#he just kinda exists

[roachiimochii]

some random oc i never named. world's worst detective </3

[egophiliac]

2025 is the year of the DRAGON SLIPPERS

[discocandles]

one thing about steve harrington is that he sucks at doing nothing. like he has to be doing something with himself lest the guy waste away. this has led to him being very good at fucking around with things especially when its something relatively quiet. the loudest steve will let himself keep his hands busy while stuck idle is tossing whatever's in his hand to himself and catching it, which usually bodes well for sports practice after coach learned that just because he was moving didnt mean he wasnt paying attention(usually the opposite).

he learned how to flip a pencil around his thumb in middle school and seeing someone in one of the meetings he sat in on doing it. he'll twirl anything he can around in his hand, especially while he was working in the mall. the scoopers were perfect for it. and any way youve seen a drummer/percussionist fiddle with a drumstick, steve knew he had to replicate it.

but even with all this movement and the fact the guy was barely ever not moving, it seemed like no one noticed it ever. a fact that nearly drove eddie insane when they were in high school together. because he did have the reputation of being restless, and in a constant state of movement. and he probably fucked around with random shit less, so how did steve "the hair" harrington not end up with the same reputation? the answer was just that he was way more quiet("and sneaky" -eddie) about it. and if the teacher hated when their students fiddled and futzed he'd be sure to try and keep the movement below his desk.

but it not that he only has to keep his hands busy. no no no, if bored or stuck waiting, and that won't suffice, steve harrington will pick up anything with words just to read it. anything. outdated newspapers, ingredients lists, magazines of any topic. he just mindlessly grabs for whatever and starts fucking reading. Robin could swear under oath to a court that her best friend has read the back of every vhs in family video. hell, she's seen him reading drugstore novels, like the fucking grandma smut and books with cover art of nicely dressed ladies running from a castle. and its her jock best friend reading it, instead of some repressed suburban woman who hates her husband. yes, this information is the bane of robin buckley's exsistance because its not like anyone would believe her.

idk just give me steve being restless but doing it quietly enough that no one really picks up on it.

[luckylectio]

Halloween with the Chain, featuring our LU heroes in their various "costumes"!

[helloilikepurple]

Danny Fenton is fourteen when he dies. He's fifteen when he ceases to exist.

All traces of Danny Fenton just gone. No records, no photos, no memories. It's like he was never born. Naturally, without Danny to turn on the portal comes no ghosts, so no Danny Fenton also means the GIW never came to be. Time is carefully set back on Amity Park. There are no longer any ghost sirens, charms, merch, or cracks in the pavement from Vlad knocking him out of the sky or scorch marks on the side of buildings from Skulker's stray shots.

The Fenton's only have one child, a smart, ginger woman who's pursuing psychology in some top-league out of state college like Harvard or Yale or Brown. There's no little brother to keep her confined to the little town in nowhere Illinois where she was born.

Sam and Tucker never became friends, because there was no Danny Fenton to bring them together.

The Fenton's portal never turns on, so they focus their research on the ambient ectoplasm in the air around them. They become leading scientists in clean energy. Ectoplasm is the perfect resource; endlessly reusable, infinite supplies that never deplete, no negative effects on the environment.

Danny Fenton is no one. There is no Danny Fenton. There never was.

And the world is better for it.

Danny doesn't exist, there is no place for him, nowhere for him to go.

This was the only way to stop the GIW from starting a war with the Infinite Realms. It was the only solution.

It still hurts.

Danny is fifteen. He has no last name anymore, no family, no friends, and no home. He could live in the Ghost Zone, but he doesn't want to. He's still human, even if it's only half. He doesn't want to go. It feels final, like turning his back once and for all on all he knew and was.

So he does the only thing he can think to do and watches the stars.

In the frozen tundra, no one around for miles, Phantom lays in the snow and stares up into the speckled darkness. He doesn't move. He doesn't breathe. He stays so completely still he's entirely dead.

The snow doesn't bury him. The sun never rises.

It doesn't stop snowing.

Danny doesn't exist.

