#he has almost totally influenced my taste in men | Explore Tumblr posts and blogs

wincore · 4 years ago

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atlas | kim dongyoung

pairing: doyoung x reader

words: 15.4k

summary: kim doyoung has a lot of titles. student body president, music club president, favourite student of every professor who’s blessed enough to have him. in other words, he’s not your type and never will be. at least he’s a good kisser.

or, you feel the weight of the world on your shoulders and you do not know how to hold things as delicate as glass.

genre: college au, fwb au, hurt/comfort, angst, some fluff

warnings: very suggestive content, making out, language, smoking, alcohol, mentions of sex under influence, me being pretentious,,

prompt: anonymous said: slippery + doyoung + "you can rely on me, you know." from the first dialogue link! LOVE YOU ❤️

song rec(s): playlist here !

a/n: yes it’s me experimenting out of my comfort zone again. yes you are required by law to listen to keshi while reading this hahahaha anyway writing this was painful. <3 (aka today i tried writing very complex human emotions and failed again. classic.)

In the beginning, there was no beginning. Ergo, this isn’t really a thing.

You shouldn’t be thinking of summer in Introduction to Latin. You are a good (perhaps great, if your ego allows) student after all. Here you are, though, listening to the ticking of the clock and wondering if you sigh loud enough, you won’t have to construct another sentence with the word for ‘death’. You pause to tell yourself that you shouldn’t be thinking of summer out of class either. Unremarkable; that's what it was and you don’t like unremarkable things.

When two people end up alone together, there’s not much to make of.

“You know,” he had said, locking eyes. “We should get out of here.”

“And then what?”

“Fuck.”

So here’s the thing: this isn’t and won’t be a thing.

Doyoung has never been subtle when drunk, you found out, and he’s not as gentle as he looks. You flip the page of your notebook absentmindedly. You don’t like where your thoughts are going; the clinking of ice against glass rings in your ears again. It’s been far too long (one whole month) and you’re craving a bit of fun. You may forget yourself but you’re reaching your fingertips a little too far to call him again. More excuses pop up. See, in your world of perfection, there’s a hierarchy of things; men rank rather low.

(Fun doesn’t.)

Here’s another thing: you forget yourself quite often. You know very well that you’re the one who continued this not-thing and now you’re daydreaming of Kim Doyoung in class hours.

And under grey bed sheets with a tired smile, Doyoung is hard to forget.

It was a party, it always is. That time, however, was the first party of the year Doyoung and you happened to be attending at the same time. You can’t remember who hosted it—the frat probably—but it was at a bar called the ‘The Meeting Place’ which had too many people you didn’t care about. Doyoung was there, in his laid-back glory, and you were drawn in far too easily. Being single did not help your case—and the alcohol certainly didn’t. You’re not sure if it was the gentle touches against your wrist or quick words that left his mouth or the attractive all-black get-up. All you know is that it was your mouth against his by the end of the night in a small booth, hot and impatient. Once, twice, thrice and you didn’t even need parties anymore.

It’s not like you weren’t aware of what you were doing; it’s just that you were quick to give in—like you didn’t want to resist in the first place. And now, summer smells like Doyoung’s perfume.

The first night had given Mr. Student Body President a near-stroke. You weren’t the type to sleep with strange (semi-acquainted) men at parties either so the morning had been full of awkward explanations to each other till you’d kissed him to shut him up (much like in a disgusting romantic comedy, minus the feelings) and somehow, it worked. He didn’t refuse and if you recall, he’d eventually pulled you closer by the waist.

You huff, twirling your pen. He’d never admit it.

You didn’t kiss so sloppily after that, unless it was to make out against a wall or while fumbling with the keys to your apartment. The lack of alcohol can bring wonders. You were a little surprised that he’d agreed—he is the Doyoung you’ve known since freshman year after all; blunt, rude, cares more for his grades than he’d ever for you. How laughable. He’s almost the same as you.

Here’s one last thing: Kim Doyoung is not and cannot be your type.

You had the same part-time job in your second semester at a local fast food joint, and to summarize, your interactions were less than friendly. You can’t possibly count the number of times he yelled at you for trivial mistakes, and the number of times you sent angry, clipped sentences his way. So, yes, neither of you have told anyone—just acting friendly got you enough eyebrow raises. If there’s anything worse than contradicting yourself almost directly, it’s having to explain that to your friends. So, you kept it a secret and so did he, for his own reasons.

You massage your forehead. If you think any more of this during class hours, you’re going to have to classify this as a terrible, terrible problem; like you don’t have enough already. You tune in to the lecture again, hoping it drowns out the rest of your thoughts.

You tap your pen against the desk till you’re asked to stop by the professor. There goes your last resort. It isn’t the first time, but you breathe a sigh of relief at the hands of the clock. Casual means casual—you know it better than anyone. Maybe it would be easier if you could be more open about it. But you can’t. Your own problems aside, Doyoung would kill you if his reputation went down, even a nick. Men like that are so difficult, you curse to yourself.

You run into Ten in the hallways, brightening at his absurdly wide grin. In fact, you haven’t seen him remotely upset since freshman year, when he couldn’t join the dance club, not because he failed the audition but because he mixed up the dates and missed it entirely. (It’s okay; he got in the next year.)

“Guess what!” he yells before you’re even in conversation range.

“What?” you yell back.

“No, guess,” he says, when you’re close enough.

You roll your eyes. “You scored a date?”

Ten deadpans. “No. I don’t even want one.”

“Loser.”

“No, you.”

“How clever.”

Ten flicks your forehead with no provocation whatsoever, making you yelp in pain. After a minute of cursing on your part, he squishes your cheeks to bring you back to reality—like he wasn’t the cause. You bite your lip to keep yourself from scowling. His hair is still light brown from the bleach, and you fix his bangs out of habit; your dumb friends are all you have at the end of the day. You sigh. They all lean on you unwittingly.

“Anyway, the news? I’m not guessing anything else,” you warn, taking a sip of your coffee.

“Well,” he draws out the syllable. “I heard- know you’re into the smart type. You know, student council kinda guys? So…”

You choke, the coffee leaving your mouth just as quick as it entered.

“Who told you that?” The laugh that leaves your mouth is forced and certainly fake but it’s the best you can do.

Ten rolls her eyes, still smiling. “I was thinking if you would be interested in a certain Park Hyungmin.”

Oh. Student body vice-president. He’s most definitely your type, with a gifted body and equally strong academic prowess—not to mention perfectly maintained tan skin and the most radiant smile you’ve ever seen in your life.

“Oh, yeah, he’s hot,” you nod in agreement. “What do you want me to do with him?”

“He likes you. Like, totally has the hots for you. And I owe him so please help me out here.”

You furrow your brows, heaving a deep sigh.

“You...want me to go on a date with him?” you ask.

You can oblige. Park Hyungmin is the hottest dude on campus (probably). It’s a win-win situation—in fact, it’s even better. A certain bitter taste finds itself in your mouth. It must be the coffee. You swallow it.

“Yeah.”

And the deal’s done.

It was casual commitment, like most things you do for fun. You don’t think much of it, and the thought takes its final bow when you run into Doyoung himself.

Well, sort of.

You turn heel when he appears in your line of sight, pretending to fix your hair against a damn wall. You aren’t quite ready to face him yet, considering the coffee hasn’t kicked in—it’s not healthy how much you depend on it. Dependence is different, however, from consciously drowning yourself in it.

See, Doyoung is anything but tolerable without a few shots of vodka. Or after sex. Or when he’s mumbling in his sleep. And you can’t erase any of those scenes. This is you trying to save yourself (and Doyoung) from embarrassment and a whole lot of explanation.

His coat looks expensive and you’d rather he had it on instead of on his arm. The tucked-in sweater and pants combo accentuates the line of his waist and the colour—you wonder where he found a teal so fitting—looks serene in the crowd. He’s wearing his glasses though, looking a little less put together than usual. Still, no one seems to notice and he continues to explain something to his group of friends.

God forbid you find Doyoung attractive during daytime.

His lips are chapped but pink as ever, the hair messed up by either the wind or his friends—you should stop staring by now. You give in. You’ll text him to book a hotel room tonight.

Sometimes you wonder how he has that large a friend circle, and always, the question answers itself. Eloquence, wit and regrettably, good looks—what does he lack? Maybe if he lost the habit to nag people around fifty-six times a day, he’d be the perfect man.

An arm slings over your shoulder, punting the soul right out of your body.

“Fuck, Johnny, don’t do that,” you hiss, placing your hand over your chest involuntarily.

The head of the photography club apparently spends his time terrorizing everyone he remotely knows. You make a foul expression but iIt’s not like he ever minds your scowling. He says he’s had enough practice from teasing Doyoung (and you’ll admit, it’s the only time you feel sorry for him). You were certain Doyoung would have filed him for harassment sometime in sophomore year.

“What are you even looking at?” Johnny asks, raising an eyebrow at the plain offwhite expanse of the wall in front of you.

You feel hot at the neck. “I was fixing my hair.”

“In front of a wall?”

You click your tongue. “Do you not have class?”

“Oh, don’t be so quick to send me off.” He places a hand over his chest in mock hurt, fingers stretched delicately.

To your dismay, the rest of his friends gather around giving you happy greetings—greetings only carefree college boys are capable of delivering. To your further dismay, Kim Doyoung arches an eyebrow at you, the same way he does on nights you’re doing things less than appropriate to think of in broad daylight.

“Hey, Doyoung, don’t you have anything to say? Or were you too drunk to remember?”

You bite down on your lip a little too hard. Doyoung, on the other hand, looks like he’s just seen God, stammering out a “what?” nevertheless.

“Weren’t you supposed to buy (name) a drink for driving you home that night?”

“Right,” he says, clearing his throat.

Oh, he’s bought you a drink enough times. Summer has waned but whatever thread you tied around your wrists hasn’t. Right now, your guess is that Doyoung has been ensnared in the common ritual for college boys to walk around campus and declare their friend is single just to embarrass him (or by some miracle, score him a date).

Everything, apart from the way you look at Doyoung, feels like a charade. You shake your head with a quick laugh, smacking Johnny in the arm and pay your condolences to Doyoung—keep it light. You’re good at it, or pretending you’re good at it, at the very least.

Doyoung’s gaze on you lingers for a moment and then you breathe. You’re going to be late for class—you offer the classic excuse and you’re out of there. In a way, it’s exciting. You’ve always wanted to have a secret relationship, even if this isn’t a real one.

Doyoung is like the summer breeze, and you’d like for him to stay that way.

The next time you grace each other’s presence is when Doyoung’s tongue is in your mouth and his hands are running up under your shirt.

He’s quite a pretty sight—messy hair, red lips and rosy cheeks. He moans into the kiss as he has quite a few times now and there’s the lovers’ high running through either of your minds. When he presses his lips to your neck, a soft restrained sound escapes you, not quite prepared for the sting of electricity through your skin. He moves to your collarbone and shoulders and then even lower, hands gripping your waist tight. The walls do not have ears here; these hotels are cheap but they’re built for privacy and maybe you’ll let yourself believe for once that you can belong to someone.

“Why did you text me in the middle of the goddamn night?” he mutters against the base of your neck.

“You want reasons now?” you whisper, hands running through his hair.

Doyoung has pretty fingers, pressing at the right places and prettier eyes that look at you with something akin to, dare you say it, love. He kisses you like he hasn’t had enough; and it makes you feel important.

He’s even better when he’s annoyed.

You wake up at around five in the morning. Propping yourself up on one arm, you take a moment to look at your partner. It’s easy to make out the line of his nose against the pillow, and if you focus, you can see his lashes against his cheek and his dark mop of hair clinging to his forehead. However gentle the moonlight is, it is kindest on a lover.

Funny.

Too tired to sneak out, you go back to sleep.

“All I’m saying is that you have too much coffee,” Doyoung complains, slipping on his loose black sweatshirt. “It can’t be good for your health.”

You shake your head, scrolling through your phone as you lay on your belly. You’ve seen this view enough times—his back to you and sitting at the opposite edge of the bed, his incessant complaints and opinions about something that happened recently, running his hand through his hair when he sighs. You press on the calendar app and type in a note labeled ‘x’. Keeping tabs isn’t a bad thing; especially if you like order. Spending too many nights with someone is going to land you in trouble. That said, if you could trap love in a bottle, you would.

“You taste like coffee,” Doyoung adds with reddening ears.

Sometimes, it’s easy to ignore what he says if you listen to the sound of his voice instead. You sit up, scooting closer as Doyoung shoots you an alarmed look. He’s so cute like this; something about all the painted fences he puts up around him makes you want to lean in closer.

“So,” you poke his side. “How many relationships have you been in? Proper ones.”

“Three,” he answers, to your surprise.

Your eyebrows shoot up. “That’s more than I’ve been in!”

Doyoung furrows his. “How many have you been in?”

“One.”

He seems equally surprised but doesn’t probe further. After all, the price sticker that spells ‘youth’ clings to his forehead just as it clings to yours.

“How many people have you fucked?” you ask suddenly, enjoying the visible flush across his neck.

“You’re doing this on purpose,” he notes, flicking your forehead.

“Ow!” You place your palm against your forehead. “Okay, I get it, you have nothing to brag about.”

He shakes his head, an exasperated sigh leaving him. “I just don’t think you have to know. I like privacy.”

“Wait.” You gasp. “Don’t tell me- That night- don’t tell me you were a virgin—”

Doyoung squishes your cheeks between his thumb and forefinger, a laugh erupting from your mouth.

“Who’s a virgin?”

Nothing about this, you find yourself realizing, is complicated. It’s easy, gentle, natural, like a breath of fresh air—everything but complicated. Even under dim lights and within the depths of night, Doyoung is warm and uncomplicated. His chest, his hands, his lips—they are warm, as are his words.

But Doyoung is a fucking fairytale.

Even after these few months, all you know about him, in the definitive format, is that he plays the keys for more hours than he sleeps. What he does for fun, what his classes are, how he became student body president—you could play guessing games all night.

“Do your friends know where you spend your nights?” you ask, leaning back against the pillows.

“They know what I’m doing, not who I’m with,” he responds, running his fingers through his hair.

You purse your lips. It’s nothing hurtful but you don’t like the hush-hush in his tone.

“Why not?”

“Because this is a secret,” he responds as if it’s the most natural thing in the world. “Do you want them to know?”

He’s right.

“Ah, whatever,” you mutter, a stream of curses following when your elbow collides hard with the edge of the bedside table.

“Your mouth is filthy.” He looks away to his phone. “I don’t swear as much.”

“Well, of course it is. I had your—”

Doyoung presses his palm against your lips with a tired sigh. “Please. Don’t speak. For the sake of my sanity.”

You smile under his hand and he returns it; and the November morning warms up.

“Where were you last night?”

You were expecting the question. Areum is the worst possible candidate for a roommate if you want some privacy. You don’t think she ever sleeps; sometimes, you wonder if she even showers because all she does is stare at her laptop screen and adjust her designs. Her lips are always chapped and her hair is always in a simple low ponytail but somehow still messy. You’ve never met someone so exhausted yet so full of life at the same time.

“Who were you with last night?” Eunji yells from the bathroom, before the two of them laugh.

You knew you shouldn’t have stayed the morning. You have the nosiest roommates anyone could (not) ask for. But they’re still your friends, you tell yourself begrudgingly. You would tell them about Doyoung if it weren’t for Eunji’s big mouth and Areum’s lack of common sense. And if it weren’t for the inherent comfort of privacy.

(Some part of you wants to keep him to yourself. You don’t care about student council president Doyoung or his friend group’s everything-regulator Doyoung or always-has-his-shit-together Doyoung. The one in your bed is the most loving.)

Areum adjusts her glasses, narrowing her eyes at you. “So? Any answer?”

You break out of your daydream at her voice, feeling a flush creep up your neck.

“I don’t have to explain anything,” you retort, snatching the coffee she brewed from the tabletop. “It was a Friday night and the two of you like Netflix more than me.”

“That’s mine,” Areum mumbles out a weak complaint.

“But don’t go out alone,” Eunji whines. “It can’t be safe.”

You laugh. “You know me. I don’t do anything too dangerous. Besides, you guys have that tracker app.”

They shrug, offering you a thin smile. A part of you is happy that they trust you but another part wonders what it would be like to be worried over. Maybe getting nagged isn’t so bad.

You take a sip of Areum’s coffee and almost spit it out right back.

“Did you add salt?” you ask, wiping at your mouth and hoping the taste disappears.

“Uh.” A reply so intelligent, you wonder if she ever pays attention to anything she's doing.

You take a moment (a few), sigh (several times) and make your way to the shelves. Grumbling, you make her a proper cup of coffee before you leave.

Classes don’t wait for you (even if you think they should) and the world doesn’t wait for you (again, you think it should wait for people) so you’ve made it a point to understand the whole deal about rules. If everyone followed the rules, it would be quite a pretty scene; messing up is only valid if it’s done prettily. You laugh at the thought. That’s near impossible. The bus ride to the campus consists of music and thoughts of bleak tomorrows—an average commute for college kids, you think. You sure hope you aren’t alone in this.

Doyoung smiles at you in the hallway today, and despite your best efforts, it makes your day smell a little fresher.

Your day: classes, coffee break, classes, complaining with Ten, assignments, ‘me’ time. For someone who pretends to be laid back, you use your planner as though for survival. There’s no sticky notes or colourful sketches (except on occasion); just good old fashioned to-do lists and a calendar marked with time you’ve spent on productivity. Every day is a list to be completed. If people call routine a man-made cage, instinct is the biological cage. You’d rather be in control of the cage you’re in. You’d rather be in control of yourself. It’s scary otherwise.

So you know how to get the job done—it’s ingrained into you the same way you would place your hands over your ears at loud sounds, or the way you would run to your bed in the dark after switching off the lights.

It never occurs to you that the reason your world is so perfect is a sad one.

Sometime next month, it’s going to snow. Not yet though, and it’s still too cold.

The inside of the cafe helps the slightest, the heaters situated far back from where you sit. Christmas decorations are up already and the combination of red and green meshes delightfully into the form of an aching headache. The wood paneling on the walls are worn at the corners, the garlands hardly covering them, and the barista behind the counter seems as gloomy as the decorations are bright. You wouldn’t be noticing all of this if you weren’t stuck in one position.

You lean your cheek further into your palm and sigh, only this time Ten asks you to, quote, ‘shut the fuck up’.

He pulls up his sleeve and reaches for another pencil. His cryptic process continues, as it has been for the past half an hour and you feel yourself getting impatient, trying to not bounce your leg and get another bout of quibbling from your half-mad artist friend. You don’t usually run low on patience; but Ten has a special pass to test drive it.

“How much lon—”

“Shh!” He hushes you quickly. You can’t remember why you agreed to being his portrait study subject but you sure as hell regret it.

Around fifteen minutes later, you take a (permitted) breath. You have neither the energy nor the neck strength to glare at Ten but you make sure to show your displeasure by snatching the cookies from the table with a particularly sour look. He gets up and pushes you to the side of the small worn-out couch offered by the equally small booth.

“God, that chair was uncomfortable. My butt is frozen solid,” he lets you know, and you roll your eyes.

“You know, if we weren’t friends in high school, I would never be friends with you,” you state.

Ten tilts his head to the side, a mocking pout over his lips. “I would die without you, (name). Really.”

You smack his arm and he yelps, smacking your arm right back. The sound attracts some attention and giggles, and you make a gagging gesture to let them know you are in way or form in a relationship. The low-volume music changes to something with a more distinguishable beat, the sound of doors opening and closing almost every two minutes accompanying. Arriving on time is an accomplishment, especially arriving before rush hour on Fridays at the only decent cafe on campus, but both of your classes end early and there is no way you aren’t taking advantage of that. Leaving, however, is mostly done when you’re being glared at by the waiters and waitresses.

“Doyoung asked about you,” Ten says, all of a sudden. “Kim Doyoung.”

You try to not show concern, but raise an eyebrow. “What? So? He’s not my type or anything.”

You bite your tongue. That was too quick a response, too obvious. Your cheeks grow hot. Ten doesn't say anything, however, and for a moment, you think you’re in safe waters.

“Are you guys… into each other or not?”

You cough, trying to show your surprise at something so outrageous. “Why would you think that? Does he look like someone who dates around?”

“Actually, he’s been on quite a few dates.”

“No way.”

You know that. He’s told you about it before, in vague references, but you know about them nonetheless.

“Isn’t one student council guy enough?” you mumble. “Why are we talking about Doyoung?”

He shrugs, a familiar feline smile on his face. “Just asking. He talks about you sometimes. Actually, we forced it out of him but whatever.”

You shake your head. “You’re all terrible.”

“You seem to like him though.”

“Who said that?”

Ten sighs, ignoring your question. “If you guys are dating—”

“We’re not.”

“—or fucking—”

“Ten.”

“—you should learn a thing or two about him. The guy’s not as annoying as he looks. Or stuck-up. He’s really nice but don’t tell him I said that.”

“I know that,” you snap, feeling warm at the neck all of a sudden. “I know him.”

“Oh, you do? Tell me what his hobbies are then. Or his major. Or the clubs he’s in, apart from the student council.”

“He- He likes to sing and he’s- he’s—god, what is this? An interrogation? I’m not going to meet his mom for dinner.”

Ten gives you an ‘I knew it’ look before leaning his elbow onto the table. “You’re sleeping with a guy you don’t know anything about. Serial killers would love you.”

You massage your forehead. “Look, I know he’s a good guy, okay? And he’s sweet- and- and—wait a minute. Oh my god, you tricked me.”

Ten lets out a snort. “Hey. Okay, look, the other guys might be dumb as shit but I have, you know, a working set of eyes. I can tell. It’s not that hard.”

You grumble but the cat’s out of the bag anyway. You should’ve known Ten would figure it out—he’s a nosy little shit, and he’s been that way since high school.

“Whatever. As long as Doyoung doesn’t start panicking about his tarnished reputation or whatever.”

“Oh, I think he’s desperate to let everyone know.”

“To you, Ten, everything seems obvious. It’s annoying.” You mess up his hair.

“No, I mean, I thought you were dating.”

“Well, we’re not.”

Ten shrugs.

“And I don’t like him,” you add. “I like the- the thing that’s going on because there’s no feelings attached.”

He looks somewhat pained, eyebrows furrowed and lips pursed, but doesn’t respond to your explanation. “Can I ask for a favour?”

“No.”

Ten sighs. “Come on. You didn’t even hear me out.”

“You’re going to say something stupid. Or insulting.”

“It’s neither, promise.”

You run your hand through your hair, breathing shallow. “Fine. I don’t have to agree though.”

Ten purses his lips. “It’d be better if you did.”

You hum in response, biting into the cookie and trying to ignore the glare from the nearby waitress. It’s about time you left anyway.

“Get to know him, dude. Don’t break his heart.”

“What?”

“Just kidding. There’s a party tonight. Hosted by yours truly. Finally moved out of that stinky dorm room. Bring over some friends but not more than three. And lend me some money for a juicebox.”

“That’s a lot,” you mutter. “You ask for a lot of favours.”

“Oh, speaking of which, Hyungmin—”

“He already asked me out on a date. Am I supposed to say no? You never mentioned he has such an attractive voice.”

“Oh, I’m not telling you to not go on that date. You have to, actually. I’m going to be in a lot of trouble otherwise.”

“That sounds good to me.”

“Shut up. I’m not done speaking.”

You roll your eyes.

“But if you didn’t, I could draw some conclusions.”

“What am I, your chemistry experiment now?”

“Well, you and Doyoung seem to be—”

“Don’t complete that sentence.”

“I was going to say something funny.”

Ten flashes you a blinding smile and you sigh. By now, you’re about to get kicked out of here so you stand up discreetly while he packs up his stuff. You hug your jacket close to you as soon as you leave, shivering at the evening breeze. The sky is inky, but with a faint sort of ink—deep blue and light, all at once. From the crowd, you can tell classes just got over for quite a few people, eclectic chatter filling up the street.

“Fine. I’ll bring Eunji,” you tell Ten after some contemplation. “And whoever else responds to my text first. Areum never leaves the room. You know that.”

“Thanks, (name)!” he messes up your hair. “I would give you a kiss but someone will end up punching my pretty face.”

You furrow your brows. “Well, you’re not my type anyway.”

“I’m too good for you,” he responds in a sing-song manner, waving at you before running off and disappearing into the university crowd.

There’s always a sort of buzz in the air you can’t quite describe at college parties.

Even if this is a relatively small one, you feel an oncoming headache the moment you enter Ten’s new apartment, which you’re sure had a ‘no parties’ rule in the rental contract. You spot Kun, Ten’s roommate from the dorms and he flashes you a quick smile in greeting before he’s swept up by a doting crowd. Apparently, a cute guy in animal sciences is rare and it makes him rather popular.

Eunji disappears from your side the moment she spots Johnny, and the number of eye rolls you’ve given her haven’t warned her off him yet. You suppose it takes heartbreak to change a person. Sighing, you make your way to the kitchen only to be greeted with the strange sight of Yuta trying to balance Jaehyun on his back so they can imitate some anime formation and back out immediately. Living room, it is, despite its populous space. (You don’t really want to think of bedrooms right now.)

