#he just makes himself so easy to blame + most of the other characters blame him too
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still haven't moved on from zane in this episode (aka I hit tag limit again and am unhappy about it)
#alek insanity#not gonna main tag this but prepare for a tiny rant#home is actually really good zane characterization and its super cool to me how it holds up to this day#s1 characterization is very specific to me because the behaviors displayed by the ninja there (mostly) isnt bc thats how they really are but#its due to societal pressure. cole originally being more 'stone faced tough guy' -> 'down to earth' -> 'really sensible easy to talk to guy'#is because hes always been a sensitive guy... but he felt he couldnt express that true version of himself. thats the whole thing behind his#true potential. jay going from s1 -> s6 -> now is less of societal pressure and more teenager figuring himself out but it still applies. ish#seeing how much the ninja have changed or grown from then to now is amazing because back then they all wore masks. they didnt know each#other all that well. but theyve gained that comfortability with each other and also have grown and matured as people#some seasons / eps characterization for certain people im not a fan of (lloyds random misogyny arc in s13) but i mean the overall trend here#and then there is zane. zane in home was pretty dead on to how he behaves now (at least... when it comes to his faults?) and i dont want to#say people skim over that but i am the sf proclaimed n1 s1e2 fan and overthink every scene. zane's early characterization is some of my fav#for him period. he also goes through a ton of traumatic stuff and a ton of bad writing bouts but why he acts so 'weird' or 'distant' has#always been a thread sewn in. he changed so much he stayed the same in a way... if that makes sense. -> ohhh the ninja get mail and he#doesnt? oh he has no family? he quite literally walks away from that situation. oh the ninja are yelling in his face and asking whats wrong#with him? he literally walks away from that situation. he says its to follow the falcon but seeing how he apologized to them by not only#baking a ton of pies (cough... the food fight is what led to him leaving at first) but he also found them a whole entire new house.#zane is unable to truly value what he does for others. insert him in s11 saying he 'tried' to fufill his goal of protecting others.#everything he has ever done still isnt good enough. then the ninja tried to apologize and he didnt really... let them.#that one post about characters putting on facades and that facade being how people really see them. even in fandom. thats zane to me#the guy who lies about being upset and avoids his problems ran away after being yelled at? and he said he wasnt really mad? that is a lie!!#him being a ~360 when it comes to his character development is neat to me because he never hid behind a mask in the same way the others did#cole wanting to seem tough vs being really soft? kai wanting approval so bad he starts being selfish? kai isnt selfish usually!#he is self centered but that is a whole different thing. just wanting to fit in and breaking free of that. zane's true potential came in the#form of 'i finally know why i am not normal' instead of 'i will be my true self'. zane never pretended to not be weird#(instert book) states he literally didnt know why people got mad at him. he just existed and it was 'wrong'. the mask he hid behind was#avoidance. he was pretty open about how he actually was (most of the time). when he was upset he would audibly sigh and walk away lol#but for him saying he wasnt upset / saddened by the ninja... it felt like a moment of selflessness. if that makes sense. he blamed himself#for the monestary burning down. so he didnt deserve the apologies (ish) in the virtues of spinjitzu zane is shown as the generous one iirc#he puts the needs of others over his own. he will bear whatever burden he needs if others are happy. at that same time he doesnt allow
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i think about this a lot. because the thing is, i donât think either of them are truly to blame for the seals they broke. dean was tortured into submission and had no idea that there could be such massive consequences to giving in; sam was manipulated and deceived and honestly thought what he was doing would stop the apocalypse, not set it in stone. neither of them willingly chose to break a seal, and neither of them had any way of knowing what they were really doing. they were key pawns in a game they didnât even realize was being played, not active participants in it. and i donât think you can really blame someone for falling victim to that.
but if you are going to blame sam for his part in it, you also have to blame dean for his. either both of them are responsible for accidentally breaking the most important seals, or neither of them are.
didn't...didn't dean break the first seal? why is everyone on sam's case for being manipulated into killing lilith (which he thought was a good thing bc hey demon dead) but not on dean's case for torturing souls and LIKING it? protect sam winchester oml
#this plays into a lot of thoughts i have about their roles in the show#the way i see it sam is the protagonist from a plot perspective (at least at first)#but the narrative lives in deanâs head. the show is filtered through the lens of how he sees things#and the way the show justâŚforgets about deanâs role in breaking a seal once sam does the same#mirrorâs deanâs tendency to latch onto other peopleâs wrongdoings to escape the guilt he feels about his own#if the story is told through deanâs eyes then of course sam is the only one weâre told to blame in the end#because dean himself is trying desperately to not think about what he did#and projecting those feelings onto sam is the only way he really knows how to do that#but just like dean never really believes it â guilt doesnât go away just because you repress it and he still winds up hating himself#the show also never really believes it and thatâs why the absence of blame placed on dean is so glaring if youâre paying attention#it feels wrong because it is wrong. we know that because the show knows that because dean knows that#but dean canât admit it so the show canât admit it#and that makes it easy to ignore. easy to not pay attention to. easy to just pay attention to sam instead#ofc i donât think they did any of that on purpose#but itâs unintentionally a really interesting framing that exists throughout the entire show#not to mention sam being the plot protagonist also makes sense if the narrative lives in deanâs head#because sam is the most important character in deanâs life#and just like being a protagonist often means you pay for the spotlight by going through the most horrors#samâs role as the most important person to dean often just causes him more pain#so yeah. in my mind sam is the main character of the story but dean is the one telling it#which actually also puts an interesting spin on the ending post-dean death#that samâs life montage is all weird and blurry because itâs not real at all#itâs what dean imagines â maybe hopes â sam will have after heâs gone#the nice happy future for sam that he has to believe in so he can let go#ANYWAY iâll shut up now. this show is eating my brain#spn posting
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Analysis of each character's final words in the new Dark Urge evil ending
If you are romanced to a character, you have the option, when taking the new version of the Sins of the Father ending, to kill your partner in front of the others in your party, killing them with one last kiss. They then give their last words and pass away. I love each and every one and feel they are incredible characterization moments.
So let's break these down!
Lae'zel:
I... I am glad it was you. No other blade would have sufficed.
This is something that hammers home that, Vlaakith or no, Lae'zel deeply believes in all the ideals of a Githyanki. Life is a privilege for the strong, and death is the price of weakness. Further, if romanced, Lae'zel will affectionately call you "the source of my bruises" many times. If she has to die, if she has finally found the one person stronger than herself, then she is "satisfied" that it is you- who she both loved and admired. The only one she would ever consider worthy of besting her.
Karlach:
Fuck you.
Short, simple, and to the point, just the way Karlach does everything else. She's already gone through all her stages of grief with her engine- well, almost all of them. Anger still remains. She burns hot until the end.
Wyll:
I... I forgive you.
This isn't just Wyll being a good guy. This is heartbreak, and guilt. Guilt for not saving you from Bhaal's influence when he was so sure he had. Heartbreak that after he gave his literal soul to save as many people as he could, he couldn't save you- and couldn't save others from you, either. All he sacrificed, negated in an instant by the person he loved and trusted most. Of all the characters here, Wyll (tied with Halsin) sounds the most obviously broken, and it's easy to see why, given that he is self-sacrificing to a fault.
There was a set of scenes datamined from the game, where at the Morphic Pool, the Netherbrain would have taunted the players, causing them to hallucinate things related to their fears and insecurities. Wyll's would have been a vision of himself talking about how he was never a hero, how the Blade of Frontiers was a farce all along. One can't help but think about that scene here, wondering just how much blame, bordering on self-loathing, he might feel here.
Dark Justiciar Shadowheart:
I... I'm coming to you, Lady Shar.
Another short and simple one. By becoming a Dark Justiciar, Shadowheart has fully embraced the nihilism of Shar's teachings. Why be saddened or angry at her own death when this is just what she's embraced with all her sacrifices?
(Sidenote: this does also answer a question I had, namely, what was going to happen to everyone Durge kills. Thankfully it seems they aren't actually going to be sacrificed to him as such, and will indeed end up in the realm of their deities. This makes Bhaal's plan even DUMBER, because deities in DND lore need worshippers to have enough power to exist. Killing everyone at once just guarantees that soon after Durge dies as the last person alive, so too will Bhaal fade from existence.)
Selunite Shadowheart:
I... I thought we were going to save each other...
This Shadowheart rejected everything she knew. She was scared to defy her goddess, but worked up the courage- thanks to you. She thought you would have a new life together. She believed in you. She thought she would get to return the favor, and help you turn the page on Bhaal, too.
She's not just heartbroken for herself; she's heartbroken for you, too. Heartbroken at the life you denied both her and yourself.
Gale:
You made me want to live...
From the moment the orb entered Gale's chest, he knew he was at risk of dying. Then Mystra all but marked him as a dead man walking. But despite that, he finds love with you- and for the first time thinks maybe there is a purpose for him beyond Mystra. That he isn't more useful to the world dead. More than that, he wants to live to be with you, to enjoy your company and companionship. And then you kill him, and do the one thing WORSE than what would have happened if he'd never been pulled from that rock.
It almost would have been kinder to just hack his hand off the first time you met him, though Gale may or may not agree.
Spawn Astarion:
I should have killed you when I had the chance...
The angriest, most bitter response out of all the romanced companions, a step beyond Karlach's "fuck you." This is beyond "fuck you" and even beyond "I hate you." It's "I regret every moment I spent with you." You made him believe he could have better. That he could recover from what Cazador did. You even convinced him to spare the 7,000 spawn and that he could be something better than Cazador.
And now you reveal it was all a lie. Astarion is probably thinking that you talked him out of completing the ritual solely so he'd be easier to kill right here and now. How many regrets are flashing through his mind, how many moments where he wonders if things could have been different if only he'd done this or that, even aside from killing you?
All he wanted was to live as a free person. And then the first time he thinks he has that at last, he loses it as the world ends.
Ascended Astarion:
No... no, this can't be... I can't- you can't- no...
In contrast to spawn Astarion, ascended isn't angry, because he doesn't have the clarity, the ability to process what's happening. Spawn Astarion could tell he'd been betrayed.
But Ascended? Ascended, who went through so much to become one of the most powerful beings in the world, only to STILL lose without fanfare? And by you, his own spawn who he thought he had under his control? It isn't betrayal, because he is bluescreening; he can't comprehend what happened or how or why. How could he have been killed, and by you of all people? Was all he went through killing Cazador really for nothing? How could it be when he was supposed to be the most powerful? Was power actually meaningless all along?
He doesn't say anything of substance because he can't understand what's happening here.
Halsin:
Thaniel... goodbye...
Halsin is the oldest of all the companions. He's experienced the most loss of anyone; his birth family, his fellow Druids, and, for a time, Thaniel. He has had more than enough time to contemplate his own mortality, because he's already lived multiple lifetimes.
So here, two things are happening. One, he isn't expressing anger or betrayal at his murder- because he is more than wise enough, and humble enough, to understand that there are worse things than what has been done to himself. Instead of himself, he is thinking of the world he's leaving behind that is about to fall- and most of all, of his most important person, the one who gave him a purpose, who was there when no one else was, who he failed once and only just got back. The closest thing to a child he'll ever have. In his last moments, instead of himself, Halsin is thinking of those he loves.
And second, it's an almost deliberate snubbing of Durge. He willingly walked into that kiss, knowing full well it would be the last thing he ever did. He gave you his death, he pleaded with his own god to forgive you and him both. He gave you everything he felt he owed you, and no more- no begging or sobbing. Instead, he comes as close as he ever gets to selfishness, and spends his last moments thinking about the thing that makes him the happiest- which could have been you, in another life, if you hadn't done this.
Minthara:
No... we were meant to do this together...
Heartbreak, disbelief, and betrayal. You spent so many nights planning this out. She had been cast aside by her people, her goddess, and she was going to get the last laugh. She was going to crush them personally under her heel and prove she was the best (or second best, behind you) of all of them. She's devastated she won't get to help you torture all those souls and take what she feels was owed to her. But interestingly enough... no anger. Probably because it was overshadowed by the sheer heartbreak, but also a sign that even in those moments, she still admires you for your ruthlessness.
#halsin#shadowheart#astarion#gale dekarios#karlach#lae'zel#minthara#wyll#wyll ravengard#jenevelle hallowleaf#halsin silverbough#astarion ancunin#karlach cliffgate#minthara baenre#bg3#baldur's gate 3#dark urge#the dark urge#spoilers
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I want to talk about a kind of troubling reaction I've been seeing to both Apology Tour and Ghostfuckers among parts of the fandom. The person is usually a reaction youtuber but sometimes someone writing on tumblr or twitter. They say something along the lines of "oh, I'm glad Blitz is being forced to confront his crimes/traumas/pain. This is the only way he will finally heal."
That's not how healing works.
I know that reaction youtubers don't always have the most developed takes because they're . . . you know . . . reacting in the moment. But I think it's still worth talking about.
I'm going set aside the people who seem to believe that Blitz needs to be punished for his crimes, and address those who genuinely think that getting a tidal wave of his own trauma in his face is what he needs to heal.
There's an attitude in contemporary culture that traumas are something people need to confront. As in, put on a brave face and dive in like a big boy. I blame capitalism, rugged individualism, and all the pieces of media that tie up a character's arc neatly by having them confront their darkest fears and insecurities. It can put a nice bow on things, but it isn't really how healing from trauma works.
Apology Tour:
Blitz gets confronted by a shit ton of people who hate him, at least some of whom are his exes, who he feels he's personally damaged. The decor and party games are all about killing and torturing him. Verosika confronts him about how much he hurt her. Oh, and then he sees the love of his life, who he's just recently pushed away, making out with another guy- proof, in his eyes, that Stolas is happier without him. And this all reflects the underlying fears he already has about who he is as a person (shown to us by Truth Seekers).
So what was the takeaway? Blitz came to the conclusion that he doesn't always want to be like this (good, but like . . . worth this much pain?). He flops on his steering wheel (relatable). He stops trying to reach out to Stolas (uh oh . . . ). He spends A MONTH spiraling in his own misery and making a mess of all aspects of his life until he's dragged out of it by a caring friend.
The party doesn't empower Blitz to change. It knocks him down and fucking traumatizes him (seriously, images of Stolas from the party show up later in his trauma reel) too much for him to be able to do actually work toward said change. I suspect that if left to his own devices, he would have kept spiraling for quite a while longer. It's one thing to want to change, and another to try to do so alone in the aftermath of a pile-on.
Ghostfuckers
After Blitz drags himself out of his hole of cheesy ice cream and despair to "play sex ghosts" (escapism, again, still knocked down by Apology Tour), infester demon Rolando picks him out as an easy target and assaults him, yes, assaults, with horrific images of his worst traumas and fears.
Not to state the obvious, but Rolando isn't interested in helping Blitz heal. He's trying to kill the guy. He wants to engulf Blitz in his trauma to the extent where he's consumed by it and loses the will to fight back. And as some excellent posts by others have pointed out already, he very likely would have succumbed if not for Millie's support.
Millie helps Blitz get through the onslaught by telling him about what makes him great and how he's improved her life and showing him love and care. And by literally beating the fucking infester out of him. Because there's someone in him who's hurting him, who's re-traumatizing him against his will. She takes him away from the reel of horrible memories.
So . . . do I think that confronting traumas can play a role in healing? Sure. But only if it's consensually (which neither of these situations are) and when the person trying to heal is ready. And most likely in small doses. No one's going and successfully confronting every horrible thing that's ever happened to them in one go.
And in my humble opinion, it's not going to work (for anyone, but especially not for Blitz) alone and without a healthy dose of kindness and compassion (both external and internal).
Blitz has a long road ahead of him toward healing, and it's going to be hard work on his part but also require love and support from the people in his life.
In a wonderful moment near the end of Ghosfuckers, Blitz and Millie work together to get Blitz's wrecked van unstuck and push it back through the portal into Hell. I love it because it's so simple and it kind of tells us everything we need to know. This sweet and salty gremlin has a lot of work ahead of him, but he doesn't have to do it alone.
#ghostfuckers#apology tour#blitz#blitzo#blitzo buckzo#millie#rolando#stolitz#verosika#my helluva meta#helluva boss
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All of the proof that we have that Vivziepop is abusive. (So far....)
While you support this post please go ahead and support my channel to see more about Vivziepop's abusive behavior. Thanks!
1. She rushes her employees.
Season 1 was made in 2020. While Season 2 was made in 2021 while being released with MULTIPLE EPISODES only ONE year later.
That's-
INSANE!
-and im about to tell you why:
The average cartoon needs almost ONE WHOLE YEAR to produce one episode. And this is what we see in MAINSTREAM shows.
Meanwhile, Helluva Boss took only one year (and a half) to make MULTIPLE ENTIRE EPISODES that last over 20 minutes. The longest waiting time for an episode being 8 months. Not even a year, and we get multiple episodes off the drawing board.
You can even see here that it's taken only three years to make 16 episodes. When this is an indie studio, so this should have taken so much longer to make. Yet for some reason, it took only a few years for us to get full seasons. In 2021, we got over 4 episodes alone. Have you ever wondered why these episodes come out so fast while other shows take a lot longer to get new seasons? That's an easy question to ask... Spindlehorse...
Is being ABUSED.
And I have the proof to show.
2. The pay controversy.
Spindlehorse's payment has been under controversy for providing the lowest pay possible to those that work at the studio.
One piece of evidence was given by Adam himself (albeit unintentionally) by saying this:
This kind of pay is highly unstable! And before you say "But he didn't force them to be there-"
LOOK.
The employees themselves admitted that they had no choice. People had no choice and Vivienne Medrano took advantage of that for her own selfish desires. This is disgusting treatment of a studio as small as Spindlehorse. Or any studio for that matter.
Hell! chaifootsteps said once that once Zeurel released that he was paying his animators too low, he deleted one of the tweets showing the low pay and decided to do something to give his employees better wages. Meanwhile, Chimera Bunny pays even less than Viv does and just because paying your workers low is normal in the animation industry- plot twist: Doesn't make it ok!
People have suffered so much in this industry, it's why "New Deal for Animation" exists. The only reason you haven't seen many Vivziepop workers having protests and speaking out is because Vivziepop says things like this behind people's backs if they "dare" do anything she doesn't like:
So that explains as to why so many people remain as "anon" or say nothing at all because they got cold feet. Vivienne's terrible!
Especially since even her top employees have admitted to not being paid enough despite Adam's "I pay them to stay if they make us the most mon-ey!" claims from the article:
Also this:
This is how she speaks about her own employees:
"YOU DONT LIKE HOW I TREAT YOU?! FUCK OFF!"
Straight up abuse.
Also, wasn't Walt Disney known for abusing his employees?
To the point where people had an entire protest in 1914 about it?
Wow... such a healthy workplace treatment comparison. Doesn't make Vivziepop look more like a jerk.... at all! /s
3. She bullies kids/laughed at a sa victim that was sa'ed by her friends. As one kid was bullied into a panic attack (I know them personally) back in about 2020 and Viv decided to vague post about them behind their back even after they apologized.
For someone who's so focused on "forgiving despite cancel culture" she sure likes to blame and harass people for disliking even ONE thing about her show or herself. One thing- and you're harassed over making a meme about a cartoon with fictional characters (What Froot Did that set Vivziepop and Gumball off.)
Secondly, one of her friends sexually harassed a minor.
And instead of acknowledging the sa, Vivziepop wrote this:
She ended up calling it a "joke" and made fun of the victim involved.
This is outright abusive behavior that should not be tolerated.
Children don't deserve to be traumatized this way. Especially over something as simple as making memes about a cartoon (negative or not) or simply telling someone to stop fetishizing abuse.
More on this in this video made by Gummypop:
AAAAAAAAAAAAAAAAAAAAAAAAAAND-
That's all that I have for now!
Will likely be updating this post in the future. Goodbye!
EDIT:
More evidence of Vivziepop using abusive language and slander against her employees behind their back. Claims of them being a "stalker" (like she did to Kedi and also its clear that she told her employees to say that Kaz was a "stalker" otherwise how else would they be saying these things after she fired them.) along with using abusive language such as "CUNT!" to prefer to Kaz this way in a professional setting I cannot. đ
More evidence of Vivziepop harassing a kid:
ANOTHER edit:
More evidence, she's burning them the HELL out!
Yet ANOTHER edit:
More evidence of Spindlehorse being abusive:
EDIT:
Even MORE evidence:
The fact that the story AND the storyboards AND the animating for season one's episodes were all done in one year is just so crazy to me like... WHAT?! Either way, this post will continue to extend the more that I find evidence. So remember to look forward to that one!
EDIT:
Sadly no, as animation abuse is so common that the police dont even see it as an issue. The last time I tried to call the police on her they needed a location. The problem? There is no location of Spindlehorse since it's a "private" studio. So because of that viv gets away with abuse despite the obvious implications of her behavior and how many people came out with allegations towards her.
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I love Sabo as a character so much! However something about his introduction into the story has bothered me for a while. Oda is a master story teller but it truly feels a bit like Sabo whole existence was dropped into our laps out of nowhere. What's your opinion on his introduction? And if you could, what would you change?
Thank you so much for all your amazing art! Always sparks joy.
Hello hello! I also love Sabo a lot and as such theres a lot that Iâve had to come to terms with and work out with myself. Iâll let you in on my brain worms and what theyâve concluded with this subject though so hopefully some kind of weight is lifted off your shoulders, cuz right now, i think his introduction was done really well.
So first off, All Of Luffyâs family membersâs whole existences were dropped into our laps out of nowhere, to be fair.
Luffy is not one to talk about his family or his past at all. So i dont blame him for not telling us directly about sabo when he barely told us about ace as he stood in front of us in Alabasta. But even if he doesnt talk about his family, for me, itâs very easy to see what Saboâs influence on and especially what the loss of him taught Luffy before we even officially see him. We see it especially in water 7/enis lobby/sabaody arcs. During the course of the story up to that point, we donât really see the world government, but even so, we see Luffyâs complete understanding of the cruelty and heartache it creates. We see his utter determination to not let a single other person he loves be taken away by the world government, too.
