#he will not be allowed to leave

[lady-nuggetz]

Guys I think it's time to put king boo back in his hamster ball.

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[carebeardean]

Charles whose dad smashed his cassette tape with a hammer learns to navigate the backpack cause, like, he needs to be useful, yeah?

and this way Charles has everything Edwin needs, and if Edwin gets sick of him he’ll just.. he doesn’t know what he’ll do.

but then Edwin gets the record player.

he suggests, tentatively, that Charles might play some of his “queen” if he liked. after all, if they are to haunt potential realtors away from their new office, they may as well entertain themselves.

so they take turns, switching out; edwin likes opera. he shows Charles how to waltz, chiding Charles to stop looking at his feet til they’re gliding, whirling around like they’re in the movies. Edwin’s smile is small and pleased and lovely. (Charles attempt to get Edwin to headbang along to queen results in a sort of awkward rhythmic nodding. Charles loves him so much he could die again.)

And, like. Edwin doesn’t like clutter. he doesn’t bother with the random tidbits ghosts give them for solving cases.

until now, apparently.

now he comes back from trading at the goblin market with little useless things—a cursed rubix cube, records from bands Charles mentioned years ago.

Charles is so busy trying to subtly read his book on Edwardian courting rituals (disguised by Nikos discreet manga covers) that he doesn’t realize what Edwin’s set down in front of him. he stares at Edwin’s spiky handwriting, the tidy numbered list.

“I thought, perhaps, that we might—start a new tradition.”

Charles blinks, eyes stinging. “Mate, did you.. make me a mixtape?”

“Crystal assisted me, and while she was absolutely insuffer—“ Edwin staggers, catching him with a surprised little noise.

“I love you so much,” Charles says, muffled into his throat. “You’re my favorite person. I love you so much it hurts, sometimes.”

“Yes,” Edwin says softly, hands curling around his waist. He takes Charles weight like it’s nothing. “I believe I know the feeling.”

this is a longer fic on ao3 now!

[batbabydamian]

wondered when exactly Damian started casually chatting with his hallucinations of Alfred in Robin (2021)

figured isolating himself in a dark tower carrying pictures of Alfred and the weight of his death would do the trick! (Detective Comics (2016) #1032)

[odetojupiter]

the fact that kevin day also witnessed a man being chopped up in the tower at evermore after neil’s audition is mad, and it’s something that is very much not addressed ever. like, maybe part of kevin was so accepting of how things were in the nest because he knew that this is the second branch, and if he were to leave, he’d become the main branch’s problem because he knows too much, and the main branch casually chops men up as a warning to literal children. and then he’s still called a coward for leaving ?? but also a coward for wanting to go back to make the inevitable less painful for him ??? and that’s not even considering what riko and tetusji did to him specifically, before even jean arrived at the nest. and his mother’s death would’ve been quite recent at that point. just insane.

[carnivalcarriondiscarded]

im a simple guy! i think about puppy Barnaby. i promptly explode into bloody heart-shaped confetti

[fleurbies]

category is: harry looking like a fuckboy

[luckyblackcatxiii]

Two separate occasions but both bringing out a rare intense emotion from Saverio! Sometimes I like to think I make up cool lines on the fly when playing as him 🤔

I'd like to draw scenes to explain how he got to these points, but for now, enjoy an angry Sav~

[bizarrelittlemew]

Finally gaining approval and popularity in a world you always craved being a part of vs. watching the other person enjoying the very thing you're trying to escape

One difference:

[ohitslen]

Tending wounds.

[nelkcats]

Therapy needed

Danny needed therapy, that was pretty obvious. After the whole "my future self killed everyone because my family died" thing it became pretty obvious that he needed to acknowledge his traumas and deal with them properly before another Dan happened or his emotions just exploded. The fact that his parents wanted to kill him and no one would acknowledge his death was making things worse.

So he asked his sister for help, but Jazz being annoyingly responsible commented that he couldn't become her patient, something about how personal feelings could cloud her judgment and family can't give each other therapy. Danny thought it was a bit hypocritical considering she used him as a lab rat with her psychology books but decided not to say anything.

The fact that Jazz could not be his therapist made everything 10 times more complicated. First of all because Danny had a trauma with psychologists (and wasn't that ironic? He blamed Spectra for that), and secondly that no one would believe his whole life story or keep it a secret. It was unfortunate that the Yetis were general health doctors and not mental health doctors because that would have solved his problem.

Just as he was about to give up and continue to treat his traumas as a recurring joke, Jazz introduced him to someone. Her name was Harleen Frances Quinzel and she was completely crazy, but according to Jazz she was excellent at her job. Danny had his doubts but in the end he agreed to have an appointment with her.

Strangely, Harley Quinn lived up to his sister's expectations, not being upset when Danny asked to change the decor of the place (Spectra had done a number on his head, common offices became uncomfortable for him), nor when Danny almost froze her by accident. Harley was patient, attentive and considered all his suggestions, accepting or denying as needed. Danny liked it.

The only complaint the halfa had were about the stalkers on the roof who were always watching him on his way to and from Harley's house, it was getting very annoying. One of them panicked when Danny came out crying - couldn't a ghost face his traumas in peace!?

[simcardiac-arrested]

day 30 - videogame (undertale, fnaf, etc)

somebody get this man some chapstick

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[transmechanicus]

Idk if i’ll be able to articulate this properly but i love trans ppl in alternative subcultures. Here you have these aesthetics with an already higher than average baseline of gnc attributes in terms of hair, makeup, clothing, and accessories or lack therof. But then you add in the fact that the person dressing in this way that is gnc as part of this culture is doing something that is gender affirming for them when in other contexts it might not be. Like, a punk trans girl with buzzed hair and a tank top, or an emo tboy wearing a skirt and eyeliner are being gnc in a way that fits to their preferred gender even though to outsiders they might look #Normal. I just think it’s really cool, and also pretty smoking hot! Yeah!!!

[odetojupiter]

uhhh so the number four is associated with death in certain cultures, including japanese, which is fitting for the butcher’s son, yes but just remember neil was supposed to be number three and jean was supposed to be number four ,and in every draft but one jean dies. he is symbolically saved from that fate by dodging the number four (being given, instead, the number three which represents REBIRTH of all things - i made a whole post about that if ur curious) because it means he was never marked for death. so in this draft, where he’s number three, but was supposed to be number four, he comes so close to death - to the point where renee doesn’t know how he’s still alive - because he was supposed to die, doomed by the narrative, but that number three saves him. that number three represents resurrection, and so he doesn’t die like he was supposed to. because he’s not number four, he’s number three. he comes back. he transforms, he heals. he becomes number 29 (i will eventually make a post about jean and the 29)

neil, though, was marked for death. he had the number four tattooed on him, and he goes through his own narrative believing he will die by the end of it. his survival, however, is foreshadowed in the very moment neil thinks he’s about to die - when he is kidnapped. lola burns the number four - the signifier of death - off his face, leaving him scarred, yes, but not marked for death anymore. and so he lives. and guess what: the number 10 represents the start of a new chapter, that one cycle is coming to an end and a new life is starting, one that you’ve worked hard for. so for the number four to be burned off of neil, that tells us neil is going to live. and when neil becomes neil legally, he settles into the number 10 properly. and his new life begins.

[carnivalcarriondiscarded]

(loosely) that scene from potc... its so Them i think...