#he is a corpse in the show

[goldencorecrunches]

wen ning really is an inspiring story when you think about it. like he used to not have a cool awesome chain spike weapon and now he does. yeah he still has anxiety and his entire family is dead including him but look at this sick ass chain

[chloesimaginationthings]

How Michael’s interview with Phone dude went in FNAF 3

[theribbajack]

"Now, the vow will be honoured, and my Lord brother's soul will return."

Radahn stans keep winning, but I personally am in Miyazaki's walls rn

[doctorsiren]

Some silly happenings :3 (monster AU by @cupofchemicalchatter and I…we have still yet to come up with a name for it OOPS)

[rampantram]

Just wanted to draw more cute, family fluff with the babies ~ 🎀 🔔

[just-null]

YO, SUPER LATE SUPER LONG SUPER MESSY OCTOBER POST THAT I JUST SHOVED EVERYTHING INTO BC I DIDN'T WANT TO DO MULTIPLE. FUCK IT.

I forgot halfway that these were supposed to be costumes and not mini aus... SO REMEMBER IN MY PLACE, EVERYTHING IS HYPOTHETICAL. also. some have a bit of yandere elements to them bc its SO FITTING FOR NORITOSHI.

Happy late October, everyone. it's winter now. Let's get it, baby.

[Long rambles and doodles under the cut!]

Vampire!

I kept asking myself, "How sexy is too sexy.." and "How the fuck does a sexy vampire even look like without it being a shirtless guy w fangs or Edward Cullen....." I think I figured it out

Sure, sure, vampires are superhumans with sun allergies that can drink blood really hotly. They can also easily overpower you to feast and blah blah blah, but what if said vampire (Noritoshi) was too weak to do any of that? Not literally, but he craves your say. He wants not only your blood but your affection. He wants to get praised as he drinks you in. Are you comfortable? How much will you allow him to take? Do you want to get him back in return? Guidance with this makes him feel more at ease. It's still Noritoshi at the end of the day. He's going to find a way to be a little awkward about you because of his crush. He refuses to drink from anyone other than you, even if it causes his death. Therefore, he has to keep you healthy! For the rest of your lives..! Besides, he can't really go outside or else he'd.. y'know. So if you think about it, this is a very beneficial relationship for both of you!!

The only downside is that you're losing blood on the regular, and for some reason, more people are moving away... Probably nothing, right? Noritoshi is always there to keep you company and help you recover anyways.

Witch!

my attempts also bled into the witch design.... you got greedy with requesting two in one ask, but I'll spoil you this time bc I also wanted to see Noritoshi as a (sexy) vampire and witch. heh. AND I DIDNT REALIZE HED BE SO CUTE AS A WITCH..... WHAT THE FUCK?? rip momo, fight for your title of cute witch...

Noritoshi strikes me as one of those witches who'd rather be left to their own devices because they're running some important magic whatever in the background. though, he'll take some breaks and indulge you if you insist on having him around. Insist meaning you pass by and strike conversation, leaving him to neglect anything and everything to prioritize his time with you. He doesn't want to use magic on you unless it's beneficial for either you or both. Noritoshi likes a natural progression with you that he knows for a fact is true and not some product of some spell. Though it doesn't mean he wouldn't use charms and such to get you to interact with him more often to speed up the process!

Can't sleep? He has a remedy perfect for that! Bad luck? Oh no, take a charm. Nerves? A potion he perfected will help you ease your jitters. Annoying peers? With a snap of Noritoshi's fingers, they're gone! Just don't ask what happened. Enjoy yourself instead and come to him with any new issue. He's quick to resolve it.

Definitely has some sort of doll that looks suspiciously like you.. Noritoshi would probably talk to it and practice one liners that give you the strongest sense of nostalgia once he uses them. He's simultaneously giddy that the charm he put in the doll works but also a little annoyed that his hard work isn't surprising you, but leaving you with deja vu.

Idol!

i was crying the entire time bc what does an idol look like.... noritoshi is handsome enough to be an idol without actually being an idol... now i can confirm that idols are very well dressed though. thumbs up 100% but i had some thoughts...