Also in Arlong Park! We see him understand what someoneâs sacrifice on his behalf looks like. He knows how it ended last time. Heâs not going to let it happen again and seeing it happen again in arlong park and water 7 and sabaody and Marineford absolutely kills him. Omg not even to mention Shanks losing his arm, too. This man is completely surrounded by people sacrificing themselves for him wtf. But like Shanksâ situation didnt give him that patented World Government Hatred, babeyyyyyy
And with how he was reintroduced officially in dressrosa, i think it was very artistically done. Like having all those themes and parallels to Luffyâs childhood, even going so far as him pointing them out, himself. That, and the Mera Mera No Mi coming back into the story, it gets you thinking back on Luffyâs backstory and what his brotherhood meant to him. So like Saboâs already in the back of your mind from that and then youre also thinking âwell who the hell is gonna get this fruit once Luffy wins it??â So when Sabo comes back i just feel like âof course. Of course it could be no one else but you.â
Also E S P E C I A L L Y with introducing Sabo, famous Amnesia Patient, back into the story during an arc that explores the absolute horrors of being forgotten and being the one forgetting???? Like truly the most opportune moment to get him back in there. I really love the Dressrosa arc, i think itâs all done very well.
I feel like if it was just Ace and Luffy, it would feel incomplete. Like Saboâs part in their backstories just adds such a delicious spice to the age old dynamic of âolder brother who dies for younger brother who he loves a lot.â
Like tell me Aceâs Death would hit the same if Ace didnt already know what it felt like to lose a brother.
His passing is already beyond tragic but like Saboâs whole part in it just makes it so much more tragic in a way thats just đđ¤ mwah~â¤ď¸ đˇđđđ đ˝đđđđđđ.
Saboâs presence also adds a very personal level to Luffyâs understanding of the world he lived in. Like the big picture. I really think that if sabo wasnt occupying that space, Luffy wouldnt try to even know about the WG or class warfare or bother with any of that shit. Sabo is Luffyâs draw to the world around him me thinks. Like of course he would have to face that stuff when he went pirating, but those lessons would not have been taught to him before he got out there without Sabo.
This is the same in present day, like why would Luffy care at all about the Rev Army if Sabo wasnt in it? Heâd be very thankful that they took Robin in, but like he wouldnt be actively asking about how the Rev Army was doing if his big bro wasnt a big part of it.
Also on that note of Sabo being in the Rev Army, I think that before Aceâs death and Sabo regaining his memory, Sabo wouldve been sneaky and largely unseen. Like yeah he barges into marine fortresses to take them down, but usually there isnt any survivors to tell the tales of him doing so. So before the timeskip, Sabo is out of the public eye. Out of any eye, really. But in my mind, when he regains his memory, i think he would do his level best to get his name out there. Thats why we see all those people in the colosseum/dressrosa be like â:O!!!! ITS THE CHIEF OF STAFF OF THE REV ARMY NOOOOâ its cuz all his inhibitions left him. So like his face would be in news papers but luffy doesnt read news papers to find that Saboâs alive and doing shit.
I think that Sabo took so long to let luffy know he was alive because he was scared luffy would hate him. I think he was scared of the potential scorn from his little brother he feels he wouldve been justified in getting. I think that if luffy was not put in a position where he wouldnt be able to fight in the colosseum anymore due to Law Getting Shot And Taken Off circumstances, Sabo wouldve let Luff keep going all the way to the end. But in that moment, Sabo knew that the fruit was no longer in his little brotherâs capable hands and had to take matters into his own. Like we see him thinking about this in the episode of Sabo. We see him slowly following luffy around, listening, waiting, understanding the complexities of his situation, and ultimately making the decision to swap places with him.
I could literally talk about this forever i love talking about this forever and ever theres so much to discuss.
Iâve heard criticisms that Saboâs amnesia story feels like fanfiction, but like,,, I just cant stop thinking about the hilarity of it all. Like why do you care that all this is all convenient, when itâs kinda funny. Like image youâre explaining your tragic backstory to someone and like you have to be like ânow i know this sounds really. Really. Convenient. And ironic. But itâs My Life and Iâve had to Live Through It so please dont laugh.â Like idk!! ITS KINDA FUNNY!!!!!!!!!
I dont think i would be able to change anything about Saboâs presence in the story without someone being out of character if im being honest. Like Luffy doesnt bring up his past, Ace doesnt like bringing up things that cause him pain, and we dont meet anyone else who knew he even existed until we see Luffâs backstory.
Thereâs a panel in the logue town arc though, that kinda looks like Sabo standing in the crowd. I think that maybe in the reanimated show or even the life action, if we could get a closer visual on him, just to see that he exists there, i think that would be neat.
Thanks for the question and kind words! Hope you enjoyed the long rant, i could rant for 2000000 more paragraphs but Iâll cut it there for now.
#sorry for any typos#whery qna#@ammo-never-runs-out-of-knives#sabo talk#op spoilers#marineford spoilers#one piece spoilers#dressrosa spoilers#long post#sabo#monkey d. luffy#asl brothers#portgas d. ace#sabo the revolutionary
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Can I just say I LOVE your writting? 'cause I do! And I'm so happy requests are open! 𼚠Here I am wondering if you can indulge little old me with a request. I went through your prompts and picked two! If you can combine them, I'd be delighted! If not, it's okay!
Here:
Jealousy fuelled kiss with the sentence:
"Do you have any idea how much I want to kiss you right now?"
My request is a Fem reader and I would love to read Ace, Zoro and Law, if you don't mind! Throw in more if you'd like, I always love me some feral Kid, for instance... But whatever tickles your fancy! I just like some jealous boys! đ¤đ
Thank you again for sharing your gift! đŤśđťâ¤ď¸
DESCRIPTION: Prompt: Jealousy fuelled kiss w/ âDo you have any idea how much I want to kiss you right now?â
WARNINGS: jealousy! but nothing else apart from that
CHARACTERS: Ace, Zoro, Law, Kid, Rob Lucci
WORDS: 3,531
A/N: Thank you for this request! I added Kid for you and also did one for Lucci because why not haha. I tried to make each scenario different and interesting and I hope you like what I came up with.
*REQUESTS ARE OPEN*
DIRECTORY | PROMPT LIST
âââââââ
ACE
âDo you have any idea how much I want to kiss you right now?â You looked over in the mirror in front of you to see Ace appear in the doorway, arms folded and pout heavy on his lips. You let out a satisfied laugh and finished getting ready for a night out on the island the Moby Dick had just docked at. As you adjusted your outfit-the one Ace loved you in the most- you noticed how his hands twitched. You could tell he wanted nothing more than to close the distance and do exactly what heâd just confessed and ordinarily you would have let him. However tonight was different and Ace only had himself to blame. Earlier in the evening just before youâd gone to get ready you made a comment about hoping Ace wouldnât be as flirtatious with the locals this time. He in turn responded with an idle wave of his hand and a comment that. âItâs just harmless babe, you know youâre the only one I want.â
While you knew that was true, the fact that Ace hadnât even taken a second to consider how you felt was what annoyed you. You werenât even asking him to stop flirting with others since it sometimes worked in the crewâs favour, you just wanted him to tone it down a little. So after that comment youâd told Ace that from now until you both returned to the ship you were both to pretend you werenât a couple and you could also flirt with the locals too. Ace had initially grinned and shrugged, happy to play along since it was only flirting and youâd be his again when you both returned to the ship at the end of the night. His grin dropped though when you reminded him that this meant he wasnât allowed to kiss or touch you at all.
The harsh reality of the situation hit him hard when it was less than hour had passed in the bar and he could barely concentrate on those he was talking to. Try as he might to be laid back as normal he couldnât help but have his gaze pulled towards you every time the smallest movement occurred in your direction. Youâd drawn plenty attention when youâd arrived and heâd expected it. Ace had always counted himself the luckiest man alive you have been the one you chose and jealousy was a foreign feeling to him so to feel it now was unsettling. Over and over heâd reminded himself that it didnât mean anything.Â
Then he heard you laugh and watched when the person talking to you stepped just a little closer. At the same time, the glass in his hand exploded and he looked at his hand engulfed in fire and slight scorch marks on the table. Ace rose and handed money to the barman to cover the cost of the minor damages before stepping out into the cool air to clear his head. He got as far as the fountain in the town-square and sat down, closing his eyes. âNot as easy to be on the watcherâs side is it?â
Ace turned his head sharply to see you sitting down beside him. Immediately he wasted no time in leaning forward. With his fingers pinching your chin and free hand sliding into your hair he claimed your lips, pulling you dizzyingly into one of the most intense and fiery kisses heâd ever given you. Surprised, you managed to recover and return the kiss with equal fervour while letting your boyfriend dictate the pace until you felt you couldnât breathe. Finally you reluctantly pulled back just enough to catch your breath while Ace pressed more kisses against your jaw and throat. âLesson learned.â He rasped against your skin, lifting his head to smirk at you. âJealousy sucks.â
âI dunnoâŚâ you laughed, securing your hands on his shoulder and chest. âHas its uses if I get more kisses like that.â
ZORO
Zoro normally has no problem voicing his own thoughts. Someoneâs being a moron? Heâll tell them to shut up and get out of his way. Someone fought fiercely and strong enough to earn his praise? Heâll do so and even make it a point to name something specific he witnessed to ensure them he is being genuine. Zoro prided himself in being upfront and unfortunately he had to call himself a fucking coward. Because he just couldnât bring himself to tell you how he felt and anytime he considered it, he backed out just as fast. Instead he had to subject himself to the self-inflicted torture of being close with you but not in the way he fully wanted while also trying to convince himself that he only sees you as a friend because at the moment thatâs all he can see you being with him.
âThat drink say something to piss you off or something?â Zoro glanced out of the corner of his good eye to see Nami appear and lean against the railing he was also using to brace himself against. âYouâve been glaring at it instead of drinking it and I got concerned.â
âNothinâ to bother yourself about.â He answered gruffly, forcing his gaze to look out at the lower section of the deck and sipped his drink as if to prove her worry wrong. Though now he had to look at the one thing heâd been trying to avoid; you talking and laughing with the others.
âYou should just tell them how you feel already.â Nami hummed, her knowing smirk hidden by the rim of her glass. âBetter do it soon too before your chance disappears.â
âDunno what youâre talking about.â Zoro tried to sound casual but her second remark had made him tense. âDefinitely donât know what you mean about my chance either.â
âOh please, most of us know you have a feelings for them, weâre just shocked you never made a move yet.â Nami kept her gaze steady on the swordsman, trying to get him to finally see sense. âBut now Sanjiâs patience has run out. Says if youâre going to be such a coward about it all heâll finally do what heâs wanted to for ages.â
âHah!?â Zoro shouted a little too loudly, even drawing the attention of the group below. You looked up at Zoro curiously, watching as he abruptly looked away from the collective stare to focus on Nami with a harsh stare, turning his body slightly to face her. âWhatâs that shit cook think heâs planning? When the fuck did he call me a coward? Iâm gonna slice his smug face off.â
âWowâŚfor a second there Iâd think you were jealous at the thought of them actually falling for Sanjiâs charm.â Zoro scoffed and rolled his eyes. The only charm the cook had in his opinion would barely fill a thimble. There was no way youâd fall for that over the top, dramatic, overused nonsense that he threw at anyone with a pulse. Would you?Â
Cautiously Zoro looked down at the scene again and his face contorted in disgust to see Sanjiâs arm loosely over your shoulder as the two of you laughed at something Usopp was telling the group. Feeling his stare, Sanji glanced up and smirked at Zoro, lightly squeezing your shoulder in affection to you but in also brazen challenge to Zoro. Sharply Zoro turned on his heel and walked down the small staircase, approaching you silently. You looked up at Zoro with a smile, excited that he was finally going to join you all but your smile lessened and became a look of concern to see how serious he was. You were about to ask if he was okay but he spoke first. âI need to talk to you in private.â
Immediately you got to your feet. You knew Zoro well enough to understand he was a man of few words and if he needed to speak to you in private then it was serious. Silently you followed him below deck, only stopping when he felt he was a safe enough distance away from the nosy crewmates left above. You let the seconds tick by, allowing Zoro take his time in voicing his thoughts but seeing him so tense made you worry. Gently you lay your hand on his arm in a way to reassure him that you were there. A gasp left you as Zoro turned suddenly and pulled you against him. His hand fell to your waist as he stared at your parted lips with growing hunger.
âDo you have any idea how much I want to kiss you right now?â The words dropped from his mouth barely a whisper but he was so close each syllable lightly grazed your skin. Unable to speak you could only nod in consent and sank headlong into the kiss Zoro secured on your lips.
LAW
When Law was captivated by his research, medical procedures, and all over Captain duties, you had to take it upon yourself to keep yourself busy. Normally that was no issue when you were on the Polar Tang and had your own duties and routine to occupy your mind with. This time was different. After running into the Strawhat crew on Punk Hazard you could only sit back and watch as Law proposed an alliance with the rival crew in order to take down one of the four Emperors. Youâd been taken by surprise seeing as your Captain and boyfriend didnât tend to play well with others who werenât on his crew. Quickly you saw him begin to regret his offer when events began to unfold and Law found himself being dragged along by Strawhatâs whims rather than his planned course of action.Â
Everything had worked out in the end though and now you and Law were on the Thousand Sunny, set for Dressrosa. Even though Law wasnât on his own ship, he quickly made himself at home in the shipâs library and began to indulge in the large collection of books now at his disposal. Knowing you wouldnât see him anytime soon you had to explore the ship for something to catch your attention since according to the allied crew you were a guest on board and didnât need to do chores. It went against your nature. You wanted to help and be useful so you still offered each day you were on board. âArenât you tired wearing that all the time?â
You turned at the sound of Namiâs voice and immediately you looked down at your boiler suit. It was your normal clothing for the Polar Tang so you really hadnât considered wearing anything else. Plus being on another crewâs ship it made you feel more at home, unable to stop yourself from missing the others that you knew you would reunite with at some stage. Casually you shrugged and smiled at the red-haired woman. âItâs comfy.â
Apparently that wasnât a good enough answer because the next thing you knew, Nami had you dragged to her room and was throwing clothes at you to try on while telling you that you were far too good looking to hide everything under so much fabric. Mostly you went along with her whims because it would be a way of taking up your unending free time on the ship. Another part of you also got drawn into how nice some of the clothes felt and looked and it was harmless fun.
Law finally dragged himself from his spot in the library and stretched out his stiff limbs. Despite his medical knowledge, he still ended up sitting in the most unwise positions that would leave his back aching and neck tensed. With a groan he made his way out onto the deck only to stagger to a halt when he saw you wearing something completely different to what he was used to you wearing but he was in no way complaining. He loved how you looked regardless but you were breathtaking. His adoration for you was suddenly soured when he saw the others fawning over you. The cook he had no issue with, but to see the sniper blushing and even the swordsman openly talking to you made him glare. Then Strawhat had to push his luck too. âYouâre so great! You know you should stay on my crew!â
Lawâs room activated and you were promptly swapped to now be pressed close against Lawâs side. Before you could reprimand your boyfriend for being rude you were pulled below deck to the library once more and pushed against the door as it closed. You looked up at Law with widened eyes and quickened heart rate, the look in his eyes making your mouth dry and skin warm.
âItâs bad enough that I see you looking so good. I mean do you have any idea how much I want to kiss you right now?â He began lowly and you shuddered slightly. âBut then I have to see them trying to get too close to you and Strawhat thinking heâs worthy of having you? Ridiculous.â
Law quickly closed the distance, using his frustration and jealousy to spur him on, kissing you passionately.
KID
Kid had no problem with people looking at you appreciatively. I mean, why wouldnât they? Look at you. It was clear to anyone with any sense in their skulls that you were one of the hottest people about. For him to see the looks you deserved filled him with a smug sense of pride because you only had eyes for him. He was the lucky bastard that got you all to himself in the ways that it mattered. So they could take their pathetic glimpses and live with the fantasy of picturing what it was like to be with you because he got the real thing. However what he didnât like was to watch anyone to touch you in a way that wasnât friendly.Â
On this occasion he sat in the darkened corner of a bar having to watch as you were being talked to by some drunken lech. Youâd gone to the bar to collect the next round of drinks for the crew when someone approached. At first Kid had shook his head and smirked at the poor foolâs attempt to flirt but then he drew too close to you that Kid disliked. Still he knew you could handle yourself so he just had to grind his teeth and wait for you to expertly disengage yourself like you normally did. However you seemed drawn into the conversation with this man and Kidâs eyes narrowed.Â
Immediately he stood with the intent on breaking things up but stopped when you quickly met his gaze. When the drunk turned his head to order another drink you had time to mouth âMarineâ to your boyfriend. Kid remained standing and glanced at the man warily, now seeing why you were being careful with him. Slowly he drew closer, making sure his movements were careful and silent while you kept the Marineâs attention effortlessly. Kid knew it was an act but seeing you indulge the man more made his anger grow. Just as Kid stepped behind the Marine, he drunk set his hand on your thigh and squeezed it while leaning closer to your face. âDo you have any idea how much I want to kiss you right now?â
Kid had planned to just give the bastard one quick hit to knock him out but seeing that and hearing the words spill from his mouth, he snapped. Reeling his metal arm back, he tapped the Marine on the shoulder. When he turned, his hulking fist connected with the manâs face sending him launching off his feet and slamming painfully against the barâs wall with the impact smashing the glasses and bottles. Seeing the Marine slumped on the floor helped Kidâs pent up rage but it wasnât enough. Quickly he grinned at you and pulled you into his arms so he could throw you over his shoulder and leave the bar, no longer in the mood to drink. You stayed happily on Kidâs broad shoulder with a growing smirk as you listened to his jealous mutterings the closer you drew to the ship.Â
When you were finally set on your feet on the ship you turned in Kidâs hold that he refused to let you out of and smiled up at him expectantly. When Kid got like this you could practically time the sequence of events and this was your favourite part. Kid stooped down and with a low groan kissed you, devouring your taste and consuming your thoughts with only him while letting your magnetic presence and intoxicating touch leave him wanting more. You were the only one for him and by the morning should anyone look your way in appreciation again theyâd spot some pretty marks on your neck to admire too.
LUCCI
Lucci was a master of his emotions for the most part. He could adopt a personality and live it perfectly for the purposes of a mission and then discard it when it was finished. He could keep his true nature at bay should he need it but in the freedom of Cipher Polâs base he can just be himself. With powerful strides he walks down the corridors only to stop outside one of the training rooms in time to see you land a kick against Jabraâs stomach. Quickly he recovered and sent an attack your way. You managed to dodge it in time but Jabra caught you by surprise by sending a followup attack and knocked you to the ground, his hand at your throat to keep you pinned down.
For a moment you let your body go slack in a sign of surrender and the second you felt Jabraâs grip loosen you acted, disentangling out of his hold and attacked, taking advantage of his moment of surprise. Just as you were getting into the rhythm of the fight another agent appeared beside Lucci. âJabra! We have a mission! Did you forget or something?â
You and Jabra paused your fight and you scowled at your sparring partner. You wouldn't have asked him to train with you had you known he would have to cut it short for a mission that he apparently knew about. Jabra briefly glanced at Lucci and quickly threw his arm around your waist before answering his mission partner. âNah, didnât forget. I just got a much better offer.â his wolfish grin spreading when he spotted Lucciâs eyes narrow at the comment. You however rolled your eyes and stepped out of the older agentâs hold. âWeâll pick this up when I get back, right?â
âWeâll see.â You told him dismissively which only earned you a quick wink before he left, leaving you alone in the training room with Lucci who remained leaning against the door, looking at his shoulder in disgust when Jabra had the nerve to brush past him on his exit.
âDidnât know your standards were so low when picking a sparring partner.â He noted, watching you critically. You tilted your head at him curiously and slowly smirked.Â
âIâll be fighting degenerates and unsavoury people out in the field, I wanted someone as close to that as possible for authentic training purproses.â You explained with a light shrug. âJabra fits that closely, don't you think?â
Lucci allowed himself a low chuckle and pushed away from the doorframe, while pulling the door closed behind him to grant you both a moment of privacy. Your relationship with Lucci was one ou both didnât feel like putting a real label on. For now you merely enjoyed the physical and social benefits it brought. You remained still as you watched him approach, your eyes alight with interest and mischief that not even he could find himself immune to. âI can see the logic but I can smell that filthy mutt all over you.â
âJealous?"
âI don't get jealous.â Lucci growled, his hand setting on your waist, merely a coincidence that his hand covered the precise spot Jabra had touched. Your lips twitched into a disbelieving smile and you playfully nodded, pretending to accept his claim. Lucciâs free hand reached up to skim along your throat, again pure coincidence at the placement before he curled his fingers under your jaw to coax you to tilt your head up. âDo you have any idea how much I want to kiss you right now to get rid of that muttâs stench?â
âThen do it, Chief.â You said stepping a tiny bit closer. âLet Jabra come back and know for sure that Iâm a cat person.âÂ
With a growl Lucci kissed you possessively, hungrily with purpose of doing just as you suggested. His main goal was to wipe any lingering trace of Jabra from your skin and wipe the other manâs name from your mind. He was very aware that you didnât see the wolf man that way but still it brought out that animalistic conflict in him, the need to be better than him and from your reactions to his kiss he knew for sure that Lucci was the clear winner.
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TAG LIST (If I've missed anyone or if you want to be added just let me know) @3v37773, @tsaaps , @i-am-all-love-puns-and-lazy , @sanemisnonexistenteyebrow , @fiery-captain-spider-santa @kabloswrld , @atanukileaf , @ane5e , @chaotic-on-main
#one piece#one piece scenario#one piece imagines#one piece fic#one piece x reader#one piece x you#one piece fanfiction#ace x reader#ace x you#zoro x you#zoro x reader#law x reader#law x you#kid x reader#kid x you#lucci x you#lucci x reader#portgas ace x reader#portgas ace x you#portgas d ace x you#portgas d ace x reader#portgas d ace one piece#portgas d ace#fire fist ace#ace one piece#ronoroa zoro#zoro roronoa x reader#zoro roronoa#roronoa zoro x reader#roronoa zoro
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I genuinely think any ship within the og Team 7 students would make sense. There're 0 reasons to fight about it, they're all just as justified.
Naruto was obsessed for yeeeeeaaaars with his teammates. He looked at them like they hung the moon and the stars in the sky for him. Sasuke and Sakura were the only boy and girl on Earth, lol.
Sasuke and Sakura were used to being cruel to put some distance between them and the world. Defense mechanism or not, Naruto was maybe the only person in the entire world that would never eat that up. He knew feeling lonely, he knew being hurt, he knew to feel useless... Fuck that, for him, there would never be as someone as awesome as his teammates.
His most important promise in life was to save Sasuke, for both his, Sakura's and his own sake.
In return, Sasuke and Sakura would never shut up about him either. His their saviour, their hero, their sun and the boy fills their lives with joy.
That's why any ship with him works!
For Sakura, it's that there was textual romantic tension with both of them for the entire series. Their chemistry and backstory were intentionally written. That Kishimoto decided on the canon ships in the end, okay, but any of them could have worked. If you can't feel the love between them, blame the writing and not the characters, 'cause it was clear that Kishimoto wanted people to think of them as a love triangle for some time.
