#he has a history of being like this there is no reason to give him the benefit of the doubt

[pegasussomnus]

timber is bad for tim's character:

A. There is no real good reason to have him paired with Tim. He only appeared in six issues and none of his interactions with Tim gave us insight into who Tim was as a character or lead to any meaningful developments. The whole 'he represents the War Games era of Tim in terms of uncertainity' or 'his civilian life before losing his dad' that was used by the author, is just untrue as we never see Tim seriously appreciate his friendship like he does with say Ives, or the people at Brentwood as something that keeps him grounded or as a distraction from the hero life/normaly he needs nor do his interactions with Tim show said uncertainty like the struggle of balancing the civilian/hero life that we saw his above friends do. All of his appearances are either comic relief or a springboard/exposition for more important developments such as Tim's relationship with Darla.

There is also how he wasn't a close friend of Tim and more often than not, Tim was shown to not like him too much. At best they were casual friends and none of their interactions went beyond that. The nicest thing Tim said about him is that he "THINKS he's going to END UP LIKING" him not that he actually does so which at best shows Tim is willing to give him a shot.

At worst? Well

Yeah. The first panel is his first impression of him while the last three are the LAST interactions/mentions Tim has with him and occur after saying he 'thinks he's going to end up liking him'.

It makes no sense why Tim would even want to reconnect with him let alone date him. Tim's opinion of Bernard went from "I guess we can be friends but this guy is sus to "maybe he's not so bad and deserves a shot" to "nah screw this guy". It's telling we keep getting sold a false meta history of them being super close friends and have Bernard essentially replace Ives to try and sell the pairing.

B. Like it really doesn't do anything for Tim at all.

Bernard doesn't help Tim grow as a character, or even as a person relationship wise as Tim is still doing the same faults he did in past relationships with civilians not telling them he is Robin, keeping secrets, cutting dates/missing them, etc). but they are "resolved" by just making Bernard some ultra perfect guy who knows Tim's identity

Aka the resolution he had with Stephanie in terms of the civilian/hero life balance of having someone who knows both, so Tim is getting a balance he already had and not to mention you can't even say Tim progressed in this manner or learned from his mistakes as he never revealed his ID in the first place, so it requires no growth on his end) (never explained how he does, not to mention watering down Tim's competence in keeping his ID) so it's all moot.

Tim also doesn't progress in his civilian life at all. Like he lives on a boat and (it is said that Bernard helped motivate him to do this but never shown/explained at all and all we see is Bernard saying he likes it and the people there)? Like he doesn't even meaningfuly develop a connection with the people there aside from friendly neighbors at best. As an example There was this "subplot" of them being in danger of being evicted but Tim just doesn't care at all or do anything. Like why not use some of his wealth from his dad or something to like buy people's boats and resell them at a cheaper price so the people can stay?

The people on the boat don't even offer him a meaningful civilian connection as like I said he just doesn't connect with them and even then that civilian connection is kind of moot in the last issue when they all know his identity as Robin so that balance or finding a solution is rendered moot for the same reasons as above as he already found that balance with the Batfamily/YJ friends who know both aspects of his life and again he didn't even it reveal it to them.

Like what do they offer him? People to chill in a non-vigilante way? Like he can already do that with the Batfam/YJ and not to mention that as the series showed the Marina got involved in a lot of Robin related stuff because of Tim's ID, so it's also moot.

Another point is how Bernard for a 'relationship for Tim beyond Robin' really is a relationship where the substance largely comes from Robin. Like aside from Robin is how they got together which Bernard even states in issue 3, in the beginning of issue 7 when Bernard list why he likes Tim all the things he likes about him are reflective of his role as Robin. Like his whole trusting Tim to keep him safe, Tim being special, and Tim being his lucky charm, the examples he uses are of Tim saving him as Robin/being Robin.

And issue 7 also shows like I said above that what saves the relationship is Bernard knowing that Tim is Robin. Not to mention how he really only opens up to Tim/confides in him seriously when Tim is Robin as shown in issue 3 and 9. Hell in issue 3 when he talks about wanting to help Tim, knowing that he knows his ID, when he talks about Tim 'taking too much on his own and not asking for help and loosing himself or whatever' we know it's about Robin.

And issue 10 the grand saving moment for their relationship after the 'falling out' in issue 9 was Bernard saving the day in a Robin related mission and getting the ID reveal (but not really)

Issue 7 highlights how Tim really doesn't do anything for Bernard as Tim. Like all he does is tell him that his parents suck, he's great to make him feel better, and tell us a bunch of stuff about Bernard we've never seen before.....twice and given how the issue kept emphasizing this point (to the point where villains commented on it) and how over the top his parents/with Bernards heroic it felt generic and like the bare minimum and Tim felt like an exposition device.

Tim never really talks to him about his issues with his parents or actually substantially helps him as after Tim does the above it immediately cuts back to their relationship for cute moments. Like Bernard giving him the necklace isn't even connected to Tim 'helping' as he was gonna do that anyway.

Tim as a civilain is just the BF and the real substance comes from Robin (as it was a Robin related mission and Tim saving civilians as Bernard which lead/inspired Bernard trying to save his parents and oh look Robin once again is tied to their relationship)

TLDR: Bernard doesn't make sense as a pairing, doesn't do anything for Tim as a character nor fulfill the purpose he was supposedly brought back for

The mental gymnastics people do to hate timber should be studied under a microscope.

The fuck you mean he is bad bisexual rep because he is dating a man… and how does that makes him gay???? Have you ever talked to a bisexual person???

“Oh it makes less of his past relationships” how?? How?!? Is he not allowed to be infatuated with his current partner? Should he continue pining after his past relationships even tho he is dating someone else???

[literaryvein-reblogs]

hey do you have anything about writing stories that feel like greek tragedies. Arcane the show the first and second act of season 1 feels like one, and I was wondering if you had knew anything about that

Writing Notes: Greek Tragedy

An abbreviation of Aristotle's guidelines that form the basis of Tragedy, as outlined in Poetics:

Have a hero of great status and prosperity (which is why many tragic main characters are nobles or royalty), who suffers a terrible fall, usually death.

The fall is brought on by his own Fatal Flaw and past mistakes. His character should be consistent and unchanging to make his fall inevitable, such as being Prideful or stubborn, or so good and persistent such that fixing his mistakes destroys him.

The audience has to feel catharsis at his death, an emotional "purging" where the audience should feel relief and cleansing. Whether this catharsis is due to the schadenfreude, relief at having it better off than the character, or generally releasing pent-up anxiety is debated to this day.

While you do not need The Reveal and reversal of fortune (peripeteia in Greek) stemming from it, Aristotle considered those tragedies superior to those without it.

Tragedy - depicts the downfall of a noble hero or heroine, usually through some combination of hubris, fate, and the will of the gods.

The tragic hero's powerful wish to achieve some goal inevitably encounters limits, usually those of human frailty (flaws in reason, hubris, society), the gods (through oracles, prophets, fate), or nature.

Aristotle says that the tragic hero should have a flaw and/or make some mistake (hamartia).

The hero need not die at the end, but he / she must undergo a change in fortune.

In addition, the tragic hero may achieve some revelation or recognition (anagnorisis - "knowing again" or "knowing back" or "knowing throughout" ) about human fate, destiny, and the will of the gods.

Aristotle quite nicely terms this sort of recognition "a change from ignorance to awareness of a bond of love or hate."

Aristotle on Tragedy (From the Poetics of Aristotle [384-322 BC])

Tragedy, then, is a process of imitating an action which has serious implications, is complete, and possesses magnitude;

by means of language which has been made sensuously attractive, with each of its varieties found separately in the parts;

enacted by the persons themselves and not presented through narrative;

through a course of pity and fear completing the purification (catharsis, sometimes translated "purgation") of such emotions.

"imitation" (mimesis): Contrary to Plato, Aristotle asserts that the artist does not just copy the shifting appearances of the world, but rather imitates or represents Reality itself, and gives form and meaning to that Reality. In so doing, the artist gives shape to the universal, not the accidental. Poetry, Aristotle says, is "a more philosophical and serious business than history; for poetry speaks more of universals, history of particulars."

"an action with serious implications": serious in the sense that it best raises and purifies pity and fear; serious in a moral, psychological, and social sense.

"complete and possesses magnitude": not just a series of episodes, but a whole with a beginning, a middle, and an end. The idea of imitation is important here; the artist does not just slavishly copy everything related to an action, but selects (represents) only those aspects which give form to universal truths.

"language sensuously attractive...in the parts": language must be appropriate for each part of the play: choruses are in a different meter and rhythm and more melodious than spoken parts.

tragedy (as opposed to epic) relies on an enactment (dramatic performance) not on "narrative" (the author telling a story).

"purification" (catharsis): tragedy first raises (it does not create) the emotions of pity and fear, then purifies or purges them. Whether Aristotle means to say that this purification takes place only within the action of the play, or whether he thinks that the audience also undergoes a cathartic experience, is still hotly debated. One scholar, Gerald Else, says that tragedy purifies "whatever is 'filthy' or 'polluted' in the pathos, the tragic act" (98). Others say that the play arouses emotions of pity and fear in the spectator and then purifies them (reduces them to beneficent order and proportion) or purges them (expels them from his/her emotional system).

Writing your Tragic Hero (According to Aristotle)

The tragic hero is "a [great] man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake."

a great man: "one of those who stand in great repute and prosperity, like Oedipus and Thyestes: conspicuous men from families of that kind." The hero is neither a villain nor a model of perfection but is basically good and decent.

"mistake" (hamartia): This Greek word, which Aristotle uses only once in the Poetics, has also been translated as "flaw" or as "error." The great man falls through - though not entirely because of - some weakness of character, some moral blindness, or error. We should note that the gods also are in some sense responsible for the hero's fall.

Writing your Plot (According to Aristotle)

Aristotle distinguished 6 elements of tragedy:

Plot

Characters

Verbal expression

Thought

Visual adornment

Song-composition

Of these, PLOT is the most important.

The best tragic plot is single and complex, rather than double ("with opposite endings for good and bad" - a characteristic of comedy in which the good are rewarded and the wicked punished). All plots have some pathos (suffering), but a complex plot includes reversal and recognition.

"Reversal" (peripeteia): occurs when a situation seems to developing in one direction, then suddenly "reverses" to another. For example, when Oedipus first hears of the death of Polybus (his supposed father), the news at first seems good, but then is revealed to be disastrous.

"Recognition" (anagnorisis or "knowing again" or "knowing back" or "knowing throughout" ): a change from ignorance to awareness of a bond of love or hate. For example, Oedipus kills his father in ignorance and then learns of his true relationship to the King of Thebes. Recognition scenes in tragedy are of some horrible event or secret, while those in comedy usually reunite long-lost relatives or friends. A plot with tragic reversals and recognitions best arouses pity and fear.

"Suffering" (pathos): Also translated as "a calamity," the third element of plot is "a destructive or painful act." The English words "sympathy," "empathy," and "apathy" (literally, absence of suffering) all stem from this Greek word.

ORIGINS. Tragedy's origins are obscure, but it apparently started with the singing of a choral lyric (called the dithyramb) in honor of Dionysus.

It was performed in a circular dancing-place (orchestra) by a group of men who may have impersonated satyrs by wearing masks and dressing in goat-skins.

The Greek word tragoedia means "goat-song." Eventually, the content of the dithyramb was widened to any mythological or heroic story, and an actor was introduced to answer questions posed by the choral group.

The Greek word for actor is hypokrites, which literally means "answerer." It is the source for our English word "hypocrite."

Tragedy was recognized as an official state cult in Athens in 534 BC.

According to tradition, the playwright Aeschylus added a second actor and Sophocles added a third.

"Tragedies" written in the 5th century often contain humorous scenes, melodramatic episodes and wild plot twists. So, readers today embarking on a study of classical drama must discard their preconceptions about what constitutes tragic drama, and especially the notion that Greek tragedy always entails a gloomy outlook on life, featuring long-winded old men wound up in sheets who wail at length about the evils of fortune and fate. It simply isn't so.

Greek tragedy is a powerful and profound form of storytelling, which explores the complexities of the human condition through vivid language and striking narratives.

These plays often depict the tragic downfall of their main characters, brought about by their own flaws and failings.

Through this exploration of human nature, Greek tragedy invites audiences to confront and contemplate the many nuances of human existence, including the dangers of unchecked pride and ambition.

Sophocles, Euripides, and Aeschylus, the most influential Greek tragedians, wrote during the 5th century BCE.

Their works continue to captivate and move audiences today, offering a timeless examination of the human experience and the universal struggles we all face.

Examples: Ancient Greek Tragedies

Oedipus Rex by Sophocles. A haunting tale tackling the concepts of fate and free will. Set in the city of Thebes, the play tells the story of King Oedipus, who is determined to uncover the truth behind a plague that has befallen his city. As he unravels the mystery, Oedipus discovers that he is the very source of the plague, having unknowingly killed his own father and married his mother. Faced with the truth of his actions, Oedipus blinds himself and is exiled from Thebes, while his wife and mother, Jocasta, takes her own life. Through Oedipus’ tragic downfall, Sophocles explores the consequences of pride and the limits of human knowledge. The play’s haunting conclusion reminds us of the power of fate and the fragility of human existence.

Antigone by Sophocles. In the aftermath of the events in Oedipus Rex, Sophocles’ Antigone explores the disastrous consequences of a family divided by power and ambition. The play centers around the conflict between Antigone, the daughter of Oedipus, and her uncle Creon, who has taken the throne following the deaths of her two brothers in a power struggle. When Creon decrees that only Eteocles should be buried, Antigone defies him and buries her brother Polynices, driven by her sense of duty to the gods and her family. Her act of rebellion sets off a tragic chain of events, resulting in the deaths of Antigone, her betrothed Haemon, and Creon’s wife, Eurydice. Sophocles’ Antigone raises powerful questions about the nature of justice, family loyalty, and the limits of state power, ultimately offering a sobering lesson on the destructive consequences of unchecked pride and authority.

Medea by Euripides. The play begins with Medea, a woman scorned and exiled by her husband Jason, consumed by grief and anger. As she contemplates her loss of status and position in society, Medea resolves to take revenge on Jason, aided by Aegeus, the king of Athens, who offers her refuge. Medea pretends to reconcile with Jason and sends a poisoned gift to his new bride and Creon, causing their gruesome death. With her vengeance incomplete, Medea then turns to her children, killing them in a fit of rage, justifying her actions as necessary to punish Jason. Jason, devastated by the loss of his children, confronts Medea, but she remains unrepentant. The play concludes with Medea escaping the scene in a chariot sent by her grandfather, the sun god Helios, leaving Jason broken and alone. The audience is left to judge the morality of Medea’s actions and the tragic consequences of her pursuit of revenge.

Prometheus Bound by Aeschylus. Delves into the story of Prometheus, a Titan who rebels against the gods by stealing fire from them and gifting it to humankind, resulting in his eternal imprisonment. The play showcases Prometheus as a courageous hero, who stands up for his convictions and exhibits unwavering love for humanity. Throughout the play, he encounters a variety of characters, such as his fellow Titans, the ocean nymphs, and even Zeus himself, all trying to sway him into submission and ask for forgiveness. However, Prometheus remains unyielding in his defiance, refusing to bend to the will of the gods and maintaining his rebellious spirit until the end.

The Trojan Women by Euripides. The play takes place during the downfall of Troy, as the Greek army ravages the city, slaughtering most of its male population, including King Priam and his sons. The women of Troy, among them Queen Hecuba, her daughter Cassandra, and Andromache, the wife of the Trojan hero Hector, are taken captive by the Greeks and forced to await their fate. In this tragic tale, Euripides delves into the devastating consequences of war on the women of Troy, who are stripped of their homes, families, and identities and are subjected to all sorts of different forms of abuse. These women grieve their losses and grapple with finding purpose and hope amidst their immense suffering. Hecuba emerges as a powerful symbol of the Trojan women’s resilience and fortitude as she confronts the Greeks and demands justice and dignity for herself and her people.

Some Character & Literary Tropes

Despair Event Horizon: The moment when it's already too late.

Died in Ignorance: Make a dramatically-ironic death worse by preventing the protagonist from ever knowing the truth at all.

Disproportionate Retribution: According to Aristotle, the protagonist must be punished for an error, but with the punishment spectacularly exceeding the crime.

Fatal Flaw: A key part of many tragic heroes, which leads them to commit their Tragic Mistake. Pride has been one of the most common since the Greeks.

Heel–Face Door-Slam: If the protagonist does notice his flaws, it's already too late.

Protagonist Journey to Villain: While the protagonist started out noble, only too late do they realize that they've gradually made the transition to becoming the villain of their own story.

Star-Crossed Lovers: Many tragic romances involve two people who want to be together but are doomed to be kept apart.

