#he doesn't know what she might do to him if he did and he doesn't want to find out

[jetpackgeneratedcat]

It took literal months, but I finished it!!

Top left: linked universe logo

The jojo's lu logo is sooooo detailed. It is one of the things I love about Jojo's asethetic with linked universe. The detail she adds brings so much life and information about the world of Linked Universe. Great example is all the embroidery on the chain's clothing. Let's you know about civilization, that an item may be magical, etc. It is difficult to keep small details in watercolor, but I think I caught most of the main details in the painting.

Middle left: Soulful legend

This was the fourth of the images I did for the painting, and the first image I really started to get into the painting. I think legend is my favorite to paint because he makes composition so easy. The red tunic adds an easy focal point. I did learn from this that I do not like masking fluid and likely won't use it again. It added to many hard edges that I wasn't intending. Very happy with the sky!

Bottom left: Evening snack

In this image, I liked the idea that wind and sky don't know what Ramen is because their worlds don't have enough space to produce wheat. So sky and wind are super excited about this new food, while legend has no idea why they are so hyped for noodles. I also liked the idea that four found a green pepper in the ramen as a topping and is a hater (this is from a note that jojo left somewhere saying that the chain will eat anything but four in the Manga does not like green peppers, idk where this note is to link it though....). I didn't end up drawing the Ramen noodles as it was just getting too small of a scale for me to be comfortable drawing the thin lines for the noodles in.

Bottom right: Testudo

I am very hyped in the future when we see more collaborative fighting with the chain and them working together effectively. I absolutely love the scene in shifting shadows part 3 where lenged and hyrule work together with the beam and hookshot.

Middle: Legends storage

This is a reference to one of jojo's earliest works where the chain goes to legends storage for him to pick up some gear. I love that scene and I tried to put as many references as I could. The one thing I need to figure out is how I want twilight to look. I can't wrap my head around it. Need to sit down and just try out a bunch of different faces for him. My Pinterest inspo for twilight is all over the place. I want twilight to look different from time because when Malon was trying to guess who was the descendent, she did not consider twilight (she looked at wars and wind (so I typically draw time, wind, and wars looking similar). For my own personal headcannon, twilight and time are very similar in their manner (the way the walk, stand, etc) and personality (their stubbornness (as seen in sunset pt3)) but not necessarily in looks.

Middle right: Boat boys

The first image I did. I like how the water turned out, but I will not be using masking fluid for the same reasons I noted earlier. I did trace the boat (i think this is the reference [L240632 Hornet Class. J. Arthur Dixon Ltd. Beken and Son]). I do regret not doing anything creative with the boat, but I just wanted to get into painting and needed some confidence by working directly from a reference. I also forgot that legend might not be so keen to be on a boat again based on a comment jojo left in 2022 or something. I think she mentioned something in a discord event back then about legend not too willing to be on a boat again. But that doesn't really matter, I put that boy in a boat whether he likes it or not lol.

Top right: Winter storm

Second image I did for this painting. I did trace most of the horse because I do not care to learn horse anatomy (ref. [Winter Save By David Stoecklein]) Favorite part about this is the lighting on the rope from the lantern. I think it turn out well.

Top middle: Heavy armour

Third image I did for the painting and the one I realized I need to spend more time painting people in neutral or back lite lighting. But for my first time I think it is good. I really want to see what jojo does with the armour sets! I like the idea that war's armour is clean and pristine while wild's armour is rusted and beaten from the calamity. In this painting I played with adding pink to the golden armour and I liked it. In the middle picture of the collage (legends storage), you can see i added pink to time's armour.

That's everything! ❤️

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[mlyscha]

SIDEWALK THEORY ✦ P.SUNGHOON

𝓼ynopsis. in which the sidewalk theory is proven to be true by your boyfriend, making your heart flutter. 𝓹airing. p.sunghoon x female!reader 𝓰enre. tooth rotting fluff. 𝔀arnings. not proofread, english is not my 1st language, reader is kind of annoying and amelie is out of creativity tbh ( ;´ - `;). 𝔀𝓬. 93O. 𝓶asterlist.

♡ 𝓪melie's 𝓷ote: remember when i was thanking you guys for the 60+ followers... we are close to hit 100, WHAT?! thank you guys <3 ya'll are truly amazing (,,>﹏<,,) i also wanted to mention that i mainly use british english but i wrote pavement as sidewalk because i like this word better, you can judge me...

sunghoon loves you from the bottom of his heart. he is in fact so deep in love that he recently begun to create possible scenarios that could include you and him in the future ━ such as marriage.

okay, let's just not go that far. i might emphasise that, if you are expecting him to show affection in front of others or constantly do so in a daily basis, your fate is to be frustrated. the thing is that he just doesn't feel like doing it to prove his love for you. still, it's not like he has no necessity to kiss you, or hug you and all. he simply think different than most of people.

one of the things sunghoon figured out since he begun to fall in love with you and date you is that: protecting means loving, safety means forever. with that being said, he mainly prioritise protecting you more than everything; because, safety means forever, right? and he wants you to be his forever because he loves you ━ and loving means protecting.

also, since he was a little boy his mum taught him how to be a gentleman, and you can confirm your mother-in-law did a great job at it. sunghoon is just so polite, respectful, always respecting your boundaries ━ but still acting like that characteristic playfulness of a young boy when he feels acting like it.

talking about his mum's teaching, i might mention one thing that he learned, said his mum back then: "if someone you love is in this part of the sidewalk" she reefers to the part closer to the street. "and you want to keep them safe, make sure to switch places with them ━ just like i am doing with you." little sunghoon checks which part of the pavement he was walking on. "see? you're away from the danger of the streets, you know why?" "because you love me...?" "right! good boy!" ━ sunghoon from the future might not even remember this little lesson his mum taught him a long ago, but it glued to his mind until it became a normal thing to do.

now, dating this amazing man for almost two years, the sidewalk theory became your roman empire. you heard about this theory on tiktok, and from that point, you never felt the same way. i mean, since both of you were just friends he always did that, however, it was never that deep, you know? and since the beginning of your relationship you've never really figured this thing out.

so, nowadays, going out with your boyfriend is something else. sometimes you just want to feel that giddiness one more time, asking for a midnight walk to the convenience store with him, just to see him unconsciously touching your shoulders and gently switching places with you ━ and eat an ice cream. that scenario actually became kind of usual, but never failing to make you feel the same special way.

"hoon...?" you called his name hesitantly, not wanting to ruin his sleepy state since it was late. "baby?"

"mhm..." he groaned.

"can i ask you one thing?"

"mhm,"

"why do you do that?"

"mhm?"

"that, sunghoon, you know what i'm talking about!" you whispered-yelled, looking up to check on him, being met with his closed eyes and frowned brows.

"mhm-hm..." he denied.

"come on... you know? the sidewalk thing?"

"what sidewalk thing?" he spoke with a groggy voice.

"you know, when you switch sides with me..."

"i do it?"

"yeah!" you saw his right eye peaking at you, then closing again.

"mhm," sunghoon took a deep breath before asking: "what about it?"

"why do you do that?"

"i don't know," he shrugged. "may i ask why...?"

"because i like it..." you replied, admitting.

"why?"

"is cute,"

"mhm..." a cheeky grin was held in by him.

"why are you trying to hold that smile, mr. sidewalk?"

"hey!" his cute giggle echoed and that big grin found its way to escape. "don't call me that..."

"huh? want me to call you what then?" you teased, feeling his hold onto your waist gently tighten and his head snuggle onto the crook of your neck. "oh... someone's feeling a little clingy today, mhm?" his touch immediately went away. "noooo~ come back, mr. clingy man!"

"okay, stop this, don't call me those names,"

"i asked you which name would you want me to call you, mr. grumpy man..."

"call me baby, okay?! call me darling, sweetie even cupcake, i don't care," your boyfriend spoke impatiently. "now let me sleep, woman."

"eh? woman?"

"baby... baby, let your boyfriend rest, 'kay?"

"okay, you can sleep..." you squinted your eyes. "call me woman one more time and you'll be called mr. dumped man!"

bonus scene! ★

"[...] and i told her! but then she was like: "i don't know about any of that bullshit", and i was like-"

"yeah, right," casually, sunghoon places his hands on both of your shoulders and move you to the other side of the sidewalk. "...and then?" noticing you subtle silence, he continued, wanting to know about what was going on with your friend.

"um... and i was like..."

"you were like...?"

"you did it again!"

"you told her that?"

"no! you did this again," you looked down at the pavement.

"paid attention? what?" poor sunghoon, got confused about what you meant.

"the sidewalk thing!" you were trying to make him figure out what you were talking about a few days ago.

"oh? did i?" he checked himself, slowly figuring it out.

"yes, you did," you nodded while smiling.

holding a big smile, he scrunched his nose and cleaning his throat. "anyway, tell me what you really told her then, baby."

© 𝓪𝐦𝐞𝐥𝐢𝓮, 𝗺𝗹𝘆𝘀𝗰𝗵𝗮 𝗌𝓽𝓾𝖽𝗂𝗈𝓼. ⋆

[auclairedetoru]

“This has been y/n and Satoru, thank you so much for watching, bye!”

The moment they reached the greenroom, y/n's smile drops. God, her cheeks hurt, nobody talks about how hard it is to fake a smile all day, it's like a workout for your face except you gain nothing at the end.

Her co-star walks in behind her, a cocky smile on his face. If she was him she would get tired of herself. How can someone be so egoistic? He loves himself more than his own mother loves him. Every second she's in his presence, she feels herself losing brain cells and getting gray hair, and as much as she loves silver locks on other women, she does not want the cause of it to be Gojo Satoru.

“Great job today, everyone! Y/n you could've been a little more cheerful toda-”

“Shut the fuck up.”

She plops down on the sofa and rests her head against the back of it. They still have one more interview left to do, so she's forced to tolerate that dumbass for a couple more hours, and it's a recorded one so she has to pretend she likes him too.

Why did she choose to become an actress again?

Right, childhood dream, worked hard for it, blah blah blah.

“Whoa! Careful there, tiger! Someone might be filming and you don't want to ruin the season before it even starts.” Gojo smirks, eyes glinting with mischief as he continues to push her buttons.

The people in charge decided to promote the filming of the new season of their show to remind people of it and get them excited, not that anyone was able to forget the last two seasons. According to the statistics, people love a slow burn story, especially when it stretches over multiple seasons. Yes, that does mean y/n has been stuck with Gojo as her co-star for three years now, as known as the longest three years of her life. Everyone around her tells her that time is passing by too fast, but it's been the opposite for her.