[Idol]

Noritoshi would be the type to cherish his fans, but hold clear favoritism over you. he'd be those idols that look cold, but they talk, and they sound smug in a charming way. i don't know much about idols, but i know he'd be so fucking good.... he'd be the type of guy to sing to you amongst the hundreds in the crowd.... ahhh the interviews w these famous aus. they're just talking and acting like themselves. can you imagine Noritoshi getting asked the question if he has a lover or not? he can lie, im sure you're alright with that, but he doesn't want to!! he does have someone!!! someone he loves more than all his fans love for him combined!!! he just can't say it for the sake of your privacy and his career. so Noritoshi does what any charming guy who's good with their words does. he deflects the question. answering the question, but not really, that'd be something he's known for. fans online are split on why Noritoshi does this. some think he's trying to keep that side of his life private, others think he's trying to mess around, and others think he's hiding a secret lover!!! though the last one is usually seen as the outlandish one, sometimes it makes Noritoshi's heart drop bc they get some things right. "Having a lover is a complicated question hidden behind a simple disguise. If I had to answer, I'd say my lovers are my audience. they make sure i'm well cared for, some more than others." AND HIS FUCKING LITTLE SMIRK I CANT COUGHS UP BLOOD. IM A THEORIST TOO. SECRET LOVER. 🫵🫵🫵🫵🫵

ON THE FLIP SIDE....

[Not an Idol]

An amusing thought where Noritoshi goes out in his casual clothes, and he's mistaken for an idol. No one knows who he is, but he just looks like he'd be one. bro's just trying to buy groceries, and now he has a fan group asking him to take pictures with them.. He'd tell them that he's just a guy, not an idol, but the group would still want a picture with him. it'd be a waste to pass by someone who's so naturally gorgeous, so with a sigh of defeat, he relents. It's just a photo, right? No harm done. Noritoshi'd go home and feel overwhelmed/embarrassed by the whole ordeal. later, he gets a call from someone in the kyoto group or you to inform him how he's all over social media, known as that handsome guy in the supermarket. HED BE COMPLETELY UNREACHABLE TO MEDIA OUTLETS BC NORITOSHI IS THAT GUY WHO DOESNT HAVE SOCIAL MEDIA.... he'd have to make one to make sure no one pretends to be him online. "Hello, I don't use social media, but I've been informed I've been getting attention online. To prevent anyone from being fooled by an impersonator, this is my official and only account. thank you." P.R. STATEMENT WRITING ASS.. his single post gets flooded with likes, comments, and DMs. it almost blows up his phone..... he was just buying bread, dude...... people try to dig up and find him through the other Kyoto group's social media.

[bonus] my second in command requested to put him in a fem idol outfit bc he thought it was funny. after frothing at the mouth and coughing out blood, I complied.

Doctor!

THIS IS SUCH A STRAIGHT FORWARD ASK BUT IT HAS SO MANY IMPLICATIONS. MY BELOVED CULT MEMBER.. THOSE EMOJIS GIVE ME A DIFFERENT IMPRESSION BUT IM NOT SURE.

Noritoshi as a doctor...... apple sales would plummet. his little clinic's business would skyrocket. sick cases would peak in his area. getting your heart checked by his stethoscope would be so fucking embarrassing bc all he'd hear is THUMPTHUMPTHUMPTHUMP

LIKE IMAGINE IF THAT WAS YOUR DOCTOR? BRO.

COUGH COUGH HACK WHEEZE COUGH COUGH.

Noritoshi would probably own a small clinic that he wants to expand. That or he opened one after working for a hospital for a while. He's a great doctor who's most likely respected but a pain in the ass to work with. Among patients, he's gotten the hot doctor reputation. Most want to be treated by him, but he's so professional, any chance of trying to flirt goes down the drain. Yeah, he puts his hair up to avoid it in his face even though his eyes are closed classic lab safety procedures. He seems like the type to have a soothing but authoritative voice during examination, so he gets his message across. it's a bit difficult when dealing with patients for Noritoshi. If he sees them too often, he firstly scolds you for not taking care of yourself, then feels guilty for not giving you the proper care. Keep yourself safe and healthy, or else Noritoshi will clearly :( Putting him in a yandere setting would be dangerous. He'd have a lot of control over you, considering he can prescribe medication, shots, visits, and other things.... he'd have a ball.... nothing that would cause you any harm, of course. he's only looking out for you and doing what's best for you..!