Tragic Mistake: Often called the hamartia, this is that one crucial mistake that sends everything crashing down.

Unintended Kinslayer: Not a few tragic heroes end up offing their own loved ones by mistake, often due to not recognizing them until it's too late.

You Can't Fight Fate: A fairly common theme.

Examples

Arcane: By the final scene in the final episode, Jinx has burned all her bridges, more or less permanently prevented peace between Piltover and Zaun, and made clear that she will never return to the innocent child she once was. It's a similar tragedy to that of Anakin Skywalker becoming Darth Vader, where a major character does not die physically, but undergoes a spiritual death instead. The tragedy isn't confined to Jinx, either. Just about every character in season 1 is doing what they think is their best in a bad situation, but their best simply isn't enough as Piltover and Zaun edge ever closer to war. As the final scene roles, the viewer can only watch as the last, best chance for peace is a split second from literally going up in flames.

The central character of Citizen Kane, a multimillionaire newspaper publisher with his very own private estate, ends up dying alone and unloved thanks to his narcissism.

Ian McEwan's Atonement follows a privileged upper class preteen called Briony Tallis. She essentially ruins several people's lives because of her arrogance and ignorance. Years later, when she finally realizes the full extent of what she's done, it's too late to make amends or fix her mistakes, because the affected parties have died partly due to her actions.

Little Shop of Horrors has several motifs of the Greek tragedy archetype - the singers Crystal, Chiffon, and Ornette representing the classic Greek chorus, and Seymour's arc mirrors that of several tragic Greek protagonists - to achieve his dreams, he first sacrifices his enemy (Orin Scrivello), then his father figure (Mr. Mushnik), then his love (Audrey) - and finally, when everything starts crashing down around him, himself.

The Godfather saga is an example of classical mafia tragedy. Michael Corleone's ruthlessness and vengeful ways eventually lead to his alienation from his family and his ultimate ruin.

There Will Be Blood is about a silver miner turned oilman who embarks on a ruthless quest for wealth during Southern California's early 20th century oil boom, along the way descending into madness to the point of alienating everybody around him, including his own son.

Sources: 1 2 3 4 5 6 ⚜ More: References ⚜ Writing Resources PDFs

You can find more tropes and examples in the sources for inspiration. Hope this helps with your writing!

[punkeropercyjackson]

Can white tboys shut up about Peter Parker for trans boy rep in Spiderverse when Hobie Brown already got us covered on that

It's aknowledged by most of the fandom he's trans-coded/meant to be seen as androgynous but rarely discussed he's most likely transmasculine specifically.The other characters refer to him as male with no protests from him so he's pretty obviously a guy,just not a cis one.So many black punk tmascs are Hobiesque,including myself,if you wanna say he dosen't have the 'vibes' he's a trans boy.None of the white ass trans memes i've seen applied to Hobie are accurate to his very black canon gender presentation and saying shit like a black child 'isn't a boy or a girl but a threat' is disgusting and tonedeaf and roots back to the history of degendering black people and is very obviously an unsubtle attempt by white transmascs to other black transmascs since they don't want to accept Hobie is the first trans Spiderman,not the white one

Or that 'Spiderman as a trans metaphor' was canonized by a Spiderwoman as a transfem narrative and trans girl fantasy to give trans women an authentic and unpalpable yet inherently lovable story about her personhood and how she/they don't deserve to die based on 'fate' abitrarily decided (trans)misogynistic rethoric created to treat (trans) women as expandable.Instead of some white boy with no personality or backstory who's entire character is 'Gwen's nerdy dead best friend'

And pretending Hobie's not a bisexual king over both his potential alt love interests being black instead of a shitty white boy he's obsessed with like them other mlm ships you stan and ignoring Margo completely like you do every other black girlfriend in media and don't even let him and Gwen be boyfriend and girlfriend despite the so called 't4t yearning' y'all are always whining about(and Gwen should've been a lightskin afrolatina/black too but then y'all would've passed on Itsv to begin with).The only reason people popularly think Peter Parker is trans is Tom!Peter,who is a whitewashed Miles in his entire writing.'Trans Peter Parker' has always been about stealing from black trans men and now you're stealing from trans girls too.Peter isn't trans,Hobie is trans and Gwen is trans and Miles and Margo are probably trans

And no,you don't get two cakes.You cooked with whitewashed ingredients for african/latino recipes and bragged about 'improving' them so you ain't eating shit and you ain't Spiderman or an Anomaly,you're just a douchebag

[vault--of--amber]

reading crime and punishment for the first time and realizing it ends on an optimistic note is so unreal it’s like if everyone on earth swore up and down that orpheus and eurydice is the most depressing hopeless myth in existence and then you read the myth and on the last page hades goes ‘lol you got sooo close though so i’ll give u another chance i think🤞’ like damn hades ur a real one…. wait what the fuck

[sokkastyles]

Hey, sorry if my initial response came across as flippant, but you asked for my opinion and I have strong feelings both on love languages and Mai and Zuko, and I've seen the love languages argument before, both to explain why Mai and Zuko don't work, and by people who think it explains why they DO work.

I think there is some truth in the concept of love languages, but the way it's utilized and the history of it is pretty problematic. This article explains it really well, and part of the reason it's problematic is because the guy who invented it was promoting heteronormative relationships using binary ideas about gender, so almost all the women who were studied were told their love language was "acts of service" and almost all the men were told their love language is "physical touch." Which is just another way of saying that women are just naturally made to perform labor and men are just naturally made to need sex.

So it also doesn't surprise me to hear you say that Mai's love language is physical touch and Zuko's is acts of service and gift giving and words of affirmation. What's surprising is that the genders are flipped here. But it's still a dynamic where one party performs all the labor and the other gets to snog.

And the reason it ends up this way is because Zuko is an abuse victim who has learned to see love as transactional and one-sided as a trauma response. Mai doesn't know how to give and Zuko gives too much. This is a trauma bond and an unhealthy balance.

There's truth in love languages, of course, but the truth is that all people need these things at different times. But like the article says, the idea that love is a language can easily become manipulative. Mai often uses physical touch as a replacement for what Zuko really wants from her, and reacts negatively to his attempts at performing emotional labor but still expects it from him, like in "The Beach" when she demands he bring her food despite reacting negatively every time he brought her stuff previously in the episode.

Also, on the Boiling Rock being Mai's moment of the stakes being challenged, I'd agree, except in the end that's walked back entirely. The challenge was that she had to either let Zuko go or watch him die. She chooses the high road and lets him go, but then at the end of the show she comes back and tells him he can never break up with her again, so her moment of "letting Zuko go" only actually lasted for a few episodes. It's not even a problem that they got back together, it's that the show treats this like Mai deserves it and she gives Zuko an ultimatum about it, so she hasn't really learned anything about letting go or about what it really means to love someone and care more about their well-being than your relationship status with them.

The problem is that Zuko is held accountable, over and over again, and Mai is not.

I've also heard the love languages argument used to defend Kataang, and naturally Katara's love language is also said to be acts of service, because, you know, every woman really wants to mother their man. (sarcasm)

Which is just further confirmation to me that the concept can easily be used to justify unhealthy relationships. The problem is not a difference of love language, it's that one person is doing all the work and the other person is doing none of it. And we've already seen Mai treat another boyfriend the same way, so I don't think putting her with someone else will fix this unless she does A LOT of growing.

I'm not meaning to start (another) argument, but you asked for my opinion, so.

My take on Maiko

Now this isn't meant to be a bash against Mai. I wanted to point out the hot and cold emotional rollercoaster that is Mai and Zuko's relationship. I believe they are not romantically compatible but it isn't any one person's fault.

They have different love languages and different relationship wants and needs. They also have opposing political views.

Zuko's experiences have changed him, what with being banished and life as a fugitive. He is no longer the boy Mai had a childhood crush on. People grow and change and so do too our interpersonal relationships.

Despite everything, they still care for each other. Keep in mind that caring for someone can be platonic or familial as well, not just romantic.

Simply put, they are not a good match for each other.

[mabaris]

alright so now that we’ve gotten some actual crumbs, it feels like it’s a good time to lay out my prediction for what da4 is going to look like. writing this in a letter and mailing it to myself

we are part of an underground organization formed from the ruins of the inquisition to stop solas from ending the world

meanwhile the wardens have been researching the blight/the location of the archdemons and discover some secret about the location of the black city/what is actually contained in it

we’re supposed to be shocked at the reveal that the evanuris are trapped in the black city and the maker doesn’t exist

the ancient elves were in control of some crazy mutating technology (like in hormak) and that was the original source of the darkspawn. the whole thing about them being from the deep roads and a dwarf concern was actually just a red herring, they’re just underground because they’re powered by lyrium and this has ALSO been an elf thing the whole time :)

anyway, now we need to Double Make Sure the veil stays up because the evanuris have something even worse cooking up in the black city and we need to prevent them from unleashing a super blight and destroying all life, and our job is to convince solas to give up, not because we disagree with his plan but because his actions will have unintended consequences. even if he doesn’t care about everyone else and wants to rebuild the world, he won’t even be able to do THAT because the super blight will kill elves too. so although we WERE enemies we will have to band together to defeat the greater threat etc. it will be optional to recruit him as an ally/advisor, or you can just fight him directly and take control of his forces

we will have to cross into the fade AGAIN and storm the black city directly to put a stop to whatever’s going on in there

[snowddeong]

The fact so many people are so quick to defend JYP even if there's so much evidence of him being the worst boss imaginable. Just because putting pressure on people in a work environment is normalised does not mean that it's okay. The song being good is not an excuse for how visibly anxious and upset he makes them. We've seen the girls record with other producers and we've seen the girls male mistakes with other producers. The environment was never this heavy, they never put so much pressure and stress on the girls to the extent he does. This shit shouldn't be normal and every time we make excuses for this kind of behaviour it keeps being perpetuated.

[bloomeng]

This is my official Batfam Magical Girl AU Masterpost (everyone clapped)

(image updated: 9/21/24)

I’m going to do a brief overview and then go into more details for those interested.

Bruce being from old money (and apparently being connected to Camelot) inherited a mysterious mineral with unknown properties. In its raw form it’s very unassuming, but when cut like gemstones and added to accessories it can be harnessed into a tool. By altering the mineral into a wearable item it allows the magic within to be channeled. The magic of the mineral connects with its wielder to create an outfit and (typically) a weapon. These outfits do not grant the wearer special abilities outside of the transformation and the weapon, but when worn the wearer is granted (what is basically) hammerspace and a nearly impenetrable outfit. The uniform granted is not something they can alter the appearance of but will change gradually overtime to reflect how the wielder has grown.

This mineral will henceforth be known as Arcanium. It operates on Kryptonite logic in that it’s— allegedly— super rare but also shows up whenever the plot needs it. (I’m aware it shares a name with a card game, but I wanted my Kryptonite spoof)

Martha Wayne unknowingly started the cycle by turning— what she thought was a rare gemstone— into a brooch. She died shortly after having it made and Alfred held onto it in her memory. Like canon Bruce goes on his journey of self-exploration to train. When he comes back he enacts his plan the way he does in Batman: Year One, where he goes out in basically just make-up, and it goes poorly. He wanders his manor trying to formulate a strategy and is drawn to his parent’s room and finds his mother’s brooch. Cue the first magical girl transformation. From there he alters the brooch to fit his bat aesthetic and the Batman Brooch is born.

Dick comes into his life the same way as canon. Bruce takes him in as a ward, Dick tries to track down Zucco on his own, etc. Bruce decides to use the other raw sample of Arcanium to turn into a second magical artifact. He lets Dick pick the theme, and thus the Robin Pendant is born. The rest is history.

(Before I continue I want to warn that I’m making shit up as I go, so some of this is subject to change as I move forward.)

The Robin Pendant is passed down from Robin to Robin. Each Robin got their own unique look while using it. Following canon, Dick and Bruce have their falling out and Dick gives up the Robin Pendant in a moment of anger. In this au I think Dick, not having the pendant to fall back on, tries to lead a vigilante-free life, but of course falls back into it. During a fight he somehow manages to stumble across Arcanium in its raw form. Recognizing it he takes it with him. Like Nightwing: Year One he has his conversation with Superman and decides to become his own hero. Using his knowledge of Arcanium from his years with Bruce he creates his own magical artifact and becomes Nightwing.

This is a good place to interject that I’m not changing any of their hero names. I was asked about it a couple times due to the caption, “Red Bow & Sailor Nightwing” on my Dick and Jason designs. It was just a silly caption, because I didn’t want to simply state “Jason and Dick Magical Girl au.” But being serious, I don’t really see a reason to change their names, with the exception of maybe Red Hood, seeing as I didn’t give him a red hood. My au operates on Sailor Moon logic where despite the lack of masks no one recognizes them, and it’s just vaguely explained by magic. I think it would be funny if Bruce chose to wear a mask anyway because he’s that paranoid, but we’ll see when I actually design him. Anyway point is Red Hood is lacking a red hood, maybe he secretly has a red hood on his jacket or maybe he really does go by Red Bow, I’ll leave that up to interpretation.

Arcanium does not just accidentally appear. At the end of the day it’s still a mineral and it’s not sentient, but the magic has an element of “the wand chooses the user.” It’s not so much a “chosen one thing,” so much as the magic can sense intention. It doesn’t care about the morality of the user, the magic is more seeking a symbiotic connection. (Meaning yes rogues can in fact wield artifacts.) Simply put, it wants a host that will be able to wield it. In its raw form the magic is dormant but it seeks to be… not dormant, so when it finds those who actually have the potential to create an artifact and use it, it reveals itself. It was not a coincidence that Martha had the inclination to have the brooch made, it was not a coincidence that Bruce was drawn to his parent’s room, and it was not a coincidence that Dick found Arcanium in the alleyway.

Each of the Bats have their origin moments with their own magical artifacts. I don’t have the whole timeline down, but I will say there was a lot of drama between Tim and Damian, because Tim was forced to hand over the pendant. Even though he technically relinquished it, emotionally the connection wasn’t severed. No one was sure if the transition would work, but Arcanium responds to whoever needs it more and therefore who will use it more. Like canon, Tim is having an awful time during that era. On top of all of it he’s had his title stripped from him and he can’t even argue because if it wasn’t the right move the pendant wouldn’t have responded to Damian. Dick tries to comfort him by telling him that Arcanium will appear for him when he’s ready, but Tim is furious and impatient. So like a well-adjusted person he decides he’s going to engineer his own magical artifact artificially. It goes as well as his attempt to clone Kon does. It’s not until Tim starts to get back on his feet that Arcanium presents itself to him. My thinking is that while Arcanium finds its users when they need it most, Tim’s case is abnormal. His acquisition of the pendant was unconventional from the start since he showed up and demanded to take on the Robin role. Arcanium is drawn to individuals who will actually use its properties. Tim tends to rely more on his own detective work, which renders the pendant’s properties pretty moot. Especially when he’s going off the deep end, he becomes a hermit meaning a) he wouldn’t really need/use Arcanium’s properties and b) he inadvertently limited his own chances of stumbling across it “in the wild.”

In a similar vein I believe Barbara’s journey is abnormal in that she forged her own Batgirl artifact that operates a little differently than the others, seeing as she made it without Bruce’s influence. After the accident she shelved it, maybe she passed it down to Cass, but eventually she gets it back. She created the Oracle identity without it, and for a long time the Batgirl artifact is something she avoids using, until she gets the idea to combine it with her computer to create a magic computer… sort of. She gets a uniform that is basically connected to the computer.

Going back to Damian needing the Robin Pendant more, its reaction to his acquisition was unique. As I mentioned previously the suits typically provide a weapon, well Damian is the exception. Unlike all the other Robin’s Damian didn’t need more weapons in his life, what he needed was guidance. For the first time the pendant granted Damian a magical animal guardian, which is how he gets Alfred the Cat in this au. Despite being an animal lover Damian is extremely pissed at this development. He wanted dual swords or a scarier animal at least. He can’t formally communicate with Alfred the Cat but he understands him intrinsically, though Alfred the Cat seems to be able to understand human speech somewhat. Only Damian seems to be able to truly understand Alfred the Cat. (Cue the antics of his siblings trying to figure out what the cat means or trying to control him in any capacity.) Besides being an animal, Alfred the Cat is also unique in that he doesn’t dissipate when Damian isn’t in uniform the way that the weapons do. Like the weapons he can be summoned by the pendant, but he seems to have existed prior to the pendant’s creation. (I’m toying with the idea that while in uniform, the cat would also get some sort of uniform.)

Before I get into Duke and his abnormalities, I want to address the Speedsters in this au. It’ll make sense after.

