#he deserves a break just like in general

[voomity]

More old hlvrai au doodles ft ocs from @loverboy-plush @yoteblog and the cat from yours truely + benrey scar reference pic i did awhile ago (dont be weird.)

[ash-and-starlight]

modern au and esen’s honkers are haunting the instagram feed

[greenerteacups]

thoughts on Ginny and Harry as a couple?

There are a lot of people who find their romance in HBP forced. I don't think it's forced so much as underwritten, and the books don't get the chemistry quite right (though the movies certainly don't, either). There's potential, but they just don't get enough actual scenes of substance (besides Harry thinking she's pretty or feeling jealous of Dean) for a lot of readers to buy that they're not only in love, but deeply enough in love to break up, get back together, and wind up married.

That's not to say I don't see the appeal. There's a very cool scene in Book 5 where Harry's doing a woe-is-me-Chosen-One act, and Ginny effortlessly puts him in his place about it by reminding him that she was possessed by Voldemort at eleven, which is a rare glimpse into her character and also a great synecdoche for their relationship — Ginny is a grounding presence who, like Ron and Hermione, isn't going to be awed by his past adventures because she knew him before they happened. In that respect, Ginny's probably one of the few women Harry could feasibly wind up with, because he only ever seems comfortable around people (let alone girls) who can see past the Chosen-One schtick and treat him like a normo (see: Ron, Hermione, the Weasleys, Luna, Hagrid). True to type, he doesn't get interested in Ginny at all until she's ditched her celebrity crush and ceased to view him as an idol, because in his heart of hearts, Harry wants to be a normal boy, and it's stressed over and over that part of what he likes about his relationship with Ginny is how normal it feels. He kind of has a horribly supercharged version the celebrity dating problem: after the Battle of Hogwarts, anyone he meets is going to know him first as Harry Potter, Chosen One, Boy Who Lived, and Actually Fucking Resurrected Messiah of the Wizarding World, which is... I mean, it's possible that there are witches out there who could get over that, but Harry's not an extroverted guy, and I'm not sure how he'd go about finding them. Ginny's the one who's been there since the beginning, doesn't need anything about him or his past explained to her, and actually likes him for who he is.

When you look at it that way, it's not surprising he married his high school girlfriend. She's one of the few people still alive who doesn't see him as a demigod.

[aroaceleovaldez]

a quick helpful reference guide:

Children's books - Target demographic is generally up to like age 10 - basically elementary school and below, for us Americans.

Middle-grade books - Target demographic is approximately middle schoolers (ages 11-15).

YA (Young Adult) - Target demographic is about 15-20ish year olds, so high schoolers and early college.

There is such thing as "upper middle-grade books" (targeted more towards the upper range of middle grade, so middle schoolers going into high school) and other such more specific intended target demographic age ranges within those groupings.

What these ranges mean is that the books differ in how they present subject matter to be appropriate to the intended audience demographic. Obviously, books geared towards younger kids are going to be shorter, use simpler language, and present concepts in ways that are easier to understand for younger children. As the target age demographic increases, the length, word choice, and presentation of topics will become more complex. The actual subject matter within the book itself is unrelated to this classification system for the most part - the books are graded on what's presumed appropriate for that age-range in terms of how children learn and their presumed literacy and reading comprehension at that age, rather than the topic itself.

Rick Riordan is a middle-grade author, and his books are usually middle-grade - including the entirety of the Riordanverse and Daughter of the Deep. The only exception is The Sun And The Star, which is loosely either upper middle-grade or YA, as Mark Oshiro is a YA author and co-authored it.

[why-is-prethinker-unavailable]

Okay what the heck is gearloose and why are haters in your Dni list?

Ah. Suppose I got carried away in my vast amount of marvelous trivia regarding the film...

And by the way, what in Suitopia is a "Human"???

Oh, and here's a high quality scan of my poster. I wouldn't expect any of you to appreciate it with as much sophistication and nuance as I do.

[novadreii]

Mmm actually I think we do owe love and care to our loved ones! We do owe each other things sometimes! There is a duty of care in our relationships that we should do our very best to uphold. It's the basis for human connection? An informal agreement we have with someone dear to us that we will support and cherish them and not just when it's easy and in the ways that feel effortless to us but also in the ways that they feel most loved.

We owe each other consideration. We owe each other a chance to chime in on important things and we should not make unilateral decisions. We owe each other reassurance sometimes too! Gasp!

I know that we're unlearning our generational trauma collectively but what's the point if we draw such hard boundaries around ourselves that nobody is let in, and nobody is helped, loved or considered when they really need it?

What is the point of being connected to another human being if it's understood between the two of you that if shit hits the fan, they are loyal only to themselves and you can get fucked?