Since the genin days, she was their it girl. No one touches Sakura, no one hurts Sakura, blah blah blah. In exchange, even when she wasn't strong enough, she'd use herself as a shield for them. It makes no sense, but she'd jump between any attack and them at any moment. She would run to them when they have lost their mind, not even scared of them as much as she was scared for them.
She defended both of them when other people criticized them. She also lost faith and tried to manipulate them or kill them at some point out of pure desperation of keeping one of them alive. She was the one left behind time and time again, they are her whole reason to be who she is and to be a medic nin. All she ever wanted was to walk alongside them, not behind them.
Again, it works.
With Sasuke is so easy.
Naruto and Sakura were obsessed with him to the point of following him to the literal almost end of the world. The definition of hatred being actually love, because they'd be at each other's throats about it. Their goal in life? Sasuke. The person they cried about at night? Sasuke. What would they wish upon a star? For Sasuke to come back.
And Sasuke couldn't stop thinking about them. In his mind, they were always there. They'd follow him, almost haunt him. They were annoying and rude and ignorant, they were stupid, weak even, he loved them so much that he convinced himself he needed to kill them, cut their bonds.
They harbor endless love for him and with time, he came to understand that's just how they were and accept it.
The loyal 12 years old that would rather take the attacks himself than let his teammates be in any type of danger, did a full cycle and came to be the devoted man that vowed to atone for his mistakes and return to them one day.
If they gave themselves freely to him and almost without a reason, Sasuke gave himself back with all the reasons in the world.
Do I even have to explain why narusasusaku works too orâ????
Anyway.
I could never fight over what's the better ship when I know they are all insane about each other.
#narusaku#sasusaku#sasunaru#not a serious thing tbh I just wanted to put somewhere my opinion about these ships#naruto#naruto uzumaki#sakura haruno#sasuke uchiha#og team 7#team 7#naruto shippuden#naruto classic#narusasusaku
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forgiven
PAIRING â ex!dean winchester x fem!reader
SUMMARY â two years after you broke up, dean convinces you to let him help you with a hunt.
WARNINGS â angst, hurt/no comfort, major character death, torture, reader and dean âhateâ each other
WORD COUNT â 6,610
SONG â my tears ricochet - taylor swift
NOTES â writing this fic almost killed me. why does dean winchester turn me into an anguished poet.Â
masterlist | taglist
Regret.Â
Dean was a man with a long list of them, but as he stood in a field, watching the pyre burn alongside his brother and Bobby, he found himself placing you at the very top. You were the biggest regret of his life, and he hasnât even made it to his thirties. He regretted shutting you out. He regretted letting you walk away. He regretted not looking for you when he finally came to his senses. He regretted not being fast enough.Â
He regretted letting you die.Â
Sam and Bobby had told him one too many times that it wasnât his fault, but wasnât it always? Wasnât it always him making the hard choices, only for them to be wrong, in the end? Wasnât it always him who had the blood of innocent people staining his hands? Wasnât it always him that isnât fast enough, isnât strong enough, isnât good enough?Â
Wasnât it him that got you killed?
Heâd heard things from other hunters after you broke things off with him. How bloodthirsty youâd become, always working alone, working efficiently, working ruthlessly. Heâd hated it, deep down. How you dug yourself deeper into the hunting world when all either of you ever wanted was to get out. It killed him inside, knowing you were still in the business, even if a larger part of him carried hatred for you, albeit misplaced. Dean would never admit it aloud to anyone, though. Sam was often on the receiving end of his outward projections and rants at how much he hated you, and so was Bobby, on the rare occasion he saw the Winchesters. But the inward reflection of his soul was full of hurt; pain and grief and regret buried deep, dug up when Sam was asleep in the Impala and Dean waited for you to start some kind of weird conversation â only to remember you werenât there anymore.Â
It came back to him every once in a while, the memories Dean never wanted to relive. They were too domestic (at least, as domestic as they could get in their line of work), too happy. But they were always hidden, waiting for Dean to be at his weakest. In an old mixtape, in a certain Zeppelin song that would play on the radio, in the crappy diner meals he would eat late into the night, in the glint of light off the silver ring you gifted him on his last birthday with you.Â
He wanted to hate you. He wanted nothing more than to hate you. But all you wanted to do was help him. His dad just died, of course all you wanted to do was help him. Dean was just too busy spiralling and drowning in his own grief to see it. Thatâs what he liked to tell himself. It was the grief that pushed you away. Just another thing his father wouldnât let him keep to himself, to enjoy and cherish. He put the blame on his father, because why wouldnât he? John Winchester was responsible for just about every other bad thing in his life thus far, why wouldnât he be responsible for pushing you away, too?Â
So, like you, Dean hardened himself, diving headfirst into the very next case Sam was able to find. He ignored the pain, closed himself off, and got back to doing what he did best â hunting.Â
It was easy enough most days. In fact, it made him just that much better at what he did. It shouldâve been concerning, at the very least, but Sam knew better than to step in Deanâs path. So, he watched silently as his brother, slowly but surely, crumbled beneath the weight of his own steeled emotions. But it didnât show; not really, not beyond the occasional breakdown or bender, not until Sam and Dean arrived in Chicago.Â
The case itself was mostly cut and dry, they could see that before they even reached the city. Bobby had offered it over to them, a suspected shapeshifter that enjoyed preying upon people by taking on the faces of their ex-boyfriends and torturing them to death. It was gruesome, to say the least, but it wasnât anything the Winchesters hadnât seen before. In fact, it practically solved itself, save for the fact that the locations didnât quite line up with the sewer system, and therefore, they had to take their time in locating the shapeshifterâs lair.Â
Their first clue that something was wrong was when they interviewed the first victimâs best friend.Â
âAnd youâre sure Katie was fine when you left?â Sam asked.Â
âYes! Katie doesnâtâ didnât drink. She hated the stuff. We thought Matt was already gone, I mean, he said it himself. He was about to move to Boston.â The girl â Ashley, Dean thought her name mightâve been â reached for a tissue and dabbed at her eyes. âWhy are you asking all this again?âÂ
âAgain?â Dean stiffened.Â
âYeah, again.â She scoffed. âAnother agent was here yesterday. A woman, I canât remember her name. Mick? Something like that?â
Samâs face dropped. âAgent Nicks?âÂ
âYeah, thatâs her. Look, she already asked me all this stuff before, canât you guys just leave me alone?âÂ
Dean and Sam shared a quick glance before the latter closed his notebook. âOf course, weâll get out of your hair.âÂ
Neither of the brothers spoke until they were in the Impala, Sam reaching for his phone while peeling away from the curb, dialling Bobbyâs number and putting him on speaker.Â
Bobby didnât have the chance to breathe on the other line before Sam was speaking. âSheâs here.âÂ
âIâm sorry, I didnât realise we were playing a game of Guess Who.â Bobby snipped. âWho the hell are you talking about, boy?â
âY/n. Sheâs in Chicago. We just talked to the first vicâs friend, she said another agent already talked to her. Agent Nicks.âÂ
Bobby cursed under his breath. âShe ainât gonna like you two beinâ there.âÂ
âWell thatâs just too bad,â Dean piped up, practically white-knuckling the steering wheel. âWeâre already here. And Iâm not leaving a case behind just because little miss wants to pitch a fit about it. Weâre finishing this hunt whether she likes it or not.âÂ
âOn your head,â Bobby conceded. âJust be careful, boys. She ainât the same girl she was two years ago.âÂ
âWe will. Talk to you later, Bobby.â Sam huffed as he ended the call, eyeing his oddly silent older brother as they headed back to their motel room.Â
âWhat the hell are you doing here?â Your voice was sharp, laced with anger directed at a pair of haunting green eyes.Â
âWorking the case, sweetheart,â Dean smiled condescendingly, leaning against the bar. âYou know, you should try to be a little less conspicuous next time, Agent Nicks.âÂ
Damnit.Â
âAnd which conspicuous name are you using this time?â You tilted your head, chest already filled to the brim with barely contained rage. âJohnson? Perry? Oh, maybe itâs Plant! You always did have a hard-on for Zeppelin.âÂ
âWould youââ Dean cut himself off with a heavy sigh. âGod, youâre soâ You know, I donât know how the hell I put up with you for so long.âÂ
âI guess I was just really good in bed,â you shrugged, a coy smirk playing on your lips. If this had been some post-hunt pub night years ago, Dean wouldâve kissed that smirk right off your face. But it wasnât. It was now, in Chicago, in a hotspot for shapeshifter activity and you hadnât seen Deanâs face in so long that the presence of it now only made your blood boil.Â
âWhatever. Weâre both in this now, whether you like it or not.âÂ
âLike hell,â you nearly spat, finishing off your beer. âI work alone, Winchester. Or havenât you heard?âÂ
âItâs funny that you think I still think about you.â Dean scoffed a laugh. âWe might as well do this together. Shapeshifters, theyâre tricky business.âÂ
âFor you, maybe. Besides, taking on a shapeshifter in a group practically spells trouble. Ever since I left you guys, Iâve had no trouble taking them out on my own.â You shrugged, like it was no big deal.Â
Dean huffed, suddenly frustrated at your vehement refusal to work together. âLook, if we donât work together, weâre only gonna get in each otherâs way. And you and I both know neither of us are just gonna give up the job. Thatâs not how we work.âÂ
âWhy are you so insistent that I be anywhere near you, Dean?â You asked, dropping your angry mask and giving into the slight heartache behind it. âBecause if I remember correctly, you were the one who wanted me gone.âÂ
Deanâs mouth opened and closed a few times, his mind fumbling for any response that he could save face with. His green eyes flashed with hurt, only to be swept away by his tired, nearly pleading puppy dog eyes â nowhere near as convincing as Samâs, but you were the only person he was ever able to charm with them, anyway. âBecause itâs safer, and you of all people should know that Iâd never hang a hunter out to dry like that. EspeciallyââÂ
Dean cut himself off, his heart aching as he seemed, just for a moment, to forget what you two really were. Bitter exes with a taste for violence; proximal bombs so close to going off. If only you werenât just that, then Dean wouldâve said what was on his mind. Especially people I care about. Especially you.Â
You eyed the elder Winchester wearily, his words scratching at the crumbling walls around your heart. You hated to admit it, but maybe, just this once, Dean Winchester was right. These past few years had been wearing you down, stripping your resolve down to nothing more than a single, solitary wall protecting the worst thing you could think of from reaching your heart. You were tired. More so than you were when Dean first suggested getting the hell out of hunting. Back when he suggested it for the both of you, and ideas of an apartment and a dog and a normal fucking job were included in hushed conversations before bed in a crappy motel.Â
And then John Winchester sacrificed himself to save his son, and everything slipped out from underneath you. Because you knew the truth, long before Dean ever figured it out. John had told you himself â his final act, the only selfless thing heâd done for his boys. He begged you to get them out, told you that killing yellow eyes didnât matter anymore. He just wanted his sons safe. And you couldnât even do that.Â
With a final sigh, a too-long look into Deanâs eyes, and the echo of John Winchesterâs final words to you ringing in your ears, you conceded. âFine. But if anything happens, Winchester, so help meââÂ
âI know, youâll kick my ass.âÂ
âActually, Iâll key your car, but that works too.âÂ
Once you finally put all three of your heads together, it wasnât difficult to find the shapeshifterâs central hiding spot. All of the locations itâd attacked at were no more than a 15-minute walk from an abandoned factory, which seemed to be the perfect spot. It irked you that you still didnât know exactly how the shifter was picking and choosing its victims, but as long as it was dead before dawn broke, you would be content.Â
So, loaded up with silver â a knife tucked up your sleeve and some handy silver bullets loaded into your pistol, you joined the Winchesters in hunting a monster for the first time in what felt like a lifetime.Â
Your reunion with Sam was much more pleasant than your encounter with Dean, as the younger of the brothers had always had a soft spot for you. He considered you family well before Dean had even had the guts to ask you out, and he was just glad that youâd been staying safe during the years you spent apart.Â
âSo, what exactly are we doing?â Youâd asked, leaning over the Impalaâs front seat, eyeing both Winchesters like it was any other hunt. The ride up until then had been eerily quiet, no one speaking a word and no music playing, which was unusual for Dean. But that was only because the last cassette mix youâd made him was still in the player, and he refused to show any kind of weakness. To show you that he still kept some parts of you around.
âFactoryâs pretty big, so we might have to split up for a bit, see what we can see.â Dean reminded you, sending you a cursory glance in the rearview mirror.Â
You grimaced. âI donât like the sound of that. A shifter could do anything with that kind of vulnerability between us.âÂ
âAnd itâll take hours for us to find the damn thing and gank it if we all stick together,â Dean argued, gripping the wheel a little tighter. A sliver of moonlight glinted off a ring on his right ring finger, and you noticed absently that it was the one youâd gifted him for his birthday just before youâd broken up.
âAnd we wonât be able to gank it at all if it looks like one of us and then we all die, Dean!â You shot back, voice rising in volume. âIâve done this enough to know that if we stick together, our chances are better.âÂ
âWeâre splitting up and thatâs final. I donât like it either, but itâs our best shot at finding this thing. From what I know, itâs quicker than most shifters, and that means itâs more dangerous.â Dean reasoned, and you knew better than to keep fighting him on it.Â
âLook,â Sam stepped in, turning to catch your gaze as you slumped back against the backseat. âItâll be a lot quicker, but just in case something goes wrong, you shout. If you come across one of us and think itâs the shifter, pull your knife. Itâs not the best, but Deanâs right, and itâs all weâve got.âÂ
You merely huffed, silently conceding to the brothersâ plan and ignoring the twist in your gut. Your mind was practically screaming at you, begging you to get away from the Winchester brothers and complete this hunt on your own. You wouldâve made an exception for them in any other case, if it has just been any other monster. But shapeshifters relied on groups. They relied on the connection between mimic and victim. And your connection to Dean alone was too big of a risk to take just to kill one stupid monster.Â
But that monster had killed three people in the span of two weeks alone, and you would be damned if you let it kill anyone else.Â
So, you tamped down the anxiety brewing in your gut and let the lull of the Impala bring you a comfort youâd been sorely missing over the past few years. Despite what you led others to believe, hunting by yourself was lonely. There was never any backup, and you could die at any given moment, but it was all you had left. You, your weapons, and the faith that youâd get lucky enough to live another day.Â
You were living on luck, really. Luck and grit and hustling drunk guys at pool or poker. Always on the road, never sticking around, and never letting anyone get close. Youâd tried it once with Dean, and all it got you was heartache. Hunting was the only thing left, and after all, violence was your preferred method of distraction. You remembered one of your first hunts after you and Dean had broken up â a particularly rowdy vamp nest in southern Oregon, hell bent on wreaking havoc on an entire town just to quell their bloodlust. Youâd been too blinded by the idea of releasing your anger on them that you failed to see how big their nest truly was. All of them younger, more energised vampires than you were used to. They were quick, but you were far more skilled, and youâd almost had them all when one of them sideswiped you with a knife of its own, jamming between your ribs and leaving you nearly too weak to finish the rest off. But youâd done it anyway, before collapsing in the dirt outside. You thought you were going to die that night, bleeding out under a beautiful canopy of bright, white stars and a silver moon. And you wouldâve gone willingly, with Dean as your last thought. Your last, heart wrenching, regretful thought. And then, with all the anger and willpower you could muster, you got back up. Because if there was one thing you would not do, it was die so young. So young and so unaccomplished and so unloved. And you would not let your last thoughts be of the man who so willingly pushed you out of his life to succumb to his grief, when all you had wanted to do was help him through it.Â
The cut of the engine turning off pulled you from the depths of your mind, darkness enveloping you as the headlights ceased. Turning to the window, you glanced at the distant, towering factory. It was decrepit; all shattered windows and crumbling brick. Graffiti covered almost every surface, and you could see how it was the perfect space for a shapeshifter to lay low.Â
Stepping outside, you re-checked all your weapons. The silver knife, still tucked in your sleeve. The gun, its magazine still loaded with silver bullets. Another knife, made of regular steel, tucked into your boot. It was an old switchblade, and had seen its fair share of kills over the years. One of the few things from Dean that you refused to part with, mostly due to how well it had served you in tight spots.Â
The walk into the factory, armed to the teeth with knives and flashlights, was silent. You all knew the plan, what was to be done. Nothing else needed to be said. With a few nods and nudges, Dean directed you all to different areas of the sprawling, decrepit building. The top floors were mostly gone, and you could see right through the holes in the concrete above. It was mostly a maze of heavy machinery and different rooms, and before you knew it, you were walking carefully, all on your own, toward the backend of the building. You could no longer hear either of the Winchester brothersâ footfalls, and the lack of noise within the building put you on edge. You kept your eyes and ears sharp, ignoring the chill in the room and the way your heart hammered behind your ribcage. The last thing you needed was to slip up. To let the shifter get the jump on you in some way.
Your movements were precise as you swept through each room, gun in hand and flashlight sweeping across the dark factory, searching for any clue that could lead you closer to the shifter. It felt like hours had passed until you stumbled upon a mound of flesh and liquid, gagging as your light glinted off it. It seemed fresh, too, and you briefly wondered if the shifter was off torturing someone else in the city and this plan was now a bust.Â
Then something scraped behind you, and you turned quickly, only to meet Deanâs squinting eyes. He was in different clothes, lacking a flashlight.Â
âWhat happened to your clothes?â You asked, tone tight.Â
âCovered in shifter juices. I had to change.â He huffed, already fed up.Â
âYour flashlight?â You asked again. âWhere is it?âÂ
âBattery died. I went looking for you when I got back inside. You were right, we should stick together.â Dean relented, and wearily, you nodded and lowered your gun, your grip on it still tight. You didnât want to trust him, but it was Dean.
âLetâs go find Sammy and sweep back around. I think this thingâs bedroom might be nearby. If these things even have bedrooms.âÂ
Beside you, Dean scoffed a laugh. âDoubt it.â
You eyed him again, wondering what the hell had gotten into him. âSince when are you so chipper, Winchester? I thought you hated the sight of me.âÂ
âI donât,â Dean shrugged simply, eyeing you quizzically when he caught your gaze. âWhat? I may not like you, but youâre right. Shifters ainât fun going after alone, especially in a group.âÂ
âI know.â You said, your voice tight. Something was wrong. Something was very wrong. But you kept yourself level. âThatâs why I didnât want either of you coming with me. But you just had to be persistent, didnât you?âÂ
âWell, you know me,â Dean shrugged casually, turning down a hallway.Â
âYeah, I do know you.â You said, walking a bit faster to stop Dean in his tracks. Your eyeline lined up perfectly with his chest, and you did your best to remain calm as you gripped your gun tighter. âAnd I know damn well you wouldnât go anywhere without your necklace. Not even if you changed your clothes during a hunt.âÂ
Dean looked down at you as though you were crazy, a hand coming up to grasp gently at your bicep. âWhat are you talking about? I left it in the car, I swear.âÂ
âYeah, right.â You snipped, glancing down and finding the ring you gave him to be missing as well. âAnd your ring? The one you promised me youâd never take off? Whereâs that?â
Not-Deanâs grip tightened on your arm, almost unbearably strong. He scoffed and rolled his eyes. âNow why would I keep wearing my ex-girlfriendâs ring after not seeing her for two years, hmm? Did you really think you meant that much to me, sweetheart?âÂ
This wasnât Dean. You knew it wasnât. But the look in his eye was eerily similar to the one he gave you the day he forced you out of his life, and the words he spewed twisted the knife you didnât know was still lodged in your beating, bleeding heart.Â
In an instant, you raised the gun and attempted to step back, trying to aim and shoot as quickly as you could. But it got the jump on you, first, gripping the pistolâs barrel and striking your forearm, wrenching the gun from your grip and tossing it down the hall behind it. Immediately, you slid the knife out of your sleeve and into your palm, raising it to strike. The shifter blocked that movement, too, grabbing at your wrist as it began to arc downard, squeezing so hard that the knife clattered to the ground. You tried to fight back, but with its grasp on your raised arm and now the hand twisting painfully into your hair â a familiar feeling, now tainted with fear and pain and panic â made you practically useless.Â
âOh, sweet thing, I am just gonna love tearing you to pieces.â Not-Dean snarled, its sadistic smile churning your gut. You inhaled sharply, about to cry out, when it tugged on the roots of your hair, forcing a whimper from you, instead. âNot so fast, darling. Weâre gonna have a little fun, just ourselves, before either of your boys can join in.âÂ
His voice was what you couldnât comprehend. Sure, that last fight before you broke up was brutal; shouting and cursing each other out and saying things you werenât sure either of you had meant to say, but this? Hearing him so easily speak about hurting you, like it was nothing, that was what you couldnât bear. Even if it was the shifter.Â
You looked around, finding quickly that you were in a rather secluded part of the building. The far right corner, judging by the window placements. There were beams and trolleys and pieces of equipment laying everywhere, coated in rust and god knows what else. Not-Dean guided you easily to an oddly clean chair in the room, and you sat down willingly, hoping and praying that one of the brothers would stumble upon you sooner rather than later.Â
âTsk, youâre such an obedient girl, arenât you, sweetheart?â Not-Dean smirked.Â
âDonât call me that,â you growled, watching him lean down beside you and grab a long rope.Â
âRight, because Dean was the only one you let use that nickname,â he nodded sarcastically. âDoes it bother you? That Iâm in his head, that I know what he thinks. That I have his face.âÂ
You shook your head as he wrapped the rope tightly around your wrists, pinning them behind the chair. âNo. Youâre just as big of an ass as he was. But you probably know that already, donât you?âÂ
âI do,â not-Dean chuckled, tugging on the rope with the final knot to secure it before heading to your ankles. âIn fact, I know everything heâs ever thought about you, sweetheart. And boy, you should hear some of the things he used to think about you.âÂ
âIâm good, actually. Thanks.â You grimaced, meeting not-Deanâs eyes as he smirked. He placed both hands on your knees, the warmth spreading through your jeans as he pushed himself up and dragged a trolley over to you.Â
âAre you sure?â He asked, skimming over the items on the table. âHeâs had some very naughty thoughts about you, Y/n. And recently, too. The things he wants to do to youâŚâ Not-Dean tsked and shook his head, finally picking up a knife.