He's dead.

What is he supposed to do now? Go and be Prince of the In Between? He doesn't want to. He wants to go home. He wants to cuddle up with Jazz and play Doomed with Sam and Tucker. He wants to hug his dad. He wants his mum to sing to him like she used to when he was little enough they still tucked him into bed.

Maybe he just won't do anything. Maybe he'll just stay here forever, not Danny or Phantom and far from alive. Just nothing. He's nothing. Nothing and no one.

---

Nobody can see the sun.

It's still there, of course. All you need to do is leave the atmosphere and bam, there it is. On Earth though? No sign of it.

It's like they've fallen into an eternal night.

Best part?

It's caused by very powerful magic.

Listen, Batman has a lot of patience. A lot. But it's been two weeks of this, Zatanna's off-world, Constantine's only just answered his goddamn phone and the planet has collectively decided panic is the only course of action. He's been Bruce Wayne for a collective ten hours in the past fourteen days. It's ridiculous.

Thankfully it only takes Constantine a few minutes to track the source to somewhere in the Antarctic after he finally shows up.

[o-sunny-day]

“Don’t… don’t tell him you think dingbat fonts are cool.”

AUGH @forgettable-au fanart :3 been on another roll with it (in agony constantly)

theres some untranslated wingdings cause i love translating it myself, hope others do too :D

not confident on how “canon” or in-character this is but- I HAD FUN this AU has really got me in the rendering spirit, I really enjoy taking inspiration but also adding mu own silly twists on it and AAA everything looks even more tasty now

I view this as them in New Home after getting something to eat (after the last page update) and heading back the same way since Alphys’ place is on the way to The Lab. The font convo comes back up again and then yeah

Alsoooo if youre interested in behind the scenes stuff heres the speedpaint :3

also i never poster about this- but i had another forgettable dream. it didn’t make any godamn sense. I woke up and drew the only scene I could remember:

Wingdings and Sans had a fight and ig wingdings killed Sans 😭😭😭 in a stairwell for some reason

and current Sans, Papyrus brother Sans, is like watching all of this and was brought here by Lancer like a Ghost Of Christmas Past type situation. Idk why. I choose not to attempt to make sense of this anymore. But i swear this is an actual dream i had 😭

[postpendulum]

Damian's new classmate was what most people would deem as strange, Damian however could not see him as anything other than suspicious. Daniel Knight had joined in the midst of the school year, claiming to have moved here with his father Fredric Knight (first area of suspicion, a parent willingly moving both them and their child to Gotham) for a new start following his fathers divorce. The boy was reclusive when not spoken to directly, however he would not stop talking when a topic of his interest would come up. After searching further into his past (as he does with all his classmates) Damian found a relatively normal past, the only outstanding things being a noticeable drop in grades at the beginnings of freshman year relating to an undisclosed accident resulting in lichtenberg scarring starting from Daniels palm, and presumably up his arm being hidden by his sleeve. Apparently this accident left Daniel with irregular tremors and, every once in a blue moon, seizures. Damian had thought about taking this suspicious blockage of information to Tim or the Bat Computer to be bypassed, however the idea of sharing Daniel this cases existence with the rest of his family for some unexplained reason bothered him greatly, so Damian has come to the decision to figure out Knight’s true intentions on his own.

Meanwhile Danny’s just trying to live his new, semi-normal life in peace. After a reveal gone wrong results in some good old vivisection, Jazz Sam and Tucker recruit the help of Clockwork to find Danny a new home, where he can heal from both the physical and mental wounds. Clockwork ends up dumping Danny into the DC universe alongside Fright Knight, who was insistent on going with him, feeling responsible in helping to protect his young prince now since he feels he failed the first time. So with a bit of spacetime razzle dazzle, Tucker messing with stuff he probably shouldn't have messed with and a very tearful goodbye with promises to check in every day, Danny goes off to start his new life as Daniel Knight. It was going ok so far, he took half the year to himself, focusing on healing. Also so Frighty could adjust to the whole pretending to be human thing. Danny doesn't have any friends yet, and to be honest hasn't made the effort to make any (Jazz would be disappointed if she knew that), but there's this one boy in Danny's class who might be even weirder than him. Danny can feel Damian's eyes on him, knows how he follows him around without a sound (Danny really shouldn't be able to tell, he only knows because he isn't fully human(and in a weird way, Danny thinks that's kinda cool)), and whenever they do make eye contact Danny can see and feel the boy fluster and shy away.