So the Flash. I want to say I don’t know if I will get around to creating full designs for them. I do have plans for Bart and maybe Wally, but I have determined how I want their mechanics to operate in the context of the au. Not all the heroes in this au are “magical girls,” in fact I’ve made the executive decision that you have to be human to wield an artifact. Arcanium may have magic in it, but it doesn’t grant its user magical abilities beyond the uniform itself. The speedsters retain their canon origins, hit by lighting blah blah blah, only with one key difference: they had Arcanium on them when they were hit. Instead of engineering an artifact Arcanium fused with their bodies granting them powers. I want to keep the magic transformation aspect (because it’s not a magical girl au without it), so instead of using a physical artifact as a channel for their powers, it’s instead the act of transforming that serves as a gateway to their speed abilities.

To me it was always important to maintain Batman’s identity of not having super powers and having to rely on engineering, which is why the Batfam have to physically build their artifacts. In a similar way I wanted to retain the integrity of the Flash’s identity of being meta but also still human. Which brings me back to Duke. I know in canon that Duke inherited his abilities, but for the sake of the au I’ve decide that he either had an accident when he was young in which traces of Arcanium fused with him or his parents had it in them and he inherited it from them, but regardless it’s less potent, but operates similar to the Speedsters. For years he couldn’t fully transform or use his powers and it wasn’t until— with Bruce’s guidance— he was able to create an artifact that allowed him to channel his abilities and transform. Even though he is a meta I wanted him to still have some of those Batfam qualities in there.

But what about the Superfam? They’re not human so how do their transformations work? The answer is simple: They’re not “magical girls.” At least not real ones, they’re faking. They’re not human (Kon and Jon are technically half human but they still get their abilities from their Kryptonian DNA), and thus cannot forge a connection with Arcanium. Truthfully I’m about to get silly— even sillier than this au already is— but I have decided that Clark is a fake artifact wielder. I like the idea that Batman has been operating longer than Superman has, so when Clark decided to become a hero in his own right his only example of how to style himself was from the bat themed vigilante, who might as well be a cryptid, operating out of Gotham. Only blurry pictures of him existed, so Clark designed his outfit based on his Kryptonian origins and Batman’s aesthetics. He had no idea about the existence of Arcanium or how it worked. This is also why Kon’s design looks so much like his canon outfit with a few magical girl elements (and definitely not because I think the lines in his canon suit already lend themselves well to a magical girl aesthetic and didn’t want to change much). Later when he gets to know Batman more he learns about the transformations, to which he panics and invents his own transformation using Kryptonian tech (ex: MAWS’s transformation). For years Bruce goes crazy trying to figure out Arcanium’s effects on aliens and if it grants them abilities on top of the ones they’re born with, and if Clark has plans to use it as a weapon, and how he managed to forge the connection in the first place— Clark comes clean as a fake once they reveal their identities to each other.

Side tangent but I find it hilarious that Green Lanterns are— by technicality— already “magical girls,” considering they’re granted magical accessories that give them powers and transform their clothing. Hal is very clear with the JL that he is nothing like Batman and constantly feels the need to assert that he is not a magical artifact wielder. The non-human members of the team still lump them together anyway.

Things I haven’t figured out:

- what each of the batfam’s weapons are

- what each of the magical artifacts are

- what to refer to magical artifact wielders as

Stepping outside the canon(?) lore of the au for a minute, obviously I’m redesigning DC characters using inspiration from a genre, because that’s what “magical girl” is. It’s a genre. This is why I refer to it in quotes and don’t call them magical boys, because I am always referring to it as a genre, which isn’t a gendered thing. However, in universe they wouldn’t call themselves magical anything, the same way the characters of Sailor Moon don’t refer to themselves as magical girls, but rather Sailor Scouts. As of right now I’m sort of just referring to them as artifact wielders, but I feel like Bruce would come up with a better name. On a similar note, throughout this whole thing I’ve been referring to Arcanium in it’s wearable state as an artifact. I don’t know if that’s the best term, but I can’t think of anything better for the generalized form of Arcanium outside of it’s raw state. For now I guess it will be “artifacts” and “artifact wielders.”

- how the wonderfam fits into this

I really can’t think of a reason why Wonder Woman would be a “magical girl” in this au. She was born with abilities, she’s not human, and I can’t see her altering her uniform to match the aesthetic. A transformation would just be a waste of time for her. I could to see maybe Cassie or Donna wanting to match with their respective teams, and perhaps maybe that’s why they would alter their uniforms? All I know is I want see Tim, Kon, Bart and Cassie as a matching “magical girl set.”

Fin… for now.

[I’m just going to put this here preemptively, because I’ve gotten messages about turning my au into fics or tiktok skits. You’re free to use this lore HOWEVER you MUST credit me not just for the designs but for the creation of the lore. I’ve put a lot of time and thought into this and I love that people love it, so I just ask for recognition. If you want to make something that’s inspired by my designs or loosely based on my au, just a simple credit for the inspiration is fine. You’re free to change things this is just how my own au operates. Regardless I would prefer to be tagged so that people can find me but also because I’d love to see other’s work.]

Current designs:

[spooky-something]

To the people saying "I do it because they're/it's hot, but I'm also trans!", "I do it because they just have traits (they're 'feminine') that make me think that, but I'm also trans!", etc., you do realize you can still fetishize and push prejudice/negative stereotypes within the community? Do you know how many people have headcanoned men as trans because they're just a wee bit feminine and they too were trans men? I'm going to be honest, in my experience, it's been a vast majority. And that bothers me. It's become so normalized, people don't even care, even in their own community. Men can be feminine, trans or not. It's gross to pin the label of trans on a man solely because they don't fit the convention, as all you're doing is fueling the fire of this problem. I know we want more representation in media, but instead of half assing it, or really just creating sick caricatures of us based on what the cis-gender people have decided are the norm, maybe we should actually put effort into our headcanons, or even... Make our own representation instead of seeing someone like, I don't know, Armin from Attack on Titan, and because he has longer hair, a softer voice, a smaller frame, and isn't the stereotypical male, claiming "Oh, he's trans!". There are times it works; me personally, I headcanon Dipper Pines as transgender, not because he's feminine, but because I can understand his struggles with masculinity and what makes him who he is; of not fitting the agenda while still being a man; of being dysphoric and insecure, but also learning to accept who you are. Not to mention just reality, identical twins have to be born the same gender, and while it's possible they might not be identical, the creator of the series himself has actively supported the headcanon. That's an exception. That's different. To explore the character via a headcanon, that is one thing. To just stick it on them is another. If you want representation, either make your own characters for it, find/support media that have it, or actually attempt to reflect the transmasc experiences in a headcanon as accurately as possible (tied to making your own, accurate representation). Stop just placing labels on a male with long hair and a more androgenous voice and going: "Aw, he's trans! 🥺" Without anything more.

hey. hey you.

look at that character you’re headcanoning as a trans man.

are you headcanoning him that way because you think it’s interesting, or because he’s a twink and acts kind of feminine?

if you write about him, do you treat him the same way you do your other characters, or is he distinctly separated?

can he handle himself, or is he always the damsel in distress? do you have someone bigger and stronger than him always save him?

do you make him act more childish or confused? is he super innocent and needs someone wiser to guide him?

are you willing to explore what his transness means, or do you just think it makes him hotter?

did you make him trans because you wanted to write him as the bottom? is he trans because you wanted him pregnant without "technically" writing mpreg?

are you willing to headcanon big strong men as trans men? old men? not stereotypically attractive men? men of color? fat men? disabled men?

is his transness a part of him or do you just treat it is a prop?

on the other hand, is he more than just his transness, or is that all there is to him?

do you include other queer and trans people in your work? how do you treat them in your writing?

how do you treat actual trans men? trans men who dont pass? trans men who do? who dont feel comfortable being perceived as feminine? who present in a more feminine way? who identify as more than just a man? who arent just white twinkish silly feminine men? who are kids, meaning you can’t just sexualize them? who are more than just props to be used within a story to push the plot along?

are you willing to listen to trans men who speak out on their issues, or does that seperate them too far from the fantasy you’ve concocted about them?

how do you treat trans men?

[gloryinthunder]

I used to really love the first romance scene with Astarion (and I still do) but it hits so much harder after you know why he's doing it. That he's purposefully seducing you for protection and blood, that he's forcing himself to sleep with you, and this is a mask he's wearing.

It's a sexy scene and really feeds into the vampy (pun intended) jump-your-bones version of him you get at the start of the game. The whole thing starts out with him being so confident and suave, saying that he's wanted you ever since he set eyes on you and how you want to be known and tasted. It's like everyone's perfect vampire romance novel.

He's laying out the bait that's worked thousands of times over and luring you in. And you can just get right to the kissing if you want.

But, you can also stop and ask him, "And what do you want?"

And for just a moment the mask drops. This is not the same cocky seductive face we've had up until now. This is vulnerability showing. When has anyone asked him what he wants? When has anyone cared? Does he even know the answer to that question?

So he pivots. The mask snaps back into place immediately. He turns back into the master seducer and feeds you a line about shared ecstasy to get you back on track.

And then comes what is, to me, the pivotal moment. He asks you "That's what you want, isn't it? To lose yourself in me?"

Looking at his body language he seems unsure at first, maybe questioning his previous tactics. Then he slightly cowers back, lowering himself as he asks the question. The total opposite of his confidence from earlier where he's standing with his arms out wide.

He's not sure what you want anymore. You're not playing by the rules he knows. Why haven't you taken the bait yet? Why haven't you thrown yourself at him?

And when you finally Nod in agreement, confirming you're here for sex?

This. This is the face he gives you. He just looks so damn sad. To me, it hearkens back to "Of course it'll turn me into a monster. What else did I expect?"

Whatever momentary blip made him question why you're there with him, he's just been reassured about both of your roles in this situation.

He sounds so quietly resigned when he answers: "I thought so."

And then the scene transitions into the actual act. I do like to think Astarion enjoyed himself as I'm sure the PC did, but it's hard for me to watch this scene now that I know his story and history without being uncomfortable.

Just that line "lose yourself in me" is so difficult to hear. Because on paper it's so sensual. Who wouldn't want a lover to feel that way about them? But knowing the context of what Astarion expects and believes in this moment is just... oof.

And to me, this is what makes this scene brilliant. The writing, voice acting, and the mocap/animation are all just SO GOOD. It's so delicately done and Astarion the character is so good at playing a role that you can completely gloss over the deeper stuff. But once the mask is eventually stripped away you can't help but see what was there the whole time.

And as we've established, being seen is a whole aspect of Astarion's romance arc.

I originally romanced Astarion for the same reasons I'm sure most did: he's a hot, sexy vampire elf (i.e. everything that's on the surface). But, I keep coming back to him over and over again for the person I know is waiting for me underneath the mask.

[sonicboomseason3]

a brief recap of what has been going on with the sonic movieverse in the past several months:

paramount has come out in public support of israel

keanu reeves, a man who has publicly rubbed elbows with none other than benjamin netanyahu, reportedly gets cast as shadow for the upcoming third movie

james marsden, the guy who plays tom, got exposed as having written a letter of support for a convicted pedophile

there's fucking??? zionist propaganda in the knuckles series???

kind of connected to the last point but adam pally, the guy who plays wade, is evidently pro-israel too

this is a complete and utter joke.

EDIT AS OF 4/30/24: if people see this version of the post, i'd really appreciate it if you reblog it instead of the other versions, as it's the most updated one with all the information that i want included. thank you :]

you know, it's been a few days since i've made this post, and some of you (not most) are staying determined in defending/justifying/giving the benefit of the doubt to keanu for that photo with netanyahu, whether it's because "it was a decade ago," "him being civil to someone he ran into at a party one time doesn't mean anything," "he's probably just silent because his pr managers won't allow him to speak up," etc. i've made my thoughts on the matter quite clear by directly responding to these people, but at this point, i'm tired of both seeing them in my notes and repeating myself, so take this as my final word on the issue.

i can't help it if you don't think the photo with netanyahu is damning, and i'm done engaging with everyone going out of their way to tell me that. i obviously disagree, especially after finding out that 1. the host of the party, arnon milchan, is a former israeli spy who has a history of developing israel's nuclear program and promoting apartheid in south africa (information that had broken out a few months prior to the party and thus would've been fresh news around the time keanu chose to attend) and 2. keanu has been caught hanging around at least two other weirdos, but if you don't find any of that to be cause for reasonable concern, then there really is nothing else i can say afaik.

with all that said, i'm beginning to realize how strange it is that these people's first instinct when seeing this post is to start debating about keanu's political stances without ever acknowledging any of the other bullet points. you guys realize that this isn't just about him, right? i know tumblr reading comprehension is known for being piss-poor, but like… you realize that i was trying to make a point of how there are MULTIPLE terrible things that have broken out about the people and company involved in the sonic movies, right? and yet, a lot of the people leaping to speak on keanu's behalf in my notes are completely ignoring the parts where i bring up paramount, pally, etc. all in favor of zeroing in on the singular point about keanu and making bad faith assumptions about me for holding him accountable. really makes one wonder where your priorities lie if, in a post that talks about so many other things, me accusing an a-list celebrity with, according to google, a net worth of almost $400 million is where you draw the line and apparently the only thing worth your acknowledgment.

ultimately, what i'm trying to say is that the intention of this post was just to gather up everything that i had been hearing for the past several months and put it all together in one place. there were a bunch of people who didn't know about at least one of the bullet points before seeing this post, and i'm glad that i could help inform them, that was what i was hoping to do! but as for the keanu thing, i've said pretty much all i can say for now, and i don't want to derail the original post even more than i may have already. unless something new comes up, i'm done talking about him.

[mononijikayu]

amnesia — ryomen sukuna.

“Are you… are you playing a joke on me?” Sukuna’s voice wavered slightly as he tried to comprehend the situation. “It’s me. Sukuna. We… we know each other.” You shook your head slowly, an apologetic smile tugging at your lips. “I’m really sorry, but I don’t remember you. I had a really bad accident a few years ago, and… well, I lost my memories. Amnesia. I didn’t mean to upset you.”

GENRE: alternate universe - modern au!;

WARNING/S: sfw, fluff, angst, romance, hurt/ comfort, post - break up, amnesia, hurt, physical touch, memory loss, sadness, pain, pining, slowly getting back together, light-hearted, happy ending, getting back together, depictions of amnesia, depiction of pining, mention of grief, mention of accident, mention of pining, ex-boyfriend! sukuna, amnesiac! ex-girlfriend! reader, domestic uncle sukuna!, nephew!yuji;

WORD COUNT: 9.9k words

NOTE: the entire chapter is a sequel to drunk tonight and is set five years later. sukuna won second place at the poll again and i feel like this is my apology for sukuna for always making him an angst main lead. this was inspired by a filipino film called amnesia girl and its a funny drama-romcom. its available on youtube, but i dont know if there's subtitles!!! anyway, i hope you enjoy this and i hope you know how much i love yall 🫶🫶🫶

ADDENDUM: so......so long sukuna??? (manga readers iykyk)

masterlist

kayu's playlist - side 1000;

if you want to, tip!

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HE LIKED TO THINK HE COUNTED THE HOW LONG IT HAS BEEN WELL. Five long and painful years ago, you and Sukuna parted ways in what felt like an explosion of unresolved emotions and unmet expectations. Your relationship had been a tempestuous blend of fiery passion and constant turbulence, a rollercoaster of intense highs and devastating lows. From the beginning, it was clear that both of you had strong personalities, often clashing in ways that seemed impossible to reconcile.

The reasons for the breakup were numerous and complex. There was the perpetual danger that came with Sukuna's world, a constant reminder that you were living on the edge, with no guarantee of safety or stability. His life was fraught with peril, and the reality of that danger had taken its toll on both of you. You both knew that living under such stress was unsustainable, and it began to fray the bonds that had once held you together.

Your expectations, too, weighed heavily on the relationship. You had dreams and aspirations that seemed at odds with the life you were leading alongside Sukuna. The demands of his world often overshadowed your own needs, leading to a sense of neglect and disillusionment. It felt as though you were always putting yourself second, trying to accommodate the chaos that was Sukuna's life while struggling to maintain your own sense of self.

Despite the chaos and the inevitable breakdown, there was an undeniable connection between you—a bond that neither of you could completely sever. It was a connection that defied logic, a thread that seemed to pull you back together despite all efforts to move on. Both of you had tried to let go, to walk away and start anew, but the lingering feelings and shared history made it nearly impossible to fully break free.

Sukuna, in his own way, struggled with this as well. Even though the relationship had reached its breaking point, he found himself unable to completely let go of what you had shared. He was deeply aware of the toll that the relationship had taken on you, and he knew that you needed to prioritize yourself, your own well-being, and your own path forward. It was a painful realization, one that left him feeling hollow and lost, but he was determined not to be the reason you couldn't move forward.

In his mind, letting you go was the only way to truly show his love for you—to give you the space you needed to heal and grow. Even if it meant enduring his own misery, he accepted that it was a sacrifice he had to make. He knew that holding on would only serve to drag you both down further, and he wasn't willing to be the obstacle in your pursuit of happiness.

