#he can't live without her

[reading-is-an-escape]

"If we ever end up having to make a cruel choice, I'll choose you. Because I know that losing someone I love is worse than losing myself. Please don't resent my choice. Please forgive me for condemning you to the same hell I went through."

Dohee's letter to Guwon

[littlemisspractical]

And the last part. Not really backstory anymore, but that last image was the part I drew first, and what made me want to do the whole thing.

Part 1 Part 2 Part 3

TRANSCRIPT:

Panel 1: Nathaniel laying in a field of grass with Nadia sitting on top of him. Both are young children, around 8 years old. Both are smiling at the viewer. Nadia has shoulder length frizzy hair and a gap in her teeth, and wears shorts and a T-shirt. Nathaniel has his smooth hair pulled back and his eyes shut, and wears a tank top. Both are barefoot. The text says: We have been lucky for a long time.

Panel 2: A series of different images of the two at different stages in their life. In the top left the two at age 10 stand ready with Nadia carrying a wooden axe and sheild and Nathaniel with sparks of magic in his hands. Both are smiling. Nadia’s hair is now in dreads. In the top right the are age 16. Nathaniel, now in long sleeves with short hair, stands in front of his sister with his arms crossed. Nadia, who now has a large scar bisecting her face, looks away from the viewer with sadness and shame. In the middle, the two are young adults. Their outfits are now decorated with red. Nadia weilds and axe against a swordsman while Nathaniel conjures a sheild to protect them from arrows. In bottom right the two are middle aged. A worried looking Nadia carries Nathaniel piggyback. He is leaning forward with his eyes closed, looking exhausted. Nadia now has a burn scar across the right side of her face, over the ear. Nathaniel’s hair is longer. In the bottom right they are old, laughing with their foreheads pressed together. They are both wrinkled, and Nathaniel is going bald. Text interspersed with the images reads: but everybody's luck eventually

Panel 3: The text continues: runs out. The image is of Nathaniel holding Nadia against himself as he kneels on the floor. She is heavily injured, with several arrows stuck into her and several deep wounds from weapons. Some have been hastily bound up. Her axe is abandoned on the floor in front of her. She is limp in death and Nathaniel is bowed over her in grief.

[mischievous-thunder]

Wade's too stunned to speak aka when your daughter outsasses you in front of the whole gang and her mother merely smiles

[charlietheepicwriter7]

Talia found Yasmin's hide out only two days after the bomb.

It wasn't easy. Yasmin had hidden herself well - her monthly reports had never mentioned an acquaintanceship with Vladimir Masters, the absolute gall of that girl - in the middle of nowhere Wisconsin. She bypassed the few security measures with ease, eventually finding her daughter sitting at a kitchen table, hyperventilating.

"What happened?" Talia's voice was cold and demanding.

"The-" Yasmin gasped before stealing herself. "The Fentons are dead."

"I know the Fentons are dead." Talia circled the girl. "One split navel to throat, the other strangled. What. Happened?"

"The Fentons discovered their son was a Meta. Specifically, they thought he had been replaced with the extradimentional species they study." She took a deep breath. "By the time I had discovered their actions, Daniel was... dissected on a table."

Talia closed her eyes. She knew from Yasmin's reports that she'd been acting as the Fenton child's primary caretaker since her adoption and a fondness had developed. "Yasmin-"

"Don't, Mother." She snapped. "Don't act like this is anything less than a tragedy."

"I know-"

"He was a child-"

"Everything's been taken care of," Talia said. "As far as the authorities are concerned, Jasmine Fenton died in that explosion you caused. You need to return now-"

"No!" Yasmin bolted to her feet, glaring at Talia. "He's dead, Mother! An innocent child, the child I raised as my own, is dead because I couldn't protect him! Don't you dare try to sweep this under the rug like... like Danny was something shameful! I'm not leaving! I have to-"

Time Out.

Yasmin shut her mouth mid-sentence, giving Talia time to convince her off her self-destructive path.

"What happened to Daniel is a tragedy, Yasmin. But wallowing in grief and what-ifs only leads to further pain." Talia sighed. "The Fentons and the research you were so fascinated with are gone now. You made sure of that. It's time for you to return home and put that knowledge to use."

Yasmin stared down at her hands. Odd that Talia hadn't noticed, but Yasmin's hands cradled a small, dark blue jewel, polished into a smooth, oblong oval. It glittered under the candlelight, like stars in the sky.

Yasmin swallowed the rock and spoke, refusing to acknowledge what she'd just done. "You are right, Mother. The time of Jasmine Fenton is gone now." She stared straight at Talia, no trace of fear in her gaze. For a moment, Talia wondered where her child had gone. Yasmin never met her eyes unless prompted to when she was growing up. Now she was met with a younger version of herself with cheap dyed-red hair, with the same level of determination that made Talia the Right Hand of the Demon Head. "I will mourn for Danny... on my own time. For now, what is my mission?"

