#he must know the most awesome fun facts and stories

[gallusrostromegalus]

I did not care at all for Aizen Sosuke when I first read bleach. I found him boring, and worst, unthreatening.

So it's pretty jarring for me that I have been OBSESSED with him in your AU. I'm rotating him at great speed

Walt Disney was a jackass who was flat-out wrong about a lot of very important things, but he employed a great many geniuses of storytelling, and there's a piece in Disney Animation: The Illusion of Life by Frank Thomas and Ollie Johnson that discusses a key feature of Disney Studios Character Design:

"Of all characters, villains are the most fun to develop because they make everything else happen. They are the instigators, and always more colorful than the Hero. They may be dramatic, awesome, insidious or semi-comic, but they MUST be appealing. Almost any story becomes innocuous if all the evil is eliminated, but we do not necessarily gain strength by being frightening. we want a character that will hold the audience and entertain them, even if it's a Chilling Type of Entertainment."

And I've found that to be an important principle of character design, especially the kind of canon restructuring I do.

Aizen had a LOT going for him in canon- for all of Bleach's other faults, Aizen's conspiracy and THE REVEAL are spectacularly constructed and executed. I legit screamed and threw my mug across my dorm room when I read it in the manga the first time. He's also conventionally attractive and the translations I was reading gave him the speech patterns of Every Douchebag In Your 101 Political Theory Who Thinks He's The Smartest Man In The Room, which made him a terrific combination of Unfortunately Charming, Menacingly Competent and Engagingly Obnoxious.

...But he falls flat in a few key places.

Aizen's reasoning could be MUCH more sympathetic- After all, he is RIGHT. Soul Sciety does suck ass and all the options kind of suck. Who designs a universe like that? An asshole who needs killing, that's who. The best kind of Unhinged Madmen are the kind who spell out their reasoning and you realize that there but for the grace of Not Having Super Powers Go I. Canon!Aizen makes a few Good Rhetorical Points, but seems to lack any personal connection to his all-consuming plan.

Another issue is that nearly every villain with A Plan has a clear end goal AND a lot of the menace is drawn from the fact that the plan *could* work. Aizen's plan for betraying the court guard and then killing them off before proceeding into the Royal Realm to Kill God sorta falls apart when it's clear he planned to use pretty much all his accumulated forces dealing with the court guard and doesn't seem to have a plan for the Even More Powerful Royal Guard, let alone God. For how meticulously planned the rest of the plot is, the last two VERY IMPORTANT steps are just handwaved.

So I sat down and started with the plot beats Aizen MUST hit, and tried to imagine what kind of guy would he have to be to get there? And I came up with this:

Sosuke Aizen is a fundamentally good man with genuinely good intentions who is really trying his best for the whole world.

Think about it- what lengths would you NOT go to if you think you found a genuine shot at Fixing Everything Wrong With The World Forever? We all talk about killing Hitler if we found an actual Time Machine- would you do it if your only chance was when he was a baby? Would you kill an infant if it meant you could stop World War II before it starts? Of course you would! One small life for over 75 million? You'd be insane not to! What if you found out that you could prevent the future extinction of Humanity by killing your best friend today? Ten Billion lives? For theirs? It's simple, really- Hell, it's your Moral Obligation to do that if you were SURE!

-And Aizen IS sure. He is absolutely, totally, completely sure that He Can Save Everyone if he just gets rid of that idiot sitting on the throne of heaven. He's seen the plans! He knows where the gate of heaven is! It's So SIMPLE he just has to get inside, and he knows EXACTLY how to do it, yes it'll be hard and there will be... unpleasant parts but. IT. WILL. WORK.

He is of course, insane.

Aizen didn't have One Bad Day that set him irrevocably on the path of madness. It was a succession of catastrophic disappointments and realizations that he was living in a fundamentally irrational world that made irrational thinking look sane. The Catastrophe that befell his family, working for the central 46 and later the court guard and seeing how the organizations were inept to the point of abuse or corrupt to the core, learning that The Actual House Of God is a place he can just? Go to? Anyone would start thinking you were just a handful of white lies and homicides away from Fixing Everything, Forever.

Not only is Aizen insane, he is nowhere near as smart as he thinks. He is smart- He does have a knack for being able to guess just what will spur someone to action or make them recoil in fear. But mostly he gets extremely lucky Many, Many, MANY times. On some level I think it gives him Confirmation Bias that this is what he's supposed to be doing. Aizen is also nowhere near as smart as (nearly) everyone else thinks he is. His bizarrely good luck makes him look like a hyper-competent genius when really it was really the catastrophic failure of Soul Society as a Society that let a merely mediocre conspirator to evade detection for so long.

Being that he is at most, mediocre, he had to have Outside Help, specifically Gin's emotional support and Tousen's Competence- and if there's a part of the fic that stays true to canon, it's this.

Gin is Aizen's emotional rock in Canon. He's the ONE guy that Aizen genuinely trusts, and considers his 'my only real partner' in his scheme. There's more than one occasion in the manga where Aizen more or less asks Gin "Is this actually a good idea?" and Gin backs him up every time.

...Which is more than a bit at odds with Gin's later stated goal of "I did all this to kill you at your most vulnerable to protect rangiku" . It never rang true to me. So I started thinking why on EARTH Gin would be backing Aizen up like that, and realized there was a hole in my world building that he slotted into nicely :)

On the other hand, the entire fic was started because I didn't like how Tousen's character arc ended, so you can imagine how much he's changed.

But in canon, TOUSEN DOES ALL THE FUCKING WORK.

Lab work? Tousen.

Supervising the arrancar directly? Tousen

Actually getting victims for the Hogyoku experiments? Tousen.

Altering all the archives to keep Aizen's plot hidden? Tousen.

Sending all the Orders allegedly from the central 46? Tousen.

Making sure Unohana believes Aizen's fake body is real? Tousen.

Managing all the day-to-day operations at Las Noches? Tousen.

There's even this little exchange, which is Tousen's first appearance in the Manga:

Aizen establishes this entire meeting is a little fake-out a few pages later with "now isn't that a convenieint time for the alarm to go off?"

which makes him look like he's investigating, but he's also going "Good job on disrupting everyone with the alarm Gin!" It's ballsy of Aizen to do a check-in on his plan with his main nemesis in the room, but also his style.

I think the same thing is happening here with Tousen. To make sure Ukitake wouldn't raise a huge fit about the proposed execution of his beloved lieutenant, which might fuck everything up for Aizen because Ukitake is one of like, three people Yamamoto will listen to (sort of).

...So he had Tousen poison Ukitake to keep him out of the way.

ALL. THE. FUCKING. WORK. It's even in his name! The characters for "Tousen" Refer to a legendary scholar the emperor of China sent out to discover the secret of immortality- only to kill the scholar when he returned with that secret. The character for "Kaname" means "Necessary/Vital/keystone" or "to organize/take account of". His name LITERALLY means "Scholar who is essential for the plan (that we're going to kill later)"

Another thing Kubo did well in Bleach: his name game is Off The Fucking Charts.

-but I digress.

In AEIWAM, it's much the same only this time Aizen sees this very dangerous witness who is immune to his illusions but also extremely snart and capable young man and instead of risking being caught out by the one damn guy who can see right through him, opts to Curse Kaname into doing as Aizen says, and doing all the fucking work of this conspiracy against his will.

It's Not Nice, but Aizen genuinely thinks he's doing Kaname a favor by subjecting him to this degrading and incredibly painful servitude- I mean, Aizen's only other option was to Kill him to keep his silence, and isn't it wonderful that you get to help fix the universe? You're the one always going on about Justice, I don't understand why you didn't jump at the chance to mete out some Divine Justice.

An Excerpt from the captain's meeting in between the Massacre that made the visored and Zaraki's arrival, when Kaname realizes Yamamoto is 100% serious about his promotion to captain of the 9th and goes to throw up in the garden. Aizen offers to go check on him while Unohana very politely reads the general the riot act:

---

"You broke your toy Aizen." Kaname coughs.

"…I really am sorry for running you ragged like this. I really shouldn't have gotten so mad about you hiding the the hogyoku- it was very petty of me." The bastard sighs, taking off his glasses and rubbing his face, entirely genuine.

Kaname stayed on his hands and knees, weaving slightly as another wave of nausea flowed through him, powered by disgust and rage.

"How about this- I've got a lot coming up with the new job, training Gin and disposing of Kiganjo- So how about I promise to not give you any orders for a while? You will have to keep our arrangement a secret and not interfere, of course, but other than that, you're free to do as you please for- a year and a day is traditional isn't it? No, that's not going to heal by then- Oh, would you look at that!"

Kaname didn't have the strength to offer his usual rebuttal that he won't look at anything, ever. The sides of his head tingle like his skul was being pressed between two enormous hands made of static electricity.

"It's 11:11! Alright, I won't give you any Orders until 11:11 am on November 11th, 1911. That's easy to remember! What do you think?" Aizen continued cheerfully, patting his back and the Curse nails.

"…I can't." Kaname groaned. He could scream if he had the energy, but due to Aizen's Illusions, nobody would hear him. "I actually physically can't think. Please…"

"Of course! You really are such a help to me, it would be a shame to lose you. I'll even amend our contract, so you don't get paranoid-" There was a sizzling sound and a new stroke of hot pain up Kaname's spine as Aizen did something to the wretched Bakudo. "There. No compulsions for eleven years and a day. What do you say?"

Kaname grimaced, but dropped his head. Save the energy to fight another day. "…thank you, Aizen-sama."

"Good man! Let's get you on your feet." Aizen beamed, putting his glasses back on and offering him an arm.

---

He genuinely thinks that he's doing everyone a huge favor and if they don't get it it's because they're just not smart enough, but it's alright, He's a Benevolent God and they'll appreciate all his hard work the next time around :)

Aizen is a man who is FULL of joy. He loves what he does! He actively takes pleasure in it! And I think that's something that REALLY delivers in terms of sympathy AND horror for him. Who *Wouldn't* have a great time actually fixing the universe? He's a good man who enjoys doing good works, and this is the greatest work of all!

It also Delivers on the Horror when I get to write the deliciously fun scenes where Aizen is Elbows-deep in a novel War Crime and waxing poetic about how GREAT this is, or being confused why the people around him are reacting with fear. Don't you want to make everything better too?

[that-vexaholic-cryptid]

The 'BOTW has a bad story' people really confound me because let me tell you, if it weren't for that story I wouldn't be in this fandom.

My attachment to this game comes from the fact that it was 2020 and I was freshly dealing with the worst phase of my life when I decided to put that game in. I'd never been part of the fandom before, in truth I'd avoided it for years because it felt too big anymore to pick up. I'd only bought it because it was the most popular Switch game I knew outside of Animal Crossing.

And I fucking hated it at first because I was in no way a gamer and it took me forever to get the fuck off the Plateau. But once I was out and able to explore, I started having fun. Just doing random shit. Until one day I decided fine, I'll follow the fish guy.

And all the little cutscenes and quests that followed got me into it. And it had such momentum I couldn't put it down. Before I know it I'm dodging ice blocks and doing midair archery trickshots that I NEVER would have imagined I'd be doing. After all that, you've got to do the Beast, right? That's what all this is for. So I did, and let me tell you, as a first time Zelda player and novice gamer, those puzzles were HARD, Vah Ruta was MASSIVE to me and took hours!

So when I finally solved it and knew the boss fight was next, I was ready to go to bed. It had been enough and I knew I'd get my ass kicked, maybe I'll come back soon. So I saved. And for some reason I decided, since I know it's going to kick my ass, I'm just going to take a run at it and see how bad it's gunna be, it'll be funny. And I honestly don't recall how that fight went because it was such a blur, but I remember being SHOCKED that I won. Just absolutely stunned.

I was so full of adrenaline and righteous joy. How'd this even happen, this was supposed to be so out of my range yet, the plot just pulled me up a mountain and it was awesome! And then, that beautiful music comes in, and you finally see Mipha, and she's so sweet and soft and sad, and so wishes to help you on your journey that she'll use her spirit to heal you. It's so poignant and, damnit, Mipha didn't deserve this fate, she must be avenged! If you weren't in the story before, you might be then, and if not then, then when you walk back down and see Sidon praising you and saying how he was right to believe in you, and all the Zora that doubted you are now cheering for you, and the rain is gone, the sun is out, and Zora's Domain looks absolutely gorgeous, and it dawns on you that you just saved an entire people, and you're gunna tell me you went through all of that and don't genuinely feel like a goddamn hero!?

I don't believe you.

[l-in-the-light]

Chapter 1136 & 1137 commentary (and analysis)

New chapter, let's go :D time to analyze all the tiniest and obscure details probably most fans wouldn't even spend a second on lol. Lots of conversations this time, so there will be quite a lot of focus on context reading, something I should actually suck at by definition ;)

Last choice is basically "show me the results", just made it an actual option haha. Come on, betting is fun, so what if we end up being wrong :D

Wait, is that Who's who base? Even the guys inside wear the characteristic cat ears of his crew. Will we finally learn what's up with him?? But this is just a cover story, so any answers we will discover won't really be that clear, I guess (because no actual dialogues). But it's still interesting. It's like we're Momotaro again venturing into the den of Oni haha. And we have lion-dog, a centaur lady and little ninja girl for trusty companions instead of dog, monkey and a pheasant. Also Yamato's face when they peek inside the base is priceless :D

But wait, isn't Yamato the oni? So it's actually reversed Momotaro tale, we're cheering for oni and defeating the hero?? damn, now I got myself confused LOL.

I love how Luffy says his thanks not only to Hajrudin, but Stansen as well! He cares about everyone, not just the leaders of groups. And now that he got to know Stansen a bit better and got to interact with him, he's already treating him as a friend.

It's wholesome that it's Luffy thanking Stansen while not even taking credit himself for releasing him in Sabaody (last chapter Luffy just said it's awesome Stansen managed to get away, but never said anything even close in meaning to "you're welcome". If anything, he gives the credit back to Stansen in a way, underlying the fact that it was Stansen's own initiative that allowed him to get away in the end). It's like he only accepts half the credit and who does it remind me of? Trafalgar "give half of your thanks to Strawhat-ya" Law when he released Jean Bart, heh. It's of course all implied not said directly, but I even like it better this way.

Also hi Colon (doing a Nika pose as he runs and grins), aren't you too young for those drunken feasts? XD

No offense, Jarul, but that comment is sort of ignorant? Why is he glossing over this fact? I mean, it's clear to him *why* humans can't make their way up to "true Elbaf" (he points it out by himself!). It just shows that despite knowing the reason and about the obstacles, he doesn't ultimately care whether humans will make it up here or not, or die in the realm below. He claims humans will just flee, but we saw the underworld and many humans seemed to have stayed behind, despite being terrified and ending up relying on Loki for the lack of better options. Many humans must have also died there, eaten by the beasts or because of other circumenstances. We also saw what happens when pirates make it below, Giants have no problems attacking them. I don't think Giants in general like humans all that much, it's the level of "tolerance", at best.

I think what Jarul is not saying is that sure, they *might* don't mind humans, as long as they're somehow associated with some Giants (Shanks and his fleet, Luffy and the Strawhats). Which means if Kid never attacked anyone and instead bragged about defeating Big Mom, he could have been allowed to "actual Elbaf" as well. I will leave this food for thought here if anyone's hungry ;)

So, why is Jarul downplaying the reality like that? Is he trying to appeal to Luffy this way, perhaps because everyone in Elbaf seemed to have heard already that Luffy looks like a sun god?