The apartment is quite big for what Ten told you the rent was. The hallway to the two bedrooms is narrow but you suppose something has to be sacrificed for space. You furrow your eyebrows at the two bedroom doors. Ten never said he was getting a roommate. You shrug it off, sitting down on the rather stiff couch. The lack of furniture, apart from the couch and a coffee table, makes the place look even larger and people sparse. You like the beige walls; Ten’s always loved warmer colours but something makes you think he’s going to be ruining them in a few days with garish green paint before he comes crying about that to you.

“Hey.”

You look up to the familiar voice, heart rising to your throat.

“You look like you’ve seen a ghost,” Doyoung remarks before sitting down beside you and offering you a cup of god-knows-what.

“I don’t take drinks from strange men,” you say, biting down your smile and crossing your arms.

“If you didn’t take drinks from strange men, we wouldn’t be fu—”

“Doyoung!” you hiss before looking at him with careful suspicion. “Are you drunk?”

“No. A little bit. Not enough.”

You sigh. “How will you get home now?”

“I live here, idiot.”

“You’re- You’re Ten’s roommate?” you sputter.

“Yeah. New one,” he responds. “He used to live across our room in the dorms, I can’t believe I actually agreed to this.”

“I can’t believe it either. I’ve seen cats and dogs friendlier with each other than the two of you.”

Doyoung laughs. “He’s surprisingly one of the better people to room with. I’d rather eat my own blanket than room with Yuta again.”

You laugh at his irked expression, eyebrows furrowed so cutely. The line of his brow bone to nose to lips, it seems a little too perfect to belong to someone. He relaxes his shoulders a little, leaning back on the couch as he looks somewhat lost in thought. (“You think too much,” you’d told him once. “And you think too little.”) If only that were true, you smile to yourself.

“Are you sure you can hold parties here?” you as when the music suddenly rises in volume.

“Well, it said student-friendly,” Doyoung responds, looking visibly disturbed. “Not sure if I want to test the limits of that so early.”

There’s a pause, filled in with loud pop music. You don’t think Ten, your dear introvert, would have agreed to such a party but there’s a chance Johnny or Jaehyun had something to do with this. You don’t know who to suspect when it comes to their group of friends.

“I still can’t believe you’re rooming with Ten.” You look at Doyoung.

“Well, that makes, what, eleven of us, I guess?”

You laugh, feeling conscious all of sudden. Maybe you should listen to Ten’s advice.

“Doyoung,” you call, looking at the cup in your hands a little too passionately. “What’s your major?”

He looks at you with eyes widened ever so slightly, and a pause over his lips.

“Linguistics,” he answers.

“Oh. You said something about it once,” you mumble, recalling something vague about an assignment of his. “You know mine?”

“Yeah,” he answers, eyes cast on his watch.

“Well, that makes me feel a little guilty,” you mumble as softly as you can.

“You should be,” he says. “You never listen to anything I say.”

You scoff. “You just complain most of the time.”

“Really now?”

“Yes,” you snap, looking away.

You look back again when you hear the sound of Doyoung’s laugh, a distinct brightness in it. Sometimes, you wonder if you really are as awful as you’ve made yourself be.

“You’re cute,” he says. “No wonder everyone is so in love with you.”

For a moment, you think he’s going to kiss you.

“Everyone?” you laugh. You don’t care about everyone. It’s burdensome.

“Everyone. They hate you too, by the way.” He smiles to himself. “Heard you’re going on a date with that dimwit. Hyungmin.”

You feel a sudden discomfort in your being. Taking a sip of the drink, you try to shake it off as best as you can.

“Yeah, I- I don’t think I’ll go,” you say, waving it off.

Why are you lying? You left it hanging on a maybe. Part of you wants to tell Doyoung; he is your friend after all and you tell friends stuff like this. The other part tells you this is cheating; lying and pretending everything is okay—it feels like cheating.

“Oh.” He looks lost before he focuses on you. “Why not?”

“Why do you care?” you ask, trying desperately to calm the uprising in your chest.

He stays quiet for a few seconds and then shrugs, looking away from you. It makes you feel a little guilty to dismiss the situation so quickly, another item to add to your troubles. You sigh.

“Sorry,” you say. “I didn’t mean it like that.”

“No, it’s okay. You’re right.” You can see his Adam's apple bob up and down.

“I’m not,” you say. “I’m wrong. I really didn’t mean it.”

He looks at you all at once, his gaze so gentle that it makes you think he wants to kiss you, or do something equally affectionate. Instead he sighs, downing whatever’s left of his drink before a wash of sudden looseness does away with the tension in his body.

“You have any more questions for me?” he asks, smiling. “What's it like to be student body president—or, or what instruments can I play? My favourite animal? Colour?”

You smile back. “What is your favourite animal?”

“I don’t have one. Don’t like them. Unless it’s a soft toy.”

“No way. You’re lying.”

“Now, I answer your questions and you call me a liar? Makes me a little hesitant to answer the next.”

You roll your eyes. “Okay, next then. Why didn’t you join the frat? All your friends are in it.”

“Hurts my ego.”

You laugh. He’s still probably an honorary member. There is no way he’s apart from friends for too long with all those feelings of fraternity he has, no matter what he says. It’s the same as you. Affection leads nowhere though; just to short-lived moments of comfort.

You realize, through the course of the night, that you never asked. How he got into the student council, what his classes are, what he does for fun—you never asked. It’s almost like you didn’t want to know.

How sad, you muse to yourself, to be this way. To be so wrapped up in your own problems that you fail to see people around you. Pity, however, isn’t something to feel at a party. You talk with Doyoung for the rest of the night till the sound of his voice makes you feel certain ghosts of butterflies, and till you have to take Eunji home before she does something she regrets. This is what it really means to have the price tag of ‘youth’ strung across you perhaps—when you feel old and immature all at once, and in between, when you feel nothing at all.

Doyoung is too old to mistake love. Or too young.

Labels don’t define anything, especially when it comes to relationships—so even if he calls it love, whispers it to himself at midnight when he’s sitting alone on his bed while his friends are passed out drunk on the floor, it is empty. And then there’s you. The heat of your skin, the curse of your smile and that cheeky laugh you do to get on his nerves. He wants all of it and he’s not ashamed—but he’d be a liar to say he can shout it to the whole world. He’s not that kind of man, and what is his can remain his without the rest of the world prying its damn fingers in. The first night, no, the second—third? He can’t remember which night it was but something pent up in him exploded and he didn’t try to control it for once.

“Ow,” he mutters.

His throat burns from the whiskey. He hates drinking alone but you’re either asleep or with friends and he can’t think of anyone else but you. He tugs at the turtleneck collar, getting uncomfortable by the minute, and then proceeds to take off his coat.

For a moment, he considers getting back to the living room. There were more than enough people with lingering touches against his shoulder and longing gazes—they’re not you. He leans back onto his bed. Another hour and everyone will be gone; why did he even let them hold a party in the first place? Parties just remind him of you—he takes a whiff and smells summer and lemon vodka all of a sudden. A deep sigh leaves his lips.

You might not seem to find yourself especially sad, but Doyoung finds something oddly touching about you. Maybe it’s the way you say his name, he muses, like you’re desperately trying to fill the gaps. But it can’t be him in particular, of course—it’s a lover, any lover.

He hates long nights, just as he hates winter but lately, they haven’t been feeling too cold. Isn’t it ridiculous the way he’s running after you? Doyoung was never meant for this. It’s fucking pathetic and it makes him want to tear all his hair out but there he is, still and quiet in the same place. A certain agony makes its way through him. His hands are freezing and yet his insides are burning—nothing makes sense and right now, he doesn’t want it to. He presses his cold hands to the warmth of his cheeks and a laugh erupts from his mouth.

He must be going crazy to laugh like this in an empty room. The car lights from the window travel slowly from wall to ceiling, the only thing moving in the stagnant of his room.

Inevitably, he thinks of the end. It should come quick; in fact, he’s never been one to do this. He’s always been someone to get attached to people. He doesn’t know how the end will come because this shouldn’t have begun in the first place.

Doyoung’s out of breath.

“Crazy bastard,” he mumbles to himself, followed by a groan when he lifts his head up. As if on cue, the door opens and shuts with a bang. Ten walks in looking drowsy, running his hand through his hair with a disgruntled face.

“I hate to say this,” he slurs. “But you’re right. We can’t have extra furniture and parties. Gotta choose one.”

Ten lays down flat on the bed. “I vote out that ugly ass clock you bought. Why do we need it? We have phones and laptops.”

“It was a gift,” Doyoung mutters.

“Oh. Uh. Actually, someone already, uh—”

“Leave it. We’ll talk about that in the morning.”

Doyoung massages his forehead, groaning at the pain when Ten suddenly decides he’s all up for cuddling.

“Ew,” he says, scooting away from Ten. “Get away from me.”

“You don’t mean that,” Ten whines, trying very hard to pull Doyoung into a hug. Of course, his attempts are blocked by Doyoung’s palm against his forehead.

After a few more seconds of trying, Ten huffs and turns away, crossing his arms. “I don’t like you anyway.”

“I know,” Doyoung mutters.

Ten erupts into laughter, sounding more like a psychopath than a close friend of his.

“You do that every time you like someone?” he asks in between fits.

Doyoung raises an eyebrow. “I just said—okay, yeah. Whatever.”

There’s a much needed silence and Doyoung wonders if he can just fall asleep without kicking Ten out.

“You should tell (name),” Ten says all of a sudden, Doyoung’s heart stopping at your name.

“What?” he whispers.

Ten looks at him as though he’s talking to a particularly stupid child. It makes Doyoung scowl but there’s too much alcohol in his system to know if he really means it.

“You don’t- you’re- everyone in this goddamn building knows,” Ten explains, exasperated. “Jaehyun knows, and he’s the densest kid I’ve ever met. God, if you like (name), go for it.”

Doyoung blushes so deep, he considers pressing his palms to his cheeks again. He thinks for the next few moments. Ah well, if they had to find out, he’s glad he didn’t have to declare it himself.

“Whatever, just ask (name) out. It can’t be that complicated.”

Except it is. You don’t have to spell it out for him—he knows the way you feel. The two of you only ever wanted one thing out of this. But if there’s something Doyoung isn’t good at, it’s keeping his mouth shut. He wonders how many times he let it slip, wonders if you even care enough to notice. God, it’s starting to sound pitiful for him.

“Ten. How much did you drink?” Doyoung asks, raising his head.

“Nothing. None. I’m not drunk.” Ten shrugs. “Just sleepy.”

A ‘wow’ is all Doyoung can respond with. He still isn’t quite finished figuring out what sort of horrific planet Ten stumbled from. A notification ding distracts him from kicking Ten off his bed and he has half a mind to toss it onto the bedside table but it’s still half. He softens almost immediately.

It’s a text from you: a ‘u’ followed by a smiley face and then a meme he can’t quite read through hazy eyes. He finds himself smiling anyway and sends a barrage of emojis, whatever he finds because he likes the way you get annoyed at them. Sighing, he decides that’s enough. He’s not in the right state of mind for conversation.

Doyoung shuts his phone off, attempts to push Ten off the bed one last time before closing his eyes and dozing off.

Not every day is meant to be fun—you know that in your twenties—but it’s still somewhat disappointing to have bad days. Like youth is meant to give you some sort of happiness daily. That’s what they make it sound like.

You groan, rubbing at your back. Sitting at your study desk for so long does not have good long term effects. At least, your temporary, meaningless assignments are done. You scowl at the text on your laptop screen; the more you look at it, the more you hate it and so, you shut it off. It’s not like your pissy professor is going to be impressed by anything you do. However, you like the orderly certainty of schoolwork.

Break time consists of guilt and sugary snacks. You’re done with most everything and you suppose leaving the final review of things to a later date can’t hurt. In fact, it sounds rather appeasing. A few more moments pass in making a decision.

You get dressed. The apartment feels eerie all alone, and you’re sure as hell not going to spend the rest of your evening here. You shiver, quickly striding out the front door and locking it before taking out your phone.

People misunderstand winter. Winter is only the end of things; and sometimes, the beginning. It isn’t cruel or crushing, it’s just taking its course. However, you have a tendency to blame seasons for all that happen in it. For instance, you shouldn’t be missing summer when you really miss the first night with Doyoung.

He picks up after calling thrice. You wonder what he’s even up to, if Saturday evenings are also booked full for such a guy.

“Why do you take so long to pick up?” you complain. “Do you not get days off?”

“I’m busy,” he hisses.

Something’s wrong.

You pause, unsure what to do. It’s not his voice but the one in the background that catches your attention.

Inviting him somewhere.

Rather sensually.

Your ears feel hot and you drop the call. Of course. Of fucking course. You’re the idiot thinking it was a thing. This whole thing is casual—feeling sorry wasn’t in the contract. Fucking around was.

It’s not like you’ll be heartbroken by something like this. Of course not. Of course. Doyoung and you never had a beginning so there isn’t an end, really. It’s fine. It’s fine. You take a deep breath and browse through your phone. With the onset of Christmas holidays, you have around three options left. Ten (yikes), Jaehyun (no way) or the latest addition, Hyungmin.

Well, you’re dressed. You have to go somewhere. And your statement about Hyungmin being the hottest guy on campus still stands.

You send two texts to the boy before deciding that’s apparently enough time waiting. He picks up after a few rings, voice groggy from what you assume to be a late afternoon nap.

“You up for a drink?” You cut to the point.

“Uh? Oh, uh, now? I am, of course- I just need—”

“Twenty minutes. I’ll text you the address.”

Nothing cheers you up like your favourite bar. Or friends. Or people who respond to calls.

Hongdae is as busy as ever. You knew the bar would be packed but not this packed. Still, you managed to grab a seat at the bar table. With the oncoming night, the smell is just going to get worse—so there’s nothing wrong with treating yourself to some lemon vodka (and its refreshing scent).

Hyungmin arrives exactly four minutes early, and the mussed up hair makes you think he must have been in a hurry. For what, you can’t be sure.

You can still see the inklings of Hongdae nightlights on his hair right before he enters, and in the fallacy of that moment, you think it’s going to be Doyoung. You sigh. This isn’t the time for that.

“Sorry,” you say, gesturing to the bar table. “All the tables were booked.”

“No, no,” he responds quickly. “I actually prefer it here.”

He’s tall, not that it’s the first time you’re noticing, but even when he’s sitting, he’s at least two heads taller than you are. His shoulders are accentuated by the mocha coat, no doubt part of the latest trend this winter. As a fashion student, he hits the mark and more.

For a moment, you feel bad for knowing his major. Ten let it slip about him and yet still, you feel guilty for remembering it. You’re not supposed to go into unnecessary detail about people that don’t matter. Does he matter?

“Surprised you could make it,” you joke half-heartedly. “Aren’t you lot always busy with something?”

He laughs. “The student council? Oh, we’re busy alright.”

Busy. Right.

“What about you? Aren’t you part of like three different clubs?”

“So what kind of busy?” you ask, ignoring his question. You’re part of two, now that you left the music club last semester. It’s not like small talk matters though.

“Uh,” he hesitates. “You know- attend meetings and events, coordinate committee work, supervise stuff, etcetera etcetera. So busy, yeah.”

“Busy on Saturdays too?” you ask, before thanking the bartender for the drinks.

“Yeah, I guess. Doyoung has it worse than me honestly. Even now, he has to take care of stuff because of me. Hah…”

You gulp down your drink making Hyungmin raise an eyebrow in concern. “Stuff? Because of you?”

“Yeah.” Hyungmin scratches the back of his head. “He’s with the girls.”

“Girls?” you ask, playing with the glass. You’re starting to feel annoyed, red lining your vision.

“Yeah.” He makes no notion of clarifying his statement.

“Must be quite the president,” you say, resting your cheek against your palm.

“Oh, he’s a nightmare.” Hyungmin laughs. “He has to control everything.”

You try to mask your scoff. You know what he can be like when you’re working beside him.

“Oh, and the guy has no sense of humour,” Hyungmin laughs, the sound easy on the ears.

You blink.

“I think he’s funny,” you say quickly. You swear you have no idea why you sound so defensive.

He hums in response and you consider biting your tongue, telling him you’re only here for one thing and forgetting the uncomfortable churning of feelings inside your chest.

“Forget I- I’m a little confused today.”

Is that an acceptable explanation? You can’t think straight enough to decide. The silence on Hyungmin’s part, however, worries you. The crowd around you fills in for the next few moments as your companion seems to debate something with himself.

“Look, I know you and Doyoung are… I don’t know, something.”

You huff in irked amusement. “God, does everyone seem to know?”

“Not until late actually.” Hyungmin takes a gulp. “He’s been acting weird. Doyoung.”

You look away, breathing shallow. You don’t like it, the way things seem to be getting out of hand. All this time, the world seemed to be in the palm of your hand and now, it’s spilling everywhere; the sand in the hourglass is already up to your knees and you don’t know what happens when it fills.

“Do you actually like him?” he asks, leaning back just a little. You know where this is going. “Are you guys dating?”

“No,” you respond, checking your watch.

“Oh.”

There’s a moment’s hesitation in him but you’ve seen that look before. You know that look.

“Then we can- uh- we can—”

“Fuck?” you ask.

He gulps. “I mean, you can say no any time—”

You pull him by the collar and kiss him, hard enough to melt away your hovering thoughts. He kisses like you expect him to, not how you want him to. You know this sort, and somehow, that makes you feel comfortable. Knowing what you’re getting into is easing but it doesn’t lessen the weight of it.

It’s sickening. The way you’re pretending it’s Doyoung.

Hyungmin pulls apart, panting heavily. “Oh, okay.”

“Tell me you drove here.”

He holds up his car keys in response.

You’re not the type to sleep with strange (semi-acquainted) men, but it’s better than falling in love with them.

So you follow a lover to a hotel room and try to feel something. Some time, when he’s kissing you against the hotel room walls, he pulls apart and asks, “You’re thinking of someone else, aren’t you?”

You know the answer; it just won’t leave your lips.

“It’s okay,” he says with a weak smile, “Let’s just have fun.”

And every time his mouth was on yours, every time you saw stars, you felt the ghost of Doyoung and his haunting touches. It was strange and unfair and unlike you—or at least, unlike the you that you built over the past few years. You feel as though you’ve misplaced something—like something was supposed to be there when you reached out but instead, it was empty space.

The night ends as it should and you leave right before dawn with an apology text you couldn’t put half your heart into.

Most winter nights, you wake up with pain so profound, it’s seeping into your bones.

It never made sense. You never tried to make sense of it. So you let the aches push you down by the shoulders, lodge itself into your neck and back; and you tell yourself, it must be what you deserve. It’s cold and you’re walking barefoot on frozen ground.

You gasp. The weight of who you are and who you have to be—it has its knee on the back of your neck, shoving you into the damp earth. There’s no particular reason to it; it makes it seem as though it’s insignificant. Unimportant. Irrelevant. But that’s the problem—the weight of the world on your shoulders makes no sense. Whose world are you even carrying? Whose approval are you trying to win? You scramble to get up, messing up your bedsheets in the process, and pull your blanket around you. Your own warmth surrounds you and it makes no difference. You frown.

You remember your phone call with your mom, and your lips tremble. You shouldn’t have told her about how crappy your finals went but it slipped. You tried to explain that you did work for them, that you gave it your best but sometimes things don’t work out. She didn’t have to say it out loud for you to hear her thoughts.

You’re disappointing.

You wipe at your eyes, feeling annoyed at the emotion. If you could let the ground swallow you whole, you would. In a heartbeat. You don’t even know what you’re doing most of the days despite that pretty planner of yours.

You get out of bed, pull on your cardigan beside the bed and grab your lighter and pack. The tiny balcony makes for a great smoking spot and while you would scold any of your friends for committing to this, you do it yourself. Hypocrite.

For all you try to shove into yourself—hobbies, student clubs, actual clubbing, friends—the more you feel less than enough, as if everything just vanishes into thin air inside you. As if you aren’t enough and never will be. You play by the rules and you lose, you break the rules and you lose.

Maybe it’s because you let yourself be filled by the intricacies of other people that they like you. And thus, you cannot stop for fear of loneliness.

Just as you’re feeling crushed again, you picture Doyoung against your back, placing his nose in the crook of your neck—something he has never done—and you wonder why it helps.

Sucking in air too fast, you cough. You shouldn’t have let it go on for so long.

It was fun—harmless fun. You shouldn’t even be thinking of taking a step in some other direction. You’re friends, barely, but you like where you are. If Doyoung was that important, you wouldn’t be going about this all backwards. You sigh, though it comes out jagged. The room is quiet and that’s the way it should be at four a.m, of course, but you crave music all of a sudden. Doyoung and you are just a temporary fix; and you let that thought relax you.

When you think of his chin on your shoulder, however, it feels feather light.

“Why are we doing this?” you ask.

The atmosphere is warm and toasty, just like you expect it to be in a bakery with light pink doors and a collection of plastic potted plants on display. The decorations aren’t an eyesore here and somehow, it makes you feel better. It’s a little far but you decide it’s worth it.

Doyoung shrugs, sipping his hot chocolate. “It’s Christmas, and we’re both here.”

Your eyes follow the hanging lights over the counter, wrapped in pine tree stickers and eventually to the neat display of a ‘Season’s Greetings’ menu, the contents of which are currently at your table. A Christmas song by some singer who’s been popular lately plays, tunes light and dancing. You hate the end of the year solely because of the extra pressure January brings. Nothing you can’t handle, of course. Nothing you can’t handle.

You sigh. It’s been a little difficult lately.

“Doyoung, really, why are we doing this?” you ask, genuinely curious.

“Are you- uh- are you not enjoying this? I could—”

“No! No, it’s not that. I feel better, actually.” You bite your tongue almost immediately after. It’s not like he’s supposed to know the sort of hell week you’re having. A poorly received term paper, finals that weren’t up to your expectations, crippling loneliness without friends and, oh, the self-doubt—you are at the lowest you can be in college. The only sweetener right now is in the hot chocolate and the way Doyoung’s looking at you.

You feel something close to guilt.

“Good.” He smiles. “You seemed… You seemed a little down.”

The sliver of warmth between your ribs makes you think this is unreal. It feels uneasy to be so affected by someone but you let it slide, turning back to your hot chocolate.

“Why didn’t you go home this time?” you ask, sipping your drink.

“Oh, I didn't really want to face my parents,” he says before leaning. “Didn’t do too well this semester. And my brother’s going to be there with all his achievements.”

You chuckle in disbelief. “You don’t like your brother?”

“I love him to bits. Just can’t stand my mom’s nagging when he’s around.”

“That’s rich coming from you.” You cross your arms, smiling triumphantly. You feel like children squabbling but it’s so lighthearted, you want to laugh.

Doyoung raises a pointed finger, about to retort but nothing comes out. He puts his hand down.

“I guess you’re right.”

You shake your head. “I’m sure she’s proud of you too.”

“I know that,” he says, laughing. “Of course she is. I don’t keep myself busy for nothing.”

You gulp, a sudden sourness rising at the base of your tongue.

“Busy, huh? Didn’t know spending saturday evenings with girls also counted as busy,” you mutter against the cup, half-hoping he doesn’t hear you.

“What?” There’s a perplexed look across his face.

You wave your hand in dismissal. “Oh don’t mind me.”

“Are you talking about me giving a tour to the fresher girls?” Doyoung leans forward, resting his elbows on his thighs. “Hyungmin does that usually but Mr Man was sore from soccer practice and Friday fucking.”

You blink. “Fresher… girls?”

“What, did you think I was at a brothel?” Doyoung laughs in amusement.

You feel your cheeks heat up in embarrassment. “No! No, of course not.”

You wave your hands about for a few more seconds, trying to come up with an explanation. This makes things rather embarrassing.

“Sorry,” you say finally. “I jumped to conclusions.”

Doyoung laughs, rather deep and heartily, and you wonder if your apology really did sound as stupid to him as it did to you.

“You do that a lot,” he notes.

“Thanks,” you quip, cutting the pastry with your fork a little too forcefully. His laugh follows. (You hate it so much. It sounds like pure adoration.)

The next few moments consist of scrolling through your phones (because Doyoung says his ‘mouth hurts from talking to you’) and you would’ve been in a better state of mind if everyone wasn’t posting pre-Christmas photos with their families.

“You know they’re opening that park. What’s it called- Winter Wonderland or something. You said you wanted to visit.”

You look up at Doyoung amused.

“Let’s be honest. You want to be in bed, Doyoung,” you say. “Why are you doing this?”

“Because I care,” he answers, looking at you with his doe eyes. “About you. You sulk when you’re upset.”

“I don’t sulk,” you reply but your smile is obvious when you exit the cafe.

It’s like a date. The more you think of it that way, the more it makes you smile.

The evening is perfect—orange and pink and loving and happy. Doyoung trails behind you as you tread over the sidewalk with cheeky remarks about his speed.

“I’m in the track club, you know?” he huffs, finally tired of your jabs.

“As what, the start point?”

A fake, sarcastic laugh leaves him. “I wouldn’t get to see you if I walked ahead.”

You feel warmth creep up your face. You mumble, “that’s cheesy.” It’s too weak though, and it goes unheard.

For the first time, you notice his eyes are a little like yours in what they reflect. You love them.

So this is where the crowd went. The amusement park, or whatever you call it, is buzzing with a faint sort of excitement, mostly in the children that didn’t get to go on a vacation elsewhere. It’s quite the wonderland though so you can’t see them complaining.