She's dreading this season the most. It might be the last, but it means the story will finally reach its long-awaited climax, which means her character and Gojo's will become more than friendly.

She doesn't even want to think about it.

“Leave her alone, Satoru. You still have one interview left.” his manager scolded him making the bright blue eyed man pout like a four year old not getting the candy he wanted.

The fact Gojo and y/n can't stand each other is something known only between them and their close staff, not even the director and producers know that the "chemistry" between them is something they make up on the spot and doesn't come naturally at all. They're surprised no one has figured out they don't like each other in any way, but y/n takes that as a compliment because it means that she's a really good actress who has perfected her craft and is able to fake getting along with a menace like him.

After touch ups, she goes to where the interview is being held, greeting the staff on her way and telling them she's excited to be working with them. Gojo smirks at her from his seat as she makes her way to sit on hers next to him. She mirrored him to keep up with the "we're best friends behind the scenes" thing they somehow built for themselves.

“Why are you looking at me like that?”

“Can't a man admire his friend and co-star?” he teases, milking the hell out of the act they put on for the camera. Y/n wanted to roll her eyes but instead she forces out a laugh and takes her seat.

She ignores the way her heart flutters at his words. No need to focus on that.

A few months into filming...

“Alright, everyone!” the director calls out as he claps his hands, “Cameras rolling, sound is up, let's do this.”

Ah yes, the most important scene of the entire franchise. The first kiss scene. This is what the show has been leading up to, this is the moment everyone has been waiting for, this is the thing y/n has been looking forward to the least, in fact, she has not been looking forward to it at all, she wishes it wouldn't happen.

The scene takes place at her character's apartment, a place the set design team has made so cozy looking she wishes she could curl up and take a nap on the couch. Gojo's character is her coworker and he's coming to check on her because she disappeared from the office party after seeing him flirt with someone. That's when she confesses that she's been pinning over him for years and he confesses back before pulling her into a kiss.

“Okay you two,” the director looks at them, “not to put you in any pressure, but this is the most important scene of the entire show. All your hard work has led up to this moment. Satoru, you're the one leading the kiss, remember that she's very vulnerable and heartbroken, so you need to be gentle and soft, she's the person you love most so you're gonna handle her with the most care. Alright? Here we go!”

The apartment door closes between y/n and Gojo as the clapper loader steps in and holds the slate in front of the camera, “episode 11, scene 45, take 1!” they call out before snapping the clapper shut and stepping back.

The director pauses, glancing around one more time to make sure everyone is ready.

"And... Action!”

Y/n steps into character and hesitantly opens the door. Her expression shifts to shock as she sees Gojo standing across from her, hair and clothes disheveled. “What are you doing here?” her voice is a mix between surprise and hurt, just as the script calls for and just as they rehearsed. Gojo's eyes soften, exactly how he was instructed.

Yes, she can't stand him, but that doesn't mean she won't admit that he's really good at his job. He's not one of the most sought out actors for no reason.

“I was worried about you, you left so abruptly.” he says, letting his eyes dance all over her face only to catch her wet cheeks and red eyes, and no, it isn't makeup and fake tears, she spent half an hour before filming started watching "soldiers reuniting with their dogs" videos to get to that point.

He moves to cup her cheek, but just as scripted, she steps back, her expression flattering. She starts to remind herself of things that make her emotional to start tearing up, “I-I'm fine, you can leave.”

Gojo stares at her a bit longer than he's supposed to, but she blames it on his love to suddenly improve, and not that he's admiring her or anything, not like she wants him to admire her, that would be crazy on her part.

"You don't have to hide from me," he says with the same soft tone.

She tries to hold back the tears to keep up the strong and always optimistic personality her character is known for, and after a moment she allows a couple to flow down her cheeks. Gojo's face morphs into a concerned expression.

“I don't like seeing you with someone else,” she mumbles, her voice breaking with every word that slips out of her lips, “it hurts me, right here,” she taps on her chest with a shaky hand.

Gojo's eyes widen to feign surprise, a perfect mix of confusion and disbelief on his face, playing the oblivious character to perfection, “you... You like me?”

“For the longest time,” she sniffs, her voice thick with emotion as she starts opening up, “I held back, I tried not to make it obvious, but i can't anymore.” She drops an octave to deliver the last line, showing as much vulnerability and pain as possible.

There’s a pause, and everyone on set is on the edge of their seat. They could feel the tension between them, the two playing their roles better than what everyone imagined from reading the script. Gojo goes to take a step closer, stopping half way.

“Can I kiss you?” he asks, his voice shaking to show that his character is feeling nervous. The director looks intensely between the scene in front of him and the one on the screen, making sure that the intensity they feel in the room is accurate on camera to what's happening in real life.

It's her turn for her to be surprised, playing unsure and hesitant, not expecting those words to come out of his mouth, “w-what?”, her voice trembles as her eyes search his face like she's trying to find any uncertainties.

“can I kiss you? Please?”

Gojo takes the step forward. His voice is soft and his gaze holds hers, intense yet tender, leaving no doubt that his character has been lounging for this and wanting it for just as long if not longer than her.

Y/n takes a deep breath. This is it, she's about to kiss Gojo Satoru, the person she despises the most. She hopes it won't be awkward, the scene was going smoothly and the last thing she wants is a retake from the top, she also doesn't want to embarrass herself in front of the whole crew and become the topic of their gossip.

After a small pause, just as instructed by the director, she gives Gojo a small nod. Gently, and hesitantly, he cups her cheek as he brings his face closer to her. The nervousness on her face is mostly real and she doesn't know why she's feeling that way, she wants the scene to end already.

The moment their lips touch, something surged within Satoru and his free hand quickly grabs her waist to pull her closer to him. Did she always smell so... Devine? Why are her lips so soft? Is her lip balm candy flavoured? Why does she taste so sweet? Why can't he pull away from her?

The kiss is supposed to be gentle, a tender moment of affection, yet the way his hand was gripping the pajama top she's wearing betrays his character's intentions. But the way his thumb caresses her cheek is the opposite, grazing the warm skin softly like he's handling a little kitten. He knows he’s supposed to pull away now. He wants to. He needs to, for the sake of this scene. But something holds him there and it's making him not care about the script anymore.

It’s only when he feels a gentle squeeze on his arm that he finally pulls back. He looks down at Y/n, her lips slightly swollen from the kiss, her wide eyes bright with a spark that stirs something deep within him, making him want to lean down and kiss her again.

“cut !”

The pair jumped away from each other. They both forgot they were on a set, filming a show, and not in the comfort of their own homes.

“that was just... Wow,” the director shakes his head with a smile, “Satoru you went a little out of what I told you with the kiss, huh?”

“yeah, sorry,” he smirks with fake confidence, acting like his heart isn't beating faster than a racing car, “I just thought the moment needed that intensity, ya know? He's been waiting to kiss her for so long after all.”

“No I agree, you did the right thing. Go ahead and take five, everyone. This is one of those rare times when there's no need to do multiple takes, the first was perfect.”

Y/n lets out a breath she didn't realise she was holding and quickly leaves to go grab a water and get some fresh air. She can't believe what just happened. That was definitely not a normal kiss, it felt too real. What was Gojo thinking!? Why didn't he stick to the script and kept it short? And why did she like it so much? She's not supposed to! She's supposed to hate him and everything he does.

“Y/n? Can we talk in your trailer, please?”

Fuck... Please don't let that be Gojo, please let her ears be mistaken and it's not his voice asking her to talk in private, please-

She turns around, and it's him. He stands there, hands tucked into his pockets, looking a little... Shy? Since when does Gojo Satoru feel anything less than bold and confident? There's an unusual softness to his expression, one she only sees when he's playing his character, but without the little voice in the back of her head reminding her that he's just acting.

Despite not wanting to talk to him, she still nods and follows him to her trailer that wasn't parked far away from where they stood. She lets him in first and closes the door behind her to ensure no one can hear whatever they're about to talk about.

As they stood across from each other, Gojo's eyes dart everywhere except to her face, something he has never done before. His usual bravado is gone and replaced with an unusual hesitance. She watches him with a puzzled look on her face. Why is he acting so out of character? It's as if he's nervous to talk to her.

Eventually though, he opens his mouth.

“I apologize for going out of script during the kiss. I didn't plan it to happen and I'm sorry if it made you uncomfortable.”

Now he's apologising? Okay, something is definitely wrong. Gojo has never apologised to her in the three years they've been working together. She is starting to feel nervous herself.

“It's okay, really,” she crosses her arms across her chest, “like you explained to the director, it's what you felt the scene needed, and I respect you as an experienced actor to know what you're doing.”

“That wasn't my reason, though.”

Her eyes nearly bulge out of her skull. Huh?!

“what ?”

He takes a step closer to her, a look on his face she couldn't describe, “that's just a lie I made up on the spot. I felt a pull when our lips touched, I don't know what happened to me and it's driving me mad,” he runs a hand through his hair, a habit his manager told her he does when he's anxious, “I couldn't stop myself, so I just let whatever it is take over, but I still couldn't stop, I tried but I just couldn't pull away and I— I want to kiss you again! I want to kiss you right now!”

“Gojo, calm do-” her words fall on deaf ears.

“No! You don't understand! I want to kiss you, but you hate me! You can't even look at me without being disgusted, and I keep making it worse! I keep showing the worst version of myself around you and it makes you hate me more and-”

“Gojo! Stop!”

The look on his face is breaking her heart. He seems so desperate, struggling to put his feelings into words, but every attempt only makes him more anxious, his words stumbling over each other as he tries to make her understand.

“I don't hate you, Satoru”, his heart flutters at the sound of his first name coming out of her lips. Even in interviews, she always used his last name, this is the first time he hears her call him Satoru, “I hate how you act when we're together behind the scenes. You're always so sweet to everyone but I'm always the one you tease, and sometimes your teasing hurts.”

“I'm sorry, I'm so sorry. It's just- I've liked you, as a person, before we even started working together, and I treated you how I treated my close friends. I didn't realise I was overstepping boundaries.”

Why is it so easy to forgive him? It must be something to do with the blue I'm his eyes, it holds some sort of spell that makes everyone want to be on his good side.

“It's okay, as long as you own up to your mistakes and don't repeat them, I'm willing to see past it all and start new.”

A huge smile takes over his face, content with her answer. He is so happy, he's been wanting to do this for so long. He knew he wronged her and needed to apologise for his actions, but he never knew how to approach it.