Pirate!

my second in command wanted a pirate. pirates are so fucking cool and i know damn well if this guy were a pirate he'd have a bunch of battle scars under that fancy coat.

Noritoshi as a pirate would be more than a little odd, but also fitting. He looks like the type of guy who'd be well put together, yet he's willing to get his hands dirty. Like the guy who got into the pirate life because of some personal issue that couldn't be solved fast enough through conventional means. Even as a pirate, i imagine he holds everyone to high standards. They're still pirates though.. so his expected standards aren't even that high. He has more freedom here, so even he himself lets loose once or twice. Especially with you. He's even able to get away with more violent actions for you, the seas are unpredictable, after all. While taking some treasure, Noritoshi'd toss you a gem or golden coin, just so you can say you were the first to claim it. Just so he can see that happy glint in your eyes when getting your hands on treasure. God forbid anyone try to get their hands on your hard earned goods. They'd be met with a bullet to the foot or a sword at their neck. Everyone and their mother knows how you're his favorite, but Noritoshi downplays it. Its not a crime to help out someone from his crew is it? Not in the seven seas. He leans more into his cold ruthless killer side here. He has goals and people to help keep in line whether hes captain or not. Yet when around you, he's almost adorable in how he shows you a pearl so entrancing that it reminded him of you.

Corpse Bride!

my submission to my Noritoshi Halloween costume closet.. CORPSE BRIDE, THIS MOVIE FUCKS. esp w the yandere elements.

Noritoshi 100% made you recite the wedding vows to him before accepting the ring. If you fumbled up, he'd correct you with SO much attitude and expect you to start from the top until you got it perfectly.

Hypothetically, in the chalice scene towards the end..

Noritoshi is the type to never be fully relaxed unless he knows for sure you'll be eternally his. In this scenario, YOU proposed to HIM but have to die to continue being together. Not only that, but someone in the living world is also after your heart. Someone who bleeds. Someone who's the obvious choice. Someone who can give you the life that you deserve. Someone who will succeed in their pursuits if you. remain. alive. Noritoshi's life was cut short, yet he still managed to lose so much and be abandoned a considerable amount of times. When he meets you and finds out about the possibility of having to go through that again even in death, it finally clicks in his rotting mind. He realizes he's been doing something wrong to keep constantly failing. Noritoshi revises his methods to a more.. selfish course. Why should he care about anyone else's wants or how his actions hurt them? You were the only one who made him truly fulfilled, to make him feel alive. The only one who deserves anything and everything good that comes from this world. Destiny is never done toying with him when he realizes your marriage is invalid because of your pulse and his lack thereof no matter how hard he'd try, but the opportunity arises. of course, he's ecstatic to give you an afterlife worth much more than what a silly beating heart can achieve. "All people die eventually. If you miss your living family or friends, all it takes is patience, darling. I'll wait by your side in the meantime." He weighs the pros and cons of everything, but when it comes to swaying manipulating your thoughts he only highlights the ones that'll get you on his side. in this case, the pros of dying to be with him! Honestly, the answer was so obvious that Noritoshi didn't know why he was stressing about it before. It hurts him to see you in any type of pain, but he reassures both himself and you that it'll only be for a moment. Afterward, he'll have the rest of your afterlives to make it up to you!! What happened to Till Death Do Us Part? Noritoshi thinks it's insulting that something as shallow as that could be so widely accepted. If your love were true, it wouldn't stop just because the world decided to take them away. "Till death do us part? Darling, don't be silly. 'Not even death will do us part' feels much better, doesn't it?" 

