#he is definitely my favorite version

[dragonsir]

Lets talk about Swindle

One of the things I appreciate about tf earthspark is how all of the characters have depth, even the ones that aren’t the main focus, and especially the decepticons. However, the one I want to talk about is swindle.

In ep 4, House Rules, swindle is his typical greasy self, manipulating Thrash and Mo by acting like a victim and their friend to get what he wants. When they turn on him, he does what we expect and pulls his gun on them.

But what is interesting about Swindle is his motivations. He wants an energon scanner because he’s trying to find his brother, Hardtop. He says things are much harder with only one person, so its probable that he’s never been on his own before, at least since the war has ended. That means its been him and hardtop against the world, and to my knowledge, this is new to Swindle’s character (i’m not counting the swindle from Armada, that one is totally different).

Of course, we could chalk up Swindle trying to find Hardtop as just him needing someone to help him find energon to survive. Swindle does mention that it is an energon scanner that he’s trying to take, so he could potentially find energon solo after dumping Mo and Thrash. But the first thing he says after finding it’s location is that it will help him find Hardtop. He isn’t even thinking about his survival at the time, his priority is his brother. And what’s more, Hardtop seems protective of Swindle as well. He shoves Swindle out of the way when OP drops a shipping container on him.

Swindle got an entire episode, while we only got a few small scenes from Hardtop. But just this shot here gives him depth. He throws his brother out of the way, knowing he himself won’t make it out in time.

I don’t remember any other show giving us this much of a sympathetic view of the decepticons, at least not the minor characters. In Decoy, Frenzy mentions that they, the cassettes, are free and don’t have to follow Soundwave anymore, implying that they weren’t happy with him (or at least Frenzy wasn’t). In Age of Evolution, Nova Storm gets fucking pissed and launches herself at Megatron when he clips Skywarp’s wing. These little moments keep adding up, and with the way Megatron is written to be genuinely caring of his former comrades, I feel like this show finally wants to show us that all of the transformers are people. Not just the Autobots and Megatron, ALL of the transformers. This makes me so excited to see more of Soundwave, as hopefully they’ll flesh out his relationship with his cassettes and megatron. As for Starscream, I really hope they will show a more sympathetic side of him, perhaps for his fellow decepticons, or soundwave, or megatron, or literally anyone (I’ll even take agent schloder).

I am so excited for more of this show and it is quickly becoming my favorite because of how loving it is to its characters. I hope all of them, especially the decepticons, will have more depth and grow over the course of the show. And I think we have good reason so far to believe that they will.

[theshadowrealmitself]

I like the idea of Loki being one of the only people who knows Spider-Man’s identity, because Spiderman is the only one who’s been able to consistently trick the trickster god

And he does it once as Peter Parker when it’s a situation where he can’t switch into his costume, and Loki puts it together like “you!”

But because he’s not actually one of Spidey’s rogues, he doesn’t have to really worry about Loki purposely revealing his identity, but he does have to worry about him unthinkingly revealing it, like seeing him when he’s out taking pics for the Bugle and yelling “Man of Spiders!”

[thatonecrookedsmile]

I would say that, considering his history, he's not that wrong, but even I have doubts as to whether that would be right. But at the end of the day, this is just a joke that's been in my head for a while, sooooo…eh.

Oh hey, an attempt at a comic? Made by me? That I didn't give up during the process or lost all motivation? What was my only attempt at this, 2019? Damn, it's been a long time.

I thought about leaving this here without editing or any colors, just the natural ones from the paper and pencil. But something in my head said "HAHAHA, no" so I went back to work. I had to put this idea down on paper this time (literally). If another year passes without me being able to execute this idea, I would lose my mind.

This scenario was inspired by this video by Jehtt, inspired by the original meme by Windii. Credits to both of them.