Without warning her, he lifts her up in a hug. A squeal left her lips followed by a melodic laugh as she hears him thank her over and over again. She allows herself to enjoy the warmth of his hug. His fans didn't lie, he is really good at them.

He pulls away enough to look at her face without unwrapping his arms from around her, “Can we start new by allowing me to take you on a date? I promise I'll treat you like the princess you are.”

She feels her cheeks heating up with a blush as she nods, unable to hide the small, shy smile tugging at her lips. Gojo grins wider, his eyes lighting up with an unmistakable spark of excitement and something tender, “can I kiss you again? Please?”

She barely finishes nodding before his lips are on hers. He’s smiling into the kiss, unable to hide the joy bubbling up inside him as he realizes his newfound feelings are reciprocated.

And yeah, she did like him more than she let on. The small crush she had on him before they met definitely didn't disappear like she thought it did, instead it stayed hidden away and came back out when she felt his lips for the first time.

She never expected this nor planned on letting herself fall for The Gojo Satoru Charm™, but with him here, holding her close, and pressing a kiss filled with passion on her lips, she realises maybe, just maybe, she’s been wanting this all along.

The ending looked way better in my daydream lol. Hope y'all liked it still 💕

[honeygrahambitch]

"Even Will Graham has a better sex life than I do." Jimmy said, as if he had been holding that sentence inside for too long.

Beverly and Brian abandoned the blood samples they were working on and looked at him in disbelief as if they were trying to make sure they got it right.

"One question would be how do you know that?" Brian asked. "I doubt Will is the type to talk about stuff like that."

"That's easy, haven't you seen Hannibal?" Beverly asked rolling her eyes.

"I am not particularly into men."

"You don't have to be in order to tell that someone must excel in bed. It's the attitude."

"Stop that." Jimmy interrupted their banter. "I overheard a discussion between the two of them."

"Do we really need to know?" Brian said as he looked at Beverly for support. However, her opinion was different.

"Share."

"Alright but this doesn't leave the lab. It stays between us." Jimmy said. After all, Will was his friend and he didn't have anything against Hannibal. He was usually not the one to gossip but this felt like something that needed to be debated. "They are having a threesome."

"No way." Beverly said as she elbowed Brian who remained dumb.

"Who's the lucky lady?" Brian asked.

"Why did you immediately assume it's a lady?"

"For more diversity? I don't know how these things work?"

"Can you shut up and listen?" Jimmy cut them off. "I overheard Will asking Hannibal whether their plans for the night have changed. Hannibal had said that they did not and then pulled out this business card and handed it to Will. Will was like- a sport trainer? He will be a handful."

"I told you it's a man!" Beverly told Brian then turned back to Jimmy. "That doesn't prove anything though."

"Maybe if you two listened I could get to the point. So, Will said that and Hannibal was amused and said "I am confident we can handle him. Cannot be worse than the one last week. I was not proud of the way we left his bedroom"."

"Shut up..." Brian whispered. Beverly didn't say anything, her lips parted in disbelief. "And then?"

"Then Will said...damn, I hate that I have to repeat his words but he said..."He was bigger than either of us expected. I mean, for a finance guy, he was quite a challenge. My back still hurts."" Jimmy went on. "And Hannibal was like "the one we are having tonight will definitely be in good shape. I will be there, I am not letting him touch you.""

"Christ." Beverly said. "And?"

"And Will said "As if I need you to take care of me. Remember how the one from two weeks ago surprised you from behind? You were lucky I was there." Then they noticed me because of the stupid coffee machine who started beeping. And I swear to God, their surprised expressions indicated exactly the fact that I was not supposed to hear that."

"Wow." Brian said thoughtfully. "Every week. Good for them. That's how you keep things interesting in a relationship."

"I wouldn't have believed Hannibal would share Will with anyone." Beverly commented.

"Will might have a say in that?" Jimmy suggested. "Anyway, I couldn't believe it. I was afraid I took things out of context maybe?"

"Definitely not." Beverly said. "What else could they have been talking about?"

***

"Do you think Jimmy overhead us earlier?" Will said as he looked for their knives in the trunk of the car.

"I doubt it. It doesn't prove anything. We were quite subtle." Hannibal replied as he put his scalpel in his left pocket. "Ready? He must be home by now."

"Let's go. I don't want to spend the whole night butchering this guy. By the way, what did he do?"

"Insinuated I do not take my physical health seriously."

"He just hasn't seen what's underneath that suit." Will replied, making Hannibal smile.

[softfem-dom]

xmen2000!logan with telepath teen!reader headcanons

✰ okay so, think back to Logan on his first days at the School.

✰ he acted like a surly cat that refuses to accept affection. Side-eyeing everything and everyone, not listening to anyone, scoffing and scowling, rolling his eyes, and being a massive dick.

✰ (he was just pissed because he had to stay in a damn school out of all places until those freaks that wore superhero suits deemed it 'safe enough' for him to go back home).

✰ so he just limits himself to walk around the hallways with a scowl and a cigar between his lips, bringing the heavy smoke of cigar with him everywhere he went.

✰ and, oh, cue you turning the corner a little quickly and bumping into him.

✰ Logan just grunts when you bump into him, holding the cigar between his lips with his teeth as his hands reach up to grab your arms and make sure you won't fall.

✰ a beat of silence. you blinking like someone had just flashed you with a flashlight in the face. and then your eyes start to tear up.

✰ and Logan freaks out big time. Confused and panicked as to having just made a random ass student cry.

✰ I'm talking wide eyes and frantically looking around in search of someone's arms to shove you into and away from him.

✰ cue Scott that was just walking by and suddenly gets the wind knocked out of his lungs because Logan pretty much shoved you into his arms.

✰ "fucking do somethin', slim" he said.

✰ spoiler: he turned around and walked away as quickly as he could without giving poor Summers a chance.

✰ and all the while he's mentally cursing himself beacuse making a kid cry is one thing those little shits will cry about anything, but making a teenager cry is another one (given their usually complicated relationship towards tears and vulnerability)

✰ skip to two days later when Jean finally manages to get him alone and it turns out you're a telepath that still doesn't know how to control their powers.

✰ and Logan's like "and?" cue the nasty wolverine bombastic side-eye and quirked eyebrow combo

✰ and and your telepathic abbilities consist of, amongst a few other things, read memories through contact.

✰ and then Logan's like "oh" and Jean is like "yes" and he's like "oh. oh shit"

✰ because he basically, accidentally and unknowingly, flashed a teenager with probably the most gruesome and traumatic war memories known to man.

✰ so now he's just like awkwardly eyeing you out of the corner of his eye anytime he spots you in a room because "damn how much did she see fuck"

✰ and he doesn't know the sheer extent of it until you wake up in your room feeling like you were about to puke your organs out and Logan wakes up just from the stench of your fear that he could smell from a floor away.

✰ it doesn't come as a surprise when he hears a shaky knock on his door and opens it up to the sight of you (paler than a damn ghost) looking like you might faint right there.

✰ "messed up shit, ain'it?" was what Logan groaned, voice raw with sleep, before stepping back and tilting his head as a sign to let you in.

✰ cue the protocol "what did'ya see, bub?" as he rubbed his thumb across your forehead to wipe the cold sweat there.

✰ cue to you looking at him with the most 100-yard-stare eyes he had ever seen and asking. "..where were his legs-?"

✰ and Logan just about chokes on air beacuse what the actual fuck. Staring down at you with his eyebrows up to his hairline.

✰ ellaborating on it, turns out your nightmare had offered you a perfect five stars third-person look into one of his memories in the trenches. The one when he was trying to calm down, sush, a young man crying for his mother on the middle of a gunfire because his legs had gotten blown off. the dude didn't make it.

✰ After that one, Logan simply grimaced "oof, tough one to see, kid" before wrapping an arm around your waist and pulling you to his chest. His chin on top of your head.

✰ "ya wanna stay w'me?" he didn't even look down, didn't need to do it in order to feel the way you immediately nodded your head. "alright, down we go" and pulling you down to the bed with him.

✰ he didn't have the strenght to look you in the eyes though, keeping you under his eyeline and cuddled up to his side.

✰ needless to say this routine repeated itself few times a week.

[azrielwingspan]

THE CYBORG WHO STOLE MY HEART (Bucky X F!reader)

A/N: I know I know, there's another Bucky fanfic that I'm already working on and yet here I am starting a whole new one. Why you ask? Because I'm a dumbass. The idea just popped up into my head and I HAD TO write it down. Hope you enjoy it.

Chapter 1 :

Chapter summary: Bucky and Sam come across a woman who seems to have lost her mind. Literally. Using Bucky’s cyborg brain, they try to figure out who she is.

Chapter warnings: Mild swearing.

You know when you're having a great dream with a hot guy that could only possibly exist in dreams ? The happiness that breathing the same air as him brings you? That's what you were feeling right now.

Eyes as blue as the ocean, veins that were easy to put an IV in and that black shirt phew. Was it possible to drool in dreams? You were going to have a great day once you woke up. That was for sure.

Why was he looking at you like that though? Weren't they supposed to be flirting with you or puckering their lips in your dreams by now? Was this supposed to be a slow burn or enemies to lovers genre dream?

"Why is she staring at me like that?" the hot guy asks the air next to him.

"She's just coming into it, give her a second." it responds back to him.

Wait, what ?

"Are we sure she's alright and not having an absence seizure?" the air voice asks.

"She's alright. Probably in shock." another voice responds.

Shock? From seeing that beautiful man in front of me? Sure.

Okay, focus.

Wait, it's a dream. Why do you need to focus?

Eyes, the colour of piss , come into focus. "Cannn youuu hearrr meee?"

"Why are you speaking like that?" you manage to ask, still trying to figure out if you'd accidentally taken shrooms.

"Not a seizure then." the voice from earlier comments.

Piss eyes looks proud of himself. "I told you, she's in shock."

If this really was a dream, it would have to be the strangest one you have had in a while. What in the actual cockfuck was happening?

"Youu areee in theee hosp-ee-taalll. Weee---" piss eyes sounded like he was having the seizure.

"Stop talking like that." you say, blinking rapidly to clear the dark spots from your eyes. Things were starting to feel more...real. A heaviness settled over your head, every breath seemed to send a slight sliver of pain through your side and your arm felt numb.

Dreams weren't usually ultra-realistic, were they? Only one way to find out now.

"Is she...pinching herself?" hot guy asks, that strange look on his face.

A set of cold hands clamp your hands down.

"HEY." you say, the slight sting of your pinch confirming your doubts.