So, as time passed and the separation became a part of your history, Sukuna endured his own internal struggle. He remained in the shadows of your life, silently wishing for your happiness while grappling with his own feelings of loss and regret. He respected your decision and tried to move forward, even as he kept a part of himself tied to the memories of what once was.

But even then, you were truly something that made his life more than it was. You were the blossoms of his youth, the hope and vibrancy that had once colored his world. Your presence had breathed life into the mundane, transforming his days from mere existence into something filled with possibility and wonder. 

His elder brother Jin had seen it all those years ago, recognizing the profound impact you had on Sukuna. Jin had often remarked on how you were a beacon of hope, a light that guided Sukuna through the darkest corners of his life. Your influence was undeniable, a force that had shaped him in ways he could hardly articulate.

Yet despite the depth of his feelings and the significance of what you had shared, Sukuna couldn’t escape the gnawing belief that he had ultimately failed you. He carried with him the heavy burden of the notion that he wasn’t good enough—never had been, never would be. The weight of this conviction was a constant companion, a shadow that loomed over every thought and action.

He remembered the countless moments of doubt, the times when he felt that his flaws, his imperfections, and the dangers of his world were too great a burden for you to bear. It was a painful realization, one that left him grappling with feelings of inadequacy. He wanted to be the person who could give you everything you deserved—love, stability, safety. But he feared that he fell short, that he could never truly be the partner you needed.

Even as he watched you move forward, find your own path, and build a life without him, he was haunted by the belief that he had let you down. He was acutely aware of all the ways he had failed to meet your expectations, to protect you from the chaos that had once defined your life together. He thought that perhaps he had been too caught up in his own struggles, too consumed by the demands of his world to fully appreciate what he had with you.

In his quieter moments, Sukuna wrestled with the idea that he would never be good enough for you, that he would never be able to offer you the kind of love and life you truly deserved. This belief became a part of him, shaping how he viewed himself and how he measured his worth. He felt that he had lost you not because of any one mistake or shortcoming, but because he was fundamentally flawed, incapable of providing the kind of relationship you needed.

And so, even as he grappled with his own pain and regrets, he couldn’t shake the feeling that you were better off without him. The memory of what you had shared lingered like a bittersweet echo, a reminder of what could have been and what was lost. He had to come to terms with the fact that he might never be able to offer you the life you deserved, and that acceptance was a hard, painful lesson he had to learn.

Sukuna's struggle with these feelings was a testament to the depth of his love for you, a love that, despite its imperfections and its failures, had once been a source of profound meaning and transformation in his life. Even as he moved forward, he carried the weight of this truth with him—a reminder of what you had meant to him and the painful realization that, perhaps, he would never truly be good enough to have you back.

Sukuna sat in the corner of the room, a half-empty glass of whiskey in his hand, as he listened to his friend's banter. The atmosphere was lighter than it had been in years. Gojo, with his usual grin, was recounting some ridiculous tale of his latest escapade, while Uraume, ever the quiet observer, occasionally chimed in with dry comments that had the others laughing.

But Ryomen Sukuna wasn’t really paying attention. His mind kept drifting back to you—to the way your eyes had softened when you told him you wanted to give “us” a real chance, to the way you’d leaned into him, trusting and vulnerable in a way that made his chest tighten.

“Oi, Sukuna. You’re….” Gojo’s voice cut through his thoughts. “You’re awfully quiet tonight, bud. What's got you all broody, huh?”

Sukuna blinked, realizing he’d been staring into his glass for who knows how long. He knows he spaces out when he’s thinking, but when he’s thinking of you — he suppose the time can go on and he wouldn’t even notice. He looked up to find Gojo’s bright blue eyes fixed on him, a knowing smirk playing on his lips. Uraume was watching him too, their expression unreadable but attentive.

“Nothing. Don’t worry about it.” Sukuna muttered, taking a sip of his drink. “Just thinking.”

“That’s a first from you, hm.”  Uraume teased, earning a snort from Gojo.

“Come on, spill it!” Gojo pressed, leaning forward with that infuriatingly playful grin. “Is it a girl? I don’t mind if it’s a guy, I know you swing that way too! Oh, wait… don’t tell me it’s the girl.”

Sukuna’s dark scarlet eyes narrowed at him. “What are you talking about?”

Gojo’s grin widened. “The one you’ve been moping about for the last five years. Don’t think I didn’t notice, Sukuna. You’ve been different at work lately—quieter, more… I don’t know, introspective.”

“Gojo–san’s right, Sukuna–san.” Uraume added, their tone softer. “You’ve changed. It’s like you’re finally letting go of whatever it was that had you so wound up.”

Sukuna leaned back in his chair, feeling the weight of their words settle over him. He wasn’t used to being the one on the receiving end of their scrutiny, and he didn’t like it. But he also knew they weren’t wrong.

“Yeah, well……” Sukuna began, his voice rough, “I haven't seen her in a long while.. Five years, I think. But I heard…I heard she’s been around. She’s moved around town.”

Uraume raised their eyebrows. “Five years? That’s a long time, Sukuna–san.”

“Yeah. We were together throughout our senior high school and college. Then we broke up after we graduated.” Sukuna sighed, taking a long sip of his drink. The alcohol burned as it slid down his throat, but it did little to ease the ache that had settled in his chest. “It’s been a long time, but… hearing that she’s moved here just brings back a lot.”

Gojo’s eyes widened in surprise. “Was that breakup really that bad?” His usual grin faded, replaced by a look of concern as he sensed the gravity of Sukuna’s words. “What happened?”

Sukuna nodded, his gaze drifting away from Gojo’s intense stare. The room seemed to grow quieter as he delved into the past, the weight of his memories heavy in his voice. “We had multiple breakups. It wasn’t just one—there were several. But the last one was particularly rough. We both cried a lot, said things we didn’t mean. It was messy.”

Gojo leaned in, his curiosity piqued. “Why was it so difficult?”

Sukuna’s face tightened as he struggled to find the right words. “If I’m being honest, it’s my fault. I wasn’t secure in myself. I was jealous, possessive. I couldn’t handle the idea of her moving forward or being happy without me. And that jealousy, that insecurity—it hurt her more than I realized.”

There was a long pause as Sukuna’s confession hung in the air. Gojo’s usual bravado was replaced by a rare, contemplative silence. He took a moment to process Sukuna’s admission, trying to reconcile the man he knew with the vulnerability being revealed.

“That’s a lot to carry,” Gojo said finally, his voice softer than usual. “But it sounds like you’re taking responsibility, which is more than a lot of people do.”

Sukuna’s expression was a mix of regret and acceptance. “Yeah, well, it doesn’t change the past. I know I hurt her, and I don’t think I’ll ever be able to make up for that fully. But seeing her again… it’s brought everything back. The pain, the regret, and the memories of what we had.”

Uraume, who had been quietly listening, spoke up, their tone gentle. “It’s clear you’re still affected by this. Maybe it’s a chance for you to make things right, or at least find some closure. People change, and sometimes, revisiting the past can help us understand ourselves better.”

Sukuna nodded, though his expression remained somber. “Maybe. I’m not sure what will come of this. I just know that seeing her again made me realize how much I still care, how much I’ve changed, and how much I wish things could have been different.”

Gojo leaned back, his eyes thoughtful. “It sounds like you’ve been through a lot, and maybe this is a chance for you to show her the person you’ve become. It might not fix everything, but it could be a step toward healing—for both of you.”

Sukuna’s gaze softened, a flicker of hope in his eyes. “Yeah, maybe. It’s worth a shot.”

The room fell silent, the playful atmosphere dissolving as the weight of Sukuna's words sank in. Even Gojo, who was usually quick with a joke or a teasing remark, seemed at a loss for what to say. His usual bravado was replaced with something more thoughtful, almost solemn, as he processed what Sukuna had just revealed.

For a moment, the only sound in the room was the soft clink of ice in Sukuna's glass as he set it down on the table. He could feel the eyes of his friends on him, but he kept his gaze fixed on the drink, not ready to meet their concerned looks just yet. The silence stretched on, thick with unspoken emotions.

“I hope the best for you, man.” Gojo finally muttered, leaning back in his chair as he exhaled slowly. His tone was softer than usual, lacking its typical teasing edge. “You deserve to be happy too.”

Sukuna snickered. “You must be drunk being this nice to me.”

“Hey! I am nice at all times.”

“Yeah, keep telling yourself that.”

Uraume, who had been listening quietly, leaned forward slightly, their expression gentle and understanding. They had always been more in tune with Sukuna's moods, more aware of the nuances in his behavior than Gojo, who often masked his own sensitivity with humor.

“If you bump into her again, though….” Uraume asked, their tone devoid of judgment, only curiosity and concern. “Would you try and talk to her, then?”

Sukuna finally looked up, meeting Uraume’s gaze. There was a hesitance in his eyes, as if he was still grappling with the reality of it all. “Yeah,” he said, his voice low, almost as if admitting it aloud made it more real. “I would. In a drop of a hat.”

The confession hung in the air, heavy with the weight of all the unspoken feelings that had built up over the years. It wasn’t just the fact that you had come back into his life; it was the realization that despite everything, despite the time and distance, Ryomen Sukuna had never really let go of you. He had buried those feelings deep, tried to move on, but now that you were here again, they had all come rushing back to the surface.

Gojo watched Sukuna carefully, his usual smirk gone, replaced with a rare expression of empathy. He knew Sukuna better than most, knew how much pride had always driven him, how hard it had been for him to admit his feelings even when things were good between the two of you. For Sukuna to open up like this now, it meant that whatever he was feeling ran deep.

“I get it.” Gojo said, his voice unusually quiet. “I mean, you guys were… well, you were everything to each other. It makes sense that she’s still on your mind.”

Uraume nodded in agreement. “It’s not surprising that you still think about her, Sukuna–san. What you had wasn’t just something you can forget, even if you wanted to.”

Sukuna’s jaw tightened, and he looked away, staring off into the distance as if trying to collect his thoughts. “It’s just… weird.” he finally said, his voice thick with the frustration he’d been holding back. “I’ve been trying to move on, to put all of that behind me. But I just….I want to see her again. Even just one more time.”

Gojo leaned forward, resting his elbows on his knees as he regarded Sukuna with a serious expression. “Maybe you’re not supposed to forget, man. Maybe this is your chance to figure out what you really want, to make things right.”

Uraume added quietly, “It’s not too late to change the narrative, Sukuna. If you still care about her, if she’s still on your mind after all this time, maybe there’s something there worth exploring.”

Sukuna closed his eyes for a moment, taking in their words. There was truth in what they were saying, and he knew it. He had spent so long trying to bury his feelings, convincing himself that it was over and done with. But the truth was, he had never truly moved on. And now, with you back in his life, even in this new, unfamiliar way, he couldn’t ignore the pull he felt toward you.

When he opened his eyes, there was a resolve in them that hadn’t been there before. “You’re probably right.” he admitted, his voice steady. “I’ve been running from this for too long. I don’t know what’s going to happen, but I need to see this through. I owe it to myself, and… to her.”

Gojo’s grin returned, but it was softer, more genuine. “That’s the spirit, man. You’ve got this. Just… don’t screw it up this time, okay?”

Sukuna let out a dry chuckle, shaking his head. “Yeah, I’ll try not to.”

Uraume smiled softly, a rare display of emotion from them. “We’re here for you, Sukuna–san. Whatever you need, just say the word.”

Sukuna nodded, feeling a weight lift off his shoulders. For the first time in a long time, he felt like he wasn’t alone in this. With Gojo and Uraume by his side, he knew he could face whatever came next, even if it meant confronting the feelings he had buried for so long.

One more drink and  the conversation shifted back to lighter topics, the tension that had hung in the air slowly dissipated. But the resolve in Sukuna’s heart remained, stronger than ever. He knew what he had to do, and for the first time in years, he felt ready to face it head-on,

As the night wore on, Sukuna couldn’t help but think about the future—about what it would be like to build something real with you this time, something lasting. The thought scared him, but it also excited him in a way he hadn’t felt in years.

Maybe, just maybe, this time he could get it right. And with Gojo and Uraume by his side, he knew he wouldn’t have to do it alone. But the hour is late. And they’ve got things going on in their lives too. So they pay their bills and wave him goodbye.

As he watches his comrades pair off, he is forced to confront a painful truth. Despite years of searching, no one has been able to replace you. The women he's met, the flings he's had—they were all distractions, mere shadows compared to what he had with you. Each time he tries to move forward, your memory pulls him back, the echo of your laughter, the way you challenged him like no one else ever did, and the warmth you once brought into his life, all refuse to fade.

In quiet moments, when he's alone, Ryomen Sukuna wrestles with the possibility that his true love, the one person who could truly understand and match his intensity, might have been you all along. The very thought frustrates and angers him, but deep down, he knows it's true. The idea that you could be happy with someone else, that you could have moved on, is a bitter pill to swallow.

But what can he do? Could he really go back to you after all this time, after all the hurt and pride that kept you apart? The thought of reaching out, of admitting that he hasn't been able to stop thinking about you, is terrifying in its vulnerability. Yet, the more he tries to resist, the more he finds himself wanting you back in his life.

Sukuna has always been a man of action, but this...this is different. It's not about power or control; it's about something far more fragile—his heart, his pride, and the chance of losing you all over again. The question that haunts him now is whether he can swallow that pride and take the risk, whether he can open himself up to the possibility that, just maybe, what he’s been searching for all these years was right in front of him all along.

And that possibility, terrifying as it may be, is the only thing that has ever truly scared him.

Sukuna's inner turmoil grows as the days pass. The world around him, once filled with the thrill of battles and the allure of endless conquests, now feels hollow and cold. He notices how his friends look at him, their eyes reflecting pity and concern. They know him too well, aware that behind his sharp words and defiant attitude, something is eating away at him.

He tries to brush it off, burying himself in work, in fights, in anything that will distract him. But no matter how hard he tries, his thoughts keep circling back to you. The memories come unbidden—your smile, the way you used to tease him, the way you understood him in a way no one else ever did. It's maddening, the way you haunt him, and yet he can't bring himself to let you go.

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IT WAS UNEXPECTED. It was that sort of day once again. Sukuna found himself in charge of his energetic nephew, Yuji, who had just been picked up from school. With his brother Jin and sister-in-law Kaori and Choso tied up with commitments for the weekend, Sukuna was left to manage Yuji. Given that he didn’t have to hit the gym or deal with work obligations that day, it seemed like a manageable task.

Ryomen Sukuna’s house was usually a quiet refuge from his chaotic world, but today it felt oddly empty. He doesn’t really like decorating that much, mostly because he has no time and mostly because he really doesn’t feel like it. But his nephew doesn’t seem to mind it every time he’s here. If there was something to distract the brat, then he doesn’t pay attention to everything else. Well, that and food. As he settled Yuji into the living room, Yuji’s curiosity quickly turned to hunger.

“Uncle Sukuna, I’m starving.” Yuji announced, making a beeline for the kitchen. “Do you have any natto? I could really go for some.”

Sukuna blinked, momentarily confused. “Natto? I don’t think I have any. Let me check.”

He shuffled into the kitchen, opening the fridge and peering inside. His search yielded nothing but a few cans of expired beans and a half-eaten pizza box. Sukuna eats out most of the time, because of work. If he does buy anything, it would be from the last time Yuji was here. And that was….a while ago. And just as much, there was no natto in sight.

“Uh, brat, I think we’re out of natto.” Sukuna said, returning to the living room with a sheepish grin. “And it looks like the rest of the fridge is pretty bare.”

Yuji’s eyes widened in disappointment. “But I was really looking forward to it!”

Sukuna rubbed the back of his neck. “Sorry about that. Looks like we’ll need to go out for groceries. How about we make it an adventure?”

Yuji’s face lit up at the prospect of an outing. “Okay! Can we get some ice cream too?”

Sukuna chuckled, relieved that Yuji’s mood had brightened. “Sure, ice cream it is. Let’s get going before your hunger turns into a full-blown meltdown, brat.”

As they left the house, Sukuna and Yuji made their way to the nearby supermarket. Yuji’s excitement was palpable, his small hands gripping the shopping cart handle as he eagerly pointed out various items he wanted to add to the list. Sukuna, trying to keep up, found himself both amused and exasperated by Yuji’s relentless energy and enthusiasm.

In the aisles of the supermarket, Sukuna pushed the cart while Yuji darted from one section to another, collecting snacks, fruits, and—of course—several packs of natto. Sukuna grabbed a few essentials and, true to his word, added some ice cream to the cart.

As they approached the checkout line, Sukuna glanced at Yuji, who was happily munching on a sample cookie from the store. The small bit of chocolate on Yuji’s cheek made him look even more cherubic and endearing. Sukuna’s lips twitched into a small smile, a rare moment of warmth slipping through his usually stoic facade.