For a long time I wanted to joke - especially on the anniversary - that I wanted Sammy to only have less than 5 seconds in the next game (or in other words, take his screen time in DR, and shorten it even more). You know, just for the funnies (unless..?) But,thanks to the news released at the beginning of January this year about The Cage, I legally can't do this joke anymore…this year. Don't worry, after that comes out (and finally gives Sam the screen time he wants,hopefully) and we start to crawl into the Bendy 3 production era, I'll make this joke when I can.

Anyway, happy birthday Sammy Lawrence. You may not be my favorite character in this franchise, but there are some things I can actually appreciate about you. Plus, you made me laugh a few moments before (you know what I'm talking about) so there's that.

And happy 7 years to Chapter 2, and by extension, Susie, Norman, Alice, the Searchers, (Johnny????), and Beta Ink Bendy. (I would mention Jack too, but he was only introduced with the release of CH4, so technically it's not his birthday yet, but I'll consider him here).

And now? May I be able to do something for CH4's anniversary. Wish me luck,cus I'll need it.

(it might be really late now, but it's still the 18th where I live, so it's still his birthday, so I still won)

[aq2003]

omfg . radio play version of much ado with david as benedick from 2001

[acediscowlng]

do you ever think about the absolute culture shock of edwin "book nerd" payne missing the most of modernism and post-modernism. cause i do. i think about that a lot.

just. think about edwin encountering The Waste Land for the first time and finding it very moving and reflects his own experiences very well, but also finding that very weird because like??? yes, the nihilism is great and all, he's never felt more Seen in his life, but he's also been to hell and what do you mean an entire generation of writers apparently just get what that feels like????

[kinokoshoujoart]

is Rock/Romeo different in the japanese ds cute?

(as someone who isn’t fluent) yea in jp romeo sounds like less of a bastard and more like idk. idiot airhead spacey naive kid? the jp version also takes him much more seriously as a love interest option which stresses me out a bit but it’s also cute

for the english version of DS and cute natsume sometimes added some arrogant douchey scum bastard zaniness to romeo’s lines to idk i guess try and match rock? (who has different speech habits / “role speech” in JP compared to romeo) and of course natsume also just handled a lot of DS lines Weirdly or Not at all

for example

the wedding vow

JP:「もう一生離さないよ♡ 」| “For the rest of my life, I’ll never let go!♡” (cute)

Natume EN: “I’ll never leave you. Heh heh.” (troubling)

the divorce fakeout event you get if you neglect your husband (the entire thing)

JP: romeo thinks you hate him and he’s sad because you don’t communicate, and says goodbye.. he comes back and apologizes and admits he never wanted to leave, he just wants to stay together and you head to sleep (all’s well that ends well)

EN: romeock thinks you hate him and he says “is it my looks? my gorgeous looks can’t be fading already, can they?!” when he comes back he’s like “i know you can’t be tired of my looks already. it must just be a phase. well time for some beauty sleep” (who the fuck said you were allowed back in)

other than stuff like that, in general i’m finding a lot of events make slightly to very more sense in japanese because often it feels like each line of dialogue was either translated too literally into english or they didn’t have context, so that also applies to romeo’s heart and random events especially later events / events after marriage / rival marriage

the entire yellow heart event didn’t make proper sense to me in english compared to japanese but one small silly example from it where (probably) no context translation made the scene 10x funnier is when he has his dramatic confession

in JP he realizes he may have hurt you by joking around and making up stories to hide his feelings and apologizes profusely. protag shakes her head no with a heart over it to be like “it’s okay <3”

in EN he asks “Can you forgive me…?” and protag does the same gesture. like “NO <3”

also neither here nor there but his relationship with Louis feels a lot more familial in japanese. in english i wanted to kick him out the window during the child discipline event. in JP it’s more silly… (i still want to kick him out the window but more affectionately…) she overall sounds a lot more idk timid in EN but in JP she’s rougher and teases and scolds him a bunch (good👍). she and her two NEET cats children are a very cute family imo

overall i find natume’s odd additions to the game incredibly funny and enhance the experience in their own way (by making it worse) and i enjoy the more bastardly creature but i also think the more serious and soft romeo is sweet. he still has a lot of “what is wrong with his brain” moments in both en and jp he’s just more douchey in english

[justastrugglinghotchocolate]

it is so late right now, but i have thoughts.