“Do you think they’ll kick us out if we make out on the Ferris wheel?” you ask, smiling at Doyoung.

“I’m not making out with you on the Ferris wheel,” he replies, making a face.

You do end up making out on the Ferris wheel, and you get butterflies from it. It’s like a teenage dream but Doyoung looks even better. You pass on the cotton candy because frankly, you’ve had enough of sweet things. You sit at the frozen wooden seat, hoping it warms up while Doyoung brings the two of you some fries.

Your phone buzzes with a notification. Your eyes light up at the mail from your professor. You had turned in the term paper three days ago, weeks ahead of schedule and were particularly proud of the way it turned out.

You look at the email and zero in on the word ‘redo’.

Your shoulders sag immediately. You spent four weeks on that—and it’s not good enough? You search frantically for how it could have gone wrong and come up with none. That’s not supposed to happen. Something’s wrong. Something’s very wrong. The week’s exhaustion swallows you up again.

When Doyoung returns, he looks at you concerned before quickly setting the fries on the table.

“(name). Is something wrong?”

“Huh?” Your voice sounds so weak and squeaky, you feel embarrassed. It’s embarrassing that after all these years, you still don’t know how to handle failure.

Because it’s not supposed to happen. You tell yourself that over and over and it makes things worse.

You feel dirty, underneath all that dust and crumbled rock dangling in your hair. Whatever rests on your shoulders is cracking and collapsing, and you’re pushing in the wrong direction to make sure it all stays up.

He reaches out his hand but you avoid it.

“No,” you mutter, weakly shaking your head.

You rub at your nose and eyes, hoping you can hide behind your forearms. Doyoung shouldn’t be seeing you like this, he doesn’t deserve to see you like this. You turn away from him, your palm gently pushing against the soft material of his shirt.

Doyoung doesn’t move. Instead, he gently tugs on your wrist so you have no choice but to face him with your red-rimmed eyes. You’re not sure if it’s embarrassment or pity, but the concern in his eyes makes you cry harder.

“You don’t have to do that,” he whispers. “You don’t have to find a place to cry.”

For the first time in adulthood, you learn what it’s like to lean your forehead against someone’s chest this way. Doyoung wraps his arms around you and the sound of his breathing soothes your near-erratic heart.

“I worked really hard on it, you know?” you mumble against his chest. “My term paper.”

“I know,” he whispers.

Doyoung strokes your head delicately, fingers running through your hair with airy touches. Eventually, you let go of a final sigh and look up to his lips.

He seems surprised at the kiss but it’s all you can think of now. It’s gentler than usual and Doyoung moves cautiously though he seems to like it all the same. His arms feel comfortable around you. When he pulls apart, he looks at you yet still with careful concern.

“We can- we should stop if you want,” he says, and he means it.

You shake your head. Night is creeping in overhead, deep and quiet and slow.

“I like you, Doyoung,” you say finally. “I really, really like you.”

Doyoung’s eyes widen, as though a rabbit wary of the traps it might set foot on but he eases into your touch almost immediately.

“I like… I like you too.” His lips waver but he looks away and takes a deep breath. “I like you so much.”

You smile and think that maybe everything is set right now, with his chin against your shoulder and your arms around him.

Doyoung discards the jacket once you’re in your apartment, kissing you fuller now. Every other thought leaves you; you beg him to make you forget the rest of the world. The walls are comforting now that he’s here, and it’s warmer, hotter.

“Can we- Can we go a little slower?” you mumble, his arms still gentle when they wrap around your waist. He parts his lips from your neck to look at you momentarily before nodding.

You suddenly understand why he always makes you feel so good. There’s a certain fondness to his touch and warmth to his kisses. There’s no one quite like him, really.

“I love digging graves, especially if it’s my own,” you mutter against the pillow.

Doyoung laughs. “What did you do this time?”

“This time? Excuse me? Do you think I’m some sort of trouble child?”

“Hm. Let’s see. Yes.”

You pause. Why do you hesitate to tell him you slept with Hyungmin? It’s not like you were cheating—you weren’t dating Doyoung. Besides, that night with Hyungmin didn’t mean anything. A horrid feeling snakes around your throat, heavy and piercing. You resort to changing the topic.

“I’m… I took another course beyond my understanding.”

“That’s it?” he asks.

You nod.

No, no, no; it’s all backwards now and you don’t know how to reverse it.

Doyoung takes your hand in his, delicately and yet firm. His chest is against your back, bare and warm. When he presses his lips against your knuckles, the warmth that flushes through you makes you want to believe in something else entirely. You feel weak.

A part of you argues that you feel honest—in a moment of clarity you don’t think you deserve. Neither vodka nor whiskey can make you this clear in the head; you struggle to breathe straight. How awful it is to feel warmth and not believe in it at the same time.

“You can rely on me, you know?” he whispers.

The knot in your chest makes you want to cry.

You feel lonely and the opposite of it all at once. Doyoung is too much for you—too kind, too pretty and too true. He makes you realize too many things at once.

There are a few things in the world that can stifle loneliness. Like the notes Doyoung plays on the piano, like the songs he hums in the morning till you place open-mouthed kisses against his neck.

You realize, all of a sudden, that Doyoung really is your dearest friend.

And yet, you don’t think you deserve it. You’ve never loved, you believe, but you have. You don’t remember it well enough. The lovers’ touches you kept searching for led to this. Hypocrite. You wanted a lover’s touch and you rejected the love that came with it. What a complicated bundle of emotions. You weren’t always this way.

You loved your first cat when you were six, all the way till it died a warm death in your bed. You loved your mother even when she yelled at you for skipping your chores. You loved your middle school friends when you talked about comics and movies you saw for the first time.

It’s hard to love the same way now.

You suppose sympathy needs a little backstory. Nothing is unconditional.

It had all started when your heart had broken into two clean pieces. You put a bandaid on it and called it a day. No one taught you to ask for help.

Your friends know someone broke your heart; you tell them everything. Friends, friends—you wanted them so bad and yet, you keep them as far from you as you can. You pretend to be paper-thin and so shallow, sometimes you wonder if that’s all there is to you. But for all they know, they know next to nothing. It wasn’t just the aftermath of reckless puppy love.

The first time your heart broke, it was watching your mother cry in the living room for a reason you didn’t understand. You wondered who committed the crime, who should be charged—and you found no one. A loveless marriage is cruel, yes, but you cannot point fingers. It isn’t just cruel; it’s infuriating.

The second time, the two pieces of your heart broke into a few more. It was a boy with an inviting smile and flags whose colour you couldn’t quite discern. They must have been red, but everything else was too—hearts, cheeks, lips, and the threads around your wrists. And eventually, he guided you to the conclusion that you are undeserving, unworthy, unloved.

You were strong, however. It was easy to collapse on the bed and feel the weight of the world settling in, but you stood up again on shaking knees and you told yourself to have fun; you can have fun without feelings. You know better than to attach meaning to fun—you might hate insignificant things but it’s only fun if it’s pointless. You’re not letting go of this place you’ve worked so hard to arrive at, with all the shattered pieces in your hands.

It’s better to offer nothing at all than offer broken pieces.

“Can we stay like this?” Doyoung’s arms tighten around your waist, his breath shallow against your shoulder. “Just for a little bit.”

His voice is beautiful as always, but for a moment, it strikes you as sad.

Everything’s twisting up into knots and you are frantically running your fingers over them to straighten it all out. You know what it’s like to let things rot; and you are tired of it. Why can’t everything disappear for one moment? Why can’t you just let it be the two of you?

You sigh in response, nodding.

“I might not know what’s happening in there,” he starts, drawing circles on your chest with his finger, touch comfortably light. “But…”

I’m here and I get it.

Is that what he wants to say? You don’t think you’ll get to know. You’re not exactly voicing yourself either.

Stay the night. You want to say it but your lips are frozen.

Instead, you rub your thumb over the back of his hand, fitting into each other as perfect as a lie. You would tell him, you try to convince yourself, if you could say it with enough conviction. There’s no point to saying things that are half-meant, that are true but only just enough. You’re a coward.

And now, this has gotten complicated.

An end.

Tapping his pen against the desk, Doyoung grows increasingly annoyed. The council's next meeting agenda isn’t going to finish writing itself but he can’t bring himself to either. Besides, Ten’s pacing outside his room is starting to get on his nerves.

“Ten!” he yells. “Can you quit it? You’re making too much noise.”

His disapproval is met with silence. For a moment, he spaces out and reflexively thinks of you, only to feel a confusing sort of emotion. It’s normal, he tells himself, and that it’ll sort itself out.

Doyoung feels like a glass box more often than not. If he breaks, who picks up the pieces? Who gets cuts all over their fingers?

‘Whoever breaks him’ should be the answer. But that’s wishful thinking. It’s not that simple.

He’s so see-through that it’s painful. He used to tell Taeyong he’s wrong but he’s never been able to prove it. He is easy. It’s embarrassing.

But then again, part of him likes it when it comes to you. He likes it when you kiss him after a particularly heated disagreement, he likes when you get on his nerves just so he’d fuck you and most of all, he loves the push and pull. Fun is just that. He doesn’t know what he’d do if that heart of his he placed so gingerly into your palms falls and shatters.

The line between hate and love is thin; and he’s enjoying walking it too much.

He has nothing to offer but himself. He laughs at the thought and shakes his head. It’s somewhat dirty, and not just in the sexual sense.

“Ten!” he yells again. “Stop pacing!”

Getting up from his seat, he strides over to his door, swings it open and finds Ten scratching his head and glancing at his phone in repeated action.

“Ten?”

He’s so in a trance that he hasn’t noticed Doyoung. He is the lovable sort of idiot if he ever chooses to be so. Most of the time though, he’s just a smartass.

“Oh, oh no, I’m a bad friend,” Ten mutters to himself, his pacing growing more restless. He scratches the back of his head, eyebrows furrowed and too inside his head to notice Doyoung. He wants to ask but something tells him he shouldn’t.

Turns out, his apprehension isn’t strong enough these days.

“Whose date did you crash?” Doyoung asks, more than annoyed already.

When Ten looks at him, Doyoung feels rather shriveled and freezes on the spot. Call it instinct but Doyoung respects fear and pain. Ten has a mixture of the two, amplified when he looks at Doyoung.

“Doyoung. Hey,” he says, trying to tone down the distress in his voice.

Doyoung still hasn’t recovered from the initial surprise of Ten looking that way.

“Did you fuck up? Did someone fuck up? Why do you look like that?”

Ten sits down on the small couch. “Long story… I guess. Too many details, you- you know? Just—”

“What the fuck happened?”

Ten still can’t look him in the eye. “The group chat’s a little…”

“Ten,” Doyoung snaps. “Cut the crap.”

“No, that’s- that’s what I’m- You’re going to be upset.”

Doyoung straightens, furrowing his brows. “I think I can fucking handle it.”

“You know that date I set up for (name) and Hyungmin?”

“You set that up?”

“(name) slept with Hyungmin.”

Doyoung quietens. The silence seems to make Ten uncomfortable as he shifts in his seat, getting up when Doyoung speaks.

“So?”

Ten blinks. “You’re not upset?”

“Just what kind of loser do you think I am?” Doyoung mutters.

Glass shatters just that easily. Maybe he wanted you to shatter him. Maybe he was already cracking at the edges.

“Doyoung, you don’t have to—”

“Stop,” he exclaims a little louder than he intended. “Stop looking at me like that. I’m a grown man, I can handle shit like this.”

It still hurts though. You lied to him and he let you in. You lied to him. Doyoung sighs, returning to his room with a realization he should have had long ago. His night ends with more deleted drafts than he’s supposed to have and eventually, with increased discomfort, he delegates the job to Park Hyungmin himself with the excuse of sickness.

Doyoung does feel sick. He felt this way once, in highschool, but it had turned to red, hot anger ready to lash at anyone and everyone, spilling from his lips as easy as it was to breathe. And Doyoung can never feel that way towards you. He was different back then too, of course, but you—you’re unlike anyone he’s ever met. He loves the comfort of you, and something like that is hard to come by.

He feels like laughing again but instead he finds tears on his cheeks. Silly boy, he can hear his mother tell him. You don’t give your heart to heartbreakers.

So Doyoung falls asleep to the sound of upbeat music in his earphones, music he hates even just to pass the night. Morning will come and he will have to become stronger. Comfort is fleeting, after all.

With everything said and done, you know very well that if you were to tell someone you love them—genuinely, truly, from the heart—it would be Doyoung. It’s not a sudden realization, like the sky falling apart or a tidal wave crashing against the shore and sweeping away the city. It is like the gentle lapping of water, though, or the way the clouds change shape—natural and anything but alarming. You want to stare at it forever, and you want to believe that’s how it will be forever.

“You told everyone we had sex?” Your voice is boiled to a shout.

Hyungmin looks torn, lips moving but no explanation making its way out. “I- I told my friends, not everyone.”

“And you forgot that your friends talk? Everybody talks, Hyungmin, what were you thinking?”

He sighs before taking a step towards you. “Why are you so angry about it? As far as I remember, you had no trouble talking about whose pants you got into.”

You scoff. “With friends, not the whole campus.”

“That’s exactly what I did!”

You cross your arms, feeling so upset you might cry and unsure as to why. You’re usually good at dealing with stuff like this, keeping things in the right place.

“It’s because of Doyoung, isn’t it?”

You snap your head to Hyungmin. There’s a serene sort of look to him despite his unkempt appearance, and a look of understanding.

“I’m sorry. Really. But if you were so into him, you shouldn’t have called me that evening. It might not matter to me but…”

You broke his heart. All that devotion he had towards you led to this.

“You’re right.” You choke on your words, leaning against the wall. “Fuck… Fucking…”

You turn around, making your way out of the hallway and hope the tears on your cheeks dry faster if you run.

You can’t remember the last time you ran. Your world didn’t need running from, it was right in the palm of your hands. Now that you look back, the world was always on your shoulders and heavy as it can be. Maybe you liked it—the weight. You could’ve shrugged it off any time; you didn’t need all those caging schedules or careful, elegant steps.

No. Atlas couldn’t shrug because his punishment was his existence. To have weight is to have meaning; and that is how you intended to live out your life.

Doyoung makes you see it differently. To love so fully even if it seems cautious—you, who has never loved at all, couldn’t comprehend it. And because he makes you see it differently, the box is now open and all hell is loose.

For once, you don’t want to live in the world you crafted. You want more love, more hurt and you want to open the doors. You don’t mind hell if it’s for him.

You ring the bell to Doyoung and Ten’s apartment and pray the news hasn’t reached him yet. He said he was busy this weekend; maybe he was detached enough from his phone for once. You just want to be the person to tell him. It’s not a perfect apology otherwise.

Doyoung opens the door with pursed lips and cold eyes. There’s a sense of ease over his shoulders and arms but he won’t look at you and panic rises to your throat.

“We’re not fucking tonight, (name),” he says.

“That’s not- That’s not why I’m here.” Your voice is so meek, you wonder what happened.

Doyoung steps back, crossing his arms. He’s still looking at his feet and you feel the urge to reach for his face.

“I wanted to tell you- I… I just—”

“That you’re fucking other people?”

“God, Doyoung, stop with the fucking. I don’t care about that right now.”

“Really?” His voice is so sharp, it digs into your skin. “You were just in it for that. That’s the fun part in your stupid life, isn’t it?”

You feel a sharp pain in your nose and forehead. “You’re- Now that’s- Doyoung. I’m sorry. That’s what I wanted to say.”

“After—” His voice chokes up. “After everything is done? Stop with the excuses and face it for fuck’s sake. You aren’t made to fall in love. That’s why you dance around it all the time.”

Although he says that, he doesn’t sound angry. He sounds defeated.

“It’s not like you aren’t cautious,” you retort, throat feeling heavy. “You said it yourself- you don’t want to care too much.”

“I was wrong,” he says, voice hoarse. “I care about everything more than I’d like to admit. I care about you more than I’d like to admit.”

“The Hyungmin thing didn’t mean anything, okay? You were busy and—”

“So why did you lie?” He strains to not raise his voice. “Of course I knew our little thing didn’t mean shit to you. Why did you pretend it did? Last week, you said- you said—”

“Doyoung, last week- last week I- I wasn’t pretending, I swear.”

“You could’ve just saved yourself the trouble and the dignity.” A short, humorless laugh leaves him.

You feel your lips tremble, the explanation not quite made its way out yet. He looks so innocent like this, rabbit-like eyes watery and full of pain, pure the way they have always been. This is your mistake, isn’t it?

“Doyoung, please,” you manage to say. “That was wrong. I couldn’t clear up my head. Please don’t—”

“No. I was an idiot. Or you see me as one.” He frowns deeper, lips trembling. “I shouldn’t- I shouldn’t have. We shouldn’t have been at the same fucking party and I shouldn’t have drank so much. You’re- I’m not that kind of person.”

You bite down your lip. “What kind?”

Doyoung laughs, the sound raspy and empty. “The kind to not fall in love with you.”

It damn near breaks your heart to look at him. You have to say something, it shouldn’t end like this. You’re desperate and all you think is that you don’t want it to end at all.

“Please, I thought of you as a friend, that’s why—”

“And this is what you call being a friend?” he cuts you off.

You feel the sting in your eyes and nose, making you turn sharply to the side. You wish he’d just make you cry. It makes you feel the rancid guilt all the more.

“Make Hyungmin your friend for all I care. Let’s stop this.”

You stare at your feet, unable to respond.

“You can have every boy in the world, (name). Don’t come to me.”

“Can you just stop talking about everyone else?” you yell, desperate. “Do I talk about your exes? Seungjae or- or what’s-her-name—”

“That’s different!” He looks distraught, breathing heavily and with a painful red flush over his nose and cheeks. He runs his hand through his hair, tousling it further. “You lied to me, (name). You lied.”

Your cheeks are wet and the look that flashes over Doyoung makes you think he wants to step right out to you. He stays frozen in place, however, looking away to the side.

“Did you notice?” he asks softly. “Even once? How much I cared?”

You can’t answer, letting the tears drip down your face. It’s getting colder and colder.

Doyoung bites down his lip before parting them. “All we did was have sex anyway. So please just- just leave.”

You take a long few moments but nod, hugging your coat closer and stepping out of his apartment. You think you hear Ten’s footsteps but it’s followed by the bang of a door—this is how it ends then.

The line between hate and love is thin; and you are deserving of neither.

You perfect your next semester’s academics, and the next. It still feels empty. You go out to drink with friends and return to a messy bed you sleep in alone. You smile as always and you laugh as always. No one asks you how you are as always. You never needed anyone to ask you how you are.

Ten tries but you push him away. You don’t need to drag in other people into a mess you made. He feels sorry for the whole thing but you tell him it was you that spilled the paint, Ten just handed a dash of it to you.

You were right. You don’t deserve Doyoung. At least, you made it so that you don’t deserve him.

‘It’s better to have loved and lost than to not have loved at all’—it still hurts.

Every day is part of a list again. You doodled in some of the pages, when you thought you were starting to fall in love. There’s only a skeleton of it left now. Soon, you’ll let it crumble to dust too.

You tear apart the planner sometime after graduation and cry and curse at yourself for doing that. No one’s good at parting with things they care about. You’re no exception.

It’s December again.

This place is a little strange to visit right after graduating, especially with the memories flashing you by. Johnny said he booked one of the private booths (“A senior’s treat!”) but you feel your steps growing hesitant when you reach the neon signs by the stairs. It spells ‘The Meeting Place’ and smells of cigarettes just like it did the first time.

You stop midway up the stairs. For a moment, you think of Doyoung sitting there and wonder if you’ll ever be able to talk to him again. If you had the chance now, would you take it?

Of course, you wouldn’t. There’s too much to be set right and you can’t do it.

There’s supposed to be the six of you. Johnny mentioned Ten and you know Eunji’s invited too. You saw Jaehyun on the way here, still a student. You sigh. It must be him, the one they failed to mention to you. Kim Doyoung. There’s no one quite like him.

You spot him first. Looking a little forlorn as he gazes absentmindedly to the side, he faces away from you and you get the inevitable urge to run away. It’s a funny feeling.

Your stomach is churning. You don’t want him to see you. Ten babbles on about something to Johnny, smiling like he found candy while clearing his drawers. Eunji looks tired, leaning against Johnny’s shoulder and you wonder if she already drank more than enough shots.

“(name).”

You jump at Jaehyun’s voice from behind you.

“Hey,” you respond, giving him a wide smile.

He hesitates. “Are you okay? Not that you don’t look okay- you look really good actually. I mean, are you and… you know okay?”

“I don’t think so, Jaehyun,” you say and make your way to the booth.

It’s a little cramped for the six of you and Doyoung gets up before you can even greet him. It’s not like you deserve it anyway but it tugs at the wound.

“I’m going to go take a drag,” he mutters.

“You don’t smoke,” you say, looking up.

He stares at you momentarily and you look away. You think Ten and Johnny glance at you with pity but you don’t really care.

“Can I come with you?” you ask, barely a whisper.

“Sure,” he says, to your surprise.

The smoking area is so small, you’re surprised it’s even there. A glass structure overlooking the neighbourhood, there’s barely any light within. The only thing nice is how warm it’s in there.

Doyoung lights his cigarette and then offers to light yours. It’s quiet, the music from inside numbed to the cold doors. You really can’t take it. You stub the barely consumed cigarette and throw it into the bin.

You’d rather just stay quietly in his presence.

“You’re not smoking,” he notes.

“It’s a bad habit.” You look out through the glass.

Doyoung chuckles. “You were a collection of bad habits.”

��And good ones too,” you quip. “I was a perfect student. I was perfect in most everything actually.”

Doyoung’s smile widens. “You were. You certainly were.”

A few more moments pass in silence, your eyes traveling over the outside scenery which seems to be growing duller by the second. City lights have never felt fainter.

“It was an accident, right?” You say suddenly. “The whole thing? Us?”

Doyoung hums. “Yeah. I fell in love by accident.”

You smile weakly. “Right. I never got to apologize.”

“I loved you on purpose.”

You look up at him. There’s not a lot of people who say what they mean. He looks the same as he used to under your grey blankets, with a warm blush over his cheeks and kind, wide eyes.

“You’re so damn pretty,” he murmurs, “even now.”

You scan his face for signs of lying.

“You’re drunk, aren’t you?” you ask finally.

Doyoung blinks before easing into laughter. “You- You’re- You’re the same as ever.”

You let yourself crack a smile.

“Doyoung I- I really am sorry,” you say quietly. “And I did- do care for you.”

Doyoung stubs out his cigarette and discards it before looking you in the eye. You notice he’s wearing his favourite black turtleneck in the proximity, the grey plaid coat covering most of it. You really liked that look on him.

“I’m sorry,” you say once again. “I want you to know that. I didn’t want to hurt you and I promise I won’t ever do it again.”

You mean it. You’re never going to hold glass again. He doesn’t deserve it.

“That’s a problem,” he responds, breath mingling with yours. “I want you… I want you to hurt me. If you really do love me, I’ll take it.”

“Doyoung,” you whisper, turning away despite your whole body screaming at you to give in. “I meant it. I can’t hurt you.”

Doyoung cups your cheek with one hand, glancing at your lips for a moment.

“You’re warm,” he says.

He’s warmer.

“I want to kiss you,” he says.

You want to kiss him too.

“We went about this all wrong, didn’t we?” he asks.

“We did,” you answer, voice barely above a whisper. “I did.”

Doyoung pulls back. “Then let’s start again. I’m Kim Doyoung, I majored in linguistics. I was student council president and I made a mistake.”

You smile. “We don’t have to do that.”

Doyoung raises an eyebrow. “After all the trouble I went through to make a good introduction?”

The two of you laugh, and it gets warmer.

“I’m (name),” you say. “I was a top student and I made a bigger mistake, Kim Doyoung.”

“Oh? I wonder what it was.”

“Kind of a long story.”

“I’ve got all the time for you.”

You smile and start. He responds with gentle kisses. You’re piecing your world back together again; but this time it’s feather-light and fits right in the palm of your hand.

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night-unfurls-its-splendour · 3 years ago

Text

The Critique of Manners Part VI

~Or~

An Attempt at an Objective Review of Emma (2009)... VOLUME TWO

Haha, bitches you didn't think I could wait a whole week did you? Nah, not me. and guys, I added to it--all total, it's 9,023 words now. this half of the review is 5,214. HOW DO I HAVE SO MANY WORDS FOR THIS THING? I'm not gonna split it into a third part, because I don't need to for picture limit purposes, but buckle in.

If you didn't catch it, read part 1 here

Here it is, the stunning conclusion to my Emma Adaptation Review series (but this isn't really the end because I plan on doing some rankings later). In this half of my review of BBC'S Emma (2009) we'll discuss Costumes and all the very specific things that I love about this version, and some things I don't like, and some things I'm here to defend.

Let's dive in!

Costumes

Generally I liked these costumes pretty well. They were designed and facilitated by Rosalind Ebbutt, also known for her work on PBS’s Victoria and Vanity Fair (1998). And her work is, as her filmography would suggest, by turns, great and so-so.