Maybe he just needs a friend too.

[bunnieswithknives]

Dev this is serious stop beatboxing.

[mirroredmemoriez]

Billy The Puppet has to be one of my favourite things about the Saw franchise… Because sure, you can kinda forget him when focusing on the characters and the plot blahblahblah.

But then this FUCKASS BOB PUPPET SHOWS UP? LIKE >:3

I think that would be what pushes me over the edge- Like, I’m Amanda Young and not only is this fuckass somewhat ventriloquist puppet telling me with a distorted voice, “Hey, don’t fuck this up or your head maYyyy be permanently ripped open lol.”

BUT THEN AFTER RUMMAGING IN A GUYS STOMACH TO AQUIRE A KEY FOR THE DEATH TRAP ON MY HEAD… SAID PUPPET ON A BLOODY TRICYCLE WHEELS ITSELF IN.

[ratatatastic]

maffhew who refuses to say runebergin torttu because he knows hes gonna butcher it so bad he might be kicked out of the country the second he tries and staunchly avoids that by going "the one dessert that barky is going to have to explain 😃"

sasha who gets faced with the most generic description of everything hes ever eaten in his life so far because of maffhew and going "???... oh you mean runebergin torttu!"

"he did good he liked the food and he likes the finland so far so its good" sasha says with so much pride now that all the anxiety has left his system that his husband teammate is enjoying his country and doesnt hate it

media availability | 10.29.24 (x)(x)

the smile of a man who knowlingly doomed his husband and said husband using all his brain power to context clues his way to whatever the fuck he just got asked that his brain is running hotter than a mid 2012 macbook air thats somehow still alive in the year of the lord 2024 but girl does she chug along shes louder than a fighter jet

[akirathedramaqueen]

The bias is not always conscious

And that's the case with Stolas. That's it, that's basically the post, so you can count it as your tl;dr, but let me elaborate. :)

(A little gratitude note! Sorry @tealvenetianmask, I failed being concise here, but I thank you for encouraging me to put it all together :3 I also thank you for our conversations about Stolas and about museums in particular which heavily contributed to it)

I think there's some misunderstanding when people get offended by the suggestion that Stolas acts classist/racist. It seems that people assume we’re implying he is malicious and intentional with it, but the actual problem is that he doesn't think.

S2EP2, Seeing Stars, 1:29

The problematic behavior we're discussing is reflexive and internalized. Stolas was raised in an environment where the lower demon class is looked down upon, and while he believes he expresses nothing but deep respect for Blitzø and treats him as an equal…

Goodnight, Blitzø. S1EP7, Ozzie's, 14:50

And while you can see from this bow that this intention is sincere, which is both wonderful and fascinating—he preserved this profound gesture ever since he was a kid, despite being actively discouraged from doing so!...

[Stolas]: I'm Stolas! It's nice... Ouch! [Paimon]: Don't bow to that one! He bows to us! Idiot! S2EP1, The Circus, 7:40

He was still raised in privilege and influenced by the narratives around him. For him, it's acceptable because that's what he was taught is fine. It's part of his everyday speech, and he never actually asks Blitzø, or anyone else, how they feel about the literally belittling nicknames (like literally—do you notice how often he uses the word "little" when referring to imps?).

I mean... there's a lot, okay? I'm just going to pull out some examples off the top of my head. All of them are from Season 1, and I'll explain why later.