Look who's bragging about defeating Oars and delivering the final blow, lol. Well, to be fair, all Strawhats delivered the final blow together, so technically he's not lying, he's just not mentioning this tiny fact.

So the Giants heard about "legendary warrior" Oars, interesting. We wanted to know if there's any sort of connection between Oars and the Giants for a while already and seems there is, indeed! We just don't know exactly what it is though XD if I were gonna guess, he was probably described in the infamous ancient text of Harley as well (he was born more than 500 years ago, so it's a possibility)! Or perhaps, once upon a time, Ancient Giants were considered to be the most "pure blooded" Giants and Elbaf used to be their home. Then they went extinct and the worship sort-of-ended, but not really, because ancient giant blood survived in some of the current giants, as we can see with the example of King Harold. Maybe he was even chosen to be king *thanks* to his horns/ancient giant blood. Him ripping off his horns would bring a new meaning then: to part with the old ways and to show his dedication to treat all Giants as equals. But isn't it Hajrudin's wish as well? It could point towards them sharing the same dream and King Harold influencing his son, hm. King Harold was at the very least not opposed to having a child with non-Elbaf Giants, and that's sort of a fact. But then Harold is also a father of Loki who proudly declares himself a god of destruction. Yeah, there's certainly some odd duality going on here with the king.

I'm still wondering whether Elbaf was once a different place, unrelated to any Giants, before they took over the New World.

I need to say Jimbei is taking those comments in good faith, I'm proud of him. Comments about skin color can be triggering, even if they're not meant in bad way. It's worth noting though that his first reaction is "!" which means it did alert him. If it was only neutral realization, the visual indication (on the far right, I marked it with a red frame) would be enough to communicate it to us. And I'm going to tackle this issue seriously and I don't care if most people would just brush it off as whatever. Giving this interaction some weight honestly makes reading this scene much more interesting than just seeing it as simple smalltalk, lol.

Jimbei laughs this comment off, as we can see the typical "laughter" visual cue next to Jimbei (also marked with red frame by me). But is it an honest reaction? I would say it's likely he's probably a bit divided inside about this. This is Jimbei, after all, the very same guy who declared in Marineford that he only follows those he personally acknowledges. He loved Whitebeard, he even wanted to die alongside him in the war, but he wouldn't even travel on his ship with him, instead swim beneath it, like he didn't want to be considered part of them. I think we can safely assume Jimbei wasn't very fond of humans or at least really wary of them, and that's likely something he kinda inherited from his beloved Fisher Tiger. His opinion about humans must be kinda bad as the result (but he would never admit it outloud, he's a very "keep everything to yourself" kind of guy), which can also explain his hesitation in joining Luffy's crew (yes, responsibilities were likely only part of the reason, but an important one!). But here he can see that not only humans but Giants can be untactful as well. This could be a small eye-opening moment for him, perhaps? I don't think he had many opportunities to interact with other races than humans and fishmen before, so this could be widening his horizons. You can't know things like that unless you travel the world yourself (or someone really open-minded who did that shares the stories with you). In his flashback, he also says fishmen and other races just need to understand each other, so here he is, experiencing it first hand.

This scene reminds me of some interesting details I read about before in anthropological books. Not only we as outsiders but native people themselves are almost always curious about body differences, any outstanding physical differences can bring out some curiosity. I saw similar remarks in books about Japanese culture. In one book a woman from overases joins a closed world of geishas and trains to become one herself. The others help her with applying the characteristic white make up, but realize their usual method doesn't work because of the longer nose of the woman, which of course results in a comment about it and a joke about their physical differences. Many Japanese caricatures of foreigners often emphasize their bigger or longer noses too, it's not always done tactfully, but it is a fact that differences tend to attract attention from both sides. We can see it reflected perfectly here with fascination about fishmen coming from the Giants from one side, and Sanji's fascination with the Giant women from the other.

Does it mean One Piece is untactful here? I actually wouldn't say so. Why? Because One Piece is full of characters with many different noses and body shapes, and yes, occassionaly even skin colors (despite all the controversies about whitewashing Usopp). My point is: when both sides are curious about each other and don't use their differences in judgemental way, it's just normal human curiosity. Here are some examples as to when it's not okay to point out a physical difference: when drawing harmful conclusions (like this: all asians have pretty and cute small noses while foreigners have ugly big ones), using them in completely unrelated contexts (why bring it up if it's not related to anything that's being talked atm?) or to underline the differences to point out their "otherness" (then it becomes an indirect message of "you don't belong, because you look different than us"). But I will allow everyone to draw their own conclusions, this is just my opinion on this particular scene, not on the topic in general (which is a much more complex and sensitive issue).

But back to the scene. Of course the topic quickly turns to fantasies about mermaids lol. I wonder if Sanji might have derailed the topic there slightly on purpose? Like yes, he would use probably any occassion to talk about his fantasies, but it's worth noting that he also stayed around Jimbei. Maybe he wanted to keep an eye on what people talk about to him or around him, you know? And we know Sanji is a very considerate and caring guy for everyone in his crew (but not only limited to his crew), so I wouldn't put it past him that he sticked around Jimbei on purpose just so he can tactfully control the topic of conversation, so it doesn't become offensive. But also just because staying around Jimbei means he might inevitably be able to brag about mermaids lol. Still, he quickly changes the topic of mermaids to the topic of Giant women, which makes me believe even more in my idea of Sanji just being mindful and supportive friend here. It's maybe not really obvious, but that's even better that it's so subtle, Jimbei doesn't have to express openly his gratitude which could be awkward and make him simply feel bad, because he's trying so hard himself not to take things the bad way. I don't think Jimbei would be ready to admit his fears so openly, he's tbh a rather private type of guy who doesn't talk about his feelings or opinions much.

Lol, Brook's utter dismissal to the question. Unlike Jimbei though, he doesn't even care and can take it on, no problem. Still, I sometimes do feel for Brook in some situations. For example, in One Piece World Seeker game, where this issue is addressed in one of the side quests. I think it was one of the rare times when I realized Brook can feel really alienated just because he is a walking skeleton and doesn't expect common people to think it's not a big deal. He can be quite sensitive sometimes too, even if he often plays it off as a joke material.

But, Zoro is lowkey doing him the same favour Sanji was doing for Jimbei. He's implying with his comment "I'm surprised so many Giants have never gone out to sea" that Brook isn't so outstanding as Giants think he is (even though we know he actually is!). Of course it's also Zoro so maybe he didn't even realize he's kinda siding up with Brook. But I want to have a bit of faith here in Zoro. He might not be the best in it, but he tries to be there for his crew and has more empathy than we assume he has.

Also, same here, Nami. But considering the case of Dorry and Brogy it's becoming kinda clear that Giants have only one major Pirate Giants group at a time. They like never mention any multiple ones, you know? And now with the Hajrudin taking over the tradition it seems Giant pirates are only a chosen few. Not quite like in the viking times when it was said many men went to sea and women had to often take over the villages in their absence. Or at least that's what I remember reading about vikings.

Ahaha, Rodo and Gerd are finally in same place, so I can see more of their dynamics when they're actually together. And I kinda love them, they're so silly. Seems Rodo is apologizing because Gerd made him do that. But it's worth noticing how shocked Rodo is at her words and the strict scolding. This suggests it is NOT a common occurance between them. In fact, seems like this is the first time it ever happened! I did share my guess in previous commentaries that Gerd wasn't openly hostile to Rodo before the Strawhats incident, but now she feels the extra need to be this way to show a clear difference between herself and him (she doesn't want her lovely human friends to think of her as a freak! And yes, it's just about the fact that she doesn't want to be considered a geek or a freak. She's like this type of fan who secretly spends all her free time on her hobby, but at school or work declares she just likes it a little bit, you know, like a normal person. Pffff).

Rodo though likes Gerd so much that nothing she would say could possibly make him dislike her lol. Which is why he's ready to embrace submissiveness as his new kink, which is the extreme 180 degrees turn in his character from the "I'm a god, listen to me peasants" roleplay. He loves Gerd that much, huh. It's kinda endearing really. Besides it being just, you know, a silly gag.

And that means Rodo is already on Strawhat's side lol. That was quick 😂 not only that, he even became Nami's slave number 3 pfff. He's also very good at it. Just look at how fast he adjusted there: "My vision is awful, I wouldn't even notice any treasure missing". Omg he's so funny. And he's enjoying every second of his newly found passion of s&m play haha. I'm afraid I have already forgiven him locking down the Strawhats at the beginning of the arc. And for no other reason than him being just himself LOL.

Now all that's left is for Hajrudin to forgive him too. Honestly, one good word from any Strawhat about Rodo would be enough at this rate, to make this happen :)

Funny how Rodo is trying to shorten the distance by pointing out something that is actually true, as we learn from the next chapter. Rodo and Nami do share some things in common, like, both of them wanted to draw maps since they were kids ❤ but Nami doesn't open her heart to people easily, making Rodo her personal slave is already big enough leap of faith from her. It's a bond she accepted but on her terms, heh. No matter what, Rodo respects her boundaries (maybe because he can indeed relate to her in more ways than one) and doesn't try to overstep them anymore. Actually, he finds pleasure in simply being useful to her (probably the same way he feels happy to be useful to Hajrudin too) and speaks with the Strawhats as earnestly as he can, which is probably also not something that comes easy to him! After he is scolded here he starts to refer to himself as "sessha" which is the humble, old way of speaking Okiku used in Wano (roughtly translated as "this unworthy one"). This means that Rodo actually takes extra step back to assure Nami he won't overstep. It feels a bit silly and again very roleplay-like, but also actually surprisingly genuine.

A moment of appreciation for Zoro acting like a true, intimidating pirate, hehe. Love moments like these in my pirate manga :D

Also bonus for scaring the heck out of Rodo. He indeed realized he didn't take the threat seriously lol. And yet he must have seen their bounties before, after all he knew all of their names when he found them.

More sun god lore dropped :D seems there are different depictions of sun god. He's a god of laughter, a god of destruction, a god of liberation, and... a ruler of the world? One of these is not quite the same as the others, hm. One sounds less godly and more, you know, mortal. Okay, so it's time to bring this question to the table: were they all four different Nikas? You know what I'm thinking about, right?

Except here there are even five, not four :) one is an unexpected double, despite all of them being quintuplets. Many people have said it before and I think this is the time to say it again: this is most likely a foreshadowing of some kind. Which kind exactly? I'm not sure. Will there be a point in current timeline of events where there will be as many as 5 nikas? (we're slowly getting here, let's count it together: Sun God Rodo, Sun God Loki, Sun God Nika aka Luffy, Sun God Nika aka Bonney... hey, we're at four already! Of course I don't think this is the end game situation so to speak lol. Just the same parallel used again!) But of course this can also simply mean there were 5 Nikas already in the past, including Luffy in the present.

Maybe each time a Nika appeared in history he brought about big changes with him, just like Jarul said it, but those changes were once seen as good (liberation) and other times as bad (destruction), depending on the perspective of a winner's interest, ofc. If the winner wanted to be seen as good he would label Nika as something bad, like destruction. If the winner was the same side as Nika, then he would portray the events as liberation then, something positive that helped him win. Honestly if that's the case then no wonder the rulers always fear Nika, it's always in their interest to preserve the order the way it is, which is in their favour ofc. You never know when Nika would pop up and on which side it will end up being.

But you know what? Knowing Oda, it's all three references I mentioned used at once (remember, the rule of three, Oda likes it a lot): the playful parallel at Elbaf, the Nikas through history and foreshadowing the end game Nika situation. LOL. Can't wait.

One last observation about the previous screenshot. Giants said "We all look up to Nika! We all share the same dream!" But if you pay attention to what they said, it's actually not true. Like yes, they all aspire to be Nika, but for each of them that means a different thing! Some of them want to be rulers because they believe in the interpretation of Nika being a ruler of the world. Others believe in Nika as the liberator instead so they want to liberate people. There are also those who wants destruction of the world, like Loki himself. And finally we have those that just associate Nika with laughter so all they ever aspire to be is to make other people laugh or apply a lifestyle in which they laugh and are joyous no matter what, despite the hardships and pain they might experience. I think it might end up being important that same people can share same dream, but that dream might mean something different to them. Like Luffy and Roger having "same dream" in this context, for example!

(btw I saw the memes already that original Nika warrior was black, because the shadowy figure appears to look like it, lol. Tbh I would find it absolutely fantastic if it turned out to be true! 💖)

Speaking of different interpretations of history and Nika lore, we know it all thanks to the ancient text Harley that Giants preserved, even though no one apparently can read it correctly anymore. Oh boy, I hope this is NOT a reference to poneglyphs, because that will throw everything into pure chaos. Imagine multiple interpretations of the poneglyphs... it's probably not the case, since unlike Nika's parallel, this is the first time we hear about this. But it's worth remembering that Enel couldn't read the poneglyphs despite them using Birka's writing. Let's also not forget that poneglyphs can be heard, like in Roger's case (is it possible to hear the message engraved on them without the need to read the signs? And is it the same message as the written one?).

As for the Harley text itself in Japanese it's ハーレイ (haarei) and is classified as shintei (holy scripture, like in religious context). This might be a reference to things like Edda (the original source of Norse mythology) or Codex Regius ("Royal Book" or "King's Book" that starts with a prophecy) which in Japanese is called: monogatari uta (narrative poems, except uta can be also taken more literally as songs. Slight hint towards Binks Sake song, perhaps :D sound was also very important theme in Skypiea, arguably one of the oldest civilisations we found in OP world). We also had a prophecy about Loki in this arc. If anything, those could have been Oda's inspirations here.

This is also the first time we heard that world has been destroyed twice already! This means the current world of One Piece is actually the third world! Rule of three, here, yet again!! Yes, we're totally going to destroy the world by the end, to make it go full circle. Okay, so we can safely assume the previous time it happened it caused a Void Century, right? No confirmation of that but it's the most likely option, even if not the only possibility.

In theory, Void Century could have been "end of the world" prevention or delay measure. Why? We actually have no evidence that the world ended. Imu is still around and many different places with a history spanning over thousands of years, like Alabasta. If the world ended shouldn't Alabasta get erased as well? And also it's been mentioned before that Void Century was the history of a war between two fractions that left "scars on the world". Again, if world ended back then, there wouldn't be anything left. Also, do you remember the clever trick Vegapunk did in Egghead arc? Erasure of memories. And what is Void Century if not a bigass erasure of memories of the whole planet? (even the title of the chapter in which Vegapunk's trick is explained, the Void Fortnight, is playing with this idea). As the result, Egghead wasn't really destroyed, but instead severed into two parts, one got sent to the sky, the other ended up in hands of the Government. I admit I always like to imagine Void Century as the history of the Biggest Foil Trick in History lol. Everyone thinks Joyboy lost, but he never actually failed in what he tried to achieve :)

But putting that theory aside, let's consider that Void Century was actually a successful destruction of the world instead, because many will consider this to be the most obvious answer. That means something like a Void Century happened before already as well. And we have evidence of that! Lunarians were once on the Red Line, right? But that doesn't seem to fit the timeline of Void Century we know of, at all. It was the conflict between Joyboy, the first pirate, fighting against an alliance of 20 kingdoms instead. There was no battle against certain rulers like Lunarians occupying the Red Line mentioned anywhere. Which means that must have happened way earlier than that and it just makes more sense this way. Perhaps the Ancient Kingdom was the one who brought down Lunarians and made them go extinct eventually, and ruled the world as the result. History likes to repeat itself so Ancient Kingdom got defeated by people who then took over which place? The top of the Red Line again. And now we know them as Celestial Dragons, a mere shadows of their past selves.