These costumes are definitely in line with the adaptation’s general aesthetic: warm pinks and golds, with mints emeralds and blues to cool it off a little, are the order of the day. I really appreciate that every character has a definite color palette. The tradeoff is that this adaptation is the WORST EVER offender for the Jane Fairfax Blue™ trope.

Daywear

Emma’s daywear is full of warm and muted colors. Salmon and magenta are commonly seen. I love that most of Emma’s daywear consists of sleeveless or short-sleeved gowns with wide-sleeved linen blouses underneath. It’s not a commonly seen aesthetic so it feels light and fresh. My favorite of Emma’s daywear dresses is the pale yellow with purple floral print.

There’s one other in particular that I love.

Emma’s blue, sleeveless dress. I love this because of HOW OBVIOUSLY it’s a reference to this portrait of Charlotte, Princess of Wales. I mean...

I’M NOT IMAGINING THIS, RIGHT? WHY DOES NO ONE TALK ABOUT THIS? This is a REAL dress. They still have this exact gown of Princess Charlotte��s. It’s on display. It’s faded, but it’s the same dress.

Harriet has a fresh and innocent green, white and purple color scheme with healthy doses of peach and pink showing. I particularly like her white and purple floral print dress.

Mrs. Weston’s color palette varies, but leans heavily on tans and purples, which is very flattering, I must say, to Johdi May’s coloring and is really refreshing for Mrs. Weston who seems to get stuck in pinks and yellows a lot. No idea what’s going on with the laced-front dress though? This doesn’t quite read as authentic to me, but I do like that her first dress seems to be an apron-front.

I know I already said that this is the worst Jane Fairfax Blue™ offender, but guys I can’t stress it enough. WE ARE 5/5 ON DAYWEAR HERE. LOOK AT THAT. (Also of note, Jane 5 is one of Gwyneth Paltrow’s dresses from the '96 Emma.)

Mrs. Elton seems, at all times, to be wearing some form of pink, but I think I’m right in saying that the white day dress with the rose patterned bodice under the yellow and pink spencer is one of Jane’s dresses from P&P ’80. Can anyone confirm that? They did sneak in some Mrs. Elton Orange™ though, for Box Hill, and it’s worth noting that Mrs. Elton is the only lady who’s appropriately dressed on that occasion.

Isabella gets some understated day gowns that are very nice and also VERY “Jane Austen” in the sense that I feel like Jane Austen herself might have worn them.

Miss Bates, unfortunately is slapped with brown at just about every turn, but at least her “Nice” day outfit has some subtle leaf patterns, which is refreshing. Also Mrs. Goddard has a slappin’ cap. Love that.

Also, Harriet’s Grecian costume for the painting (upper right hand corner). What can I say, but that I love it. I love that it hints at the neoclassical influences on Regency fashion too. This is my favorite interpretation of the painting too.

Evening Wear

You know what I love about this version? It’s the first version of Emma where her gown for the Crown in Ball isn’t WHITE. I know, I know white was fashionable, but it’s just… it’s nice for not EVERY gown in a ball scene to be plain white friggin muslin and also, it’s not one she’s ever worn before, which is great.

Harriet does have only white evening gowns but that’s okay. My only complaint is that, specifically on her Crown Inn dress and in a lot of her costumes in general, the waistline seems just a little low. Hmm. I really like the pale blue pattern on her first evening dress though.

Mrs. Weston though. Woo. Look at those. She has a dark chartreuse gown with black lace trim that any other version would have put on Mrs. Elton, so you know from the dark tones that she’s a bitch. Not so with Emma '09, and that’s good. And her teal dinner number is a favorite of mine. I never paid much attention to her green and gold ball gown but it has some really beautiful, subtle leaf or maybe peacock feather patterns on it and I love that. My only problem is that there seem to be some fit issues. She’s got muffin top way too often. Her orange evening dress is a bit of a dud though, firstly, because it has long sleeves (which is an evening gown no-no) and the fabric slaps a bit too much of sari fabric for my tastes.

Jane, not only is put in blue with both of her evening gowns (although one is so pale it borders on white), ONE of them is another Emma ’96 repeat and not only that, it’s one of Jane Fairfax’s dresses in that film! Perhaps that’s enough to make it an homage, and I have to say, I think Laura Pyper wore it better.

Miss Bates only has one evening wear ensemble, but at least it’s cream and not brown.

Mrs. Elton’s gowns are surprisingly understated, and yet still seem to be annoyingly fussy and, what’s better? They’re not sickly green. One of them is actually a very pleasant mint.

Outerwear

Outerwear is roundly pretty great here. Emma’s primary choice of color for spencers is emerald/evergreen and one of them is Elizabeth’s Bennet’s from the 1995 P&P (though to be honest, I think Jennifer Ehle filled it out better.) I do love Mrs. Elton’s pink and yellow number with the slashed sleeves. Jane Fairfax’s only spencer is, you guessed it, blue, but her friend Miss Campbell has a rather fun mauve one.

There’s no shortage of pelisses and redingotes either. Harriet can be seen in one borrowed from Elinor Dashwood in the '08 S&S, Mrs. Weston has a rather fabulous purple one which she wears with the most delicious looking hat I’ve ever seen.

Emma has two. The first one is a great magenta number with military braiding (and I think she wears with it one of the brown slouch hats that Kate Beckinsale wore in the same role) and while the other pelisse is brown, they had the sense not to make her wear a hat with it that was also brown. Instead, they gave her a contrasting color. Good on ya, Rosalind!

Speaking of hats, I don't often single them out for commentary, but I want to here because… the hat authenticity is… kinda spotty. Let me show you.

Okay first of all, Emma may be a teenager in this pic on the upper left, but she is not dressed formally enough for her sister’s wedding (which is what’s going on in this scene) but at least her hat is pretty good. You can see the ribbons are on the inside of the hat here, which is as it should be… but she never wears this hat again. At any point in the series. Instead, we next see her in the one on the upper right and ye gads this is atrocious. WHY IS HER HAT NOT PINNED ON? IT’S SLIDING DOWN THE BACK OF HER HEAD. SOMONE FIX IT. PLEASE. But wait, there’s more. This kills me because these bottom two are so similar to the one she wore earlier (the correct one) but crappier looking. Jeez.

This is not a hat. It’s a peanut. You know who doesn’t have this problem? Harriet. She only has one sun hat but at least it’s correct.

I also wanna touch briefly on this ^ costume continuity issue.

WTF is this? She’s in the hall, her ribbon is contoured to the line of her dress; she goes into the drawing room and… it isn’t anymore? Wha happun?

I took more menswear screencaps for this version than any other version. And that’s because the men just have more outfits that are, y’know, different from each other.

Mr. Knightley is as understated as ever, but I wanna highlight the first pic there and why I love it. This is Knightley’s first appearance in the series and it’s the perfect establishing shot that shows the viewer everything they need to know about Emma and Knightley’s relationship and how it has always been. He sort of materializes, out of focus in the background, but Emma immediately knows he’s there. And to accentuate how much Knightley is part of her home and scenery, his clothes (similar shades of pale tan, white and minty green to the wall behind him) almost camouflage him and make him seem at one with the moulding.

He also has a rather lovely blue evening waistcoat that I WISH I could have gotten better shot of (although I do believe it’s also worn by Henry Crawford in the '07 Mansfield Park, so for further reading…)

Mr. Weston finally gets to wear clothes that aren’t all brown! He only has ONE brown outfit. He gets PATTERNED waistcoats, one of them a rather spiffing blue and brown striped number. And he wears TROUSERS! Because he’s a gentleman, and he’s not that old and trousers are worn by fashionable gentlemen in this period!

You know who else gets to wear trousers and at least one fun waistcoat? Mr. Woodhouse. Check out that lovely Sunday Best™ waistcoat. The red striped one. That’s delightful.

John Knightley’s evening wear intrigues me. That’s a double-breasted jacket, and you know I’m not totally sure that’s very authentic for evening-wear of this period, but it is different. Unfortunately he also has a flared top hat and that is definitely not on for this period.

One of my favorite things about this version is that they don’t dress Mr. Elton as a clergyman all the time. Yes, he may be the vicar, but he’s also allowed to dress like a fashionable, handsome young man. So I’m really happy that he gets to flex his fashion muscles here.

And speaking of fashionable young men, FINALLY frank gets to be COLORFUL and his trousers are even tight enough. Both he AND Elton are often seen wearing TWO waistcoats, as I would expect them to, and even though Frank’s a dandy, he knows that flashiness is gauche so his pops of color are bright, but not in your face. His green and red waistcoats are always worn under more muted colors, and I just love it.

The only problems are… what’s with the turned-down waistcoat collars? There’s no precedent for this, in fact I think it’s directly contradictory to the style at the time, and also it makes the cravats look a bit unruly.

A Critique of Manners

A lot has been said about the manners in this adaption. Like, the actual manners, body language and facial expressions, specifically vis-à-vis Romola Garai.

And, oh yeah, there’s a lot to pick at here, but first I’d like to talk about the facial expressions.

I'm mostly gonna be talking out of my ass here, but this is my take, so if anyone can make a better argument against my points, I am listening, because I don't really like talking out of my ass and I like to be informed. That said...

I tend to be lenient on the… exaggerated facial expressions because, something I’ve noticed reading Austen’s works through the last several months is that Austen is very descriptive when it comes to facial expressions and I just find it hard to believe that people in the Regency Era never made exaggerated expressions like this.

I’ve heard a lot about how Garai’s Emma is not dignified or lady-like. But let’s think about the context of Emma Woodhouse – she’s never been in society. She’s only had a governess to teach her, and we know Emma’s always been sort of averse to being told what she can and can’t do. Emma is the highest ranking woman in her social circle (barring Isabella’s occasional presence). Emma doesn’t have to be ladylike. At 21, she’s already her local Lady Catherine. She puts a lot of stock in her position in society but, as Mrs. Elton will be the first to hypocritically point out, she’s very poorly behaved. I'd be very curious to see what would happen if Emma went to London for the season. Probably, she'd be seen, comparatively, as a country bumpkin. Can you imagine how she might get on in a sea of accomplished young ladies? She can barely handle having ONE rival with any kind of grace.

Austen never describes bodily movements of the kind we’re looking at when we watch adaptations, so why not have Emma’s body-language be un-ladylike in the conventional sense of the time? I’m not saying this to excuse the absolutely inexcusable (Frank’s head in her lap, kneeling on the sofa backwards etc.), but while Emma’s mannerisms aren’t exactly ladylike for her time, they’re not overtly masculine either (which was one of my biggest problem with Death Comes to Pemberly for example.)

Yes, there’s an ideal for manners. But we know real people didn’t always follow those ideals. In dancing for example, many dancing guidebooks of the day were full of repeated instructions not to be too loud or rambunctious when dancing. What this tells us is that people were doing just that, and probably quite a bit, too. I think that, while taking societal strictures into account, we shouldn’t totally discount the idea that people in the Regency weren’t really that different from us, and young people especially.

Now I’ve already mentioned some of the inexcusable aspects of interaction in this adaptation and they’re so notorious at this point, I don’t think that I really need to go over them much here. Although I will say: is it ridiculous to have Frank Churchill put his head in Emma’s lap? Yes. Did it make me more viscerally uncomfortable with the situation on Box Hill than any other version? Yes.

I was like, 14 when I watched this the first time. This was an effective way to telegraph to young people like me that Emma is being extremely inappropriate here in a way that no other version really managed to, even when I watched them when I was older and understood the period more. I’m far more acquainted with Regency manners than I was then, but to be honest – if they had been accurate with the manners here, when I was 14 I would not have understood what the big deal was. Is there merit in circumventing historical accuracy in favor of reaching a less-informed but still-interested audience? Yes, I think so. There were three other versions of this, at that point, that did this scene with more or less pristine manners. Not every version has to follow the manners of the time to-the-letter to be good. That’s my feeling on the matter.

There are things that do really bother me though. Like the idea that Harriet Smith doesn’t know how to spoon soup, for instance. As I said in my review for the Miramax version, table manners are pretty basic, there’s no reason Mrs. Goddard wouldn’t have taught Harriet this. It does provide a good moment to show Emma tacitly coaching Harriet and showing the trajectory in which this relationship will go, but personally I don’t think it was necessary—there are plenty of other ways that could be done.

Also: kids at the dinner table? I know this is part of building the familial atmosphere but it really does annoy me, because apart from building the familial atmosphere (which they do very well and frequently in other ways) it really didn’t need to happen, and it doesn’t add anything.

The Heart of Highbury

So, as I’ve hinted at throughout this review, the bread and butter of this adaptation of Emma is emotion. This version goes hard and heavy on showingthe relationships – Emma’s relationships with Mrs. Weston, Mr. Knightley, her father, her sister, her brother-in-law, Miss Bates; Jane’s relationship with Frank; Frank’s relationship with his father; The John Knightleys’ home life – and it illustrates things that can be surmised from just reading the story, but really draws your attention to them in ways that other adaptations just don’t.

It does this from the very beginning with the prologue which explains in detail (not just in quick exposition between characters) how Jane and Frank were separated from their families at young ages. We know now, from psychological study, that being taken away from their primary caretakers during their formative years is one of the most psychologically traumatizing things for a child. This is deeply important context which is explained in detail by the narrator in 2-3 large pages (in my Barnes & Noble anthology) in the book.

In the featurette on the houses, they talk particularly about Hartfield and the Woodhouses being the heart of Highbury and how they particularly wanted it to feel homey because Hartfield is Emma’s house and they wanted the audience to feel why everyone is so drawn to it, and to Emma; to me that is what they did with the whole adaptation in microcosm.

I usually talk a bit about the dancing and I'm going to here as well because this is maybe the most special dance scene in any Austen for me. Of course I'm going to link to Tea with Cassiane as usual because she knows what she's talking about and I don't. But I wanna add some comments. She gives this a pretty low rating in spite of a generally favorable commentary because of two big oopsies, the circle dance formation is one, and the other is I believe, an issue with the style of dance not matching the tune in Emma's dance with Knightley. Throwing out any objective technical analysis though, this is my favorite Ball in any Austen and it all comes down to the cornerstone of this adaptation--emotion.

All of the songs and dances were original compositions and choreography made for this adaptation. So they're not period per se, but the tunes at least are representative of how Regency dance music should sound. These dances are upbeat, and lively and, damn they look like fun. Everyone is excited here and it makes me understand why dancing was such a big thing. Best of all that excitement adds to the emotional charge of the scene. "The Ship's Cook" is the most fast paced dance and I'm glad they made this the dance where Elton snubs Harriet because it really hits for me just what Harriet would be missing out on if Knightley wasn't so fucking aptly named. In all other versions you get the insult, but the dance that's taking place is usually a Baroque walker so it doesn't seem terribly like she's missing out on much. Here, this is like not getting picked for kickball-- not only is it a slight that no one wants you on their team, but you miss out on even playing the game. Harriet looks so lonely, and her feeling of being out of place rolls off of Louise Dylan so forcefully it chokes me up just thinking about it because I've been there, man. I feel this shit. *dabs eyes*. Ahem. So, yes, when Knightley engages her for the dance the excitement the viewer feels is that much more forceful and Harriet's exuberantly starting to jump in when the timing is off and Knightley gently pulling her back, it just hits me in the feels center, guys. (I wanna take a moment to give a shout out to every camp counselor who ever partnered with me for any game at summer camp.) Emma's reaction too, is gold. Her genuine relief at Knightley swooping in is one of those great reminders that Emma is Harriet's friend, and she does care about her.

Finally on the dancing front, I wanna talk about Emma's dance with Knightley and why I prefer it to the one in the 2020 version. I already talked about this a bit in the 2020 review, so I'm gonna try and keep it brief. That shouldn't be too hard, because I'm probably mostly going to repeat a lot of what I've already said about Emma and Knightley in this version as a whole.

The big thing everyone loves about the Crown Inn dance in the 2020 is the yearning, the sexual tension, the quivering touches etc. Don't get me wrong, I LOVE all of those things but... not all the time. Not in everything, and definitely not in Emma. Because Emma, to me, isn't about repressed sexuality or heated tension or seething passion. Emma and Knightley are the opposite of that, to me, really. One of my mutuals put it best, I think: "Emma and Knightley are more suited to stolen glances than hot touches."

In Part 1 I talked about how Knightley is Emma's comfort object. When Emma is out of sorts, Knightley re-centers her. It helps set up, and puts emphasis on, the crisis of the story in the last act--Emma not knowing what she has until [she thinks] she's lost it. Emma and Knightley are Friends to Lovers done as it should be. She is already so comfortable with him she doesn't even realize her own feelings. She just feels right with Knightley and that's what this dance is here to show you--a foreshadowing of matrimonial harmony.

The dance itself, of course, is always up to interpretation, because Austen never describes how it goes, just that Knightley asks Emma to dance and Knightley doesn't dance (barring charitable causes). If you prefer the sexual tension take, if that, to you is an improvement on Austen's story and gives you what you've always felt was missing, I'm glad that there is a version now that gives you what you've been looking for, but for me, I think the 09 approach hits closer their dynamic in the book.

Now do I do think the Emphasis on emotion maybe went a little too earnest in some places in this adaptation? Maybe. Just a little.

In my last review (1972) I went on a rather lengthy tirade about the scene where they turn Emma’s appeals to Harriet to exert herself and move on following Mr. Elton’s marriage into Emma guilting Harriet into thinking she’s a bad friend for being heartbroken and then throwing her into the situation most likely to rub salt in that particular wound.

In this version, while I love the emphasis they put on the stress Emma puts on her own guilt for being the reason for Harriet’s situation in the first place, I think it’s maybe a little too… much.

That’s the only way I can put it. I know I’ve just said that I think there should be a bit more expressiveness in period drama, but this doesn’t quite match the way I read it (Emma’s a bit less desperate in Austen’s prose. Very dedicated to helping Harriet feel better, but just a skosh more composed). I think she’s even crying in this scene.

While we’re here let’s go over to Box Hill ONE. MORE. TIME.

First of all, this is where this screenplay shines, in my opinion. This is the big turning point in the story and as such, should be a touchstone for the judgment of any adaptation. This sequence in the 2009 version is a perfect crystallization of everything I love about this version—namely that this is the version that, to me, most feels like someone read the book thoroughly, paid attention to what Austen was describing and then actually tried to convey it on screen. A lot of other versions sort of feel (to me), like the director glanced at the page and said “here’s what I want to convey in my version”. Insofar as making a piece of art goes, that’s good. Directors are artists as much as painters are and movies are their canvass, but it’s seldom that you find a director who honestly wants to hit as close to the author intent as possible and this Box Hill sequence makes me feel like that’s what Jim O’Hanlon was going for. I have the book open next to me as I write this and it’s shocking to me how minutely the atmosphere described in the book is conveyed here. Most of all, the fact that Emma’s insulting Miss Bates is not the only thing faux pas she makes here. Box Hill as a whole is a disaster, and it’s largely because of Frank.

“When they all sat down it was better; to [Emma’s] taste, a great deal better, for Frank Churchill grew talkative and gay, making her his first object. To amuse her, and to be agreeable in her eyes, seemed to be all that he cared for—and Emma, glad to be enlivened, and not sorry to be flattered, was gay and easy too, and gave him all the friendly encouragement, the admission to be gallant, which she had ever given in the first and most animating period of their acquaintance; but which now, in her own estimation, meant nothing, though in the judgment of most people looking on it must have had such an appearance as no English word but flirtation could very well describe. “Mr. Frank Churchill and Miss Woodhouse flirted excessively.” They were laying themselves open to that very phrase—and to having it sent off in a letter to Maple Grove by one lady, to Ireland by another. Not that Emma was gay and thoughtless from any real felicity; it was rather because she felt less happy than she expected. She laughed because she was disappointed…” --Emma, Chapter 43

Most other versions rush through Frank’s “excessive” flirting with Emma (Right in front of Jane) to get to “Three Things Very Dull Indeed” as fast as possible, and yes that’s the crowning horror of Box Hill, but there’s a very intricate setting here, too, and this version has the time to lay back and let it all unfold in the oppressive discomfort of an English summer day.

Even better than all of that though is Knightley confronting Emma after it all goes down. This treatment is neither plaintive, nor aggressive as it was in ‘96 and ‘97 respectively. I’ve already extolled the virtues of Johnny Flynn’s Box Hill rebuke, but for a change I’m not going to zero in on Miller’s performance which is, at least as good as Flynn’s, but on Romola Garai’s, which I find superior to Anya Taylor Joy’s. Specifically, her reaction once she’s alone.

ATJ in the 2020 version immediately breaks down sobbing and it’s hard for me to feel that she’s sobbing for “anger against herself, mortification, and deep concern” or that there’s much self-reflection going on there. To me it rather just feels like she’s crying because she got shouted at. The theatrics of it, to me, feel childish and self-centered.

I don’t feel that with Garai’s performance.

“She was vexed beyond what could have been expressed—almost beyond what she could conceal. Never had she felt so agitated, mortified, grieved, at any circumstance in her life. She was most forcibly struck . . . How could she have exposed herself to such ill opinion in anyone she valued! And how to suffer him to leave her without saying one word of gratitude, of concurrence, of common kindness!

Time did not compose her…” --Emma, Chapter 43

Of course one can make the case that Emma's reaction should be a bit childish because Emma is an immature character, but that's the thing--I can agree with you anywhere else in this story but this is Emma's maturing moment. This is her turning point as a character. It's where we should see her reactions shift from the same childish denial we're used to seeing when Knightley scolds her, because this is different. It's not the usual brushing off of big brother Knightley, this is a young woman reacting to an esteemed friend pointing out how abhorrently inappropriate she's been and her having to admit that to herself.

I didn't really want to drag comparisons to the 2020 film into this, not on this scale at least, but this just jumped out at me the last time I watched the new film and I have to express it somewhere.

What I see in Garai’s performance is desolation and mortification. That shocked tearfulness of knowing you’ve been justly reproached for wrongdoing, but being too frozen in a pretense of composure to actually cry about it until you’re quite sure that no one will see you. And especially when it’s someone you esteem rebuking you, the horror of them leaving before you can admit that they’re right. There’s so much more depth here, I think, and I can’t even quite express what it makes me feel.

The aspect of time not composing her is another thing that they decided to put stress on in this version. Emma looks fucked up in the following scenes. When she goes to see Miss Bates, she clearly either hasn’t slept or has slept very badly. I feel like this is maybe an anticlimactic conclusion to this section but I’m afraid I’m very close to reaching incoherence, so I’m just gonna leave it here.

My absolute favoritest thing about this version though—something that sets it apart from ALL other versions and even adaptations of other Austen stories—is the inclusion of the post-confession conversation.

This is something of a trope in Austen books but it very rarely finds its way into adaptations: confessions of love are out of the way, the hero and heroine settle into an easy an comfortable conversation, glowing with happiness as they explain and laugh over their actions and misinterpretations of each other’s choices. It happens in Pride and Prejudice, in Persuasion, and yes, in Emma. This is the only Austen adaptation, that I've seen, to include this kind of conversation in any kind of detail. The 1995 Pride and Prejudice alludes to the corresponding scene in it its source material, but the lines pulled from it get tossed into the confession scene itself and then it flies through to get to the obligatory wedding—a side effect of rushing through endings, a convention I’m rather tired of.

Emma (2009) takes its time with this, as with all other aspects of this adaptation. For a version that’s so full of energy, its pacing is extremely laid back and comfortable, without dragging. When you hear the gentle musical swell and Emma and Knightley have their kiss (this whole confession sequence is so sweet and wonderful in its own right), you expect that to be it. But no, we cut to them, the picture of contented happiness, sitting together on a bench overlooking Hartfield’s garden, just talking and enjoying being together, with no teasing, no pretense. If Jane Austen stories emphasize anything, it’s the importance of communication in relationships, and I think that’s maybe why she made it a point in almost every story to show her characters communicating their feelings in words, even after all the conflict has been resolved. This is my favorite scene in the whole series (In case it being my header image didn’t make that obvious.)

This is followed rather promptly by a cut to the next day, with Emma bursting in to Donwell in hysterics about how they can’t be married because she won’t leave her father alone.

This is one of those maybe over-the-top choices that a lot of people don’t like, but guys, it was so funny to me when I was fourteen and it still makes me laugh. It might seem outlandish, but to me it’s just the emphasis on personal relationships and emotion coming through again and it always makes me smile.

Final Thoughts

It’s hard for me to give a proper round up of my feelings for this section because I think I’ve poured just about all of my feelings on each aspect into its dedicated sections.

At the end of the day, the only thing that really disappoints me about this version is the number of missed opportunities there are here. One of my favorite parts of reading Austen is when I run across a line in dialogue or narrative that just… slaps. But they never make it into the adaptations. Emma is full of them and I just wish that Sandy Welch could have taken an opportunity to slip a few of them in.

In summary, I think this is a wonderful, heartfelt adaptation aimed at getting to the emotional heart of a story that often gets caught up in the Mean Girl-ness of its main character than the coming of age story that it is. It's one of my favorite period dramas because it's one of the few that really captures the spirit of the source material as it's always felt to me. There's really only two other period dramas that I esteem on the same level as this, and they're North & South (2004) and Jane Eyre (2011) and it's for the same reasons; because they impact me deeply on an emotional level--which is what art is supposed to do--because of how well it captures the essence of the story that I know and love.