"Self hurt or mutilation can be a side effect. We need to restrain her for her own safety." Piss eyes speaks rapidly and you hear him muttering to himself.

"I'm not...is this not a dream?" you finally ask leaving the room in pin drop silence.

"I don't think so...unless Wanda is upto something again." air voice sounds a bit unsure himself.

"Wanda?" the name seemed familiar but in this state , you could barely remember your own name.

You try to get up only to be gently pushed back down by piss eyes. "You probably shouldn't be doing that. Bed rest for the next 10 days, I'm afraid." he says not sounding apologetic about it at all.

"What even happened? And---" you're cut off by air voice.

"Where are you? Well, the Avengers compound. Now, don't get too excited and all. We can make you sign a NDA , but we aren't going to because we're hoping you're trustworthy. Stark said you might be...useful. Now, if you're feeling upto it, how the hell did you end up in the middle of a cemetry half dead?"

You blinked once, twice, thrice.

"Who is Stark?"

"Listen, man. She's got to be living under a rock if she doesn't know who Stark is. That guy has been stuffed down everyone's fucking throat." Sam tells Bucky as he takes off he looks at their new visitor.

Bucky doesn't respond and instead stares at Sam with a poker face.

"What's going on in that cyborg brain of yours?" Sam isn't phased by Bucky and his staring anymore. He was however very sure that Bucky would not be bringing home any ladies with that serial killer look.

"What if she's lying?" Bucky finally says, turning to look at the CCTV recording of the room you were in. You were sleeping again, knocked out by the pain killers.

"Lying about not knowing Stark or not being able to remember what happened to her?"

"Both."

"What purpose does that serve her?"

"Well, that's what we're supposed to find out."

“How exactly are you planning on doing that?” Crossing his arms over his chest , Sam raised an eyebrow at his cyborg friend.

“I’ll think about it.” Bucky walked past him, grabbing his jacket on the way. “With my cyborg brain.”

“I understand that you want to get some answers” you said for what seemed like the 100th time, exasperation taking hold of you. “I honestly cannot remember what happened. I’ve thought myself into a headache. I’m sorry, okay?”

Sam looked defeated as he let he shook his head. “It’s been two whole days. Now, I don’t want to seem like a dick and question you in this state but we need some goddamn answers.”

“Too late for that I guess.” you muttered under your breath.

“Huh?”

“She said ‘too late for that I guess.’” The hot guy, Bucky, was his name chimed in.

How the hell did he hear that? As if reading the question on your face, he simply said “Advanced hearing.”

Okkayyyy.

Sam on the other hand was giving you a flat look. You gave him one back.

“I’m feeling much better now. Can I atleast get out of this damn bed?” you scratched near the iv line, wanting to just rip it out. “Piss eyes told me I shouldn’t but I cannot stay like this.”

“Piss eyes?” Sam was clearly running out of patience.

“The doc. Is he even a doctor? He’s very…”

“Sort of.”

That explains it.

“She’s right.” Bucky takes a step forward, looking at Sam. “Walking around will help her recover faster.”

“THANK YOU. See , I knew you were the smart one.” you give him a wide smile to which you get a poker face in return. Embarrassing. Not letting it deter you, you pull the iv out.

“Hey !!” Sam steps forward, surprised at your show of stupidity.

Before he can reach you to help you out of bed, you’ve already stood up. Which was another stupid move considering that the entire room was spinning around. Holding on to the wall next to you for support, you blinked rapidly.

“That’s another concussion waiting to happen.” Bucky commented dryly.

After regaining some semblance of direction, you managed to stand up straight ignoring the slight stab of pain in your chest.

“Much better.” you say, taking a step forward. The pastel pink tee and pants that had been given to you did not compliment your current condition, you knew. To be quite frank, you were a good looking woman too. Always have been. Then why the hell was Bucky looking at you like he was going to stab you right then and there?

“Uhhh…now what?” your suddenly felt extremely awkward in front of the two men.

“Don’t ask me, you were the one who wanted to do this.” Sam still had an arm out, ready to jump into action in case you cracked your head on the tiles again. Out of the corner of your eye, you noticed Bucky make a slight movement. Thank fuck you did because the next thing you knew , you were holding a dagger 2 inches away from your chest by the handle.

Silence engulfed the room for a good 20 seconds before it was broken by a very calm “What. The. Fuck.” from Sam.

You looked at Bucky who stood in the same spot like nothing shocking had even happened. Finally a crack of a smile appeared on his face.

“Told you she was lying.”

[lost-seal]

I wanted to analyze all the bedrolls in mouthwashing. Why? Because something is bothering me so I'm reaching out for opinions. SPOILERS FOR THE GAME, btw.

Now I haven't searched through the whole game for every single instance of a bedroll, I'm just looking at the main ones we see. Any images are screenshots from a video so sorry if the quality is bad.

Swansea's

His is surrounded by bottles (can't tell if empty or not), and is outside Utility. Most likely so he can guard Utility better. Interestingly enough, this was the bed that Daisuke was placed on after the vent incident. I guess Swansea had no more reasons to guard Utility anymore, or even sleep for that matter. Plus I think it's closest to where they found Daisuke. Correct me if I'm wrong.

Anya's

Her's is next to the Polle statue. I read a theory that she put her bed there because it goes off automatically when someone goes near it. That way it alarms her and potentially wakes the others up if someone gets too close. I think that's very plausible, and makes Jimmy breaking it sad.

Another thing that caught my attention is that she's sleeping away from Jimmy. I don't know the term, but like, her head is furthest from Jimmy while her feet are closest. Once again, maybe so that she really hears Polle when someone gets too close.

Daisuke's and Jimmy's

(because they're so close together I might as well mention them together)

This one makes me feel the most anxious, given what we know about Jimmy... He's also close to Anya's too, but not one toss-and-turn away like he is with Daisuke. They are so close that when Jimmy wakes up because Curly's cries are echoing through the halls, you can hear Daisuke breathing without needing to get up. Not snoring, no, small shallow breathes through the mouth.

Which also means Daisuke is a mouth breather but let's not get side-tracked.

They sleep next to each other before AND after Swansea and Anya's talk. Which either means that A) Anya didn't tell Swansea about what Jimmy did to her and her current situation, maybe instead discussing how she thinks Jimmy was the one to actually crash the ship. B) She did tell him and Swansea didn't tell Daisuke because he thought Jimmy wouldn't do that to him. That's all sorts of messed up, especially when we know he's much younger and is easy to manipulate if you say the right words. As we learn how Swansea was able to keep Daisuke away from helping with the foam, he doesn't tend to question things if it's from someone he views highly (With Swansea > Jimmy in the hierarchy).

It makes me feel nervous about what could have been, or even possibly about what's already happened and we'll never learn about it.

Also Daisuke sleeps with his boots on. What. Why? Is it dev reasons? Wild.

All in all neither Anya or Daisuke should be close to Jimmy there's so much space there please move away.

[thecoolerliauditore]

do you have a specific thing you'd like to talk about but haven't found the opportunity (analysis/observations/anything else) etc? if so can you respond to this ask with that :3 and if not you can share some images you'd like to post or something

alright finally calling on this

Let's talk about Wild Life alliances and "family". (long post)

"family" is a word that gets repeatedly thrown around this season and, unlike in LimL, it's not just limited to being one group's running gag. While the Clockers parodied the family dynamic, Wild Life alliances revolve more around the concept of family itself, and the differences in how each player treats that word can be viewed as telling of their own understanding of "family".

The most noticeable example of family as a theme in WL is from Joel, who literally looks into the camera and says that's what his theme is going to be this season.

Joel's understanding of "family" is, in a lot of ways, a little shallow. First of all he's doing it all within the context of Fast and Furious references, which is funny but on a character level could be seen as him mimicking media instead of really understanding what he's doing.

His "family" with Gem doesn't really operate any differently from any other alliance he's had -- if anything, his behaviour changes in relation to people outside of Gem are infinitely more notable. All throughout the season he has gone out of his way to be helpful, such as when he teaches Skizz to crit, or teaches Tango about the effectiveness of lava buckets due to the gimmick, or when he helps BET rebuild their trap that they just tried to kill him with.

Even more notable are his interactions with Jimmy, who DID kill him, but he remains amicable to even after yelling at him that he hated him just an episode ago (for, again, trying to kill him).

This all goes back to Joel's original monologue that bought up the family theming in the first place -- to Joel, family look out for eachother, are nice to eachother and put eachother first (not completely unlike what Scott values, which I'll get to in a sec). But he's not actually doing this for "family", he's being nice so that people are less likely to kill him, and he believes embracing "family" and being nicer will help him perform better.

What Joel actually wants is to shed his antagonism, so he's gone the opposite direction into being super nice and forgiving. "Family" is more or less a filler concept to help him realise it.

But Gem, on the other hand, has a very different approach to "family". When she asks Etho to the family, she expects loyalty and when he allows Pearl to grab food from Gem's barn, Gem scolds him and lets him know "we're not friends with Pearl".

Gem's idea of "family" is a lot more concrete than Joels i.e. she naturally expects to be listened to and to move as a unit.

"Control" is an interesting factor in terms of Gem's behaviour in this season, as she seems to believe it's a vital aspect to "family", as seen previously with her scolding Etho. She also yells at Scar for letting Jimmy threaten to kill Joel, telling him "no! we're supposed to be family!" and to "control your guy!"

Which is, strangely, reminiscent of a conversation she had with Scott where she asked him to "control" Pearl as well.

Maybe it's due to Gem being newer and therefore more naive or the fact that the use of the word "family" was spearheaded by Joel and Gem simply adopted it, but it's curious to me where the line between "family" and "alliance" are for Gem. It's hard to tell for sure because her control in Gem and the Scotts really was never challenged until Scott's permadeath, and tasks like the zombie task literally put her in control, but it is interesting to me that she is much more verbal about her allies behaviour now than she was before (<-- footnote: this might be partially because she is allied with Etho right now who is insane this season)

She also is the one that tends to say stuff relating specifically to family out of the two as well, such as "family don't steal from eachother!" and so on.

Gem likes to lead and be in control, and that attitude is reflected in the way she talks about family. I for one would love to see an instance where Gem is the one who needs to be "controlled", I think it'd be enlightening. Right now she feels to me like a kid parroting things adults have told her, since she is absolutely a more rebellious spirit and challenges when people who Aren't her have more control than she thinks they ought to (such as when Etho mentions building his base out of copper and she asks him why he has to listen to Bdubs).

Speaking of family and control, that brings us to the big heavy hitter faction, GGG(GG).