[lockheed-martin-unofficial]

After @randomationality mentioned Starscream getting thrown around often here, I remembered him being shiny for the first few episodes and decided to do some digging and figure out exactly when he lost the shine.

In Episode 1, while Megatron is still gone, Starscream’s chest has a very prominent shine.

Then again, Episode 2, Megatron returns and he is very shiny.

In Episode 3 he’s not as shiny as earlier (possibly due to the lighting, possibly due to offscreen Megatron) but we do see the glow of his weapon reflecting on his chest.

Same for Ep4, continuation of the Fowler scene. But at the end of Episode 4, Megatron beats Starscream on camera for the first time. And when you watch Episode 5,,,

You can clearly see he’s lost the shine. The same lighting is hitting both of them and while it reflects from Megatron, it doesn’t from Starscream.

Worth noting that Ep 6 does give him back a bit of shine, he never quite recovers to the same degree as the first few episodes. I stopped watching carefully after that point. Make of this what you will. The animators tweaking his design after the first few episodes, or an intentional change to show Megs’ abuse.

[salem-sapiens]

Let me just...here we go. Fixed.

Only ending I deem acceptable, sorry folks.

Uncropped version and sketch beneath

Also, his shoes fell off. Not that I had no idea how to draw them in perspective or anything.

[lgbtlunaverse]

Wangxian are great and all but i find that i find them so much more entertaining when i'm writing them from an outsider pov like. These characters have their own personal drama and bullshit going on and Suddenly There's Those Two having the romance of the century just. A little over there. And the other characters just have to be like "alright well they're insane. Moving on." It's SO funny. Like they can't just be a little normal lovey dovey side ship to me they have to be weirdly intense about it. Even in the most normal fluffiest coffee shop au they should have deeply genre-incongruent drama and be uncomfortably ready and willing to die for each other.

[baejax-the-great]

Really have to assume that anyone saying hector didn't deserve to die the way he did didn't actually read the Iliad

[anotherdayanotherobsession]

I can’t get over the fact that post cannon Izutsumi keeps bringing Laios dead monsters as gifts in exchange for money. Peak stray cat behaviour. I hope she still goes to Chilchuck for snuggles and only eats veggies when Senshi cooks it. I hope Marcille keeps an exclusive brush for when the little kitty comes over for unfair trades.

[goldencorecrunches]

Wen Ning and the Tiny Shaky Leaf that Wen Yuan Painted on his Nail Once when they were both in the Corpse Mounds and their only inks were Corpses and Mud

[atopvisenyashill]

i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-

Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.

Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.

I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.

[bonkalore]

I had been sitting on this since summer and have been wanting to share but it wasn't quite finished!! Think I finally can say it's mostly done now tho and am mostly satisfied lol

This is the end form design I have for Jayce when he finally opens the coffer with all the Dread Magic and he is just FUUUUCKED up on that shit and there's hardly any of him left in it at that point and it's very angsty and intense but I still plan to save him. Still working on how I resolve all this but sort of have a plan. It's gonna be a rough time for everyone.

I really messed with his designs for a while on how fucked up he should get by the end and didn't feel satisfied, but then ended up with a fucking kaiju demon anyway, whoops. I just wanted a design that felt worthy of something that actually felt apocalyptic. :) (normal form Jayce is there for scale lol)

[angy-grrr]

SJ's internal changes (I recall it was the editor in chief, someone really influential) happening JUST at the same time it was announced the epilogue would be 5 chapters (same week) + the ending not bringing up huge plot points (where the other villains are, why theres no actual Himiko corpse and instead we got Ochako's grief over that assumption, what happened to Dabi, what was the All Might vestige, why the bkdk handhold was off screen when its a big deal for them, who is Deku's dad, etc), letting them linger in the air while trying to make an okay ending + that strange two week break because of "schedule conflicts" + choosing to end BNHA under even more pressure even tho its one of the most important manga in SJ + Horikoshi talking about the ending days after the official release and bringing up how grateful he is for being able to work in SJ, as in past tense (like he is grateful he worked here, but isnt happening again; I say this bc I expected him to say something around the lines of "I hope im able to create something good here again soon!", considering we already know he has another manga project, if I remember correctly)

Thinking about it.

