#he got a letter

[yb-cringe]

HEY FUCKIN F!FEBATISTA IS THE SAME ONE GOING ON ARKANIS TOMORROW?????? LETS GO ANGEL TIME

[drawing-in-teyvat]

Kinich Vision Story - part 1

Characters in Natlan are so casual when it comes to death. Kinich mentioned almost in passing that he died during the war, but this series of events was TRAUMATIC.

[soldierandawar]

Eddie is such a good father. It takes a good parent to give their child the space they need but still invite someone in who can be a safe space so that Christopher is talking to someone. Giving your child that time speaks volumes of who he is as a person and a father.

He doesn’t want to bust the door down he wants Christopher to open it. He wants the privilege of being allowed back in and he recognizes that he needs to earn it. That he cannot force it upon him. Until then he’s going to do what he can to provide Christopher the support and trust that he probably feels like he’s missing from his dad right now.

[potato-lord-but-not]

obligatory Oscar post 🫶🫶

[aaaaaaafrogs]

Finally finished my most ambitious Hatchetfield project yet. Every box in the border represents a different Nightmare Time, as well as Hey Melissa, Trail to Oregon, Workin’ Boys, the BBQ monologues and Peanuts the Hatchetfield Pocket Squirrel. The three large boxes at the bottom represent the three main musicals. It’s 18x24” and made with sharpie :]

[ohrackham]

It is not what you do for me that makes me love you. It's your kindness. Your empathy. How much you care. Just being you is enough, Colin. I do not need you to save me. I just need you to stand by me. To hold me. To kiss me.

[carebeardean]

Charles has always left Edwin little notes slipped between the pages of his favorite books, in his science equipment, places he knows Edwin loves. Just silly things—post its that say “hi Edwin :)”. doodles of Edwin with his nose stuck in a book. reminders to stock up on wolfsbane. but.

Then, post canon, Edwin tentatively starts dating people. And it’s ridiculous, because Edwin’s right there, all the time, but Charles..misses him a bit. And his heads a mess, and he can’t sort out what the hell he’s feeling most of the time, and whenever he tries to say any of it out loud it comes out rubbish.

So. He writes down some of the shit he can’t say right, and because he’s a coward, hides them so he doesn’t have to see Edwin’s face when he reads them.

then Edwin starts writing back.

Neat lilac blue little envelopes appear in Charles coat pockets. In his bag. Once, in his shoe? Some nights, Edwin will clear his throat and mention something from a letter, offhand, like they’re just picking up conversation, and Charles can pretend they are. That they always have talked about the basement, the belt, the nameless fear that chokes him every time Edwin walks out the door with someone else on his arm.

Sometimes he can’t. The words get stuck in his throat. Edwin’s not mad, he’s maddeningly, stubbornly kind about it, which is worse.

Some nights they trade. A secret for a secret. Charles learns about the novels Edwin used to hide under his mattress, about all the lonely years before Charles got there. About Simon.

Meanwhile, Edwin is losing his mind, because Charles has accidentally stumbled onto what was a fucking courting ritual in his time. Love letters were something engaged couples treasured for years, kept and reread over and over. (Edwin does. keep them in a special box, will take one out and trace the words, tuck it in his breast pocket for courage).

Edwin would rather have to reattach a limb again than lose Charles trust, all the dark and beautiful things he shares with Edwin only. He knows—knows Charles doesn’t mean to make him fall more in love with him.

[muffinlance]

ORBSJB AGNI AS A TURTLE DUCK I'm sorry but LIKE HOW CUTE AND then it's like he's this turtleduck in the pond bc depending on how people treat animals, small ones that need help, that's how he knows if they're good and he blesses the ones that treat him kindly and then Zuko and I'm sorry of this sint coherent (I'm a long time fan of your content btw, all the his and the books and omg I wish I could've gotten some)

Azulon looked down. His grandson, along with the turtleduck in his arms, looked up.

“This is Agni,” the boy said. “He says you should stop now.”

QUACK, said the duck. It was a strange red-gold. It was glowing. It was staring at him, even through the flames of the throne.

“Stop what?” humored the Fire Lord.