Early on, Impulse declares the alliance to be his family and since then, although the word "family" itself hasn't popped up as much compared to Gem and Joel, it certainly has been paraphrased. i.e. Scott's compared himself twice now to a parental figure, once more generally and the second time specifically towards Pearl. He also labels Cleo as the other parent, which quietly acknowledges their place as the alliance's pseudo-leadership.

Impulse saying this is. Dubious to me at best, since he says this and then goes on to be his usual, independently moving self after this episode. He even agrees with Pearl to keep his farm a secret from Scott and Cleo, which isn't very "family-like" at all.

We know from the past that Impulse is a good liar and has a more or less traditional view on family if his DL run with Bdubs is anything to go by. I do think Impulse has some weirdness attached to emotional investment in his alliances, most evident I think in TIES and Gem and the Scotts, but in this case. Ehhh I'm not an Impulse guy I can't draw any conclusion there, but it sure is a strange thing to say!

There is of course also Scott literally saying to Pearl "we're family, whether you want it or not" -- which is quite curious because Pearl Isn't Actually Scott's family. She does have a choice to leave, yet that isn't framed as a possibility.

I think the lines between alliance and family are very blurred for Scott specifically, who quickly named Jimmy as his husband (aka family) in 3L with very little hesitation and claims he "loves everyone". Scott genuinely believes his love for his death game teammates is comparable to that of a family and, possibly enabled through Impulse's words, has become a lot more brazen about it.

Like Gem, I think Scott sees control as a necessary aspect in order for families to function, and as such follows his infantilization of Pearl both through the blatant comparisons of her to a child in his care and through him saying in roundabout ways that she is too emotional to be trusted or too immature/impulsive in her decision-making.

I have relatively less to say about Cleo despite her being Mother Clocker which you'd think would make her more relevant to this discussion, but afaik she's been more or less dodging the "parent" stuff that Scott has been dipping into. Maybe it has something to do with Scott's very detached sitcom-esque perception of what motherhood entails, maybe she's like Etho and has shut it all out after LimL, eitherway lmao.

In short: alliance = family --> those who subscribe apply their concepts of family (e.g. control/discipline, emotional investment) onto their alliances --> dynamics get weird as many who meant to come out with an attitude of "I care for -- or even love -- my teammates" get morphed into treating their teammates as Literally their children or siblings

One alliance that entirely and utterly rejects the "alliance = family" notion is BET (I refuse to write "Tuff Guys" for the entirety of this post).

Right out of the gate they establish that they are more roommates than ride or die, and that everyone will betray eachother eventually anyway. They also yell and bicker and talk behind eachother's backs almost constantly, to the point where other people even pick up that they don't see to like eachother.

So it's interesting to me that BET.. Do care for eachother, despite what they say, but it's almost always hidden under non-acknowledgement (Etho protecting Bdubs from a skeleton, Bdubs trying to save Etho in the slow-mo fight at the beginning of episode 4) or balanced out with verbally ripping eachother to shreds right afterwards (Etho trying to help Tango get a kill and yelling at him for being incompetent when he fails repeatedly).

It's like, if they really are "every man for themselves", why help Tango at all?

When it comes down to it, BET have chosen eachother over other alliances -- even ones that they are "family" with, when Etho lures Joel and Gem over to Tango's trap.

One conversation between the three I don't see bought up much is them half-mocking Etho displaying the flower he got from Gem, I think it was Bdubs who pointed out that the flower would be useless if it weren't for Etho putting worth into it by showing he values it, and that once you show that you value something, people will see it as something they can take from you.

This, to me, is very telling when combined with how they have insisted they don't care for one another this season -- if they don't value eachother as allies in the first place, they can't lose eachother as allies.

It's the polar opposite of the "family loves eachother" approach to alliances, and "control" over eachother's actions only becomes relevant when things get desperate and all of them are involved.

Once again using the example of Gem telling Etho he "doesn't have to listen to Bdubs" -- I think it's interesting that Gem assumes that Bdubs is making Etho build out of copper, when in reality Etho asked Bdubs for a suggestion, Bdubs said copper as a joke (and later even reacted in shock when Etho took him seriously) and Etho's gone the full 100 miles with it. As well as the fact that Etho completely dodges that part of Gem's sentence, leaving her in ignorance of the fact he willfully listened to Bdubs -- of the fact he /valued/ Bdubs' input.

I hesitate to say more for now but I am excited to see how this develops and what brand of emotional attachment to one's teammates will come out ontop.

Anyway. Rambly post done. This means absolutely nothing have a good day. Freud would have things to say about this

[shalotttower]

Will-o'-the-wisp

Title: Will-o'-the-wisp

Fandom: Hunter x Hunter

Characters: Chrollo Lucilfer x Reader (female)

Summary: Reader encouters fae!Chrollo and breaks some rules along the way.

Word count: 1700+

Notes: yandere!Chrollo, fae!Chrollo, abduction, manipulation, AU, modern setting with fae, Chrollo is charming af and a bit creepy as usual, Reader is doomed long before they know it and slightly depressed

You walk home the same way every day, like many people do. There's comfort in routines. Comfort and security which you crave. The familiar routes, the repetitive programs on TV and the books you've read a million times. You like to know what happens next and hate surprises.

The fourteen-year-old you wouldn't approve.

Maybe even express a little pity, because she always thought you two were destined for an adventure, like in fantasy books you used to devour one after another. Every free second was spent reading or dreaming, but life went on and adventures didn't happen. The girl grew older, a lot more careful and a lot less hopeful.

When you finish work, it's usually around six. Your adult self is practical and prefers to save money on the bus, besides, every other time you take it, you end up having to stand, squeezed between people. It's not worth the frustration; a fifteen minute walk isn't that long and the crime rate in the area is low.

There's a small grove nearby that nobody has bothered to turn into a park. The residents made their own paths in time, put a few signs so the joggers wouldn't get lost, but that's it. Once or twice a month you stroll through there, picking up trash left on the side. People make you want to move to the woods altogether sometimes.

That's how the day starts or ends — with crossing a bridge which connects the grove to your neighbourhood.

And this is where you see him for the first time.

The man looks so out of place among the rustic wooden railings and rushing water below. Nobody wears this kind of clothes here. Expensive and elegant, something that blends well in a big city. They don't stare at passersby like he does either. You hate when people do that ─ block already narrow spaces by just stopping midway. Or groups who spread across the entire sidewalk.

"Excuse me," you say politely. Polite is good. Polite can be used as a shield and always makes you look better than you are. "I need to pass."

He smiles, then moves aside. "Of course."

His face is exactly what you imagine when thinking of pleasant: beautiful grey eyes with long lashes, pointed chin and a strange mix of delicate and sharp edges.

"Thank you."

The smile widens. "You're welcome."

---

It's time to accept that you've grown into an average person with a simple desire to live in comfort. Dreaming isn't your strength anymore, the last book you picked up was several years ago. Movies bore you fifteen minutes in, even if everybody else praises them; the idea of a relationship seems exhausting.

You do enjoy gardening.

Growing tomatoes is a far cry from distant fictional lands, but they taste nice with a pinch of salt.

The condo you live in doesn't have enough space and light, so you chose a small patch of ground in the grove to start a garden. A few tomato plants and some herbs like chives and basil. It might be illegal, yet nobody has come to yell at you. Most people don't pay attention to what's happening here, as long as you don't damage the trees or leave trash.

You water and prune, weed, add fertilizer if needed. There're some flowers too; mother told you that marigolds scare pests away from veggies and keep the soil healthy. They're pretty, little orange spots.

---

You find a crystal at you patch. Azure would be too bland to describe its color ─ maybe more like a mix of cerulean and moon stone. It's round in shape, polished so nicely that the outlines of your face are reflected in the surface. Did a magpie bring it? Or a kid? The thought of someone poking around your garden makes you frown. You hope they didn't step on your basil.

The stone is heavy and cool. You turn it around, entranced, before stuffing it into the pocket of your jeans. Maybe you can ask the neighbours' kids about it later.

"Would you look at that," you mutter and bend to inspect a tomato plant. Two green fruit, each no bigger than your knuckle, hang there, sprouted over the weekend. "Hello, my pretties."

---

You lie in bed, staring at the ceiling. It's past 1 AM, you should sleep; instead, you keep twisting the stone in the moonlight.

You asked kids from around here, but nobody claimed it.

Maybe it's a lucky charm, you've had a wonderful day. Got a call from your cousin in the morning, she has't contacted you in a long while and it was nice to catch up. After lunch, the resource manager praised your work, then an elderly lady from the store complimented your cardigan.

At a certain angle, the stone seems almost glowing. A summer night sky condensed into a tiny orb. Your fingers trace its smooth surface without much thought until eventually it drops onto the pillow by your side.

You don't notice when exactly you fall asleep.

It's the strangest dream you've ever seen.

Gone is the condo building with its stuffy kitchenette and old pipes that constantly rumble. Instead, you feel damp grass underneath your feet. Wind brushes through the hem of your nightdress, carrying the scents of rain and moss. So many shades of black and raven blue swirl together that you barely recognize a signpost nearby. It's the grove, but you've never seen it like this, as dark as it can be only at night.

It's uncomfortable to stand barefoot, with a chill creeping up your legs.

After a while your fingers touch the rough bark of a nearby tree to get a sense of direction, and you start walking, because there isn't anything else to do.

There's the bridge, you think. If you just get to the bridge, the rest will be simple.

You're walking there, or that's what you think when a small ball of light appears right before your nose.

Fireflies don't glow blue. It doesn't falter, doesn't flicker, coming up closer then farther like a pendulum. There's something uncanny and fragile about it. For a second you forget everything and stand mesmerized, until it starts moving.

Through the trees, past the branches, onwards.

It's more instinctual than anything ─ you don't want to be left here alone again, so you follow. Light is good, darkness isn't. The ground becomes more uneven as you go, the grass changes to moss, but you can barely register anything at this point apart from that lonely glow. It halts at times as if making sure you're keeping up.

Is that a clearing ahead? Your eyes hurt from trying to focus.

The blue dot continues to float, never speeding up, never falling behind.

Then it disappears.

No. Not disappears ─ settles on the tip of a pale finger.

There's your tomato patch, your plants, the empty box that you forgot to take back to the condo.

But it's impossible.

Your garden should be not very far from the border, yet it feels like you've walked through half of the grove by now.

Why is he here?

"It took you a while," he says, the stranger from the bridge whose eyes made you pause before you caught yourself. "I was waiting, my dear."