Talia studied her daughter. There was a reason why she'd hidden the girl so far out of the way of her Father and her son. Yasmin was a strong fighter, but had her father's heart, despite her willingness to kill. She'd always reminded Talia of a bodyguard rather than an assassin, but Yasmin wanted to go her own way, wanted to study everything. For years, Talia had indulged her daughter, but now it was time for her to return to the fold.

"For the next month, you will be training to remove any weakness the Fentons may have left in you. After that, you will be guarding an ally for me."

"Which ally?"

"A boy a few years older than you, a son of the Bat." Yasmin didn't react to the mention of her father. Good. "His mind is infirm, but by the time you finish your training, he will be ready to strike a blow against Gotham. You will act as his guard during his training and act as my spy while he's in Gotham. Do you understand?"

For a moment, Yasmin's hand brushed her stomach before she forced her fists to her sides. "Yes, Mother. I will do as you ask."

[courtmartialme]

woag .. otp

[i-dreamed-i-had-a-son]

jon val jon or something

[ruby-red-inky-blue]

So, uh, to recap on the ladies of Andor, the pinnacle of progressive writing according to internet consensus:

Bix: After her character consisting only of "good at mechanics", formerly crafty (in the first Ferrix arc) and "traumatised", Bix gains a new character trait this arc - helpless rage and ✨✨✨drug addiction✨✨✨! Goodie. I'm so mad at this arc for her. We never see this woman happy independent of her trauma. We see her make happy for men - the shopkeep, Cassian occasionally, Brasso and co. in the first arc - but the only time we get an unobserved smile is when she gets her big Girlboss Yay Feminism revenge. And the featurette has everyone going "oh this is her moment", "this scene is about her" - IT'S NOT!! It's about Gorst! It's more trauma porn! Her happiness and functionality once again are dependent on men! She couldn't save herself from her trauma - she needed Cassian to help her get the drop on Gorst (and let's ignore how fucking improbable all that is for a moment, how does he even know where Gorst is???), and her happiness is fully dependent on Gorst living or dying. Her character does not EXIST without him this season. Why do we only ever see her take charge of her life to kill her abusers? The only other positive thing she's done for her life this whole season is to clean up the apartment, and she was doing that to *checks notes* hide her drug habit from her overprotective boyfriend. Feminism!! Please don't read this as an indictment of people struggling to cope with trauma, or substance abuse - I'm just so tired of everyone acting like this is such an uplifting, empowering narrative for this character, because I really, really, really don't see it.

Bringing up Maarva and Kerri as people Cassian failed to protect and nothing else is so telling. That's not even what happened! He was abducted as a child, he didn't abandon his sister, and what was he going to save Maarva from? Old age?? But that's their whole narrative purpose to the writers I guess...

Mothma: Well, I know the constant political downward trajectory is her whole thing, but we really spend the whole arc seeing her do nothing but failing to convince other politicians (mostly men) of anything and being made to look like a fool for even bothering. So far all we've given her this season is being too soft and emotional (which, by the way, is why it's a little odd to me they're pinning the same thing on Cassian - why do we need this narrative redundancy here?). And her one "big moment" (read: over thirty seconds of uninterrupted talking) she gets to have this arc is either a front for Kleya's and Luthen's business or a pointless and reckless lashing out at Krennic's overt imperialism and propaganda.

Dedra: Yeah, she's holding all the strings, but in a weird way, her whole narrative is dependent on Syril now, and I have a bad feeling this is all leading up to him being butthurt about being used. It's a great spy storyline, but just like Mothma's part, great as it is, in combo with the deeply uncool treatment of Bix, it starts to feel like an unfortunate pattern.

Cinta: I actually liked her scenes a lot! Especially the scene in the café - it had an interesting ambiguity, for a moment there I was wondering if Cinta was running Vel, getting back with her to keep her on track on someone's orders. I think I may be giving the script too much credit here, given how weirdly stilted the other two romances were handled this arc it might have rather been a case of "the writer really thinks lovers talk that way". But even if it was an accident, I think that would be an interesting feature in the show, because they're the one couple who genuinely seem to be compatible and on the same page about what they want! And I get that they were making a point to get her killed so uselessly, by friendly fire, on accident. But man, this show refuses to give a woman happiness, even for the span of a timeskip. Whenever any of the ladies seems happy or get something she wants for herself, you can already be sure she's about to die or have something incredibly heinous happen to her immediately after. And the execution of that scene pissed me off, because if that scuffle had even just been relocated to the tunnel entrance, I would have bought it. But no, they're in a really wide, mostly empty alleyway, the blaster was mostly pointed at a wall and trapped between the two men wrestling for it, and you don't even see anyone being close behind them, and yet Cinta not only manages to get hit but instantly killed - what are the fucking chances? And yes, it's a metaphor, but again, with the overall bad aftertaste, it feels targeted and cruel at this point. With how little we got to see of Cinta, it really made her death seem like an afterthought. Like Brasso, this could have packed a punch, but we knew so little about her and had seen her even less, so it just fell flat.