“You know, I think I might need to keep a better stock of food for next time,” Sukuna said, his tone light.

Yuji, still with cookie crumbs on his face, grinned up at him. “And more natto!”

Sukuna couldn’t help but chuckle. The idea of having to stockpile natto just to keep his nephew happy was a new one, but it seemed like a worthwhile endeavor. He ruffled Yuji’s hair affectionately, feeling a soft, genuine affection for the boy.

“You’ve got it, brat. More natto it is.” Sukuna agreed, a rare, relaxed smile on his face.

As they loaded their groceries onto the conveyor belt, Sukuna glanced around, realizing how normal and mundane the experience was compared to the high-stakes, dangerous life he usually led. The simplicity of shopping for food and sharing a lighthearted moment with Yuji was both refreshing and oddly comforting.

Yuji, ever the energetic child, started pointing out items in the store with increasing enthusiasm. “Uncle Sukuna, look! They have those gummy candies you like!” 

Sukuna gave a half-hearted, amused shrug. “Sure, toss them in. I guess I can indulge a bit today.”

As they made their way through the aisles, Yuji chatted away, filling the silence with stories about school and his friends. Sukuna wasn’t really paying attention, his mind elsewhere, when something—or rather, someone—caught his eye.

There, at the end of the aisle, stood a familiar figure. The sight stopped Sukuna in his tracks, his eyes widening in disbelief. It was you.

For a moment, time seemed to stand still. He watched as you browsed through the shelves, seemingly lost in thought. Your presence, once a distant memory, felt so strikingly real that Sukuna’s heart skipped a beat. The years seemed to melt away as he took in the sight of you.

At first, he didn’t recognize you. It was just a fleeting glimpse, the way your hair caught the light, the familiar way you moved. But then, as you reached for something on a high shelf, he saw your face, and his heart stopped.

It was you.

He couldn’t believe it at first. He thought maybe it was someone who just looked like you, or perhaps his mind was playing tricks on him, dredging up memories he’d tried so hard to bury. But the more he stared, the more certain he became. It was you.

Yuji, noticing Sukuna’s sudden pause, looked up. “Uncle Sukuna, what’s wrong?”

Sukuna swallowed hard, trying to regain his composure. “Uh, nothing, brat. Let’s just finish up here.”

But his gaze was fixed on you, unable to look away. You hadn’t noticed him yet, and Sukuna fought with the urge to approach you, unsure of what to say or do. The familiar mix of excitement and anxiety churned within him, a reminder of the past he had tried so hard to reconcile.

Yuji, still unaware of the significance of the moment, tugged on Sukuna’s sleeve. “Uncle Sukuna, can we go over there? I want to check if they have those chocolates I like!”

Sukuna nodded absently, allowing Yuji to lead him towards the end of the aisle where you stood. As they drew closer, Sukuna braced himself, trying to steady his racing heart. He needed to act normal, to approach you calmly despite the flood of emotions.

Without thinking, he handed the shopping basket to Yuji and began walking toward you. The world around him seemed to blur, the noise of the supermarket fading into the background. It was just you and him, the years that had passed suddenly meaningless.

When he reached you, he hesitated, unsure of what to say. His mind raced, a thousand questions and emotions fighting for dominance. He hadn’t expected this, hadn’t prepared for the possibility of seeing you again. But now that you were right in front of him, he couldn’t just walk away.

“Is that you?” He finally said it. He finally said your name. He could feel his entire body shake from nervousness. He didn’t notice until he said it that his voice was rougher than he intended.

You turned to him, blinking in confusion. Your eyes met his, and for a brief, electrifying moment, Sukuna saw the spark of recognition. It was fleeting, but it was there—an almost imperceptible flicker that hinted at a shared past. But then, just as quickly, it was gone, replaced by a polite, detached expression.

“I’m sorry, but…” you began, your voice soft and apologetic. “Do I know you?”

The words hit Sukuna like a punch to the gut. The confusion on your face made no sense to him; how could you not remember him? The realization was like a cold wave crashing over him. He scanned your face more closely, noting the faint scar near your temple and the way your eyes seemed to search his face for something familiar but found nothing.

“Are you… are you playing a joke on me?” Sukuna’s voice wavered slightly as he tried to comprehend the situation. “It’s me. Sukuna. We… we know each other.”

You shook your head slowly, an apologetic smile tugging at your lips. “I’m really sorry, but I don’t remember you. I had a really bad accident a few years ago, and… well, I lost my memories. Amnesia. I didn’t mean to upset you.”

Amnesia. The word hit him like a ton of bricks. All the anger, hurt, and regret that had simmered in him for years suddenly evaporated, replaced by something he couldn’t quite name. You didn’t remember him. You didn’t remember anything about your life together, the love you shared, or the pain that had driven you apart. He stared at you, struggling to process what you’d just told him. The person he’d spent years trying to forget had forgotten him completely. And it hurts. It burns. It…it kills him.

Sukuna’s heart sank as he struggled to process your words. The memories of the past, the shared moments, the intense connection—everything seemed to blur together in a confusing haze. He tried to hold onto the hope that maybe, somehow, there was a chance you might remember him later, but the reality of your situation was clear. You had no recollection of your time together.

“Right…” Sukuna muttered, his voice thick with emotions he didn’t quite know how to handle. “No, it’s… it’s fine.”

“I just… I feel like I’ve upset you,” you mumbled back, your eyes filled with sincere regret. “It’s been like this for a while. I’m really sorry.”

“No, no… it’s okay. Don’t worry about it. It was my fault,” Sukuna said, shaking his head, though the words felt hollow against the weight of his feelings.

You nodded, your gaze sympathetic. “No, please. It’s not. I understand. It must be hard to run into someone who doesn’t remember you. I’m truly sorry.”

There was a quiet moment between you, the weight of lost memories hanging heavily in the air. Sukuna, feeling the sting of both your absence and the reality of your condition, struggled to find the right words. He wanted to bridge the gap between what had been and what was now, but he found himself at a loss.

Before you could turn away, Sukuna took a deep breath, summoning the courage to speak. “Um… could I… could I have your number? Maybe… maybe we could talk sometime. If you’re okay with that.”

You looked at him, a flicker of surprise crossing your face. For a moment, you seemed to weigh his request, and then you nodded slowly. “Sure. I can give you my number. I’d like that.”

As you exchanged contact information, Sukuna felt a mixture of hope and apprehension. The act of sharing numbers was a small step, but it felt significant. It was a bridge to the possibility of rebuilding a connection, even if the past was shadowed by the uncertainty of your memory.

“Thank you,” Sukuna said quietly, his voice carrying a note of genuine gratitude. “I appreciate it.”

You gave him a warm, understanding smile. “Of course. I’ll be happy to talk whenever you’re ready. It’s… nice to have some help with my memories, even if it’s just a little.”

Before he could speak, Yuji tugged at Sukuna’s sleeve. “Uncle Sukuna, can we go home now? I’m tired.”

Sukuna glanced down at Yuji and then back at you, his heart heavy. “Yeah, Yuji. Let’s head out.”

As Sukuna began to walk away, he felt your gaze on him. The pain of seeing you again, only to find that you had no memory of their shared past, was almost too much to bear. The bittersweet encounter left him with a mix of longing and resignation. You smiled at Yuji and then to him. Yuji grinned back at you and waved back. 

“Take care.” you called softly as he left the store with Yuji. Sukuna gave a small, subdued wave in response, his mind reeling from the encounter.

Once outside, he took a deep breath, trying to steady himself. Yuji, noticing his uncle’s somber mood, looked up with concern. “Uncle Sukuna, are you okay?”

Sukuna forced a reassuring smile, though it didn’t quite reach his eyes. “Yeah, Yuji. I’m fine. Just… a little surprised. Let’s get home.”

As they drove back, Sukuna’s thoughts were filled with the echoes of the past and the present reality. The encounter had stirred up old feelings, and the realization that you had lost your memories of him was both heartbreaking and profoundly unsettling. Yet, despite the pain, there was a strange sense of closure, as if seeing you again, even under these circumstances, had helped him come to terms with the unresolved aspects of their past.

As you walked away, Sukuna stood there, frozen in place, trying to comprehend what had just happened. Yuji came up beside him, his eyes wide with concern.

“Uncle Sukuna, are you okay? Who was that?”

Sukuna glanced at Yuji, then back at the aisle where you’d disappeared. He didn’t know how to answer that. He didn’t know how to explain that the person he’d never been able to forget had forgotten him entirely.

“That,” Sukuna finally said, his voice hollow, “was someone I used to know.”

▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃

HE DOESN’T REMEMBER WHAT HAPPENED AFTER. The days that followed were a blur for Sukuna. But he couldn’t help it.  Your encounter in the supermarket had shaken him in a way he hadn’t expected. He tried to push it aside, tell himself that it didn’t matter, that you were just a part of his past. But every time he closed his eyes, he saw your face, the way you looked at him with no recognition, no anger, no pain—just blank politeness. It haunted him.

Yet, fate seemed determined to keep throwing the two of you together. A few days later, he saw you again, this time at a coffee shop. You were sitting by the window, a book in hand, oblivious to the world around you. Sukuna hesitated, debating whether to approach you, but before he could decide, you looked up and caught his eye. There was that same polite smile, and he found himself walking over to you before he could think better of it.

“Hi again.” you said, looking up at him with that same soft, apologetic expression. “We keep running into each other, don’t we?”

“Yeah…..” he replied, his voice rough. He wasn’t sure what to say. The awkwardness between you was palpable, the weight of the past pressing down on him in a way you couldn’t feel. But you didn’t know that, couldn’t know that, so you just smiled and gestured to the seat across from you.

“Would you like to join me?” you asked, your voice gentle, offering a small, tentative smile as you gestured to a nearby café table.

Sukuna hesitated for a moment, his heart pounding in his chest. He wasn’t sure what he was doing or why he was putting himself through this, but there was something about being near you, even if you didn’t remember him, that soothed the ache in his chest. 

“If you wouldn’t mind.” he finally said, his voice betraying the mix of emotions swirling inside him. He sat down across from you, the familiarity of the scene almost too much to bear. Yet, he couldn’t bring himself to walk away. 

You giggled. “I don’t mind. Not at all.”

As you both settled in, the air between you was filled with an odd mix of tension and familiarity. You began to talk—small, inconsequential things at first. You mentioned how you liked the café’s atmosphere, how it had become one of your favorite spots since you moved here. Sukuna nodded along, trying to focus on the present moment rather than the flood of memories threatening to overwhelm him.

“You know….. “ you said after a moment, stirring your coffee absentmindedly, “it’s strange. I feel… comfortable with you. Like I’ve known you for a long time, even if I can’t remember it.”

Sukuna’s breath caught in his throat. He wanted to tell you everything—to pour out the years of pain, regret, and longing he had carried since you’d been apart. But he knew it wouldn’t be fair to burden you with memories you didn’t share anymore. So instead, he offered a small, wistful smile. 

“Maybe it’s just one of those thing.” he said softly, his eyes searching for yours. “Some people just click, I guess.”

You nodded, your gaze lingering on his face as if you were trying to piece together a puzzle. “Maybe. But still, it feels nice. Like I can trust you.”

Sukuna swallowed hard, forcing himself to keep his emotions in check. “I’m glad,” he said quietly, his voice betraying the depth of his feelings despite his best efforts. “I’d like to be someone you can trust.”

The conversation shifted to lighter topics after that, and the tension slowly eased. You talked about your life, your work, and the things you enjoyed. Sukuna listened intently, hanging on to every word, savoring the sound of your voice even if the stories were new to him. 

As the minutes turned into an hour, Sukuna found himself relaxing. The ache in his chest dulled, replaced by a warmth that he hadn’t felt in years. It was as if, for the first time since you had parted ways, he could breathe a little easier. There was no rush, no pressure to define what this was or what it could become. Just the simple pleasure of being in your company again, however different it might be from the past.

When you finally stood up to leave, Ryomen Sukuna felt a pang of reluctance, but he knew this wasn’t the end. You had exchanged numbers, after all, and there was a possibility that this could lead to something more. 

“I’m really glad we ran into each other.” you said, giving him a sincere smile. “I hope we can do this again sometime.”

“Me too.” Sukuna replied, his voice thick with emotion. “I’d like that.”

As you walked away, Sukuna remained seated for a moment, staring at the now-empty chair across from him. Despite the uncertainty of the future, he couldn’t help but feel a spark of hope. Maybe, just maybe, this was his chance to make things right—to show you the kind of love and care he should have given you all those years ago. And as he left the café, he found himself smiling, a feeling of lightness in his chest that he hadn’t felt in far too long.

Like the wind, the days brushed by into weeks, these accidental meetings became more frequent. He’d see you at the park, at the grocery store, at the small bookstore you frequented. Each time, you greeted him with the same warmth, and each time, he felt the walls he’d built around his heart start to crumble a little more.

It was during one of these encounters, when you were sitting together on a bench at the park, that Sukuna realized something had changed. He wasn’t just dwelling on the past anymore. He wasn’t just seeing you as the woman he used to love, the one who’d left him behind. You were still that person, but you were also someone new, someone who’d been through their own struggles, their own pain.

And he’d changed too. He wasn’t the same man you’d walked away from five years ago. The anger, the recklessness, the pride that had once driven you apart had mellowed. He’d grown, learned from his mistakes, and now, sitting beside you, he realized that he wanted to make things right.

There was one afternoon where after you’d both finished your coffees at that familiar café, Sukuna finally found himself gathered the courage to speak again. He’d been thinking about this for days, the words tumbling over and over in his mind until they felt like second nature.

“Hey….” he began, his voice uncharacteristically hesitant, “I’ve been meaning to tell you something.”

You looked at him, curiosity flickering in your eyes. “What is it?”

“I know you don’t remember me, or anything about… us, but I want you to know that I’m not the same person I was back then. I’ve changed. And I want to try again.” He paused, searching for the right words. “I want to make things right for you.”

There was a long silence as you absorbed his words. He could see the confusion in your eyes, the way you were trying to piece together something that felt like a missing puzzle in your mind. You wanted to know what it was. How to be complete, and yet you didn’t know how. Not even if your past thought he was what complete was. Finally, you spoke.

“Sukuna, I… I don’t know what to say. I don’t remember anything about us, about our past. But I can see that this means a lot to you, and that you’ve been carrying it with you for a long time.”

You paused, looking down at your hands, and then back at him. “I don’t know if I can ever get those memories back. But I do know that I enjoy spending time with you, that I feel comfortable around you. And maybe… maybe that’s a good place to start.”

His heart leapt at your words, hope flickering to life in a way it hadn’t in years. This was a second chance, an opportunity to rewrite the story that had once ended in heartbreak. He didn’t know what the future held, or if you would ever remember what you once had, but for the first time in a long time, he felt something close to peace.

Sukuna reached out, his hand brushing against yours, and you didn’t pull away. “Then let’s start there, hm?” he said quietly. “No pressure, no expectations. Just… us.”

You smiled, a genuine, warm smile that sent a wave of relief through him. “Just us,” you agreed.

And for the first time in five years, Sukuna felt like he was finally on the path to something real, something lasting. It wouldn’t be easy, but he was determined to prove that he could love you the way you deserved—this time, the right way.

As the weeks turned into months, Sukuna and you continued to meet, slowly rebuilding a connection that had once been lost. Each encounter felt like a tentative step forward, a cautious yet hopeful attempt to bridge the gap that had formed between you over the years. Yet, instead of the intense and sometimes overwhelming passion that had defined your past relationship, there was a newfound sense of calm and understanding between you both.

There was an ease between you now, a natural rhythm that felt different from the intense, almost chaotic bond you’d shared in the past. In the beginning, it was subtle—a shared smile over a mundane joke, the comfortable silence that fell between you as you walked side by side, the way your conversations flowed without the need to fill every gap with words. The pressure that once loomed over your relationship, demanding definitions and clarity, had dissipated, leaving space for something more genuine and unforced.

You found yourselves slipping into each other’s lives in small, almost imperceptible ways. Sukuna would pick up your favorite coffee without being asked, remembering the way you liked it just by heart. You’d invite him to a quiet dinner at your place, cooking together in the kitchen as you talked about everything and nothing. There were no grand gestures or declarations, just a quiet, steady presence that felt reassuring and right.

This time, there was no rush, no urgency to define what you were to each other. It was as if both of you understood that whatever this was, it needed to grow at its own pace. You’d learned from the past, from the way things had unraveled before, and there was an unspoken agreement that you wouldn’t make the same mistakes again. You allowed the relationship to unfold naturally, letting each moment build upon the last, like carefully stacking stones into a tower that could withstand the test of time.

Sukuna, too, had changed. The man who once wore his emotions like armor, who had always been so guarded and intense, was different now. There was a softness to him that hadn’t been there before—a willingness to listen, to be patient, to let things unfold without forcing them into place. He no longer felt the need to control every aspect of his life, and that included his relationship with you. He had learned to let go, to trust that if this was meant to be, it would be.