Maybe you shouldn't ask. Maybe the wisest thing would be to turn around and run. You step back and trip on a root which somehow snuck between the moss. He catches your hand before you fall and doesn't let go. Instead his thumb caresses your skin in leisurely strokes.

There's a faint scent of lilies coming from him, and something else. Something heavy, equally sweet that lingers on the edge of cloying and enticing.

Smells aren't supposed to be so strong in dreams.

"I need to go."

"Where?"

This simple question asked in an equally plain tone makes you falter. What does he mean 'where'?

"Home," you say softly and try to free your hand again without success. The man leans in close enough that you can see his face, illuminated by that blue light.

"And where is home?"

"I-" you swallow. "I have to go."

He releases you with surprising ease; you don't waste any time rushing towards the path. The long walk has exhausted you, and the lack of light makes it difficult to tell which turns to take. You stumble multiple times. The hem of your nightdress catches a few twigs. You sprint past the trees, past the low bushes along the familiar trail, and it's there, suddenly in front of you: the wooden bridge.

Out of breath, you grab the railing. And then open your eyes on the same side where you started.

How?

Again and again, you dash across it, yet every time there's a single step left to cross over the stream, the view shifts. Your feet land at the beginning of the bridge. On the ninth time when it's impossible to run any longer, you press your forehead to the railing. Every breath feels short and raspy.

"That's enough, dear."

"What is this?" You grip the planks with trembling hands. "I don't understand. Why can't I-"

A coat falls over your shoulders; you clutch at it mindlessly, because it's warm and you're shaking all over.

"You thanked me. Claimed my land, charmingly audacious of you. Such care and love, right under my nose."

There's no malice in his voice. Gently, finger by finger, he uncurls the tight grip of your hand. The stone is there, cerulean blue like summer sky condensed into a tiny orb.

"Took my gift and kept it close to your heart."

It takes some effort but eventually you manage to speak. "I didn't," you whisper urgently, despite the shiny proof in your palm. "I didn't know! Take it back."

"I'm afraid it's too late for that."

"I didn't know!"

He lifts you in his arms when your knees give out and you sink to the ground, still gripping that damned stone. His coat carries the same distinct scent of lilies and heavy sweetness. The sceneries you dreamed of when younger pop in your head, like old postcards covered with dust, of mystical beings hidden from human eye, fantastical places no one has seen, grand adventures where heroes defy impossible odds and come out victorious.

Those were tales for the brave and imaginative. You're neither.

"It doesn't matter. The land claims you," he says. "And so do I."

[coolunspokenforname]

My Take on the Reverse Gravity Falls AU

Mabel Pines/Ms.Mystery/Auntie May

She and Dipper didn't fall out like Stan and Ford

She was the first one Dipper asked to help with his investigation on Gravity Falls

While Dipper wrote the journals, she was the one to set up and organize them

She set Dipper up with Pacifica (after they had an amicable breakup)

Was the one to get most of the information about Gnomes and Mermaids

Narrowly missed becoming the gnome queen; they're still trying to marry her

Is pen pals with Mermando, and they still hang out occasionally

Didn't push Dipper into the portal, but blames herself

Can't trust most people after what happened the last time she misplaced her trust

Raised Dipper and Pacifica's kid after Dipper disappeared and Pacifica was unable to care for them

Spent most of the first ten years of Dipper's disappearance trying to be a good parent

Was heartbroken when Dipper's kid emancipated themself at sixteen (telling her they blamed her for both Dipper's disappearance and Pacifica's state)

After she was cut off she refocused on bringing Dipper back

Was surprised that Stan and Ford were put in her care, but obviously said yes to taking care of them over the summer

Dipper Pines/'The Author'/Grandpa

Decided to study the anomalies in Gravity Falls because he and Mabel spent their summers in Gravity Falls

Was never good at drawing/scrapbooking so he invited Mabel to join him

Didn't believe Pacifica had changed when Mabel first set them up, but quickly realized he liked her (headcanoning that he's greysexual in this au, and the only other person he's wanted to date was Wendy)

Was still friends with Wendy, but they grew apart while he was at University; before the accident he was 'boyish' Dan's godfather

After a couple years of studying Gravity Falls he grew frustrated at the lack of answers and summoned Bill from a cave painting he and Mabel had found as kids

Bill convinces him to build the portal

After the birth of His and Pacifica's child he looses momentum on the portal, so Bill convinces him to give him his body while he sleeps

While Bill considers stopping the annoyance permanently, he realizes that it's in his best interest to let the Northwest-Pines' play family while the portal was still a long way from complete

Tries to help Pacifica after the first portal incident, but isn't able to

After he finds out what Bill is doing he becomes paranoid, unable to sleep and distancing himself from his child, afraid that now he knows what Bill is doing he might use them to manipulate him (or worse)

He doesn't blame Mabel for getting stuck in the portal

Pacifica Northwest/Old Mrs Northwest

Everybody in town uses her married title but most don't remember her being married

Kept her last name for the prestige in town

Was the stereotypical mean girl growing up

After getting out of her parents' influence during university she became a better person (though she did still have her moments)

Dated Mabel for a couple weeks before they had a mutual breakup

Was hesitant about dating Dipper for a while, but when Mabel herself set them up she decided to just try it, not expecting it to work out

Well, it did, and she joins the portal building (while also working on her own projects); she's the main financer of their work after the grant money runs out

She and Dipper weren't planning on having a child, but both were ecstatic when they found out

She was the one to get her head stuck in the portal and tries to forget about it

She was already working on the memory gun before joining the twins, hoping to get the town forget about how terrible she was as a kid

After making up with Mabel (and later Dipper) the project was put on the backburner

At first she only used it occasionally, but after Dipper's disappearance she used it way more, to the point of not being able to remember anything

Has moments of lucidity where she does try to get into contact with her child, but without the memories she took out they don't last long. She often thinks her child is still 6 (their age when Dipper disappeared)

When she was still okay she set up funds for Dipper, Mabel, and her child. Mabel only uses hers to fix the portal, the child's was used when they emancipated themself to get a house and shop. Dipper's has been left unused.

Stanley and Stanford Pines

I haven't thought much about their part yet, tbh

They actually do know that their grandpa went missing, but assume he's dead

They don't know Old Mrs. Northwest is their grandma (Mabel isn't hiding it, she just assumed they would know)

Mabel actually isn't hiding anything, the boys are just so caught up in the mystery of the falls they don't notice the obvious

Like, there's very clear references to Mabel's relationships with the gnomes and Mermando, they just don't connect the dots (these boys have never heard the term 'Occam's razor')

They were sent there for the summer after Stanley 'borrowed' the necklace from the pawnshop (and their whole adventure with the Jersey Devil)

Ford immediately forms a rivalry with another kid visiting Gravity Falls. When he tells Stan and Mabel this both worry it's a bullying situation. That is, until they meet Fiddleford

Ford is caught between having a burning hate for the kid and great admiration.

Stan befriends a bunch of kids, but as soon as he meets Gideon (another of Mabel's exes) he makes it his mission to ruin the man's fake psychic career

He does this mainly through pretending to be Ford and showing up at his shows. After Gideon catches on Stan starts having Ford go in his stead. Mabel finds this hilarious (her breakup with him was less amicable than the one with Pacifica. While they don't exactly hate each other, she does enjoy seeing him brought down a peg or two)

I am trying to figure out this au, but I really like what I have so far. Any questions are welcome, and I'll try to answer them.

[sulumuns-dootah]

Assigning WHB demons plants/flowers based off the vibes: Abyssos

⟡ Masterlist ⟡

A/N: I think I need to start attending some botany classes again bc from the way these post are turning into me rambling about plants i can tell I miss it :D

─── ⋆⋅☆⋅⋆ ───

Nepenthes rajah

I don't think this plant has a common name, but if it did it would be smth like Rat/Mouse eating pitcher plant

Bc that's exactly what the plant does

It's just big enough for the small rodent to climb into and never see the light of day again

This also probably explains why I picked it for Beel

I mean, he literally eats angels whole

(I find pitcher plants really cool bc they're literally just a pitchers filled with digestive fluid, but they're not necessary carnivorous - some life off of animal droppings or insects)

       ༺☆༻

Venus flytrap - Dionaea muscipula

At first i was gonna include maybe some other pitcher plant or completely different plant...

But then again, Bael is literally catching the King of flies on daily basis

Idk why, but looking at pics of the open leaves is really calming to me

Having them is kinda cool bc sometimes you just walk past and see one of their leaves closed bc it caught a fly and you'll feel kinda proud of your little baby for catching something

From my experience they don't close when you give them dead one, though

They might also be a bit harder to keep alive...

Mine made it few months, but then bloomed and died shortly after I cut the flower off (similar thing also happened to my friend who specialises in succulents and carnivorous plants so I don't think I did anything wrong)

       ༺☆༻

Poison Ivy - Toxicodendron

At first I was thinking I'll give Stolas something bird-named, but I really wantd somethinig that looks harmless, and the moment you mess with, you're in for a lot of pain

And this plant baby delivers

I've never had the misfortune of meeting it, but I haver heard the stories

For those who don't know: Contanct wiht the plant gives you a nasty rash, sometimes with some blisters

Interestingly, looking it up on wikipedia, there's even what would happen if you smoked or eaten it....

As if you'd wanna do that after getting a rash just touching that thing

(You skin is pretty much reacting to the oil on the leaves, so after you come to contact make sure to wash it off or you'll spread it on other things too)

       ༺☆༻

Hypoestes

I can only talk about this moody beauty from experience since there isn't much info online

From what I've found there's about 150 scpecies in this family

Doesn't require much sunlight, but needs water

And oh boy, the amount of water...

The reason why I picked this plant for Amon is how easy it is for the leaves to start drooping

Just like him being constantly tired

But oh boy, the drooping... One minute she looks good and then two minutes later she's on the verge of death

It's not good to have planters just sitting in water bc of the risk of mold, but this one might just need it

       ༺☆༻

Common Ivy - Hedera Helix

Originally I wanted to go again with a plant based off his animal form, but then while writing for Amon, I saw normal Ivy

The ultimate Dark Academia plant that looks so good growing around anything

It's perfect for a demon they sometimes call Class President

I really love Common Ivy bc of how much you can use her for

Amazing use for Ivy is putting her into floral arrangements and the amazing thing is that it'll mostly keep its color as long as it's not left out in the rain or your glue gun set on too high temperature

Fun fact: The leaves of the plant are different on normal branches from the branches with a flower

[turtle-steverogers]

i rlly like ur posts abt how steves rough time with his dad as a little kid affects him later in life. i was wondering do u think the other avengers notice? and if they do what do you think they think/do about it?

also tbh i rlly like ur posts in general lol. i hope you have a good day!