Okay, so tpodg right? Most of us agree the when it comes down to it Basil’s the better influence right? But he’s still not good, right?

Where Henry treats Dorian like an experiment, like a plaything, Basil treats Dorian like an object of worship, but both at their core are objectifying Dorian. Really, neither are good for for Dorian’s well-being. Because both never see him as a person but instead as means to their own fulfillment.

[noirtek]

there’s something here i think. maybe

[thepasteldreamers]

Sketch page of moments from the 2024 Heathers West End Live performance. I love this cast so much and I’ve watched this video so many times I’ve lost count.

this isn’t my best work but I had fun doing this.

[britneyshakespeare]

I can't believe the Younger Brother (1689) by Aphra Behn has the only one bed trope

[arolesbianism]

Some au antag doodles

[doombringcr]

// What Moros does: crouch in front of a dying mortal and hold their hand reassuringly

What the mortal sees: eerie purple eyes staring at them unblinking, cold long fingers grabbing them against their will while they writhe in pain experiencing every emotion wendy goes through in the shining movie at once

[magentagalaxies]

i have so much work to do for finals season which is frustrating bc on the one hand i'm very glad all my classes have project-based finals where i get to be creative instead of just doing an exam or a paper. however. i have a bad habit with every project-based final ever of accidentally getting an idea that's way too ambitious and creating more work for myself than i need to do

however this semester even tho i fell into that exact same trap my two most elaborate final projects each involve 1. editing a video essay which contains an interview i did with paul bellini and at least 45 seconds of it are bellini talking about why he thinks i have great potential as a comedian, and 2. editing a ten minute reel of the documentary footage i got on tour with scott. which of course involves rewatching various videos of me and scott being extremely chaotic together. so i stay winning ig

[willosword]

i seriously cant think about cloud strife for too long or else it throws off my whole day

[benetnvsch]

it is a basement - some cats live some cats die -by musician and silly creature creator Covey lah-loyd freeman night tonight

[lord-squiggletits]

Ahhhhh I really didn't imagine it, I still dislike Barber's way of writing Orion/Optimus just as much as I did on the first reading and all it took was rereading a few screencaps from one specific scene.

Literally I don't know which part annoys me more: Jetfire existing in the background solely to go "ORION PAX FUCKING SUCKS AND IS A HYPOCRITE", Orion being written like an edgy asshole who hates everyone, or Soundwave talking like an unhinged terrorist and the narrative expecting me to see Orion as the hypocrite for using violence to arrest terrorists.

Soundwave is seriously like "You have no proof we assassinated the Senate, but if we did assassinate the Senate it would've been justified, but also totally trust us bro, just because we could've hypothetically murdered the entire reigning government doesn't mean that we're violent bro come on just bc we assassinated-- I mean could have hypothetically had the means and cause to kill like a hundred people doesn't mean we were gonna kill anyone else, come on bro why are you calling us violent just bc we think some murder is okay" while Jetfire is in the background like "WOW ORION I CAN'T BELIEVE YOU'RE WILLING TO BE VIOLENT IN RESPONSE TO OTHER PEOPLE BEING VIOLENT. YOU DON'T CARE ABOUT YOUR OWN SIDE'S FLAWS EVEN THOUGH YOU'RE LITERALLY DOING AN INVESTIGATION TO DECIDE WHETHER ONE OF YOUR COPS COMMITTED AN UNJUSTIFIED KILLING OR NOT. YOU HAVE DONE LITERALLY NOTHING TO TRY AND FIGHT THE CORRUPTION IN SOCIETY." (Jetfire had no way of knowing about OP and crew fighting the Senate's schemes in Shadowplay and Elegant Chaos, but as a reader it's very frustrating seeing Orion getting lambasted as never having done anything to fight society's corruption when he literally did, and by the time he was even working for Zeta Megatron was already evil and had the whole Senate assassinated.)

