talk about kinoga. NOW.
GAH
I JUST THINK THEY ARE SO............. well first of all. they are so cute and handsome. look at them right now
Second of all I have one million feelings about them and it's barely an exaggeration. For those who aren't familiar, Kinoga is one of my beloved splatoon ocs and I think about them all the time. Originally made when I tossed a "what-if" idea about Trito, my first splatoon oc, who was once part of the octarian military, if he runs into one of the old squad members on the surface, and Kinoga was born with the help of @igneouskit. Brainworms ensue. its terminal. check out their toyhouse
(extremely brief rundown for those unfamiliar with splatoon lore the relevant bits are as follows: some octolings are part of a military that were forced underground after a war with the Inklings over land due to rising seas. At some point during the plot, the song Calamari Inkantation is sung by the two idols, which is apparently imbued in the DNA of all creatures and compels octolings to see the surface. In the splatoon 2 DLC, octo expansion, some octolings are recruited by a shady company called Kamabo Co, which entices participants to enroll in tests through a deep sea metro, and offers the "promised land" as a reward. Completing the tests entails collecting parts of a blender, and the "reward" is getting blended into sludge. This sludge can get injected into other octos which causes them to lose their will and consciousness ("sanitization").
timeline-wise much of their story takes place between splat 2, through octo expansion, and is currently in the splat 3 era. When they were still in the military, they ended up hearing the Calamari Inkantation like Agent 8 did. Kinoga and their squad were incredibly close to each other. Unwilling to just up and leave the underground but wanting to give their squadmates a better life, Kinoga hears about Kamabo's "promised land" and wants to seek it out, so they leave the squad to embark on the metros and promises to return. They do not <3 Some of the tests make them encounter sanitized octolings and they begin to question what's really happening in the metros. Their tipping point is when they run into Agara, one of their squadmates that decided to enter the metros to look for Kinoga and ends up being sanitized. Kinoga, facing the crushing realization that their squadmates had followed them, unaware of the danger, narrowly escapes being killed by Agara and eventually makes it to the surface.
This results in them experiencing a good amount of crushing guilt about leaving, they never knew it would lead to the possibility of dooming their whole squad that followed after them because they were loved and trusted. Kinoga had no way of letting the rest of them know that they should turn back and it's so. AAUGH. They have no choice but to continue on, finding life on the surface and eventually making it to splatsville with the belief that the rest of the squad may be gone. Agara and Trito end up running through the metro, Agara gets sanitized and Trito survives, albeit without getting a nasty scar from an accident that nearly got him sanitized.
Trito makes me insane also. he's my funny silly rabbit. I care about him so so much. trito goes through the metros, to maybe catch up with kinoga or meet them at the promised land, trusting that it was worth leaving if Kinoga decided it was worth it for all of them too.
Trito, upon learning about The Horrors in the metro later, realizes what could have happened to Kinoga and Agara and is unwilling to return to the rest of the squad with this knowledge, struck by the possibility that they're both gone. <-also has to realize that these horrible things have been happening to all the octlings that left to go do the metro tests. He too, eventually escapes to the surface and makes it to Inkopolis.
Years later, Trito, on a day trip to Splatsville, encounters Kinoga on the streets, and they lock eyes. and. fuck. They thought they were dead and had dealt with the grief and accepting that they were gone, effectively pushing those thoughts aside, and now they're physically in front of each other and they have to deal with it again. they make me SICK. Kinoga knowing that trito went to the metros and followed them and made it out also. Trito knowing that Kinoga experienced the horrors as well and survived. Neither of them able to return to tell the rest of the squad but they're both here, alive on the surface and aarrghhhhhhh. now they have to cope with this. they hastily exchange contact information, having to leave each other again, and end up meeting later to really catch up.