I get it. We need to be self-sufficient. We can't rely on someone to the point of falling apart when they leave the house. But entering into a relationship or close friendship (or nurturing our existing familial relationships that are healthy) is a declaration that we CAN but don't WANT to be 100% self-sufficient anymore. We'd like to outsource a portion of our bandwidth to the other person. And in exchange, we take on some of theirs. It can't be rainbows all the time: again, most of us are traumatized by our parents in some way. We have behaviours that make us unpleasant sometimes! But why does that necessarily mean that we cut each other off when we show symptoms? When we actually need to cash in on some support the most? Where pray tell lies the nuance between "cut off abusive people who have no intention of changing" and "sometimes our loved ones can act ugly on the road to healing, but as long as they commit to bettering themselves I will see them through it"???? Does the latter not exist at all?

The act of caring and being cared for is one of the only fucking things we have left that can sustain our hearts in this bleak world. If you don't want to be burdened with the expectation of reciprocation in your relationships then what is the point of seeking connection? You are missing a fundamental fucking variable.

[wyvernquill]

One more snippet of the Dreamling Anastasia AU

...in which we witness Hob and Murphy's very first conversation (spoiler: it doesn't go well). Please enjoy!

Link to the Masterpost!

(Tag list, let me know if you want to be added or taken off: @10moonymhrivertam @martybaker @globglobglobglobob @anonymoustitans @sunshines-fabulous-legs @dreamsofapiratelife @malice-royaume @kcsandmanfan @acedragontype @okilokiwithpurpose @tharkuun @silver-dream89 @i-write-stories-not-sins-bitch)

---

For a moment, the scene unfolding before Hob makes him think he’s stepped into a fairytale - or perhaps a sweet and strange dream, haunting you ever so gently even after waking.

Once upon a time, thinks Hob, there was a Dream King draped in a cloak of midnight, and he held court over the ravens in a silver-winter forest under heavy, snow-laden boughs…

But then he blinks, and the silly, fanciful vision fades. The cloak is but a dark coat three sizes too large and marked by at least ten years’ worth of dirt and wear, the forest only a small and pitiful park fenced in by roads, and the snow a dirty grey, barely more than half-melted sludge where countless feet have trodden it down.

And the Dream King is only some beggar called Murphy, of course, uncanny resemblance be damned.

But there are ravens. Birds of all kinds, really, the sounds of their wings and their various songs nearly managing to drown out the noise of the city around them. Yet Hob is a practical man, and knows that they gather around their ‘king’ only because they’re clever little buggers waiting to be fed, and not thanks to any strange magics.

(Magic died when humanity rose up and brought the Endless low; and what little survived has fled, concealed itself, and would know better than to enchant a hundred or so birds in broad-if-cloud-dimmed daylight.

Magic died with Dream of the Endless, and all that is left are shadows and cheap facsimiles.

Magic died, and nothing will bring it back.)

And yet… there’s potential there, Hob thinks, as he watches Murphy draw his giant coat more tightly around himself, shivering but still holding his head high and proud, surveying the assorted fowl around him as if they were his subjects. There’s a sharp, delicate arrogance in his bearing that will serve their deception well.

And. Christ alive. He does look like him, doesn’t he. Like the Sandman himself, made flesh and bone and sweat and dirt. Made human. If Hob didn’t know, with absolute certainty… he could swear...

Ridiculous thought. Dream of the Endless would never sink so low as to get himself thrown out of a pub swearing and spitting, human or not.

Murphy’s eyes suddenly snap up, and Hob flinches instinctively, contemplates ducking behind the next tree or the column advertising the latest local plays - but the man’s gaze passes over him carelessly, long neck craning out from the ratty scarf wound around his throat as he scans the sky.

It’s the raven. The large, coal-feathered beast Murphy had with him at the pub, with the clever glint in its eye - and in its claws, it holds a whole loaf of bread, clearly pilfered from some bakery or street stall.

The raven drops the bread into Murphy’s lap, and then lands on his shoulder, cawing and nudging its beak against a sharp cheekbone in a strange avian gesture of affection.

Murphy rasps some sort of acknowledgement in his dark, hoarse voice that Hob is too far away to parse, stroking a finger along the bird’s side, before turning his attention to the bread.

His spindly, dirty fingers tear into it with the hungry desperation of a man who remembers with precise clarity when his last meal was, and also that it’s been far too long since then, and Hob’s stomach gives a sympathetic pang. He’s been there. Not so much recently - but he knows the slow gnaw of starvation, and will never forget it.

(He hasn’t gone hungry since meeting Gilbert, who’d rather skip on his own technically unnecessary meals if it meant his young human companion could eat his fill. Sometimes, Gil even hands Hob fruits he’s seemingly conjured up out of thin air, which are never as filling as the real thing, but taste heavenly enough to stave off hunger for a few more hours at least.

