#he looks so adorable here

[metamorphmigus]

Sleepy birb. I think this is the last Skybound Serenade season one designed piece @cherry-207 has given me to color. Here on out, Edgar has a new design!

[soldrawss]

Something something 16yo 2k12 Mikey gets sucked into a portal and sent into the RISE universe and ends up helping raise the RISE kiddos AU

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[gunstellations]

boop! 💙🤍

[kendyroy]

Very very random Hugh Jackman appreciation post cause I love him and he’s so adorable. Dude’s literally a ray of sunshine and his little snort deserves to be shared to the world…

[ruinix]

QUINN LOOKING SO FINE AND SLAYFUL

(Vancouver Canucks @ Detroit Red Wings, December 1, 2024)

[fatedroses]

Two former military elites taking merc jobs perform absolutely hellish battle tactics together.

[stardustedknuckles]

It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.

Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.

There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.

And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.

[wishesofeternity]

The thing about HotD is that it while it absolutely minimizes the agency and ambition of both Rhaenyra and Alicent, this is specifically used to glorify Rhaenyra and frame her as righteous while condemning Alicent and framing her lacking. That's the key difference in both their textual portrayals that has directly led to 90% of the fandom hailing Rhaenyra as the second coming of Christ while spewing the most hateful vitriol at Alicent just for existing. But y'all are not prepared for that conversation.

[siriusly-insane]

My best friend, who is not it the fandom, willingly drew wolfstar.

no shes definitely not locked in my basement rn

there was no blackmailing or bribery involved.

this is absolute gold.

[blamemma]

daniel ricciardo behind the scenes of the enchante cafe shoot

[arek-ian]

“don't cry tonight”

[egophiliac]

(almost) four years in, and I finally had time to draw something for the anniversary! woo! 🎉🎉🎉

[ssaraexposs]

WINTER (SSKK version)

[sophsun1]

[padmesbox]

Literal baby faced cherub prince Adam Page doing promos