I'm so normal about kinoga and their relationship to trito post-domes. They don't even realize that they miss each other so much because they accepted that they were already gone. Seeing how much the other had changed. Being each other's only tie to their previous lives and it dawns on them that they never can move on from this. Kinoga struggles to tell Trito that they couldn't bring themselves to go back, not knowing if they could escape a second time, not knowing if any of their teammates were still left, already dealing with occasional spurts of being wracked by grief. Trito feeling the same, wanting to forget the terrible things and find happiness on the surface, but disheartened when learning that Kinoga also couldn't bring themselves to go back to look (though now that the both of them are together.....they do eventually muster the courage to go back to the domes to look for their old squadmates). It like. sucks so bad. They didn't intend to abandon their squad, but they were given circumstances where they just could not, and none of the other squad members could have known and suffer for it. aarghhhhh.
They end up at Trito's place, Kinoga and Trito end up being very affectionate towards each other after reuniting, definitely Trito being clingier...Compelled to hold onto each other and not let go, not after feeling so much regret about leaving in the first place. It's like. they left once before and terrible things happened out of their control, so they're allowed to hold each other as close as they can so it doesn't happen again (THE DEMONS) (GRIPS). it's irrational for Trito especially to think that he'll never see Kinoga again when they have to leave, since they live in separate cities and have to go in the morning. and kinoga knows it's irrational and they do their best to comfort him anyways because. who could blame him for wanting to keep them there after being gone for so long and so unexpectedly. The slow, crushing experience of not fully registering that someone could be gone and it creeps up to them until it hits. auuuuugh. they have to be so tender with each other, not really knowing where to take things afterwards but relishing in the moment of having each other there. riding the high of each other's comfort. fuck. this post is just getting worse as it goes. Trito breaking down in Kinoga's arms because he's had to hold in his grief and having nowhere to put it and then finally being able to release it. just being able to feel Something again. kinoga feeling so heartbroken to see trito like this, remembering that he was always so outspoken and smiling and having him curled up against them unable to say anything. holding him as tightly as they can. Feeling the need to take good care of him. They aren't his squad leader anymore but they still feel compelled to look out for him because then they can feel like they're doing at least something right. whatever. you guys get the gist. I'm way too much of a sucker for like...............pained intimacy. I'm down terrible. I think both of them deserve a little kissy and more. again. very touchy and affectionate with each other, I guess theyre still like "friends" (A WARRIOR'S BOND. OR WHATEVER) and are not "together" like a couple but here are words from igneouskit who put it better then I could ever. they love each other so much and they make me blow up. worlds most situationship
and also one bit I forgot to mention is that Trito has a huge scar on his chest that he hates talking about, it just brings back the fear and pain felt when he got it, and by association reminds him that he's alone from his squad who may never see again, so he's very protective of it. Upon getting back to kinoga, they do find out about the scar accidentally, and Trito lets them. like auuuugh they were so familiar with each other and now get to see what's changed since the last time. exploring eachother's bodies. whatever
Kinoga also ends up feeling really guilty at some point for Trito being immediately so affectionate towards them, they harbor thoughts that they don’t deserve it after having him go through that pain, and trito having to tell them that he made his own decision, nobody was forcing him to go, and besides, did it to see kinoga and now that they’re right in front of him he can give him all the love he’s been holding for them. Auuughhhh. Like don’t worry about feeling guilty for it. It wasn’t their fault. What matters to him now is that they’re both alive and with each other. I feel like blowing up
Even after Kinoga goes back to splatsville the next day trito is still aches about them......like a few days of reunion could never be enough to compensate for the years that they spent apart. every time they meet up after that trito jumps in kinoga's arms and kiss them like it was the first time they'd reunited
anyways. they eventually go back down to the domes to find the others. By that time, Agent 8 had dismantled Kamabo, the Sludge shit was no longer in operation, and octolings have started going to the surface. Kanu, another squad member, left the domes to find Kinoga, Agara, and Trito(jilon was another squad member who left for reasons I haven't decided yet). Denchu, the last remaining member, stayed behind, holding on to the hope that the missing members would someday return (denchu is a whole other can of worms. theyre everything to me and I feel so terrible for them <3). Trito and kinoga meet denchu, they update them on everybody else, leaving agara unaccounted for. Kinoga, who was the only one to see Agara firsthand, knowing that she might be completely unsalvageable, hesitates to bring it up, but Trito insists on going to look for her. aughhh. kinoga wants to spare trito the pain of seeing her dead or unconscious. They do eventually find her </3
She is alive, but not doing well at all, Kinoga desperate to maybe find some way to undo sanitization and restore her to full health, knowing full well that it may not be possible. They take Agara back with them to the surface and Kinoga spends a lot of time agonizing again over having caused this, feeling that agara's state is somehow their fault (ITS NOTT they're beating themselves up so bad for this because they feel responsible for the squad. aughhh).