âGonna cut me up with that little thing?â You smirked, watching the shifter consider it for a moment before putting the knife back down.Â
He smirked and walked the short distance to come and stand before you, crouching to meet your eye level as he said, âI had something a bit more⌠tantalizing in mind.â Reaching into your boot, the shifter pulled your switchblade from where it hid. âNow this seems like a much better weapon, donât you think?â
You stared at the folded switchblade, your heart thumping rapidly in your chest. Even after you and Dean broke up, that knife made you feel safe, tucked away in your boot. It had seen a lot of action since then as well, effectively protecting you from both monsters and drunkards on more than one occasion.Â
The shifter opened the blade slowly, sliding it into its final position with an echoing click. He ran his finger across it first, examining its sharpness before turning his â Deanâs â emerald eyes to meet yours. Something sinister brewed among those sharp irises, teeming with hatred and some sick, twisted kind of pleasure.Â
âDear old Dean gave you this, didnât he?â The thing smirked. âIâm sure you know why, right?âÂ
âTo protect me.â You growled, shifting helplessly beneath the ropes. âFrom things like you.â
âThis?â He scoffed a laugh. âNo, this wonât hurt me. But I canât wait to see what it does to you.âÂ
Not-Dean dug the tip of the knife into the space above your collarbone, hard enough to draw blood and drag it down your chest. You struggled to bite back a scream as he worked the metal down your skin, leaving behind a stinging gash when he finally pulled it back, his eyes shining with some sick sense of pride as he stared at it, at the blood dripping down into the valley of your chest.Â
âI know you wanna scream, sweetheart,â Not-Dean taunted, his voice syrupy sweet and dripping with sadistic joy. He dipped his head closer, lips brushing against the shell of your ear as he spoke. âFrom what Iâve seen up here in this pretty little head, youâre quite the screamer, arenât you?â
âGo fuck yourself,â you spat, face hardening as the shifter pulled back and stood to his full height.Â
He wore the same, simmering rage that Dean often had before he ended things with you. The face he wore when you confronted him about his behavior, the one he wore before he punched Sam for bringing John up in the first place. It sent a strike of fear through your chest, barely concealed behind your hardened features.Â
You watched it turn into a smirk as he twirled the blade expertly between his fingers, lips pursing and eyes squinting as they raked over your form, as though deciding what to do with you next. Like he had all the time in the world to figure out how to hurt you the most.Â
âYou wanna know something?â Not-Dean asked suddenly, throwing you off. âSomething⌠secret?â
âWhy do I have a feeling youâre gonna tell me no matter what I say?â You glared.Â
Not-Dean laughed. âSmart girl! Right on the money.â He smiled, resting his palms on his knees as he bent slightly to reach your eye level. âSee, I know something you donât,âÂ
You remained quiet, hard eyes watching his every move.Â
âRemember all those naughty little thoughts I said Dean has about you?â He didnât wait for a response as he sighed and straightened up. âWell⌠he has them all the time. In fact, he pretty much thinks about you 24/7. Itâs⌠well, itâs pathetic.âÂ
Not-Dean spat, his face turning hard and angry again as he sighed. âItâs like youâre on a loop in his head. Everywhere poor Dean looks, thereâs something to make him think of you. Such a shame he was the one to push you away, isnât it? I mean, you are quite the looker.â
You growled as he whistled lowly, his grip tightening on the knife as he stalked closer to you. He brought it to your cheekbone this time, smirking to himself as it dug into the flesh and sliced quickly. You hissed at the sting, feeling the blood trickle down to the corner of your mouth, the cool air of the factory soothing the cut slightly.Â
âItâs quite a shame that I want to ruin that pretty face of yours so much,â the shifter pouted mockingly, rearing back and landing a punch to your already injured cheek, throwing your head completely to the side. It took you entirely by surprise, a small grunt falling from your lips as you clenched your jaw and tried to hide the pain.Â
You swallowed hard when you hung your head and saw your blood staining his knuckles â Deanâs knuckles. And then he laughed, the way Dean used to when youâd make some corny joke that caught him off guard, and your throat went dry.Â
âTired already, sweetheart?â Not-Dean chuckled, gripping tightly to the hair at the back of your scalp and pulling hard, forcing a yelp from you as he forced your gaze to meet his. âBetter make this quick, then, shouldnât we? After all, those Winchester boys canât search this building and not find us. And I want you looking nice and broken when they do.âÂ
You swallowed down as many of your cries as you could for the following beat down you received. Slashes with your own knife across most accessible expanses of skin, punches and hits everywhere else. Your lip was split open, tinging your spit with the never-ending taste of copper.Â
âIf youâre gonna kill me,â you gasped, chest heaving as blood trailed down the side of your neck. âJust fucking get it over with.âÂ
âWhereâs the fun in that?â Not-Dean pouted with a shrug. âBesides, itâs not just you I want to hurt.âÂ
Hurt pulled at your chest as your eyes met his, the realization swimming behind your wide eyes. He didnât just want to hurt you, to break you however else you could still be broken after everything else youâve been through. The shifter wanted to hurt Dean. It wanted to break him.Â
âHurting me wonât do anything to him.â I scowled despite my bruised and bloody face. âHeâs the one that pushed me away, remember? You saw that, didnât you? In his head?â
âHave you not been listening to a word Iâve said?â The shifter scowled back, his voice low and rough, the way Dean usually sounded during hunts. âDean still loves you. Hell, he never stopped, sweetheart. Heâs too headstrong to admit it, but he is. And seeing you like this, all broken and bloody because he didnât listen to you, because he just couldnât stay away⌠thatâll kill him from the inside.âÂ
âYouâre wrong,â you rasped, swallowing your tears with a pained gasp. âDean Winchester doesnât love me anymore. And killing me sure as shit wonât do anything to hurt him.âÂ
The shifter growled, the sound low and deep in his chest as he gripped the back of your neck, forcing you to look at him as he inched closer. For a moment, his attention was caught by something else, and then his lips upturned in that sadistic smirk. âLooks like weâre about to find out, sweetheart.âÂ
With swift movements, the shifter cut your ties and hauled you from the chair by your forearm, his solid, familiar chest pressed to your back and his own forearm pressing you to him by the neck. Your hands came up to claw at his arm immediately, digging in but getting nowhere as you squirmed against his tight hold.
Almost instantly, Sam and Dean charged into the room from the door you stood parallel to, guns and knives drawn, pointed at you and the shifter.Â
Deanâs wide eyes looked from the shifter, the spitting image of himself, then to you. He hoped you could see how sorry he was. The plea to forgive him for not listening to you, for letting you get hurt because of his stubbornness filling his beautiful green eyes to the brim.Â
And you did. You forgave him the moment he first pushed you away, even if you didnât want to admit it for a very long time. You made sure to tell him that with a single nod, just as the shifter adjusted his hold on you and smirked.Â
âWell, well, just in time, boys,â he said, pressing his arm a little further into your neck and forcing a choked sound from your throat. âSo glad you could make it for the main event of the night.âÂ
âLet her go.â Dean barked, adjusting the hold he had on his gun and aiming it right at the shifter.Â
Not-Dean scoffed. âPlease, Dean, put that thing down. I know youâre not gonna shoot me when I have her in my way. Sheâs very useful, you know. Human shield, a fun little plaything⌠I can see why you kept her around for so long.âÂ
When no one spoke, not-Dean hummed approvingly. âExactly. Now, if you donât mind, Iâd like to get this over with.âÂ
Your mind didnât process what happened until it was already over.Â
A small flash of steel below you, cutting into your tank top and piercing up through your ribs, digging deep into your flesh. The release of your body from the shifterâs hold, and the way your body immediately crumpled to the floor. One shout and three shots ringing out above you, the shifter falling in a heap no more than five feet from you.Â
You coughed, sputtering, as you lay there on the concrete. Something dug into your torso with every breath, filling your chest with pain and warmth and something you couldnât breathe through.Â
Dean was at your side in an instant, one hand cupping the back of your head as he pulled you into his lap, shushing the pained groans and whimpers that fell from your lips with a shaking voice.Â
âHey, sweetheart,â he whispered, eyes flicking to the knife â the knife he gave you â wedged under your ribcage, blood already pooling out of the wound. âHey. Youâre gonna be alright, okay? Weâre gonna get you some help.âÂ
âDean,â you choked out, breaths rasping and wheezing and taking more effort than they ever have before. Something copper coated your lips, your teeth â it was everywhere. You knew what it meant, and from the look on Deanâs face, he did, too. âIâm sâ Iâm sorry,âÂ
âHey, hey, donât,â Dean shook his head, his beautiful emerald eyes filling with tears. âDonât say that. This isnât your fault. Youâre gonna make it out of this.â His head snapped up for a moment, eyes catching on something you couldnât see. âSammy! Help us!âÂ
âDââ you cut yourself off with another cough, blood pooling in your mouth and splattering all over your lips. Glancing down at the knife, you reached with shaking fingers to grasp at it, to press your hand over whatever part of the wound you could reach, coating your palm with blood. âDean,âÂ
His eyes snapped to meet yours in an instant. âYeah? Sweetheart, what is it?âÂ
Grunting, you moved your hand to the handle of the switchblade, Dean protesting above you as you shakily removed it with a pained sound, the metal clattering to the floor beside you. Deanâs hand covered the wound as it poured blood, the liquid coating his hand almost immediately. It stained the hem of his jacket sleeve and spilled between his fingers as they clamped over the wound, tinging his silver ring red.Â
ââM gonna be okay,â you wheezed, nodding slowly as you kept your gaze on Dean.Â
âI know,â he nodded back, his voice tight with emotion as he locked eyes with you. âI know, sweetheart.âÂ
âIâŚâ you gasped, finding words harder to speak, your body harder to move. Your mind swam, and you knew your time was limited. âI love you.âÂ
Dean made a choked sound as he squeezed his eyes shut for a moment, tears sliding down his cheeks, and all you wanted to do was wipe them away.Â
With the little strength left in you, you reached your bloody palm up to his cheek and did exactly that. The featherlight touch forced Deanâs eyes open, his body shuddering as he breathed in and you forced your hand to stay on his warm cheek.Â
âThis isnâtâŚâ you choked, and Dean shushed you.Â
âSave your energy, sweetheart. Helpâs coming any minute now,â he nodded softly.Â
You pushed, anyway. âThis isnât⌠not your fault,â you shook your head, the movement jerking and slow as you practically forced breath into your lungs. Each new breath was unsteady and wheezing, harder to take in than the last.Â
Dean choked out a sob, leaning over your body and pressing a kiss to your forehead as your hand fell from his face. âYouâre okay, sweetheart. Iâve got you. You can let go now. Youâre safe.âÂ
âIâŚâ you rasped, the words dying on your tongue as the last of your fight dissipated, leaving Dean on the floor of the factory to cradle your limp body close to his as he finally broke, his sobs and cries echoing around the room.Â
Sam arrived moments later, his shoulders deflating and his heart aching at the sight of Dean. Heâd never seen his older brother so broken, so willingly displaying his emotions as he held you, your body cold and pale in his arms as he rocked you.Â
The shifter had, in the end, succeeded. Part of Dean died with you that night, hatred and regret filling the gaping hole within him. He knew nothing else would ever try to fill it again, and a large part of him never wanted it to be filled. He wanted to sit with the hurt for the rest of his life, because it was what he believed he deserved.Â
You had gone willingly in his arms, a final admission of love dying on your tongue, leaving behind an ache Dean knew would never be soothed. Because, despite everything heâd done to you, somehow, you still loved him.Â
If there was one thing Dean Winchester was full of, after all, it was regret.
everything taglist: @mazerunnerrose @theboldandthebootyful @miraclesoflove @heliads
dean winchester taglist: @theweasleyslut @johnmurphyisqueer @thanossexual @dryyoursaltyoceantears @prettypychoinpink @whitemanshoe19 @allinfangirl @sunsetcurvej @killerqueenfan @justthatfangirloverthere @cadencebeat2662 @jamespotterslover @yagorlemmalyn @mariecoded @aunicornmademedoit @bloodyxheaven @weasleystwinswife @mrspeacem1nusone @jessimay89 @supernaturallydc @navs-bhat @xoxabs88xox @unic0rntaking0ver17645 @adhdhufflepuff @erospecies @imabee-oralizard @ellablossom @ajordan2020 @lunepoesie @multitasking44 @alexxavicry @avabh12
(taglists open!)
#dean winchester#dean winchester x reader#dean winchester x you#dean winchester x y/n#dean winchester imagine#dean winchester angst#supernatural fanfiction#supernatural x reader
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angel unaware
ę¨ď¸ pairing: peter parker x silk!reader
ę¨ď¸ synopsis: youâve known peter since you were fifteen, shortly after you were both bitten by the same spider. it was too obvious that youâd end up loving him. as you drift apart during your first year of college, youâre not sure how much longer you can keep dancing in circles with him.
ę¨ď¸ genres: best friends to lovers, angst, idiots in love, slowburn, mutual pining, hurt/comfort
ę¨ď¸ tags: rated explicit/18+ (smut), alcohol usage, mention of drug usage, unprotected sex, oral sex (f receiving), characters are 19, mild violence, gun violence (there is a school shooting in the beginning but there aren't too many details)
ę¨ď¸ wc: 13.8k
ę¨ď¸ notes: omg. happy valentineâs day yâall. iâve been working on this Big Bertha for literal MONTHS and iâm so happy to finish it and share it with you. thank you for being around even though i havenât been the most active; this is a gift to you <3
ę¨ď¸ listen to the playlist!
The spider bit you first.
It isnât until youâre fifteen that someone else finds out about it.
In many ways, you shouldâve known. The symptoms, the hypervigilance, the strange, gradual transition of filling out your body. You blame puberty first, but this feels more than abnormal. It's almost as if it's bursting through your skin. The only other person who seems to mirror your coming of age is Peter Parker, whose twitchy nature exacerbates the longer high school goes on.
You keep your head low because thereâs no reason for you to tell anyone about your powers. Not even the boy about whom youâre positive shares the same curse as you.
But then the videos come out. Red and blue lycra flying through buildings, a blurred figure saving cats from trees, webs shooting and swaying as onlookers stare like itâs a circus act. He calls himself Spider-man and you think itâs awfully corny.
Youâd be a fool to think that you were safe from the antics of Avengers propaganda, rubble, and ash blocking your way to school on more days than not. Youâd be a fool to think that you could evade the classic tropes of American violence that force the president to lament about "unthinkable tragedies" multiple times a year. At this moment, youâre a fool for getting yourself locked in a janitorâs closet while thereâs an active shooter at Midtown High.
Your breath hitches when the doorknob jangles in front of you. On instinct, you stick yourself to the ceiling, far in the corner with your senses on fire. Youâve never actually had to attack anyone before. You arenât entirely sure how this would play out with a gun involved.
Peter Parkerâs labored breaths fill your eardrums, and without thinking, you shoot your webs directly at him. He stumbles, clumsily tripping over an empty mop bucket. He looks up at you in confusion. Heâs wearing half of his suit.
"You. You justâ"
"Shut the fuck up," you hiss, covering his mouth with your palm. In the darkness, your eyes widen. Someone is near.
Itâs a stupid ordeal. The crime happening, this meet-cute, the way your senses feel haywire being this close to him. Both of you are holding your breath, your heart is pounding erratically in your chest, and blood is rushing through your ears.
The day ends with you and Peter making it out of the closet through a vent and the shooter getting subdued by the police. A troubled sophomore who barely knew how to use the gun in the first place made it easy for Spider-man to intercept the weapon the moment the kid raised his arms.
Peter follows you home that afternoon like a stray cat, babbling over a game of twenty questions that you arenât in the mood to entertain. Somehow, his presence leaves your chest feeling warm and light, and you realize that you donât mind the company. Twenty questions become routine.
Heâs the only one who gets it, of course.
He tells you about the Avengers, ignoring the way you scoff under your breath. Secretly, youâre only a little jealous. Not because you want that kind of prestige or even a fancy suit, but because at least thereâs a group of freaks out there who know. Â "How come you didnât tell me?" Peter asks you. He looks small on your couch despite his sixteen-year-old sleeper build and the fact that heâs taking up more than half of your space.
"What do you mean?"
"If you knew about Spider-Man this whole time⌠why didnât you say something?"
"What, like I was supposed to seek you out on the street with a mask on?"
He gives you a pointed look. "You had a feeling about me. In school. Didnât you?"
You donât answer, which, to Peter, is an answer in itself.
"I didnât want to be any trouble. Itâs my burden to deal with," you say slowly, blinking up at him.
Burden. Peter smooths the word over in his mind and watches the way your nimble fingers pick at the threads of your sweater. He suddenly feels guilty for pestering you with questions, especially after the trauma of today.
"Itâs not a burden," he says carefully. You donât protest, but he knows thereâs a certain level of repression inside you that won't let you give this part of yourself up. As if his knowing about your powers would only be that â knowing. He keeps staring at your fingers.
"You donât have web shooters?" He gestures to your hands.
"Comes from my fingertips."
"No fucking way. You gotta show me."
"You saw it today," you chuckle as you take a breath.
"Not really," he pouts. The amber-brown of his eyes is annoyingly irresistible, and you know it because of how hot the back of your neck suddenly feels. Thereâs a hint of a taunting smile on his face, as if he knows.
You take him to the fire escape outside your bedroom window. Itâs barely past five and itâs already gotten dark. Luckily, your bedroom faces an empty alley.
"Iâm not some circus act, just so you know," you warn him.
"Please," he tuts. "If anything, we both are. Two arachno-freaks."
"You should rebrand as that," you say with a grin.
You shoot a web to the fire escape railing above you, holding yourself up and swinging like you're in P.E. climbing a rope. You feel ridiculous, to say the least. You quickly shoot more webs after a quick scan of your surroundings to swaddle yourself in something resembling a cocoon. It hangs like a playground swing from the metal above.
"Holy shit! Does it ever⌠run out? Do you get web blocks? Does it come out of anywhere elseâ"
"Iâm not answering that." Your cheeks heat up at the insinuation.
"Sorry, just curious." He holds his palms up in defense, then reaches to touch a fingertip to the silk holding you together. It feels soft like cotton candy and is much less sticky than what came out of his web shooters.
He asks you to swing with him, and for some reason, you say yes. You donât like to swing very much, and if you do, you try to look for construction sites or abandoned scaffolding to evade attention. Tonight, however, the New York City lights look warm against the velvety backdrop of the sky, and you decide that flying through the air with someone else feels better than doing it alone.
____
He doesnât understand your desire to stay under the radar. Whenever he brings it up, you take the opportunity to bring up the New York City disasters that have gone underway before the two of you even graduate. If anything, youâve been a decent backup, but you refuse to be in the public eye. You donât want to be Spider-girl.
But you donât mind swinging around the city in your handmade suit, spun and woven together with the silk that flows straight from your fingertips. Itâs one thing that Peterâs jealous of, but it helps him when he needs to patch up a wound when heâs on the go with you.
Peter comes through your window with a red gash on his thigh. You can smell him before you see him.
"Ugh, you broke the streak. Five days without a scratch. Thatâs a record for you, Parker," you sigh, already rummaging through your drawers for the usual first-aid kit.
"Iâm fine." He winces as he crouches down carefully on the floor. Youâve gotten good at minding your business and not asking about his wounds, at least not ones that arenât too deep into the flesh. He knows it would only hurt you if you knew.
"And yet youâre here."
"I wanted to see you. You know I always want to see you."
You open your mouth to respond, but nothing comes out. You kneel before him, pouring hydrogen peroxide onto the gash as you dab gently with a hand towel. He hisses and grabs your forearm with more force than he intends to.
"Youâll be fine," you reassure him gently.
"Yeah. I could've done it, you know," he says as he carefully holds your gaze.
"âSâfun sometimes," you reply without looking at him. Carefully, you wrap gauze around his leg. "When I was little, my neighbor and I used to play House, but it always turned into, like⌠Hospital. And Iâd pretend to be a nurse and take care of her, Iâd tuck her into bed, and Iâd give her lollipops from my Halloween stash for being a good patient."
Peter chuckles. He wobbles slightly as he stands up with your help.
"Am I a good patient?"
"Mm. A very brave boy," you say as you pat his cheek.
"What, I donât get a treat?"
"Your treat is staying alive." You take him by the wrist towards your living room couch.
He doesnât know what heâd do without you. Itâs not right for him to think of you as an extension of himself, but he often yearns for your presence like a phantom limb whenever you arenât on patrol with him. He realizes you're the yin to his yang.
It excites him, the images of you two that end up on the Internet. How good you look together. You, on the other hand, dread any semblance of perception by the world.
"People are catching on, you know. Ned found a subreddit on you the other day," Peter murmurs into your lap.
You snort, rolling your eyes the way you always do. You fiddle with the soft strands of his hair. Itâs second nature to you. "Ned needs to reduce his screen time tenfold."
"Rabbit."
You sigh dramatically at the nickname. Heâd adopted it after the many jumpscares heâd give you when heâd sneak into your room at night. Youâd become so accustomed to him that your spider-sense would dull when it came to Peter. He was your source of comfort.
"What, Pete?"
"Why donât you patrol with me?"
"You know why." Itâs too stressful. Too public. Too many run-ins with death that you can anticipate.
"Itâs better when youâre around."
"Youâre a big boy, Peter," you murmur. Your hand slides across his scalp again, this time with your fingertips settling in the space behind his ears. You arenât looking at him; instead, you are watching the documentary on the television at a low volume. He crumples at your touch.
"May says youâre my guardian angel. Every time something really bad has happened, it always worked out because you were there."
"I mean, it probably helps when you have another Spider-person as a backup."
"I think sheâs right, though."
You donât say anything. Youâre tempted to reply with something sardonic or self-deprecating. You put too much faith in me. But you canât â heâs looking at you with something that you canât fathom. Something earnest and entirely too fragile. You have to look away.
He hums, sighing into a tattered copy of Hamlet. "I canât deal with any more Shakespeare."
"Youâre such a slow reader despite being a goddamn genius."
"Did you just say something nice about me?" Peter raises a brow.
"Oh my God, relax, Big Bang Theory."
He scoffs and swallows down a smart-ass remark. A grin lingers in his mouth as he settles back into the book.
____
Youâre apart from Peter for the first time since age sixteen. You donât tell him â you donât tell anyone â but you decide on an out-of-state university because you donât want to feel tethered to him. Your friends consider you and Peter a package deal, and yes, heâs probably the first real best friend youâve ever had, but the gnawing inside of you telling you that distance is needed doesnât stop.
You, the black sheep, are the antithesis of your hero of a best friend, despite being bitten by the same spider. Youâve always wondered if your story was supposed to play out like some sort of Shakespearean tragedy because of your bond with Peter, so you decide to take your mind off of it. At least it wonât be as painful as severing it completely.