Thinking about how he could let it as it is, or try to pick it up and confirm the things that do matter to his story.

Btw, im not talking about the handhold as a shipper -it was genuinely important for them, as it symbolizes both their new mutual understanding and an acceptance as the new All Might duo thanks to their respective heroisms. It wouldn't be weird to add it in the epilogue, especially considering so many characters hold hands in non romanitc ways, so to choose not to when its arguably the most important one... Idk, it felt really weird as it was the only thing I was sure would get sooner or later.

[starry-bi-sky]

Blood Blossom Au: before the nightingale sings

---------

for my batdad blood blossom au, the one where Vlad poisoned Danny with blood blossom extract and Danny ran away from him and ended up tumbling into the care of one Pre-Robin Battinson Batman :). A quick oneshot telling the tale of the tragic deaths of the Fentons

TW: Major Character Death Warning

-------

Not all deaths are created equal.

That is a valuable lesson in life to learn. One that Danny learns when he is eleven years old, standing in the pit of his parents’ creation; the culmination of their life’s work. The portal to the other side, the realm of the dead. To the infinite. 

He learns that when he’s eleven years old, in a hazmat suit that sags on him, and boots that clunk when he walks because the only ones that fit are his mom’s, and even those are too big. In gloves that he has to clench his fists in because otherwise they fall off. In goggles that slide down his nose even when he’s tightened them the farthest they can go. 

He learns that when he’s eleven years old, choking on giggles that harmonize with the laughter of his friends’ who stand at the mouth of the tunnel. Sam’s holding a polaroid in her hand. They’re just being kids. 

They’re not laughing when Danny’s hand hits the safety lock — the one with faulty wiring, the only one in the tunnel. The only one he could possibly hit. They’re not laughing when the portal buzzes to life, and the lights inside switch on row by row as the generator begins to rumble and hum. 

They’re not laughing when Danny dies. They’re screaming. They’re not screaming when he comes back.

Not all deaths are created equal.  

Some are poetic, beautiful. The satisfying close of a book as it comes to an end, of the hardback thumping soft against the pages like the sound of a door closing. A train run its course.

Some are violent; unsatisfying; unfair. The unexpected shattering of an egg as it rolls off the countertop when nobody is looking, the unmistakable crack as it falls to the floor. It is abrupt and messy. 

But most are just… unremarkable. Unintentional. Clumsy. 

Danny’s family dies one night in late January. He is thirteen years old, barely a month away from fourteen. It is unforeseen. It is preventable. It happens. 

It happens like this: 

Their water heater breaks one Monday in January. It’s old, sitting in the garage, and has dealt with nearly sixteen years of Fenton-grade chaos and shenanigans. Of parents tossing scraps and junk into the garage as brief storage to come back to later. Of illegal tune-ups on their vehicles that result in something exploding. Of little children running around and knocking things over, playing with poles and sticks they find on the ground, on the shelves. Of being lived and used.  

Something had to give. 

Jack Fenton notices it immediately when he comes upstairs that very afternoon — his children at school, his wife downstairs — to grab something from the garage. The very same scrap and used material they store like squirrels to use later. 

He stops what he’s doing to fix it.  

It wasn’t supposed to be permanent. 

Despite what many believe, Jack Fenton is not the idiot people make him out to be. He knows what he’s good at, he knows what he’s not. He knows he can be passionate and obsessive and single-minded about things. He knows that he is a scientist, an inventor; an engineer. 

He knows that he is not a plumber. That fixing water heaters is not something he knows how to do, not safely. And he loves his family. What he does is only meant to be temporary — a fix meant to only last a few days until they can call someone in who can fix it for them. 

So Jack Fenton futzes with the water heater, gives it a temporary stitch to last a short while, and reminds himself to call a plumber later that day to come in and fix it. He turns and leaves the garage with the part he came for —  a sheet of metal for his wife to melt down — and disappears back downstairs. 

He does not make that call; it slips from his mind. 

It is not his fault. 