I think thats all I have for kinoga. for now. obviously there are more thoughts I can get into but currently my brain has just latched so hard on trito and kinoga's fun situation and I love them so much. didn't think I'd get attached to them this bad but here we are </3. I hope everyone who has read this far also enjoys them as much as I do
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as i've rewatched seasons 1 and 2 of supernatural i've been pondering and hypothesizing reasons why john was so adamant on not letting sam know about his destiny. why he was so intent on keeping this secret, why he didn't want sam knowing about monsters, why his role in their hunts appeared to be research-oriented and thus away from the action. my perspective on ignorance and censorship is that it enables further harm, so if john were going to effectively protect sam, it would stand to reason that sam should have a comprehensive understanding of his destiny and what he's up against: give him the tools to fight.
this is obviously not the route john went, so then i have to question why that is—what about censorship was so appealing to him that he thought it not only the best way to keep sam safe, but perhaps even the only way to keep him safe, based on how he begged even dean to keep sam's fate a secret from him in his final words?
so i got to thinking. namely, about the fact that azazel wants sam to be hunting: he killed jessica with the intent to drag him back into the life, which implies that if sam is hunting, he is going down the path azazel wants him to go—he's following his destiny. this aligns with the everpresent theme throughout season 1 that hunting is a monstrous lifestyle, that hunting turns people into monsters. if sam is destined to become a monster, then hunting is the most sure-fire way to get him there.
if azazel wants sam to hunt, then john would need to take the logical opposition and keep sam out of hunting—so, he wouldn't tell sam about monsters until he has to, he'd give sam more passive roles once sam is participating in hunts, he'd train sam in self-defense but not explain why. and importantly, he wouldn't talk about mary, who is the root cause of this lifestyle, the impetus for their revenge quest, more than he has to. if the goal is to keep sam as far away from hunting as possible, and if john is someone who thinks ignorance keeps someone safe, then this more or less explains most of how sam was raised: on the fringes of the family, excluded and sheltered.
but weirdly enough, it wasn't until i was reading east of eden the other night that i finally understood the perspective being presented: late in the novel, the character lee says "when the first innocence is gone, you can't stop."
it made me remember that sam picks. he is a character who wants to understand the world around him and his place in it. if something is bothering him, he turns it over in his head until it consumes him. dean places doubt in sam's head in 2x10 and it obliterates him by 2x11. he's convinced he's going to become some horrible monster because he never stops thinking and trying to figure things out. when his memory is wiped in 4x17 and normal guy sam wesson finds out his coworker is the guy from his weird dreams, he pursues him relentlessly until they're back hunting. when he discovers the wall death put in his mind to keep his hell trauma out in season 6, he pushes and can't stop until it starts crumbling around him. he's intelligent and clever and he wants to know everything. and when he doesn't know, he picks.
and the only way to stop a person like that from picking is to not let them know that there's something to pick at in the first place. that's what the quote from east of eden means: once you catch wind of something, you want to pursue it until you're satisfied. curiosity kills the cat.
and what john is up against is fate itself. something that isn't supposed to be messed with, something that's supposed to be unavoidable. so trying to thwart it is tricky business. he has to be careful.
i think working under that logic his response makes sense, even if it wound up being a self-fulfilling prophecy anyway—sam was always going to find out, and sam was always going to pick. there was nothing john could do in the end to stop it, and trying to keep sam ignorant only made him that much more desperate to know. but that's the great tragedy of it all: john was given an impossible choice, and he's a deeply flawed character. he did what he thought was best, and it only made things worse.
i like this interpretation because it ties all of john's choices together really well; it explains a lot about his character and gives a nuanced and rather reasonable explanation for why he did what he did: a dad who wants the best for his kid does what he believes will set him up on the path to success. when the first innocence is gone, you can't stop—so john does his damnedest to keep sam innocent, even to his dying breath.
the problem comes down to that someone's damnedest isn't always good enough, and that sometimes someone's damnedest ends up benefiting the enemy instead.