It feels free to be away from all the chaos. In Rhode Island, you can focus on your art and fold your feelings away in a neat little envelope. Youâd rather die than let any of that out, especially when Peter insists on such frequent FaceTime calls.
Sometimes, you fall asleep to the sound of his voice. He tells you about taking a train down to Providence in the middle of September to visit you like some kind of long distance boyfriend. The thought makes something in your stomach bloom and stagger in the same way. He doesnât keep his promise â chem labs are already kicking his ass halfway to Thanksgiving break, not to mention the crime rate in New York City rockets beyond normal.
Thanksgiving comes, and both of you are the same. Peter is exactly as boyish as you left him three months ago, though his brown hair has grown longer and he wears blue-light readers to help with the mild headaches he gets from staring at screens.
He isn't attached to your hip like you expected. Your week off is filled with missed texts and a marathon of TV shows about broken womenâthe kind with dark humor and falling in love with priests.
The next time you see him, your roommate is out of town. It's not an unusual occurrence given how little she spends time in the dorm, always elsewhere with her new boyfriend.
Peter takes up so much space in your bed that you almost offer to push the two twin beds together, but the feeling of his warmth is too comforting. Propped against the wall, youâre hip-to-hip with him as you scroll through Netflix on your laptop.
You can feel him staring. It becomes routine, or maybe itâs your senses, but you can always tell when heâs merely observing you, watching you carefully like ripples on a pond. You've never really chastised him about it, but it doesn't help that you know he can tell when you're nervous. He has you memorized.
He likes the way you look when you concentrate. Sometimes, when youâre deep in thought, he likes to take his thumb and smooth out the ridges of your furrowed brows even though you end up swatting him away. When he does this now, you look up at him with wide, doe eyes.
"Still as indecisive as ever."
"I have to be, otherwise youâll just put on Gilmore Girls," you scoff.
"Youâre the one who showed me that!" Peter protests.
"And then it was the only thing you wanted to watch to the point where I genuinely considered locking you out of my Netflix account!"
He doesnât bother to argue, instead resorting to poking you in the side. You squirm immediately, yelping as he continues. He flashes you a leering grin as you whine in dissent, flinching from the feather-like touch of his fingertips dancing across your skin.
"Youâre so annoying," you huff, curling your body toward the wall.
"And you love it."
More than youâd ever know.
You pause, rolling your eyes at him. You contemplate kicking him again just to get a rise out of him, anything other than the short silence between you that feels more present than it should be. Your stomach feels warm at his proximity, but then again, Peterâs built like a human furnace anyway.
When you attempt to playfully shove him, he catches your wrist with quick reflexes until the two of you are tangled together. Itâs easy to fight with him when youâre both running off the same biological fuel. When he ends up on top of you, you forget how to breathe.
The two of you stare at each other like this, as if frozen in time. Itâs you who looks away first, then back to his big brown eyes, settling a palm to his cheek. You can feel how hard he is. You wonder if he knows.
Itâs something youâve only thought about in your subconscious, in dreams, or in moments when youâre bandaging his wounds. How would it feel to have his skin all over yours? Itâs a selfish thought, but it rings in your brain without warning at times like these, times of such closeness. The spider bit the two of you for a reason. Whatever our souls are made of, his and mine are the same.
Itâs a curious thing for sure, but there are doors you donât want to open yet. Â
"One episode and then I pick a movie," you mumble.
____
You donât tell him about transferring when you come back for Christmas break. It feels embarrassing, despite knowing that heâd be ecstatic about the news. RISD proved to be too difficult for your one-track mind as you found yourself sleeping in more and more, flaking on the most rigorous of classes due to your mood. Youâd successfully gotten into Pratt for the next semester and were fully moved out, thankfully. But when you see Peter in the arms of another, you wish you hadn't left.
You shouldâve expected it, maybe. Peter had always had a thing for Michelle Jones but could never quite get past the friend zone. It seems as though your absence has nudged him further.
No, that feels too selfish to say.
But itâs still too difficult to bear in the loneliness of December, knowing that when the New Yearâs parties hit, youâre still the black sheep. Even in a shiny little dress.
You donât see him much over winter break, but he gets you a silver necklace for Christmas with a spider pendant hanging on it. Itâs more sentimental than you expect, and itâs the nicest gift youâve ever received. It certainly beats the Lego set youâd gotten for him.
Now, in your black cocktail dress, you smile dopily at Ned Leeds as the rest of the room counts down at the television, waiting for the ball to drop. Itâs bittersweet when you remember last yearâs countdown, in which Peter insisted the two of you swung out to Manhattan to watch the ball drop in person. You remember how much you wanted to kiss him then, but you didnât. Thank God for his hero's anonymity and the impediment of his suit.
"Five, four, three, two, one â Happy New Year!"
Makeshift confetti falls to the ground as you watch him and MJ kiss. Thereâs enough champagne in your system for your heart to grow warm at the sight of it. Â
____
January is cold. Desolate. Even if you have your friends around you in New York, the place that feels most like home, youâve come to realize. But thereâs still something missing, something lacking. Like youâre inside a familiar place inside a dream.
You ignore the itch, learning to numb it with champagne. It worked on New Yearâs, and now itâs been working for several weeks. You donât leave your apartment.
Even though Peter Parker is a text or phone call away, you fade into the background of his life, watching him through newsreels and YouTube videos. Youâre on his mind more than youâd expect. He doesnât know why, though he does realize that your absence bothers him in small ways.
Sometimes, when heâs on patrol, heâs frustrated by his loneliness, especially in the dead of winter. You were never one to play the hero â he knew that â but it was still comforting to have someone to patch up his wounds or soften his fall. The webs that flow from your fingertips have always been strong, enough to form hammocks in between the corners of his bedroom or a makeshift suit.
And then there are the dreams. They feel real, vivid, and much too physical for something that his mind could conjure in his unconscious. You had only kissed him once before (in real life, that is), at a stupid basement party in the ninth grade, before the two of you were friends, but shortly after the initial spider bite. Although itâs something thatâs only been brought up as a joke these past few years, Peter remembers vividly how hard his heart was pounding when the glass bottle landed on you after what felt like an excruciatingly long spin. He could never forget the feeling. He wonders if you feel the same.
Itâs not something he should be thinking about right now. Especially when youâre not his girlfriend. Heâd rather die a thousand deaths than have you know what you do to him in his dreams when youâre nothing but a reverie of your own silk-spun webs and soft, bare skin. You treat him like prey. He loves it.
Peter can nearly smell you, that sandalwood-citrus shampoo of yours, and your warm breath over his face. Your little whispers of praise, your tiny whimpers. The image of your eyes struggling to stay open while youâre underneath him is burned into his brain.
"I missed you," you say breathlessly. "Missed you so much."
God, how is this a dream? He can feel you so clearly. Until he doesn't, and he wakes up with a groan, an exhale, and an excess of sweat on his brow. Not to mention a dampness below him.
"Fucking Christ," he curses under his breath.
The ghost of you is on his bedroom ceiling, in the corner of his room. Something nearby smells like you, even though you havenât been in his room in ages. This makes something in his chest hurt until he decides to get out of bed.
He wants to see you, but he feels guilty knowing what he's just dreamt about. He canât help that the person that makes him feel the most human is the only other one who shares the venom in his blood.
Sometimes he follows you. It feels almost meditative for him to sit on a rooftop and watch you from the window of your favorite cafe, reading and writing and breathing. The brightness of his phone screen illuminates his face as his eyes scan over your contact. Your face smiles back at him, but thereâs a distance considering the lack of texts between the two of you over the past month. He sighs as he zooms in on your location â the two of you had shared each othersâ years ago and only found it convenient to keep.
Peter doesnât know why heâs feeling all this yearning all of a sudden â sometimes he recognizes the feeling in his body and he thinks of you and he thinks of safety. Other times, like now, he knows that it only breeds guilt.
But he misses being quiet with you, misses the mundane intimacies of him poking you and you fixing his hair. All the small expressions you make with your face that only he notices. Thereâs something empty in the space he usually holds for you in his heart, and he doesnât know why.
He has to see you. Maybe then, something in his brain will click, or heâll see you as the old friend youâve always been, and he can blame the heat in his body on his subconscious.
Youâre predictable with your routine, because this afternoon, he finds you in your usual spot by the window at your favorite cafe again. Youâre writing in your journal with your noise-canceling headphones on, so Peterâs presence is completely unknown to you. After he gets his coffee, he watches you from afar, just for a little bit.
As if on cue, you already know. The moment you skip a song and a millisecond of silence fills the space in your head, you feel him immediately. You always know when heâs around.
"Peter," you murmur without thinking. Your gaze is soft but carries the surprise of a deer caught in headlights.
"Hey," he smiles. "Mind if I sit here?"
He gestures to the armchair across from you, and you nod.
Peter knows how to coax your warmth from you, because within minutes, he has you talking about school, whatâs on your mind, and why it feels better to be holed up in a cafe than sit miserably at home. You do the same for him, though you notice heâs more reserved for some reason â heâs tight-lipped about MJ, and doesnât delve into the details of his hero work. He prefers to bombard you with questions instead, listening intently to your most recent fixations or the newest movie you saw alone in theaters.
"You replaced me yet, Rabbit?" he teases you.
"Never," you scoff, tipping your coffee cup to hide any embarrassment on your face. You havenât heard him call you that in so long. "You know me. Iâm a lone wolf."
"Pratt seems like your crowd though, no? No one at Midtown High was a match for you. You were way too cool."
"Mmm, true, yet youâre my best friend."
"Hey!"
Your laugh is like a song to him; he canât help but smile ear to ear when he hears it.
"The only person who talks to me at school is this guy Cam from my ceramics class. Heâs actually from Brooklyn so we took the train together to get home and heâs around for break, which is cool."
Peterâs face nearly goes cold at the sound of someone elseâs name, though he stays composed.
"Fun. Are you twoâŚ" He gestures vaguely.
"We hooked up like, once, but I donât really know where itâs going." You say it so nonchalantly like itâs an afterthought. Youâre not even looking at Peter.
"If he fucks anything up, you know where to find me."
You smile, rolling your eyes in that bashful way you do when you shrug things off, and itâs more apparent to Peter now how much he adores all your little quirks and mannerisms. He realizes that he might have them all memorized.
"Weâre actually going to a party tonight if you want to come. A friend of a friendâs birthday party in Manhattan, I think? I think her name was Anna?"
"Oh, my friend Gwen knows her and invited me!"
"Small world." You swallow down the image of Peter at the party with an ESU girl for a second, and it feels rough in your throat. But youâll manage. You always do. "Is MJ coming?"
Peter shakes his head. "Ah, sheâs in Philly visiting family. Iâll probably go with Gwen and her boyfriend Harry, though."
You feel shame in your relief. Itâs sickening how much you have to bury your desire and your tenderness because you know better. You know that even though the two of you were bitten by the same spider, it doesnât mean youâre necessarily compatible. Sometimes you think your attraction to Peter is some biological fluke determined by the cells in both of your bodies. And then you think, God, how can anyone look into his brown eyes and not feel a thing?
You're both warm in your chests as you part ways, waiting for your next meeting.
____
The night of the party, Peter revels in the sight of you wearing your spider necklace, which sparkles under the flashing lights of the penthouse apartment youâre both in. His mood dampens when he notices the tall boy attached to your hip like a guard dog.
Itâs a stupid game and he knows it. The way he pretends not to see you or acknowledge your presence is cruel, but it feels safe for now. He doesnât feel ready. Heâs high off some gummy that Harry had given him an hour earlier, and itâs still fogging his senses, and even though he can be cloudy and nonchalant at this party, his paranoia precedes him. It feels like youâre everywhere.
He shouldnât feel this way. Why does he feel this way? Youâre his best friend and you have your own life thatâs separate from his â he knew this would happen the moment he found out you were going to different colleges. Despite that, thereâs a piece of you tethered to him that he canât bear to cut off. It makes him feel sane, the parts of you that youâve given him.
But now, he sees you laughing and swaying your hips with someone elseâs hands resting on your waist and it makes his face burn.
"Dude," Gwen snaps her fingers in front of his face. Peter blinks back at her. "Are you good?"
"Yeah, sorry."
"Harry wanted to do a shot, you want to join?"
Peter nods numbly, following the blonde to the kitchen. He watches everyone else in the kitchen pour shots and drinks like they are rehearsed marionettes. Harry snaps him out of his daze once he slams down a shot glass full of vodka in front of him.
"Drink up, Parker!" Harry cheers.
The alcohol burns Peterâs throat, but he feels the head rush and the warmth. It feels good, makes him feel looser. Malleable. Invincible, maybe, if he took two or three more. But he knows he has to pace himself. He hates that his default setting is to look for you no matter where he is. But when he scans the room this time, youâre downing a glass of champagne alone.
Your body feels heavy at the moment, so you donât register him plopping down on the couch next to you. You wake up to the sound of his voice as you always do.
"Hey, you."
"Hey."
Your glass of champagne is empty, so you take the beer bottle out of Peterâs hand without saying a word, and he lets you. He watches you gulp a bit of it down. Maybe youâre a little too drunk. Maybe youâre imagining the way his eyes scan your body.
Youâre drunk enough to feel social, but truthfully, youâre deathly afraid of being alone with anyone right now. Being alone with someone would make you feel much too raw and vulnerable, so you convince Peter to introduce you to his friends that youâve never met, and you try to cope with the fact that they look like they were cut straight out of a magazine.
"Peter talks about you all the time," Gwen gushes, sipping from her champagne flute.
"He does?" you ask, raising an eyebrow.
"Of course," she nods incessantly.
"Only incredible reviews all around," Harry nods, drunkenly slinging an arm around Peterâs shoulders. The brunette smiles sheepishly, bashfully. You raise an eyebrow at him along with a coy smile.
"Should hope so," you tease. "He wouldnât have gotten through high school without me."
Itâs mostly a lie considering Peter was the star student and you were barely second to him. Maybe fifth or sixth. In a way, your words are true, because Peterâs agreeing with you.
You zone out as he starts a story from junior year and you have half the mind to chime in when needed. Harry suddenly puts a whisky coke in your hand and you donât want to refuse out of politeness, but you know the mix of different alcohol will have your head banging in the morning. Peter downs half of his within a millisecond.
"What?" he asks when he notices you making a face.
"Since when do you drink so much?"
"Itâs a party," he shrugs.
"Peter, when I brought you to your first party, you refused to drink anything that wasnât a fruity canned cocktail. You wonât go near wine let alone whiskey."
"A semester at ESU changes you," Harry interjects. "Heâs still a little fruity, though."
Peter chastises him as you and Gwen laugh. As the boys bicker, Gwen gets your attention. She asks you mundane questions, like your major, your zodiac sign, and what you thought of the season finale of White Lotus. Youâre grateful when she beckons you to follow her to the kitchen to make another whiskey coke.
Her glossed lips twist to the side, eyes bright with a teasing glance. She has the ability to make you feel calm, almost excited to be there.
"He is obsessed with you," she sneers.
"What do you mean?"
"He just talked about you so much when we met him that I had to stalk your Insta, and I was like Jesus Christ, that makes so much sense. If I wasnât with Harry Iâd snatch you up myself. And then when I met his girlfriend and I was confused that it wasnât you. Unless youâre doing that, like, exes-that-are-still-best-friends thing."
You blush and nearly choke on your drink. "Peter and I never dated."
"Seriously?"
You say nothing, only forcing an amused smile. You donât know where to put her assumptions, but you sure as hell canât keep them.
"Iâm actually, uh, here with someone," you mutter, pretending to look around. Briefly, you lock eyes with Peter on the couch, whoâs pretending to listen to Harry's rambling. Your eyes flit away quickly. "I think I might step outside for a smoke and look for him."
You donât have to turn around to know that Peterâs eyes are following you. Or maybe youâre just drunk and projecting. Gwenâs bubbly nature makes her seem like the type to gossip, and just because your best friend happened to talk about you doesnât mean that there was anything under the surface. But then you notice his slightly nervous energy tonight, the silver necklace around your neck, and the last time he visited you months before, when his body was so close to yours.
A pair of hands situate themselves on your waist and it makes you jump. The warmth feels different, as does the sudden smell of sharp cologne, and then you feel your heart drop the slightest bit when you hear his voice.
"Was looking for you," Cam slurs. You can smell the beer breath as he exhales on your neck, making you shiver.
"You sure? Because youâve been MIA for like forty-five minutes."
You try to keep your voice even, sighing when he plants a kiss on your neck. Any animosity in your tone is completely ignored.
"I was catching up with some people that I wanted to introduce you to," he says, tugging you along by the wrist like a child. You pull up a chair to a firepit surrounded by a group of strangers, and the charade of icebreakers returns. Thereâs no point in remembering anyoneâs name.
You think about returning inside to look for Peter or maybe Gwen and Harry, but being on Camâs lap is distracting you. At some point, a joint a passed around, and the feeling of the boyâs arms around you makes it easy to melt into nothing.
____
Youâre right. You always are. Peter Parker doesnât drink, and heâs never drunk this much in his entire life. Heâs been sitting in the bathtub for⌠how long? He doesnât know. All he knows is that his senses were dulled to the point of detachment and he needed to get alone to ground himself.
Heâs so out of it that he doesnât realize someoneâs knocking on the door of the bathroom, and his reaction time is too slow before Harry barges in.
"Are you hiding in the bathtub?" Harry squints.
"No, Iâm just⌠hanginâ out," Peter stammers.
Harry snaps out of the facade of a confused daze and shrugs, unbuckling his belt with nonchalance in front of the toilet.
"Dude!"
"What? Iâm turned around!"
Sighing, Peter looks around his surroundings. Generic brand shampoo and conditioner. A deformed bar of soap. A red solo cup with clear liquid. He remembers suddenly â heâd filled an empty cup he found with sink water before getting in the tub.
His brain swims with dizziness and mild nausea that mix up his stomach. Gulping down the water, his throat burns immediately, only to realize that it isnât water at all. Itâs fucking vodka and seltzer. Harryâs turned around again, cackling before washing his hands.
"Idiot."
"Fuckingshitjesusfuckingchrist," Peter groans, pinching the bridge of his nose. "You should just drink straight vodka at this point, man."
"Oh, I do," Harry agrees. He crouches down, squatting to meet Peter at eye level. A warm palm taps Peterâs cheek. "You good, bro?"
"Mmm," Peter nods. His breathing turns shallow as he hunches over, pulling his knees into his chest.
"Jesus, you need to get home, donât you?"
"âm fine. You go home."
"Gwenâs been nagging me to for the past ten minutes, so I might. Iâd let you crash on the couch, but weâre getting up early to go upstate. How are you getting home, bro?"
Harry frowns when he realizes Peter is barely listening. "Pete!"
He grimaces at Harryâs constant fidgeting. With an annoyed sigh, he shoos the other boy away with flailing arms.
"Heard you," he slurs. "Iâllâ Iâll share an Uber with Y/N."
Harry sighs with exasperation, pulling Peterâs arm forcefully to get him out of the tub and down to the living room of the house. Peter is dizzy in his vision, clumsy in his movements, but finds clarity when he glances towards the couch and sees you sitting there with furrowed brows.
"Peter? Are you okay?" you ask.
"Yeah, absolutely not," Harry says. "Gwen and I gotta head home and weâre leaving early tomorrow so he canât crash. You guys are like, neighbors, right?"
You swallow a lump in your throat, briefly turning your head to glance back at Cam, then back at Peter. He looks at you with a guilty cadence, though his eyes lull with a tiredness that is unusual for him. Heâs corpse-like, still hanging onto Harryâs shoulder like a lifeline. It makes the pit of your stomach stir.
Itâs unlike him, to be this drunk. The only other time Peter has been this drunk was once in high school, when he was slurring his words all night and determined to clutch you like a teddy bear in his twin-sized bed. You recall his warmth and how his post-puberty figure appeared gargantuan to your body. Foreign, but warm. Comforting. When you think about taking Peter home tonight, you feel like you arenât allowed to lay next to a body that doesnât belong to you.
"Yeah, Iâll take him home."
____
"Coulda swung home myself," the boy mumbles. You hit him on the arm and give him a chastising look. Thankfully, your current Uber driver speaks a limited amount of English, not to mention the radio is on blast.
"You couldnât have. Youâre so fucking drunk, youâd kill yourself," you hiss in a low tone.
"Not if you were with me."
"Well, I wouldnât be. I wasnât even gonna go home tonight."
"Ah. Of course. Cam,â he exasperates. âIs he your boyfriend?"
You sigh. "No, heâs not."
"Right, you donât⌠you donât do boyfriends," Peter murmurs, rubbing his face with the palm of his hand.
"What is that supposed to mean?"
"Nothing."
The car stops in front of Peterâs apartment building.
"Thank you," you say stiffly to the Uber driver as you drag Peter out of the car. The elevator ride is awkward and quiet, as is the fumbling of keys when Peter tries to unlock the door.
He leans on your body as you coerce him into his bedroom, with him thumping onto his bottom bunk.
"Jesus. I feel like if Richie Rich called you an Uber himself you couldâve easily made it up the elevator by yourself. Right, Pete?"
"Mhmm. Heâs such. A worry wart. For some reaâ" Peter makes a gulping sound that makes your face pale. Immediately, you grab his trash bin and place it between his feet.
"âm not gonna puke."
"I think you might, Peter."
He pauses and examines you as you kneel in front of him. Heâs so drunk, so awfully drunk, but he has enough sense in him to take the caution that the anxious voice in the back of his head commands. But fuck, you look so pretty. He doesnât know what to do about it.
Peter takes a strand of your hair in his hands and curls it around his finger. His shallow breaths feel louder than they should be. Or maybe theyâre yours. He canât really tell.
"What?"
"Nothing," he shrugs. "I wonât vomit. I promise."
You sigh.
"I should get goingâ"
"Can you stay for a little?"
Swallowing, you nod. You get into bed with him, because, quite frankly, youâve had your fair share of alcohol tonight, and laying down in Peterâs warm bed makes you want to melt off the bone.
"I'm sorry for fucking up your night." Peter turns to lie on his side and drapes an arm carefully around you. His hand is feather-bare on your hip.
"You didnât."
"You were gonna go home with Cam."
"Itâs fine, Peter. I wanted to make sure you were safe."
"Like a chore."
"Not like a chore."
"Yeah, okay."
He does that thing again â holds a strand of your hair in his hands. He runs his fingertips nimbly across your scalp as if heâs handling an injured bird. As if heâs afraid youâd bite.
Your eyes are huge, like flying saucers. He used to say that all the time, especially whenever you came to his apartment after experimenting with any new drugs. You only felt safe with him â you had told him that â and he took care of you and your big eyes and your tendencies toward erratic behavior. He always knew how to calm you down. And now, in your adult lives, you were doing it for him.