There's one problem though, I still can't decide where to put the sky people in this scenario. Shandorians, Skypieans, Birkans. Were they connected to the first end of the world instead? I guess we need Urouge plotline to gather more hints, because whatever I try to guess now feels like a shot in the dark, at best. My current best shot would be Egghead's top stratum shotting up to the sky and maybe that's how original Skypieans ended up there too. That though supports my idea that Void Century wasn't destruction of the world but a scam instead. Unless Skypieans were in the sky even longer than we can imagine. We actually have no clue when did the moon people go down to earth, at all. Maybe it was at the beginning of times, lol. Like a parallel to our world's belief that UFO build the pyramids in Egypt, you know. Maybe first place Moon People visited was Alabasta and they build the pyramids there as well XD

Also, it all kinda points out to the idea that devil fruits existed even before Void Century. Which makes more sense than their sudden creation only in the span of 100 years, at least to me.

Another thing worthy to mention is the whole idea of world destruction. It can mean anything, from literally destroying a planet (remember the missing "moons" on Clover's solar system setup?), to something more symbolic like shifting of poles (equator and north/south poles changing places) which could result in current islands getting submerged in water and the reveal of the previously sunken Ancient Kingdom, together with the All Blue. It could by all means also just be a figure of speech, meaning current power systems would get destroyed and new system will arise, for example: common folk will become the rulers, kinda like Drum Island situation. Ruler will now be one of the common people, living among them, sharing their happiness and sadness of daily lives. But I don't think all of the mentioned "end of the world" or "destruction of the world" can happen at the same time in the plot, even if we have sort-of foreshadowing for all of those outcomes (maybe shifting of poles gone wrong can result in destruction of the planet?). Maybe destruction of the world is also a choice between options, and not a foreordained outcome. If you have your own ideas about this please share :D

Jarul was there when this happened, right? He admitted as much this chapter. He saw Loki killing King Harold, and he's the only person in the room who doesn't actually judge him for it. This reminds me of that situation from Little Garden, Dorry and Brogy said if you don't die then it means that's the will of the Elbaf's god. And if you die, you were in the wrong, and the winner was in the right. Jarul thinking Loki isn't wrong is not because he didn't like King Harold. It's just the old belief of Elbaf that he still has faith in: Loki didn't die despite everything so he might be in the right and it can be a proof he has "divine protection", while King Harold died so he was wrong. That's all there is to it. God of Elbaf decides outcomes of all conflicts.

But new generation of Giants seemed to have forgotten this belief already and judge Loki very harshly, unlike Jarul. And why did they forgot their old ways? Because of King Harold changing whole politics in Elbaf; from being a warrior country to centering on education and avoidance of violence and fighting. This could make Giants easy targets to eliminate, keep that in mind, Government considered Giants to be dangerous enemies for a long time, it would be extremely handy for them if Giants became weak, were easy to control (like use them for the upcoming war so they're on the side of the Government) or to erase them easily (in case they refuse, duh, to prevent them from joining the enemy's side).

In other words, King Harold indeed might have been in the wrong and Loki was right. Consider it. In which arc of One Piece the situation as we're told turns out to be correct? Dressrosa? People just live happily with the toys and toys are not slaves for fake saviours who kicked out a good king? Wano in which Orochi painted Oden as the bad guy and himself as the good ruler? Why would Elbaf be any different? The surface story we're told is ought to turn to be a lie as well, the only question that remains is: in which way exactly? There are still many possible answers to that and all are still likely.

Seems Luffy has already decided that Loki is a good guy, lol. I never doubt Luffy :D

Loki's terrible reputation is even more terrible than we thought. Not only he has been born cursed (according to the prophecy, ha, what did I tell you all, I knew it had be a prophecy :D) and fated to kill his father. Seems his birth was accompanied by bad omens (the horse dying. ain't no way a toddler killed a horse, come on. and also same year Linlin caused a death of a giant. year later a queen died... you get the drill).

He was apparently also a mischief (many people pointed it out and I also agree: that part sounds like Oden's story) and an arsonist. But if we remember Oden's case, he was still beloved despite being a menace stomping over the social rules. He also at least once took the blame for someone else (Kinemon and the mountain god incident. Only Kin and Denjiro, and Oden himself, knew the truth). Perhaps Loki also took the blames for the fires on himself or, you know, people might have blamed all calamities on Loki. "Unknown fire? Someone said they saw Loki nearby!". Yeah, sounds plausible to me. It's easy to put the blame on the guy everyone supposedly hates. Let's not forget we learned that Loki spend the time in Underworld Elbaf ever since he was a child. What was a prince of Elbaf doing there instead of sitting in the castle? yeah, I still think he was an outcast.

"Caused mischief whenever the King wasn't looking" part is curious though. the same with the insinuation that Loki could do whatever the heck he wanted as soon as the King was away (why was the King away anyway? We learned already there's only one dedicated Giants Pirates crew at a time). This is something worth keeping in mind. Perhaps Giants ought to run havoc (like in that proverb with mice partying when cats aren't around) and again, blamed it on the cursed Prince. Or maybe there's something more to all of this... seems King Harold had to leave Elbaf quite often, he did end up meeting Hajrudin's mother somewhere away from Elbaf, I guess, and brought both of them with him. Despite Harold being so loved, Hajrudin's mom wasn't even allowed inside the castle, because people of Elbaf didn't acknowledge her and even bullied her :/ all things considered, did King Harold really love his people after all of this...?

Interesting, we learn that the "land of warriors" wanted to connect with the world outside. Seeing their change in education, maybe they even attempted to join the countries united under the World Governement. But why would they do such a thing? Perhaps it was to overthrow the prophecy or to unite with others? If Elbaf is no longer a land of warriors but instead a land of peace, then no prince will kill the king. In one of his theories Joyboy even suggested that King Harold decided to shower his son with love to make sure he won't hate him. That's a nice thought, unusual, but would fit the guy's image. After all he did have a child with Giants outside Elbaf and brought that kid to Elbaf as well (Hajrudin). I guess it shows he wasn't a barbarian but instead a kind monarch who was personally against prejudice. Sadly, seems he couldn't really make the folks change their minds and they still ostracized both Hajrudin (because of impure blood) AND Loki (because he's cursed) as the result. Though who knows, maybe Elbaf at first loved the prophecy. A true warrior kills others in battle, it's a honour, right? Perhaps the view on Loki changed only after the Elbaf's big change occured and at first he had god-like status instead and was indeed seen as a true god of destruction! Which would explain why he thinks everyone should still see him this way.

But then we also have Hajrudin, who wants to unite all the Giants races and become a king. I can't help but wonder why didn't Loki become a king after killing Harold? Perhaps he never wanted to be a king himself, unlike Hajrudin? After all he could think of himself as god of destruction but not as a ruler, as those are two opposing views on Nika, their ideal. Btw, worth noticing, on the arsonist panel Loki is presented in Nika's pose (which I would personally call god of laughter, heh).

So Shanks captured Loki on the seas 6 years ago. What was Loki doing rampaging on seas? It again supports the idea that he didn't want to become the next ruler. Especially since we also learn it was 14 years since King Harold was dead. 8 years is a long time, in which Loki didn't attempt to rule Elbaf at all. And finally he ditched it all and went to sea, huh.

Zoro's reaction is worth noting. Perhaps he realized he should keep Luffy in check. We see them talking shortly after outside and Zoro immediately catches on to Luffy's plan for freeing Loki and he is against it. Which is funny, considering he usually enables Luffy's chaotic energy, even in this arc, it's not like him to pause and question, instead of following Luffy's lead no matter what. This is like 180 degrees from his fuck up in Wano, when he let Luffy cause a rebellion (would freeing Loki cause a rebellion or turn Giants against Strawhats? Seems likely from their big reactions!). Back then Law trusted Zoro to keep Luffy in check, but Zoro didn't truly even try and that led to horrible consquences (Luffy landed in Udon, Zoro was a fugititve the whole arc and basically useless to their plans, wandering on his own instead). In the raid he tried to control Luffy a little, but instead caused as much havoc himself as well. I would say Zoro learned his lesson and tries to act smarter than this. Back in Wano his pal Law trusted Zoro to be able to keep Luffy in check when needed, but Zoro failed, despite being with Luffy since the very beginning, being his first trusted crewmate and friend. My guess is he thinks Law was right in general and Zoro himself should do better.

At first, Zoro is pushing the "reputation is just a reputation" and "I never met Loki" approach, but quickly shuts up. He probably got reminded of his own past. Zoro has really good intuition (even if he doesn't always know how to act on it) and I would say this is one of those moments. He wants to keep Luffy in check, but realizes Luffy never relies on reputation about someone. And he's usually right not to do that indeed. So even though he expects Loki might be lying to Luffy, he decides to give it a small leap of faith, while keeping an eye on the situation. Good old Zoro :)

Interestingly we learn that Government sent informants to Elbaf before, but they all mysteriously vanished thanks to a giant crow. We saw that crow before, it's definitely the same one that carried Strawhats to Rodo. Which means all those CP agents? Landed in Rodo's lego diorama! LOL. Now who's a chad without even knowing it? That's right, our pal Rodo :D Those skeletons probably belong to some of the more obnoxious agents too, so you don't have to feel too bad about them, lol.

While we don't really have it confirmed that it was Cipher Pol, they're called 諜報部員達 Chōhō Buin-tachi "Intelligence agents." Very similar to how CP is called. It's not the exact same kanjis, but we have a similiar situation in Egghead with the kidnapped agents. Chōhō kikan was how CP agents were referenced to in Egghead arc. Only first kanjis are the exact match, but the meaning in both cases is overall still almost the same: (ちょうほう) means "intelligence" or "espionage," and "部員" (ぶいん) means "member." The term refers to forces specializing in gathering secret information. At this point it would be weird if it was anyone else than CP, especially after we learned that CP0 is Celestial Dragon's shield (God Knights are said to also hold the same power or even be Celestial Dragons themselves).

Funny how Loki calls Knights "noble" in same sentence he calls Celestial Dragons scum. Does it mean that at one point in history those fractions weren't the same thing or even linked in any way? Let's remember Giants have a long standing history and preservere knowledge about the world that might be lost to other nations and races already.

This also confirms God Knights is actually some sort of knight order. Not every God Knight seems to hold the "saint" title like Celestial Dragons though (we need to keep an eye on it for confirmation).

Let's examine Shamrock's behaviour a bit closer. He seems to be rather levelheaded and would want to avoid uneccessary bloodshed. If an objective or goal can be achieved without killing anyone (even a wolf), he would definitely prioritize that option. He also stops Gunko from being too hasty/hot tempered, which shows 1. he's higher than her in hierarchy (duh, we know that already, but it's really neatly reflected in this dialogue) 2. despite the fact he is letting her execute the orders without doing much himself, I don't think the order actually came from Shamrock, but instead someone higher up (like Garling?).

Seems Shamrock isn't even allowed to make his own decisions without consulting it with anyone first. And that despite being the leader of the Knights! I gotta say, so far, Shamrock actually doesn't score any bastard points yet, lol. Despite fandom expecting him to be "the evil twin" ;) as for me? I'm just observing him. and observing. lol.

I know many people think Loki is really coldblooded here, but I disagree. Here, he's not actually talking to the God Knights. What he's saying is meant for his wolf friend. He tells him to die in peace and accept his fate, while Loki will avenge him (TCB translation directs Loki's speech to third person for the wolf, like Loki is talking to God Knights about him instead of to him, but he's not. He's talking directly to the wolf, which is emphasized by the "tomo yo" - my dear friend, end of his speech). He also tells him to die like a warrior, without opposing his own fate, scowling or complaining. And the wolf is listening, it literally stops howling in pain when he hears that. This is the multitude of their bond, it's genuine. Those beasts don't follow Loki because they have to, they follow him because of the warrior code. Loki is the true leader of their horde!

His words might seem harsh, but they're mostly assertive, he wants to assure his friend that nothing can break him and things will end up in their favour in the end. It's to appease his spirit. He's not apologetic for not choosing to spare him, but he assures he will never forget about this sacrifice. This is indeed probably the best thing he could have done in this situation. To the people who blame Loki for not choosing a better option: you know what, you should direct your rage instead on the God Knights that toy with the lifes of other creatures like it's nothing. Know who your actual enemy is. Loki is a victim who is faced with an unfair choice from the very beginning. Shamrock and Gunko know it, that's why they try to play with his emotions. They somehow know Loki is more compassionate than he seems.

This is probably how Loki himself also thinks about fate. Don't oppose it, just accept it like a true warrior should. Might explain why, despite being rather kindhearted, he embraced his role as the god of destruction and prophesized cursed prince. Perhaps.

In next line he declares: Kono Ikari o Kuratte Ore wa!!! (I will receive this rage for you, or literally "this rage, I will receive!"), which is the exact same wording style as the famous line Luffy always says: Kaizoku ou ni ore wa naru! (the reversed order of words, The Pirate King, I will become!) And I didn't see it pointed out before, but for me it's a clear sign we're talking about inherited will here. Loki will take the wolf's will on himself, he will inherit it, and that will is rage. Sometimes the will can be a dream, love or care (Saul's case?), protection and many other things too, apparently, Which means the moment Luffy declared his dream as becoming king of the pirates, which he shared with Roger, he at the same time inherited his will, even if he isn't exactly aware of it. Now that's a thought!

This is a tiny little scene, with Zoro being attentive. This detail brought back warm memories. Zoro was definitely not acting like this in Zou, which were similar circumenstances! In both scenarios the crew discovers a ransacked place. In Zou, Zoro thinks the gate is simply open, not paying attention. Law corrects him, pointing out stuff, and Zoro soon catches on, trying to do the same ("something wrong with the road too!"), a bit like he wants a praise, haha. Anyway, Zoro inspecting this door to the castle (it was broken from the inside, you can tell by the damage it left, and it's something that happened recently too!) is the Zoro who is smarter after spending some time with his pal Law :) that's Law's influence on him, right there. God I miss Law.

Cute moment with Rodo being a big chicken and Nami reassuring him. Her intention here isn't dictated by kindness. She commented just a moment ago that "this is too vast to be walkable". She was nice because she wanted Rodo to carry her, so she doesn't have to walk so much. But for that to happen, she needed to convince Rodo to be brave and walk inside together with them, lol. Zoro of course joins in for the ride, because he's a lazyass like that (he did the same thing in Punk Hazard, lol. always riding on Brownbeard's tail). It's worth noting he's resting his swords, is that a small bit of trust?

It's cute how Luffy remembers Rodo's name. I guess it's because Rodo is part of the Hajrudin's crew. Seems Luffy took it to heart to remember the members of his own fleet, which is admirable for someone who has such poor memory like Luffy, lol. So he remembers Hajrudin, Stansen and Rodo now. I think Rodo is actually really appreciating it. Not only did Rodo capture Strawhats, Luffy doesn't even hold it against him. In fact, he had quite a blast in his lego town, was a bit sad to leave it so soon and regretted they had to destroy some of the stuff. In other words, Luffy actually likes Rodo. Luffy usually likes good people and doesn't believe anyone is unworthy of living, keep that in mind.

The interior of the Aurust castle is quite interesting. Some speculate the name comes from english word for owl (who knows, who knows). What are those catacombs down there (they remind me of catacombs in Alabasta that we could explore in One Piece Odyssey, they were also destroyed, and it wasn't because of Crocodile)? Why did everything overgrow like this in mere 14 years? And why was this place out of access, to the point that no one even buried the Giants that got killed in the battle? Things are really suspicious.

We also learn about ancient giant blood which often shows as the presence of horns. Ain't that interesitng?