I think the other Avengers notice after some time, considering most of them have similar experiences. I imagine it's sort of an unspoken thing, but it's almost... more notable on Steve, because he's so goddamn young and because when he wakes up from the ice, he's so goddamn stretched thin, that the reserves he usually has to shove all those old habits into a box are low. He's jumpy, the others notice. A raised voice-- especially male-- makes him flinch before he smooths out his face. Making requests is hard for him, and mistakes-- even small ones-- are met with scrambling apologies and frantic attempts to fix the problems.

No one says anything, because they know what it's like, and they don't want him to feel cornered. But there's a hard mission, and he and Natasha are alone in a motel room, and Steve is so clearly low. Kids had been involved. And Natasha had seen the way Steve had shut down to see the marks and bruises on the little boy and girl they'd gotten out of a trafficking situation, and she understood. Albeit for different reasons, but at the core, the pain was the same. They'd both just been kids when they were hurt. Young and lost and wondering what they'd done to deserve the grown ups around them squashing them down and making them feel no better than the dirt.

He doesn't say anything, so she doesn't either. But that night, she can't sleep, and neither can he, and when she hears him shift, roll over. Curl onto his side as the silent tears start, she can't stand it anymore.

Her bed creaks as she slides out, ignoring the rough crunch of the carpet as she pads over to Steve's bed and climbs in behind him.

She crawls onto the bed behind him, stretching out. "Can I hold you?" she whispers. Steve shrugs. He doesn't care. He doesn't understand why she would want to be the big spoon to his hulking frame, but if she wants to, he won't stop her. He's too tired to. He feels her wiggle close and slides an arm over his chest, hugging him flush against her. Her palm rests over his heart and she rubs, soothing.

It eases some of the weight. Some of the ache. He breathes, shaky. She kisses the back of his neck. It's quiet for a long time.

Natasha's voice is soft and private when she speaks. "It hurts, what they did to us, doesn't it?"

Steve freezes, listening. Natasha holds on. He doesn't move her.

"Why would anyone treat children that way? Hurt them that way?"

Steve clenched his jaw, resignation in his gut. "How could you tell?"

Natasha sighs. "I put it together, more or less."

Steve nods and doesn't say anything. It's quiet here, outside the city. The world dark and lacking that telltale bustle. Steve hates it.

"It's alright that you're hurting still," Natasha continues, and Steve wants to beg her to stop, but he's too curious, too desperate for someone to see him that he doesn't. "It's okay that you're still scared. You're safe, darling... you don't have to believe that yet."

He starts to tremble.

"Shh, baby, hey," she soothes and her voice is easy to stomach. Easy to understand. "Breathe for me."

He sucks in a deep breath.

"Did they hit you in the Red Room?" he asks.

"Sometimes," Natasha says. "It was calculated, though. Discipline."

Discipline. Steve doesn't think his father meant for his hits to be discipline. They were just... correction. To get him to shut up. Or maybe so he could get his anger out.

"Breathe," Natasha reminds again. Steve takes another measured breath. "You don't have to tell me anything. But you can. I won't get it all, but I might understand."

Steve considers that. "How old were you? When it started?"

"I don't remember," Natasha said. "Very young. Four, maybe? You?"

"I don't remember either," Steve whispers, and he's furious. Suddenly, he wants to set the world on fire. For the little girl who just wanted a chance to see the sunshine, and for the little boy who just wanted to play. "Maybe the same."

They fall back into silence. Steve can feel his teeth chattering. Natasha starts humming a song, simple and soothing under her breath. He knows he doesn't have to say anything else; she understands. He lets his eyes fall shut again.

[canonicallyobserving911]

Buddie: Episodes 6x10 vs. 8x7

Last Thursday when I watched the promo for this week's episode, I noticed a lot of similarities to 6x10 and since then I've been wondering if the callback to the lightning strike will have any significance along with an effect on Buck and Eddie. Aside from the obvious of a firefighter hanging from a ladder truck's aerial, there are several others that are blatant and appear to have been done on purpose.

Since season 8 began, there have been numerous callbacks to previous seasons and they include emergency calls the 118 has been dispatched to. In 8x6, they were sent to a home where a young boy was trapped in a pipe and it looked similar to the well Eddie rescued Hayden from in 3x15. However, before Eddie could be pulled up to safety, the well collapsed and Buck lost his mind and started clawing at the ground and trying to dig Eddie up with his bare hands. Now, even though the 8x6 callback to the well didn't appear to have any obvious effects on Buck and Eddie, it's possible the call in 8x7 might.

An actor from the TV show set of "Hotshots" gets injured and he ends up hanging from the 119's aerial. It's too eerily similar to a call the 118 was dispatched to in 6x10 and it's when Buck got struck by lightning and he died for 3 minutes and 17 seconds. However, this call seems to be more than just a similarity because all of the 118 team members are standing in positions and doing the same things they did in 6x10. It almost seems like TM (showrunner) is setting up something big and he's trying to jog someone's (Buck's) memory (it makes me think my Buddie Crack Theory [linked here] is still in play).

Reminder Buck was dead, so he has no idea what happened after he got struck but everyone else does. In CANON, no one has told him about that time period that he was hanging in the air and the look on his face in the promo makes it seem like he's trying to figure something out.

Let's get started.

After the 118 arrives on the scene, one of the first things I noticed is Eddie, Chimney and Buck are all standing in the same positions they were in before Buck climbed up the ladder in 6x10. Eddie and Chimney are right beside each other and Buck is standing away from them. In 6x10, he was preparing to go up the ladder.

The second thing I noticed was Bobby looking up at the Hotshots' actor the same way he looked up at Buck after he was struck.

Hen was looking up too the same way she did in 6x10.

Furthermore, Eddie's (it looks like Eddie on the left and Buck on the ladder on the right) position on the ladder in 8x7 appears to be the same as it was when he climbed up without a harness to save Buck.

There weren't any shots of Chimney looking up in 8x7 or of how he will be involved in the rescue but his role was key in 6x10 so I'm anxious to see how it will all play out.

Gerrard and Bobby are standing side by side and they're both looking up so I want to know if Bobby will have a flashback to Buck being struck and I also want to know if he'll have to tell Gerrard the best way to get the actor down.

I also noticed Chimney and Eddie are wearing sunglasses but no one else is. They all have them and since the sun is out and Buck's squinting when he looks up, it seems like he should be wearing a pair. Hen has eyeglasses that have lenses in them that transition to sunglasses but she's not wearing them. Also, I've noticed Eddie only wears sunglasses when he doesn't want anyone to see his eyes 👀.

When Buck (on the right) and Eddie (on the left) start trying to rescue the actor, Buck starts yelling "No, no, no, no!" and it sounds similar to the yell he let out after he was struck by lightning.

Just saying.

It's unclear what TM is doing and no one will know until the episode airs but I'm excited to see if Eddie being in the same position he was in after Buck got struck will have an effect on him.

I'm excited for 8x7 and I hope the obvious call back will have some meaning and allow the 118 to remember what happened to Buck and hopefully, Buck will ask questions about what happened to him. Reminder, he STILL HASN'T PROCESSED HIS DEATH.

[maddy-k-reads-all-day]

Thinking about the "Do you Feel Safe Tape"

Honestly we should talk about the different reactions to 'who do you trust' a bit more.

Wooly - Wooly seems surprised that you trust him. I couldn't help but think it's partly because we like seem to like Amanda and Amanda hates him. Also considering Amanda doesn't trust him, he probably hasn't had anyone say they trusted him in a very long time and it was probably shocking. Then Amanda tells us she felt that way a long time ago and Wooly looks sad. I've noticed throughout the game that he seems to get sad whenever Amanda talks about not liking him anymore. He gets immediately sad when Amanda says that you have to think about who you can trust, before she even mentions. I think whatever he did to break her trust, he might actually feel really bad about it. (I can point out other moments he's done this too if you want). But what else is interesting is that Amanda trusted Wooly at some point. She didn't hate him from the start, something happened to change their relationship. I can't help but feel it was "recent" considering the events of the first game. Considering both Amanda and Wooly's reactions to Wooly coming back to life, I'd assume Amanda has never hated Wooly enough before to try killing him. When I say recent, I mean possibly during the years that Kate was watching the tapes and talking with Amanda.

Personally, I think both Amanda and Wooly unintentionally played a part in Kate's death and Hameln finding her. Considering Amanda's reactions to us saying "Hameln" I think they might still be monitoring Amanda and Wooly. I think that by interacting very directly with her (saying her name and stuff) could have helped them discover her identity and put her in danger. Which is not directly related to anything in this post (I mean it could be, but I'd need more evidence). That said, it's possible that him getting in the way of them remembering (once they started to gain back their memories) was exactly why she stopped trusting him. . But I think the important takeaway here is she did trust him at some point, and he feels bad that he broke that trust.

Kate: Amanda trusted Kate, and wishes she could still talk to her. Kate was one of the last people who knew Amanda when she was Rebecca. (well, positive relationships at least) Think about it. Sam is MIA. All the other librarians who knew her are DEAD. Any friends she had in school or whatever are definitely full grown adults if they didn't get trapped in the show (idk, like if they were watching it cuz it was their friends show or whatever). Every person we know who knew Amanda is probably dead now. Kate was the last one. Now that she remembers, she keeps saying she wishes she could still talk to Kate whenever we mention her, and Wooly looks like he feels bad. Now that she remembers who she was. Now that she remembers Rebecca, she wants to talk with Kate, maybe the way they used to. That could be why she's so angry with him. Why she tried to kill him AFTER they found Kate died (in the Wooly's birthday tape) but had only hurt him when they realized Riley was watching the tapes and not Kate (in the original in your neighborhood tape). Wooly might've caused her to miss her chance to talk to one of the few people who knew her as Rebecca. That was recent though, I think she lost trust in him over time as he kept blocking her attempts to reach out to Kate

Sam: She says Sam was trusting too, and that can be a mistake. She sounds so sad here, like she is going to cry. I think this confirms that Amanda doesn't hold any malice towards Sam about what happened. She understands that both of them were tricked. So idk, I guess any theories involving Amanda hating Sam for what happened are debunked now?

Hameln: Saying Hameln immediately makes Amanda stop trusting us. Wooly looks scared of Amanda yelling (as always) but I noticed he also looks kind of angry? Offended? Annoyed? I can't really tell cuz the tape gets really blurry. I've seen people say that Wooly doesn't react to the meatman or Hameln, but I think he does it's just more subtle. I don't know what else to say here, the clip goes by so fast.