I was hoping you brave little imps would accompany us! S1EP2, Loo Loo Land, 5:15

Ugh, that's better... Where's Blitzy? He's my knight in shining armor, not you, littler ones! S1EP2, Loo Loo Land, 13:22

And it [grimoire] isn't supposed to be lent out to itty-bitty imps like yourself. S1EP5, The Harvest Moon Festival, 0:30

Greetings, tiny Wrath Ring imps! S1EP5, The Harvest Moon Festival, 8:22

[Stolas, in the background]: Who dares threaten my little impish plaything? S1EP6, Truth Seekers, 18:20

How the fuck did you get caught by humans? Are you little creatures not being careful up here? S1EP6, Truth Seekers, 19:38

He also takes pride in being part of Ars Goetia. That pride seeps into his mind whether he wants it to or not. He lives in a huge palace, never worries about money, can arrange a seat in a club that’s always booked out, and gets admitted to a hospital immediately, while hellhounds wait five years for a Hellbies shot.

Being part of the Goetia family is rather valuable, you know. S1EP2, Loo Loo Land, 4:39

Most of these examples come from Season 1 because, after the disastrous Ozzie’s date, Stolas begins to unconsciously cut back on this language. He seems to sense that something is wrong, though he doesn’t fully understand why. However, he is acutely aware of the problems with the transaction and the unfair dynamics it creates, and he is serious about putting Blitzø on equal ground by providing him with the means to run his business independently of Stolas.

And still, he maintains full control over the conversation during the Full Moon meeting, immediately dismisses Blitzø after one mistake, and throws him out. He continues to impose his narrative on Blitzø and…

I don't look down on you! How many times do I— When have I ever?! S2EP9, Apology Tour, 2:45

When have you ever indeed, Stolas? You literally look down on Blitzø saying that. This moment illustrates the problem clearly. He isn’t lying when he says he doesn’t look down on Blitzø because he genuinely believes he doesn’t.

Despite all said, Stolas is making a tremendous effort and is progressing, and he is far ahead of Stella, who is openly classist/racist and very conscious of her biases. So I believe—no, I know—he will get there one day. But not today.

This is something I take quite seriously, and I think people need to understand how dangerous this subtlety can be, as it happens all the time in real life too.

How often do you ask yourself why medical research groups are predominantly represented by white, cis, upper-middle-class males, and how this affects the efficiency of treatments suggested in these studies for everyone else—women, people of color, non-binary folks, and those who struggle financially?

How often do you visit museums and see art created by wealthy aristocrats who defined what constitutes 'fine art,' while 'folk art'—often created by marginalized communities—is overlooked and lost to time?

I could elaborate further on how deep and cruel this bias is, but I’ll stop here. I just ask you to consider why you might get offended when someone points out Stolas's subtle bigotry and why you might downplay it compared to the loud, aggressive Blitzø, whose anger and avoidant issues are obvious.

Just sit with it.

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[potato-lord-but-not]

sometimes I'm surprised John was like "i tried to kill Oscar and it was a manifestation of my guilt" bc prior to that bc of the timing I had assumed John heard Oscar talk abt trying to do an exorcism on Marie's husband and had thought "this guy CANNOT learn abt my existence or hes gonna do that to ME"

That’s honestly so funny to image that John actually thought an exorcism would work on him. like yes there’s probably a way to actually do that which resembles an exorcism. But John,,, honey,, you’d think an exorcism? from a catholic priest? would work? after living inside the head of Christianity’s number one hater and nonbeliever??? cmon now

[sarcasticmothdraws]

I'm back on my meds but due to the few days hault in between I feel icky. so im just drawing whatever sticks.

[serpentface]

This was going to be a panel of a little comic but I got too invested in drawing minute background details so, here.

[jade-len]

i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.

picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.

it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.

and then he gets to the sword.

demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.

but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.

when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.

the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.

and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.

the language of this wretched sword reflects the state around these two monsters.

luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.

instead, he hears this:

"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."

but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.

"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."

"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."

"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."

"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"

somehow, this is worse than if xin mo was actually eating away at his brain.

weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.

xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.

it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.

sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.

maybe he's the delusional one. maybe this is xin mo's way of getting to him.

maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.

"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.

hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."

xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.

...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.

(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)