And we finally learn how King Harold looked like. I swear he reminds me of Kratos, lol. Minus the moustache. Some people pointed out he also looks a bit like Kaido, and since we know that Kaido also had horns (as well as Yamato) and was always kinda huge (though not Giant sized), it would make sense. But I'm not sure he's another illegitimate child of Harold, I think Kaido's blood is more dilluted, that's why he's not big like a Giant himself, unlike Hajrudin!

This brings up a question though. Hajrudin doesn't seem to have horns, and we have no idea if Loki's ones are real or just a helmet (though one of his horns on his helmet was glued back on, if you look closely). Does it mean there's no guarantee to have the horns as a child of someone who has them?

Apparently King Harold ripped his horns off as the declaration of changing his ways and seeking peace, which I think makes sense, since he was known as Great Warrior, he wasn't born a pacifist. Do you think Loki, his son, did a similar thing? is it possible Loki at some point blinded himself, as a sign of his conviction? Perhaps, like Fujitora, he couldn't stand the sight of the world and all the atrocities he saw in it. Yeah, I don't think all that rampage in the palace was caused by Loki. But I could believe Loki saw it all with his own eyes and blinded himself afterwards, having enough of seeing so much cruelty. That could be why the gentle and kindhearted Loki we heard about from Lola's flashback turned into bitter destroyer of the worlds he thinks he is today. Yeah, there's still so many possible explanations and none is truly dismissed yet.

But there's one more possibility here I wanna mention. Loki might have been framed, but instead of trying to tell people the truth, he decided to push that lie and took the blame on himself. Maybe he knew people would blame him anyway, because of that stupid prophecy, and Loki doesn't really believe in opposing his fate. But that would mean Jarul knows what actually happened and lied to us (he did avert his eyes when he talked about Loki). That sword he has in his helmet seems to belong to King Harold, btw. We don't have a proper close-up of it in the portait, but the handle has the exact same, unusual shape. I think it's more likely King Harold attacked Jarul with it rather than Loki stole his sword and tried to kill his father with it. It just makes more sense, you know. Maybe Harold was manipulated (Mingo's strings?) or maybe he was never the nice ruler everyone thought he is, or maybe he went insane. My bet personally is still on Government turning against Giants. That circle in the throne room must have been there before, I wouldn't be surprised if God Knights entered through it before and caused all that massacre we saw remnants of, and blamed it all on Loki. Government always lies and discards the pieces it doesn't need anymore. After all, everyone are just insects to them.

But why would God Knights want Loki? Okay, hear me out. Not only Loki didn't deny the blame they put on him (which put him ironically in their favour, heh), he also ate his father's devil fruit. It's likely to assume most if not all God Knights wield powerful devil fruits. Maybe that's why they killed Harold, to get his fruit (it is said to be one of the most powerful fruits after all!). But before they could do it, Loki ate it and ran off or chased them away. I'm still not sure what is Jarul's role in all of this though. Why is he not telling the truth, if that's the case? Did Loki asked him not to? Or was Jarul's life spared on the condition he never shares the truth of the event, and as the result he was the one who commanded the castle to be abandoned and sealed away, so that no one knows the truth. I hope we will get more leads, this honestly feels like an investigation of a crime scene, haha.

Jarul seems to know more than he seems to. 1. Gerd and Goldberg want to report to him after they check on Rodo, because they witnessed a giant crow carrying a ship. Goldberg also mentions "they're supposed to arrest intruders" back then (chapter 1130). Compare that to what Jarul said to Luffy: "not many humans make it here and mistake Underworld for actual Elbaf". Still think he didn't downplay that comment on purpose? Let me spell it out again so it sinks in: they arrest intruders who make it all the way up to Elbaf. They're not welcoming strangers in their land in general, period. Jarul sold Luffy the "nice version" instead of the truth. 2. Someone put those guards to keep an eye on the abandoned castle. That someone was most likely Jarul as well, because he's the only one besides Loki who knows what actually happened on that fateful day. Who are those guards protecting the castle from? Possible intruders from the summoning circle? Definitely not, the guards were clearly dumbfounded by their appearance. They guard this castle so that no unauthorized folk comes inside. Just like Rodo said it - no commoners, himself included, are allowed inside. Jarul doesn't want most people to know what's exactly in the castle.

Few thoughts here. First of all, Rodo is a great exposition device AND an excellent nerd guide. He shares all those trivias and bits of history, god bless him that he's accompanying the Strawhats. Too bad other Giants do not appreciate him much.

Second thought: when he says that Hajrudin holds the grudge against Loki, he adds "sadly" (in Japanese the way he says it emphasized the "sad" part even more, suggesting Hajrudin was "the most sad out of all people" about Loki's betrayal). That sentiment there suggests Hajrudin and Loki weren't on bad terms in the past, but King Harold's death sadly changed that. That could explain why Loki was never seemingly interested in becoming a ruler himself, he probably knew Hajrudin wanted to become one (it was his dream since he was a child, as we learn thanks to the tiny flashback of Rodo) and he was gentle and kind himself so he supported his own brother in his dream. Even after whatever shit happened in the castle, Loki never changed his mind about it... if that's the case, that's some true brotherly love right there. Hajrudin on the other hand probably wants to defeat Loki now, but thinks he can't (perhaps because of that devil fruit). We met Hajrudin in Dressrosa, he was trying to win the flame flame fruit back then, probably hoping it would make him stronger to take down Loki.

Luffy realizes he's butting into a conflict between brothers, oh boy.

Third thought: I absolutely adore how Rodo points out humans also kill each other and they're not any better from Giants having infights. Though just afterwards his pride takes over and he declares other races of Giants are inferior, but seeing his answer to Nami's comment he's not ignorant, he's really self-aware of his shortcomings here. Perhaps he wished he could change himself. Not surprising, considering he is serious when he declares he wants Hajrudin to become king of the giants and unite all the giant races. He's struggling, but he does strive to become better!

Rodo in the flashback is absolutely adorable and kinda a crybaby. Didn't I speculate in one of my chapter commentaries that Rodo seemed to me like a bullied nerd since he was a child? well, bingo. He indeed was. But it wasn't Gerd who saved him but Hajrudin instead. Which is why he considers him his friend and supports his dream, despite having tainted thoughts about pure bloodlines and other prejudice. I can't really blame him, seems he was always bullied and still is, to some extent. No one really cared when Rodo was carried all tied up to the tavern, for example. And I don't think Giants are so dedicated to humans in general, like Gerd or Dorry and Brogy.

There might be a reason why Rodo is roleplaying a sun god in his lego dioramas, he's fantasizing about a world in which he won't be bullied and has some agency instead. Power fantasies yep. But like we can see, he also has a submissive side to him. All in all, I think he would just want to live in a place where he isn't bullied and everyone are accepted, even if he has hard time believing it could be possible. No wonder, if you're bullied your whole life it's hard to imagine a better world. But Hajrudin could and Hajrudin wanted to be friends with him, and that was enough for Rodo to have restored just a tiny bit of faith back in "humanity", or rather, "giantity".

Rodo also has a good heart and is shy, he doesn't want to admit to the Strawhats that Hajrudin was his saviour. Instead he focuses on how awesome Hajrudin is: "straightforward, earnest, endured a lot but doesn't give up". He has a lot of gratitude and compassion for his friend, and would rather speak about him than his own struggles. We know how good of an intuition Zoro has, he probably sensed Rodo is hiding something (just like he did before with Robin or Okiku), he just doesn't know what or why, which is why he's prying Rodo with so many questions here. It's actually a huge step forward from his judging attitude with Robin, he would rather inquire now than show full distrust. But after hearing Rodo's answer about Hajrudin Zoro recognized they're similar to each other, him and Rodo, both were saved by their respective captains and want to repay them with loyalty and support, but are too shy to admit the real reason for it. This is the moment Zoro decided Rodo is alright, actually. He got Zoro's seal of approval and perhaps a bit of disappointment (seems Zoro won't be cutting him today lol).

I find the way Zoro phrased it very funny and dishonest though: "You're an understanding guy, how boring". Yeah, he for sure doesn't think it's boring, he's just too shy to admit he's not that much different himself, pfff. Always trying to act so cool. It's even more underlined by the "nanda wataseba" comment at the beginning, suggesting Rodo's dream is a hand-over (he's trying to make someone else's dream come true and it became his own dream). Nami saw right through him there though which is why she laughed btw.

Speaking of Rodo, I dunno why so many people still can't find him likable and instead would show sympathy towards Gunko of all people. Her personality sucks! And she is a God Knight, what happened to the idea of "you're a bad person if you're truly supporting the Government"? She's the embodiment of exactly that! Doesn't apply anymore because she is pretty and flashed her panties and has a cool devil fruit? Geez. I'm just saying, it's less embarrassing to like Rodo than Gunko, he's a better person than she is. Gunko is so high and mighty, fully embracing superiority complex of a celestial dragon. I somehow get a sentiment that she was one of those recruits who always wanted "a better life" and considered becoming a God Knight as a chance to change her fate. Or perhaps she is trying to rationalize her own choice, heh.

Seems to me like Loki's threats are a bit hollow though. But I like his unyielding spirit! Though if he gave in now he would have let down his beasts friends that sacrificed themselves for him, so it's not like he had a choice, he had to act tough. I wonder if he's really so strong or is he just benefitting from the lies told about him...

And here we have him, the face and name reveal. Figarland Shamrock, son of Garling and captain of God's Knights, as well as a Celestial Dragon. Now, who is Shanks? Is he his twin? They sure are hauntingly look alike. Or perhaps is Shanks the clone? I guess we still don't have a definitive answer, but we know one thing for sure now: Shanks and Shamrock are two seperate people. I guess he's kinda handsome. I prefer more Shanks bratty attitude though. I wonder if the two ever met before... I would assume they did. Elbaf is Shanks territory and he said "he stayed a bit too long" and met Loki who called him a coward (perhaps for not releasing him or standing up to Shamrock?). Suspiciously enough we never saw the beginning of the conversation between God Knights and Loki, perhaps because Loki was already expecting them. I know people are already burying the "Shanks is the rat" theory, but I think it's a bit too soon to do that, lol. There's always a possibility the brothers are somewhat working together. Would I like it personally though? Meh, depends if there's a good reason for it.

For now I don't have any particular sympathy or antipathy towards Shamrock. I'm not opposed to the "twins" or "clones" idea here either. It all depends how it will be exected and I will keep my eye on this development. Still, I'm kinda glad it wasn't Shanks who had that secret meeting with Gorosei, just because it never truly fit Shanks to be there.

New piece of lore at the end of the chapter! In the past, Elbaf Giants dominated the whole sea of the New World, which is an interesting trivia to remember. It kinda makes sense, now after we know how strong they used to be!

A note about God Knights. They're called kishidan in Japanese which means something akin to "knights' order," suggesting a warrior group that hold values of honor and valor in high regard. Reminds me of those statues of warriors at the entry to the Red Line above, you know which one:

I wonder if there's some connection. Maybe a new incarnation of the old tradition. After all, who is the God the God Knights are named after? Imu? If so, what title does he hold? Another Sun God perhaps?

Yes, I'm insane like that, heh. But honestly, why not. Luffy is a Sun God, Bonney is a Sun God, Loki is a Sun God, Imu can be one too, lol.

More links on analysis of the last chapters:

Luffy says again he's not the hero and Nika has got nothing to do with him (standalone post of mine)

A video from Japanese translator dedicated to the Shamrock reveal, talking a lot about linguistics. We learn from it that Shamrock is probably not holding the same title his father did (Supreme Commander) but instead a lower rank captain, which checks out in my analysis of his behaviour too. There's some interesting trivia included about the ranks Dragon and Drake hold, suggesting that Drake is just a captain and there are probably higher ranked people in Sword above him :) interesting. I'm pretty certain this will turn out to be true.

Analysis of Gunko's Arrow-Arrow Fruit done by Tekking. Pretty good one. Everything besides his point about it perhaps being a logia I agree with. I probably won't pay too much attention to Gunko, because so far I'm not fond of her at all, but other people got you covered. She has a lot of fans already 😅

Elbaf's lore and investigation on King Harold and Loki done by Joyboy. He has actually two videos about that. His interpretations are kinda different from mine, so if you want to collect opinions and speculations to form your own theories, this is definitely something you shouldn't miss :)

[rookinthecrownest]

Discussion about romances + expectations under the cut (I'd put it as like..mildly critical, but also coming from a place of understanding?). As usual, will tag as such so you don't have to engage/read on if you don't wish to. I always invite open discussion, just keep it respectful (as I will endeavour to do so myself).

This is going to be a bit of a ramble, so I apologize if my thoughts are not clearly laid out like they should be.

I think I've found the reason why I (and maybe others), feel that the romances in Veilguard feel a bit... idk, hollow, at times (not BAD!!! just feeling like there could be MORE). And that's because of the trap of expectations. I may also be speaking completely for myself here.

Anyway, let's rewind to 2014.

Be me, 10 years ago. You're not really a gamer, but indulge in action RPG's casually.

See a commercial for this hot new game coming out called Dragon Age: Inquisition. Be intrigued by the character designs, but know nothing about the world. Come to find out it's part of a trilogy. So naturally, you buy the first two games and play through them before playing the third.

Be amazed, and completely hooked on the characters, the lore, the world, the darker elements and themes. It becomes your favourite game series of all time.

But you had no idea that you could romance any of the companions going into the experience. And man, does it fundamentally rewire your brain chemistry to fall in love with cRPG and get ridiculously attached to your Warden/Hawke/Inquisitor.

So, you romance Alistair first because he's funny as hell, and has a really interesting story/character arc. Then you romance Zevran, and love that too - he's charming and suave and awkward and funny. Then you go onto DA2 and romance Fenris and Anders, and each of those romances pack their own emotional gut punches. Then it's finally time for DAI, and predictably, you go for Solas (a veritable slow burn that spans TWO games), Cullen, and partially (I never finished those playthroughs lol) Blackwall and Dorian.

I had no idea you could romance companions going into these games. It was a pleasant surprise! It always felt like an important part of the story, while not overshadowing the main plot. There was enough material in the codexes, the cutscenes, and party banter to make each romance feel complete and whole and awesome and nuanced.

And then, like some of you I suspect, I read an article that touted Veilguard as "The Most Romantic Bioware Game Yet", and I thought - "Wow, if they're saying this then the romances must be something else", given the quality of the previous romances you've experienced in these games!

But you get to the game - and while you're having fun, it definitely leans more into the ARPG style where romances feel a bit more pushed to the side in order to tell a certain story than the traditional Bioware/Larian RPG experience you've come to love.

Which is fine! Again, once I stopped thinking of Veilguard as a classic Bioware CRPG, and more like GOW/The Witcher, I found I was able to appreciate it a lot more for what it is. Things have to Happen A Certain Way for the narrative to work, and that's not a bad thing. DA2 was similar - it was a harrowing, personal tragedy about the Hawke family and their struggle to survive in Kirkwall.

Just like DA2, there are aspects of Veilguard that make me glad things happened the way they did. I'm not mad that Rook has so much dialogue without a ton of player input and you can't 'be evil' - because the game doesn't make sense if you can. At its core, Veilguard's narrative is centered around Regret, after all - you can't have an evil protagonist running around because Solas' Regret prison would never work (evil people don't generally tend to regret their actions...)!

Now, if you're expecting a long-winded, fully researched academic breakdown of every romance I'm sorry but that ain't happening tonight lol. This is not based in any fact, this is all opinion.

I can't quite put my finger on it, but sometimes it feels like the romances in this game (and I say this with the biggest grain of salt as I've only done Emmrich and Lucanis' - and am going through Neve's now), are just missing....something, to take them from good to great.

