makes him suffer. Kai is a victim.

Jean kills Kai for his attempt at French. Jean is a bigger victim. Kai is a victim.

A big plot involving handwritten murder notes pops up. Except the handwriting is atrocious (in trial, there's confusion whether it's Damon or Demond. Also Mark vs Ultimate Marksman). Kai ended up getting killed because the killer confused his last name with Grace's. Kai is a victim.

Diana gets Kai because chameleons eat butterflies and she was hungie. Kai is a victim.

Kai does a little hip bonk to get an item out of the machines. The machine falls over and breaks. Mara gets him. Kai is a victim.

The casts gets it into their heads that this situation is like V3. They totally consented, this is a television show, and all their fans are routing for them. Cassidy and Kai end up fighting to the death for the sake of their fanbase. Kai is a victim.

Someone pops Kai's pool inner tube. He does not float like a butterfly. Kai is a victim.

Ingrid knocks Kai upside the head with a horny jail hammer. And by that I mean sledgehammer. Kai is a victim.

Kai makes it to the very end where the garden itself is starting to crumble. They come across a statue of two men. The boulder that the Cain statue was holding falls. Kai is a victim.

Wenona wants to get out and somehow clocks Damon, Ulysses and Kai to be the only people smart enough to rat her out. Theres a sleepover between a lot of people in Ulysses room to try and research about where they are. The room fills with gas that Ulysses can't smell. The gas is denser than air. Kai, who was sleeping on the ground, is found before anyone else can be affected and the attempt at getting him to fresh air gets everyone else out of danger. Kai is a victim.

Jett goes "I like cars" and suddenly a car appears out of nowhere and hits Kai. Kai is a victim.

Kai begs Mark to listen to his super cool music idea. "Trust me it's so cool and you just have to make it but it's a billion dollar idea. I'll pay you in exposure. It'll totally pay for itself-" Kai is a victim.

"A bird in the hand is worth two in the bush". Two strangulation victims are found. You would think it would be the two women with bird motifs, but only one of them is. Kai is a victim.

It's a simulation. Kai is a bug in the program. Tozu removes him. Kai is a victim.

Kai discovers Mukuro Ikusaba. The sixteenth student, lying hidden somewhere in Eden's Garden. The one they call the Ultimate Despair. He didn't watch out for her. Kai is a victim.

Kai gets really messy in a bathroom with his hair dye. The pink smears make him look like the killer. The class gets it wrong and everyone is a victim. Kai is a victim.

Desmond is dared to hit a target. This triggers a trap which kills Kai. There is a debate over if whoever set the trap is the killer, or if whoever hit the target was the killer. Doesn't matter to Kai what the answer is. Kai is a victim.

Damon is too comfy cozy to get up. There is nothing containing Kai except for Damon sleeping on top of him. Kai starves to death. Kai is a victim.

[dykedvonte]

I think everyone but Jimmy would believe in Aliens to an extent and have a weird story about something that happened while in space that they link back or like a UFO or alien.

Curly talks about blips on the radar that move to fast or irrationally to be regular space debris. Too uniform or too fluidly, they disappear too fast too. Anya talks about weird flickering and medbay or like odd flashes on the day screen that are too direct and specific to be simple glitches. Swansea talks about random mechanics on the ship giving out in odd ways, he’s been working for years and things don’t work like that, maybe even a gear or sprocket found after landing he swears is to foreign to be manmade but P.E always confiscates it. Daisuke always wanted to believe and takes the experiences of his very serious superiors, especially Swansea, as proof and wonders if the Tulpar is like a magnet for extraterrestrial happenings.

Jimmy thinks it’s stupid because why would aliens waste time doing all those little things and not just like abduct them? His ass obviously sees one and no one believes him cause they think they just being a jerk and messing with them, even Curly.