And in that trust, something beautiful began to grow. Your conversations deepened, moving beyond the surface-level topics that had once dominated your interactions. You talked about your dreams, your fears, the things that kept you awake at night. Sukuna shared pieces of himself that he had kept hidden for so long, opening up in ways he never had before. And you, in turn, felt safe enough to do the same.

There were moments when the past would resurface, like shadows lingering at the edges of your newfound connection. Memories of heated arguments, of painful goodbyes, would flicker in your minds, reminding you of how things had once gone wrong. But instead of letting those memories drag you down, you faced them together, acknowledging the hurt while choosing to move forward.

It wasn’t always easy. There were still days when doubts crept in, when the fear of repeating past mistakes threatened to pull you apart. But each time, you chose to stay, to work through it rather than run away. And with each challenge you faced, the bond between you grew stronger, more resilient.

Sukuna, who had once been so afraid of vulnerability, found himself looking forward to the moments he spent with you. The walls he had built around himself slowly crumbled, replaced by a quiet confidence in what you were building together. He no longer needed to prove himself, to assert control over his emotions or over you. Instead, he allowed himself to simply be—with you, in the present, without the burden of past regrets or future expectations.

You, too, noticed the change in yourself. The tension that had once gnawed at your heart, the constant questioning of whether you were enough or if this was right, had eased. You felt more secure, more at peace with where you were and where you were going. You trusted Sukuna in a way you hadn’t before, not just because he had changed, but because you had changed too.

As the months passed, the connection between you deepened, solidified by the quiet moments of understanding and the shared experiences that had brought you closer together. There was a sense of contentment that neither of you had anticipated—a feeling that, for the first time in a long time, you were exactly where you were meant to be.

And so, you continued to meet, to grow together, allowing whatever this was to take shape in its own time. There was no rush, no urgency, only the quiet certainty that what you were building was worth the patience and the effort. You both knew that the past would always be a part of you, but it no longer defined you. Instead, it had become a foundation upon which you could build something new, something lasting.

In each other’s presence, you found a kind of peace that had once seemed elusive, and in that peace, you discovered the possibility of a future that was not just better than the past, but truly, deeply right.

Sukuna found himself looking forward to your meetings, the mundane moments that had once seemed trivial now holding a new significance. Whether it was a simple walk in the park, browsing through books together, or sharing a meal, these moments began to stitch together a new story between you, one that was quieter, more deliberate, and infinitely more meaningful.

But beneath the surface, Sukuna wrestled with his own emotions. The more time he spent with you, the more he realized just how much he had missed you—how much he had missed being close to someone who truly understood him. Yet, there was also the constant reminder that you didn’t remember him, that the memories of your past were locked away, possibly forever.

One afternoon, after you’d both finished a long walk along the river, you sat together on a bench, watching the water ripple in the sunlight. The conversation had lulled into a comfortable silence, and for a moment, Sukuna just watched you, taking in the way the light caught your hair, the serene expression on your face.

“Can I ask you something?” Sukuna finally said, breaking the silence.

You turned to him, nodding. “Of course.”

“Do you ever… feel like something’s missing? Like there’s a part of you that’s still out there, waiting to be found?”

You considered his question carefully before responding. “Sometimes.” you admitted. “There are moments when I feel like I’m on the edge of remembering something important, something that’s just out of reach. But I’ve learned to let go of the frustration. I’ve had to accept that those memories might never come back.”

Sukuna’s heart clenched at your words, the weight of your shared history pressing down on him. He wanted to tell you everything—to pour out the story of your love, the highs and lows, the way you had been everything to each other and how it had all fallen apart. But he held back, knowing that it wasn’t his place to force those memories on you.

Instead, he reached out and took your hand in his. “I don’t want to push you more than I already did.” he said quietly. “I just want you to know that I’m here, whatever happens. I’m not going anywhere this time.”

You squeezed his hand, offering him a gentle smile. “I know, Sukuna. And I appreciate that. I’ve come to trust you, even if I don’t remember our past. What matters to me now is the person you are today, the one I’m getting to know all over again.”

Those words gave Sukuna a sense of hope he hadn’t allowed himself to feel in a long time. He was no longer the man who had let his pride and anger destroy something precious. He had grown, learned from his mistakes, and now, he had a chance to show you that.

As the days passed, he became more intentional in his efforts to be there for you, to support you in ways he hadn’t before. He listened when you spoke, offered comfort when you needed it, and gave you space when you needed to process your thoughts. There was a quiet strength in the bond you were forming, a steady foundation that was being built brick by brick.

One evening, after you’d invited him over for dinner, you sat together on your couch, a comfortable silence settling between you after a long day. Sukuna glanced at you, his heart full of things he wanted to say but didn’t know how to put into words.

“I’ve been thinking….a lot.” you said suddenly, turning to face him. “About us.”

His breath caught in his throat, but he stayed quiet, waiting for you to continue. He could feel his heart pounding, the silence between you filled with unspoken tension. You looked at him tenderly, and those eyes—those eyes he had once loved so fiercely—held a warmth that stirred something deep within him. But this time, there was something different in your gaze, something he couldn’t quite place. It wasn’t the same love he remembered, the love that had once consumed both of you. It was softer, more distant, as if it had been tempered by time and the loss of memories.

Sukuna wasn’t sure what that look meant, but he longed for the days when your eyes had been filled with nothing but love for him. He yearned for the intensity, the passion that had once been theirs. But deep down, he knew those days were gone, that you had changed, just as he had. And even though he wished for the impossible, he understood that the love you had once shared might never return in the way it had before.

And yet, he couldn’t stop himself from hoping, from wanting you to look at him like that again, to feel that love again. But he knew, with a sinking certainty, that it was unlikely. Maybe this was his punishment, the price he had to pay for the mistakes he had made, for the years he had spent without you. Maybe fate was just that cruel, giving him a second chance only to remind him of what he had lost.

“I don’t remember our past, Sukuna.” you said softly, breaking the silence. Your voice was gentle, but there was a sincerity in it that made Sukuna’s chest tighten. “But I do know that I feel something when I’m with you. It’s not just comfort or friendship… it’s more. I don’t know how to explain it, but it feels right, being with you.”

Sukuna’s heart swelled with emotion, a mix of relief and longing coursing through him. He had waited so long to hear those words, to know that there was still something between you, even if it wasn’t exactly what he had expected. It wasn’t the grand declaration of love he had secretly hoped for, but it was something—a spark, a glimmer of the connection that had once bound you together.

He searched your face, looking for any sign of the emotions he had once known so well. But all he found was that same tender expression, tinged with a hint of uncertainty. It wasn’t love, not yet. But it was something. And for now, that was enough.

“I’m glad you feel that way.” he said, his voice thick with the emotions he was struggling to keep in check. “I don’t want to rush things, or push you to remember something that might never come back. I just… I want to be here with you, whatever that means.”

You nodded, a small smile tugging at the corners of your lips. “I want that too, Sukuna. I don’t know what the future holds, but I’d like to find out—together.”

He felt a weight lift off his shoulders, the heavy burden of his regrets and fears easing, if only a little. This was far from the ending he had imagined, but it was a beginning, a chance to rebuild what had been lost. And maybe, just maybe, if he was patient and if he allowed things to unfold naturally, there could be something new between you, something that was just as meaningful as what you had once shared.

As you both stood there, the world around you fading into the background, Sukuna couldn’t help but think that perhaps fate wasn’t as cruel as he had feared. Maybe this was his second chance—not to reclaim the past, but to create something new, something even better than what had been before. And for the first time in years, he allowed himself to hope that this time, he wouldn’t let it slip through his fingers.

▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃

epilogue 

A few weeks after your heartfelt conversation with Sukuna, you find yourself at a park on a sunny afternoon. Sukuna had asked you to meet him there, mentioning that his nephew, Yuji, would be joining. You had heard a lot about Yuji from Sukuna—how the kid was full of energy, always getting into something, and how Sukuna had taken on a sort of protective role in his life. You were curious to see this side of Sukuna, the man who had once been all sharp edges and intensity.

As you approach the park, you spot Sukuna first, sitting on a bench with a somewhat exasperated look on his face. Beside him is a young boy, who is clearly trying to balance on the back of the bench with one foot, arms outstretched like he’s performing some kind of circus act.

“Careful, you brat.” Sukuna warns, his tone stern but not unkind. “You’re going to break your neck.”

Yuji, grinning from ear to ear, just laughs and hops down with a flourish. “I’m invincible, Uncle Sukuna!”

“Yeah, well, let’s not test that theory.” Sukuna mutters, but there’s a fondness in his voice that catches you off guard. “Your mom and dad will kill me.”

You approach them, smiling as Yuji notices you and waves enthusiastically. “Hi! You must be the one Uncle Sukuna’s always talking about!”

“Yuji!” Sukuna snaps, looking mortified. “I do not—”

Yuji doesn’t miss a beat, cutting him off. “He totally does! He’s always like, ‘I wonder if she’s gonna remember me today,’ or ‘Maybe she’ll cook something nice again.’”

Sukuna groans, rubbing a hand over his face. “Kid, do you ever stop talking?”

You can’t help but laugh at the exchange, and Sukuna’s embarrassment only makes it funnier. “Nice to meet you, Yuji!” you say, crouching down to his level. “Your uncle’s right, though. You should be careful on that bench.”

Yuji shrugs, his smile never fading. “Uncle Sukuna’s always careful too, even though he acts all tough. But he’s really soft, especially when I get hurt. You should see him panic when I stub my toe.”

“Yuji!” Sukuna’s voice is a mix of frustration and resignation, clearly regretting bringing his nephew along.

You stand up, grinning at Sukuna. “I see you’ve got a little soft spot, huh?”

“Don’t listen to him.” Sukuna mutters, glaring at Yuji, who just laughs and runs off toward the playground. “He’s a menace.”

“Sure, sure.” you tease, nudging Sukuna lightly. “But you love it.”

Sukuna sighs, watching Yuji with an expression that’s a mix of exasperation and affection. “Yeah, well, someone’s gotta keep him out of trouble.”

You slip your hand into Sukuna’s, squeezing it gently. “You’re doing a great job, Uncle Sukuna.”

He gives you a sidelong glance, the corners of his mouth twitching upward. “Don’t start calling me that too.”

“No promises.” you reply, laughing as you both watch Yuji play, his laughter filling the air. It’s a side of Sukuna you never expected to see, and you find yourself growing more and more fond of the man who, despite his rough edges, is soft in all the right places.

[shaybae1114]

Wolf hybrid x bunny hybrid reader.

You couldn't possibly be anymore nervous. You were meeting with the sigma of the all alpha pack. They needed a female for their heat, and you needed multiple males to help you through yours. Bunny heats could lead to death if not treated properly, and you were a shunned rabbit. No burrow would take you. Darius looked you up and down his claws digging into his chair he couldn't believe such a cute tiny bunny was in his office wishing to agree to the stupid ad his 2nd had recommended they put out. His pack was getting to riled needing a pussy to keep them in line but never did he expect a bunny rabbit. You smelt like sunshine and freshly grown flowers he couldn't help but wonder if all rabbits smelt like that.

"They accused me of a crime I didn't commit. I swear even though I'm a shunned. i'll bring no harm to you or your pack. I just dont wish to die in agony from something that can be helped. And if I do end up pregnant, I request to be welcomed to stay in pack territory. I will not leave any of my children." You stated the conversation had been going smoothly, but the sigma had started to look furious. You couldn't help but start to panic more. Did he believe the rumors did he just call you here to see the only shunned bunny in history like many others had before.

"Many of the males in my pack were shunned for the wrong reasons. I don't care about such a worthless thing. I just need a willing female to aid us and many have not been interested in helping my whole pack. They don't want there young to be born from tainted." Darius growled. He knew he shouldn't feel insulted at the females accusations but it still stung after all he would never rip a child from there mother or judge somebody for being shunned.

"I didn't mean to offend you. I just want to make sure there is no miss understanding." You whispered softly. The heat suppressant was starting to wear off , you where gonna cry over upsetting the wolf. This meeting needed to wrap up or you'd be in heat with a pack who didn't want you. Never again you'd sworn standing quickly. "Thank you for having me but since your clearly not interested I'm going to leave now."

"When did I say I wasn't interested?" Darius asked tilting his head inhaling your sweet scent. The scent of your arousal making his instincts go off. If anything he wanted to make sure you got under him and stayed there. He stood towering over you. He grabbed a strand of your hair twirling it into his fingers. He pulled you close your lips almost touching. "You will stay in my room for right now while I prep my pack then I'll have my way with you before they get there turn. I can't wait to have you falling apart for me little bunny nothing more than a brainless slut begging for more from me.... from my pack." He growled his eyes glowing golden with how his instincts where leading is emotions. As the soft needy whimper left your lips he stole the sound closing the distance.

Darius's kiss was all primal he made it clear he was in charge. He growled as he picked you up grinding his hard cock against your heat. The feeling of his jeans rubbing against your clit had you whining into the kiss for more. And Darius was going to give it to you.

He broke the kiss slowly placing you back on the ground making sure to keep your pressed close down as he did.

"Wh.. why did you stop." You stuttered blushing heavily wanting to reconnect with him.

"My office is not the place to start this. My pack has a room they made just for the female we brought in." He stated as he dragged you from the office. "My males will want you there ready and if I start with you now I won't stop." He groaned as he scented your arousal once again his sweet rabbit was so needy so wet already. As you entered the room that was located not to far from his office thank the gods for that. You where awe struck the room was beautiful truly looked like the room of your dreams.

"It's incredible I know you designed it for any female but it almost feels like it was made for me." You shook your head at the silly thought. Darius stepped forward placing his finger under your chin to make you look up at him.

"We all argued on this room for months before it was completed. So perhaps it was." Darius eyes where soft glad you liked the room. You grabbed his collar and pulled him down wanting to show the sigma how much you really appreciated the room. He chuckled kissing you softly. "Take of your clothes and lay down ass up on the bed." He stated nipping at your lips before stepping back. Sitting in a chair you hadn't noticed immediately but once you did, You realized it took in view of the whole bed you licked your lips perhaps Darius liked to watch. You had stopped in your tracks do to the fantasies that where running thru your mind. Darius watching while giving orders to his men while they handled you. "Bunny I believe I told you to do something." At Darius's tone you snapped out of your thoughts making eye contact he was the image of someone in control.

"Yes sir." You whispered out with a blush going to quickly strip. Darius tcked. Standing back up grabbing your hands.

"Stay calm bunny there is no rush. Give me a show baby girl." Darius whispered leaning into to drag kisses along your neck. "Mmm your heart is racing little bunny is it fear or desire?"

"Desire I've never wanted somebody as much as I want you." You gasped out as he gave a rough nip to your collarbone. He couldn't help but grin against your neck at that he felt the same he'd make sure you got pregnant he wouldn't let you leave him now.

"I'm gonna sit back down bunny and once I'm seated your gonna give me a show then lay on the bed with your pretty ass up, So I can see your cute little tail." Darius ordered releasing you to return to the chair. You watched silently as he got comfortable. Once he was fully seated you slowly reached down pulling your shirt off slowly. Your tail wagging in excitment. Darius's dominating mannerism had your panties soaked. Darius growled

As you finally revealed yourself his eyes traveled along your body taking you in. He jerked his head towards the bed encouraging you to do the next order. Finding the courage you turned to the predator giving him your back. Your heart rate once again picking up while your pussy only got wetter wondering what it'd be like to have him hunt you and use you for himself. Slowly crawling onto the bed wiggling your butt and little tail at the wolf. You where getting more and more wet by the second especially knowing the wolves eyes hadn't left you.

"Oh the bunny want to play does she." He snarled as you wiggled your tail and looked at him with half lidded eye lunging from the chair, he quickly closed the distance. You let out a startled yelp going to scurry up the bed to avoid the wolf. Your fight or flight extinct kicking in at Darius's sudden fierceness. He grabbed your hip with one hand while the other grabbed your long ears pulling your head back. Effectively pinning you to the mattress with his body. You where at his mercy. "Oh bunny you know better then to run from a big bad wolf don't you? That's how you get devoured and I'm gonna have my fill sweetheart." He groaned grinding his cock against your ass. You let out a soft whimper burying your face into the bedding as he released your ears. "Fuck bunny..." He groaned. "I can smell how needy your poor little cunt is. I need a taste. Don't fucking move." He growled as he slowly stood up. You where frozen the only thing you could acknowledge was the sound of your own heart beat. A soft gasp left your lips as you heard the sounds of his belt being undone and his pants hitting the floor.

"P....please Darius I need you." You stammered out you where to excited and things where going to slow.