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you!! show me your ocs (pretty please)
OFC <3 oh man where to even start
i have about 22 active ocs i rotate lmao about 10 of those have fully developed story/background/personality
these are all ones i dont think ive posted much or at all but these are some of my fav designs/concepts:
memphis honey- catboy extreme, magic user, very loose morals, carved those symbols into his own skin before his scheduled execution so that noone could bring him back once dead. once took over a cult in order to blow it up.
diamond- legally a tattoo artist for powerful demons that would usually heal up tattoos and piercings. illegally most other things. that collar is very literally keeping their head on.
sixgill- very very very old sixgill shark. she lives in the deep ocean and protects an ancient evil and also the ancient evil's baby son. 27 ft tall.
dishi- 7ft tall super buff spirit medium and compulsive liar. a romantic but has the worst taste in men youve ever seen. sees ghosts, demolition expert. this is specifically him while possessed which happens more often than hes comfortable with bc the Veil Is Thin around him, hes like personified halloween
fangfei- sir thats a whore ass bitch. cloud dragon. their style can be summed up with 'cheap and gold'. had to fight their twin to the death at an early age. mommy issues. doing coke in the bathroom about it.
:D they are all fantastic i love them ty for giving me an opportunity to spit them all out on here
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okay hear me out modern au where Tommy and Maria first meet in a club in their 20s and they bump into each other while dancing and just start dancing together and they just hit it off but in the end they both forget to give each other their numbers so both of them go back to the same club the next week to hopefully meet each other again (also Tess and Maria definitely go clubbing together because I love them as best friends)
cowboy!!!! yes yes YES i LOVE this. and u could extend this meet-cute into like a whole thing where tommy and maria keep trying to meet at the club and exchange information, but something gets in the way everytime!!!! kid emergency!!! bar fight!!! cocaine bear on the loose!!! zombie apocalypse—who knows????
im thinking the first time, tess drags maria to a bar she likes because she’s been trying to get the attention of this hot dilfy guy at the bar, but he’s always tailing along with his friend. by tess’s design, maria and tommy meet and and hit it off and dance (to maria maria by santana) the night away. they fall in love and decide they want to go home together, so maria goes to the bathroom—but joel randomly comes up and is like “tommy, hey sorry selena’s mom called, sarah had a nightmare and she wants us both to pick her up, we gotta go” and in true miller dad-uncle panic they BOLT. by the time maria comes back, tess is like “idk dude, mine got a call so they had to go. seemed like an emergency. bummer” and they assume thats that
on the flip side: everythings okay with sarah, but after tommy and joel tuck her in tommy’s suddenly just like “fuck—fuck!!!!!” and joels like “what? what???” and he’s like “i didn’t get her number :(:(:(:( fuck” and so joel’s like “it’s okay, i see her friend there all the time” and so tommy’s like “omg :D do you have her friends number?” “well… no” “joel… what the fuck man.” so they make a plan to go back next week with the hopes of at least seeing tess and getting maria’s number from there—tommy also wants to get tess’s number for joel, but he doesn’t need to know that
little do THEY know, tess and maria are already plotting for next weekend. they show up to that bar looking fine as FUCK—they quite literally turn heads walking through the door. of course the miller brothers are there, sitting in a booth all the way in the back and waiting, making eyes. tess and maria are not shy, so they start making their way over. unfortunately, some drunk asshole decides to try to get handsy with tess on her way there—which results in her punching him in the face, which results in him trying to punch her in the face. she dodges, of course, but it starts a full-on bar brawl that the miller boys jump into without hesitation (joel manages to tackle and land a few good ones on og drunk asshole too so. slay.). none of them get arrested or anything, but they definitely don’t get eachother numbers on account of joel and tommy having to duck the cops
so i guess they gotta keep trying ;)
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So, I just know all of Tumblr was wondering, "hey, you remember that really weird ZoLaw fan with the annoyingly overly stylized post? I wonder if she's seen this and if she has any theories or thoughts, an observation or two?"
