#he gets me like no one else

[spinosacha]

Franz Kafka would understand

[loveualottie]

Thinking about chat noir…… might get miraculous brainrotted again with s6 coming out :3

[lotus-pear]

2/2

[yorkshirereaper]

The main reason I got married is because he sends me stuff like this

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[decaffeinatedpartymuggoop]

My favorite thing about Annabeth is her wardrobe.

Cause like, Rick simplifies her clothes in a way a man would, and you can tell.

Cause in EVERY book, from The Lightning Thief to Chalice, she’s in the goddamn CHB shirt. With like some shorts or cargo pants. Nothing more, nothing less.

He’s made improvements over the years, giving her some other clothes. But he’ll always come back to old faithful.

Like, he most definitely did it on accident, but he made her so Adam Sandler and I love it

[egophiliac]

So.... what are your thoughts on Ace's UM, if you haven't been asked this already?

sneaky magic for the sneakiest boy

no but really, I think it fits him really well! I had thought his UM would probably involve something kinda sleight-of-handy or pickpockety! and I looooved that it made such a nice loop-around back to episode 1. ❤️ I was. kind of half-expecting him to just run out and punch Riddle in the nose again. but instead this time 'twas he who offed the queen's head! it was great! and he did it while stone-cold terrified out of his mind! because Ace is the only remotely normal or well-adjusted person at NRC and therefore the only one who is like "we're going to literally die, this is super effed up". but he did it anyway!!!! I AM SO PROUD

[stevenrogered]

Buck didn't even know who Eddie was talking to. It very likely could have been Marisol- his actual girlfriend. Yet he STILL reacted this way. And to try to get EDDIE'S attention.

[poorly-drawn-mdzs]

All he knows is flirt with men and lie.

[First] Prev <–-> Next

[oifaaa]

Listen listen is the Percy Jackson show making changes so big that even me with my horrible little memory is noticing - yes Do I care - absolutely not I'm still enjoying the show and the changes so far have just helped keep me on my toes bc wtf do you mean Percy has 4 pearls?!?? What do you mean the summer solstice has happened?!!? What is going on I need to know !!!!

[pharmasrightarm]

separate ways

[twentyfivemiceinatrenchcoat]

thinking about an estranged childhood friends to lovers story with gojo……

you’re a rowdy kid. during one of your adventures, you end up at the gojo estate; sneaking your way into a vast, beautiful garden, pretty pink roses as far as the eye can see. little gojo is crouched down, watching tiny sprouts grow, and you’re too captivated to look away. bright snowy hair, striking blue eyes, all dolled up in a fancy yukata. he turns to meet your gaze — and all you give him is a sheepish laugh, before strolling over to introduce yourself. he doesn’t seem to mind the company, so you keep coming over to play with him. you bring cool rocks, pretty cicadas you caught, a dusty gameboy. he listens to you speak. he watches the way you move, wave your hands when you’re excited. he grows so, so fond of you.

one day, you stop coming by to see him — and he doesn’t need confirmation to know that one of the maids must have chased you off.

twenty years later, you meet him again, in a crowded little café. he calls out for you by name and you have no idea who you’re looking at. a tall, handsome, cheery man… wearing a blindfold? and shooting you a charming grin. you have no idea who he is, but he remembers you. he remembers you a lot more than he should. he chides you for forgetting your very best friend, but there’s nothing but humour in his voice. you watch as he speaks, as he moves, as he taps his feet under the table after insisting you order something — his treat. you still don’t remember him.

but you’re captivated, all the same.

(from underneath his blindfold, gojo watches you smile. he thinks to himself that some things must truly never change; because he still feels that familiar swarm of butterflies, with every move you make.)

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[technically-human]

Hi i'm absolutely in love with the reverse au!!

I want to know, in this verse does edwin still confesses to charles? if so how is it different? i feel if he did he would end it by apologizing, you know, religious guilt and all

There’s a train that goes through Hell.

Its journey starts in Wrath, and it departs already full of souls. It took Charles far too many years to realize that there were separate, more spacious wagons that demons could board. Not that he could understand why anyone, hellborn or not, would want to get into the damned thing. He certainly hadn’t.

Actually, Charles couldn’t recall ever boarding the train. As far as he could tell, he just appeared there one day, and had spent the next tortuous decades trying to get out. It was part of the torture. Getting out was entirely possible. More than that, it was necessary.

The train had no regular schedule that he could discern (not at first, though he had always been good at finding patterns, and was eventually able to crack it) but it would make quite a few stops before finally returning to the Wrath ring. Souls inside the train were already angry and far too close to each other (close, so close not even air could squeeze in) but when they got really violent was when the train made a stop.

Getting out didn’t mean you were free, no matter where you managed it, be it Sloth or Gluttony, Pride or Lust. No, as soon as the train finished its journey, you would appear back inside, in Wrath where you belonged, suffocating once again, getting ready to claw your way out for the millionth time.

Because if you didn’t get out, The Conductor would get you.

If he thought about it calmly, Charles could probably say that he got out of the train more times than not. Still, being caught by The Conductor once was bad enough, as there was no coal in Hell, and something had to serve as combustible. Souls could not burn to death, and the whole journey always felt longer than eternity when he was caught. Once it was over, he would be inside again, and fight with more desperation than before, not caring who stayed inside so long as it wasn’t him.

He couldn’t understand why anyone, hellborn or not, would want to get into the damned thing. He certainly hadn’t. But as the souls pushed and bit and clawed and punched their way out, Edwin boarded the train. And that wasn’t even the most groundbreaking revelation Charles had that day.

ko-fi

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[benevolenterrancy]

May your hardened heart be woken By the soft and distant song Of all you left here unspoken All the shards we keep stepping on - Take this body home Take this body home Call the wind, and let her know Take this life outgrown Take this broken soul Call the stars, call them all And take it high, take it far, take it home