So did I succeed in a more objective review of Emma 2009? I' feel like probably not. But I tried my best. It’s so hard to be objective about something that makes you as happy as this adaptation makes me.

Ribbon Rating: Most Agreeable (83 Ribbons)

Tone: 10

Casting: 9

Acting: 9

Scripting: 7

Pacing: 10

Cinematography: 7

Setting: 9

Costumes: 6

Music: 8

Book Accuracy: 8

#emma 2009 #emma woodhouse #mr. knightley #jane austen #jane austen emma #romola garai #jonny lee miller #period dramas #regency

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uwumessenger · 4 years ago

Text

random headcanons i have for each om! character teehee

hi it's been a while since ive posted some hcs bc uni has been kicking my a$$! luckily i only have a few papers to tidy up and im done. here r some hcs for each obey me character that ive accumulated over the past few months wink wonk

most are random but some constants you'll find are what i think they smell like, languages they can speak (other than their native (demon/angel) and eng/jp), and music tastes !

lucifer

i have a strong feeling that he showers twice a day: in the morning after waking up and at night before going to bed

his cologne is probably the type that will last in an elevator for like a week after he uses it once. i dont think this mf ever smells like anything other than his cologne

has a secret folder on his phone of semi-nudes and other scandalous pics from when he felt sexy at the time omg

aside from demon language/eng/jp he can speak french and knows latin

listens to classical stuff yea but he also listens to diavolos mixtapes (re: diavolo's section)

not a fan of sweets but will eat sweet things when craving

really bland sense of humor...borderline cringey 😭✋🏻

mammon

has gone to google images and searched for "inspirational quotes tumblr" "gold aesthetic tumblr" & "relatable crush post tumblr" then reposts it onto his socials or just taps thru them and giggles bc he relates

his cologne doesnt last as long as lucifers and probably smells common. he has to reapply a lot but it's a people pleasing smell. it's cheaper hence the constant reapplying

he probably does have an expensive bottle but is the type to totally overspray...eek

he is canonically a car guy 🥲 and probably tells the one in his room good morning & good night + kisses the hood every once in a while. has tons of car magazines

he doesnt really speak other languages but has attempted to learn spanish before

listens to whatever is on the radio. doesnt rly stan anyone but he eventually will listen to mc's playlist and mc's playlist ONLY

levi

lurks on mc's socials ALL THE TIMEEEE like he will rewatch ur stories and scroll thru ur feed and overanalyze ur tweets/rts or blog posts. if ur mc isnt the type to use sns much he still googles ur name all the damn time just to find any sites u might be on fjdjdjdjskks

probably streams on whatever youtube or twitch devildom site equivalent there is, but only has like 40 or so followers. which he is okay with!

until he sees someone else who gets more attention than him. then the envy starts kicking in bad. especially if they suck 🧍🏻‍♀️

classic gamer boy smell. you know, sweat, tears, must, and (sometimes) axe deodorant. lucifer has to do a scent check before he goes out to any event & lets him use his cologne. how sweet!

kpop stan!! more girl groups than anything and his ults are probably GIRLS GENERATION, wonder girls, twice, loona, & red velvet

cried when ioi disbanded and refused to leave his room. the only thing u could hear was downpour on loop at full blast

can also speak korean & communicate in echolocation like dolphins 😏

satan

listens to country music you cant change my mind

smells like whatever environment he is in. he doesnt really have a designated smell just throws some deodorant on and goes about his day.

he's sooooo bad at driving...gets road rage way too often so his license has been REVOKED

but hes totally a backseat driver. needs to be sedated on long trips

do not let him watch finding nemo when luke asks to watch it. it's not worth it. he will cause mass destruction.

if he was a human or lived long term in the human world he totally has the ability to be a doctor

is studying as many languages as possible, but he mostly knows latin & french & german etc etc. wants to learn all the dead languages out of curiousity

asmo

dont think this mf has ever held down a relationship. ever

he doesnt compromise much & is not willing to change his lifestyle to fit an s/o into it. you keep up with how he lives or it just isnt meant to be (but dont worry! he'll eventually learn...maybe,,,,)

has the hardest time out of everyone when it comes to breaking bad habits

his smell varies bc he uses a variety of perfumes (whatever is the most popular at the time) but he probably sticks to floral and fresh scents. he never uses generic people pleaser scents like mammon

listens to electropop, mainstream pop, & some alternative rock

as for languages he too knows french, spanish, italian, etc. in general, if it's a romance language he knows it!

opposite of lucifer in the sense where he loves sweets and will refrain from eating too many bitter things

i think we all know that asmo is the biggest rockstar of the group! he's probably been in a boy band at least once, but now he makes his own music

has tried to teach mammon how to sing once. ended up in a broken piano and bleeding ears...

beel

i feel like he is SO SHY

like unless ur close to him he will not start conversations or anything

i think he listens to r&b a lot ! and jazz 😎 maybe rock as well

smells like ur typical athlete with undertones of wet wipes. he carries them around bc he likes to clean his hands before he eats & is prepared for when theres no sink nearby

he can drive and he drives really well. no rough turns, parallel parks perfectly, and never has problems with merging

driving with beel is probably really soothing. left hand is steering the other is gripping ur thigh 😫

dont think hes really fluent in any other language but hes probably semi fluent in korean because levi wanted beel to help him out

definitely know how to order food in practically every language tho HAHAHA

belphie

he reminds me of randall from monsters inc

smells kinda musty IM SORRY but not the way levi does hes more like the kind of musty u feel or smell when it's a shitty morning

but that's only because hes so lazy, when he cleans up hes like satan

has definitely murdered multiple people before. mc is not the first 😐✋🏻

with that being said belphie has been put into prison at least twice when visiting the human world, the mf had such a strong hatred for humans theres no way he never got into trouble before

lucifer probably broke him out and they used the pen thingies from men in black to erase everyones memory of that 🙄

dont think he listens to anything other than music that'll put him to sleep. really likes lazy song by bruno mars but thinks that bruno mars put too much effort into the song. should have been one acapella verse and then finish

similar to beel hes only semi fluent in one language, probably french bc of lucifer. doesnt remember much but knows a couple of lullabies and bedtime stories

the sandman used to be his bff until they drifted. they do, however, like and comment on each other's sns posts.

diavolo

once he found out who nicki minaj was he became her #1 stan

def an ariana grande stan too 😌

choreographs dances when hes stressed...idk just seems like a diavolo thing to do

also makes rly bad soundcloud rap music sometimes. turns to poetry when hes feeling emo but only lucifer knows this. barbatos is suspicious of him but doesnt have enough evidence to confirm.

his dad is like hudson abadeer from adventure time aka marceline's dad? something must have influenced him to want to unite the 3 realms + he would need the approval to do so, so his dad must be more chill than all the others before him 🧍🏻‍♀️ IDK ok anyway

currently going through his hamilton phase bc of mc. whether mc's intent was to get him hooked onto it or just to explain it bc of something he saw online, he tells everyone that he found out abt it bc of mc!

this man cannot drive his skills are only second to jumin han

not too fond of many languages but knows the widely spoken ones like spanish, mandarin, etc. if it's taught in high school he knows it

smells like a las vegas casino. not sure why but i feel like he does. but there's also an interesting & nice smell to him if he embraces you. it's a smell you cant quite identify. but it smells nostalgic, it's mysterious, and it's tempting.

barbatos

very calm demeanor but underneath hes WILD hes probably done everything at least once oof

he just has a lot of control and stability over himself (must be nice!)

on a more angsty note i feel like he might have had his heartbroken sO BAD IDK he is hurting and maybe that's why hes so willing to obey diavolo and not abuse his time lord power thingies bc he learned his lesson the hard way

mans is so smart he knows every language you could switch languages mid conversation with him and he wouldnt be thrown off. he'd probably start speaking it too.

BUT HE SPEAKS VIET P E R F E C T L Y

listens to the same stuff as lucifer but also likes eminem. likes the movie 8 mile but criticized it heavily

have you ever been to a chinese herb shop? naturally, he smells like that. his room probably smells like it too. he doesnt really have a significant smell like some of the others

when he bakes he smells like whatever hes baking tho

one of the few out of everyone listed to have been able to travel to literally everywhere

solomon

was probably on kitchen nightmares once, but only to get feedback from chef gordon ramsay. then he used his magic to prevent the episode from airing...

was in an orchestra, one of the best times of his life. played the violin. asmo watched him in the audience once, but didnt approach him until well after that performance.

he CANNOT sing. he can, however, rap.

doesnt listen to music. he listens to podcasts! but every now and then he turns on background music, but prefers it to be instrumental stuff

never wears sunglasses. also does not have a driver's license. cannot drive a regular car. could maybe fly an airplane.

due to his immortality he has learned almost every language to exist, but finds himself speaking mandarin the most. knows most dialects too

similar smell to barbatos but u can also smell some sunscreen on him too. like, generic beach day suncreen

he has a lot of pact marks, so he once had the idea to match foundation to his skin. it took him two weeks but he eventually perfected a combination. yes he will help u find ur perfect shade if u ask him to

simeon

another country music man. has also made a tiktok or two to that one song that goes "he cant even bait a hook." they are private tho

angel country music exists and simeon invented it

if he visits the human world and wears more causal clothing he probably tucks his shirt into his pants

wears a speedo at the beach i tell u, speedo at the beach

he can speak german...i can feel it

uses his pointer finger to type and holds the phone like 2 inches away from his face so sometimes his nose will push a key hence all his typos

has no signature smell. he simply smells like your favorite scent all the time. if multiple people are around him at once, everyone smells a different smell. it's pretty rad

"what does he smell like to himself?" u may be asking. hmm...a church? 💀

luke

his first pet was a goldfish and a few months before the exchange program happened, he was given a koi pond!

secretly likes hanging out with levi sometimes just to play with henry. makes him miss his pet fish back home

so his favorite movie is probably finding nemo and he threw a fit when nemo touched the butt

luke is probably learning german bc of simeon, though he'd like to learn more of the dead languages just for fun

i dont think he listens to music often or has any preferences, he just listens to whatever is playing on the radio

but he finds himself listening to the music mc listens to

smells like freshly baked goods all the time. or fresh laundry. but like, not combined. just depends on the day

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midnight-in-town · 4 years ago

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Hi so I came across your Femto punishing both Guts and Casca meta and even tho I kinda like it I found myself at odds with a part of it.

I think punishing Casca and feeling mad she picked Guts over him and considered leaving him wasn't really a consideration at all. In the thoughts he has after the weird trippy hallucination thing they put him through during the eclipse his only thoughts are about Guts. How he was the only one who made Griffith forget his dream. And when he forgot this torture happened and his body was broken.

Guts was the one he risked life for by going to save him from Zod. Guts was the one who managed to get close to him despite his attempts to keep his distance from his men. Griffith was at that point after all only human. Humans need close relationships which he was denying himself and that led to his overattachment to the one he had which caused him to end up in the situation he got tortured in. He had to blow off steam he was so upset by Guts leaving and the concept alone made his fight with Guts more erratic.

But Casca leaving isn't reflected on at all during the Eclipse. Griffith said once that a true equal was what he considered a friend and while he was talking to a royal at the time that might still be true. Griffith who was human, and despite being in denial about it, craved friendship.

An equal who didn't leave him might be something he wanted. But Femto who has thrown away his humanity doesn't want a friend he doesn't want a equal. A power play is required to prove that Guts is beneath him. He needs to disempower Guts to feel empowered. To feel that Guts isn't a equal that Guts is beneath him.

The scene where he pushes down Casca is a parallel because it is also about power but in a different way. The sequence of events is Griffith asks Guts to put on his armor he wants to be able to put it on fight again. Guts obliges excited to see Griffith recover.

Elsewhere Casca is told he will never recover enough to hold a sword again. A demon attacks them rips off Griffiths armor and mocks him and his group over how he's already broken. Afterwards Griffith hears his group come apart as they come to terms about his condition. Casca berates Guts for expecting that recovery when it not possible which Griffith also hears.

Griffith then pushes Casca down I think because Casca used to be someone he was stronger than her. It's just a desperation to show he has even a bit of the strength he used to possess.

He manages to stay in the position she doesn't try to push him off he doesn't try to do anything and just puts his effort in maintaining position. Flopping on her and groping would probably be less physical effort but I don't think that what he trying to do . His mouth is open like he's trying to say something but no words come out. She hugs him pulling him close and as he's no longer holding up his own body weight his trembling stops.

I think its supposed to contrast with Femto later and his mentality in this moment vs that one.

The first scene with Casca is desperation to show he has even a bit of the strength he used to possess. That it'd not over for him.

The second one where he attacks Casca in front of Guts is to show no one is equal to him everyone is beneath him. Guts is beneath him. In this world where Griffith reigns Guts has no power to stop anything to do anything and he wants to mock and hurt Guts. That it's his time to rule.

When Griffith is rescued his immediate reaction is to lash out attack Guts. He is mad at Guts for leaving because in his mind Guts leaving led to this. But it only led to this because Griffith cared enough about him that he would be upset at not having Guts around. Its because they were friends. So when he sees Guts crying over him that anger dissappears and he puts his hands on Guts hand in a almost comforting gesture. He can't go as far with his anger or hatred because he loves and cares too.

Which is why that first scene with Casca is only her being pinned. He wouldn't go that far because even if he doesn't see her as a equal he still gives a shit. Its why he attempts to move to her when she attacked by demons after they escape with him. Maybe he wouldn't even consider doing something like what Femto does to her.

But that caring and giving a shit is the humanity he gives up. Femto still has emotions he had feelings Griffith used to have. If he didn't making Guts feel disempowered wouldn't matter. The idea of Guts as a equal in anyway wouldn't occur. Femto is just that anger and rage he felt when he tried to strangle Guts without the caring he felt when he put his hand on Guts hand.

Casca only mattered when Griffith cared about people who he thought he was stronger than. When he sacrificed that Casca ceased to matter. She was never a target of his anger or frustration. But Guts continued to matter. Because Guts was a target of that. He wants the target of his frustration to suffer, and he knows this will make him suffer.

Just my opinion thought I'd share. Still love your meta tho!

Well, damn, that’s a long ask. xDD Next time, just reblog and add your thoughts, I also answer that way, hahaha!

Also, not sure which post of mine you’re referring to, by the way. I’m thinking this one, but I honestly can’t be sure because I also reblogged posts on the subject?

Anyway, if I sum up your take: Griffith was out to punish Guts only and not Casca, because Guts >>> Casca in terms of significance as far as Griffith is concerned?

Thank you for your input :) but see, I disagree, because this is exactly why I once said that...

I don’t understand why some fans somehow reduce Berserk’s plot to being about Guts vs Griffith, Casca often becoming some random secondary character. For me, no matter how you look at the series ever since the Golden Age, it just ain’t the case. :))

However, all I ever wrote was that Griffith punished both of them; I never implied that their “betrayal” amounted to the same significance for Griffith, because it’s indeed not the case.

After all, as you said, we know Guts always had a bigger impact on Griffith since the day they met...

...but, while we will never know for sure, I for one am quite convinced that if Casca (who was Griffith’s right-hand woman) was the one who had left in the same fashion as Guts, it would have triggered Griffith in a similar way.

Because Griffith is a man of influence: he knows that and how to use such charisma on others. That’s why he totally means the words he said to Charlotte about what kind of people he would see as a friend. So he uses people’s feelings for him in a way that would serve the path to achieving his dreams. Casca herself said that, as a leader after he was gone, all she did was "try to protect the dream of someone who might not even be alive”.

The Band of the Falcon lived and worked to help Griffith achieve his dream, because they saw him as special, since they had no achievable big dream of their own (kinda why Griffith said they’re not “friends”).

So yeah sure, Guts’ actions would always leave a bigger impact on Griffith, as you showed he said it himself, but Casca falling in love with Guts and envisioning a future far away from Griffith’s schemes still clearly stung.

After all, everyone in the group knew of Casca’s unrequited feelings for Griffith, meaning that Griffith obviously knew too and, instead of telling her it would never happen, he entertained the possibility so that Casca would entirely devote herself to him.

Take Judeau, as a counterexample: he too had some feelings for Casca, but he urged Guts several times to take her with him and away from the group, because he couldn’t stand her unhappiness. Griffith said nothing about her feelings, because he knew that’s how Casca would do everything for his sake.

Still, Casca was not any random member of his Band so, when she emancipated from Griffith by falling in love with Guts, in my opinion it’s why...

...she also was on the receiving end of his jealousy.

It’s distasteful but, otherwise, why did Femto rape Casca instead of killing her? Again, we will never know, but if Guts had left Griffith behind for a future with any other random girl, I think Femto would have just killed her in front of Guts. Raping Casca, when she used to long for Griffith’s affection, was revenge against both of them for choosing each other instead of him and his dream.

You can see it in the way he stared at both of them so many times, coming to the realization that he was not at the center of their little trio anymore. So yeah, Guts > Casca in terms of significance since day 1 as far as Griffith is concerned, I never discussed that, but Casca was not such a random member of Griffith’s band either that her actions of emancipation would not taste bitter to him. That’s my opinion. :)

Additional points: I never said he was trying to grope her in that scene when he fell on top of her as she was changing his bandages, just that “he was trying to gauge or reenact Casca’s old devotion to him by showing some affection”.

And finally, Femto who was entirely reborn as a Godhand has no emotion left about Guts or Casca, he said it himself. Thinking he’s only anger and revenge would be confusing Femto with the Skull Knight or Guts as the Black Swordsman.

Friendly reminder that Femto is not human anymore so, while Griffith thrived on thinking that he didn’t bother with overwhelming bonds to anyone and that only his dream ever mattered, it is actually the case for Femto.

I hope I answered your points. Thanks for reading and have a nice day Anon! :))

#berserk #guts #griffith #casca #gutsca #femto #berserk theory #anon #answers #my analysis #tw: rape mention #not gonna lie i'm not a fan of people thinking berserk is about dudebros' clash of ego #when the entire story since vol 22 has been about Guts being afraid for Casca and trying to find her the best hiding place #sure SK then told him Casca could be brought back but Guts never envisioned goingafter the Godhand again ever since #he even literally told Zodd to fuck off even tho Grif was super near because Casca's safety was way more important to him #even right now Griffith is not chasing after Guts : he's out there building his empire like he always wanted

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buildarocketboys · 4 years ago

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Pride asks my lil baby boy peterrrrrr

(And Claire?)

Peter:

Headcanon for their sexuality

Pan, mostly bc he loves the alliteration of pansexual Peter Petrelli and the idea of loving everyone regardless of gender (he's so full of love! 😍). But he's also gnc af and mostly just identifies as queer.

Have they came out? If so, how

Yes! He came out to Nathan first, obvs, when he was about 14, and he was really nervous (not about his sexuality bc he was already cool with/secure in that pretty much bc it's just him, but because Nathan is the most important person in his life and he was worried in case he reacted badly somehow, not that he expected him to but it's not like they ever talk about that kind of stuff in their family and he's worried his dad might have influenced Nathan's opinion of The Gays. He then came out to his friends and eventually most people at school just kind of found out bc he couldn't be bothered to hide it (he's gotten into a few fights with homophobes bc of that but he never really got bullied bc he's too scrappy and also too popular, most people just liked Peter too much to give him a hard time about being queer). He came out to his parents a couple of years later, over dinner, probably in response to his dad saying something homophobic to him, bc he's impulsive and a little shit like that (affectionate)

Other than that, over the years it's just kind of...something people either pick up on, or he just drops it casually into the conversation, unless there's some really annoying homophobe who he can piss off by being loudly queer around.

How their friends/family took their coming out

Nathan was INCREDIBLY awkward about it but in a very supportive way. He tries to persuade Peter not to tell his parents/especially their dad, but Peter is a defiant little bugger who refuses to hide who he is.

Angela didn't really care (and already knew) but muttered something disparaging about 'all these labels/why do you need to label it' but Peter and his father almost come to blows over it (despite Arthur calling him every homophobic insult under the sun over the past couple of years since he didn't meet Arthur's criteria for being a man, he never expected Peter to have the audacity to actually come out to him) - until Nathan steps in.

Basically everyone else including Claire and Noah are like. So totally unsurprised.

Do they go to Pride/With whom?

Yes! Mostly with friends but when Claire comes out he definitely takes her to her first pride, which is really cute

Do they show their colors? (Flag-wise)

Yes, also another reason he ids as pan is bc he likes the flag. But he also loves the rainbow, and any excuse to dress up

Claire

Headcanon for their sexuality

Bi, probably, but she's still figuring it out.

Have they came out? If so, how

First person she comes out to is Noah, after he invites Gretchen to Thanksgiving, and she's just like "you know, right?" and he's like, "yeah I figured." This is also before Claire's completely sure of her feelings herself so it's reassuring to know her dad supports her and sees that in her. She calls Peter to talk about her sexuality crisis next, and then finally properly tells Gretchen that she likes her lol. Then she calls Zach. And then Nathan (in the au where he doesn't die lol) who is again awkward (although, thankfully, somewhat less awkward than when Peter came out) but supportive and sweet and probably makes some stupid joke.

How their friends/family took their coming out

Noah is totally supportive and also kind of thrilled that Claire has a girlfriend not a boyfriend, in the way that dads can be weirdly overprotective about their daughters dating men. Peter is totally supportive and talks her through her crisis but is also like "Well duh, I totally clocked it the very first time I met you" ('it gets better'?!). Zach is like "YES! Called it!" but then they have a really long, deep, heartfelt conversation about being queer but also about everything that went down back then and also everything that's gone down since, since Claire kind of lost touch with Zach for a while, and then she's really glad she got back in touch and they make plans to meet up and Zach makes her promise to introduce him to Gretchen.

Do they go to Pride/With whom?

Yes, with Peter, Zach and Gretchen and they have an amazing time

Do they show their colors? (Flag-wise)

Totally, flags and make up and everything, but it's relatively tasteful/not too over the top

#peter petrelli #claire bennet #asks #ask meme #pride month #heroes #ahhhh this was so fun thanks babe!#I really wanted to do Peter lol #so gonna write some pride month heroes fic based around this #judasisgayriot

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brywrites · 4 years ago

Text

Flight Risk VI

Summary: An answer to the age old CM question, “who’s flying the plane?” And the story of a pilot and a profiler. Part VI: In which things are lost and found and borrowed.

(Series Masterlist) ( Previous | Next )

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The case is of a vengeful Cinderella is closed, but as they prepare to head to the airport, Kate isn’t feeling so well. Rossi offers to drive with her to a pharmacy to pick up some saltines and Dramamine, and the rest of the team heads to the airport to wait. Reid spots Y/N chatting outside the plane with Dobson, and he instinctively starts towards her. She must see him out of the corner of her eye because she turns to greet him, but before either of them can say anything a strong hand finds his shoulder, holding him back.

“Hold there, Pretty Boy. I wanna hear the details of your Prince Charming moment back there,” Morgan says.

Y/N raises her eyebrows and he can feel his face flush. “There’s um, not much to say,” he stammers.

“Spence, come on, you were totally prince-like,” JJ laughs. “Kneeling down on one knee with a glass slipper and everything?”

“A glass slipper?” Y/N asks. JJ describes, in detail, how he played the part of the knight in shining armor at the cemetery to get Claire Dunbar to leave with them. He’s embarrassed through the whole tale, but by the time JJ gets down on one knee to kiss Morgan’s hand as he did the unsub’s, he’s sure his face is scarlet. Y/N is laughing along the entire time at his fellow agents’ melodramatic reenactment.

“Anyways, it was all very romantic. He totally swept her of her feet. The poor girl fell for him in a heartbeat,” JJ says. For a moment, Reid tries to discern what Y/N is thinking. Her face is unreadable other than a bemused smile. Her body language tells him nothing. But he can’t help but wonder – hearing about his heroics in the field, would she be jealous? Hearing how he played Prince Charming for Claire and kissed her hand. Then he wonders if he wants her to be. Is he curious because there’s a part of him that wants her to want him? Is he secretly hoping that she’d feel slighted by any hint of romance towards someone else? And if he is hoping for that, what does that mean?

But Y/N just says, “I sure would have liked to see that.”

“Next time we’ll get it on camera,” Morgan teases, ruffling Reid’s hair. He swats his friend’s hand away.

“You know, I love a good fairytale,” Y/N says, turning to him.

“Well this one was more Grimm than Disney,” he admits, trying to push the memories of the men Claire killed out of his mind. The story is over now. No more dragons to slay. Kate and Rossi return seconds later and it’s time to go.

Y/N follows Captain Dobson up the steps of the jet, and he follows close behind her. Lost in his thoughts, he nearly loses his balance at the top of the stairs. Y/N immediately reaches a hand out to steady him. Her hand is soft around his. He holds tight, both to maintain his balance and to keep a connection to her. All his life he’s been uncoordinated, but he’s willing to fall over his own feet a million times if it means having the chance to finally hold her hand. With her help, he ascends to the top step, finally making it onto the jet. It strikes him, this sudden reversal of roles. Only a few hours ago he was offering his hand to a distressed damsel to lead her away, using his words to woo her. But now Y/N is the one coming to his rescue. She is steady. Confident. She doesn’t need anyone to save her. If she did, he’d be there in a heartbeat. But she’s saving him. Little by little. Maybe they’re saving each other. One thing is for sure – she sweeps him of his feet without even trying. Knocks him out with a single smile. Quite literally puts his head in the clouds. And that’s better than any fairytale.