I loved Emmrich's romance. I thought it was very well done. I think a lot of people would agree it's one of the stronger ones in the game - doubly so if you play as a Mourn Watch Rook (you get a TON of MW specific lines going this route, it's great). His side romance with Strife if you don't get together is very cute, I enjoyed it. But as superbly well done as it was, somehow, I wouldn't even put it in my top 4 Bioware romances.

With Lucanis' romance - whatever my hangups may be about how it was handled, certain parts of his romance were done excellently (even better than some of the previous Bioware romances, I'd say). You can read more about my thoughts on his romance here which is why I'm not going into detail about it. Unlike Emmrich's, I would put it in my top 4 because I fell in love with the character that much (both in the game but really, I've loved him since Tevinter Nights), and I've grown very attached to my first Rook and him as a pairing. I've seen others share a similar sentiment on here (and I hate to say it but I agree) - sometimes it feels like I fell in love with Rookanis despite the way it was handled, not because of it. I can't say that for many other romances. While it's been fun to think up a lot of HC/write fics/make art about those abandoned concept sketches and parts where I felt the game could have showed us more of their dynamic, I can't help but feel like his (and other) romances would have immensely benefited from even 1 or 2 extra small scenes to flesh it out a bit more if they weren't going to let us freely talk to our companions.

The issue with the romances might also have something to do with the pacing of the game itself. I think Act 2 is where the pacing goes a bit awry, before picking back up in Act 3 (which is great, I love it).

Sometimes I also felt that there was a little too much reliance on codex entries and party banter to tell the story of the romance rather than showing it explicitly through cutscenes. I think that's what makes the romances feel a bit truncated at times, compared to the previous entries? Some of the romance-specific party banter was so good, it probably deserved its own cutscene. But it's also highly dependent on the party you have, and it's easy to miss/not trigger. I remember absolutely living for the cutscenes in the first three entries and I can't explain why I feel like, subjectively speaking, Veilguard just has less romance content (this may not be objective reality - I haven't compared the amount of romance specific content head to head with other games).

I also couldn't tell you why I feel DA2 doesn't suffer the same problems as DATV in terms of romance interaction - because you can't freely talk to your companions in that game either. Yet somehow, it always felt like I was getting enough of them to not notice that. I do miss being able to chat my LI's ear off and ask them questions about their life/their views/etc. like I could in DAO and DAI. I think it's a shame we can't because the companions in DATV are SO interesting. I want to ask them all a billion questions about their lives/stories/etc even if they're not my love interest. The party banter in this game is immaculate but being able to talk to them individually about this stuff would've been SO nice. I feel that I've missed out on SO MUCH of these characters just because I didn't have two of them in my party at the same time!

Anyway, I need to wrap this up.

In closing, perhaps, if I hadn't read that article about how it was going to be Bioware's most romantic game ... maybe I wouldn't feel this way? I think it sent my expectations through the stratosphere, and that's no one's fault but my own. Not Bioware, not EA, mine.

I know that this game's development cycle was a unique sort of hell that the other games didn't suffer. To go from Joplin -> Morrison -> Veilguard. To have so many of the original staff leave the team when Joplin got scrapped. To have to pivot from Live Service and then back to single person RPG. More lay-offs. It's a miracle this game got made. I'm happy I can sit around thinking about it. And I hope its successful enough that we get DA5 so we can all sit around dissecting that in 5-10 yrs time.

Don't get me wrong - I enjoy the Veilguard romances for what they are. I'm enjoying them more I play and discover additional banter/codex/etc that I missed the first time around. Like any Bioware romance, there are spots where they hit their stride, and spots where they falter a bit. When they hit their stride they knock it out of the fucking park. But when they falter, you can really feel it. Romance is hard to write! And you'll never fully please everyone.

But a small part of me wishes I'd gone in blind, and checked my own expectations a bit.

Maybe you agree, maybe you don't. Tell me about it. What was your experience with the romances? Did you also read that article and get your expectations up?

I hope this makes sense.

Kind regards good fandom folks,

Keep the discussion respectful. And please don't use this post as an excuse to just blatantly hate on the game.

-Rookie

[themosleyreview]

The Mosley Review: Bad Boys: Ride or Die

There is an important lesson being taught here to filmmakers that step into a franchise they are fans of. Fans of a franchise can be the most devoted and best choice to continue on the franchise, but if they are not in service of the story, the characters or the identity of the franchise, then they aren't the right one to take it on. You cannot come in with your own biases, agendas or what your idea of what the franchise is. True fans of a franchise know this and take that lesson to heart and deliver an outstanding entry and that's what this directing duo has done yet again. The Bad Boys franchise has always been about the classic buddy cop relationship that keeps you engaged in between the amazing action. This franchise has a strong beating heart of love and fun at its core and this film keeps that heart pumping at a hardy pace. The previous film was a welcomed return that had its moments of flare, stylistic action and comedy, but it focused on the story and the humanity of the characters first. That same elegance of storytelling continues in this new entry and it may be a bit more kinetic, sometimes overwhelming, but it still lands strongly in the category of greatness.

Will Smith and Martin Lawrence return as our favorite dynamic duo Detective Lieutenant Mike Lowry and Detective Lieutenant Marcus Burnett and they haven't skipped a beat. The magnetic chemistry between them is what keeps you engaged and I loved that this film once again drives home that brotherly love they have for one another. Like the last film, they both deal with their mortality in a unique way as they are older now. Mike has an unexpected growth in personality and I loved that he isn't as perfect anymore. You see him deal with a personal disorder that he must overcome and it is pretty inspiring the way Will portrays it. Marcus gets a new lease on life and lets go of the whiney tone and actually has more pep in his step. In a sense, Mike and Marcus switched perspectives and role types as Marcus has become the more reckless and Mike has become the more cautious. I loved his spirituality which made for some great moments of comedy where Martin truly shined the brightest. Vanessa Hudgens and Alexander Ludwig return as AMMO teammates Kelly and Dorn and they were both fantastic yet again. They weren't an after thought and they both were a powerhouse in the action and held their own when on screen with Mike and Marcus. Paola Núñez was awesome yet again and now as Captain of the Miami PD, Rita Secada. I loved her strength in the film and her chemistry with Mike and Marcus is still strong. Its a mild spoiler, but I hated the fact that her and Mike didn't end up together. Ioan Gruffudd was good as Adam Lockwood and its always great to see him on screen. Joe Pantoliano is always a welcomed face and seeing him as Captain Howard one last time was heartwarming. Jacob Scipio returns as Mike's son, Armando Aretas and he was just as badass and deadly. I liked the strained avenue that Mike and Armando go down as their father and son relationship is slowly being built. Eric Dane enters the franchise as the new threat and I liked him as James McGrath. He was cunning, quick and brutal and wasn't about world domination. I liked the history behind the character even if his motivation was a bit boring. Dennis Greene returns as Reggie McDonald and he has always been the butt of the joke in the past films since his iconic entrance. I loved that in this film, he finally earns respect and he becomes the MVP of the film in an amazing scene.

Composer Lorne Balfe returns with an absolute knockout of a score. Not only does he have his unique touch of intensity, but he continued to incorporate, modulate and evolve the iconic Bad Boys score and themes by original composer Mark Mancina. It drives me up the wall when composers don't use the iconic themes of a franchise and I loved that Lorne kept it alive and flowing throughout the film in multiple variations. The action in this film was top of the line and felt classical in its practical execution. It was gritty, bloody fun that had me smiling from ear to ear. There is a bridge sequence that leads to the iconic Bad Boys shot, but that scene felt a little disjointed and dizzying in the placement of characters. There is a feeling of finality to the franchise as it sort of gives a loving look back at the past films with fun parallels and role reversals. Directing duo Adil & Bilall truly love Bad Boys and it shows in every inch of the screen from the action, the character development and comedy. They have done a magnificent job in delivering an even better entry than the last and I can't wait to own the 4K Bluray. This is definitely the best action film of the year so far! Let me know what you thought of the film or my review in the comments below. Thanks for reading!

[jumpywhumpywriter]

Christmas with the snarky, morally gray anti-hero notoriously known as Shadow!

Warnings: none

I know a LOT of people take the days near Christmas off from writing or doing anything, but I literally have zero friends in real life to hang out with for the holiday or do fun stuff with so I just decided to write instead 😭 (wallowing in self-pity because I'm such a dislikable weirdo I guess LOL-- on the sorta bright side at least I'm making new friends on Tumblr?? Even though most of them are anons at least I kind of feel appreciated I suppose--)

This is a short story about Shadow learning about the human holiday called "Christmas" -- and getting an unexpected surprise in the process.

Shadow glided down and elegantly landed in front of the lab's front doors, shaking snow from her wings. She’d originally wanted to go on a short flight around the city to stretch her wings, but it was snowing so hard it was hard to see anything, and she didn’t want to accidentally crash. There had to be at least four inches of it already piled up on the ground.

Shadow walked into the main room of the lab and was hit with a blast of bright colors. She halted and stared dumbly, trying to process all the colorful lights draped around and a... literal tree in the corner? Who cuts down a whole tree just to stuff it indoors?!?

And in front of the tree was Thomas, hanging little round balls on the evergreen branches.

Shadow quietly approached from behind, head tilted to the side in confusion as she watched the human work, tying strings to decorations to the branches. She curiously reached out and flicked an ornament experimentally with a finger, making a quiet clink sound.

"What in the entire universe are you up to, Thomas?" She asked warily. It looked like a unicorn had puked random decorations all over the place in a general theme of red and greens.

"ACK!" Thomas jumped in surprise, instantly dropping the ornament he'd been fiddling with as he startled.

Shadow snatched it in a hand before it could hit the floor, raising a questioning eyebrow at it. "Why are you putting these things everywhere?"

Thomas's face turned red with embarrassment. "Can you NOT sneak up on me like that?!?" He squeaked. "You're like a literal ghost -- you're everywhere!"

"I'm not sure whether to be offended or complimented by that statement." Shadow wrinkled her nose, carelessly tossing the ornament in the box with the others Thomas had been taking out. "Mind explaining why it looks like a hurricane of colors tore through this place?"

"It's uh, a human holiday." Thomas rubbed the back of his neck sheepishly. "You decorate trees and houses and cookies and eat a ton of sugar and stuff. And some people host large gatherings and prepare giant feasts. There's also making gingerbread houses."

"And why must you bring a tree indoors to decorate it?"

"Not everyone does it, in fact a lot more people go and put lights on the trees in their yard -- but it's a human tradition to cut down an evergreen to light up a room. And then we put these cool things on it--" Thomas bent down and grabbed an ornament from his box, shoving it eagerly into Shadow's hands. "Go ahead and try it! It's fun."

"I think your definition of 'fun' is vastly different from my own," Shadow grumbled. But she humored him and hesitantly hung the ornament's string on the tree, adding to the dazzling sparkle. It was kind of pretty, she had to admit. But she'd never say it out loud.

"Oh! And there's one more part of the tradition, it's the most important one--" Thomas darted off and returned holding a small yet colorful box with a fancy bow on top. "Humans buy awesome gifts to give to each other! So here's to your first human Christmas!" He held it out, and Shadow cautiously took it with a puzzled frown.

"I don't know whether to be relieved or disappointed that it's so small," she said gruffly.

Thomas rolled his eyes with a chipper laugh. "Lighten up, Shadow. Just open it!"

Shadow raised a skeptical eyebrow at the gift. "If this is one of those pop-up-scare things I've heard so much about, I'm going to seriously kill someone," she growled.

Thomas paled, reaching to take it back. "Sheesh, I didn’t realize you were so sensitive! Fine, I'll keep it!"

"Ah-ah!" Shadow raised the box above Thomas's head where he couldn't grab it, holding it just out of reach. "No taking it back. You gave me something, and you'll live with the consequences of your choices like a responsible kid."

"I'm 19 years old," Thomas scowled pointedly.

"And I'm 312 years old. Your point?" Shadow rolled her eyes dramatically, bringing the box back down so she could open it.

Thomas made another determined grab for it, but Shadow spun and swatted him like a fly with one of her white feathered wings, using it as a shield to block and keep him from snatching it.

"Shadow, come on, cut it out!" Thomas snapped, trying to reach over her wing instead -- with no luck.

"You first," Shadow growled back. She found it amusing how fast the human was trying to backpedal his gift after her threat -- which meant it was definitely one of those pop-up-scare things. Her threat had been a bluff, of course -- she wasn't actually going to kill anyone over a Christmas gift -- but Thomas wouldn't assume that, considering how morally-gray she was in general. He fully believed it to be a real possibility, which was perfectly in line with her past actions.

And Shadow couldn't help having some harmless fun with him, watching him sputter and panic uselessly in terror, believing her every word like the idiot he was. Well, mostly harmless fun -- the human might suffer an actual heart attack with how much adrenaline was rushing through him right now.

"Hmm, interesting," Shadow chuckled as she shook the box lightly, listening to the contents rattling around. She barely bit back a cruelly delighted laugh as she watched Thomas turn a few shades paler. The human was right, Christmas was fun.

"Whatever did you get me, human?" She purred teasingly. It was all a game to her -- but not for poor Thomas, whose heart was practically jack-knifing out of his chest. After all, Shadow was known to be violent and aggressive at times -- he had no way of telling she was in a relatively good mood today.

Shadow slowly untied the bow, taking her sweet time and using her wing to keep Thomas at bay. She held the lid on tight to keep it from springing open on her as she let the ribbon fall to the floor.

A mischievous smirk twisted her lips, and in a swift movement she aimed the top of the box at Thomas and let go of the lid.

Her intuition was right: it was one of those pop-up-scare-things. A coiled up plastic snake came shooting out of the box and smacked the human straight in the face, startling him.

Thomas yelped in surprise and flinched backward hard enough to trip and end up sprawled on the floor, a cartoonishly shocked expression on his face.

Shadow burst out laughing. She rarely ever laughed, unless it was sarcastic. But this was a genuine laugh for once, at his expense. Her wings shook with the force of it as she cackled evilly, clutching her ribs. "Oh, I think I DO like your gift!" She laughed between breaths. "That was priceless.”

"That was mean," Thomas sputtered indignantly, face flushing red with embarrassment.

"No meaner than trying to jump-scare the most lethal person in existence!" Shadow retorted, still laughing her head off. "You humans have the weirdest holidays!”

Thomas smiled sheepishly as he got back to his feet. “It’s a time of happiness and family gatherings. There’s nothing weird about that.”

“It's probably not weird to you because you live in the ‘world of weird’ on a daily basis – this stuff is normal for you,” Shadow chuckled. “I’ll admit though, you’ve piqued my curiosity. What else do you humans do to celebrate Christmas?”

“Oooooh you’re really going to like this one!” Thomas chirped. “Let's go outside!”

Shadow raised an eyebrow, but followed him to the front of the lab, watching as he bundled up in warm jackets and donned a hat and gloves. She didn’t bother copying him; she was naturally extra hot-blooded due to being a Falkry. The cold didn’t get to her as bad.

Soon the two of them were walking down the street to the local park, snow crunching underfoot. It was cold enough that their breath came out in foggy puffs.

“Okay, so have you ever heard of making snow angels?” Thomas turned to his white-winged Falkry friend excitedly.

“Ah, the age-old tradition of getting frostbite. I’m familiar,” Shadow answered sarcastically. “But I think I’ll sit this one out. Don’t want to damage my feathers.”

“Pfft, buzzkill,” Thomas snickered. “Then try this instead–” He bent down and suddenly scooped up a handful of snow, flinging it at Shadow.