Like ughhhh oh my god I could have maybe enjoyed this story under a better writer but as it's written it's some "yet you participate in society, curious" levels of political commentary where at least one character seemingly only exists in the scene to shit on OP (something that happens a lot in Barber's works, like with Pyra Magna and Slide) and where OP is framed as a hypocritical asshole for a reaction that's very understandable given the context.

And also it's weird because Barber wants so badly for you to read Orion as some sort of hypocrite for being against terrorist activities but being willing to employ violence himself to arrest terrorists, yet... it turns out the big twist of the story is that the Decepticons WERE smuggling weapons and Soundwave DID lie to Orion (even if it was unintentionally), thus vindicating Orion's entire distrustful attitude? Like, it seems as if it was supposed to be an ACAB story showing how evil the police are for killing people and how Orion (as a cop) is evil for being a cop that uses violence on behalf of the state. Except uh. Then Barber wrote a plot where the Decepticons literally were smuggling weapons all along (and this is alongside lore from Megatron: Origin where we as the readers know for a fact the Decepticons/Starscream killed the Senate) so.... Like, it just seems to me that if Barber wanted to write an ACAB story about how the state monopoly on violence is bad, he probably shouldn't have written the Decepticons as actually being terrorists who literally did lie about smuggling weapons?

I feel like a better way to write an ACAB/anti-state-monopoly-on-violence would've been to like, explore the way that states take advantage of catastrophe/using scapegoat political movements to gather more power to themselves and justify removing citizens' rights with "it's an emergency, we're taking away your freedoms to protect everyone." Like, maybe Zeta passes some law saying that officers can search citizens without a warrant, which he justifies with the fact that Decepticon terrorism is so rampant that officers need immediate permission to conduct raids/searches. Except this is obviously a problem because people have a right to privacy, and probably the cops are super overzealous and end up arresting innocent people without cause (like idk, maybe just being friends with someone who is sympathetic to the Decepticons gets someone landed in jail? Maybe Jetfire gets arrested bc he's critical of the state and has hung out with Decepticon sympathizers before). So then Orion has an actual "are we the baddies?" moment where he wants to stop the bad people, but he realizes that his side are infringing on people's citizens and justifying police brutality for the sake of a nebulous "greater good," and that even though he and his cops were given greater power to supposedly "protect citizens," in practice they're actually doing great harm to citizens by invading their privacy, creating a surveillance state, and imprisoning people without just cause? Basically "we were given this power to stop terrorists from hurting civilians, but now we're hurting civilians too so are we actually doing any good?" Because that way Orion and his cops would ACTUALLY be in the wrong and their state monopoly on violence would be an actually widespread institutional thing where they're clearly being allowed to do bad things just because they're cops. Not just Orion investigating one singular police killing.

But with the story written as "Orion suspected the Decepticons of murdering the Senate (he's correct about this) but still investigated one of his officers to see if he committed a wrongful murder (literally him paying attention to his own side's wrongdoings, Jetfire), and it turns out the Decepticons WERE smuggling weapons and doing terrorism (Orion was correct about this)" it's just.......... like, Orion may not be morally correct, but his hunches/investigations about the suspected criminal activity were literally correct. AND HE WAS WILLING TO DO THIS INVESTIGATION IN THE FIRST PLACE. But for some reason he's still framed as if he's an asshole for this? Even though this is a point in the pre-war lore where Megatron won't back down from violence and has lost his way from his original pure intentions, so it's not like Orion can just go "let's put down our weapons and be friends and mutually trust each other to not stab each other in the back."

It just feels as if Barber's intentions to write an ACAB story where Orion is framed as being too judgmental and quick to be violent don't line up with the actual events of the story. The story is desperately trying to call Orion a hypocrite, but he really just seems as if he's reacting understandably to the events that are happening around him, so there's a real dissonance here where I don't understand why the ACAB story had the cops be right about the Decepticons committing terrorism, and I'm also supposed to see Orion as an asshole for correctly not trusting the Decepticons???