----------------------------------------------

She’s turning the pages of Extremely Loud and Incredibly Close, so taken by the story that she jumps when he calls her name. She turns to see him standing there, offering an awkward half-wave. Y/N can’t help but smile at the sight of him. His cardigans and ties are becoming familiar. He always looks more like a librarian or a professor than a special agent. Not that she minds one bit. The clothes suit him well, though at this point she’s convinced he’d look good in just about anything.”

“Is it good?” he asks, nodding at the book.

“Extremely. The prose is incredible and the narration is really unique. It manages to make a story so painful sound so beautiful. You can borrow it when I’m done if you’d like. I’m sure you’d finish it in a single flight.”

“It’s quite likely,” he laughs.

“So I hear we’re off to New Mexico,” she says. The flight is long enough that she could easily lend him the book now, but she knows the trip there will be spent reviewing case files and preparing for the work to come.

“Yeah, there’s five women dead already.” Spencer sits beside her on the bench. “The unsub seems quite advanced. It’s not looking pretty.”

“We’ve got to find you at least one pretty thing to see on these cases,” she says. It doesn’t seem right for him to travel across the country and return with nothing but memories of police stations and a handful of nightmares. She still hates the idea of ferrying him and his team to and from monsters. To and from danger.

He raises his eyebrows. “Oh? Like that coffee shop you found for us last weekend?”

She laughs at his pointed accusation. When they made plans she had insisted on visiting a new pop-up that Yeeqin had shown her on Instagram. The drinks were dreamlike pieces of art with cotton candy fluff, impeccable latte art, ombre iced teas, and donuts carefully placed over the rims of mugs. The line to order had been long, and the shop was crowded with people taking photos in front of the murals and installations throughout the shop. When they finally got their drinks, they were both disappointed to find they were more watery than the sad coffee found in police stations and tiny airports. The coffee didn’t taste nearly as good as it looked, especially for the pretty penny it had cost.

“Okay, okay,” she giggles. “You have a point. I will refrain from taking food recommendations from social media influencers in the future. But I’m sure I can find a nice bookstore or a garden or something worth paying a quick visit to in Santa Fe.” She pulls out her phone for a quick search. “Oh, like this bookstore! It’s called Collected Works and it’s lovely.” Suddenly she can smell coffee and the sharp spice of aftershave. Spencer is leaning over to look at her screen. She turns her head towards him and he shifts his gaze from the phone to her and she realizes how incredibly close he is. There’s only inches between them and when his hazel eyes find hers any words she had die on her lips. Lovely, is all she can think.

After mere seconds that seem to slip into eternity, she quickly breaks eye contact and looks down at her hands, her heart thudding loudly in her ears. “Um, but, uh, maybe there’s somewhere else…” she says.

“Oh my god, Reid, you are not going to believe what I saw this morning!” A cheerful voice calls out from across the hanger and Spencer practically leaps up from the bench. The voice is familiar somehow. A brightly-dressed woman is heading towards them surprisingly fast considering the height of her stilettos. Her shockingly orange dress matches the bright hue of her lipstick and the flowers in her hair. When she reaches them, her eyes widen, and a neon grin spreads across her face as she regards Y/N. “Oh! You have to be Y/N! You look just like Morgan described!”

Y/N’s eyes flicker to Spencer who gestures towards the newcomer. “Y/N, this is Penelope Garcia. Our technical analyst.”

Garcia holds out a well-manicured hand. “Technical analyst, internet goddess, and oracle of all knowledge. But tomato, tomahto.” Y/N stands to shake her hand. “JJ was right, you’re totally cute.”

Out of the corner of her eye she sees Spencer turn tomato red. She chooses not to question it and instead asks, “Why haven’t I met you before?”

“Well, usually when these crimefighters are flying all over to world to do their crimefighting thing, I stay hunkered down in my Quantico batcave ready to scour the interwebs for their every demand. But our creep of the week is particularly creepy – he’s hacking into his victims computers to stalk them and erasing almost any trace he was there. So I’m coming along for the ride to try and pull any data I can from their devices.” She grimaces. “Believe me I would much rather be staying put and calling them from my office.”

That explains why her voice is so familiar, she’s heard it in the background a million times as the team prepares for a case in the cabin.

“Well Captain Dobson and I will do our best to make the trip a little more comfortable. We restocked the galley and deep cleaned this weekend, so Geff should be in perfect form.”

“Oh my gosh I still love that our jet has a name. Geff is so cute. I’m never calling it the jet again.”

Y/N smiles. “Right? I feel like planes have a personality all their own. They deserve a name, too!”

“I feel the same way! I name all the things in my life, but none quite compares to Esther. She’s an orange 1975 Cadillac Eldorado and the one true love of my life.”

“An Eldorado? She must be gorgeous.”

“She absolutely is, and she drives like a dream. You should totally come take her for a spin sometime! If you can handle Geff you can totally handle Esther.”

“Hey!” Spencer protests. “You wouldn’t let me drive your car!”

Garcia rolls her eyes in mock annoyance. “See, calling her a car is exactly why I don’t let you drive her! Besides, you drove us to Comic-Con and your maneuverability did not exactly inspire confidence.”

“Well if you ever need a co-pilot for a convention, let me know,” Y/N offers.

“You’re into the con crowd?” Garcia asks.

“Please, I’m a total geek,” she laughs. “If it’s got a flying craft of any kind I’m in. Firefly, LOST, Doctor Who, Star Wars – you name it.”

“I totally love you,” Garcia declares, linking her arm through Y/N’s. “I love her!” she tells Spencer.

“Well I hope you have a little love left for me, Baby Girl,” Morgan teases, walking up behind them.

“Always, sugar,” Garcia throws back. She let’s go of Y/N’s arm but says, “We have to talk later.”

“Of course,” Y/N assures her, and she hurries over to catch up with Morgan.

“I didn’t realize you liked all those things,” Spencer says.

“Of course,” she laughs. “I guess it just never came up in conversation. We were too busy with books and stories. But I’m guessing you’re also a fan?”

He nods. “Although I’ve never seen LOST. Is it good?”

“Is it good?” she asks, incredulous. “It’s incredible. It revolutionized television. And it’s right up your alley. Mystery, psychology, recurrent numbers . When this case is over we are absolutely watching it together.” She only realizes after she says it that she’s practically inviting him over to her place. Or inviting herself over to his. Is that too much? They’ve been spending more and more time together, and she has yet to stop enjoying his company. If she’s being honest, she’s always looking for excuses to see him again.

“I would love to,” he says immediately. Relief washes over her. So it is okay. It’s okay that she wants more of these moments with him, that she’s trying to commit of these little conversations to memory for fear they’ll slip away and she’ll forget the butterflies she feels when he looks at her. And when Arthur calls her away to ready Geff for takeoff, the smell of coffee and aftershave lingers in her in mind long after she walks away from him.

----------------------------------------------

Three days later, the case is solved. The unsub is in custody. The victim is in the hospital with their family, where she will hopefully make a full recovery with time and with therapy. The Santa Fe sun is sweltering though. The team sits inside a small room at the little airport. The air conditioner is on full blast and everyone is sipping on water to stay cool. All of them are exhausted, and Reid wants nothing more than to take a long nap on the plane. Even Garcia is quiet. It’s a relief when Captain Dobson appears to inform them that the jet is ready for takeoff. They board Geff and settle down into chairs and couches, ready for well-deserved rest.

As soon as he does so, Reid realizes he’s left his book in the air-conditioned room. He quickly hurries back down the stairs and inside, grabbing the paperback that sits on the table where he left it. As he walks back out, he spots Y/N, standing at a locker in the hangar. She waves at him a with a smile.

“How was the case?” she asks.

“It ended as well as it could have,” he says. “But it was long. I think we’re all pretty tired.”

“I’m sure this heat isn’t helping. It’s worn me out. I’ve been putting off getting in uniform as long as I could.” She wears black pants and a short-sleeved white button-down, but the rest of her uniform is still in the locker. “So the missing woman is okay?”

Reid explains that she is, but he’s hardly aware of the words he’s saying. His focus is on her fingers as she buttons the top of her collar and ties her black tie with a careful and practiced knot. It’s looks far nicer than any of his slapdash crooked knots. She slips her blazer over her shoulders and adjusts the cuffs. He’s seen her in these clothes so many times before but he’s never realized before how good she looks in uniform. Or at least, he’s never let himself think it. It fits her well, tailored perfectly to her body. Reid is absolutely entranced as she buttons the front of her blazer, the little gold pair of wings shining above her pocket. He can’t explain why he suddenly finds this incredibly attractive, but when she puts her cap on and turns to smile at him, he completely loses track of any thoughts in his head.

It’s only when she closes the locker and says, “Let’s get out of here,” that he regains his ability to form coherent sentences.

“Wait,” he says. She does. Her cap is ever so slightly off-kilter. He reaches out to straighten it for her. As he does so, it catches a strand of her hair, and he brushes it out of the way. The gesture feels so intimate, and she stares at him the entire time. “There,” he says. “Perfect.”

“Thanks, Doctor.” The smile she gives him is different from the one she wore seconds ago. It’s softer somehow, and if he were to melt right now it wouldn’t be the result of the Santa Fe sun. They climb back into the plane. Y/N disappears into the cockpit. He puts his book back into his bag and then walks to the jet galley to grab another cup of water. Garcia joins him. As she pours herself a cup of coffee she says, “I had no idea you liked a girl in uniform.”

Reid nearly chokes on his water. “I – wait – what?”

“Oh come on, I saw you staring at Y/N. The way you were looking at her? Ooh you are in deep, loverboy.”

“It’s – it’s not like that,” he sputters. “Not at all. We’re just – she – she’s my friend. That’s it.” Garcia quirks an unconvinced eyebrow. Reid sighs. “Look, even if I liked her, it would never work out. She’s…” There aren’t enough words to follow that adequately describe her. “Her. And I’m me. And besides, I’m pretty sure there are rules. Even if I felt that way…” He couldn’t. He can’t.

Garcia’s mischievous grin fades. “Reid, do you really think that-”

“Please, Garcia.”

She bites her lip and grabs her coffee. “Hey,” she says quietly. “No one else was paying attention. They didn’t see. And I’m not going to say anything.” She takes a step past him. “I just wish–” But she doesn’t finish the sentence. Evidently deciding against voicing her wish, Garcia returns to her seat. Reid prepares to do the same, only to notice the book sitting beside the coffee maker. Extremely Loud and Incredibly Close. With a little note that says, you can give it back when I see you for LOST.

In spite of himself, in spite of all the things he can’t and shouldn’t do, he smiles. He can have this. Sharing words and stories with her, and wondering which ones resonated with her when she read them. He picks up the book and sits back down just as Dobson’s voice comes through the speaker to ask them to ask them to fasten their seatbelts and secure all loose items. Reid opens the book. That nap can wait until he gets home.

#flight risk #criminal minds fanfiction #spencer reid fanfiction #spencer reid x reader #reid x reader #spencer reid #criminal minds #brywrites

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elentiyawhitethorn · 4 years ago

Text

Sneaking Around | Chapter Eight

Ansel looked like she was about to have a nervous breakdown. “OHMYGODSAREYOUFUCKINGROWAN?!?!”

Aelin grabbed her phone from Ansel. The message read, Would you like to go out to dinner tomorrow?

Ignoring Ansel’s screetching, she replied, sure. im free anytime after six. That would give her almost a full day to convince Ansel to keep her mouth shut. Easier said than done. you might as well pick me up at my door. Ansel found out

Shit. was his response.

yeah i have to deal with that now

Have fun.

thanks for the support, jerk

Aelin then set down her phone and looked at Ansel with a calmness she didn’t even know she possessed. “Yes,” she said simply.

Ansel’s mouth dropped open even farther. “But. You. Hate. Him. And what about your secret lover boy?” When Aelin didn’t reply to this, Ansel yelled, “WHAT?!?! ARE YOU DATING ROWAN?!?! IS HE-”

Aelin just said, “Chill.”

“CHILL? HOW DO I CHILL RIGHT NOW?”

“You could start by stopping with the screaming.”

Ansel glowered at Aelin. “I think I know I know exactly how this is going to go. You’re going to do everything in your power to silence me. Begging, blackmailing, whatever it takes. So I have a proposal for you.” To Aelin’s questioning look she added, “I will not tell a soul about this if you tell me everything. I want the details.”

Aelin sighed. Of course she did. There really was no way to get out of this. “Sit.”

They sat on the couch. Ansel was still staring at Aelin like she had grown a third eye. “How the hell did this happen?”

Aelin explained the hookup, the morning after, and the ride home. The flirting at work, the date. Meeting at his place after hanging out with everybody. Going there after work yesterday, sending him to spy on Lys and the twins, and then this morning’s awkward “I like you.” It was surprisingly nice to get it all off her chest.

By the time she finished, Ansel appeared to have entered a state of shock. “But. Wait. Oh my gods. You. What. Oh my gods.”

Aelin suppressed her sigh this time. “Ansel... I’m sorry I didn’t tell you, truly, I am. But I really like him.”

Ansel sobered. “You like him,” she whispered. Having seemed to have finally wrapped her mind around it, she squealed. “Aw, you guys are so cute together! This is fate. I am involved now and you can do nothing to get rid of me.” Great. This would be fun.

Ansel insisted on preparing Aelin for her date the next day. As fussy as she was, she knew how to pick an outfit. Aelin was dressed in a deep green, velvety, flowing dress. It showed a fair amount in the front and back. A light layer of makeup was applied, including a cherry-red lipstick. Aelin’s hair was done up in a simple but pretty style, flowing around and then down her back.

It was six on the dot when there was a knock on door. Before Aelin could do anything, Ansel ran over and opened it. “Rowan, what a lovely surprise. Come in.”

“Ansel, butt out.” Aelin pitied the man on the end of Ansel’s prying.

Rowan smiled, then stepped inside. “Hello, ladies.” He was wearing a nice suit, not the same one as last time, though. Aelin was pleasantly surprised to find he had more than one. Rowan raised an eyebrow at Ansel.

Ansel smirked. “We made a deal. Silence for information.”

Rowan grinned. “Any interesting details?”

“Well, from what I hear, you’re rather good in bed.” Okay, maybe she had mentioned that to Ansel at one point.

Aelin’s face reddened. “Gods help me,” she muttered, glancing upwards.

Rowan’s grin widened. “Is that so?”

“We should be off,” declared Aelin, avoiding Ansel’s triumphant stare and Rowan’s self-satisfied gaze. She walked forward, grabbed Rowan’s arm, and dragged him towards the door.

“Now hold on a minute,” said Rowan. “Don’t you want to say goodbye to Ansel?” He had an innocent expression on his face. She was going to murder him. Both of them.

“You two are so cute together,” Ansel said. Rowan blushed too at this. Serves him right for not walking out the door when he had the chance. “I can’t believe this didn’t happen sooner. You’re so in love.” Ansel lived to stir the pot.

Rowan placed a hand on Aelin’s lower back and guided her to the door before she could pummel Ansel. He couldn’t stop her from flipping Ansel off, though.

Once the door was locked and they were a safe distance away, Aelin burst into laughter. Rowan gave her an incredulous look before chuckling. “This is what I have to live with, Ro.”

He smiled at his new nickname. The stood waiting for the elevator. “I’m glad to hear about my prowess in the bedroom, at least.”

Aelin stopped laughing. “Shut up.”

“I wonder what else you told Ansel about me.”

“Shut up,” she repeated, “before I kick your ass.”

The elevator opened and they stepped in. Rowan’s hand was still on her back. The doors closed and Rowan raked his gaze over her, lingering on the especially exposed areas. “You look beautiful, Aelin.”

She couldn’t prevent the color from rising to her cheeks, and after it had finally faded, too. “And you look very handsome.” Before either one of them could lose their self-control, the elevator opened with a ding.

In his car, Rowan asked, “Ansel won’t tell anyone, will she?”

“You know her. She talks, but she keeps her word.”

“Good. Not that... I mean...” Rowan stopped talking.

Aelin was very curious about what he was dancing around. Was this what he’d been avoiding yesterday? “Tell me,” she demanded.

“You’re going to the Christmas party.” Not a question.

“Yes...”

Rowan furrowed his brow. “Would you like to go to the party with me?”

Aelin blinked. “What, like together? As dates?”

Rowan sighed. Before he could make some comment about how she should just forgot it, Aelin said, “Rowan Whitethorn, are you proposing that we tell the others that we’re involved?”

“Maybe wait until the party, but yeah, I thought maybe we could.” He glanced over at her then quickly back at the road, avoiding her gaze.

Aelin smiled. “I’d like that.”

“Really?”

Aelin laughed. “What happened to your arrogance, Rowan? Of course we can tell them.”

Rowan chuckled. “You’re a bad influence on me.”

“I try. We don’t tell them until then, by the way. I need at least a few more weeks of peace.”

“Or as much peace as one being constantly pestered about their mysterious paramour can get,” Rowan added.

Aelin rolled her eyes. “Whatever you want to call it, yes, you’re right. Hopefully they’ll lose interest soon.”

“Doubtful. They’re like piranahs.”

“How true. We’re not much better, though,” Aelin responded.

They pulled up at a restaurant. It wasn’t the same one as last time, though it was still very nice. Rowan had good taste.

Upon entering, they began walking towards a table. Before they made it, something caught Aelin’s eye. Glancing over, she saw it wasn’t a something. It was Elide and Lorcan.

“Rowan!” Aelin whisper-yelled. Without waiting for a response, she grabbed his arm and dragged him back through the door, attracting a few odd looks.

Rowan was looking very confused. “What’s happening?”

Aelin didn’t say a thing until she got him out of sight of the windows. “Look at that table, the one near the kitchens.” She was still whispering, though totally unnecessarily.

Rowan finally caught sight of their two friends. “Oh. Well, that was unexpected. What are the chances?”

Aelin scowled. “I don’t give a shit what the chances are. Why didn’t Elide tell me she was going on a date?”

“You didn’t tell her about your date,” he pointed out.

“Oh, yeah. Well, let’s go to McDonald’s, then.”

Rowan choked, actually choked. “Tell me you did not just say that.”

“It’s good!”

“It’s disgusting, not to mention about as unhealthy as it gets.”

Aelin sighed. “Live a little, Whitethorn. Or just get a salad or something. Come on.” She pulled him to his car.

Muttering obscenities about the chances of an early death, Rowan reluctantly got in the car.

“Just so you know, I am not kissing you if you have chicken nuggets on your breath.”

Aelin gasped. “Not McDonald’s, then!”

Laughing, Rowan suggested a small restaurant a few blocks away. They drove in silence, Aelin mourning the lost opportunity of French fries.

They resumed their banter after ordering. Aelin got a large French-style sandwich. They moved to the topic of Elide and Lorcan, and how serious it was.

“If Elide didn’t tell me, it’s definitely a big deal,” was Aelin’s input.

“I agree, if only because they’re perfect together.”

Aelin mock-gasped. “Since when were you such a romantic?”

“Since your poisonous influence has spread, apparently. You’ve destroyed me.”

Aelin fluttered her eyelashes. “I’ve got quite the skills when it comes to men, don’t I?”

Rolling his eyes, Rowan said, “If you say so.” The nonchalant tone didn’t match his pick ears, though. Score.

The rest of dinner morphed into an insult match. Nice insults, though, if those were even a thing. Aelin loved fighting with Rowan.

Due to having work tomorrow, she didn’t drink too much wine. Why couldn’t it always be the weekend? When Aelin voiced her thoughts, Rowan rolled his eyes. They did that a lot in each other’s presence.

Dinner was soon over, and they walked back to his car. Once inside, Aelin leaned over the emergency brake and planted her lips on Rowan’s. She grabbed the lapels of his suit and pulled him closer.

Rowan pulled his face away long enough to chuckle and say, “Well isn’t someone-”

Before he could comment on her desperation, Aelin yanked him back to her lips. Her tongue parted his lips and she definitely felt him shudder. Rowan nipped at her lower lip, earning a reprimand that turned into a moan as his hand grasped one of her breasts through the fabric. His other hand ran through Aelin’s hair.

They didn’t separate until Aelin’s elbow hit the horn, scaring them both half to death. Once they recovered from the fright, they both burst out laughing. “Very suave, Aelin.”

“Shut up.” Aelin was so clumsy around Rowan. She thought back to when she woke up in his bed and ran into the door on the way out. Yes, quite suave indeed.

Rowan drove Aelin back to her apartment. “You know, next time I should drive. I get tired of having to look at you every ride,” Aelin declared, earning her yet another eye roll. She was probably setting a record.

He walked her to the elevator, in which they made out again. There really never was too much. It was quite an effort to detach when the doors opened. Aelin’s arms were looped around Rowan’s neck, and he laughed when she sighed disappointedly as he removed his hands from her body. “You’ll have plenty more chances to get your way with me,” he whispered in Aelin’s ear.

Aelin’s breathing was ragged, but she whispered right back, “Don’t doubt that.” Then she turned and walked towards her door, Rowan following.

Aelin unlocked the door, then gave Rowan a quick kiss. “Goodnight.” She opened the door and entered to find Ansel sitting on the couch. Surprise, surprise.

Aelin dropped down on the couch next to her, grabbing a handful of popcorn from the bowl on her lap. Ansel took in her lack of lipstick, ruffled dress, and messy hair, and smirked. “A successful night, I’m assuming?”

Aelin grinned. “I’d say so.” Their little agreement hadn’t stated she needed to tell Ansel about things that happened after the initial conversation, but it still felt good to gossip. She mentioned seeing Elide with Lorcan, to which Ansel squealed, then spilled the details of the hot make out session.

Ansel beamed. “I know I already said it, but you two are so cute together. Why did it take so long to happen?” Aelin did not respond to this.

That’s when Aelin realized she forgot to tell Ansel about the conversation in the car. “We’re going to the Christmas party. Together.”

After another round of shrieking, gods help them all, Ansel asked, “So are you just going to show up holding hands or something?”

Aelin blinked. “Um, I guess so. At least not everyone will be there.” A lot of their friends went to visit their families during Christmas. “We’ll only have to deal with a few annoying idiots, not the whole group.”

Snorting, Ansel said, “You have such a high opinion of our dear friends.”

“We’re all losers and we all know it. Let’s not deny it.” Ansel snorted at this too.

Aelin chatted for a few more minutes, then got ready for bed and went to her room. Once there, she layed down and pondered her situation.

She and Rowan were getting serious. They were going to tell people. Aelin couldn’t bring herself to feel any anxiety at all, just excitement. Now she just had to pray to the gods that no one passed out from shock - or that nothing else could go wrong first...

#rowaelin #tog #sneaking around #my writing

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rhywhitefang · 3 years ago

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Blank Rune + Inner Shadow characters ranked by how much you can trust them to babysit your children

Mary Poppins is seething in envy:

- Avery; Hugger of children and literal angel. There’s no better option. No, you cannot change my mind. Your children will come back, happy, safe, and goth. They will form an unbreakable bond devils bargain of friendship

- Jademis: Smart, responsible, and nice. What better qualities for someone to take care of your kids? Not only is she capable, she actually cares about doing her job AND she will probably help your kids with their math homework also.

- Coal: Obviously an amazing choice. Not only does he have common sense and makes responsible choices, they are also fun! I can also see Coal really liking kids which makes him great for this.

- Caravel: On her own? God tier, no question. She takes her job incredibly seriously, gets attached to the kids immediately, and will defend them with her life. She will give them great food but also be responsible and also the kids will love her. Her taste in men is not her fault!

- Kester: He is literally a dad. The only reason why he’s ranked lowest in this tier is for slight overprotective tendencies, but you know what? That’s also a good thing. He would also LOVE tormenting your little ones with his dad jokes :)

- Idokras: This is a really protective person who is really enthusiastic and will do anything to keep them safe. Fun, but also strict enough to discipline them without being too harsh. The kids will have a great time!

Great tier:

- Acorn: Nice, smart, and full of great advice. Has kind of a hands-off approach which is why he’s not in the first tier, but overall a very solid choice.

- Fatima: Why is Fatima so low, you ask? She is across both stories the character with the most solid moral compass.She is responsible. She cares about their safety and wants them to be not traumatised. Perfect! But on her own, she is a bit awkward and “no fun” around kids. However!! If Oxyll joins her the pair of them instantly move up to God tier.

- Astrid: Astrid is amazing! I don’t even have anything negative to say that put her down, she’s all around great! No complaints! Just not so extraordinary as to put her any higher, but if you chose her as your babysitter, your kids will have fun and learn some wilderness skills.

- Soleya: Probably already makes mad cash babysitting. Smart, responsible, snarky. Shame she’s not the biggest fan of children.

- Sora: Sora is a literal angel. An actual disney princess. A precious flower who is soft and nice and will take good care of your children. She can be a bit of a pushover though!

- Rhy: Canonically a great babysitter. Fun, good with children, and just all around a charmer. Maybe not the great role model, but I’ll doubt you’ll have any complaints about him.

Decent enough:

- Oxyll: Also dad energy, but lesser efficiency than Kester. He’s more oblivious, and way less of a grip on the kids. He’s fine, but definitely not the best. Again, though, if you combine his powers with Fatima, they become god tier together.