“Hey!” Shadow nimbly sprung out of range. “Oh, you will pay for that!”

Thomas blinked, and she was gone. “What the–Oomph!" His voice choked off when he was suddenly flattened beneath a massive wave of freezing snow that crashed down on him from above. He quickly scrambled out of the aftermath and shook the frozen flakes from his hair, dancing a little as he tried to reach the stuff that had fallen down the back of his shirt. "Ack! Cold! Very cold!"

Once he had finally rid himself from the last of it, he looked up in confusion to see where it had come from, and spotted Shadow perched on a bobbing tree limb directly above him, laughing hysterically. The limb was devoid of any snow, and it was clear that she had intentionally jumped on the branch to knock the snow down on him.

"Seriously?" Thomas huffed, scowling up at her. "Was that really necessary?"

Shadow raised her hands innocently, still laughing. "Sorry, sorry, I just had to. You make yourself such an easy target. I couldn't resist. You should've seen your face!"

Thomas wordlessly bent down and scooped up a large handful of snow, packing it tightly together.

"Wait, what are you—?!" Shadow’s voice cut off sharply as he chucked the newly made snowball up at her with all his strength, and she yelped in surprise as it clocked her in the face with a pfff sound, knocking her out of the tree. Her wings flailed wildly for a moment until they caught the air, halting her descent.

"What was that?!" She shouted from above with a shocked expression on her face, hovering in the air and sputtering from the snow that had gotten in her mouth.

"It's called a snowball. We humans use it to start snowball fights," Thomas called back.

"Snowball fights? So it's like... a non-lethal war with packed snow?" Shadow asked.

"Basically. But emphasis on non-lethal!!" Thomas leaned down and scooped up two more handfuls of snow and launched another round at her, which narrowly missed her face again as she smartly dodged to the side.

"Oh, it is so on human! Prepare to be destroyed!" Shadow let out a war cry and swooped down towards him, sharply pulling up at the last second so that her wings flung up a powerful gust of snow that covered Thomas head to toe. But he was not so easily beaten, and he revealed a hidden snowball he was hiding behind his back. Shadow was close enough that there was no way he could miss.

Her eyes widened for a moment in realization before the snowball hit her square in the chest, making her stumble back. It was all the opening Thomas needed to launch a barrage of snowballs at her, his arms becoming a blur as he threw one after the other, madly scooping handfuls from the ground, not allowing a moment's reprieve. Shadow used one of her wings as a shield against the attack, ducking her head behind it as she scooped up a snowball of her own.

Then, she moved her wing aside and threw her handful at Thomas as hard as she could with Falkry strength. It hit him in the stomach hard enough to knock him back into another pile of fluffy snow. She wound up for a second throw as he scrambled to his feet, and let it fly, this time smacking him square in the face in an explosion of white fluff.

Yeah, maybe Shadow was enjoying this whole ‘Christmas’ thing after all.

Main Masterlist

Masterlist featuring Shadow and Thomas-related stories

@scoundrelwithboba @lumpofsand @isikedmyself878 @iamheretohurt @fleur-a-whump

@ay5ksal @otterfrost @sausages-things @togzy

@whump-till-ya-jump @cravesunconditionallove @whumpwritinglover222

[stitching-in-time]

Voyager rewatch s7 ep3: Drive

I used to think this one was kind of underwhelming, except for the proposal scene itself, and the fact that Tom and B'Elanna actually got married. But on rewatch, it actually does have a lot of good qualities that make me like it better than I used to.

I think the main issue it has is that no one episode can really make up for two and a half years worth of ignoring characters and relationships. Voyager essentially became the Seven of Nine show after season 4, and all the characters except for her, and the two characters they pair her with most often, Janeway and the Doctor, got ignored and pushed to the side. It pissed me off at the time, and it pisses me off still, that all the rest of the crew, whom we'd come to know and love throughout the first three seasons, got steamrolled over and reduced to supporting characters in their own show. Part of the reason I couldn't like Seven in the beginning, and still resent her character in many ways to this day, is because she's the reason that characters I would have preferred to have stories about got sidelined and ignored.

B'Elanna and Tom had been two of my favorite characters separately, and putting them together romantically had lots of interesting potential that the show only barely just scraped the surface of most of the time. Beyond season 4, you usually have to squint sideways really hard to glean the tiniest nuggets of character or relationship development for anyone except Seven, and they were no exception. I liked them, and I was rooting for them already, so I could subsist on crumbs, but I do get why some people don't go for them, because the writers basically let them drift aimlessly with no focus on their relationship throughout all of seasons 5 and 6. They probably have more scenes where they actually talk to each other in this one ep than they did those entire two years. Considering the tall order this ep was expected to deliver, it actually did a pretty good job.

The basic premise of this ep is actually very good- the space race looks like a lot of fun, and the subplot of saboteurs trying to derail it works well and ties everything together nicely at the end. The flying scenes are exciting, and seeing the Voyager crew get excited and drawn into some some silly new interest is always so cute. Neelix's takeover of Voyager's comm system as unofficial race announcer is very funny, and seeing the crew all stopping in their tracks to listen, or crowd into astrometrics to watch the Flyer's progress, is peak cute space family stuff. When even Tuvok puts aside his work to watch, I just start grinning like an idiot because it's so. darn. cute!!!

They mention having newly rebuilt the Flyer at the top of the ep, which still seems very soon after it was totally destroyed, but at least it was acknowledged that yes, they rebuilt it, it did get smashed to smithereens a little while ago, unlike the last ep, where it just magically appears again with no explanation.

While testing the new Flyer, Tom and Harry encounter an alien pilot who invites them to the race. They ask their mom Captain Janeway if they can go play with the other kids join the race with the Delta Flyer, because it's gonna be totally awesome in the spirit of Starfleet, convening several different alien worlds who were once at war in peaceful competition. She agrees (and tells her boys to win!), but Tom is so swept up in the excitement that he forgets he was supposed to spend the weekend with B'Elanna. (How do you forget a whole ass weekend?? Like I realize Starfleet people love their jobs, but who forgets weekend plans?? They must have calendars with reminders in the future- we already have that now!)

Anyway, Tom tells B'Elanna about the race, and offers to give it up, since they already made plans together. She tells him it's okay to go do the race, even though she doesn't mean it. She pretends not to be upset to Tom, but Neelix catches her moping in the mess hall and gets her to tell him what's bothering her. Despite being garbage at relationships himself, Neelix offers some sound advice when he tells her to tell Tom she's upset, and that she wants more out of the relationship, and plans to break up with him if he won't give it to her. B'Elanna is usually pretty practical, so the lack of communicating her feelings to Tom is obviously childhood trauma-induced self-sabotage on her part, but there's no counsellor on that ship, so I'm surprised anyone there even manages to pretend to be ok, honestly.

B'Elanna at least realizes Neelix is right, and she asks Harry to let her take his place in the race, so she and Tom can do it together. Tom is surprised when she shows up in the Flyer, but more than that, he doesn't seem happy to see her, which is like, what?? She's literally the chief engineer, she's a great person to have along! But they have her act like she doesn't really know or care about what she's doing for the entire race sequence, and it's like...ugh. I'm so tired of the writers constantly forgetting that B'Elanna is not a clueless girlfriend who's only watching a football game for her boyfriend's sake without understanding it. She's a freaking engineer! She knows and loves ships just as much as Tom does!!! They should be bonding over this stuff! I'm absolutely baffled how time and again, the writers fall into this weird stereotype of heteronormative relationships with them- they are not the car guy and the airhead with nothing in common- they're both car guys! That is very much an integral part of B'Elanna's character! There are plenty of things they can disagree about or misunderstand eachother over to create drama, without having to throw that gross sexist stereotype at them constantly. I mean, they have B'Elanna not look at the race course beforehand - are you kidding?? She has to study ship schematics all the time to do her job- do they really think she'd look at a freaking map and be like 'oh that's too hard and boring for my little girly brain'?! I'm fighting the urge to punch every man in that writers room in his sexist little face!!!

But beyond that, it's really nice that they do finally talk to each other for more than a minute or two in this ep. B'Elanna's reluctance to address her feelings head on leads to passive aggressively dropping hints, which Tom picks up on, so he stops the Flyer and drops out of the race to make sure they can talk about whatever's bothering her without distractions.

The communication issue they have is a realistic one, in which B'Elanna is afraid to tell Tom what she really wants, and sets him up to disappoint her as an excuse to push him away when he can't read her mind and magically give her what she wants. B'Elanna finally relents and comes clean with Tom at last about how she really feels, and what she really wants, and I love that they had Tom drop everything to hold space for her, and prioritize their relationship over any other concern. It nicely circles back to their best core character traits- that Tom always does the right thing when it comes down to the wire, no matter what it costs him, and that B'Elanna will always push through and overcome her fears in order to get done what needs to be done.

Of course, as soon as they start to break down their walls with each other, and have an unbearably sweet scene where B'Elanna finally voices her desire for affection and reassurance, which Tom gives her, along with the beginnings of a proposal- they get interrupted by plot. The alien pilot that invited them to the race is really the saboteur. She rigged the Flyer's fuel convertor to explode and blow up all the ships at the finish line, to end the peace between the formerly warring worlds holding the race. Luckily, Harry had a crush on her, and insisted on being her co-pilot- he discovers her plot, and sends a message to the Flyer to warn Tom and B'Elanna before they cross the finish line.

As they try to eject the Flyer's warp core, and the computer counts down the seconds until it explodes, Tom proposes. B'Elanna doesn't answer, because imminent warp core breach, but once they eject it and the Flyer is safe, Tom asks again, and it's the cutest shit imaginable. And I'm like ok. fine. I'll overlook any flaws in this ep because it had some really good stuff, and I love when my space fam is cute together. After years of them having almost no meaningful dialog or attention paid to their relationship at all, I will take it!!

Back in the day, I was so surprised and grateful that they actually let them get married, that I was willing to overlook the disappointment that they didn't show the wedding. In the intervening years though, I definitely feel the audience got cheated out of that very important moment. They're main characters! How can you have their wedding off screen?! Voyager is a family, a community- coming together to share a wedding between two of their own should be a highlight family moment for the whole crew, but instead, it's glossed over like an afterthought. I just don't understand what got prioritized in later seasons of Voyager- the Doctor having crushes on younger blonde women was somehow deemed worthy of multiple episodes, but Tom and B'Elanna actually getting married was less important to show than that?? Not even like, one brief scene?? A little montage, even?? Come on! We deserved something! I guess they thought 'we already showed their goo copy wedding, that's enough!' but no, actually, I wanted the real one too, thanks! Definitely a big missed opportunity. (Though I suppose I should be grateful B'Elanna was spared the indignity of the heinous boob window wedding dress they made Jadzia wear on Deep Space Nine- I guess I'd rather not see the wedding at all than have them give B'Elanna something like that.)

There are a few weird inconsistencies in this script- when Tom and B'Elanna are arguing, they have B'Elanna retort that Tom was expelled from the Academy, but he most certainly was not- Tom Paris graduated and served as an officer before he was kicked out. Nick Locarno got expelled, and it was for specific legal copyright reasons that Tom Paris is an entirely different person from Nick Locarno- you'd think something that basic would be something anyone getting paid to write a Voyager script would know. How did that line even make it through to the episode?? Did no one know who these characters were anymore?? Did no one care?? (I think it would have been hilarious if they'd have Tom shrug it off and say, "that wasn't me, that was Nick Locarno" and just move right on like it was nothing, no further explanation.)

Also, I didn't love that they gave Harry another alien crush subplot. The only scenes he and Tom get together anymore are always Tom admonishing Harry over some crush- their relationship also feels like it's been ignored and pushed to the side since Seven-mageddon. Plus, it feels like they've portrayed Harry as somehow younger and more naive over the years, rather than less. It doesn't work, or make sense. I love when Tom and B'Elanna and Harry all hang out together, and they all have some really fun banter here, but I would like to see them talk about something besides Harry's latest crush at some point.

But all in all, it was fun to watch, and it gave us some really nice character development and moments that, as a Tom and B'Elanna fan, I'd been waiting for for quite a while.

Tl;dr; A fun plot that finally gave more substantial focus to Tom and B'Elanna's relationship than they'd had in years. Not a perfect script, but a solid one, which actually moved their story forward in a positive way.

[weirdmarioenemies]

Name: BaNaNa Boy

Debut: Mario Kart 8

In the past, we have gone over some of the most silly and notable fictional sponsors appearing in the Mario Kart series, but one has always stood out as the most a-peeling, even back then! That is none other than BaNaNa Boy. Who is this mystical Boy? Why does he capitalize such seemingly unimportant letters? Let’s discuss.

BaNaNa Boy is, I must assume, the provider of the Banana Peels that are so important to the Mario Kart series! It is quite obvious, I must say. The peel is in the logo, and the slogan, “Let one slip!”, refers to slipping on them. I am also reasonably certain that this slogan is based on the phrase “let one rip”, referring to farting. Awesome!

I have to wonder how BaNaNa Boy got their start! I don’t know how long lore-wise banana peels have been used for kart races. Maybe at first the Kongs were more than happy to donate their used banana peels for the races, but as the karting franchise grew and grew, they needed more, a dedicated provider... a BaNaNa Boy! Someone BaNaNas for Bananas! Or maybe it is a more humble origin, and BaNaNa Boy was a small novelty shop, providing banana peels and other items to prank your friends with. When a large amount of banana peels were needed, one of their loyal customers suggested this small business, and that was their big break!

It may seem like producing large quantities of bananas only to use their peels would be incredibly wasteful. But do not fret!

Let One Slip right down your esophagus! As seen if you look closely at the vending machines in Super Bell Subway, BaNaNa Boy sells beverages, presumably made with the peeled bananas! You can find them wherever you find canned water from Toad Harbor and canned Roy Smooth Sounds. I would also like to assume that BaNaNa Boy provides bananas for other establishments, like Coconut Cafe, which we also see in Super Bell Subway! I know I would love a BaNaNa muffin!

I have been writing “BaNaNa” so many times here. I love the wacky capitalization! It makes me pronounce it in my mind like “bah nah nah” rather than “banana”. Do you think it stands for something? I think it can be a sort of acronym, representing their three main products: Bananas, Nanners, and ‘Nas! All brought to you by a Boy. A Boy with a dream.

A Boy with a dream of stardom! Advertised in New York Minute, Da Big Apple itself, is BaNaNa Boy, the musical! The smash hit musical! Is BaNaNa Boy such a huge and popular brand that it has become a multimedia franchise? I like to think that it is not. It’s still just a banana supplier. But now it has a musical, and everyone loves it! Wouldn’t you want to see what it’s all about? I would!

Maybe it follows the story of the company’s rise to worldwide success. Or maybe it is an entirely fictional adventure about BaNaNa Boy the banana peel and his wacky friends... and foes! BaNaNa Boy would be the hero defending the banana trees and the entire ecosystem around them, and the whole thing would distract people from the actual environmental damage the brand is actually causing just like any corporation. What a fun spectacle! Visit the concession stand and treat yourself to a BaNaNa peel packaged in its own single-use plastic wrapper!

Did you know that Super Bell Subway contains this incredible city map? That’s the subway terminal itself in pink, with train lines leading out, and you can even see Toad Harbor in box A2, and Moo Moo Meadows in box D3!