"Oh no sweetheart this pretty cunt is about to belong to me ill take as much time as I please." He reached out spreading your fold licking his lips at the sight of your dripping cunt. He smirked taking a picture and sending it to the group messenger his pack had. I found our girl I'm gonna stuff her full first. Next one here gets her. Tossing his phone onto the floor knowing his pack would diffently rush to arrive he wanted to get his fill as promised. Darius bent down grabbing your ankles he pulled you down closer to him chuckling as you squeaked and quickly repositioning you on the edge of the bed your cunt and ass completely open to him. You moaned at the feeling of his fingers starting to rub along your clit. Darius wasn't joking about having his fill. He listened to every whimper and moan as he continued to move his fingers on your clit. He groaned in delight as he finally slide his index finger into your sopping cunt.

"Your pretty little pussy is sobbing in need she want a big thick knot to stuff her full." He stated looking into your eyes enjoying the way the rolled back when he made contact with your sweet spot. "A there's your g spot baby I bet you haven't found it with your pretty tiny fingers." He added a second finger smirking as your back arched off the sheets. The pressure building in your stomach telling you how close you where to cumming but suddenly Darius stopped pulling his fingers out of your puffy needy cunt.

"W...why did you stop." You whined soft tears falling down your cheeks. Darius groaned at the sight.

"Wanted to hear you beg for it hunny." He chuckled at the distress look that filled your features. He lifted up your left leg nibbling gently at your ankle. "You'll beg your Alpha to let you cum won't you sweet bunny?"

"Please Alpha please let's me cum." His smirk widened as he lunged for your cunt. Keeping your thigh pinned on his shoulder. You let out a startled cry as his thick tongue slide directly into your cunt. Darius growled against your clit as the taste of your cunt filled his every sense. Using his thum. to rub steady patterns on your clit he began to fuck you with his tongue using his hand to grab your hip pulling you closer to his mouth. Darius pulled back with a groan his face moist with your wetness. He smirked at you biting your ass cheek drawing out a soft moan from your lips. "fucking..bite....delicious....bite...gonna make sure you have our pups gonna keep your sweet pussy forever."

The finger that had been playing with your clit slid back he held eye contact with you as he pushed the finger inside. "Your poor cunt she's so needy only put my thumb in and she trying so hard to take me deeper to have more." He growled as he pulled his thumb out replacing it with three more. He and his brothers where all large and you where just a poor tiny bunny compared to them. Letting out a startled cry you clawed at the sheets underneath you. Back arching while grinding your hips onto the hand that was currently bring you close to the best orgasm you've ever has. Darius's eyes flashed at the sight of you cumming undone around his fingers. He quickly.pulled out his fingers flipping you back onto your stomach. Quickly sliding them back inside before you could let out any protest.

"Please Dare I... I'm gonna cum again." You gasped out making him gladly pick up the pace. Moaning loudly when suddenly his hand came down slapping your clit. You let out a sound that you'd never heard yourself make before eyes slamming shut and head thrown back as the pain made you squirt on his fingers.

"Fuck baby girl trying to milk my fingers dry. Let's give you something big and hard that you can get all those needy spots for you sweetheart." Darius shifted and dragged the head of his cock along your sensitive clit enjoying the soft whimpers and needy cries that kept escaping your lips.

"Please Dare fuck me I want you to fill me up. Wanna take your knot like a good girl." You gasped out reaching for him.

"Fuck baby girl gonna fuck you hard and deep." Darius snarled as he leaned over you slowly pushing his cock into your dripping heat. He moaned kissing you his tongue demanding entrance to distract you from the burning pain of stretching on his cock. As you returned the kiss he grabbed your hips pushing into you till his knot didn't allow him to go any further. You whinned at the feeling you where already so full and could feel his knot pressed against your lips, rubbing on your clit as Darius lazily rolled his hips.

"Sooo big.... I don't think I'll be able to take your knot." You cried soft tears sliding down your cheeks. You'd never been so full before or so sensitive. Darius looked down at you his eyes soft.

"You will sweetheart I'm gonna start moving okay and while I do why don't you play with your pretty pussy for me." You nodded at his wishes biting your lip as you dragged you hand to your clit. Before giving your clit some attention as your fingers gave your clit a light pinch. Darius pulled out and as you pulled on the sensitive bud he slammed back in. You cried out clenching tightly around his girth at the sensation it was to much you dropped your hands away from your cunt gripping tightly on to the sheet beneath you as Darius began to pound into you. You'd swear he was trying to hit your cervix and with how deep he was you where sure he would in no time.

Darius had lost it and the poor little rabbit under him had no clue. The sight of her hair spread out along her back, her pretty eyes glistening with unshed tears he couldn't wait to draw out, and then when she pulled on her pretty nipples biting her lip as he slammed himself deep inside of her fuck. He couldn't think anymore he wanted one thing and one thing only and that was to fill his mate with his seed. He listened to your sweet cries as he continued to pound himself deep inside of you pushing against all your sweet spot adjusting to what made you tighten up or what didn't. And as you came on his cock he roared dropping himself down placing his face into your neck picking and nibbling at the spot he was gonna mark. He thrust deep his cock piercing your cervix while his knot slid into you with a soft pop. He couldn't stop himself from sinking his teeth into your throat. You saw stars as you came around his knot his cum warm and thick as it began to fill you.

"Fuck. That was hot." You startled out of your haze at the sound of a new voice. Looking by the chair you saw 3 more alpha males standing taking in the erotica scene infront of them.

(Part 2 as soon as I can I'm a perfectionist and I wasn't even sure if I wanted to post this 🫢)

[fushitoru]

私はスター ! masterlist

note: longfics are works that are >10k, and oneshots are standalone fics 1k-10k. works indicated with a star (★) contain/will contain explicit smut. proceed with caution, heed all warnings, and remember⸻don't like it? don't read it!

series.

the season of thorned roses ⸻ gojo x reader ★

dearest gentle reader, a new season is upon us as the ton gets ready for a season filled with drama, heartbreak, and passion. after being crowned diamond of the season, duke gojo⸺only looking to marry just to secure his inheritance⸺has his sights set on you, the easiest (and most obvious) option. later, when you catch his saying unsavory things about you on a terrace when he least suspected it, you swear to never marry gojo. as london's fashionable set goes through yet another wedding season, will there be hope for scandalous gossip, hate, and thinly veiled insults, or will we witness blooming love and passion?

long-fics.

infect me with your love ⸻ gojo satoru x reader ★

you have always existed in gojo satoru’s shadow. he is a physics prodigy, a person that everyone endlessly admires for his intelligence and charisma, and you hate him for taking the spotlight that you deserve to share with him. but it all changes one day at 5:07AM at your starbucks job when gojo barges in, ordering ridiculously sweet drinks and posing existential questions. is there more to gojo that meets the eye, and is it linked to the vigilante swinging around New York City? (19.7k). part of kinktober 2024!

an imperial command ⸻ kamo choso x reader ★

you, the princess of the nation, and choso, the son of your father's most trusted general, have been inseperable since birth. but after many deem it inappropriate for him to be so close to you, the distance between you and him only deepens after he leaves for war. when he comes back older and a more handsome, bigger version of the choso of your childhood, you both grapple with love, duty, and test the bounds of propierty (13k).

one-shots.

gojo satoru.

rainy days and brownies ★

you wake up for some soft moments with your boyfriend that involves brownies (turned freaky) (2.2k)

seperation anxiety! ★

clan head satoru begs you to attend a meeting with the higher-ups, but not for the reasons you thought.

all i want for christmas is you! ★

after a well needed rest from the kids, you and your boyfriend focus on baking christmas cookies for your pta responsibilities. however, it ends up taking a naughty twist when satoru finds out the surprise you've planned out for him (2.8k).

the importance of skincare ★

worried about your boyfriend's skin health, you're set out on a mission to teach him about skincare, sitting him down and rubbing products over his face while seated on his lap. only, he convinces you that he has something to teach as well about facials. just not the kind you expected (1.4k)

trouble ★

an unexpected tutoring session with your bully satoru gojo leads to somewhere...unexpected (4.2k)

sukuna ryomen.

so i know who i'm looking at! ★

on halloween night, you get a strange phone call from a man with a distorted voice right as you're chilling while babysitting yuuji. you get an ultimatum: perform for him, or risk your and yuuji's lives (3.1k). part of kinktober 2024!

toji fushiguro.

finish her! ★

you will have to face one of the most formidable wrestlers in history in your next match: toji fushiguro. but don't be confused, this isn't normal wrestling⸺no, it's nude wrestling. and winner gets the spoils of the other's body! (extended ver of my toji drabble here) (3.8k). part of kinktober 2024!

multiple (seperate)

i can't stop looking at his d—d—d—d—FACE! ★

jjk men as overused p0rn/h3ntai plots! (4.1k)

back to the kitty, cause she's kinda pretty! ★

jjk men as overused p0rn/h3ntai plots! (pt 2) (3.5k). part of kinktober 2024!

drabbles

ranking types of hugs he'd be comfortable with another guy giving his gf! ⸻ gojo x reader

[pomefioredove]

Omg hiii! I saw that your requests were open again! Please take your time and prioritize your rest, and as always your writing is such a delight to read! I always look forward to your posts! 💖💖💖

That being said, can you please write for a Yuu/reader that has a love for painting (but is shy about showcasing their skill) , and was absolutely taken by Vil's beauty even before they met him? Of course they didn't know that he was a famous actor at first. What if Vil one day finds their sketches and paintings of him after months of knowing him? (hmm preferably after the events of book 6..? 👀)

SO CUTE!!! kicking my legs back and forth at this anonnn

*ੈ✩‧₊˚ the picture of vil schoenheit

type of post: short fic characters: vil additional info: romantic, reader is gender neutral, reader is yuu

How were you supposed to know?

It's not like Crowley had given you a guide on Night Raven College or its students (though, wouldn't that have been nice?)

I mean, you had to reminded of Trey's last name not two weeks ago. How were you supposed to know who Vil Schoenheit is?

You'd only seem him at a distance. Passed him by in the halls while he scolded some poor first year. He even looked beautiful when he was angry.

He was just made to be painted.

You didn't show your friends the art. You didn't need to give Ace another reason to tease you, and being a stalker would've really been the cherry on top of your weirdness sundae.

Besides, it was just drawing. Practice! Sketches from a distance, doodles done in the margins of your notes, watercolors and paintings from memory...

It felt familiar. This man, this stranger, someone you hadn't even spoken to, made you feel a little closer to home.

.

"Really, you should have some sort of organizational system,"

Vil leafs through pages of alchemy reports and history of magic homework. "Might I suggest a recycling bin?"

You smile. It's not often that your friend- Vil Schoenheit, that is- has a day off. But today is Saturday, and your room is in desperate need of his touch.

"This is... chaotic," he says, brushing a clump of Grim fur off his shoulder. "And you live like this?"

You shrug. "I try,"

"Well, try no more. We'll have this done before dinner,"

His commitment is touching. Millions of screeching fangirls would give anything just to spend five minutes with Vil, and here he is, tidying your room for you.

It's almost cute. He's humming to himself, hair tied back in a ponytail, in one of your shirts (his are too nice to get dirty), sweeping Grim fur out from under your bed.

"Rook and Epel couldn't make it?" you ask, pretending not to care that it's just the two of you.

"I told them not to bother,"

"Oh?"

Vil tsks. "They would get in the way. We're much more efficient on our own- we work well together, after all,"

That's something he'd said before. You'd always wondered what it meant.

"Right,"

You switch places, going to strip your bed of its sheets for washing while Vil tidies your desk.

Off go the pillow cases, the comforter, the blankets. You're wrestling with your mattress when you notice that he hasn't moved in a while.

He's looking through some of the papers from within the bowels of your desk, smiling to himself, a finger held to his perfect lips.

"What?"

"Hm?" he hums, but he doesn't look at you. "Oh, just... admiring your work. You have quite an eye for detail, have I ever told you that?"

He's being weird. You let go of your bundle of bedding and look at what he's holding, but it's just your sketchbook.

Oh. Oh, no. It's your sketchbook.

"OH! Um, wait-" you say, rushing to his side. "Don't- don't look!"

Vil smirks, and he holds the art over your head. "How unfair. The muse should always be the first to see, you know,"

Damn his height and perfect, slender arms!!! Your eyes widen. "It's not what it looks like! I didn't know you when I did those!"

"Yes, I saw the dates. You could make a career out of admiring me, you know~" he chuckles. "I'd pay for these. I'm sure Rook would like a few, as well."

You're practically melting with embarrassment. "Come on- give it back!"

Seeing your pathetic, embarrassed whining, Vil relents, handing you the sketchbook with an eye-roll.

"What are you ashamed of? They're fine pieces,"

"It's not that," you clutch the book to your chest. "It's just- uh- weird, isn't it?"

Vil scoffs. "I'm weird?"

"NO! I meant- I didn't even know you, and I drew you almost every day- that isn't... strange?"

He takes a moment to study you, your body language, the embarrassed look on your face. From head to toe. And then he smiles, warmly.

"I am in a dorm with Rook. There are very, very few things that I find strange now. You admire me- I'm flattered,"

He gingerly takes sketchbook out of your arms and opens it again. "Not to mention, you have an artistic eye that any director would kill for."

You stand there, a little dumbfounded, but mostly very, very grateful that he's your friend, and that you can laugh about this together.

"I'm... well... thank you," you finally say.

Vil smirks, and pinches your cheek. "You're precious. Now, back to work. I want this room over with. These paintings won't frame themselves, will they?"

[niningtori]

make you cry | part one

part two: beomgyu's ending | part three: hyuka's ending

pairing: beomgyu x you, huening kai x you in alternate ending

summary: beomgyu is your manwhore best friend who you've been secretly in love with for years. one night, he asks you to blur the lines between friendship and physical intimacy for his own convenience.

genre: ANGST, romance, smut (mdni), fwb

warnings: smut (mdni), unprotected sex, creampie, dom!gyu, eventual sub!gyu, fingering (vaginal), dacryphilia, dirty talk, praise, if i missed anything lmk!

word count: 4.2k

notes: hi friends! i'm not completely satisfied with this, but i'd rather it be done than sitting in my drafts. pls don't be mean ;_;

being in love with your best friend is not for the faint of heart, you think. in some cases, it’s the easiest thing in the world, but beomgyu makes it difficult. he’s not a bad guy, at least not deep down, but as you watch him break the heart of another notch in his belt, you can’t help but shiver at the fact that he’d very easily do the same to you if you gave him that chance. not that you ever will, that is, but the thought still remains.

you met in grade school. for you, it was a classic case of love at first sight. you had just fallen off the swingset and the teacher had yet to notice you, so you were crying alone when he came up to you with a dinosaur bandaid in tow. he looked like an angel with the sun encircling him, and even as a child, you thought he was the most beautiful thing you’d ever seen as he held his little hand out for you to grasp. you had no chance to steel your heart when he asked you if you wanted to be friends, and after that, the rest is history. 

that was years ago, but the image of him holding out his hand is engraved in your bones. you think about it even now as you watch him make the poor, unfortunate girl in front of you bawl like a baby. she asks him why he's doing this, what she did wrong, how she can fix it to make him stay. but he's dead set on breaking her heart tonight. and you'll be the one who takes his tipsy ass home after he's done ruining this girl’s perception of love. you’re nothing more than a glorified lackey and enabler, but that's just how it is.

“god, i don’t know why they can never just let go. they always have to make it so hard,” he grumbles in the passenger’s seat of your car. he seems more annoyed than genuinely upset and you can’t help but to feel for the girl who he just unceremoniously dumped in the middle of a house party, so you speak up for once.

“it’s not her fault, beoms. she just really likes you,” you reason. not that it matters, anyway, but you feel better after speaking your mind.

“so it’s my fault? i just don’t get it. i told her no strings attached from the beginning. the fact that she took it seriously is her own problem.” well, nevermind about feeling better. you feel even worse for her now.

“it’s hard not to get attached to you,” you mumble.

“what?” he asks, not even really paying attention to what you’re saying, but still asking for the sake of being (what he thinks is) polite.

“no, it’s nothing,” you reply quickly.

“mmm,” he nods, completely preoccupied with his own issues to really give a fuck about what you have to say. then, as if by a stroke of genius, he says his next words without much thought.

“i just thought of something! you would never act like that with me, would you?” you can’t help but scowl. of course you’d act like that. you’re a normal human being with normal feelings. you’ve already fallen for beomgyu without the physical intimacy, so you can’t imagine how you’d act if you actually had sex with him. but you can’t tell him that, or else he’d start suspecting something.

“i guess not,” you sigh. 

“then why don’t we hook up instead?” he asks, genuinely earnest. 

“no,” you say simply.

“why not?” he frowns, somewhat offended.

“i’m not interested,” you shrug. you don’t realize that your indifference has the opposite effect on beomgyu. what he perceives as your disgust only interests him more.

“c’mon, i’d definitely show you a good time,” he argues.