- Skipio: Decent enough, responsible, and will do his damnest to keep your little ruffians out of trouble. He’s gonna be strict with them, too - which is also his downside. Your kids won’t want them back.

- Tave: He’s doing his best! He’s trying! Who knows, maybe he can work himself up the tier list. For now he’s getting an E for effort.

- Kain: A good boy! He’ll try to look out for them, but also, he’s very stupid, so emphasis on “try”

- Pan: I don’t think he’s really a “kids” kinda guy, and probably won’t know what to do with them. Still, he’ll try his best to keep them alive.

- Agnes: Honestly, considering the fact that she’s like, what? 14? This is hella impressive. A responsible girl! I’m very proud of her!

- June: Your kids will love her! She’ll let them ride on her motorcycle, stay up past 2 am, and let them eat as many cookies as they want!

Meh Tier

- Lyn Amara: Completely uninterested in your brats. I guess if you paid her, she’d pay attention though.

- Ash: Can be bribed into doing a good job, and depending on the kid might also grow attached enough to do it out of their own volution, but they might also not bother.

- Blake: He just wants to sit in his barrel, bro.

- Anianno: His honor demands him that he protects him from threats and he’ll definitely run head first at any large animal that tries to attack them.

- Tilly: Stimulate your childrens creativity! Teach them valuable life lessons! Repeat after me: Murder is okay :)

- Laure: I mean, she *might* sacrifice them to her death cult but I feel like she’d be responsible about it, yaknow?

- Wren: That’s a bit too much responsibility for our anxious little bean. They will try their best though!

You Might as well have left them alone

- Allen: This is the same as leaving them alone.

- Swift: Will probably get distracted & overhwlemed.

- Copper: Anxious chihuaha. Will cry.

- Jakob: Oh boy... probably not the greatest idea. I mean, he’ll try his best, but I can’t see this going too well. Maybe they can write sad poetry together?

- Finn: He does nothing for them and might accidentally... drop them.

- Elvin: He’s a baby but at least not actively completely irresponsible, and has some physical capabilities? He’s really dumb tho.

- Phillip: He will ditch them half way through the night to go fight and/or make out with his boyfriend

- Prion: Too busy staring at himself in the mirror.

- Lexa: Herself a baby and also has no concept of fear or danger. Don’t.

- Kyra: Might steal their arms... but eh, too small.

- Barnacle: Looking at his intentions and general vibe, it’s great! He is a soft cuddly sweetheart, who I can totally see liking children. He’s also a mess and a disaster and a huge pushover. Also, what do kids eat again? Here have some uhhhhhh...... leaves from outside?

Just.... Bad:

- Delta: Do you want your kids babysat by a cat?

- Liam: I mean... look at the job he did with June. He kept her alive and fed, I guess. So, congrats on achieving the bare minimum, but he’s definitely not getting any awards here. And theres you know, him being an evil shithead.

- Midas: As irresponsible as they get and also kind of a shithead. There’s a chance he might use your child as a football.

- Mikash: He is baby, dont give him this kind of responsibility!

- Arna + Firmin: The irresponsible children squad. Why would you let them babysit your irresponsible children??

- Dareios: Canonical child hater and overall horrible person. The only reason he’s not in the shit tier is that if you payed him, your children will survive. He will treat them horribly though.

KEEP THEM AWAY FROM THE BABIES

- Artemisia: Well she might kill the kids, but unlike the rest of the people in this tier, here your kids might have a chance of survival ‘cause Misi is not that interested in them and might ignore them and do something else instead.

- Rubin: trash garbage man who will misuse your kids as “squires” for his fucked up murder tournaments

- “Ethan”: Almost the absolutel worst option. He is a terrible influence. We remind the reader that when Caravel asked him to get something to eat for the kids, he brought chips and alcohol. Awful role model, and thats not even getting into the fact that he literally murdered the two children in his care. Might not even keep your kids alive if you pay him!

- Esca: No :(

#blank rune #inner shadow

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pokedash55 · 4 years ago

Text

Acronix X Coffee Robot Crack AU

SUGGEST READING MY ECHO MEETS ACRONIX FIC BEFORE THIS

IT BUILDS ON THIS WACKY WORLD OF MINE

Click for Echo Meets Acronix Fic

To summarize//TL;DR: Acronix falls out of the time vortex at the light house a befriends Echo Zane, learns empathy and put Echo on Social media so everyone knows he exists now.

-After he leaves echo zane with a borg watch he finds himself back in Ninjago

-Stalks borg and his fam like a creep

-Jay introduces Echo to the dyer family

-Echo and unagami are siblings now

-Acronix is kinda like Echos big brother

-But no one else accepts this

-Zane and Pix give skeptical and menacing, “if you touch him” glares

-Unagami is confused babi and likes their new brother echo

-So Like One day it’s Borg, Pix, Zane, Jay, Unagami, Echo, and Milton dyer, and Acronix in a room together (Fic on that later :3 )

-The whole fam

-Nixie just lingers around borg tower saying random junk sometimes

-Acronix : “You either die a villian or live long enough to see yourself become…”

-Pix: “A very annoying customer who is about to be escorted out of the building?”

-“UH NO. Wrong answer Pix (“dont call me pix”). REDEEMED. Cause I’m like… totally redeemed now”

-Just holds up a high five for the room and left hanging by everyone

-Jay’s like :Yeeeoree not part of our group”

-So like Acronix and Echo Zane are bro’s now cause I said so??

-Everyone: Nix is part of the Borg Family

-Me: Well YES, but actually no

-This isn't really a Future thing

-In this they're mostly frenemies kinda??

-But Acronix does really like him and borg tower and Borg is too nice to throw him out XD

-Acronix has zip money and doesn’t FEEL like looking for Krux rn

-Gets his morning coffee everyday bro

-Starts crushin on the Coffee manager (naming her shannon after the voice actor)

-His routine is basically wake up, coffee, Shannon, stalk borg, watch memes, think about looking for kux than fall asleep on phone

-Posts bout his lil bro alot (echo)

-Posts about Shannon ALOT

-Many many selfies of him an his coffee

-Realizes he may need to get someplace to live since he had yet to venture for krux

-Shoot money is a thing he doesn’t have

-Borg be super kind like, “You can stay at my Newly renovated highly advanced Borg Hotel but you must get a job.”

-Acronix gestures at being one of those technology intern clerks at borg industries. “Is for me?”

-”Must get a job AND leave my family alone…. For now… please?”

-Borg is too nice to the guy who kidnapped him and is infatuated with living at borg tower

-Does borg live in borg tower?

-Gunna say he does

-Cause Acronix just LOITERS in borg tower 24/7

-Like its like hours after closing of the downstairs shop and Pix is like getting her suit on and forcefully escorting Nixie out of the premises

-So anyway Nix has to get a job

-Ugh entry level Jobs are SO beneath him.

-Pouts uwu

-Gets a job as a barista to at least have fun with someone cool

-Ronin notices that sales have gone up in the coffee shop since Acronix has started hanging around there, because the girls think he’s pretty and he posts a lot on social media.

-Ronin wants this, but doesn’t want to have to actually pay Acronix for being a faceman.

-Hires him “as a barista”. Basically he hires Acronix to sit at the counter and look pretty, while giving the joint free advertising.

-Acronix totally doesn’t notice this and is fine with being completely exploited and underpaid.)

-Acronix X Coffee Bot! (In this she’s named Shannon)

-Shannon is like… chill and rude, but never offensive

-Cheats in chess

-Smug about it too like deamn she mean

-Epic moves (Both spinny sign and juggling. And makes epic coffee)

-Unflinching at a fire

-Complete apathy

-Throws "Floyds" teapot plan away immediately cause she doesn’t get paid enough for this sh*t

-Says she doesn’t drink coffee but than is seen drinking coffee that lier

-Bad habit of Ignoring stufft. Ignores the upgrade, ignores her lie detector, ignores the fact the -machine is literally ice frozen

-She wears a miniskirt and a crop top/bra thingy to WORK. On the clock! savage

-Nixie is confirmed to get crushes easily and like powerful/ mean woman (Machia)

-Also he has no shame in liking nonhumans

-Love technology so would totally vibe with her

-Robotsexual for sure

-Powercouple

-Since she is still A.I, so Nix’s outgoing and I don’t care i'm great loud personality would really surprise her and she’d be inspired/impressed by his lack of chill and lack of care

-She has a bit of sass and goth hot topic to her but also still has that robot innocence that would blend nicely with Acronix since he is also Abrasive and rude on the outside, but is a tad of a softy coward (He hugs his bro and cowers behind him and gets adorably defensive when he snarks at him)

-He’d teach her so much about being more alive… maybe a bad influence but she’d dig it

-He calls her Shay almost constantly

-He hates being called Nix

-Like he is a prideful warrior who expects people to use his full name in respect

-But Shannon is too cool for that

-Calls him Nix sometimes anyway

-Respects her boldness

-The audacity to do so without permission!

-Shannon owns a motorcycle because come on

-Ridin home on a sick bike together

-Stealin stuff when people aren’t looking

-Banned from Ronin thrift shop for sure (they're lucky they weren't fired after that night. But he literally can't fire shannon)

-Chill on friday nights at Laughys karaoke.

-Not singing, just laughing at how stupid other people look singing drunk kareoke

-So a jock dork egotist and a apathetic punk bot walk into a bar

-Dareth honestly doesn’t know this guy was the one sending snakes after his trophies so he just treats him like a normal costumer

-Neither of them care about Dareth’s attempts at small talk.

-Too busy loving themselves like idiots

-She kicks his ass in strategy video games and he destroys her in battle royal stuff

-Both are equally bored by like Animal crossing and other fake life games YAWN so much work

-Shannon enjoys the thrill of racing games

-Nixie plays em but it’s not his best game

-Both GEAMMERS (but in a frighteningly cool way. They somehow both avoid nerd status… nixie still a dork tho. Jock dork)

-She makes coffee art of her hubbies face.

-He gives her so much social media attention

-Acronix gives her coffee shop media rep and he loves the petty feeling of beating Wu at something

-She doesn’t quite get his excitement in it (cause she’s on neutral terms with Wu) but loves the media attention

-She doesn’t get his phrases and he finds that both aggravating and endearing

-“Um I’m Aconic”

-Shannon: “So you’ve been lying about your name this whole time?

-Acronix: “...?”

-“That's honestly sick”

-Acronix “… “

-One day they joy ride on a motorcycle

-End up loitering around borg tower

-Borg officially meets Shannon and is interested in her origin

-Her design is not like he has seen but it also seems familiar

-She says she doesn't remember much other than working for ronin

-"Ronin" borg mutters spitefully

-He has a history of y'know.. Messing with his tech (dismantling pixal and selling zane hmmm)

-Does a diagnostic code scan

-Acronix worried bout his bae and hyped he was actually invited in for once.

-Progress on that "friendship"

-He discovers her model and general code is similar if not almost exactly the same as pixal’s code

-Ronin scrapped together with some mechanical help from his friends the walkers to make a functioning robot manager with borg tech he scrounged up and a stolen copy of pixal’s blueprints ( maybe he took pictures of them when he sold her to chen) and specs so he wouldn't have to pay for multiple employees. Just having the one really efficient one would save him thousands

-So shannon is pixals sister

-And her parents are The walkers, Ronin, and borg

-The family tree only grows people

-So Acronix is apart of the ninja family now if he marries Shannon

-Here's a chart if you're as confused as I am here:

-Anyway Shay doesn't really care much

- Her expression doesn't change

-She had never really gone out of her way to worry where she was from so it wasn't a huge revelation

-It was to nixie tho

-As the extravert he was (and has extensive experience of being a sibling) he had to make sure she got to know her new family NOW

-Like in the middle of the night now

-He never waits for things to happen

-Pix is first and she is about to power down for the night when...

-DOOR SLAMS OPEN

-"Hi SIS!!" Acronix just screams

-"hey. I'm like your sister now." Obvi shannon is more lowkey about it

-Shannon and pixal mildly get along

-Questions her taste in men alot

-Acronix chills in the back already bored and ready to move on.

-Although he's annoyed by them, the ninja were next up

-Zane and Jay are both family now

-Shannon starting to think he's using all this to fill the void of his brother being gone.

-Cause she has no interest for or against meeting these people but Nix sees it as urgent

-But he seems happier than usual so she'll let him throw her name around for a while. She did mooch off his social media so it was only fair

-Anyway eventually Acronix does find his brother, and tries to explain this whole mess to his less-than-thrilled twin

-God once Krux gets back tho

-“Hey bro! I married a robot she’s amazing!”

-He’s just taking selfies with her in hot topic outfits both of them

-“God no my brothers Robotsexual. My worst nightmares have been realized”

-Krux can only stare in horror at the people his brother now considers “family”

-Wu’s students?!, Robots!?, what EVEN IS AI?!?!?

-He eventually gets over it

-eventually maybe

-At least he can admire her attitude

-Will still mess with his bro tho.

-This is the worst timeline imaginable.

-But I can't apologize for art

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quadraphonictypewriter · 3 years ago

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An interview with Rory Gallagher from the May 8, 1971 issue of Record Mirror, conducted by Keith Altam.

Note- I've italicized the quotes from Rory.

Fresh Taste For Rory

What were the real reasons for the break up of the late lamented Taste at a time when it appeared they were THE live band and had every chance making it an international success following the abortive, but useful promotion work they did in America on the Blind Faith tour?

The motor power for Taste was undoubtedly supplied by guitarist Rory Gallagher who is now understandably more concerned with the shape of things to come than any recriminatory attitudes over spilt milk in the past.

CONCLUSIONS

It is however possible to draw certain conclusions from talking to Gallagher and examining the state of the nation now, where his head was once, and his heart appears to be today on ‘Rory Gallagher’ (Polydor) featuring ten new songs written by Rory Gallagher, produced by Rory Gallagher based upon an idea by Rory Gallagher.

In fairness to the man, it should be noted that he was doing most of those things with Taste, only now he is making sure he gets the credit and assumes almost total control of his product which is the aim of most creative people with a flair for self expression. He now has no manager, from which you may draw your own conclusions and has no intention of ever having one again and adopts an attitude that God helps those who help themselves!

“I'm an independent type of person,” says Rory “Since the days when I used to play in Showbands in Ireland and we could not afford a manager or an agent, I used to go to the gigs with my little black book collect the money and go. That was all the administration we needed.”

“I don't really mean any disrespect to my previous manager, but I’ve always felt I was able to handle myself and somehow when you are relaying messages through one person to another the meaning gets lost. You find yourself surrounded by 153 press men in a hotel lobby and you’ve got nothing to say.”

“I like to express and organize myself. At times I think it’s not even worth having a road manager to book you into a hotel - for ‘sake you ought to be able to book yourself into a hotel!”

Essentially the reason for Taste dispersing appears to be a mutual musical disagreement, which was aggravated by personal and financial irritations. It also seems significant that Rory has always felt a close affiliation for the old blues artist and their method of recording.

“People like Blind Man Fuller, Leadbelly and Scrapper Blackwell were musical entities unto themselves,” said Rory. “Just one man in a chair playing a guitar into one microphone and if you listen to those records they achieved feeling without all the present day recording techniques.”

“The man who was supposed to sound loudest just sat nearest to the mike. I’m not saying that our approach on the new album was as antiquated as that, but we did not attempt to manufacture any studio miracles either it was kept within the bounds of human reason.”

LOWER KEY

‘Rory Gallagher’ is not in fact the logical extension to Taste, but the essential continuing story of the man himself and, as such, it is a lower key, more moderate and moodier than the eclectic excitement which pervaded their previous work. The man is the same only the group has been changed to protect himself. But how about the other members of the band Gerry McAvoy and Wilgar Campbell? Are they as restricted and curtailed as some critics have led us to believe.

“It’s not as Hitlerite as that,” said Rory. “But I know what I want and I’m prepared to stand or fall by my own efforts. The band is very important to me because without their support I cannot relax and settle back to play. Being confident in them makes me happier and being happy makes me a better musician.”

“I have to retain the rights to my own songs and see that they are presented in the way I think best, but this is not as clinical as it sounds. I have to retain the control now so that everything is right to begin with, later I should be able to let go.”

“It's not really possible to ascertain just where we are with the band until we hit the road in May, but in the studio I enjoy playing with the present combination. I assume that they enjoy playing with me and playing my material. If they did not they would be free to go.”

Rory’s earliest influences were those of Buddy Holly and Chuck Berry, but it is the blues which have the most profound influence on his present work.

OBSESSED

“The saddest thing about the blues and the artists involved is that some of their most ardent admirers have become obsessed by the backgrounds of the artists, rather than the music. They get introduced as ‘Blind old whoeveritis’ who never had a pair of shoes until he was thirty and lived on watermelons. The music is the thing. If they only let the musicians play and cut out the unnecessary build-ups it would speak for itself.”

“Blues doesn’t need to be categorized or put into bags – it’s feelings and truths in the music. Muddy Waters is so effective because he is proud and Fats Domino who is thought of by so many people as a sort of early rock star was and still is one of the best blues pianists around.”

There has of course been a final Taste album issued of a live performance by the group, which was ecstatically received by many critics if not by the man himself who feels the recording quality was not up to the usual standard. Rory sees its significance more in souvenir terms.

Finally, Rory reiterated his philosophy of the live musician.

“The clubs are the heartbeat of the music industry. They are where the groups are born and where they draw their soul from right from the floorboards. You get into the stadiums and it becomes Mickey Mouse-land. If you want to get your head and your heart sorted out there is only one way – play to the people on the floor.”

#rory gallagher #keith altam #record mirror #interview #music magazine

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asimawv · 4 years ago

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I write and conceptualize story to music, so I’ve compiled a playlist of 30 Darkest Dungeon-specific songs that I listen to when writing (and subsequently re-writing) in no particular order, which I hope will help you set the vibe too. :+)

Names in bold are links for easy listening - tons of Hozier and Of Monsters and Men up ahead, five minute warning.

1. ‘Fire and the Flood’ - Vance Joy

If you listen to nothing else on this list, listen to this one - it’s the kind of song that’s made for movies about yearning. Folk influences, choruses of trumpets and vocal harmony, and instruments that are layered for a rich, resonant sound. This is the song I imagine Dismas and Reynauld horse-racing through a crowded outdoors market in the hamlet to, and the song I listened to nonstop freshman year when I first started writing The Myth of Sisyphus.

You're the fire and the flood And I'll always feel you in my blood Everything is fine When your hand is resting next to mine Next to mine You're the fire and the flood

The chorus is built around biblical allusions to the fire (the burning bush signifying first contact) and the flood (destruction of the first world), the beginning and end. Every line is similarly evocative of Darkest Dungeon in their simplicity (“I’ve been getting used to waking up with you,” etc.)

2. ‘Soldier, Poet, King’ - The Oh Hellos

By the title alone you can guess who this is for. Even the Guild quote for the Leper approaches these three things as the defining parts of his character (specifically it’s “a ruined man, a warrior, and a poet.”) This song coincidentally has an old world influence to it, with a Medieval Renaissance style from a guitar playing a lute-adjacent melody.

There will come a ruler Whose brow is laid in thorn Smeared with oil like David's boy, oh lei oh lai oh Lord Oh lei, oh lai, oh lei, oh Lord Smeared with oil like David's boy, oh lei oh lai oh Lord

To be smeared with oil is to be anointed by a prophet and thus chosen by god himself to be king, just as David was and his boy after him (presumably Solomon). There’s something strangely wistful about the imagery, which is just how I like my songs about bygone kings.

3. ‘Exit Hymn’ - Bear Attack!

This song is about the end of the world in a version where everyone simply stands together in silence watching, rather than having the masses swarming in panic.

Lovely shapes to the world descending, Brothers and sisters. Lovely shapes to the world descending, Brothers and sisters Mute.

It defies Lovecraftian horror, which is based on the premise that “common human laws and interests and emotions have no validity or significance in the vast cosmos-at-large” - it flies in the face of existential nihilism and the despair that it should bring us. That’s why I like this song for deaths in the end-boss fight; it also has a special place for other death-related ideas, like full-party wipes - entire teams of people vanishing into the dungeons, gone insane, holding hands while the darkness surrounds them.

It’s a bare song which has a sanctity to it, mostly just piano and rain and human voices. Just what you would hear at the end of the world.

More under the cut:

4. ‘Pursuit of Glory’ - Jhameel

This song is laid-back. It doesn’t have the Homeric intensity that some of the other songs here do - it’s a guy with a guitar and vocal harmony. By god is it a great piece of writing though (all of Jhameel’s older songs have that quality to them), and all of it is evocative of Darkest Dungeon.

So many eyes set on the path to glory Too many ties, friendship is for the lonely Can't still my heart, my tongue has tasted folly Thirsty for art, hungry for power and money

This is a song for everyone in the barracks, especially the ‘laundry list’ of people and their approaches to the pursuit of glory.

5. ‘Good Old Days’ - Macklemore (feat. Kesha)

This fucker put a Macklemore song in here. I did, yeah. It’s not even the only song with Kesha in it here (I’m sorry.)

It’s a sentimental pop song, and I am sentimental to a fault. This is Darkest Dungeon AMV material, and I always mishear one of the lines as “we were underground, loaded mercs in that 12-passenger van” so it’s here.

We've come so far, I guess I'm proud And I ain't worried about the wrinkles around my smile I've got some scars, I've been around I've felt some pain, I've seen some things, but I'm here now Those good old days

6. ‘Past Lives‘ - Kesha

Here it is, the other Kesha song - this was introduced to me by a good friend, also in a Darkest Dungeon context. There’s just something about the lovers spanning time trope and finding each other in one life to the next that is irresistible (for the obvious reason in the context of Darkest Dungeon.) It’s a soft song, totally out of place in Kesha’s typical discography, and has a line about losing someone to the crusades, so... you know.

There's just somethin' about you I know Started centuries ago though You see your kiss is like a lost ghost Only I would know But I, I keep on falling for you Time after time Time after time

7. ‘Viva la Vida’ - Coldplay

You cannot fight this. You know that this is the song for King Baldwin IV of Jerusalem, you know it is. Did you know the official name of this genre of music is “Baroque pop”? Yes, that means more songs like this exist. You will live with this information now.

Don’t fight it. Just let it wash over you.

I hear Jerusalem bells are ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never, never an honest word And that was when I ruled the world

Mirror, sword, and shield, the three other members of his party, his missionaries in a foreign field. Thinking emoji. I typed that out so I wouldn’t have a repeat of the crab emoji incident.

8. ‘The Boxer’ - Jerry Douglas (feat. Mumford & Sons, Paul Simon)

Partly inspired by the Bible, Simon & Garfunkle’s ‘The Boxer’ is a folk rock song about poverty, loneliness, and homesickness. It’s written and sung in a style that’s strongly reminiscent of older times, and the final verse about its eponymous boxer is particularly powerful:

In the clearing stands a boxer And a fighter by his trade And he carries the reminders Of ev'ry glove that laid him down Or cut him till he cried out In his anger and his shame "I am leaving, I am leaving" But the fighter still remains

This is what I use for Dismas’ life leading into organized crime and his foolish abandonment of stable job prospects in a half-baked bid for fame, as well as being punched down over and over again but with nowhere else to go. That last part is widely applicable across the cast.

9. ‘I Will Wait’ - Mumford & Sons

I am but a simple man. I see 'folk rock' and add it to my Darkest Dungeon playlist. This song I use for Reynauld - it has that sort of “salt of the earth,” somewhat biblical humility in its choice of words and style.

Raise my hands Paint my spirit gold And bow my head Keep my heart slow

10. ‘Little Lion Man’ - Mumford & Sons

Have we not beaten this song to death yet? Can you blame us? This is the people’s song. We reserve it for all of our favorite fuck-up characters, as primal as Saturn devouring his son. We love this song. Jesus.

Tremble for yourself, my man, You know that you have seen this all before Tremble little lion man, You'll never settle any of your scores Your grace is wasted in your face, Your boldness stands alone among the wreck Now learn from your mother or else spend your days biting your own neck

The line about learning from your mother in particular is why I think of this song for Dismas’ introspection, but I also associate it with the Hellion.

11. ’From Eden’ - Hozier

There’s too much Hozier in my playlists. There is so much of it, and it’s all important to me, says the hoarder. There’s something about profoundly intimate folk music that I love, and god put folk, R&B, blues, and alt rock into a Vitamix for 45 seconds to make Hozier.

Honey you're familiar like my mirror years ago Idealism sits in prison, chivalry fell on its sword Innocence died screaming, honey ask me I should know I slithered here from Eden just to sit outside your door

‘From Eden’ is, according to Hozier, about idolizing someone from a distance, written from the perspective of the devil “looking longingly at something he desires - for everything that he does not have.” I associate this song with the Grave Robber for its playfully nihilistic tone - Audrey does say something to the effect of being left for dead by high society and the affectionate bordering condescending address is on-brand.

12. ‘Cherry Wine’ - Hozier

‘Cherry Wine’ is unabashedly about domestic violence, and its sincerity is heartbreaking, the sanctification of the blood spilled in the name of keeping her.

The way she tells me I'm hers and she is mine Open hand or closed fist would be fine The blood is rare and sweet as cherry wine.

This song is strongly tied to the Vestal for me.

13. ‘Work Song’ - Hozier

A song about unconditional love - heaven and hell were just words, indeed.