And did you know that this city is, in fact, the one seen in N64 Rainbow Road? It is so so SO cool and awesome to see such continuity in a franchise where there is so often none at all! As a wise woman once said, “More like Mario Kart Lore!” But how is this relevant? Look at the first map again! It’s blurry, but the text on each side is the names of a whole lot of the sponsors seen advertising throughout the game! This is not just any city, but apparently a capital of the racing world, full of storefronts or maybe even headquarters of businesses from BaNaNa Boy to Undead Motors. Hey, BaNaNa Boy! That’s the one we were talking about before this tangent!

According to section A, BaNaNa Boy (misspelled Banana Boy) is located in box C3. The labels on the map itself are nearly unreadable, but as they list some the same businesses multiple times even in the same boxes, I am inclined to ignore them. So let’s look at box C3, home of BaNaNa Boy!

Here it is! Somewhere in this image is BaNaNa Boy (location). It certainly looks like all residential buildings to me, though! Are you telling me they did not want to take the time to model individual unique businesses on this background setting far away from the actual racetrack, and/or did not plan in advance that a DLC track would establish that these locations are unique in the first place? Preposterous! Clearly BaNaNa Boy works from home and you can come visit him. In real life!

One more thing! Mario Kart Tour is very insistent upon people playing as Miis, with multiple racing suits available, each treated as its own character. I am not a fan of most of these, as they are usually just based on a character who is already playable, so I would rather play as the real character! However, there are some really fun and creative ones based on other things from the Mario series, my favorite probably being this one based on the end-of-level castles! If they can make a suit based on this, surely they could make one based on Banana... and maybe even BaNaNa Boy itself, seeing as this game celebrates the sponsors wherever it can, to the point of even putting their stickers on some racing helmet! It would absolutely become the best racing suit to me instantly. You could pretend you’re playing as THE BaNaNa Boy! I love selling out! BaNaNa Boy paid me to write this post! (in exposure)

[unidentifiedseacreature]

They learn you're insecure

Freddy 🐻

- Believes the best people never realise they are

- Will not hesitate to remind you that you're awesome

- Nothing much changes since he always compliments his superstars

- But he becomes more pushy when you don't accept his compliments

- Lectures you when you insult yourself

- When you make a passing comment about everyone being his superstar, he cuts down on saying it so that you can know you're more special

Monty 🐊

- When you admit it to him, he admits that he is ashamed of his anger issues

- Understands that the last thing insecure people want is to be treated differently

- "That doesn't mean I'll go easy on ya"

- Doesn't bring it up unless you do

- Becomes more touchy when he teases you, to make sure you know he's joking

- Less bitter when you win games against him

- Puts you on his shoulders and calls you 'majesty'

- Makes sure everyone knows when you win something

Chica 🐔

- Encourages you to do things outside of your comfort zone

- Your number 1 fan

- Always adds a compliment when referring to you, such as:

'The incredible Y/N', 'The amazing Y/N' and 'The one and only Y/N'

- Believes people could always do with more of everything. More food, more play, more friends, more fun

- Tries to get you to do exciting things with her on bad days

- The first time you ever saw her insult someone was when you told her about something mean your boss said to you

Roxy 🐺

- The most understanding

- You confide in each other about your insecurities

- Encourages you to do affirmations

- Becomes less competitive around you because she knows you're in the same boat

- "You're amazing"

- "No, you're amazing"

- Feels bad that you're also insecure. You're awesome, you have no reason to feel unworthy.

- "Why do you like Y/N so much?"

- "Because they're the best"

- She says it like it's so obvious and they're an idiot to not know

Bonnie 🐰

- "Hey, don't worry about it. We all feel a little unhappy with ourselves sometimes, it's just that you feel it more"

- Puts more effort into including you and spending time with you

- Acts more goofy to cheer you up on bad days

- Finds it awkward to compliment people but always supportive

- Blames all of your problems on capitalism

Foxy 🦊

- "Thar's no point spending yer whole life dwellin' over yer insecurities. Thar's much better things to do"

- Tells you stories with morals of accepting yourself

- Gets more talkative to distract you on bad days

- "Do you like me?"

- "Thar's no point sailin' with people you can't call yer mates," He leans closer to you and grins. "Also helps that yer my favourite"

Sun ☀️

- "Aww friend, you don't have to worry about that"

- Frequently reminds you of how amazing you are

- Would easily list everything he likes about you

- "Nobody loves me"

- *Sun appears out of nowhere* "I love you!"

- "I have no friends"

- *Sun hangs down from the ceiling* "I'm your friend!"

Moon 🌑

- 'Y/N has so many strengths, the only thing that would make them think they weren't good enough would be if somebody else convinced them'

- Concludes that he must protect you at all costs

- Tries to get you to accept your weaknesses instead of disagreeing

- Gives you facts that you can't argue with

DJ Music Man 🎵

- Makes sure to encourage you more, even though that's usually just an enthusiastic thumbs up when you finish a task

- Glares and shakes his head when you insult yourself

- Plays music to distract you

- Encourages you to dance

- Wishes he could speak to compliment you

[vraisetzen]

Your ‘Notte Stellata’ is honestly super awesome. It’s one of the best written fan fictions that I’ve ever read for sure.

You are SO talented at plotting! This story was planned out and written so, so well. I can really tell that you’ve put a lot of thought into this story.

And you did the period justice! My gosh, that is honestly so rare! But you did such a good job — I think that’s super cool.

You are SO GOOD at characterising Kokushibo. I think that was honestly the best characterisation of Kokushibo that I’ve ever seen! I know it sounds silly, but I almost lament the fact that I’m done with this story because I’d love to go through this journey again with fresh eyes.

I must say — you have used some of the most interesting and stimulating descriptions that I’ve seen in a long while. I had to pause multiple times while rereading and reread passages because you’ve included such gorgeous thoughts and imagery.

And the way you write dialogue is phenomenal. Can I just say — isn’t it so cool that you’re able to tackle almost any character from ‘Demon Slayer’ and pay them due deference? You make them sound like themselves. I thought that Tengen was such a clever addition to the story.

But also… when I saw Kagaya and read his dialogue, it just cemented in my mind the fact that you really get these characters. Because yes, that is exactly what he would say.

Your story really bumped up Kokushibo to the top of my favourite characters from ‘Demon Slayer’ list. I think it’s incredibly cool how you gave him more depth and made him almost even more interesting than he is in the source material.

You are an awesome writer, truly. I would sincerely love to read more works by you if you choose to share your works with us.

Thank you for allowing me the chance to read and think about your story!! You are AWESOME! Wishing you only the very best.

Thank you for your lovely words! It's wonderful knowing that you enjoyed Notte Stellata!

Staying true to the time period is something with which I was especially insistent; it was important that the Reader's mannerisms and personal beliefs reflected fleeting, but pivotal time period that was the Taisho era. I'm a huge history nerd, so doing research for this fic was a lot of fun! And most of all, I'm glad that it helped with establishing a sense of realism throughout the fic.

Likewise, it's glad knowing that I captured the characters and their dialogue properly! In the case of this fic, which basically poses the question, How would Kokushibo, as the first Upper Moon, respond to falling in love with a human Slayer?, it was fun dancing the delicate line between personal headcanons and going back to the manga to understand how Gotouge would have done it. The same went for Ubuyashiki as well — although it was tempting to have him dismiss the Reader from the Corps, it seemed much more apt for him to do something entirely different from what the Reader expected.

And with that, the dialogue came in very naturally; I was initially concerned about sounding too Joss Whedon-ish, since Tengen and the Reader were quite quippy with each other, so I needed to make sure that there was an element of sincerity and honesty with these two older members of the Corps.

Lastly, I'm delighted to have bumped Kokushibo on to the top of your list of favourite KnY characters! He's my definite favourite for sure, and I think he is such a complex character that is often reduced to his worst aspects. In that sense, the Reader was a proxy for him to reexamine those human parts of himself that he gave up too easily in the pursuit of power and strength.

Thank you once more for sending this ask and for your kind, thoughtful review! I will definitely be writing more in future, with a Muzan fic in the works (though nothing too official), and I hope to do as well, if not better, in that piece. All the best to you too!

xoxo, V ♥️

[rascalentertainments]

Heya Rascal!! Gonna shoot you with the question laser beam now >:3

✨✨✨✨✨✨✨✨

1. What songs do you think best suits each character?

2. Is WG!Star the first ever Wishing Star or just the first one to come down to Earth? Are there others like him?

3. Are we gonna see the 7 teens as a group or one by one? What’s their role in the story and do they have any jobs?

4. How did the Royal Couple come to adopt Sabor?

5. What if I tell you that there’s going to be an RFTS!Flazino to accompany yours? ;) He won’t have much of a big role like yours but he exists~

This is all I could think of at the moment. Might ask more later on. Hugs from me ^^

Hey there! I'm ready for your question beam! 😂

Let's see, for Asha it would be "How Far I'll Go" and "Ready as I'll Ever Be" for the passion for her family and wanting to fight back. Star would be "What a Wonderful World" and "Out There". the Royal Couple would have "Evil Love" and "They're Only Human" The rest of the character songs are a work in progress!

Oooo, I've been waiting for a question for that! The Wishing Star is a legend amongst the stars, always hearing rumors about one granting wishes for not just humans that wish upon them....but also other stars. So the idea is that Star is the first star nomad to come down to Earth, but he must ask: can he really stay here with Asha? The others do have the potential to do the same, but no one else has had the drive to actually go down there amongst the humans. (Star's cousin wanted to meet the dinosaurs and other animals, but that's about it). The biggest thing that helped him get to Earth is in fact Asha's spirit. However, by the end of the story, the people will have a Wishing Star to call on.

3. The 7 Teens will be introduced one by one, and end up coming together as a group when they need to help Asha save Rosas and the people. Each of them play their role by knowing the inner workings of Rosas, like Flazino. Asha hasn't been in Rosas' in years so she doesn't remember anything about how to navigate there. The biggest helps from the Teens would be Dhalia, Simon and Dario. About 5/7 of them have jobs. Gabo is more of the city's conspiracy theorist that the rulers are evil, but since no one believes him, the rulers don't seem as a threat and brush it off. Dario is a self proclaimed comedian/actor trying to cheer up the wish deprived citizens from looking depressed. Its not much progress, but he tries.

4. They actually found him during their journey to Rosas. They traveled around the world finding other spellbooks and texts from other countries, so upon reaching the Ibreian Peninsula, Amaya found Sabor as a cub he seemed to be alone and his mother was nowhere to found (presumably hunted). Amaya couldn't bare to see him be helpless so she took him in, raised him to be a cunning and hunting feline she knew he could be, but also have a royal presence and strike fear into people without raising a paw. Sabor considers Amaya his mother, but Mags is just extra at most to him.

5. OH COOL! That would be awesome, since I've only seen him be used in one other story. I'm curious how RFTS!Flazino would interact with WG!Flazino, since the latter has a lot on his plate trying not to get caught or killed working for two narcissistic rulers. He's so stressed out...😂 (I'll be showing his design sometime next month!)

That was so fun! Thanks, @flicklikesstuff for the great questions and hugs! Sending love your way too! 😉

[amazing-spider-man-book-club]

The Amazing Spider-Man #7

Published: December 1963

Containing: "The Return of The Vulture"

Synopsis: The Vulture returns with an augmented magnetic flying device immune to mechanical interference, and goes on a new series of heists as Peter has to deal with a sprained arm after blindly going into battle.

Read alongside us here:

@frankendykes-monster : This might be the lightest issue we've covered yet in terms of narrative depth. We have officially reached a point where a "standard" Spider-Man story that's easily recognizable regardless of date of origin or medium is born.

The Vulture is making his second and final stint as a solo villain in this run, and admittedly I might miss him. I think many adaptations miss something by not focusing on the fact that he's a machinist, probably a consequence of so many Spider-Man villains existing now that it's easy to shuffle around characterizations and motivations, not that this original incarnation of the character is three-dimensional or anything. I feel like this is one of the first major instances of "lost in translation" between Ditko and Lee because that's the only explanation I can muster up for me just not getting exactly how The Vulture's powers work. I assumed that the magnetic device is basically levitation and that the wings are for steering in mid-air, but the wings being gummed up at the end nullifies his ability to fly? Who knows. His hands being free and thus him being able to hold a gun is a chuckle worthy sight.

Betty Brant is thrust a bit more into the role of Peter's primary love interest of the run as of this issue, with the finale being a focus on them and their burgeoning taking-notice of one another. It feels natural as we're still in the very early stages (read: the talking stage). While the letters pages usually don't reveal anything of note that needs to be brought up here, I do find it funny that one reader asks that Peter have a proper girlfriend that's a bad bitch and up to date on the latest music trends. Give it a few years, Sidney, it's coming.

Probably the most notable thing about this issue is how much Ditko gives it his all in terms of fleshing out the environments, the fights across the skyline or inside the Daily Bugle make the similar brawl inside the high school from #4 look downright drab in comparison. There's a lot more time dedicated to onlookers unable to do anything in the face of costumed persons fighting in mid-air above them, it lends itself to a great realization of three-dimensional space even when page space only has room for the fight or the reaction to it. We finally find out that Peter lives in Forest Hills, in Queens, on Long Island, which furthers highlights how huge NYC is and how quaint it must be in some way to see Spider-Man and The Vulture fight above rooftops overhead.

@duel1971 : Fun! I think about half of my favorite Ditko art I’ve seen on this journey so far is contained in this one issue. Every panel shines with a brilliant grasp of anatomy, action, weight, proportion… it’s awesome. The Vulture is sort of a boring villain on paper, in my opinion, but his striking visual design and the incredible action sequences made me forget that entirely. We also get our best close-up yet of Spider-Man’s web shooter, showing off how nifty and clean its design is.

The best action set-piece in this story involves Peter fighting the Vulture in the Daily Bugle offices while the staff scrambles for cover and Jonah has a breakdown. If I’m not mistaken this is the first time a villain has come directly to JJJ’s office, making a somewhat historic precedent.

There’s not much to talk about here in terms of new story developments (other than Peter sharing a moment with Betty Brant) but the action and script are so tight and well-done that it’s hard to say anything negative about it. This issue to me feels like a well-earned victory lap after eight issues of consistent innovation.

[slymewitch]

Christmas Carol autism rant

Honestly of all the stories and songs and such that get oversaturated during christmas, I unironically enjoy how many versions of A Christmas Carol there are. Not only because its a good story in general, but because unlike something like Rudolph, every single version has a uniqueness to them. The simplicity of the plot allows for so much messing around with the setting, the timeline, the mood, its all so malleable. And then there are the characters. Scrooge, Marley, and the ghosts specifically are all fairly simple archetypes, but because of their simplicity, each variant of the story can expand on said archetypes however they want, heck they can even completely zigzag the archetypes and put something completely different in the slot of one of the characters. Especially for the ghosts. Usually they’ll just go with the archetypes of angel, santa, death, but every single version gives the trio their own flavor. An angel can be a lot of things, like a girl, or a candle, or a dirty taxi driver, or the Eleventh Doctor. But Scrooge himself is probably the most interesting. Compared to the other characters in the story, he’s the one that changes the least between each adaptation on the surface. Grumpy old man, hates christmas, greedy, bad childhood, bad friends, bad breakup, the works. These guidelines are mostly unflinchingly rigid, but the exact brand of bitterness, and the details of the events, are left up to whoever’s writing. My favorite version by far though is unironically the Muppets version. Unlike most other adaptations, Scrooge doesn’t seem that hateful in that version. He still does the same greedy and evil crap as the other Scrooges, but he isn’t as angry as the rest are. You don’t get the impression that he hates anyone, and he seems more depressed than anything else. Even when he outright says that poor people should die, he just sounds done. Like he’s only saying it because he doesn’t care enough to filter what he says. And of all other Scrooge’s he’s the most willing to change. When he’s shown his past he immediately brightens up upon seeing simpler, more familiar times. When hes with the ghost of christmas present and sees the cratchets and his nephew, he makes the least wisecracks of any other Scrooge, and seems genuinely hurt by how lowly people think of him. And when yet to come arrives, he goes with him willingly, knowing that this is something he must face if he wants to be saved. Oh yeah, if you can’t tell, the muppets version is my favorite, the Marleys scene solidified Statler and Waldorf as my favorite muppets and is easily the highlight of the movie for me. But for some close contenders, George C Scott’s version is definitely the creepiest version Ive ever seen and it gives a lot more context about Scrooge’s life than most others. The Ghost of Christmas present is surprisingly intimidating, and dear GOD yet to come gives me chills. It’s strange how much mileage you can get out of a creaking gate sound effect. The Doctor Who version is also a personal favorite for being both weird and clever at the same time. Weird because its on an alien planet where sharks float in the air and can be used to drive chariots, but still SUPER clever for how it screws around with the story. I dont want to spoil too much, mostly because I want an excuse to not explain how bonkers the story is, but the way they mess with the “past present and future” theming is genius, because of course it was this is doctor who we’re talking about. And of course theres Spirited which is also extremely clever with how it messes with the story, but is also just really fun and charming to watch.