My only positives(ish):

Vel: Her character is really growing on me! She has such a nice, well-executed, subtle development compared to most other characters on this show. She's clearly learned from Aldhani, and she's learning from Mothma and Luthen, too, and her resentment at the life she's leading is so beautifully expressed by her last scene: The greatest punishment she can imagine is recruitment to her cause. Because that's what she's doing to this guy. Recruitment. This is on you forever, this is all your life is now, you owe me and everyone whatever you have to make up for this. That's so heartbreaking, and so real. Am I pissed that Vel is constantly and pointedly denied happiness at absolutely every turn? Yeah! But at least for her, it feels like there is a little more agency, because she chose this life, even though she clearly has options. For her, it feels a little more tragic and narratively weighty, and less like a pointless onslaught of misery.

Kleya: I love her so much. And I could (and should) point out that it feels a little shallow to have her be completely reduced to "being the only competent person among men who are losing their shit at all times". We know nothing else about her, other than that she is Girlboss(TM). But, unlike with Bix, we actually see her be outstandingly competent completely on her own merit all the time, and even though the script neglects her, too, there is an implication that she has actively and deliberately sacrificed the rest of herself to be this spymaster - instead of the writers simply forgetting to give her anything more. And I just think Elizabeth Dulau is KILLING IT. In a weird way, Kleya is giving me the power fantasy that most Star Wars gave to little boys. It's not exactly a win for feminism - it's yet another flavour of "women can either be competent and powerful OR express their emotions and be vulnerable with people" - but I do have a soft spot for her, and her moment at the exhibition was the tensest shit I've seen this whole season. Nothing more gripping so far than watching this woman attempt to turn a screw.

[bloomingkyras]

Before we said proper good bye.. Here are the final house for Rosé Gen. Which she request to be near her father's birth place and where's their parent meet which in Ciudad Enamorada.

Final objectives ✔

Create your chef's dream kitchen in your home. Your sim needs a beautiful place to cook! ✔ (she just want a homey kitchen that not so fancy that her kids or Noah can use too.)

[stevenquartzcutiepieuniverse]

this wasn't supposed to happen

[ID / Pink Diamond is cradling a young adult Steven Universe. Steven is extremely pale and visibly exhausted with his face contorted in pain, tears welling in his eyes. Pink Diamond has her lips pressed to Steven's forehead in a kiss. She is also crying and visibly upset, devastated by her being back due to Steven's gem being separated from him. / End ID]

[camellcat]

first xander brought her back with human breath and determination... then willow with supernatural power and love.... smth smth two halves to keep their third in balance from drifting too far into either side and losing herself.....

[beautyofattolia]

Oh, yeah, these are totally normal things to think about the guy you definitely don't love and are totally just friends with.

Sure, Katniss. Of course. Whatever you say.

[kayberrie]

Cassandra Cain does not have a flexible moral compass. cass cannot turn a blind eye. She is incapable of not saving that life, she will never allow another person to perish in front of her. It's a product of her childhood, or maybe of her mentor's dogmatic mentality. Cassandra will never understand her brother and his unceremonious approach to human life. Cass will never be able to accept a killer, no matter how good their intentions. It's not something she can change: no matter how much fanon wants you to believe that she's is a quiet little angle, Cass is a person who's ideals are so strong that any violation of them is a violation of her, and she should be allowed to be an asshole about them sometimes.

[serpentface]

Don't get too attached

[puppetmaster13u]

Prompt 73

“What do you mean Nightwing’s tracker just disappeared?!” 

Look, Dick wasn’t expecting to get snatched in the middle of patrol. He wasn’t even in Gotham! There weren’t even any rogues in Bludhaven as far as he was aware of! Yet here he was, having blacked out after getting tackled he thinks? Something like that! Here he was in an apartment of some sort, even though the room looked like it was something more fitting for the manor, with the shadows literally tugging him towards the hall. Look, when he’s kidnapped he’s expecting some sort of fight, not a dude whose visibly not human and visibly very stressed out and maybe close to a panic attack of some sort. 

Why does he feel like he just got dragged into some sort of mess…?

[ricksmarlene]

THE WALKING DEAD: THE ONES WHO LIVE | BYE (1.03)

[bisupergirl]

I think a truly controversial supergirl opinion I have is that (pre-crisis) kara's feelings for querl are not nearly as strong as the feelings querl has for her, and she'd never leave everybody that she knows and loves behind just to permanently stay in the future and be his girlfriend.