When my time comes around Lay me gently in the cold dark earth No grave can hold my body down I'll crawl home to her

I think of this song for both Dismas and the Abomination - it’s a song about love transcending spiritual and even physical need, complete devotion, but something about it is also not quite right. It’s morbid and excessive, self-pitying, and almost ugly in its sincerity.

14. ‘Sunlight’ - Hozier

The strong gospel influence with the choruses, church organ, religious fervor - I think it makes a great song for traveling scenes and church/altar scenes.

I had been lost to you, sunlight Flew like a moth to you, sunlight oh sunlight Oh, your love is sunlight Oh, your love is sunlight (sunlight, sunlight) But it is sunlight

15. ‘Arsonist’s Lullabye’ - Hozier

The gospel this time is paired with electric rock instrumentation. Something about the lamentation is unapologetic and matter-of-fact in its disturbing inclinations - this is Paracelsus’ song. Arguably representative of Bounty Hunter and Flagellant as well.

Now that I think about it, it’s great for Abomination as well. Damn.

All you have is your fire And the place you need to reach Don't you ever tame your demons But always keep 'em on a leash

16. ‘We Sink’ - Of Monsters and Men

Of Monsters and Men are closer to the indie rock/pop spectrum with influences of folk, with much less biblical influence and more folklore-inspired lyrics. They make for great trailer and action songs.

We are the sleepers, we bite our tongues We set the fire and we let it burn Through the dreamers, we hear the hum They say come on, come on, let's go So come on, come on, let's go

In Lovecraft’s Cthulu mythos, dreams are how the Old Ones commune with humans on the earth’s surface while they slumber in the ocean depths (Cthulhu fhtagn meaning “Cthulhu is dreaming”); I like to think of the ‘sleepers’ as the heroes being tasked to “set the fire” and the ‘dreamers’ being the Heir and Ancestor driven by some unseen force to unearth the antediluvian underground.

17. ‘I Of The Storm’ - Of Monsters and Men

Very somber song, overwhelmingly piano and snare drum and vocals. Also a great death scene song, or for introspection around the campfire, or played to reveal a major event.

If I could face them If I could make amends With all my shadows I'd bow my head And welcome them

18. ‘King and Lionheart’ - Of Monsters and Men

My favorite OMAM song - it’s clearly written about two children, kind of reminiscent of ‘Where the Wild Things Are’ in its fantastical nature, and very upbeat about the end of the world.

His crown lit up the way as we moved slowly Pass the wondering eyes of the ones that were left behind Though far away, though far away, though far away We're still the same, we're still the same, we're still the same

This part is reminiscent of the Leper’s journey, but the mentions of taking over a town, howling ghosts, the end of the world, a black sea and creatures lurking below, etc. are all evocative of Darkest Dungeon.

19. ‘Little Talks’ - Of Monsters and Men

Also very upbeat for its subject matter - according to OMAM, it’s a narrative of a woman speaking with the ghost of her dead husband, or going insane and believing that she’s speaking with her dead husband.

Some days I don't know if I am wrong or right Your mind is playing tricks on you, my dear 'Cause though the truth may vary This ship will carry our bodies safe to shore

The call-and-respond style of the song is haunting. I like this song for expeditions and afflicted heroes.

20. ‘Wolves Without Teeth’ - Of Monsters and Men

Suitable for both Occultist and Abomination, being consumed by an unseen and otherworldly force that inhabits them - well, maybe just rarely seen, in the Abomination’s case. Special mention to OMAM’s ‘Human,’ same conceptual backing but more raw.

You hover like a hummingbird Haunt me in my sleep You're sailing from another world Sinking in my sea, oh You're feeding on my energy I'm letting go of it He wants it

21. ‘Desierto’ (Original Motion Picture Score) - Woodkid

This is a full album, because all of it is dark orchestral cinema music described as ‘unsettling,’ with the sole exception of ‘Land of All,’ which has vocals to it. I reserve this album for writing fight scenes and for particularly unsettling events because it’s tense and wordless. I read Junji Ito to this soundtrack too, it’s insanely high-strung and discordant.

22. ‘Iron’ - Woodkid

‘Iron’ qualifies as Baroque pop - you might recognize this as the Assassin’s Creed: Revelations song. The large-scale, cinematic style of it and thematic lyrics make it great for writing about dramatic encounters or brigands.

This deadly burst of snow is burning my hands I'm frozen to the bones, I am A million miles from home, I'm walking away I can't recall your eyes, your face

23. ‘Never Let You Down’ - Woodkid (feat. LYKKE LI)

Another somber song, orchestral with some industrial noise in the mix - another great introspection song, or one for a scene with some hard decisions to be made.

Will you come along cause I'm about to leave this town In my eyes, a waterfall, all I can hear, a siren call Could you be waiting by the shore, oh I could drown without you Will you be holding out the line when I fall?

24. ‘Run Boy Run’ - Woodkid

Church bells, fast percussion, strong orchestral presence. For chase scenes, obviously, but great for fast-paced sneaking scenes as well. Also has a strong quasi-Medieval fantasy setting style to it.

Tomorrow is another day And you won't have to hide away You'll be a man, boy! But for now it's time to run, it's time to run!

25. ‘I Love You’ - Woodkid

Don’t let the scream effects and aggressive percussion at the beginning deter you (it kind of took me by surprise the first few times too) - it soon fades into more of the church bells and melodic string accompaniment.

Oh yeah, unrequited love song? It’s free (mental) real estate, baby.

Is there anything I could do Just to get some attention from you? In the waves, I've lost every trace of you Where are you?

26. ‘Vagabonds’ - Grizfolk

A rare departure from folk! Grizfolk is alt rock/indie pop. Stylistically it doesn’t match the feeling of Darkest Dungeon, but lyrically it’s almost 1:1 to arrival in the hamlet and the subsequent expeditions. Good song for writing about recruits bonding.

Oh this careless ground, guessing this is home now Oh in no man's land, at least we're still standing And we're all just fighting, some of us will not return And there's no redemption in trying to find your way out

27. ‘Everybody Wants To Rule The World’ - Lorde

Great trailer fuel, if you’ve seen the AC: Unity E3 trailer with this song - I listen to an extended version when writing fights in the Guild, especially one where two heroes are beefing. It’s got a primal kind of thing going on. I also associate this song with the Arbalest - lyrically, it fits her backstory like a glove.

Welcome to your life There's no turning back Even while we sleep We will find you

Acting on your best behavior Turn your back on mother nature

28. ‘Torches’ - X Ambassadors

More alt rock/indie pop - kind of a rallying song for dark expeditions, hopeful but still somber in nature - some gospel elements. X Ambassadors’ more popular ‘Renegades’ is also a fun tavern song.

Come on, carry your flame Carry it higher Leave it in the darkness Carry your torches

29. ‘Passing Afternoon’ - Iron & Wine

This is a song I use for reconciliation or domestic scenes - Dismas with Junia in the garden, for example. It’s soft and kind of meandering, and features vintage piano - you know, the piano you heard in the basement of your church turned community center as a child.

There are times that walk from you like some passing afternoon Summer warmed the open window of her honeymoon And she chose a yard to burn but the ground remembers her Wooden spoons, her children stir her Bougainvillea blooms

30. ‘Some Nights’ - Fun.

You know this song, your mom knows this song, everyone knows this song from like, middle school. Thought it’d be fun to end this list on an uplifting and very popular song. This is the song that a Disney adaptation of Darkest Dungeon would use in the Training Montage™ - from the point of view of Reynauld. It hits all of the points - being their commander rather than their equal, his stern and antisocial zealotry with no true ideology behind it, the ghost of his wife.

Verse 2, starting with “Well, that is it, guys, that is all / Five minutes in and I'm bored again” is where I see it transitioning to Dismas.

Well, some nights, I wish that this all would end 'Cause I could use some friends for a change And some nights, I'm scared you'll forget me again Some nights, I always win (I always win) But I still wake up, I still see your ghost Oh Lord, I'm still not sure what I stand for, oh What do I stand for? What do I stand for? Most nights, I don't know

_____

Well that’s all from me! Feel free to leave your own recommendations in the replies, and I’d love to know what you think about my personal picks. :+)

#darkest dungeon #playlist #song reccomendations #fic: the myth of sisyphus #give me that hozier baby

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kashimos-hajime · 5 years ago

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sing for the lion and lamb

Summary: “This was what she had signed up for - a good man and minimal pleasure.”

WARNINGS: spoilers as we get through it, swearing, backstory, struggles, this is one of the happiest chapters Pairing: Dectetive Loki x Reader Word Count: 3.7k

A/N: i’m a mess over prisoners and i wrote this super mess series called 1996. this is the first chapter. this is finished so i’ll be posting the other parts later but its movie+extra scenes bc theres so much stuff to get through and also reader and loki need to get through shit

... | 02 | 03 | 04 | 05

To say you love Loki would be a stretch. Two humans, born and raised in Pennsylvania who just happened to have known each other since the care system should have a natural tendency to gravitate towards each other. The two of you found each other again, so you are bound to have some sort of connection. But whilst you have a certain fondness for the man, a certain bond you are quite sure was deeper than blood, you wouldn’t name it love.

No, love is for those who didn’t know better.

Love is not for the shadows of your eyes or the darkness in his soul. Love is not for men and women like you.

“Detective.”

Your eyes raise from the police report of the missing girls before you, blinking away the black boxes and messy scribbles as the man tilts his head at you. “You need something?”

The corner of his mouth twitch into something almost like a smile but your eyes only soak in the pale half-moons under his eyes. He’s sleeping again. Good. He needs all he could get before the case on the missing kids gets some steam. Rolling out your neck, you slide the report into a manila folder and stand.

“Wanted to know if you wanted to head home for a minute or two.” There comes his wide smile, one that completely morphs his face. It tugs at his cheeks, wrinkles his eyes, makes him look younger than he is. Whenever he smiles as he does now, it makes you forget about the paleness in his cheeks, the taste of coffee on his tongue, the rough stubble along his jaw. It makes him look young and handsome and like the street kid you’d known.

He knows you like that smile. Like looking at him. In bed, flushed and moaning, or otherwise. He knows it will convince you and you roll your eyes because this is not going to be a rare occasion where it’ll fail.

“Are you trying to sweet-talk me?” You stretch your arms high above your head, ignoring the way his smile drops off his face as you turn off the burning lamp on your desk. Only the pale lights of the office remains, washing the both of you in ugly pale light.

“If you have room for dinner, maybe I will.”

You grab your long coat, popping the collar around your cheeks and he pushes off the wall of your cubicle, walking around and stuffing his hands in his pockets. You sling your bag onto your shoulder and pull hair from underneath your collar.

“No plans for Thanksgiving?” you ask, knowing the answer. It’s only polite to ask. Detective Loki always has a pleasant way of surprising you outside the bedroom.

“None without you, I s’pose.”

“And we’ve spent the day at work.” You don’t sound particularly surprised and the detective merely shrugs. “Come on, I know a place.”

He cocks his head to the door. It isn’t only the two of you in the station at this time of night but your caffeine-lacking brain rationalizes that they wouldn’t care and you lean up to kiss his jaw. He turns at the last moment and presses a hard kiss against your mouth, teeth snagging on your lips and you sigh into his mouth, tasting coffee and gum and the faint scent of his aftershave. Hands finding his jaw, your fingers scratch at his cheek, trail down his neck and take fistfuls of his jacket.

Your heart thrums in your throat, beats at your stomach like a drum and all you want to do is peel off the clothes burning your body, feeding the fire in your core as he noses your chin, granting himself access to your neck.

“Hey,” you whisper, hands carding through his hair. You aren’t quite sure if you want to push him away or pull him closer as he raises his head from where he’d been sucking a wet mark along the cord of your throat. “I’m hungry.”

“I know.” He ducks again to gently nip at the mark and you smack him lightly, pushing him away.

“You know I’m actually fucking hungry,” you mutter and he growls against your lips, kissing your mouth bruisingly and too, too quickly before he rips himself away. You hadn’t even realized he’d been sucking the life out of you while his hands had casually been in his pockets but he shrugs, the jacket shifting along his shoulders.

Cocky bastard.

“Come on. Sooner we get dinner, sooner I get you,” he whispers against your ear and you chuckle into his mouth as he snags another kiss.

“Do you know what your, uh, Chinese zodiac sign is?”

You wipe at your mouth with a napkin, frowning when your lipstick smears over white. The detective looks up from where he was reading the meaning of each on the paper place mat, offering a smile. This restaurant is one of your favourites, having been the restaurant you went to after your… well, you wouldn’t call it a first date. You went here for a meal once, alone, ‘cause you were hungry after a night with the man sitting across from you.

After-fucking meal. That’s the phrase. Apt, and conventional, and...

Point is, you like it here and you want him to like it.

He sips on his white mug, taking in the tea as you push around your fried rice. He’s working on some noodles as you drag a finger over the drawings of the Chinese zodiac on the paper.

“No. Do you?”

“Rat.” You watch as he turned to read, finger trailing until he finds the animal at the top of the list.

“Intelligent, charming, quick-witted. Hm.” He arches an eyebrow and you roll your eyes as the waitress came with the check. It’s only the two of you in this small establishment and you look around, nothing the absence of fortune cookies in the red metallic bowl near the register.

“Happy Thanksgiving.”

“Thanks.” He raises his hand to gesture in a vague shape and you squint as the waitress poured your mug full of tea. “Hey, you have any of those, um, fortune cookie things?”

“My boss told me cops don’t like fortune cookies.”

“Well, it’s Thanksgiving,” you murmur and the waitress laughs under her breath. “What’s your Zodiac sign?”

“Monkey.”

You toss a glance expectantly at the man sitting across from you and he drops the bill he was reading, looking down at the paper.

“Very intelligent. You have an ability to influence people.” You hum thoughtfully at his answer as he continues, “Maybe you could influence your boss to lower the check a little bit?”

You snort quietly, hiding your laugh as you pull out your wallet. Picking up the slip of paper, you read the the total and begin to lay out bills to pay as the waitress shakes her head.

“Mr. Li is a rooster, Detective,” you comment, extending the check back to the waitress.

“Thank you.”

“Keep the change.”

“How do you know that?” You don’t miss the edge of his tone as he takes another sip of his tea. Jealousy. You opt not to answer and his gaze drops to the paper.

“What does the rooster mean?” Leaning on your hand, you watch as he reads out the description.

“He’s selfish and eccentric.” His eyes raise to meet yours and his gaze carries a hint of mischief. “That’s—”

In unison, both your phones vibrate. David’s clatters against the table and you shove a hand into your bag, feeling for yours. Digging out the phone, you stand and gather your coat and bag as David grabs his own raincoat. The heels on your boots click hard against the tile in your haste to get from the restaurant to the car with as little rain contact as possible as David answers the phone, right at your heels.

Shielding yourself from the rain, you walk to the car and duck into the old thing, slamming the door shut. He slides in beside you, twisting the keys in the ignition and he hands you the radio on instinct. As the two of you pull out of the parking lot, you can’t help the warmth in your gut extinguishing.

It is so easy to pretend, sometimes. To act as if you’re people you wish you could be. A bitter taste floods your mouth as you think about moments like the ones in the restaurant, ones where you felt so perfectly normal that it’s crazy to even think about the broken parts between you and the man beside you.

But then you’re dragged back into the real world. The real world of long nights, and bullet rain, and the fact that you and David are merely co-workers who live together because that is the only way you can survive having him in your life. Any more than what he is now, the occasional hook-up, your partner in every case, it might as well break you.

It’s clockwork, working with him. Without rust or a knot in the system, you never feel like there is a task you cannot handle, a case you cannot crack. That ease, that bond, doesn’t come from something messy like what could’ve been. It comes from someone who knows your mind better than you.

The thought terrifies you at night because you sure as hell think about what could’ve been more than you’d like to admit.

Shaking yourself of the person you were in the restaurant into the person you are, you roll down the window and let rain-slick wind slice into your cheeks. There is a plastic container of gummies on the dash and you reach for it, nerves biting at your fingers. Your other hand reaches for the radio as you respond.

“This is 13-40 and 13-41. We’re five minutes out. We’ll meet the responding units there.”

Your whole body drenched in sleet-cold rain, you feel your jaw twitch as David interrogates the man into the corner of the room. You can’t help the pity welling up inside you as you gently tease your hair through a proffered towel, and you can’t help the fire burning in your stomach, warming you from the inside out.

His tactic, getting up close and personal with the potential suspect, always has a way of messing with you.

Shaking it off, you ignore the thoughts that dog at you persistently — the images of him grabbing at Alex Jones and wrenching him to his feet — as you turn away. You squeeze your hair between the towel as you walk through the halls of the station, your heels echoing in the mostly-empty building. Linoleum reflects the artificial light as you reach the locker room, pushing open the door and throwing the damp towel into the dirty wash basket.

Shedding your long rain coat, you sigh and begin to unbutton your blouse. It sticks to your skin like wet paper as the air conditioning puffs goosebumps onto your chest and arms. You unzip your boots, tugging them off before peeling away your pants and examining the status of your socks. Your badge clatters against the wooden bench as you sit down in nothing but your bra and underwear. Your nose twitching, you stare down at your toes and inhale sharply. Rain is clogging up your sinuses, but your socks are dry.

Not soaked through, so boots held up. Good.

The shower pelts against your skin, hot bullets that slam into your skull deliciously and chase whatever chill rain left on your skin as you hear the door open. Closing your eyes, you let the shower run over your face, focusing on the hissing stream over the clatter of boots you can hear.

It’s nearing 12 AM and you are sure everyone who doesn’t want to be here and don’t need to be here are gone. No one is here more than you and David. No one showers in here if they had a choice. So much for Thanksgiving. Should I be giving thanks that we might’ve caught the sick fucker already? Perhaps.

In your heart, somehow, you know it isn’t him.

Through the shuffling of fabric, you rake shampoo through your hair and begin to lather your body with soap, merely waiting until he shows up as steam begins to soak into your skin. A pair of pants drop to the tile, the clink of a belt against ceramic. Then, soft footsteps that brush against the shower tile and a shadow that blocks out the faint light. Taking a deep breath, you run your hand over your face and pull open the shower curtain.

“Come here,” you murmur over the steam rolling out of your little shower stall. David steps in through the shaft of light that pours through to your little world before thrashing the curtain back into place. The stall dims remarkably as he leans down to kiss your forehead. You step back so he can stand under your stream of burning hot water and he blinks against the current.

Your forehead rests against his collarbone. His arms rise to run hands through his hair and he cards fingers through the dark strands as your hands encircle his waist. It’s darkly intimate, and all too familiar but you can’t help the addicting heat that he provides. Water runs down his chest and over your arms as you count the tattoos on his chest. One, two, three...

“Any leads?” Your voice is barely audible over the hiss of the shower.

“Aunt’s house.” He has a tattoo of a robin mid flight along his ribcage, and you trace the arc of its wing, palm flat against his heaving ribs. It’s one you know every stroke of, one you watched being carved into his chest. Your eyes close as a finger curls underneath your chin, lifting you to him. “Open your eyes.”

You do to see strands of hair falling into his eyes, his skin red against the blistering heat of the shower. Cupping his face with one hand, you use your fingers to delicately pull away the dark slick hair. His eyes bleeding midnight, his breath ghosts against your lips as his finger trails down your neck. His hand is warm against your throat and he makes sure that your eyes do not stray. As if an astronomer can look away from the phenomenon in the universe, a clash of asteroids, a dying star. He reaches into your mind, pulls you apart like a well-worn book, and reads your thoughts like a diary entry before he pulls out and his eyes fill with shards of glass.

“This isn’t like that,” he promises, insists, convinces you, and you nod because it’s the only thing you can do. Your heart splits in your chest, thrumming in your mouth and crushing your stomach all at once as his gentle grip on your neck firms. Your hands trail his waist, fingers dancing along tattoos that used to have meaning as you count the seconds you can stay standing. “We’re gonna find these girls.”

“Yeah. I know that.”

He sighs, eyes searching your face and you kiss him fully, softly. His lips taste of wind and rainwater.

The shower turns off and the two of you step out, drying each other’s legs and arms, face and hair as is routine when you shower together, and then you get dressed. He clips your badge to your belt, you slide the ring onto his pinky finger. He zips up your boots, you clip the necklace around his neck.

Clockwork.

You toss your hair up into a tight knot and hang your raincoat over your arm. Your gut twisted, you turn to your… something. He gives you a short nod, raking his hair back with rough fingers. You shed your old self, leave it in the shower to slip into the drain.

“Let’s go.”

Whilst David went for the Birches, you stop outside the Dovers, walking up the steps. The two of you had gotten no sleep last night after the visit to the aunt’s and forensics for the RV came back negative. Caffeine rules your system as you climb the steps and ring the doorbell.

A kid no older than sixteen or seventeen answers, all pale and terrified-looking. He looks like he hasn’t slept a wink either and you press your lips together. Although you empathize with the family, you can’t afford to become attached. You nudge your coat to flash your badge and the kid steps aside. Your fingers unclench from its tight fist as you enter the home.

“What’s your name, kid?”

“Ralph. Uh, my dad… I… I saw the RV first. Did my dad tell you guys that?”

You pause, turning around to spot the kid closing the door. He looks like he’s seen death, and his eyes are wide-eyed and shine under the light through the windows. Poor kid.

“Yeah, I read the statement.”

“Okay, Dad wanted me to, uh, make sure,” the boy says and you follow him to where a blonde sits on the couch, tissues littered around her. “Mom?” The woman looks up as you stick out a hand for her to shake.

“Detective Y/L/N. My partner and I are heading the case for your missing daughter.”

“Yes, of course. Sit. Do you need anything to drink?” She begins to unfurl on the couch but you simply hold out a hand. The woman’s face is sallow and thin, and she looks almost as if she is phasing from another time to your present. You sit down on the couch. Her voice scratches and you wonder when the last time she ate was, the last time she showered or drank or slept.

“I’m fine, thank you. I’m just here to…” Your voice fades as your phone vibrates in your pocket and you dig it out, turning on the screen to see an email notification from David. Opening it up, you frown at the few attachments strung along.

Better photos of the other kid. Heading over to you now. -D

“So, did we pass?” As you watch the bar across the screen signify the speed of your download, you also begin to forward the photos to the Captain.

“Hm?” You are only half-listening. Your phone vibrates again and you open up the downloaded photos, letting out a soft sigh as round, dark brown eyes stare back at you on your tiny screen. What a fucking shame.

“The poly thing. The lie detector we took this morning.” Turning off your phone, you let it fall into your tight fist as you look at the mother. She stares at you as if you hold all the answers and you swallow a tight knot. “Did we pass?”

“Yeah. You’re fine. I don’t think anyone really suspected the two of you anyway,” you say, glancing at your phone again. “Thank you for your cooperation, though. You understand — the formalities we have to take. Precautions.” You tuck a slip of hair behind your ears and her eyes flicker to the movement, gaze following your fingers. You know what she is trying to do and you interlace your fingers, hiding the permanent ink needled into your skin along your knuckles.

“Yes, of course. It’s just… it’s embarrassing. I don’t know. All this fuss — people are just going to think we’re crazy when they show up here, perfectly fine or… I don’t know.” The woman’s arms crossed tight against her chest, she doesn’t even look at you anymore. Your eyes dart to her knuckles to find them stark white, her fingers digging into the flesh of her bicep.

“Do you have any reason to believe they might’ve run away?” The words come out tough as rubber in your mouth. The woman’s eyes close and you sigh, already regretting your words. You know in your gut that that isn’t the case.

“No,” she breathes, “no. They’re happy. They… the must have run away.” A silly child’s game. The woman nods along to her own words as she tries to convince herself. Your heart crumbles to ash in your chest as you force on a smile. “I think they must have run away, right?”

“Of course, Mrs. Dover. But we’ll find them,” you assure, setting a hand gently on her knee. She seems to quiver under your palm as she swallows and looks at you with bleak, earthwet eyes.

“Your police captain told me about the two of you. Um, he said that you and your partner—” You suck in a quiet breath, already knowing what her next words are going to be. You don’t like it, the pressure, the want to keep a record pristine, but your reputation has always preceded you in cases like these. Cases where you just wanted to find the grave and be done with it when your very thought should be finding a warm body, not a cold one— “he told me that the two of you have solved every case you’ve ever been assigned. Is that right?”

Your nails dig into the flesh of your palms as you look away. You don’t want to give this woman hope, even if she needs it. It’s stupid, you realize, to stare at the reflection of yourself when you have already smashed every mirror.

Your nose twitches.

The doorbell rings. The kid, Ralph, goes to get it again as you look up at the woman. She’s beginning to break down, hiding her face in her hands as she mumbles out apologies.

“I’m sorry. I am so sorry,” she whispers through her tears as the door opens. You can see the shadow of him on the walls before he comes in and you shake your head minutely as soon as your gazes meet. Nothing here. “Do you… do you have children, detective?”

You bite your lip until you taste blood.

“We’re gonna find your daughter.” Mrs. Dover looks up jerkily, flinching at the man’s voice. Closing your eyes, you hang your head as your partner walks deeper into the room. Everything feels like it’s been scooped out of you, replaced with nothing but sick and acid.

You can’t listen to promises you aren’t quite sure you can keep anymore.