There must be some dream-magic there, something to do with Gil being, in all technicality, a meadow - but Hob doesn’t think about it too much. It’s sweet, the actions of a friend who truly cares, and that’s enough for him.)

Murphy raises the first morsel of bread up to his mouth…

…and feeds it to the raven.

Hob blinks.

Watches, as the man takes his own bite, chewing ravenously, and then tears another bit off the loaf, throwing it to the ground, birds immediately flocking around it, picking for their share.

The process repeats. Murphy goes through the entire loaf that way. One bite for the raven who stole the bread, one bite for Murphy himself, and one for the flocks of birds around him. Halfway through, the raven refuses its bites, presumably full, and from then on it’s one bite for Murphy, two for the birds. It’s already not the largest loaf, and a third of it is hardly enough to sate a grown man’s hunger - strangely selfless, this Murphy character. No wonder he’s thin as a rake.

(Then again, Hob supposes there’s strategy in it, teaching the birds that they’ll be well-rewarded for any bounty they bring him.

Altruism, or shrewdness? Hob wonders.)

Soon, there’s nothing left of the bread. Murphy still looks hungry, but it’s an exhausted, resigned hunger that’s there to stay. Hob doubts the man can remember a time he wasn’t hungry. This city is not kind to the starving, to the poor - Murphy might get a place in a workhouse, if he tried, but Hob doubts that quiet pride still shining through the veil of hunger would let him. And besides, they’re dying institutions, these days, workhouses - the modern world is turning up their noses at anything that might help the destitute, even as it churns out more and more of them. It’s a dark and miserable time they’re living in, and none of the glamorous parties the rich so love to throw these days will convince Hob otherwise.

But, well. If their scheme goes off without a hitch, then at the very least the new ‘Dream of the Endless’ will never go hungry again. Hob’s doing a public service here, if you look at it from the right angle - though he’ll be the first to admit that his main motivation is anything but selfless. Immortality is too rich a prize to pretend he doesn’t want it with every fibre of his being.

And he’ll not get it standing idly by and watching, that’s for sure.

Hob straightens his coat lapels, takes off his hat to comb his fingers through his overlong hair, places it back at a jaunty angle - and walks over to finally officially make this Murphy character’s acquaintance.

“Afternoon,” Hob says, still a few steps away, smile widening into a grin when Murphy’s gaze immediately fixes itself onto him, cold and filled with the sharp suspicion of a man most people go out of their way to ignore, and who does not trust direct address.

(The eyes give him away. Dream of the Endless had eyes like midnight stars, the depths of space and the glitter of distant galaxies eternally reflected in them. Strange eyes, inhuman eyes, endless eyes.

Murphy’s eyes are a pale, washed-out blue-grey, slightly sunken in their sockets, and perfectly ordinary.

No matter - they will already have to sell some cock-and-bull story about Dream having been forced into human form, the eyes will be the least of it.)

“What do you want?” Murphy growls, and that is perfect. The voice. Easily his best asset, besides the overall look. It’s right, scratchy and roughened by disuse, but just as deep and sonorous as Dream of the Endless's was. The harsh tone and tendency to curse like a sailor Hob witnessed at the inn will need to go, to be sure, this man speaks too much like a London gutter rat and not enough like the Lord of Stories - but, well, nothing a few lessons can't fix. Nobody else ever got the voice even remotely right, and this’ll already give them a lot more to work with.

“A moment of your time, m’lord. Nothing more.” Hob affects a cheeky bow, and does not waver under the cold disdain he receives in return. Mr. Murphy’s not a fan of teasing and gentle mockery, evidently - unfortunately, that is about 50% of Hob’s personality. They’ll get on just splendidly, won’t they. “Hob, at your service. Are you aware your lady sister is looking for you?”

A quick blink, even as Murphy’s entire scrawny body and haggard face goes very, very still.

“...I do not have a sister.” He says, only the slightest edge of uncertainty and confusion wavering in his voice. And then, “piss off, Robert Gadling” he adds, uncouth and vulgar, a scowl scrunching up his face. Oh, they’ll need to train that out of him, most certainly.

(Hob has not introduced himself as Robert, and certainly not as Gadling. That Murphy has named him thus nonetheless goes over both their heads.)

“No?” Hob smiles. “You’re not Dream of the Endless, then?”

Another blink - and then Murphy laughs, a horrible dissonant sound that seems like it ought to hurt his throat, the raven on his shoulder letting out a single caw alongside him.

“Are you drunk?” He snorts. “Dream of the Endless is dead. Every child knows it.”

“Every child believes it to be so. There’s a distinction.” Hob tries to take a step closer, but the sea of birds at their feet steadfastly refuses to part for him, so he thinks better of it. “You look exactly like him, you know. You might well be.”