You let him keep his hands in your hair and he doesnât know why. Thereâs a theory he wants to test â one that he dreams about even when he knows he shouldnât. He thinks about it in vulnerable moments. He considers that maybe this is a vulnerable moment.
His fingertips trace your face between the edge of your eyebrow and the baby hairs on your hairline. He taps along your temple gently, smoothing across the softness of your skin until he sculpts down your cheek and jaw. He blinks once, then twice. And then he rests the pad of his thumb on the corner of your mouth.
Almost automatically, you part your lips. Your mouth is pink, dusted with a purplish-red in the center from the merlot youâd drank hours before, and he wants to lick it off you.
He feels your heart beating, too, and you can hear his. It's a loud bang that resonates in between your eardrums. Itâs that shared venom that makes your bodies so acquainted with one another. You briefly consider whether a human body can overheat and burn away simply by being touched by another. You wonder how human the two of you can really be.
You close your eyes.
"What are you doing?" you whisper. Your voice is gossamer-thin, barely there, but youâre so close to him that he hears it so clearly.
"Whatever you want." His voice is dripping honey.
You shake your head, still with your eyes closed. Peterâs hand descends to your jaw, thumb on your bone, with the rest of his fingers warming up your neck. You feel like you might just choke on the feeling of it.
"No, thatâs not fair. Thatâs not⌠okay."
"What?"
"Youâre drunk, Peter. Donât do that to me. Please."
"What am I doing?"
Your face scrunches up as your eyes open to look at him with a pained expression. You have to close them again. You donât want to look at him. You want his hands off of you, so you push them away.
"Youâre with MJ."
"I⌠I know."
Your face is crumpled as you inch out of his bed. Youâre back to kneeling on the floor in front of him.
"Please donât leave," Peter whispers.
"Iâm tired. Iâll sleep on the top bunk," you mumble. You try not to let him catch you sniffling.
"Goodnight.â You donât respond.
He falls asleep shortly after and smells your perfume even in his dreams. When he wakes up, he smells you. But youâre nowhere to be found. Thereâs only the cold air coming from a crack of his window left slightly open.
____
Itâs not your fault, but youâve broken his heart a million times. The night of the party was the most recent one. To be fair, he had also broken your heart. He was just too fucking drunk to remember most of it.
Youâve become a ghost, barely texting Peter back, and when you do, your responses are short and clipped. You donât have much time to hang out, and he realizes he doesnât either, not when he has MJ to spend time with along with his Spider-Man duties.
But he would make time for you if you wanted it. He wonders if you know that. He feels too ashamed to tell you that himself.
Itâs been like this before, and heâs been able to cope. The way youâre on his brain and wonât leave âstuck on him like a parasite. Itâs his fault, he decides, not yours. He knows heâs not being fair. Not to you, not to MJ, not to himself. But he keeps it all in and hopes it doesnât boil over.
Truthfully, Peter wants to avoid everyone. He understands now why you abhor winter to the degree that you always have. The desolation is too much to bear when thereâs not much sunlight in January to activate dopamine receptors, so Peter sleeps in longer than he should. Late enough for Aunt May to get on his case about it.
"Somethingâs up with you," MJ accuses him on a Thursday evening. Itâs one of their ritual movie nights with pizza and wine.
"Huh? Nothingâs up," Peter shrugs.
"No, I know you. Somethingâs wrong."
"Iâm fine, Em." A lie.
Itâs a miracle that Michelle Jones sees through Peterâs bullshit because it means that she has the incentive to protect herself from any future bullshit that may break her later on. Peter is too numb to process any of it. There was the refusal of admission, the attempt to keep up the wall of his emotions, which crashed down soon enough by the time MJ was out of the door.
He thinks he should call you, but he doesnât.
____
Peter is used to scrapes and bruises. Heâs seen more than enough charred flesh than a nineteen-year-old should. You had never asked to be his caretaker, but over the course of years, that was what you became. His guardian angel.
He used to make excuses to come over after patrol, trying to coax you out of your nest of a room for just an evening. He'd always known you were far more talented than you gave yourself credit for when it came to spider abilities, but it felt more like a curse than a gift for you to bear.
Some nights, he dreams of you falling stories beneath him. Your face is covered in rubble and ash, and although his nightmares often start with this, he knows that somehow, itâs his fault. It feels visceral, the burning in his calloused hands. Torn lycra to show the dirt underneath his fingernails. Hot tears dripping.
He starts taking that Ambien you gave him years ago.
After that, each day passes like heâs trapped in a nightmarish purgatory. No, thatâs an exaggeration. Heâs just a victim of a New York winter, and he misses you more than he wants to admit to himself or anyone else.
"I can take care of myself." And with that, the image of you disappears.
"I know," he murmurs softly. Heâs always known. It is insignificant in comparison to how badly he wants to take care of you if you let him. Your voice echoes in the cavern of his room. You get farther away by the second until you disappear completely, and he evidently wakes up.
Even in your worst state, heâs obsessed with your honeyed skin. It doesnât matter the number of bruises or cuts â he caresses them all with his nimble fingertips, and heâs ready to kiss them until they heal. He thinks about this sometimes, how much he cares for you and your body. What he'd do if you just let him in, let him devour you however he pleases, and it disgusts him.
In his dreams where youâre hurt, heâs willing to sacrifice whatever he can so that you can revert to your clean, unbothered state. Iâd never let anyone break you. Itâs a prayer for him. One that he whispers in your ear whenever he can, at least in these dreams. In reality, he knows that he has to let you go because he knows you. Knows how much you want to be free and alone. How you can take care of yourself. Youâre not a damsel in distress â you never have been. But Peter feels like he was made to care for you. It would gut him all the same regardless of whether you loved him or not, and he was willing.
When itâs real, he doesnât know what to do. He didnât ever think the two of you would be in this position.
Heâs been in enough battles to know how these things end. Mr. Stark had walked him through it all and been by his side while the rest of the Avengers repaired the other broken bits of the universe.
Right now is one of those unique times, the quiet and wretched ones, where Peter is contemplating breath after breath before imagining the full picture. Shambles of the street heâs in. The ache of his bruised body and the blood that he sees from yours, that he shouldnât have seen, because you said it yourself. Youâre not a fucking hero. So why is your blood streaked on the palm of his hands?
The distance between you and Peter doesnât matter â it never does. The moment youâd felt a dread stirring in your stomach, there was a sharp pain in your head that refused to leave unless the working adrenaline in your body was satiated. It wasnât the same adrenaline that circulated within you from a night of debauchery â instead, it felt like poison. A compulsory kind of pain, a sharp jolt to your senses. Tonight, youâd felt Peter in danger, and it wouldâve killed you if you couldnât get to him. He'd been the destination you'd been dead set on by the end of the night because of your spider instincts.
The police broadcast was too muffled for you to understand much of it, but you picked out the parts where Spider-Man was mentioned and followed through on them. Although you didnât fall into the shadow of his hero work, you still kept enough tabs on Peter to know where he would usually be on patrol. It wasnât like he knew, or that youâd ever told him, but when he was starting out as another guard dog for the Avengers in high school, you needed to at least know his approximate location in the event that something went terribly wrong.
An explosion blasts in the center of a park, where the two of you would meet in the middle between Queens and Stark Tower. This is where you lay your courage down. This is where you find Spider-Manâs mangled body before anyone else does.
"Peter," you huff. "Sâgonna be okay. You with me? Iâm gonna make sure youâre okay."
Heâs just less than conscious, the stretch of his animated eyes limited by his weakness. When he sees your face, however, his face glows â not that you can see it through his mask.
He says your name with a fervor that surprises you. His voice is raspy.
"âm fine. I have to stay," he grunts, his pain palpable. You know that heâs telling the truth, but you donât want to leave him alone in his misery.
"Peter. Youâre hurt."
"You go home. Iâll come find you later. Just let meâ"
"Youâre fucking limping."
You had always carried yourself like a feather-like, lithe ghost. Quiet, whereas Peter was bold, despite the fact that his anxious nature had rendered him a boyish thing all these years. This is why heâs surprised that you carry him easily with your supernatural strength. He forgets that you have the same abilities as him. If anything, heâd think you were stronger than him in every way.
Even with his thick skin, he melts into something malleable, comfortable. The solace of your arms makes him feel better already.
A pang of small guilt rots away within him, knowing the circumstances of your last meeting. Youâre too good. He didnât deserve to be saved by you, to be patched up with your nimble fingers like he had been treated when he was younger and more naive.
"I can make it to my place, itâs okay," he rasps gently.
You donât have to say anything, because bullshit radiates through the stern expression of your eyes, your mouth in a grimace. You had always been stubborn and today isnât an exception. With your webs, you crochet a path for him toward your home, lifting and catching the boy effortlessly as you swing.
A gentle sigh escapes his mouth when the two of you crawl into the safety of your fire escape. The night is quiet behind you. When he looks at you, you have to look away, fixing your hair nervously or occupying your gaze anywhere but in his direction. His eyes are poignant in their longing, though youâre unsure of what he could be thinking. If heâs sorry about before. If heâs ashamed.
Your wispy webs wrap around the parts of him that hurt, but you wince when you check on him to see that the white fibers are slowly saturated with the dark crimson of his open wounds.
"Peter, you have to wash up," you whisper. "Shitâs gonna get infected. I can put some gauze on you after you shower."
He nods wordlessly when you ask him if he can manage the shower on his own. He feels vulnerable, and although your presence is always desired by him, he finds relief in the hot steam of your shower, alone with his thoughts. Heâs still shaken from the explosion. Not completely catatonic, but tense. As if he isnât in his body at all.
When Peter emerges from the bathroom, he looks like a stranger. Scars adorn his sides. Your face crumples at the sight of his fresh wounds.
"Câmere."
It doesnât take you long to fix him up, cleaning his cuts and wrapping gauze around his stomach and chest. His quiet grunts startle you, as if he's a wild animal. Eyes screwed shut, brows cinched in pain. A heavy exhale and a mumbled apology followed.
You forgive him with a soft touch and a hushed whisper. He wishes the ache would stop. He wishes he could lie on your bed and have you whisper in his ear all night until the sound of your voice lulls him to sleep.
There arenât many words exchanged, and you want to ask him why. If you did something. But then you think about the images on the news and his withered face, and you decide not to probe the sphere of trauma surrounding him. Peter has probably gone through more in the last twelve hours than you have in a week.
You stop him before he tries to make it out of your bedroom door and towards the living room.
"I donât mind sleeping on the couch, Iâve done it before."
"Itâs like sleeping on a rock, Parker. You just gone through God knows what," you chide. "Just⌠get in here."
As he breathes in and out, he nestles in your shoulder, his clean hair tickling your bare skin. Thereâs a nasty guilt that lurches from your sternum. As if you were the reason for his pain. For the state of his body. And you think back to the desperate look in Peterâs eyes the night you took him home from the party. Were you too cruel, then?
Itâs like he steals the words from your mouth. He beats you to it.
"Iâm sorry," Peter murmurs. His amber eyes blink up at you, unfathomable. You flash him a downturned grin.
"For what?"
"I feel like⌠thereâs been a distance between us lately. And I donât want that, because youâre my best friend. And now youâre taking care of me when you donât have to. I just wanted you to know that I really appreciate it. That I, um, loâ," he stammers. He chews on his bottom lip. "Youâre really good."
"âm not all that good, Peter."
But of course, you are, he protests in his head. You are the moon and the stars and everything in between.
"Iâm sorry for not being around."
"Not just your fault," you shrug. "Phone works both ways."
He knows you better than you think because, within seconds, his palm rests softly on your cheek, where he feels a hot tear.
"Whatâs up, Spidey?" he asks you. It makes you laugh.
"Shut up." You shake your head, trying to hide your face. The feeling of his thumb rubbing your cheek makes the tears flow even more. "I wouldnât know what Iâd do if something bad happened to you. If I couldnât get to you. Or if you â if you were gone."
"Iâm okay, Rabbit. Weâre okay."
"Yeah," you chuckle, trying to hide your tears.
"Couldnât get rid of me if you tried."
You feel warmer in his grasp. His small breaths fall on your arm as his body curls up next to you. Heâs bigger than heâd been before back when you were teenagers. The jaw is chiseled and sharp. Not as soft and boyish as you once knew. With your senses, you can discern the steadiness of his heartbeat as his chest rises and falls into slumber. You fall asleep soon after, dreamless but full of warmth.
____
Waking up next to him is nothing new, but itâs been years. You never thought anything of it when the two of you were sixteen, staying up all night reading creepypastas and watching movies until youâd fall asleep on top of each other by four in the morning.
After a nightâs sleep, Peter's sullen face is a bit brighter despite his dark circles. His limbs are entangled in yours, bodies fused together. Yin and yang. You can only assume that this is how it will always be.
You keep mental notes of him like trinkets. The uneven slant in his left eyebrow. The faint freckles dotted along his nose, the one near the corner of his mouth. The faint shadow of hollowed-out cheeks. Peter is still half-boy to you, and half-man, but you didnât want to come to terms with it. Maybe he was something else. Half-ghost. Half-angel.
Slowly, over the course of a few weeks, he comes back to you again. Sitting together and reading at a cafe. The occasional 3 am swing. Walking around high at the 7-11.
"Did you like Rhode Island?" he asks over a joint one night.
You hum for a second, trying to come up with an acceptable answer. It wasnât that you hated being in Rhode Island. It was that you hated being away from him.
So instead, you shrug. "It was nice to get away from everything. Providence is still a city, but it isn't as large as all thisââ
You trail off, making a vague gesture with your hands. Chaos, Peter presumes.
"Less overwhelming?"
"Sure," you say, nodding. "I missed being home, though."
I missed you.
Peter passes you the joint. His brain feels fuzzy. Warm. He doesnât know what to do with his hands. He massages your ankle absentmindedly.
"I get it," he says, breaking the silence.
"You get what?"
"Wanting to leave. I've been thinking about it," Peter shrugs, his eyes squinting in the late afternoon sun. "Sometimes I wish we could pack our bags and go to the countryside. See some cows and shit."
We. We. We.
"There are cows upstate," you snort.
"You know what I mean."
"We can do a road trip."
"You canât drive."
"I am aware and perfectly fine with being a passenger princess. In fact, Iâm looking forward to it," you grin.
He yanks your ankle this time, causing you to slip from where youâre sitting on the pavement. Giggling, you swat away his hands, but heâs too quick, untying your shoelaces as you kick and thrash.
"Honestly, itâs probably better for society if you never get behind the wheel," Peter teases. He dodges you when you try to kick him in the shin.
"Oh, but you can be? You get so distracted so easily! Whenever youâd practice driving, youâd miss so many exits or be too anxious to merge on the highway."
"Okay, well, youâre just a force of distraction," he shrugs, throwing his hands up in defeat. "You have that effect on people."
You look at him quizzically, your eyes narrowing. If thereâs anything behind his statement, he doesnât show it on his face. Peter knows his cheeks are burning, however.
There are more moments like these. Ever since youâd rescued Peter that night, heâs grown accustomed to spending hours of his day idly looking for you, learning your class schedule, and following you home like a pet when itâs time to unwind. He stays for hours like he used to when you were kids, and although he always thinks heâs overstaying his welcome, you donât seem affected.
You curl into him more these days, like a sunflower stretching toward the morning glow. There are more lingering touches, here and there. You have to remind yourself not to get too comfortable, but God, he makes it so easy.
So the burning question pops out during a marathon of Chainsaw Man.
"Does MJ care that we hang out so much?" you blurt out. He looks at you like you have three heads. Also, his mouth is full.
"Um, webrobrup," he mumbles. He frowns as he looks down. Hot Cheeto fingers.
You mock him, of course.
"English, yeah?"
He chuckles as he finishes scarfing it all down. He shyly licks his fingertips, and you have to stop yourself from staring at the way his fingers enter his mouth. Ugh, gross. This is hardly supposed to be hot.
"We broke up."
You keep a straight face. Itâs not like youâre excited or anything. You realize you shouldnât be surprised because⌠why else would he be so available to you lately?
"Shit. You really fumbled, then."
"Shut up," he laughs.
"Seriously. Who else is gonna wanna put up with you?" You both know the answer to that.
"It was mutual," he says, shrugging. "Iâve got all my Spider-man shit, sheâs getting into a bunch of extracurriculars and even a research internship even though weâre literally first years."
"Classic MJ."
"Yeah."
"Weâll get you back on the market, buddy," you tease, patting his head like a dog. A coy smile lights up your features. It makes something inside him melt.
"Iâm not a piece of meat."â
You click your tongue.
"Oh, right, youâre an insect."
"Hey, so are you!"
____
You used to think it was a kind of twin telepathy, the magnetism to Peter that you felt. Bitten by the same spider and entangled in the same web. You realize as you grow older that itâs more than a platonic bond. It feels like wanting to share the same skin.
Or maybe itâs the wine talking.
Itâs not your job to keep Peter afloat at the party right now, but both of you remember too well how the last party went. He continually sips water in between gulps of whiskey like a paranoid freak, which you tease him about. Maybe itâs just the darkness of his eyes under this light, but his pupils look wide and dilated.
Itâs almost March. Youâd both endured a proper New York winter, which usually extends until April if youâre lucky, but global warming has other plans. It's warm enough for you to pair one of your favorite dresses with an oversized Carhartt jacket that used to belong to Peter before the bite bulked him up significantly. You fiddle with the black velvet wrapped around your body as you pretend to listen to banal conversations, leaning your head into Peterâs bicep.
You keep picking at loose threads obsessively. You think about your fingertips and their webs. You think that maybe you should take up crocheting to distract your hands from their restlessness.
Peter grabs your hand away from you, squeezing it slightly, not even looking at you. His flushed palm rests against yours. Gently rubbing your thumb between your finger divots
If you were a cat, Peter would imagine you purring right about now. He wants to take you into his lap, stroke your hair while the alcohol subsides in both of your systems. The thought of you on top of him causes his cock to twitch slightly. His rose-colored cheeks are from the whiskey, he reassures himself. An affirmation. He lets go of your hand.
He knows that this isn't the time or place for such thoughts, so he makes an effort to push the desires down. He knows they'll come up again when the whiskey leaves his veins, but at least he'll be of sober mind.
Christ, he feels like he's at a middle school dance. Especially when you run off with a spring in your step to socialize with some girls you recognize from school. The smell of your hair lingers next to him. It's sweet and slightly floral, a scent that makes him think of when you were kids.
His ears perk up like a dog's when you call his name, reaching out to him so that you can introduce your best friend. He has the right mind to be polite, even funny at times, but he knows he pales in comparison to your current charisma, which contrasts with your usual wallflower nature.
Peter likes watching you talk, and you like that he watches you so intently. When you know he's watching, it's easy to deadpan some drunken jokes and elaborate superfluous tall tales from your high school days. His eyes are bright, and his bottom lip is chewed in between his teeth.
Suddenly, he gets to be alone with you in the kitchen. Your scent permeates the air. He could drown in it.
âRabbit," you whine petulantly. "Swing me home."
"How drunk are you?" he chuckles with adoration.
"Not very. Just tired, s'all," you respond with a yawn. You scrunch your nose. "Can I sleep at yours?"
Peter looks at you with a soft gaze. "Of course, angel."
Angel. He's never called you that before. You decide that you like the sound of it.
By the time midnight comes around, you're barefoot in his bedroom, black velvet spinning loosely around your figure. In Peter's blurred vision, you look like a friendly apparition, one that particularly favors "Champagne Coast" by Blood Orange.
"Come into my bedroom, come into my bedroom," you quietly sing along as you sway your hips.
"You're already in my room."
Your smile beams at him, huge and illuminating, and impossible to look away from. Peter wishes that he could bottle up this moment to revisit it, or maybe live in it for the rest of his life. The sweetest way to exist.
Your body sinks to his level -- no, collapses -- as you roll over his heavy frame and rest yourself on your back. Your hair fans out like you're underwater. Your lips are red and wine-colored, freshly bitten. When you turn your head toward Peter, his hand plays with the exposed nape of your neck, fingertips grazing the creases of your skin.
"You used to be so gangly, you know," you murmur. Your voice is lower than usual.
"Okay, well, I'm not anymore."
"I could totally still take you in a fight." Still refers to the times when the two of you would attempt something along the lines of combat training, if combat training was just you unleashing your hotheadedness with your mutant powers instead of with your fists. If you weren't so agile, maybe Peter would've had a chance of winning.
"I'd like to see you try, angel."
It's decided -- you are on top of him, knees bent around his waist as you wrestle. The fabric of your dress pools around your waist in a way that feels sacrilegious. Peter has his hand on your thighs, and his touch feels white-hot to both of you, so he closes his eyes, tries to focus on swatting you away like a bat instead. When he opens his eyes, he meets your devilish ones, gleeful that you've managed to pin his arms above his head.
It would take two inches to break this spell of separation. He keeps trying to keep this bubble intact because the last time he tried to pop it, the look on your face made him want to dig a hole and lay in it forever.
Peter feels sorry for many things. He feels sorry for the times he's intruded, when he's made Mr. Stark angry, for the times he couldn't be there for you. He feels sorry that you had to take care of him when he wanted to do that for you.
Right now, however, Peter doesn't feel sorry at all. The slight twitch of your pulse, the way you smell, the curve of your bare shoulders -- it's all too tempting for him to feel sorry for. So he kisses you.
He's surprised when you nearly bite him back. You inhale sharply, pressing your body against him as you let go of his wrists and rest your palms on his jaw instead. Your kiss is fervent, desperate.
His brow cinches in confusion when you pull away.
"Wha--"
"Fuck."
"What is it?" He frowns.
"I owe Ned twenty bucks."
"What?"
"I just remembered. At graduation, he was like, teasing me that we were gonna get together, and we bet on who would make the first move. I was just entertaining him, but you know how that kid gets about twenty dollars."
"So you thought you were going to make the first move, then?â
âI mean, yeah. How was I supposed to know that MJ was going to cuff you before I did?â
âYou snooze, you lose, I guess,â he deadpans.
âYou donât even fucking deserve me, you little freak,â you taunt, tickling his exposed midriff.
âGod, I know. Iâve known that for a while. Too bad I want you regardless.â
He smiles as he captures your lips again, tasting sweet and smoky at the same time. He coaxes you onto your back and you revel in his body heat and the way his large hands grab the plush of your thighs, pushing and pulling your skin taut. Itâs so erotic that it almost feels dirty.