Meatman: Again, both of them react to this. Amanda immediately gets pissed. And like, reasonably so. I've heard that the game won't let you progress past this point if you do this apparently, so like... the meatman is serious. Wooly looks shocked and then immediately motions at us not to say that. But like, it's a different surprise then when you answer "Wooly" he seems horrified. Like this is a pretty messed up thing to say. I'm not 100% sure what the meatman's deal is but like... both Amanda and Wooly seem to dislike him in the first and second game. Also is it just me or is it kind of odd that they only dislike the butcher? Like, there are variants of him in all the shops in the first game and Wooly and Amanda don't really seem to mind him, but they both don't like being in the butcher's. When only the meatman's buildings appear, Wooly looks pretty concerned, and then really scared when they enter, and asks her to take them someplace else. Amanda has a full-blown meltdown over not wanting to go in and when we enter she screams at us to let her out. I find this scene interesting because I don't think either of them are in control. Wooly is trying to distract her from Kate's death (or at least that's what I think the "something bad happened" means) by going a bit off-script and controlling the story a little. It doesn't seem like he was the one who messed with the stores. Amanda didn't either. What if this was the meatman? Like... punishing them for going off script by like reminding them of his looming presence or whatever? Idk. That whole scene was WEIRD in hindsight. Even though we never enter the butcher shop in the second game, his presence looms over us the entire time. Almost makes me think he's the real one put in their too keep the kids under control. They are both terrified of him after all and he seems to be connected with the surgeon who trapped them in there. Sorry this got a bit on topic but I think I might be getting somewhere.

But let's move on to the answers for the "what scares you" question.

"Amanda" or "you" - Question, has anyone tried Rebecca? I've only seen the answer compilations use "amanda" or "you". Amanda breaks our heart here by being hurt that after all this time we're still afraid of her. Ouch.

Hameln - Amanda gets terrified and says not to bring them up. I think Hameln is definitely watching these tapes.

Meatman - Wooly finally reacts to something, and bro is freaked out. Idk if it's by the mention of the meatman, Amanda's anger or both. Honestly, I have no idea why her anger spells still freak them out. I guess it is pretty scary, but I feel like he should be used to it at this point. Also she can't kill him, so what is he afraid of? He doesn't seem to be worried about being the one who makes her angry anymore, but he still gets freaked out when we do it? Weird. Anyway, I find it interesting that Amanda has spent the whole first game trying to tell us all about what happened, but she draws the line at the meatman and Hameln. Wooly wasn't there to stop her before, and she still didn't want to discuss it. Honestly, it doesn't feel like she's been as eager to tell us much in this game, despite trusting us. I mean she's told us plenty about Sam and Kate, so I don't think it's that she doesn't trust us. I think she doesn't want to remember things about Hameln or the meatman. She wanted to remember who she was, she wanted to remember Sam, she wanted to remember Kate and she wanted to know what happened to her... but somehow she draws the line here. Then we see the glitches of the surgery room and the mouth. I really do agree with the theories that the meatman is connected with the people who put her and Wooly into the show. That said... why is he there? That's what I don't get. I think I might be cooking with my earlier theory though no?

Wooly - Odd. He doesn't even look hurt, just confused. We can clearly see here that Amanda is not at all afraid of Wooly, so like I don't think he's like a Hameln worker. The meatman absolutely is though. We are not hating on the meatman enough guys. DOWN WITH THAT- Anyway.

Actually the whole point of this post was to talk about what Amanda says about how we were a stranger when we met her. I think this is really important to note. Because Amanda knew Kate long before she was Amanda. Possibly before "Amanda the Adventurer" even came to be. Of course Amanda trusted her. But she didn't know Riley. She tells us that she trusts us. This is HUGE. I mean, considering everything Amanda has been through. She barely knows us. She has EVERY DANG REASON not to trust us. Heck, I think that could be what Wooly means when he says she shouldn't talk to strangers. Because "not talking to strangers" doesn't make sense in this context. The viewer is a stranger, but if they didn't ever interact with the viewer they wouldn't have a show so Wooly's comment makes no sense. And yet, despite everything, she trusts us. Wooly looks kinda sad when she says she trusts us, probably because she trusted him once too, now she won't listen to a thing he says.

Then Joanne (I swear to god I got so mad at her in this scene) calls us and Amanda looks kind of sad when she hears that. Then looks really sad when Joanne says "that thing" I think Joanne was referring to the Wooly monster but Amanda doesn't know that. Then the possum appears and they both get really mad at it (and us for letting it mess with them). It's made very clear that both of them genuinely don't know who this guy is. It's funny because usually Amanda is the one asking us to get rid of him but this time it's Wooly.

And then let's talk about how COORDINATED THESE TWO WERE OMG. All it took was a look and a nod and they were already on the same page. If we don't help them, they manage to beat this guy up all on their own and mind you, not a single word is exchanged of a plan, they just work together. They just do it. And they do it so freaking well. Remember my Hameln theory? About how Hameln doesn't want these two on the same team because you know... two kids who can control demons who have every reason to hate Hameln and then there's THIS. When they get along they work so freaking well together. Could you imagine if they both decided to team up with their demons and beat the crap out of Hameln? Is there even a chance to be stood here? Honestly, I was also thinking, I think Hameln picked whoever Wooly is specifically for his avoidant personality, knowing that these two would clash. But clearly they don't have to.

Oh yeah, then they both get pissed AT US. I don't think we've actually seen Wooly get THIS mad at us. Like there was the time in the storybook tape but like he was not this mad. He's like... Amanda level mad here. Then they pick up the possum and throw him in the trash with still very minimal communication and ALL THE COORDINATION.

Then in the version where we do help, Amanda actually agrees with Wooly's sentiment that some strangers CAN be scary. Then without a word they both pick him up and throw him in the trash. BRO THE COORDINATION BETWEEN THESE TWO WHEN THEY WORK TOGETHER IS INSANE I NEED MORE OF IT ITS SO SMOOTH AND PLEASANT TO WATCH. Then Wooly asks if they can go home and Amanda playfully teases him "What are you scared?" Then he kinda makes this face like "yeah kinda" and she's like "c'mon let's go." she sounds a lot less annoyed with his presence then usual. Like still annoyed but also like she's kinda okay with it?

This deserves it's whole entire own post but like... I feel like gradually their relationship has improved over the course of this game. Like Amanda still doesn't trust him, there's still some rough stuff they need to work through, but she's starting to let him in again. Just a little. She's more okay with him being there. And I think people tend to overlook this when they say Wooly is evil. If Wooly was evil, why are they starting to get along again, (I mean they aren't besties again but like it's definitely a start and you can't ignore that.) Shouldn't Amanda continue to hate his guts? Instead she's actually agreed with him on some things, and they've helped each other out a bit. Like I said this is probably going to get it's own post at some point so I'll leave it here for now.

Holy crap did you actually read all this? OMG thanks. I did not realize I wrote so much WOW. BTW, I was watching those "all answers" videos along with a zero-commentary playthrough of the original so like, I'm not pulling this from memory at all.

[smiley-mcdoggington]

Sorry can't stop thinking abt Stan being Fidds' semi-lobotomized housewife because. Having the power to erase guilt and shame and regret is Not Good but also. Getting into the habit of memory-wiping someone else? Especially a partner????

The first few times it was just about the portal incident, Stan simply couldn't function with those memories - even though all the memories left were foggy as if they were from lifetimes ago, and he still couldn't say a word. They were innocent, justifiable, even Ford relented that it was better than Stan being terrified of him and his house for reasons Ford knew but would not divulge. Stan had started spacing out for hours at a time, but Fidds thought that might be from the portal.

Fidds assumed they would be taking the portal apart after then, but Ford hesitated. He had seen what it did to Stanley but he still hesitated. So Fidds stormed out, determined to never work with him again. That day he went home and he told Stan that his brother couldn't be reasoned with. Stan said he wanted to go talk to Ford himself - the wipes were starting to hold better, by then, he was almost who he was (with a few more gray hairs). But the conversation went bad, terribly, Ford had been awake for 3 days by then and sitting on the couch next to his brother just calmed him down so much he fell asleep on Stan's shoulder.

Fidds got a call from Ford later that Bill had done something with his sleeping body, and Stan had locked himself in a closet and Ford could see the blood on the handle but Stan wouldn't open the door.

Fiddleford erased that interaction from Stan's memory, too - said he got the bump on his head and the scratches on his arms from a bar fight. Stan didn't believe him, but he learned that questions only brought him migraines. It didn't take as many memory wipes to stick, that time, because by then Ford wasn't seen at all. Fiddleford bought a book on Hanukkah and celebrated it with Stanley in their new shared apartment. Stanley called his Ma and she said he sounded sick but Stanley laughed it off.

Then Stanley woke up from a nightmare - he'd spent a good deal of time on the streets before he had reconciled with Stanford in their early 20s, and every peek Fidds got into that life made his stomach twist. All those memories ever did was burden Stan, and it was just so easy for Fiddleford to hold Stanley's cheek with one hand and the memory gun with the other, erasing the pieces that hurt Stan - selling himself at seventeen, almost freezing in the back of his car, those six months in that prison, the attempts by both criminals and police to kill him. Without them, Stanley was never paranoid, or burdened. He was happier. Fidds had made him happier.

So why stop? Fidds had already made a group for others dedicated to caring for those burdened by the disturbing creatures of gravity falls. Stan was so much happier when he wasnt worried people would short-change him or turn on him - cutting away the last strings tying him down was almost Fidds' duty. Something Fiddleford said scared him? Wiped clean, Stanley didn't have to know about the society of the blind eye. He didn't like what his Ma told him the last time he called? He doesn't remember what she said to him. He misses his brother? He doesn't have to remember Ford. Sure, Stanley had been a lot more submissive lately - almost vacant - but surely that was just because he knew what Fidds did was always for his best interest and he trusted him so implicitly.

Then Fidds came home from his meeting and saw Ford in his livingroom. Ford slammed him into a wall, demanding to know what he was doing to Stan. Fidds said he wasn't doing anything but helping him. Ford said he'd been here for two hours and Stan. Hadn't. Moved. Fidds said he was just having one of his spacing-spells and he would be fine - he was right there. Ford said Stan had soiled himself an hour ago and didn't notice. Fidds said he did that sometimes - probably from the trauma of the portal. Ford started throwing punches, so Fidds made him forget he had a brother.