“And you would know that, would you?” Murphy raises an arch eyebrow. “I think I’d remember having once been the personification of dreams.”

“Oh, I don’t know. Memory can be a funny thing.” Hob shoots back. “We don’t remember being born, do we? And some lose track of even more than that. How’s your recollection of your childhood, hm?”

Ah. Jackpot. The moment he speaks of remembering and childhoods, Murphy looks away, uncomfortable. Hit a sore spot there, has he? Memory issues. How interesting. How perfectly convenient.

“...you’ve had your fun now,” Murphy rasps, shifting uneasily, no longer so willing to defiantly meet Hob’s eyes. “I want no part in whatever game you’re intending to play with the London Poor, Gadling. Fuck off, before I make you.”

“Now, now, I really do think we’re on to something, here.” Giving up, Hob knows, is for fools who don’t really want to become immortal. “I’m quite certain-”

“Fuck. Off.” Murphy repeats, and turns his pale, unfortunately-human eyes on Hob again.

So do nearly a hundred birds, feathers ruffling and beaks clacking. The raven on Murphy’s shoulder caws, low and threatening.

Hob swallows, and takes stock of his options. Wonders if tactical retreats might not be just the thing for intelligent men who don’t want to die by bird before ever getting to take their stab at immortality.

“I’m only saying-” Hob tries instead, because he’s a reckless idiot.

Murphy’s eyes narrow, and he spits out a throaty sound like a command, the flock of birds rising as one, led by his personal raven jumping into flight with a sharp battle cry.

Shit.

Gilbert glances up when Hob returns covered in feathers and bird droppings, skin smarting where sharp beaks have pecked at him until he fled.

“I take it young Mr. Murphy was not particularly amenable to your proposal…?” He asks, delicately, lip twitching around a politely-repressed smile.

“Can’t say he was.” Hob shrugs easily, only wincing slightly at the way the movement pulls on his skin. “But I think I can convince him, Gil. Given enough time.”

“If you say so, young friend.” Gil, for his part, does not look particularly convinced either. He rarely is, when Hob first pitches his ideas, but he always comes around.

And so will Murphy.

Hob knows it’s only a matter of time… and, perhaps, some clever bribery.

[valyrfia]

i understand why charles signed the mega contract with ferrari and why it's important to him to stay and win with ferrari but dammit lestappen rbr would've given us some of the best racing in recent memory

[al-luviec]

still haven't moved on from zane in this episode (aka I hit tag limit again and am unhappy about it)

[blujayonthewing]

opening the group chat for the first time today and there's like 200 new messages because everyone's Going Through It today it seems but one of my friends dropped 'I'm separating from [terrible boyfriend she's been living with for like eight years] for real this time, I just moved a bunch of stuff to my parents' and I'm losing my mind because y'all the subject changed almost immediately HEY HI EVERYBODY ELSE SHUT THE FUCK UP I WANNA HEAR ABOUT THAT???

[epicfirestormer]

Me: I'm fine

Also me: Six getting his memory erased in "Six Minus Six" and Rex trying to make him remember is meant to parallel just how terrifying it must've been for Six and Holiday when Rex would sometime lose his memories before canon started. We know from what Tuck told Rex that he had lost his memories so many times, he would keep a notebook on him to make sure he would remember. How many times had this happen, for it to be a habit. How many memories did Rex lose when he was in Providence. How much of his own life does Rex actually remember during those years. Did Rex and Six bonded and got close before Rex inevitably blacks out and forgets everything again. How absolutely horrifying is it for Rex, a child in everything but title, to wake up with no idea who he is at a goddamn government facility and treated nothing more than a weapon. How heartbreaking had it been for Holiday, a mother figure who treats Rex like a child- how he should be treated- to see him not recall anything about her. How absolutely soul-crushing had it be for Six, who had taught this kid to survive and how to stay strong, to see that same kid act in fear. Did Providence did something similar to what Rex did, keeping a log of everything about him so he could know right away. How awful is that. How absolutely batshit, fucking insanely immoral it is that a child have to go through. To lose memories and be conditioned about waking up a military base. But in the eyes of Providence, he isn't a child. He's a weapon, an asset at best, and a monster at worst.

[quillkiller]

sorry to young royals but *haymitch voice* simon could live a hundred lifetimes and NEVER!!!!!! ever deserve wilhelm

[synodic-lupine]

BPD Tenth Doctor

[malwarechips]

minecraft server for all the oneshot characters

[themyscirah]

By the way, what character assassination were you talking about in the notes of my poll? I'm really curious

Was kind of talking around it there a bit intentionally but he really did dirty my boy Scrappy Doo : (

(Gunn wrote the live action scooby doo movies)

[cadavercorvus]

Vent in tags <3