#Paola Núñez

[moxyphinx]

T'Nia Miller and Paola Núñez as Victorine Lafourcade and Alessandra Ruiz in THE FALL OF THE HOUSE OF USHER

[livelovecaliforniadreams]

#Gabriela's Mom + Knowing Bode + Gabriela Are Soulmates/Endgame

[grvstnaya-svka]

Juno and Morrie agree to meet for brunch once a year, every year. They each visit Dr Ruiz’s gravesite, as well as young Lenore’s to pay their respects. At some point they each plant a tree in her memory, and another for Lenore - rather than a bouquet. Bill and Jules sometimes join them.

Alessandra’s colleagues fight to complete her work on the heart mesh. On their own time. Takes many years before they can properly move to human trials, but they’re gonna do it right this time. No shortcuts, no illegal activity. Everything above board. They call it the Ruiz pump or something like that. Ali pump?

Morrilla reclaims her maiden name. The Lenore Foundation is keeping her plenty busy, but she wouldn’t have it any other way. She never remarries. In fact, she hardly has time or desire left for any kind of romantic relationship. Lenore was and is her everything. She’s helping so many people and thanks to all the surgeries, she’s looking fucking fabulous doing it.

Juno is recovering quite well. She’s helping so many people. Lord knows she has her rough days but dammit she pulled through. And she’s using all of fuckhead Roddie’s money to help others pull through as well. Thousands. And soon, millions. Even out the plane field. Making up for nearly all the lives lost or ruined by her ex husband’s damn poison tablets. His fucking impressive tally.

Bill begins running his own gym. He emphasizes to his clients to never over exert themselves. Taking care of their bodies is more than diet and exercise. It’s listening to your body and resting when you need to. His new business partner is kind & beautiful. They fall in love, and see and treat each other as equals. He’s no longer just an asset. And no more girls. He is so grateful for that.

Jules starts volunteering at an animal shelter and adopting the ones that are at risk of getting euthanized. Pretty soon the local shelter has to close down so he builds a new one. Makes it a cat cafe. They get more traffic. It’s therapeutic.

They all refer clients and people to each other. They each help make the world a better place.

[themosleyreview]

The Mosley Review: Bad Boys: Ride or Die

There is an important lesson being taught here to filmmakers that step into a franchise they are fans of. Fans of a franchise can be the most devoted and best choice to continue on the franchise, but if they are not in service of the story, the characters or the identity of the franchise, then they aren't the right one to take it on. You cannot come in with your own biases, agendas or what your idea of what the franchise is. True fans of a franchise know this and take that lesson to heart and deliver an outstanding entry and that's what this directing duo has done yet again. The Bad Boys franchise has always been about the classic buddy cop relationship that keeps you engaged in between the amazing action. This franchise has a strong beating heart of love and fun at its core and this film keeps that heart pumping at a hardy pace. The previous film was a welcomed return that had its moments of flare, stylistic action and comedy, but it focused on the story and the humanity of the characters first. That same elegance of storytelling continues in this new entry and it may be a bit more kinetic, sometimes overwhelming, but it still lands strongly in the category of greatness.

Will Smith and Martin Lawrence return as our favorite dynamic duo Detective Lieutenant Mike Lowry and Detective Lieutenant Marcus Burnett and they haven't skipped a beat. The magnetic chemistry between them is what keeps you engaged and I loved that this film once again drives home that brotherly love they have for one another. Like the last film, they both deal with their mortality in a unique way as they are older now. Mike has an unexpected growth in personality and I loved that he isn't as perfect anymore. You see him deal with a personal disorder that he must overcome and it is pretty inspiring the way Will portrays it. Marcus gets a new lease on life and lets go of the whiney tone and actually has more pep in his step. In a sense, Mike and Marcus switched perspectives and role types as Marcus has become the more reckless and Mike has become the more cautious. I loved his spirituality which made for some great moments of comedy where Martin truly shined the brightest. Vanessa Hudgens and Alexander Ludwig return as AMMO teammates Kelly and Dorn and they were both fantastic yet again. They weren't an after thought and they both were a powerhouse in the action and held their own when on screen with Mike and Marcus. Paola Núñez was awesome yet again and now as Captain of the Miami PD, Rita Secada. I loved her strength in the film and her chemistry with Mike and Marcus is still strong. Its a mild spoiler, but I hated the fact that her and Mike didn't end up together. Ioan Gruffudd was good as Adam Lockwood and its always great to see him on screen. Joe Pantoliano is always a welcomed face and seeing him as Captain Howard one last time was heartwarming. Jacob Scipio returns as Mike's son, Armando Aretas and he was just as badass and deadly. I liked the strained avenue that Mike and Armando go down as their father and son relationship is slowly being built. Eric Dane enters the franchise as the new threat and I liked him as James McGrath. He was cunning, quick and brutal and wasn't about world domination. I liked the history behind the character even if his motivation was a bit boring. Dennis Greene returns as Reggie McDonald and he has always been the butt of the joke in the past films since his iconic entrance. I loved that in this film, he finally earns respect and he becomes the MVP of the film in an amazing scene.