One day passes, then two, then suddenly it is Thursday. The water heater has still not been fixed, the water heater has been forgotten. It is nobody’s fault.  

Danny asks his parents at breakfast if he can stay over at Tucker’s house for the night. Just one night. They’re going to study for their math test and then play video games until midnight, but he only tells his parents that first half. 

He’s been doing well in school. Really well — better than he has in a while. There’s been a delightful lull in ghost appearances for the last few weeks. The living don’t know why, but Danny does. The Winter Truce always calms the dead down for a while, something about how the Zone cleanses itself twice a mortal year and that fresh wave of ecto clears out the old and brings in the new. 

This year Danny got to participate. He’s feeling the effects of it too, and he’s been sleeping consistently well for the first time since the accident. 

It’ll never happen again. 

His parents agree under the condition that he doesn’t stay up late, and Danny harmlessly lies through his teeth and agrees. He goes and throws overnight clothes into his school backpack, and when he leaves for school with Jazz his parents are already departed into the lab. 

The last conversation he has with his sister is in her car on the drive to school. Inane, mindless conversation to fill the air and pass the time. Jazz comments on how relaxed he’s been lately; Danny tells her about the Winter Truce. She listens in rapt attention. 

She tells him that she’s glad to see him so well-rested. She thinks her little brother’s been growing up too fast these days. She thinks he’s been too tense. Too caught up with the spinning of the world around him that he forgets about himself sometimes. 

When they reach school, before Danny can get out of the car, Jazz looks to her little brother and says; “I love you.” 

Her little brother’s cheeks turn an embarrassed shade of red. He makes a scrunched up, grossed-out face, but can’t hide the smile pulling across it. “Don’t be a sap, Jazz. I’ll see you later.” He tells her, yanking his hood up over his head. She hears the bashful, ‘love you too’ before he walks away. 

That is the last conversation she ever has with her brother. 

Thursday is unremarkable, passing by in its normality as it always does. There’s one, maybe two ghost sightings; shades lurking around in curious infancy that are easily spooked away by the presence of a greater being. Danny doesn’t even have to go ghost. 

Thursday evening is even less so. Danny goes to Tucker’s house — Sam has a prior arrangement with her slam poetry club — and the two of them study for an hour before they toss their textbooks aside and reach for the game console. 

Danny sleeps in Tucker’s room with one of the extra blankets on his bed, curled across the room in one of the bean bag chairs. It shouldn’t be comfortable, but to Danny it is. He sleeps throughout the night, the portal shut down by his parents before they’d gone to bed. 

Early Friday morning, before the sun has even risen yet, before it’s even so much as a concept to grace the horizon, the water heater breaks again. It was supposed to be fixed. 

Carbon monoxide is a silent killer. Odorless and scentless, it kills within minutes. It fills the house like a shadow casting over the ground, creeping into the rooms. 

Danny’s family die in their sleep; painless and unaware. 

It’s not Jack Fenton’s fault. He didn’t mean to.  

Nobody wakes up with their alarms. 

Danny wakes up to Tucker Foley’s alarm on Friday morning, and he turns his head intangible and shoves it into the beanbag chair like an ostrich hiding its head in the sand. Tucker gets up before him, and throws a pillow at him as he reaches for the alarm. 

There’s laughter, messing around. The both of them get dressed, and Danny has breakfast with the Foleys that morning. He takes the bus to school with Tucker, and they meet Sam by their lockers. 

To him, everything is as normal as it should be. There are no ghosts for him to fight right now, school is as school does, and he’s on top of all his schoolwork. 

He does not see Jazz at all that morning, he doesn’t notice. Their schedules are so different, their routes on different paths, that it’s not uncommon for Danny to not see Jazz until he gets home some days. That’s if there’s no ghost attacks. 

At lunch, he gets approached by her friends. Worried creases between their brows, they ask him if he’s seen Jazz. She hasn’t shown up to any of her classes. She’s not answering their texts. It’s unprecedented of her; unheard of. 

Danny doesn’t admit to the concern that swells in his gut when they tell him this. He shrugs at them, and says he hasn’t seen her either. But it was probably nothing to worry about; she might just be sick and sleeping it off. 