You kiss him back like heâs your last meal while you roam your hands under his shirt, then to his protruding collarbones, then experimentally, to the tufts of his chestnut hair. You pull a bit too hard due to your eagerness and he lets out a mewl that you never couldâve imagined to come out of him.
âYou like that, donât you?â you taunt darkly. âIs that why you always want me to scratch your head when we watch movies?â
âI donât care what you do as long as youâre touching me,â he breathes out, like a confession. âDonât care how you touch me, sâlong as itâs you.â
A tepid blush soaks your face. You shut him up with another kiss. He licks at your bottom lip, groaning softly at the feeling of your soft body against his.
âYouâre so pretty, Peter,â you whisper.
âYou are.â
Before you can react, you hitch a breath in surprise when you find that his hands have fully reached above the hem of your dress and onto the bare skin of your hip, toying with the elastic of your underwear. You part your legs, bending your knees so that you can pull the fabric off.
He sighs as his fingers tease the slot of your cunt, which grows wetter and wetter with every touch. Your sensitivity makes you squirm a little. He can tell so easily that youâre falling apart for him. He loves it.
You nearly whine when he takes away his fingers from you. Instead, he towers over your body, pulling your legs toward him as he pulls up the hem of your velvet dress and cascades kisses on your knees. He slowly works his way up to your thighs, biting gently, then hard. Meanwhile, his hands roam the perimeter of your chest and your ribs, all soft and pliable for him. Youâll be delighted when you wake up to a bruise on your thigh stuck in the shape of Peter Parkerâs mouth.
A shiver lacerates your lower body all the way up to your neck â you feel it, viscerally. All from his mouth. He slots his tongue onto the bud of your clit going slowly just to watch you squirm.
âPlease,â you beg.
âPlease what?â His eyes are as dark as the sky. As dark as your dress.
âYourâ your mouth. I need it. Please. More.â
Peterâs grip on your thighs tightens as his face moves closer to your center, licking incessantly as you cry out. You attempt to muffle your sounds with your hand covering your mouth, biting the skin on your palm. Your blood is hot, pumping hard, all the way down to your swollen clit, and he treats you like a man starved.
âOh my God,â you gasp. âMore, please. Pleasepleaseplease.â
He listens to you, forcing his ring and middle finger into your cunt and curling upward. Your legs shake involuntarily when he does this and it takes everything in him to not stop just so he can see the look on your face head-on. You look so beautiful right now.
âGonna cum, Pete. Fuck.â
He closes his eyes as he savors your sweet taste. He feels it when you cum as if itâs happening in his body, too. A jolt to the sense. A vivacious rumble. Your mouth is slack, jaw falling open with your eyes screwed shut as you finish, and Peter towers over you to watch. Heâs never seen you like this. He wants to keep the image of it forever.
You thank him with a messy kiss, not caring about the remnants of your lipstick. Your hands attack him, teeth nipping at his earlobe as you help him undress. Soon enough, the two of you are naked together, limbs entangled and kissing without paying any mind to oxygen.
You take his jaw in your hand as if heâs a delicate thing. Easy to break. Itâs your turn to tease, now.
âWhat do you wanna do?â
âYouâre such a little shit,â he mumbles, but he canât help but grin.
âTell me about it, Spidey.â
âWant you, Rabbit, want to make you feel good.â
âAnd how exactly will you do that?â
âGonna fuck you. Iâll make you cry if you keep being a little shit like this, too.â
Thereâs no time for a reaction. Heâs on top of you, pinning you down, and he licks your collarbone up to your jaw as you whine like a newborn kitten. He spanks your ass and you have to your bottom lip to keep from being too loud.
âYou want it that bad, huh?â
âYeah,â you respond breathlessly. He melts at the sound of your voice, cooing softly as he playfully bites the skin of your cheek.
You love him like this, a burst of passionate energy focused on you and you only. His little angel. You remember your rabbit heart caged in your sternum fragile and thumping like an earthquake for him.
He pauses to give you another kiss, this time sweet as he licks up the bottom of your lip. You can feel him at the crux of your legs and you can feel the want pumping in your veins. Patience. Patience. Patience.
âYou want me to go slow?â
âOf course not.â
Youâre so relaxed in his grasp. Gooey with your desire that it might disgust you if you werenât so enamored. You keep your eyes on him when he enters you â you want to see the look in his eyes.
Peter feels selfish wanting to tease you like this. Heâs slow when he enters you, listening to your sweet exhales.
âEasy,â he warns. ââm gonna take care of you, donât worry."
Please floods your entire body like a heat stroke. You bend your knees upward and rake the smooth terrain of his back, lifting your hips up at the same time. He thrusts once, then twice, and already, he feels like heâs ready to unfurl completely.
âFuck,â he groans. Youâre so goddamn wet. Soft. Velvety.
âDonât be shy, Peter,â you murmur. âCâmere.â
You keen into the way he buries his nose into your shoulder, shallow breaths uneven and erratic as he continues, losing control bit by bit as he goes on. His pleasure is the knife you twist inside yourself.
You gasp at the way he can carve you out, the way he knows exactly where to put his hands as he grasps for your body, like heâd molding you from clay. He drinks down your moans with his mouth, eyes fluttering at the impact of your cunt clenching him.
Peter props himself up now, moving his body backward so heâs perpendicular to your core. He holds you by your hips a little too hard, but youâd always liked it rough. You liked it when he would cuddle you or play with you or put his entire body weight on you. To smother was to be encased in something akin to love.
âFuck,â he hisses, getting the hang of a constant rhythm. His hips slot with yours as his cock thrusts deeper into you, until he can feel the slight tremble of your thighs.
âYou okay?â he asks, chest heaving.
âYes, keep going. Keep going.â
You underestimate how fragile you are. A rough thrust almost has you there, until he pulls out of you like a stolen breath, and it leaves you whining.
âPete.â
âShh, Iâm just trying to pace myself,â he breathes, jaw slack and glistening with sweat. âYou feel too fucking good.â
âCome back or Iâll break your wrists.â
He chuckles, but youâre dead serious. You lift your body to him so you can pull his down, kissing him with a ragged hunger thatâs all teeth and lust. Heâs quick to match your vigor but with more tenderness than desperation. It makes you melt, how natural it is, how this is how it mightâve felt in a past life. Your bodies entwined in a way thatâs proverbial.
He listens to you. Fucks you much rougher than before, giving in to what he wants, because heâs not sorry about how much he wants you. Your broken moans curl out of your throat and into his mouth and the feeling of him deep in you makes you feel like a balloon ready to burst from the pressure.
Itâs like Peter reads your mind, because suddenly, his hand is around your throat. Youâve never looked more angelic to him than you do now, eyes half-lidded and your reddish mouth all lax.
âSo fucking beautiful, I love you,â he mumbles against his mouth.
I love you. I love you. I love you.
All of Peterâs muscles are tense from holding back. Fuck, he doesnât want to cum until you do.
Luckily, the way his cock stretches you out has you nearly drooling underneath him. He touches the deepest parts of your insides like he belongs there, like he was meant to be there, as if the way he turns his hips toward you is a vow in itself. You whimper at the feeling of it all and he nearly loses it.
âIâm so close,â you pants. Thank fucking God.
âYeah?â
âYeah.â
âCum for me,â he coos. âYouâre doing so good. Fuck.â
Your gaze lingers on the shape of his mouth. You think about how his voice sounds when he calls you angel.
Your orgasm comes like a flower blooming, like a beam of light in the darkness. He feels it, too, so vividly like he shares your body. It feels strange how much he feels that he hasnât felt before, and it makes him come undone right after you.
He pulls out of you and spills onto your stomach unceremoniously with something in between a grunt and a whimper. Heâs all over you. You want to bury your body into his.
âPeter,â you whisper, your gaze languishing.
âYes, angel?â
âI think I owe Ned fifty bucks now.â
He looks at you incredulously but you canât keep the facade, bursting into laughter as he groans in annoyance and flops his body on top of yours.
âEw, clean me up, at least,â you complain.
âRight,â he says, nodding. And he does, with a spare t-shirt from his floor absentmindedly while he shares a grin with you. âYou serious, though?â
âOf course not,â you scoff. âNed Leeds will never get anything over twenty bucks from me.â
He laughs and it sounds like heaven.
âYou said you loved me,â you tell him.
âI do love you. Iâve always loved you.â
You could cry right now. Surely the influx of endorphins in your body is breaking the rest of your brain.
âI love you, too.â
You kiss him again, open-mouthed, teeth sucking slightly as his lips. He takes a fistful of your hair while his other hand caresses your jaw. It excites you when he breaks the kiss by pulling your hair. His cheeks dimple the slightest bit when he smiles at you.
âDonât do that, youâre gonna get me hard again.â
âYou have the stamina,â you shrug, hugging one of his oversized pillows to your chest.
âYouâre cute.â
âHey.â
âHi.â
âHow come you call me angel now?â
Peter shrugs. He rubs his hands on your calves.
âYouâre my guardian angel. Always have been. And youâre not allowed to complain about it being corny because itâs true.â
Peter is shy all of sudden as if he hadnât just fucked you. His brown hair is tousled to bedhead perfection, messy and slightly frizzy, and the warmth of his skin radiates from the way his whole body seems to blush in front of you.
âI have a proposition.â
âJesus Christ.â
âCome on!â You nudge him, kicking him with your feet. You get off of his bed to rummage through his dresser drawers for an oversized t-shirt, just dodging his attempts to grab you by the waist.
âOkay. What is it?â
âWe should use our webs next time.â
He blinks, smirking, indulging you for a second.
âDeal.â
tagging mutuals: @meliapisâ @cutetomhollandâ @userhollandâ @sparklingsinâ @tomdutchâ @userhollandâ @vendettaparkerâ @selfcarecap @simplykenniâ @uhlxisâ @cordiformityâ @sapphicsoieâ @seolaseoulâ @honeyspideyâ @logangarfieldâ @justapurrcatâ @arachineâ @cocoamoonmalfoyâ @ohcaptainsâ @aniqua
#peter parker x reader#peter parker x y/n#spiderman x you#peter parker fluff#peter parker smut#peter parker angst#spiderman x reader#mcu!peter parker x you#tasm!peter parker x you#tom holland x you#tom holland x reader#tom holland smut#peter parker x you
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I have an opinion about Holly Kujo and Iâm a little scared cause I dont know the Jojo fandom enough to come in with what I think is a hot take.
Iâve noticed that, in fanworks, a lot of people portray Holly as tougher than she is in the show. And it makes sense, cause the idea of her being so weak-willed that she couldnât handle a stand when even baby Shizuka could manifest one is kinda bs and a testament to Araki not being very confident with writing women at the time (thank GOD he got better though, so, so much better).
But. What always gets me is when her relationship with Jotaro is written to be a little more standard, still loving but with the child having a healthy fear of their momâs anger- unlike what we see in Stardust, with him constantly being a brat, calling her âbitchâ and her shrugging it off with an âOkay!â. And also him getting himself thrown into jail while she still canât bring herself to get mad, just upset. And thatâs a very fun play on them too, but I just worry that people who default to this dynamic for Jojo and Holly might not see how the canon characterization of their relationship is interesting in its own right.
Because even tho Holly being a doormat is a creative choice born from Araki pussying out of giving her a stand, it doesnât change the fact that once he made that choice he gave it great importance. I think the fact that Hollyâs idea of supporting her son is just accepting everything he does without any anger, is central to their relationship. Itâs how, despite having a mother who loves him unconditionally, Jotaro is still a very troubled teen and emotionally withdrawn. Though itâs easy to blame it on Sadaoâs implied absence, or troubles in school, we donât have a lot of textual evidence for that.
But kids who are raised without at least some semblance of discipline and structure typically stop seeing their parents as authorities, and most importantly, protectors. A more textually-backed explanation for why Jotaro is always acting tough and independent is because he doesnât have any adults in his life who he would trust to help him. He loves his mom, he traveled the world to save her life, but while doing that he saw himself as her protector, not the other way around, not the way it typically should be.
Think about, for example, how the adult he mouths off to the least in his life is probably Avdol. And I think part of that is because Avdol walked into that police station, took one look at Jotaro, and instantly clocked everything I just said. Because while Holly and Joseph tried to to get him out with simple words (and for Holly, tears), Avdol was there to force him out. And at first Jotaro says, âIf he tries to force me out, Iâll just stay here even longerâ, but Avdol doesnât give him a choice. And he doesnât win by overpowering him (if he had, I dont think heâd have gotten the same positive result, I am not pro setting troubled teens on fucking fire) but he outsmarts Jotaro and doesnât quit the fight until his goal is achieved. He stays in control of his emotions when talking to him, and proves himself to be someone strong and assertive. So later, on the trip to Cairo, Jotaro is more willing to rely on him than he is to rely on his own grandpa. (+, itâs a similar thing with Kakyoin, who he trusts almost more than anyone else, because he saw Kakyoinâs will and power first-hand when they met, and left with the lesson that Kak is someone he can rely on to protect of both himself and Jotaro. Someone with strong convictions, but most importantly, willing and capable of clashing with Jotaro if necessary.)
All this to fucking say. In a world in which Jotaro was raised to fear his parentâs reprimands (and I donât mean fear to an unhealthy amount, an abusive amount), he would act very differently than he does in the show, and his relationships to other characters would probably look very different. Hollyâs personality and parenting might seem like it was an afterthought to Araki, but I think he truly did take great care in making it consistent with her sonâs character. She is a very loving mom, who is very loved in return, but what I think a lot of people perceive as a flaw in her writing is actually just a flaw in her character, with narrative weight and interesting consequences. And Iâm not sure how many people are really aware of that.
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I think what I love the most about AA is that characters have a duality to them that I don't see often in media. They have actual flaws and do actual bad things, and it's not glossed over. Phoenix is a fundamentally good person, he helps people at the drop of a hat, risks his life for them. Has a penchant for taking strays under his wing. He believes in people... but also not really. He carries a literal lie detector with him at all times, and only employs people who can also peer into other people's hearts. So is he really that trusting? Sure he trusts his clients are innocent, but he doesn't trust they will tell him the truth at all (there's always something to lie about). He believes himself naive, and that's why he works extra hard not to be. Some people think he changed with his disbarment but I feel like when he actually changed was after Dahlia. He became less and less trusting as time went on. And Phoenix actually does forge evidence and risks his subordinate's career, and he says pretty nasty things sometimes (that one time to Edgeworth had got to hurt, badly, especially if you consider that the note could have been genuine at first, which we don't know for sure), has a pretty tactless and somewhat hurtful sense of humor, brings his daughter to cheat at poker, and doesn't tell said daughter she actually has some family left alive. He's secretive, elusive and cryptic, and masks it under a false pretence of goofiness. Miles is, by contrast, very easy to read. He may appear emotionally stunted but is one of the more emphathetic characters. He realizes when he's wrong and immediately needs to correct those wrongs. He grows uneasy and uncertain and eventually recognizes when he's mistaken. By the end of it he begins to help people naturally, without even thinking about it as much as he would have in the past. He helps so many people, he has basically got Phoenix's savior complex 2.0 but the healthy kind where he doesn't jump off a bridge. But... he was also actually cruel, and did send innocent people to their graves (was he really so naive to believe whichever defendant came his way was guilty?). He feigned his death disregarding other people's feelings, and while you could say he had no obligation towards Phoenix (apart from basic decency and respect towards someone who had turned his life around to save him), he still abandoned Franziska, who was still just a kid and had just found out about what her father did. She probably thought, at some point, that the apple didn't fall that far from the tree. That's it's somehow her fault as well. He may be rude and antagonistic, frank to a fault. Isn't afraid of telling stuff to your face. But he also cares about the people he loves so much, to the point he doesn't hesitate to risk his career and break the law multiple times. He may appear a pessimist but he's pretty idealistic at heart, it's quite funny that his favourite show is about an hero of justice, isn't it? Godot is... well, we don't know much about it from before his coma, but he definitely shared Mia's sentiments for helping people in their hour of need. But when he wakes from a 6-year coma he's so broken that he just pins the blame on the most absurd person to blame it on, settles on a complicated plan, and also prosecutes on that particular murder he should just confess upon. Iris was sweet, innocent, self-sacrificing. She knew absolutely nothing about the world apart from what Bikini or her sister told her. She was naive and falsely thought she could fix everything, that her sister was salvageable, that she could save Phoenix. But she still ended up lying to the person she loved and abetting a murder. That's why I love these characters so much. They're interesting and their stories make sense. People don't remain unchanged from what happens to them. People are multi-faceted and complex. You can't sum them up in a bunch of characteristics and aspect them to act on every single one of them, always, consistently. Sometimes people break. They make mistakes they regret, ...and some they don't.
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Vox as an Abuse Victim
So here is that massive Vox post I promised, a day late for...reasons. I swear I have been working on this post for days, even before that StaticMoth discourse influx in my inbox.
After making my post about Vox and Angel and reading @deeply-unserious-fellow's post about a similar topic, I thought it might be finally time to make this post. Most people who have seen my content know how I typically portray StaticMoth. I have mixed feelings about Valentino at the best of times and outright dislike him at the worst. But frankly this post isn't actually about him (well, mostly). It's about Vox and why I am really hoping that Viv keeps the angle of Vox being an abuse victim.
TW for domestic abuse, physical violence, implied sexual abuse, abusive relationships, gaslighting/victim-blaming, and other canon-typical triggers. Contain abusive StaticMoth.
Honestly? The primary reason I hope she keeps it is because it would make him an even more complex character and bring attention to a criminally underrepresented group: abuse victims who are also bad people.
As pointed out in the post I tagged above, the world has become obsessed with this idea of a "palatable" victim, the poor suffering cinnamon roll. An abuse victim is expected to look like a victim. You're supposed to instantly feel sorry for them and want to protect them...but that's not so easy when the victim is someone who also hurts people, is it? It's not so easy to pretend they didn't do bad things too...but they are still a victim. That does not change just because they are a bad person. And thus it becomes complicated and interesting. Because it's not so easy to root for the victim when they're also victimizing others, especially when those others are people we care about...like Angel Dust. At the bare minimum, Vox is doing nothing to stop Valentino from abusing Angel or any of his other employees. Having Vox be a victim of the same abuse that Angel Dust suffers (at the hands of the same abuser no less) and yet also being someone who enables Angel's abuse creates a very complicated situation.
In a most media, the discovery of a mean/bad person being abused is frequently portrayed in a "well, they were abused so you can't be mad at them anymore" kind of light. Like "see? They're just an asshole because they were being abused! Now that we know, they're suddenly a good person!" Except that's not how it works. Someone can be a bad person and also be a victim. And even if them being an asshole was the result of their abuse, those behaviors and the consequences of those behaviors don't just vanish. They still hurt people and frankly I would riot if it came out that Vox was being abused by Valentino and then everyone in the show just up and forgave him for being an asshole. Like...no? He would still need to make up for his own shit and actually work towards being a better person. I like this character because he's an unapologetic asshole. If making him a victim takes that away, then that would be such a missed opportunity.
In fact, one thing I find interesting is that I definitely believe that Vox would have no problem admitting to being a bad person, but would rather fight an exorcist alone than admit to being a victim. His ego won't allow for it. He would probably laugh in your face and call you delusional while literally having a broken screen. Because he can't admit it, even to himself. He would see it as a sign of weakness and that's not acceptable to him (side note that being a victim does not make you weak, that's just what Vox's toxic mindset tells him). While I am fairly certain that he would have moved on from most 1950s mindsets since he is all about the future and progress and moving forward, toxic masculinity is still very much a thing today and I can definitely see him embodying it in some aspects, like needing to appear strong and in control at all times (and Hell's power hierarchy definitely encourages this mindset, so...). Fuck, even now in fucking 2024, men still have a hard time being taken seriously as the victims of abuse. Unless of course you fit a certain mold.
Angel Dust is the perfect example of this. He is a palatable male victim. He's effeminate, he's funny, he's friendly, he's caring, and we actively see him miserable in his suffering. Despite being in Hell just like the rest of them and having been a former mafia member and clearly able to stand on his own two feet it combat, his victimhood is constantly on display and the audience wants to protect and save him. On the opposite end, Vox is shown in a position of power that is constantly reinforced. He's an Overlord, he's manipulative, he's cruel, he's greedy, and he enables abusive behavior from others. He is not a palatable victim, which is why it's perfect.
Now let's get into what I believe is the actual evidence that this dynamic could still be present.
Something I see people commonly say is that Vox being abused by Valentino doesn't make sense because why wouldn't Vox just fight back? He could just shock Valentino into next Tuesday? And to these people I kindly say fuck you. Because while physical strength can be a factor in abuse, it is very rarely the thing that keeps the victim from leaving. Abuse, even when physical, is heavily psychological. It's like telling a victim "well, why didn't you just leave?" It's not that easy. Abusers tend to target those with low self-esteem and it's made pretty clear that Vox is a very insecure person (I feel the need to point out that having an ego and having high self-esteem are not the same thing, in fact having a big ego is typically a side effect of very low self-esteem). It's entirely possible that Vox makes the conscious decision not to fight back because he's afraid of what will happen if he does. He's afraid Valentino will leave. We know Valentino is just as mentally and emotionally abusive to those around him as he is physically abusive and we have actively witnessed him playing into Vox's insecurities and mentally messing with him (specifically in the events leading up to "Stayed Gone").
So let's talk about the scene leading up to "Stayed Gone," because I also see Vox's behavior towards Valentino here used as justification for why it's not possible for Valentino to be abusing Vox. Full disclosure, I myself in the past have even thought that it demonstrated them being mutually abusive towards each other, but have since changed my opinion after reading more takes and doing further analysis. Having rewatched this scene many times now, I have some observations.
There's a small moment that always caught my attention when I watched this scene because I wasn't sure what it meant, but looking at it in the context of this post, I think I can see a possibility. When Vox goes to see Valentino, he approaches the doors and they are opened for him by Valentino's servants. Vox pauses in the doorway, glances at them, then continues on inside.
What was the point of this moment? It seems out of place. Surely Vox has gone to Valentino's room before? Surely this door opening thing isn't new? And looking at Vox's face here, he looks...concerned? Like...they might hear what goes on inside? And he maintains that expression even as he enters the room, like he doesn't like that those two are out there and might hear them.
It also makes the entire situation feel so routine. Like Valentino is upset and these girls just expect Vox to show up and take care of it. And the scenes prior to this also sets it up as a normal occurrence. Vox rearranges his entire schedule to deal with Valentino, like he absolutely expects this situation could take up the rest of his day. And Valentino clearly doesn't listen to Velvette in this regard as she had to call Vox to come deal with Valentino despite him wrecking her department. Her comment even further establishes this as normal when she tells Vox that Valentino is "up in his tower, waiting for a flat-faced prince to calm him down." And when Vox arrives? "FUCKING FINALLY!" All of this sets up a standard situation: when Valentino is upset, it is Vox's job to calm him down and make him feel better. Valentino is a full grown adult and yet he has made it someone else's problem to manage his emotions.