“The war,” the boy said. “It’s killing too many firebenders. Also his sister has been yelling at him, so we should let the waterbenders go, too, and be nice to them from now on so he can get a good night’s sleep and not have her redirecting comets at him any more. Probably we should leave all the other benders alone too because he’s pretty sure it was the air spirits that made him a flightless duck. He says that’s their sense of humor.”

QUACK, said the turtleduck.

“…Guards,” said Azulon.

This proved to be an ill-advised action.

ALTERNATE TAKE THAT WENT NOWHERE AND ISN'T EDITED HAVE FUN WITH THAT:

There is a Fire Nation child in Hakoda's village. The child has a softly glowing turtleduck in his arms and a quietly oozing wound under his bandage. This is not how Hakoda thought his morning would go.

"What's with the turtleduck?" asks Hakoda's son, who is wrapped around Hakoda's arm and his spear in a way that makes it very hard to instinctively stab at red-clothed things. Hakoda... expected more of them. But the tiny sail boat the kid just ran into Sokka's lumpy watchtower seems to be empty, now that its single feverish passenger has stumbled over. With his duck.

"It's a turtleduck-phoenix," says the Fire Lord's heir, answering exactly none of Hakoda's actual questions. "...You remember?"

"That your hair is going to get worse before it gets better?" says Sokka. "Absolutely."

The Prince scowls. "Then where's Aang?"

"Katara's been looking for him. He's still in the iceberg."

"...The Ember Island Players' iceberg?"

"The Ember Island Players' extremely accurate and well-researched iceberg."

The Fire Prince stares at Hakoda's son. The Fire Prince stares at Hakoda. The Fire Prince flips his duck around to face himself, then starts shaking it. "Give me a less stupid reality."

QUACK, protests the duck, with a burst of accompanying immolation that does nothing to dissuade the prince.

"Sorry, buddy," soothes his son, "you were always in the stupid reality. Remember the frozen frogs?"

Quack, says the duck, as if in confirmation.

[greenlaut]

tea & dates

continuation of bitter tea & oranges

[ryllen]

hanging around sebastian is automatic code to become a mom friend

[drrav3nb]

MARCUS & LUCA | THE BEAR SEASON TWO

[namisweatheria]

One Piece means a lot to me as a disabled person, which I think would be pretty surprising to anyone who only has a surface understanding of it. The supposed central theme of "follow your dreams" would be pretty alienating to someone like me, right? It really, really would be, if that's what it was actually about.

However, that ignores that Luffy's dream is to be the most free person in the world. And to attain that goal, the first thing he does is find friends to live life with. Over and over again, from the very beginning, he takes on their burdens, all in the name of being the most free.

Do you see what that would mean to me, as someone who needs more help to get by than is considered culturally normal, to the point that it puts me in a whole socially manufactured category of "other"? Not to mention, because of the infantilization of me due to that category, because of being forced so squarely into the "cared for" role, taking care of other people is deeply meaningful and empowering for me. However, the myths of independence and universal natural ability often make it emotionally difficult for my loved ones to accept that care.

The fear of asking for help, the guilt of being cared for, the weight of someone you loved who could not be as free as you, the insecurity of not contributing enough, the fear that you were born wrong, the self-hatred that says you are not worth the effort, Nami Sanji Zoro Usopp Robin Chopper Ace they all explore the painful obstacles to free connection. Through deeply impactful stories that weave beautifully into the larger one.

All centered around this one person who views loving them and living with them and carrying them as essential to his freedom. Who cannot, for countless reasons, live a normalized life of Structured Relations. Who views exploring and bickering and suffering and laughing with them as the ideal way to live. Who repeatedly puts his life and limbs on the line to do so.

To me, it is an ultimate privilege and freedom to carry other people's burdens. To care for them and live with them. This is central to my whole perspective, and is completely informed by my life experience as a disabled person. I rarely see it reflected back to me. Let alone as powerfully and beautifully as Luffy does.

Nor the other half of it, of wanting to create this life with people in ways that aren't socially normal or approved. Of creating many varied lifelong intimate relations among equals, rather than conforming to the expectation of choosing One Person to live life with and then Creating More.