He offers to text her and let them know if he gets a response, and that seems to ease her friends enough that they shuffle away in uncertainty. He keeps his word, and does exactly that. He pulls out his phone and opens her contact, and shoots her a message.

‘Where are you?’ 

He doesn’t get a response back, Danny is left on sent. He puts his phone in his pocket, and with a sense of unease creeping in the back of his mind, goes on with his day. He gets no response by the time the final bell rings; and he tries not to be worried. 

The house is quiet when he opens the door. Unusually quiet. He drops his backpack to the floor, it lands with a hearty thunk, and begins to take off his jacket. “Mom! Dad!” He yells. He hangs it up, and slips his shoes from his feet. “Jazz skipped school today!”

A laughable untruth that would get his sister all riled up normally; she should be able to hear him from the front door if she was in her room. The house just stays dead silent. 

He can’t even hear the usual banging and crashing from the lab. His unease returns. He reaches for the intercom that leads directly down to the basement, and presses the button to turn it on. A burst of static, and then he speaks;

“Mom? Dad?” 

Danny lets go, and waits for a response. He gets none back. That never happens, not when the house is this quiet. Not when he knows they should’ve heard him. 

Something sickly and fearful borns in the pit of his stomach, and begins to snake upward. He heads for the lab. The cool metal of the door is familiar in the grooves of his hand, and he doesn’t even need to think about the code as he punches it in;  he simply lets muscle memory guide him. It’s been the same since he was little. 

The door hisses as the pressure is released, and he swings the door open. He takes the stairs down two at a time. Something is wrong. His parents aren’t answering him. His feet pound against the metal. 

“Mom? Dad?” He calls again, more worried, more frantic. More scared. His voice echoes down the stairwell, and he reaches the bottom before it’s fully faded. The lab is empty. The portal is still shut down. 

It was four in the afternoon, they should still be down here. 

Danny races back upstairs, fear-raised nausea coiling in his throat. “This isn’t funny you guys!” He yells when he reaches the top, shoving open the door with more force than necessary. His head swims, his voice cracked. 

He checks the garage, the car is still there. 

“Mom!? Dad!” His voice bellows out throughout the first floor, loud enough that it bounces back at him and rings against his ears. He’s never raised his voice this much — mom would scold him if she heard him. But she doesn’t show up. “Jazmine!” 

Finally, he goes upstairs, and he can’t tell if what he’s feeling is anger or terror. Something is very, very wrong. 

He swings the door of his parents’ rooms open first, and there they are, with the lights still off and the curtains still drawn. As if they hadn’t left their bed all day. Some of Danny’s fear lifts from his shoulders just by the sight of them, but he’s still trembling. Something is still wrong — the room smells… off. Not good, not bad. Just… off. 

He swallows dryly, his throat still thick, and steps into the room. “Mom, dad?” They do not stir. “Didn’t you guys hear me yelling?” 

There is only room static. Danny’s heart shrivels in his chest with a tenfold return of terror, he feels ill. He remembers, just now, that they’re not heavy sleepers, and his dad should be snoring like a freight house. 

Danny reaches their bedside in seconds, hand outstretching for the covers, “Momma? Dad?”

Not all deaths are created equal. 

But many of them are accidental. Unmeditated. Shocking.

Danny Fenton finds his family dead in his childhood home. He runs to his neighbors in hysterics, inconsolable, in tears. Nine-one-one is called, but there is nothing that can be done. They were dead for hours by the time Daniel Fenton returned home. 

He sits on the front steps of the neighbor’s house beside FentonWorks, his jeans slowly becoming wet from the snow that was unable to be scraped off, and watches the paramedics cart out his family beneath white sheets. There are police cars blocking off the street, yellow tape blocking off his house, red-blue lights lighting up the block, an ambulance on the scene. He is wrapped in a shock blanket, and he is missing his jacket and his shoes. His tears are freezing onto his face, he can’t feel the chill. 

Not all deaths are created equal

But all of them are unforgettable.