Composer Lorne Balfe returns with an absolute knockout of a score. Not only does he have his unique touch of intensity, but he continued to incorporate, modulate and evolve the iconic Bad Boys score and themes by original composer Mark Mancina. It drives me up the wall when composers don't use the iconic themes of a franchise and I loved that Lorne kept it alive and flowing throughout the film in multiple variations. The action in this film was top of the line and felt classical in its practical execution. It was gritty, bloody fun that had me smiling from ear to ear. There is a bridge sequence that leads to the iconic Bad Boys shot, but that scene felt a little disjointed and dizzying in the placement of characters. There is a feeling of finality to the franchise as it sort of gives a loving look back at the past films with fun parallels and role reversals. Directing duo Adil & Bilall truly love Bad Boys and it shows in every inch of the screen from the action, the character development and comedy. They have done a magnificent job in delivering an even better entry than the last and I can't wait to own the 4K Bluray. This is definitely the best action film of the year so far! Let me know what you thought of the film or my review in the comments below. Thanks for reading!

[memingursa]

Paola Núñez who plays Alessandra is so freaking pretty dude Vic should of just dropped everything for her I certainly would have.

[perryabbott]

Paola Núñez as Roberta Perez FIRE COUNTRY — 2.08 "It's Not Over"

[lavsgifs]

☆ paola núñez gif pack

by clicking the source link, you will gain access to #116 gifs of paola núñez in fire country (season two)

⭑ paola was born on april 8, 1978 in tijuana, baja california, mexico.

⭑ she is of mexican heritage.

[taiturner]

THE PURGE ◆ 2x08 "Before the Sirens"

[the-imaginative-hobbyist]

I had a blast with Bad Boys: Ride or Die - fast paced, intense, funny, and a lot of style.

Follow @the-imaginative-hobbyist for more content.

[hudgenssource]

badboys: Name a cooler team?! Catch all of Team Ammo in #BadBoys: Ride Or Die – now available to buy or rent.

[guycourtheoux]

BAD BOYS :RIDE OR DIE EN 4K

BAD BOYS : RIDE OR DIE en 4K Ce fut une bonne surprise lorsque j’ai découvert ce film que je n’avais pas vu (ni envie de voir) en salles.  Certes je ne m’y suis pas vraiment intéressé dès les premières minutes, mais je me suis laissé entraîner dans les aventures de ces deux flics improbables incarnés par Will Smith et Martin Lawrence. Cet épisode est le 4ème, et peut facilement se voir sans…

[thecraggus]

Bad Boys: Ride Or Die (2024) Review

They're not as fast or furious as they used to be but the Bad Boys are still fun enough to Ride or Die with #Review

[screenzealots]

"Bad Boys: Ride or Die"

I had an absolute blast watching “Bad Boys: Ride or Die,” the fourth installment in the popular buddy comedy / action franchise that started off with a bang way back in 1995. Co-directors Adil El Arbi and Bilall Fallah, back at the helm after 2020’s “Bad Boys for Life,” pay homage to the “Bad Boys” legacy while injecting new life into it. As a longtime fan, this film actually over delivers. It is…

[theconstantine-moved]

Paola Núñez in Reina de corazones

[moviehealthcommunity]

Bad Boys: Ride or Die (2024)

This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.

Bad Boys: Ride or Die has several scenes filled with moments of lightning, rapid gunfire, and police strobe lights, almost all of which occur without clear warning. The first two production company logos at the beginning of the film, especially the second one, contain strobe effects.

The camera is always moving in this film. Action scenes are filmed with cameras that move as rapidly as the characters, and using drones that fly through complex maneuvers, high speeds, and at extreme heights.

Flashing Lights: 10/10. Motion Sickness: 10/10.

TRIGGER WARNING: A heart attack and several panic attacks depicted in this film may be very visceral for some viewers. One character suffers a mental health crisis that results in standing precariously on the edge of a tall building. Some people are kidnapped.

Video ID: Admin Brandon's review and evaluation of Bad Boys: Ride or Die

[heavenboy09]

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To A Very Radiant Mexican Actress Of Today

Hailing All The Way From Tecate, Mexico 🇲🇽

She was born in Tecate, Baja California, Mexico. She started acting in theater at the age of 12. At the age of 16, she began her full-time career as an actress and graduated from the acting school CEFAC TV Azteca. She also produces soap operas.

She remains close friends with Andrés Palacios, with whom she co-starred Amor en Custodia, a notable telenovela in both their careers. She is fond of extreme sports.

She began her career at age 12 in plays and sixteen in television. She became notable in Mexican television through the role of "Barbara Bazterrica" in the telenovela Amor en custodia. In 2007 she joined the cause of Greenpeace to raise public awareness about global warming. She has also been featured in several national magazines such as GQ in Mexico.

In July 2010 she appeared in the play Cinco mujeres usando el mismo vestido in Mexico playing Trisha.

The Mexican actress made the villain in the mini series Cien Años de Perdón, a co-production of FIC Latin America and Teleantioquia through TeleColombia same starring actors Ana Claudia Talancón and Manolo Cardona, written by Luis Langlemey (Kdabra, Cumbia Ninja). 2014, She starred in the American telenovela Reina de Corazones along with Eugenio Siller and Laura Flores as the main protagonists while Juan Soler and Catherine Siachoque act as antagonists.

Paola acted as Evelyn Marcus in the Netflix action horror series Resident Evil in 2022.

Please Wish This Radiant Mexican Actress 🇲🇽 A Very Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊

Ms. Paola Núñez Rivas 🇲🇽

Happy 45th Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To You Ms. Núñez