Well, allow me to set your wandering mind at ease, fictional Tumblr fan. The answer is: No. No, I really don't.
I have like three hundred.
[I also spent time just trying to track down as many translations as possible. Is Tera A Criminal's Daughter or The Daughter Of Thieving Bandits! These are CLEARLY separate things and can ENTIRELY change how her utter nonpresence in Zoro's life shaped him! Though I can take comfort in knowing that, regardless of what kind of crimes her father was committing they were more important than anything his daughter ever did in her entire life.]
And, hey, as might as well jump right into that whole mess.
1. Wait, Zoro's mom is dead? Thank goodness, I was worried Oda forgot one!
(AKA: Stop. Murdering. Moms.)
I'll go first, I don't mind saying when I was wrong. True, in the past I may have suggested that the vast majority of female characters in One Piece come off as ever so slightly, "leaning into sexist tropes with unadulterated joy; it's the misogynistic tropes equivalent of a child running naked through a grocery store. It's right there, everyone sees it, yet people shut up and continue shopping in part because, well, these days you just expect most people to cover that junk! What would you even say? And if you DO speak up and call out the inappropriate, be prepared for blank stares and tantrums; but THEY don't mind! THEY don't think it's wrong! You're just being mean!"
More or less a direct quote.
However, I see now that I rushed to judgement and the reality of the situation is far more nuanced. With that in mind, I was just wondering if someone could help answer some of the questions I have.
Like: Why does Oda believe that it's illegal for (maternal) female characters to survive other character's backstories?
More importantly, why hasn't someone just reached out to explain the misconception!? It can't be that difficult. If nothing else, just have a lawyer or judge or other expert in censorship on hand. Or is the one of those cases where back in highschool his friends made something up and then kept pretending it was real to see if he'd believe you and not only did he fall for it, it took over 20 years before he learned that, what, no that's not illegal. That would be crazy if it were an actual law. Cause you know, after the first 10 years I think yeah you have to just lean into it. Pretend it's a creative decision on your part and definitely not because you were terrified of being sentenced to a slow and humiliating public death.
Just to be clear that's definitely what's up, right? I mean, I'm struggling to think of another reason....able excuse why a story that I really enjoy keeps playing the same old sexist tropes cards again and again to the point of absurdity. It would just help if I had a valid excus- explanation. I almost mistyped the word explanation.
....
....
So I imagine it went like.
"That's the third mangaka they've had to Publically Execute this week!"
"They've started taking this law way more serious lately."
"This one really deserved it though! I heard his main character has a mother in her late forties!"
"That does seem old to have your first child."
"No, he's the middle of three and 22 years old. The story even has flashbacks of defining moments in his childhood and never once did she try to sacrifice herself for him, get murdered by his enemies, or die in meaningless unrelated accidents."
"Damn, that's cold to be there for all the protagonist core moments and not die and help him develop and grow a character? They must have a very antagonistic relationship. Is she actually the villain."
"Not that we know, and when they asked about this being a possible plot twist since - obviously if she's evil no laws are being broken."
"Well, of course, that's the whole reason Statue 2-dash-57 exists; if creators can show they have consistently been building up to a surprise twist then the female character in question can continue to live so long as she continues to be unrepentant and unlikable until the resolution of her arch by the protagonist."
"That's the thing! Under oath not only did man present no evidence to support her identity as a secret villain, he went on the record stating he wanted to depict their relationship as one of a normal modern 20 year old and his mother."
"That can't be true! What publishing company would even print that!?"
"It gets worse. I told you he was a middle child? Well, according to those who've read the actual manga, his younger sister was really sick as a child."
"Oh, well, at least-"
"It was just a fish allergy. She's perfectly fine."
"Sometimes I feel this law is unnecessarily harsh but.... Then you hear stories like that, and you realize that some people really are monsters."
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