“i’m fine, thanks.” 

“no, you’re not fine. you haven’t slept with anybody in months. not since what’s-his-name, right? it’s the perfect deal. i’ll give you the time of your life and i’ll get to fuck without any feelings involved.” you try your hardest not to say it’s too late for that. those words will never leave your mouth, though. or else he’d drop you like a hot potato.

“i said no and i mean no. besides, i kind of like somebody right now.” you’re not lying, really. you truly do like, even love, somebody right now, and he’s sitting right next to you.

“who is he?” he asks. “actually, your taste in men is so shit, i don't even wanna know.” usually, that would hurt your feelings, but this whole situation is so fucked up you can’t even find it in you to stifle your laugh. 

“true.” he cocks an eyebrow at your answer. you should, in theory, vehemently deny this. just how shitty is this guy for you to not even put up a fight? 

“okay, i lied. now i really wanna know. who is he? yeonjun?” he asks. you giggle even more.

“no. yeonjun is sweet, but no. and i’m not telling you, so you should give up.” 

“you think yeonjun is sweet in comparison? damn, this guy must be fucking scum,” he laughs. you can’t help but shake your head with an airy laugh of your own. yeah, he’s so awful he even makes yeonjun look sweet. at least it seems like yeonjun has a conscience when he fucks somebody over. beomgyu, for the most part, has none.

“he’s not all bad,” you say softly, still smiling and resting your head on the headrest of your car. 

“but still bad,” he argues. 

“mhmm,” you hum. “still bad.”

-

beomgyu doesn’t mention hooking up again after that, and for that you are thankful, you think. is there a part of you that regrets not saying yes? in a way, you do. who wouldn’t want to be even closer to the one they love? but you know the closeness would be a lie. even if you were in closer proximity physically, he’d still be far away emotionally. too far to ever catch him. and so you sit at the counter of this shitty bar and watch him try to woo one of the prettiest girls you’ve ever seen, and by the looks of it, it’s working. you smile bitterly and down another shot, making your stomach feel hotter and hotter. you know that by the end of the night, you’ll feel sick, but you’d rather be physically sick and drunk rather than emotionally sick and sober. 

“you okay?” kai asks, sliding into the seat next to yours and cutting into your daze with ease. 

“aren’t i always?” you answer with a wry smile.

“it’s that bad, huh?” he asks. beomgyu is your best friend, sure, but kai is the only person in the world who knows about your feelings for him. he also feels like the only person in the world who would understand them. 

“yeah, it is,” you mumble, downing yet another drink as you watch beomgyu grinding on the girl salaciously. 

“wanna get out of here?” he asks sympathetically. you should say no. beomgyu will be angry that you left  him, even if he’d ditch you in a heartbeat to get laid. but now, as you watch him shoving his tongue in the red-lipped mouth of the girl who will now be the impossible standard you’ll hold yourself to from hereon out, you can’t bring yourself to care.

“i do,” you smile, for real this time, and his grin matches yours.

you’re so drunk, you barely remember how you got home, but you’re here and so is hyuka. you don’t cry, even if he kind of wishes you would just so you could let it all out. you laugh, even, as he tells his dorky jokes and beats your ass in mario kart. things are going so well, you don’t even hear the pounding on your door until kai says something about it.

“i’ll get it,” he says soothingly when you unsteadily try to stand up.

“thanks, hyuka,” you smile. and that smile stays planted on your face until you see who’s at the door. beomgyu. and by the looks of it, he’s pissed.

“what the fuck is your problem?! how could you just leave me there alone?” he asks as soon as he’s let in. your face sinks and all prior happiness is washed away in an instant.

“you weren’t alone,” kai cuts in defensively. “she was alone until i came and got her.” beomgyu is actually a little embarrassed by this blatant callout, but he’d sooner die than admit it.

“well, she should’ve said something, at least,” he counters, face still hot and voice still as loud as ever.

“i thought you were going home with that girl,” you reply meekly. 

“and you couldn’t just ask?!” he snaps. 

“you’re being an asshole,” kai argues. “nobody wants to watch you tonguing down some random girl, and she’s not your babysitter.” the room is deathly quiet after this. beomgyu is fishing for words, but he’s too drunk to quite think of any at the moment. he wishes he were sober so he could put kai in his place, but the words never come. all he knows is he’s pissed beyond anything he can properly articulate and it’s driving him crazy. 

“you’re drunk,” kai adds sternly. “go home.” 

“hyuka, it's okay,” you say gently. “he's too drunk for that. he can crash on the couch.” beomgyu doesn't know why, but he scowls at the nickname.

“but —”

“it's okay,” you repeat. kai’s face looks torn. 

“alright, then i'll head out,” he relents after a few seconds. “the both of you just need some sleep,” he says with a sharp glance towards beomgyu, who is still fuming, by the way.

“thank you,” you say with a terse smile. he returns it with a smile of his own and shuts the door behind him. beomgyu watches the entire interaction and somehow feels even worse.

“what the fuck was that? is he the guy you’re hung up on or something?” 

“no!” you exclaim incredulously. “hyuka is a nice guy, and he’s just… helping me with some things right now.” you’re not the most eloquent person on a good day, much less while drunk, so that’s all you can really say at the moment.

“what ‘things’ could he possibly be helping you with?” he snaps before realization dawns on him. “you told him about that guy, didn’t you?! you can tell him but you can’t tell me?” 

“he… he just understands,” you say. you knew beomgyu wouldn’t just let this shit go and be done with it. he’s like a child finding out his dog likes somebody better than he likes him, and it’s exhausting.

“are you sleeping with him?” 

“what, no!”  you say firmly. 

“you are, aren’t you?” he sneers. “you won’t let me touch you, but you’re letting him?” 

“is it so hard to believe that a man just wants to be my friend without wanting to fuck me?” truthfully, yes. you’re good looking and his experience tells him that men always harbor those intentions. well, he does, at least. and for some reason, as he looks at you in your big t-shirt and sweatpants, those intentions are brewing even more. 

“beomgyu?” you ask tentatively. his eyes are so intense it seems like he’s even more pissed off,  somehow. your innocent look stokes the flames of what’s already been burning for you.

as if he’s possessed, he stalks his way over to you, grabs your face before you can even react, and plants a bruising kiss on your soft lips. you gasp when he meanly takes your bottom lip between his teeth and he can’t help but chuckle. the kiss is cruel for so many reasons, but you’d be lying if you said it didn’t knock you off of your feet. you’re usually so restrained around him for reasons only you and kai know, but you feel your inhibitions melt as his tongue enters your mouth. he tastes like alcohol, but then, so do you, and he doesn’t seem to mind. in fact, if his hungry kiss in any indication, he seems to love it. 

one of his hands travel under your big hoodie and he tweaks your already hardened nipple between his fingers. 

“does that feel good, baby?” he asks lowly, and you feel yourself becoming even more wet. you're too embarrassed to respond, but judging from his tone, he already knows your answer. 

his kisses are unrelenting and fierce, no gentleness or care to be seen, but you’re so sweet he can’t control himself. he’s been wanting to do this ever since he hit puberty, but you’ve never seemed interested in him for reasons he can’t understand. but now, you seem more than interested as you let him lead you to your bedroom. he lays you down on your bed and takes off your sweatpants. when he sees you, naked and glistening just from a few touches, he licks his lips in anticipation.

“all this from a few kisses?” he teases, rubbing his fingers up and down your slit. you can do nothing but gasp in response as he pushes one of his long, calloused fingers into your heat.

“s-so tight, it’s sucking me in,” he moans. “i can’t wait to see how you feel around my cock.” he adds a second finger and curls, hitting your sweet spot. all you can do is moan as he takes his thumb and rolls your clit. he watches your body rise and fall with the pleasure and it fascinates him like nothing he’s ever seen. your eyes are screwed shut, but he can’t help but prod and tease to see the different facial expressions you show him. before long, he’s pounding into you. the sound of squelches mixed with your moans only goads him further and further until you’re clenching down mercilessly on his fingers.

“aww, does that feel good, baby?” he coos. “wanna feel even better?” post-release clarity should hit you right about now, but you’re only more eager when he removes his clothes. his lengthy cock, angry and reddened, springs up and slaps his stomach. you whimper at the sight and he smirks at how needy you are.

he hovers over you and slowly, agonizingly slowly, he begins to rub his stiffened length up and down your slit. 

“gyu, you need a condom —” you begin to protest.

“why? i’m clean. and i don’t fuck just anyone raw,” he argues as the head of his cock comes dangerously close to hooking on your entrance. you’ve never been able to say no to him for any meaningful amount of time, so relenting isn’t out of the ordinary for you. but more than that, his words, though unromantic, spark a bit of hope in your heart. you’re special, you think. 

“do you trust me?” he asks. 

no. not at all.

“of course.” and he pushes in. his arrogance falters as you take him in, inch by throbbing inch. it’s a tight fit, and the way you clench around the tip of his cock only drives him further and further into madness. how can you feel so good? how can this feel so perfect? 

your poor pussy is equal parts trying to suck him in and trying to resist so the intrusion is forced out. to him, it feels like heaven. 

“t-tight!” he hisses. “relax, baby, or you’re gonna break me.” for some reason, his words comfort you, allowing him smooth entry until he’s completely sheathed in you. you both moan when he completely bottoms out, balls hitting your ass in the most lewd way. his precum mixed with the result of your release seep into the bedsheets. he stays there for just a moment, pushing your hair out of your face, and his next words are uncommonly tender.

“you look so pretty like this,” he muses, and you don’t even have time to blush before he’s unsteadily pulling out, pussy pulling him back in like it never wants him to leave, then thrusting back in again. 

“oh m-my god,” he says as he begins to ram into you. “so good, baby. you’re taking me so well.” 

“b-big!” is all you can manage to say as he continues to fuck you open.

“oh baby, are you going dumb on my cock? can’t even manage to get the words out, can you? it’s okay, don’t think. i’ll take care. of. you,” he says, punctuating each word with his mean thrusts. 

you’re crying now, the pleasure too great to stifle your tears. beomgyu thinks you look absolutely lovely like this, lovelier than anyone he’s ever seen, especially when he looks at where you two are joined and watches himself enter and exit your puffy pussy. each gasp, each breathy whine you emit makes him feel crazier and crazier. he aches so much, he has no choice but to continue pounding into you until he's relieved. so he does. he’s gripping the plush of your thighs like he might die if he doesn’t have something to hold onto. 

he leans over to give you a nasty kiss, all tongue and teeth. when he parts from you, a lewd string of saliva falls from your mouths and he can’t control the chuckle that escapes him when he sees your pupils are blown out as you flounder for his lips again. 

“look, baby. look at how good i’m fucking you.” you look down and see how his cock protrudes from your tummy as he rams in and out of you. “nobody else has fucked you right, but don’t worry, i’ll make sure to fix that.” your pussy involuntarily clenches at his filthy words and it’s enough to make you come.

“c-coming!” you manage to choke out as you spasm around him, back arching deliciously. he follows soon after, thrusts becoming uneven before you feel his cum shooting inside of you.

-

fucking beomgyu comes naturally, and often. he can’t seem to keep his hands off of you. hooking up becomes almost a daily affair, but you’re so hungry for him you can’t bring yourself to protest. you fuck in his car, on his couch, over the fucking kitchen counter, even. all plans to go out with anyone else are immediately dashed in favor of being with him, instead. you feel yourself falling deeper and deeper in love with him, and even if you know, know, know it’s fruitless, you can’t help but relent when he looks at you like a man starved. 

“this can’t be good for you,” kai tells you one evening in the comfort of your apartment. it’s a rare occurrence to have a free night from beomgyu’s clutches. kai hasn’t seen you in weeks because you’ve been too “busy” with beomgyu. 

“well, i know,” you sigh, too tired to argue with him. 

“if you know, then why do you do it?” he asks tentatively. you can’t help but give him a look. 

“you know why,” you say. 

“he's just messing with your head. you know this can't end well.” you flinch at the word “end”. you know it, he knows it, beomgyu surely fucking knows it, but you can’t help but give in every time. “what are you gonna do when he inevitably fucks you over? and he will, just like always.”

“i… i’ll deal with it when the time comes,” you protest. he sees your defeated expression and lightly tilts your head so it’s resting on his shoulder. your retribution for your actions was always well on its way, but you didn’t know it would come so soon. 

you hear a key turning in the door. there’s only one person in the world you’ve given a spare to, so you aren’t surprised in the slightest when beomgyu walks in with that signature smirk on his face. he scowls a bit when he’s greeted with the scene of you and kai sitting so intimately.

“am i interrupting something?” he scoffs as you raise your head from kai’s shoulder.

“no,” kai replies before you can even fix your lips to respond. to your mild surprise, he doesn't push any further.

“whatever,” he shrugs, plopping down next to the two of you and pulling out his phone.

“wanna see this girl whose number i got today?” he asks casually, swiping through his phone eagerly. so that's why he didn't wanna meet up. your heart feels like a hole’s been blown straight through it. you and kai share a deep look, which beomgyu completely misses as he pulls up a picture of a beautiful looking girl. 

“this is her,” he says with a triumphant smirk. you don’t — can’t — respond. you just have a blank look on your face.

“what?” he asks petulantly. “she’s really pretty, look!” he insists, pulling up another picture. “she’s one of the hottest girls i’ve seen in a minute.”

any last shred of hope or dignity you have is strangled in its crib at his careless words. your eyes are hot and your stomach hurts so much you feel like you’re going to vomit. kai notices your discomfort and decides to put a stop to this once and for all.

“alright, that’s enough,” kai snaps. “nobody wants to see that shit.”

“what’s your fucking problem?” beomgyu retorts.

“my problem is that you’re a fucking moron. grow up.” beomgyu’s not one to get physical, at least not in a violent sense, but he’s on the precipice of breaking that streak at kai’s harsh words.

“stop, hyuka. it’s okay,” you say softly. beomgyu is so furious, he almost forgot you’re here, but he's genuinely confused by kai’s words.

“what's okay? what is it that you're not telling me?” beomgyu asks. 

“it's not okay, actually. he’s fucking you but he comes around and pulls this shit right in front of you?! she won’t say it, but i will.” 

“kai, don’t —” 

“she doesn’t care! no strings attached, that’s always been the deal.”

“you may be stupid as fuck, but surely you’re not that stupid,” kai sneers. “so if you say you don’t already know, you’re just a fucking liar.” beomgyu pauses at this. is he saying what he thinks he’s saying? surely you didn’t catch feelings, right? but one look at your face, and he knows kai is telling the truth. 

but why? and when?

“since when did you…”

“since always,” you say quietly. 

“oh, fuck. look, i —”

“it’s okay. i already know,” you cut in. and you do already know, but you can’t bear to hear him say it. beomgyu, in all his glory, processes this and instead of regret, all he feels is anger.

“i’m the piece of shit guy you can’t get over? are you fucking serious?”

“hyuka, you should go,” you say instead of letting him watch the melodrama unfolding before him. kai looks uncertainly between the both of you before relenting. 

“call me later, okay?” he says, wiping tears from your eyes that you didn’t realize had fallen.

“okay,” you reply with a sad smile. he sends beomgyu one last scathing look before gathering his shit and slamming the door behind him. 

“you tricked me!” beomgyu exclaims as soon as the door shuts. “i would’ve never fucked you if i knew you’d be like this.” just like everyone else. he doesn’t need to voice the last part, but you already know he wants to say it, which just hurts you even more.

“did you really not know, or were you just pretending not to know ‘cause it’d be inconvenient for you?” that shuts him up. kai was right, he’d be stupid not to know. maybe not at first, but surely along the way. surely when you’d look at him so longingly after sleeping with him, or the way you’d look so sad when he didn't stay after sex.

“listen, i’m so sorry that you’re scared, or angry, or whatever it is you’re feeling. i really am. but are you so selfish that you really think nobody else is afraid to have their heart broken? and do you think that means you’re allowed to hurt everyone else instead?” you ask quietly. every new word pierces his heart like nothing he's ever felt before. he wants to say something, but for the life of him, he can’t think of anything quite fitting. 

“i think you should leave,” you say after what feels like an eternity of silence. he looks at you with watery eyes and you almost feel guilty, but you’re through with feeling things for him that he’d never have the courtesy to feel for you. “go,” you repeat defeatedly, striding to the door and holding it open for him and he feels more and more like a rat you want to chase out of your home.

he looks like he wants to say something, but one look at you tells him you’re done listening. with heavy feet and an even heavier heart, he heads through the doorway, pausing only before he’s about to cross the threshold. he has a sinking feeling in his gut that tells him this is probably the last time he’ll be here. 

“are we still friends after this?” he asks lowly, eyes wide and more desperate than you’ve ever seen them. 

“no,” you say simply, and shut the door.

notes: not a ton of smut in this part, but i think the next part will have more i fear.

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