I’ve already written so much that I do not have the energy for a well written conclusion so uh, my point is that Christmas Carol adaptations are awesome despite the fact they probably shouldn’t be, and um…stay hydrated!

[strawberryclementine]

Hello. I saw that you’re intending to write a laloward fanfic. I’m Dying to know what your thoughts on them are. Either the general or elaborate ones are fine by me. Thank you so much, have a great day <3

Hey there! Ajshk yes I do have some seeds of ideas for a Laloward story!! but due to my tortoise speed it will be a while before I post any story about them. I have been churning my thoughts about these guys for a while though, and am very happy to share :D

Of course, Lalo and Howard don't have a canon relationship (beyond the 15s of screentime they share), so my interest in this duo lies in hypotheticals inspired by the sheer fun of comparing and contrasting them as foils. While they immediately seem thoroughly different from each other in terms of personality and the environment they live in, they have some commonalities that make you stop and think.

Here are two guys that live in completely different worlds (the cartel world and the legal world). In general, they would probably never meet, but based on the surface-level facts - Howard being a posh, upright lawyer and Lalo being a bloodthirsty, high-ranking cartel member - one must imagine they wouldn't exactly get along.

And yet they do have commonalities: they are each distinguished in the "realm" that they were born into/brought into by their family. They are clever and charismatic. Perhaps most notably, they are both very devoted to their families and what they do, and are willing to be ruthless (in their own special way) for that cause - that is, for the priorities instilled in them by their environment. They really are products of their environment, deliberately raised to become precisely who they ended up becoming - an upright lawyer and the bloodthirsty criminal.

Ironically and unfortunately, it is their extreme loyalty and conformity to their families and their "realm" (legal and criminal) that wears them down. A striking example of this is how they both suffer from insomnia due to the stress of their role (Howard's insomnia isn't due to just being a lawyer, ofc, but the events surrounding his professional life cause terrible stress). For both of these men, their professional life is their personal life. It consumes them. In addition to their insomnia, they are also both betrayed by a sort of "colleague" around the same time - Lalo by Nacho and Howard by Jimmy. (Not to mention Jimmy becomes their mutual enemy near the end). From these shared experiences, it's really looking like Howard and Lalo could actually be very empathetic towards one another, given the right circumstance. That being said, this circumstance would have to be "just right" - otherwise, you end up with what happened in Plan and Execution.

Nevertheless, if you combine these two esteemed, powerful, ruthless, dedicated characters, you are sure to get something explosive!! And permitting they don't immediately kill each other (ie. a situation in which their identities+priorities are initially concealed), I think this explosiveness could lead to very interesting plots and character development. What would happen when Lalo or Howard sees a piece of himself in a man who superficially seems to be the antithesis to his very existence? How would he respond? I envision a major paradigm shift, and again, some awesome character development.

Finally, there is one more angle I cannot omit - a great deal of my fascination with this duo is related to how they can be read as analogues to Tybalt and Mercutio from Romeo & Juliet (which might sound random at first but I swear it's not). Lalo's role as the hateful, loyal, bloodthirsty product of his environment paints him to look a lot like Tybalt, and Howard, being a wealthy, entitled "friend" to the protagonist, who realises too late the danger he has inserted himself in, looks a lot like Mercutio, especially when we consider how he dies, whose hand he dies by, and his final words.

I wrote some essays discussing this angle in much more detail - you can read about Lalo and Tybalt here and Howard and Mercutio here. I also wrote a mini essay analysing and comparing Lalo and Howard's insomnia (through the lens of Romeo and Juliet). Feel free to take a look if you are hungry for that kind of thing! This comparison with Romeo and Juliet is actually what inspired me to write a fanfiction about Lalo and Howard~

Anyways, thanks for sending this ask! I'm always glad to have the chance to ramble, especially when it comes to Lalo and Howard~~

[tonariofjananda]

For the ask game: Tonari - 5, 7, and 12!

Heya Ray! Ok here goes

5) What's the first song that comes to mind when you think about them?

Honestly I’ve got a handful, most for maybe a line or two of association, but the first one that came to mind when reading this question that’s completely hers in my head was “The Moon Will Sing” by the Crane Wives. I love imagining the song as her reflecting on her dad, friends, Hayase, and Fushi, and how they’ve all contributed to the way she feels about herself and her legacy. Fun fact, the association came about from my mishearing of a line as “I shine only with the life you gave me,” the original word being “light” instead of “life.” But the more I reflected on the song, the more I felt her presence in it (I described this to my best friend as Tonari clawing her way to the surface lol), especially in the third verse. That one in particular draws a really vivid image to me of what Tonari’s headspace must have been right after Fushi pulled her away from the flames. I imagine she’s remorseful that she couldn’t give her friends a better life and is rallying to find her courage to kill them before Fushi steps in. “Instead you hoarded all that’s left of me” is a complicated little line too, filled with the bitterness and confusion at Fushi of keeping her from death. There’s not much left of her with the death of her friends, what Fushi did was selfish, but also implies Tonari didn’t realize Fushi cared if she lived or died. Then he takes the sword from her hands, “swallowing your doubt,” and she’s… grateful, angry, upset… but most of all, she acknowledges the mutual hesitance between herself and Fushi, even though they both know this is the only course of action. Even though it makes her feel like he’s taking the sword through her own body. He might as well be. The line “I want to feel the fire that you kept from me” is the most straightforward in my opinion, and what really solidified this song as being hers for me. It’s a little funny what I’ve done here tbh. The song probably meant the line as “i want to become the person you stopped me from being, I want to regain the life that was supposed to be mine,” but for this Tonari interpretation, I’ve given it the opposite implication… cough

Anyway, the chorus also kind of ties in with another song I somewhat associate with her, “Your Best American Girl” by Mitski, for the lines “Well I’m not the moon/I’m not even a star,” but I’ll spare you the analysis for that and “Goodbye My Danish Sweetheart” (also by Mitski) til… later 👀❗️

For now, I’ll leave you with the three following, lighter songs: Laufey called “Best Friend,” which I listen to as something directed towards the immortal army as a whole; “Wings,” by So!YoON! and Phum Viphruit as a song between her and Ligard and Fushi woah who said that; and “A Thousand Years” by Christina Perri bc immortalism and the heartbreak of waiting to reunite with someone. Also please imagine the second verse as being from Fushi’s perspective on getting not just her but all of their friends back at the end of the past era arc with potentially rough implications for their thought process in the modern arc WHO SAID THAT

7) What's something the fandom does when it comes to this character that you like?

(Lyn asked me this too so I’ll cover it here for the two of ya!)

Tbh… I just like it when anyone talks about her ówò Tonari tends to get overlooked- even tho I’d argue she’s something of a deuteragonist- so I really just love whenever people acknowledge her importance to the story and show some enthusiasm for her plotlines. In terms of stories and fan art, it’s always awesome to see all the different sides of her shine through! Tonari’s badass, bitchy, and a little judgmental, but she’s also fashionable, studious, and warm, especially toward March and Eko. It’s also nice to see the occasional silliness she used to show on Jananda shine through every now and then. She’s changed a lot by the next arc, for obvious reasons, but she was pretty silly to Hisame when she was inviting herself to dinner, I don’t think all that playfulness should just disappear! So it’s nice to see fans playing with Tonari without vilifying her ;w; Also without reducing her to her feelings for Fushi, because yeah she has some but that’s not the only thing she’s about (even tho…. I fixate a lot… on that particular subject……… cough). While I’m on the subject, I really love that most ToFu art is limited to things like gentle physical affection. A head on a shoulder (I spent hours running around my house when you sent me that pic Ray, HOURS), a meaningful hug, and touching hands- an absolute must if you like em. I’m definitely getting carried away now though…

12) What's a headcanon you have for this character?

(Limit yourself, limit yourself, limit yourself…!!!)

(Also Coop if you’re reading this, the green one is the only safe one lol)

Bisexual Tonari is an obvious one, I’m convinced she was attracted to Parona’s form (who isn’t in this show tho lmao), and I find those ship posts between Tonari and Mizuha to be so fun tbh. Enemies to lovers maybe, invited to hold hands with her and Hanna! That theory you had about Nagisa having a crush on Tonari lives in my head rent free too, absolutely canon to me. Actually the MizuNariHanna stuff would be extra funny in a world where Nagisa has a crush on Tonari bc now Mizuha’s a girl stealer too! Nagisa just can’t win!!!

Tonari loves writing! And she’s a woman in STEM! Not a headcanon just fact but it lays down the groundwork for my following headcanon: she probably went away to grad school or something. Bon asked if Tonari knew how to do surgery, implying to my insane head that she’s probably gone away for school or something, maybe even received a doctorate, but Bon doesn’t know what for. Her stitches look a bit spaced out and wonky tbh, so she probably doesn’t have the patience for things like needlepoint. I’d wager her calling probably isn’t physical art either haha.

She absolutely goes drinking with the immortal trio + Bon and maybe Gugu once she’s old enough to do so (… would Hairo drink? Designated driver Hairo Rich, but also it’d be so funny if he’s completely normal in the stupidest way while drunk. “Stands like perfectly normal but topples over the second he goes to take a step” typa drunk- BUT THIS ISNT ABOUT HIM SORRY). I think they’d love having Tonari around to pal around with! I imagine that old Jananda arc silliness comes out full force then, if her excitement at Mizuha’s birthday was anything to go off ✌️

(This one’s safe Coop!) Her hair’s been short and choppy since before she got to Jananda so I like to think she did that little kid thing where she tried cutting her own hair and it came out looking uneven. Instead of letting her parents fix it though, she just insisted it wasn’t a mistake and wore it out like that for years. Then when she got to Jananda all the scissors sucked so she just had to keep cutting her hair in the same shabby way. Mia and Oopa having long hair is so funny to me too cuz I imagine they wouldn’t let Tonari get anywhere near them with scissors in her hand (OK stop reading here Coop!)

While I’m here, i think Tonari probably sees a little bit of her old friends in the immortal army tbh. Like, @/alphaofdarkness made the connection that March probably reminded Tonari of Oopa ;; So I feel like Gugu could remind Tonari of Uroy in some ways too, like in the buff, blond, older brother figure kind of way. Eko could remind her of young Sandel in the same way both were kind of upbeat and cute, but quiet in a way that they faded a little in the group (my brother INSISTED Sandel had NOT been there the entire time we were watching the Jananda arc). Meanwhile Messar might remind her of the older Sandel, the kind who probably was more like a brotherly shithead to her after all their years of growing up together. And Mia… imma be honest Mia’s weird as hell, chair fighting, curly hair collecting? Ain’t nobody doing it like Mia 🫡 ACTUALLY ITS BON, BON TOTALLY REMINDS HER OF MIA LMAO

OK IM ENDING IT THERE (Believe it or not this is me limiting myself, I’d typed out an entire section on Tonari’s relationship with each of the members of the immortal army). Hope these were decent enough responses to your questions Ray!

If you- or anyone- has anymore questions on Tonari or literally anyone else please feel free to send them! I have thoughts on like literally everyone, no character too obscure ✌️

[clairelsonao3]

AITA for being suspicious of my boss/ brother's new protege? (Tag Game)

Another awesome open tag I haven't seen anywhere else, and I had to jump on from @smzeszikorova. This one was hilarious and gave me an opportunity to do the unreliable narrator thing and get into the POV of one of the villains from Good Slaves Never Break the Rules, although, for the maximum fun factor, I wrote it as if it could be a real letter from someone in our world.

Instructions: Write an AITA question from the POV of one your OCs.

This one's kind of involved, I know, but if anyone wants to try it, it's a good character-building exercise! Gently tagging:

@romanceandshenanigans @mysticstarlightduck @tabswrites

Anyway, for anyone who hasn't read the story and doesn't care about spoilers (or even if you have), I'm curious, based just on this, who do you think is the asshole here:

My half-brother (45M) and I (41F) are the most important people in each other's lives.

Below the cut are possible spoilers for Ch. 22 onward and mentions of noncon, trauma, and child abuse:

We were subject to severe abuse as children and our bond was the only reason we survived. Although we lost touch for a few years as kids, we eventually reconnected after he became financially successful. He's been a mentor to me ever since and even paid for my entire education, and now I work for him in his multimillion-dollar business as his head of research and development. I'm leading up a project that means a lot to both of us personally, a project so important it could disrupt the entire economy and change people's lives for the better all over the world. Achieving it is our lifelong dream!

The problem is, he's recently hired this new guy (19M) -- who has no formal education and has never even held a job, by the way -- who he seems convinced is scientifically gifted and that he is determined to make his protege in the business. They're hanging out together all the time and seem to be becoming BFFs. Plus, he's paying this guy almost as much as he pays me, gave him money for a brand-new designer wardrobe, and even a Porsche! And he's always talking about how great this new guy is; it's like he thinks he's the son he never had or something.

But I'm convinced the new guy is a complete fraud who must have somehow conned my brother into hiring him. First of all, he's telling my brother that I'm mentally unstable and I threatened and assaulted him (okay I admit it, I did, but it wasn't my fault! I'm traumatized from a childhood full of abuse and have trouble controlling my impulses sometimes. I'm working on it in therapy -- or at least I was before I got thrown out for allegedly trying to grope my therapist, but it was all just a misunderstanding.)

Even worse, the new guy is always snooping around the office and going places he shouldn't. He claims he's looking for his missing sister (17F), who used to work here, but I don't know anything about that! He's even gone so far as to claim that I'm defrauding the company and exploiting and harming the young women who work for me, which is ridiculous. In exchange for them helping me with my research, I'm giving them money, housing, support, and a better life than they ever dreamed of, which is more than I got as a child!

Bottom line, I think he's a liar, a con artist, and is trying to alienate my brother from me so he can take over the business and destroy everything we're building.

I told my brother everything, but he doesn't believe me! He claims I'm just jealous and paranoid and that I must just want to bang this guy (okay, maybe, but that's beside the point, and besides, I feel that way about pretty much everyone. What can I say, I have a healthy sex drive). And also that I'm just trying to distract my brother from the fact that my project is stalled and making no headway -- even though everyone knows groundbreaking research takes time and can't be rushed!

I can't believe my brother isn't supporting me in this. He knows how fragile and traumatized I am, but he sometimes forgets, which is why I try to remind him of it as much as I can. AITA for being afraid of losing my brother and everything we've worked so hard for?