#he didn't last long.

[boysdontcryboycry]

uve heard of creelarke u've heard of hoppenzo(?) u haven't heard of [REDACTED] but u really should, now introducing the hot new old man yaoi fresh off the press, featuring a character who only exists in a few of our heads,

vichard. dicktor? vick? richtor?

aka my own delusions about ted wheeler's dad (dick wheeler, just go with it) shipping off to morocco in 1942 and getting verrrry close with a blue-eyed blond dreamboat from nevada, also with a blonde wife waiting at home

[poorly-drawn-mdzs]

Heh...Literally nothing personal, kid.

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[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[kendallsroyco]

We don't talk enough about Matt losing his hearing in S2, Charlie portrayed the terror of that situation for Matt so perfectly

[egophiliac]

how are u on gavv so far? because i need to scream about how insane it has been (and that zakuzakuchips and fuwamallow have won special places in my heart)

can't believe his mom got flavor-blasted to death. 😔 RIP.

[astrowarr]

i honestly don't think grian betrayed scar in the finale at all, even by final killing lizzie and jimmy

grian was abundantly clear from the start who his alliance was with: scar, and scar alone. he outright told scar on multiple occasions not only that his friendship didn't extend to scar's allies, but even that he still intended on killing jimmy as revenge. scar knew full well where grian stood with his teammates; if he didn't know, it was because he was being intentionally ignorant about it.

grian kept his promises. the closest he gets to a betrayal is when he first sets up the trap and says "we could get a triple kill," but even then, he doesn't. he goes to great lengths not to kill scar; after scar has lost his final life, he laments as to how the bloodlust made it so so tempting to just kill scar, but he couldn't because their alliance was "too strong." grian avoids using the bambunker trap until after scar is dead, and says "my only issue with this trap was that i was going to kill scar."

grian didn't betray scar. he went out of his way not to. he lived up to every single promise he made, and he didn't even force scar to feel it. because he knows how badly it hurts to watch everyone you love die in front of you. so he made his intentions clear, and in the end, he even managed to spare scar the survivor's guilt that clings to his hands like blood and gunpowder. a small mercy that was, perhaps

[chronicowboy]

we as a collective do Not talk about this line delivery nearly enough and for good fucking reason, i'll kill bradley james for this one line alone. he's just a little boy :'((

[inklore]

has anyone ever seen a more pathetic man than colin staring at penelope's mouth? trick question, you haven't!!!

[rottmnt-residuum]

Part 3 of Arc II (Part 29)

and with this we hit 100 pages 🎉

⇇ | ⇽ | index | ⇾

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[ryllen]

With this absolute unit I declared that my entire savings to pull Eternal Knight sebek is gone

[ducktracy]

in honor of Holiday for Drumsticks--perhaps the best Daffy short ever touched by Art Davis--FINALLY receiving a way overdue restoration, i'm reuploading this absolute powerhouse of a sequence. Mel Blanc's voice acting is hypnotic as always, and is matched by equal hypnotism in Bill Melendez's animation, who animates his entire savior complex spiel from 0:15--0:54. Art Davis is one of a handful of directors who has the distinction of animating on his own cartoon, carrying us through the remainder of the clip, and Don Williams starts us off with Daffy's aggrieved lack of seniority. beautiful animation, beautiful voice acting, beautiful characterization, and now, finally, after 75 years, beautiful print!

[poorly-drawn-mdzs]

This was home.

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[sforzesco]

DO NOT BE AFRAID

this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.

I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!

idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.

Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika

and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.

The Excidium Troie + Ovid's Heroides:

Excidium Troie, trans. Muhammad Syarif Fadhlurrahman

Ovid, Heroides 16 (trans. Harold Isbell)

a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.

The Divine Twins in Early Greek Poetry, Corolla Torontonensis

Iliad 24 and the Judgement of Paris, C.J. Mackie

Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek

Ennian Influence in "Heroides" 16 and 17, Howard Jacobson

Paris/Alexandros in the "Iliad", I. J. F. de Jong

[mintypsii]

doodle dump :3

some of these r comic wips that i prob won't get to (the last one is post w7 where an anxious usopp places traps around the sunny and sanji gets caught in one bfhdkjs)

[awkwardrocker]

I need everyone upset about Liam's promotion to understand that it had nothing to do with him being better/worse than Yuki. Yuki outperformed him. Yuki deserved the chance. BUT Yuki is not a Redbull driver. He is a Honda driver. He has no loyalty to Redbull and that is why he did not get a chance next to Max. It's not that he didn't deserve it. It's pure business.

Redbull are ending their relationship with Honda. They are creating their own engines. It's likely seen as a big liability to Redbull to have Yuki actively involved in any tests or even near anything involving the 2026 engine.

This is not an attack on Yuki or his character or anything like that, so please do not take it that way. But, Yuki's loyalty to a different engine manufacturer is a major risk to any new manufacturer like the Ford/Redbull powertrain. You just never know. I'm not saying he doesn't deserve a good drive, but Yuki's loyalty will forever be to Honda (as it should) and that poses a lot of risks for Redbull.

Once again, I am not commenting on Yuki's character or making assumptions about him when I say this, but there are a lot of big concerns if he gets promoted. He could ditch them for Aston immediately because Honda asks, he could share information about the new engine to Honda, or he could give questionable feedback that negatively impacts the new powertrain. Maybe he wouldn't do these things. But if there's even the most miniscule potential that he could, it would make any team hesitant. F1 is rampant with cheating allegations and questionable tactics to win. The teams will want to protect themselves in any eventuality. And that is what's working against Yuki so greatly.

Yuki has proven to be a very competent driver over the past year, but let's not forget that he nearly lost his seat in 2023 and the rumored reason he stayed is due to Honda. He owes his career to Honda, not Redbull. And at the end of the day, that's his main flaw within this team. It's not his driving. It's not his temper. It's not anything else. It's purely who he is aligned to poltically in the racing world. Is that fair? No. Is that how racing works? Unfortunately, yes.