Then of course we have the classic moment of Valentino literally throwing his glass at Vox only seconds after Vox has arrived. And this has to have been a conscious decision, because right before that, he throws his first glass on the ground before demanding another. So if he wanted to just break something, he didn't need to throw it at Vox, but he did. And I definitely don't think he cared if Vox got out of the way or not. But how easily Vox moves aside tells us that he fully expected to have things thrown at him and was ready for it. Now, I do believe that Valentino would throw shit at literally anyone when he is mad, but the key here is that Vox, his supposed friend, on-and-off lover, and business partner, is not exempt from this behavior. He even breaks Vox's phone when he realizes Vox is not paying attention to him. He has no qualms breaking Vox's property just to soothe his rage (I would also like to point out that he fucking obliterated that thing; just how hard did he fucking throw it?!).
Something in this scene that did initially throw me as I was writing this is that Vox doesn't seem particularly afraid of Valentino. Not the way we see Angel is when Valentino gets angry. We also see him actively get angry with Valentino, get in his face, and manipulate him. In the past, I believed this behavior from Vox to have established their relationship as mutually abusive. However, after reading yet another post from @deeply-unserious-fellow, I realized that everything Vox does here is only in direct response to Valentino's tantrum.
So let's go through some things here. When Vox initially tries to tell Valentino he can't go to the hotel, Valentino straight up ignores him. Does not respond to Vox's words, completely carries on like he didn't even speak. From this point on, Vox takes an entirely different approach to the situation. He manipulates Valentino into thinking that not shooting up the hotel is his idea and even offers further appeasement in the form of shooting his own employees as a method to satisfy Valentino's temper. I admit to initially viewing this as Vox being abusive, but frankly, when your options are being manipulative or letting your business partner go shoot up a hotel that houses the literal Princess of Hell, yeah, I'd take the manipulation route. Because, as I pointed out above, Vox cannot actually control Valentino. He tries to give him an order and is completely ignored. And even when he does successfully manipulate him, he still has to appease him in some capacity.
Now, there's also something here that is often played for shits and giggles, but I'm taking it 100% seriously right now. Many people point out that Vox's screen gets brighter when he gets in Valentino's face. Valentino is a moth demon and after Vox does this, he seems to be dazed for a moment, enough for Vox to rapidly switch back into manipulator mode and does his thing. It seems to have snapped Valentino out of his rage and I literally can't help but think that Vox has learned this as a defense mechanism. Valentino can't see very well, so it's very likely Vox's hypnotism doesn't work on him, so Vox had to find other ways of manipulating him and calming him down when he's in one of his rages.
Something I also want to point out is that it is made very clear through a single solitary moment that Valentino is in no way afraid of Vox. When he tells Vox about Alastor, Vox screams in his face, manhandles him, and Valentino just...pushes him off and saunters away, grinning like the cat that caught the canary. He doesn't even look upset or concerned when Vox grabs him. He just...laughs it off...like he knows Vox won't actually hurt him. Because I genuinely think Vox won't. Later in the episode, we hear Valentino's voicemails to Angel Dust and how he's emotionally manipulating him, telling him he can't really get better. I wouldn't be surprised to find that he's given Vox a similar treatment, especially considering that it's obvious Valentino knew what kind of reaction he would get out of Vox by bringing up Alastor. And sure, he brushes it off with a kink joke, but in all seriousness, why did Valentino keep Alastor's return from Vox? We know Angel has been at the hotel for a little while and Alastor has been involved with it as of a week prior to the beginning of season 1, so why suddenly bring it up? It's almost like he was specifically holding onto this information, waiting for the perfect time to use it that would be the most beneficial to him.
There's also another little scene that always caught my attention. It's when Valentino is getting pissed about the shadow construct that Angel Dust is flirting with.
Valentino starts getting pissy again, demands Vox's attention, gets annoyed when he doesn't get it, then immediately switches to mocking and confident when Vox starts bitching about Alastor. Like...he's so fucking proud of himself for getting Vox all worked up over Alastor. Like it's some kind of game for him. Riling Vox up and messing with his emotions is fun for Valentino. Alastor dredges up some real shit for Vox and Valentino exploits it. And from here on, he just keeps egging him on. Now, I'm pretty sure "Stayed Gone" would have happened with or without Valentino, but the point here is that he is definitely playing with Vox's emotions here.
As for the not being afraid aspect, again, Valentino hasn't actually threatened him with something that truly scares him. I don't think he's afraid of what Valentino could physically do to him. It's more likely to make him mad than anything else, even if he doesn't fight back (he'll probably go take out his anger on someone else). The thing about Vox is that we see that he does not like to appear weak in any capacity and I think this extends well into his own psyche. If he admits, even to himself, that he's a victim...to him, that's admitting weakness and he just can't do that. So Valentino's not abusing him, they just had a fight. He didn't hit back because he's in control of himself and he knows he could totally toast Valentino. It's Vox's own fault for pushing his buttons when he knew Valentino was mad. It wasn't rape cause he never said "no".
TLDR: Vox can be both an asshole and an abuse victim and it would be a really interesting aspect to his character as long as the show does it right and doesn't scrap his assholeness to make him a more palatable victim. Show him being a victim and also victimizing others. Show him not wanting to accept that he has been abused. LET PEOPLE BE UNCOMFORTABLE WITH FEELING SORRY FOR HIM.
(that's all for now, I have literally been working on this post for days and I'm exhausted)
#hazbin hotel#hazbin vox#hazbin hotel vox#vox hazbin hotel#alice rambles#hazbin valentino#staticmoth#hazbin angel dust
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Joyride
Yandere Strawhats + Ace x Isekai Reader
2.2k words
Part 2
Yet again, this fic is inspired by @lovelybrooke âs Isekai reader stories.
I also want to say thank you for all the support and kind comments on the last story I wrote! Iâve actually been working on my own yandere one piece fic that Iâm hoping to start posting in a few days give or take, so if you like what Iâve written so far, keep an eye out for that! All future writings are gonna be posted on my writing blog @rollinouttahere-writesâ so go follow that blog if youâre interested!
Trying to act normal and inconspicuous in the One Piece universe was a far from easy task. Being the massive fan of the series that you were, it was damn hard to not give away that you knew all about the crew that was so generously letting you stay with them after appearing on their ship with zero explanation.
It became even harder to stay lowkey when Ace temporarily joined up with the Strawhats. All you wanted was to hug that man and tell him how loved he is and that he deserves to live just as much as anyone else, but you really couldnât say or do any of that without looking weird. Youâll just have to settle for being extremely nice to him, which was very easy.
Ace himself was already an easy guy to get along with (now at least), but he was noticeably very interested in you. You couldnât blame him, what with Luffy almost immediately outing your insane situation to him. He seemed incredulous at first, but warmed up to and accepted the story way faster than you expected. It didnât take long for his questions to go from feeling like an interrogation to being genuine.
You were so busy soaking up the attention from such a beloved character that you almost missed how jealous your crewmates were getting. Luffy, Usopp, and Chopper were taking it the best. Chopper probably because he was still so new to the crew that he wasnât all that bothered by one of them not paying as much attention to him. Usopp was too busy building Namiâs weapon to concern himself with it too much. Meanwhile, Luffy was just so happy to see Ace again that he didnât really notice that you were spending a lot of time with him. That, and he would usually be hanging out with both of you anyways.Â
The others though, oh boy did they not like this. Nami was the most blatant about it, straight up glowering at you and Ace whenever you two were too close for her liking. Youâre pretty sure the only thing keeping her from up and dragging you away from him is Luffy dismissing her complaints and telling her to stop fretting over it. You love being a part of their crew, so she should quit worrying!
Sanji and Zoro were both vying for your attention in their own ways as well. Sanji suddenly wanted more help around the kitchen, insisting that he needed an extra pair of hands now that there was another mouth to feed. Given that Aceâs appetite was on par with Luffyâs, you could understand the desire for help. Zoroâs attempts were considerably less convincing. One time he wanted you to spot him while he was working out, making you laugh right in his face at the mere idea that you would be able to help him with the ridiculous weights he lifts. His face had gone bright red after you pointed it out to him, prompting him to walk away immediately, much to your amusement.
Right now, though, you werenât with Ace. Him and Luffy were busy doing something and you didnât want to butt in on all their time together. Instead, you were ogling Aceâs boat that was currently tied to the side of the Going Merry.
You absolutely loved the design of his ship, it was such a clever idea to use his devil fruit ability to power a steam engine and make what looks like a tiny sailboat function like a jet ski. It didnât appear in the anime too many times but everytime it was on screen it looked so cool.Â
âI wonder what itâd be like to ride that,â you quietly mused to yourself.
âWanna find out?â
You almost jumped out of your skin at the sudden arrival of Ace. He laughed at your reaction, not a care in the world for the near heart attack he just gave you.
âOh my God, Ace, you scared the hell out of me!â You lightly slapped at his shoulder, your other hand resting over your now racing heart.
He laughed some more, âI could tell, and Iâm sorry about that.â He didnât sound even vaguely sorry. Ace elbowed your side, âBut seriously, do you want to go for a ride?â
The offer had you staring wide-eyed at him. Then the boat. Then back at him again. âReally? Are you sure?â You were desperately trying to keep your cool and not show how insanely excited you were about the idea.
âOf course! I wouldnât have offered it if I wasnât. Come on,â he hopped up onto the railing and held his hand out to you. You didnât need to mull it over, eagerly taking hold and stepping up with him. As soon as you did, he wrapped an arm around you and was ready to jump down onto his boat when Nami started yelling.
âWoah, woah, woah, what the hell are you two doing???â Nami, who was previously pruning her trees, had abandoned the activity entirely in favor of sprinting over to where you were and grabbing onto your leg.
â(Y/N) wanted to try riding my boat, so weâre going for a little joyride, thatâs all,â Ace flashed Nami a dazzling smile, not at all deterred by her interruption.
âNo way! What if they fall off? That thing doesnât look safe at all!â Nami was now pulling on you, trying to get you down from the railing.
Ace held on tighter in response, âItâs perfectly safe, it has to be. Iâm a devil fruit user, remember? (Y/N) isnât, so really, Iâm in more danger on that than they are. Itâs fine.â
You could tell Nami was ready to argue more, but thankfully Luffy piped up, âDonât worry about it Nami! If Ace says itâs safe then itâs safe!â Luffy, who was perched on his special seat at the bow, came bounding over, âBut I wanna go next!â
âSure thing, Luffy, weâll be back in a bit,â Ace was quick to jump down with you in tow, not wanting to give any of the other Strawhats a chance to object. After untying it from the Going Merry, he knelt down slightly, âHop on my back, youâre not gonna want to have your feet down there when we get going.â
Not wanting to get set on fire, you obliged. If you weighed anything to him, he didnât show it, simply standing up straight as soon as you were on. âReady?â
You excitedly nod your head, holding on tight to Ace in preparation. It was a good thing too, because he decided to immediately start at the leisurely speed of what felt like mach 7. A shriek emits from your throat as you take off. You think you can hear Nami yelling something again, but couldnât make it out over your own screaming and the noise of the steam engine roaring to life.
Ace laughed loudly at your reaction, but did slow down slightly, âSorry about that, I just wanted to get some distance before anyone else tried to stop us.â One of his arms let go of your leg and tugged at your arms around his neck, âBut would you mind easing up a bit? I wonât be able to take us back if you choke me out.âÂ
âOh oops, Iâm sorry!â You immediately loosened your arms and readjusted them. Accidentally strangling Ace was not something you wanted to do today. Or any day really.
He simply shrugged it off, telling you not to worry about it. Itâs not like you could really hurt him. âIâm gonna speed up again, you ready for it this time?â
The second you confirm that you are, the boat lurches forward, cutting through the waves like nothing. Now that you werenât panicking, you could properly take in the experience and thoroughly enjoy it.Â
The wind was whipping through your hair and sea water misted the air, droplets clinging to both yours and Aceâs hair. He hit a particularly big wave causing the boat to go airborne for a moment before crashing back down. You found yourself laughing and cheering as Ace continued to show off, which only egged him on more.
After a while, Ace slowed to a stop and let you down from his back. âCâmere, step up on this,â he stepped to the side and motioned for you to step up onto the front of his boat. His hands rested on your hips to keep you steady, presumably not wanting to get chewed out by Nami if you came back sopping wet.Â
âThis is one of the best parts of being at sea,â he was staring straight ahead. âSunsets out here are something else, you donât get a view like this on land.â
He was completely correct, it was beautiful. Orange, red, and pink hues colored the sky and reflected gorgeously in the ocean. It was a breathtaking view, one you would remember forever.
The two of you fell into a comfortable silence, quietly admiring the view with nothing but the natural sounds of the ocean around you. It was nice, very peaceful.Â
âWhat do you think about staying here?â
You tense at Ace suddenly speaking. âLike staying out here a little longer?â As lovely as this was, the others were bound to get antsy if you stayed out after dark.
âNo, I mean staying here in this world,â he stepped closer to you, wrapping his arms fully around you and resting his head on your shoulder to be able to see your face. âItâs nice here, right? Why not stick around? I know Luffy wants you to. Hell, Iâm sure the rest of the crew does, too.â
You were taken aback by this statement, and werenât really sure how to respond. Sure, it could be nice here when you all werenât being hunted for sport by marines, but this wasnât a place you could see yourself staying long term. That, and you had a life back home, you couldnât just throw your friends and family to the wind like that.
Sucking in a breath, you searched for the nicest way to say all that. âIt is nice here, but I have to go back.â You could feel his posture stiffen behind you, âDonât get me wrong, you all have been super nice to me! Itâs just that Iâve got all my friends and family back home and I miss them terribly.â
âYour family?â Ace said this so quietly that you werenât even sure he was saying that to you. Abruptly, he straightened up, âI know! If you want a family so bad you can join the Whitebeard pirates!â
What? You joining the Whitebeard pirates? You already feel inadequate enough around the Strawhats, you canât imagine how pathetic you would feel around those people. Of course, it would be awesome to get to meet them, but you want to keep to yourself as much as possible since you will eventually have to go back home.
While you were thinking, Ace kept going, âPops would love you, I just know it. We havenât gotten another sibling in a while, everyone would be psyched to meet you.â His once comforting hug was growing tighter by the second. Suffocating even.
âAce-â
âAnd you already have friends with my brotherâs crew, so thatâs all taken care of!â
âAce, ple-â
âOf course, Iâm your friend too, but after you join Iâll be your big brother!â
âACE!â Your yell startled him, mercifully making him let go of you. You take the opportunity to inch forward and create some distance, however minute. âThatâs,â oh, how to put this without hurting his feelings, âthatâs very kind of you to offer, but Iâd rather stay with the Strawhats for now.â
âOhâŚâ You donât even need to turn around to know how disappointed he was by this declaration. He chuckled awkwardly, âIâm sorry about that, looks like I got a little carried away there.â
âItâs fine, donât worry about it,â frankly, you just wanted to go back to the ship after that. The atmosphere was uncomfortable now.
After a few more seconds of silence, Ace cleared his throat and spoke again, âWe should probably head back now, itâs gonna be dark soon.â
You were quick to agree and clambered onto his back, âYeah thatâs a good idea, Nami would throw a fit if we stay out much longer.â Sheâll probably be mad regardless, but still.
Ace got his boat going and began the trip back. The Going Merry was a lot further away than youâd realized, it was so small that you could just barely make it out in the distance. You internally cringe, your crewmates are no doubt unhappy about you being this far away.
Despite the distance, you couldnât help but notice how slow Ace was going compared to earlier. Itâs like he wanted to drag this out for as long as possible. You decided not to call him out on it, not deeming it worth it.
âIâm not giving up, you know.â
âWhat?âÂ
âIâll drop it for now, but Iâm not giving up on you joining Whitebeardâs crew. Just⌠think about it, okay?â Aceâs voice was quiet, just barely loud enough to hear over the engine.��
The rest of the ride back remained dead silent, giving you plenty of time to mull over what just happened. It felt so⌠Weird. Out of character, really. Heâs known you for, what? 24 hours? If that. Yet heâs trying to talk you out of going home and seems dead set on replacing your family with his own. Granted, everyoneâs been more clingy than you thought normal, but this was downright bizarre.Â
You really need to find a way home, and fast.
#one piece#yandere one piece#one piece x reader#yandere#portgas d ace#one piece ace#monkey d luffy#luffy#nami#one piece nami#zoro roronoa#sanji#we believe in alabasta ace supremacy here
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Anya and Swansea
There's much to be said about how Swansea's bond with Daisuke, and Anya's interactions with Curly, reveal parts of their characters that Jimmy obscures. But there's also more we can learn about them by analyzing their relationship to each other, and the things they share.
From their first exchange, it appears that they have a fairly rocky relationship. Anya comes across as meek, Swansea is quick to shoot her down, and harshly at that.
It's not by accident that this is how they're introduced; first impressions go a long way in shaping our opinions. This fits in with a large part of Mouthwashing's narrative framing through Jimmy's perspective. It immediately suggests his way of thinking to the player; Anya is weak and incompetent, and the rest of the crew agrees with this judgment. Swansea is an old, selfish bastard with no respect for anyone around him.
But if we take into account the context of this interaction, we can see it from a different angle. The most important thing to take into account is the timing: two months after the crash. Keeping that in mind, we can then look not only to the one time we see them chatting before the crash, but to Anya's overall demeanour.
Here she appears lighthearted, friendly, even confident. It becomes clear that she's simply taking the crash harder than the rest of the crew. And after seeing the whole picture, it's not hard to see why. Everyone is in the same hopeless situation, but she's the only one stranded there for months on end with her rapist. The man she already feared was at the verge of more extreme violence, and rightly so. And on top of it all, she blames herself. It was, after all, moments after her third cry for help that the crash occurred.
And here I would also note a subtle but significant difference in the way she responds to Swansea's dismissals as opposed to Jimmy's.
She may not assert herself strongly, but with Swansea, she's at least comfortable enough to attempt it. For obvious reasons, she rarely does so with Jimmy. Add to that the way Swansea's roughness rolled off her back before the crash, and I think we can assume Anya felt much the same as Daisuke.
Of course, Swansea's words are still callous. But it shouldn't be taken for granted that he, like Anya, is alone in his particular struggle. He has, long before the rest of the crew, decided that the Tulpar will be his grave. Although it would have been easy for him to save himself using the lone cryopod, he has no interest in doing so. Instead he keeps this knowledge to himself, both to keep the crew as stable as possible in the final days and to protect whoever would get that one last chance to be saved.
And to cope with all this, he gives in to his worst impulses. Not just to his alcoholism, but to the walls he builds around himself.
Despite his worsening temperament, Anya still trusts Swansea. After months of enduring in silence, she tells him everything. I believe, in this moment, that Swansea does the same.
Shortly after this scene, before Swansea hits rock bottom, there's another rare moment in which Swansea is not guarding the Utility room. This time, he's dancing in the lounge, as he'd apparently been doing all 'night' long. And at a short distance, in his line of sight, is Anya.
Both of them could see time was running out. There was little they could do to make their remaining days any brighter. But Swansea was able to do at least one thing for Anya that no one else did-- he took her pain seriously. He took her at her word, and it changed the way he saw Jimmy entirely from that point on.
On the surface, Anya and Swansea couldn't have been more different. But in the end, they had more in common than perhaps even they knew.
Both stared death in the face with conviction, which was not misplaced. With food and air running out, no sign of rescue, and an increasingly unstable captain, they had no reason to cling to any delusions of hope. However, within their final words, a darker truth emerges.
It was easy for them to give whatever tiny sliver of hope the cryopod represented for someone who they considered more worthy. After all, in their eyes, they weren't worth saving to begin with. They were just broken people, with nothing left but to wait for the end. Even before the crash, these thoughts may have lingered somewhere deep in the darkest corners of their minds, waiting to surface.
What is certain, however, is that neither got the chance to find out otherwise.
#mouthwashing#mouthwashing spoilers#analysis & discussion#long post#anya mouthwashing#swansea#cw rape#cw suicide#this is my third attempt posting this#here's hoping it actually shows up this time orz
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When you think about it, anti's expect Lucien to be the most tolerant, non-bothered character ever.
Lost his love and struggled with that loss for centuries.
But his mate rejecting him? No problem man! It can drive males crazy but not Lucien!
His mate rejecting him for Az, the guy who doesn't even believe in Elain? That thinks she needs to be prevented from helping when he deems it too dangerous? The one who didn't even credit her for the things she did in the war, for saving his and Cassian and Nesta's lives? No worries at all! Who cares whether Az believes in her, it's no sweat off his back!
His mate rejecting him so he'll quickly find his HEA with a FMC he's not shown any romantic interest in nor she him? Easy as pie! I mean it's not at all like it's in his character to mourn the loss of a female for centuries because he personally blames himself for things.
The most beautiful female he'd ever seen, aka his mate, rejects him? It ain't no thing! That chick there will do just fine, she's cute enough!
They even expect the same of Vassa. As if she and Lucien will drop right into the NC to visit Feyre and Rhys on Solstice and she'll be so delighted to see Lucien's stunning mate, knowing that Elain and Lucien will always feel a tug to one another despite their rejected bond but she's just so cool that she's not remotely uncomfortable with that fact. Because she's the most not jealous person to ever exist even after having witnessed the years of Lucien's sadness over Elain not accepting their bond while they lived together as friends.
You know what setup is a win for everyone?
Lucien and Elain happy.
A mate for Az.
The two humans already leading a people together ending up together.
These are HEA romance books and the main characters getting one are supposed to have the ultimate in a HEA. The setup for the above pairings is already there which is why it makes perfect sense, there's no mental gymnastics to put these couples together and despite them not being together right now she's already laid the groundwork for why they will work.
You give Az a confirmed mate (she's already hinted at him having one) and he's going to be like "Elain who?" and that proves he's not the right one for her. Clearly he's too wrapped up in his head to grasp what's in front of him the way Rowan was Aelin but in the end, a mate is still the ultimate gift (same as Cassian felt). She gave Lucien a mate and he has seen nobody in a romantic sense since.
A Fated Mates author is going to write the guy as being ultimate book boyfriend material for their mates, not some random other person who will never come close to the way his mate makes him feel.
HEA means happy for all these characters, Sarah has never stated Elain and Az are her top favorites above all else. Therefore why would she give them a HEA at the expense of other characters?
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