The utter lack of roles and norms is just as integral and powerful to the exploration of freedom and connection! It is meaningful to me as a queer person, yes, but even this is deeply influenced by my disability. I could never be that One Person, despite everything I have to offer, there is logistically far too much that I cannot do to be someone's equal partner in this society that demands so much from all of us. However, even if I could, I wouldn't want to! It doesn't make any sense to me to only have two people navigate life together on such intimate terms. Can't the demands of society be more comfortably met in a group? Isn't life more fun that way?

We are taught that we can and must do everything ourselves, I just happen to be one of the people that never had a chance to buy into that lie. To learn very early not just the necessity of interdependence, but the joy in it. To learn that it is most comfortably lived with more people involved. To me, close relationships are, love is, a natural extension of that understanding. One Piece celebrates interdependence constantly from the start, while never pretending that it is always easy.

The obstacles to free connection that I mentioned before, they are interspersed throughout the story, and they are always met with "I do the things you can't do, and you do the things I can't do." With, "Of course I can't use swords you dumbass! And I can't cook either! I don't know a damn thing about navigation! And I can't lie!"

These are intentionally impactful moments, and they define the series. I found it very fitting that the Fan Letter focused on a character who was empowered by Nami to feel free and live adventurously despite not being the most physically capable. The character is able by our definition, but the story is very affirming in a disability way, and it was extremely One Piece. I loved how it acknowledged this deep connection between One Piece and the lived reality of disability and celebrated it as integral as it is.

I also believe that absolutely none of this is intentional. It is simply an earnest exploration of human relationships, emotions, and behavior, and it naturally arrives at a radical and disability-affirming viewpoint. Because we are the monkey wrench in the deeply unhealthy (lol) and dominant line of thinking that independence is all. So naturally anything that also disputes that thinking has a disabled-perspective feel to it. The best part is how much it doesn't give a fuck! One Piece is aggressively against conformity in human relationships, in a way that is hard to find in our new world of self-conscious authors.

It's also, you know, the worst part, in terms of all the outrageous bigotry and offensive character design, but god damn it if it doesn't elevate the good parts to unbearable heights. Even the bad character designs can sometimes be more impactful for their intentional "ugliness", when those characters are inevitably taken seriously despite their appearance and the stereotypes they play on, it hits hard every time. I do have a simple hatred for many choices, there is no pay-off for much of the awful problems in numerous character designs and dialogue. But no matter how upset I can be by those things, in the end they can't succeed in pulling me away from One Piece. It's just so crazy and unique and great and terrible and beautiful and I LOVE IT.

[qprpbj]

u ever think about how johnnys body was actively in failure for hours or days, however long it must’ve been, but asked the nurse to write him out a letter to ponyboy AND physically he knew he had to see ponyboy one last time to properly say goodbye to him, both for his and ponyboy’s sake, and as soon as he did his body finally let itself give out. bccccc yeah me too actually

[gloriousburden]

That beautiful 6'2 troubled norse god with gorgeous long black hair and pretty blue eyes and an amazing sense of style and a mischievous grin and the most perfect bone structure you’ve ever seen will save you

Yes I’ve probably posted these pictures about a thousand times already but evidently for a good reason

[yoru-exe]

the shoujo of the century award goes to!!

[syrupsyche]

I’m pretty sure I’ve mentioned this many times all across tumblr and discord, but my heart aches at how in the two lines afforded to describing the rest of the Amis’s deaths, Combeferre is the one to get a line all to himself:

Combeferre transfixed by three blows from a bayonet in the breast at the moment when he was lifting up a wounded soldier, had only time to cast a glance to heaven when he expired. (5.1.21)

Not only does he go out doing what he always wanted to do (helping, rather than directly harming others), he dies with a final glance up towards the sky, which reminds me of:

[H]e said: "Revolution, but civilization"; and around the mountain peak he opened out a vast view of the blue sky. (3.4.1)

Much of his 3.4.1 description talks about how much he dislikes bloodshed, that he prefers the peace of the future, and the purity that it will bring once their fight is over; moreover, he believed that:

A conflagration can create an aurora, no doubt, but why not await the dawn? A volcano illuminates, but daybreak furnishes a still better illumination. Possibly, Combeferre preferred the whiteness of the beautiful to the blaze of the sublime. (3.4.1)

And so here in his final moments, Hugo gives Combeferre one last comfort: to have the brightness of heaven be his final sight, even in the midst of a bloody, painful death.