#he can learn when we get there

[ya-what--ya-erster]

I have so many questions about How to Dance in Ohio and they're all screaming inside me while I sit on the floor scrolling tumblr and listening to silence in my headphones and I need to know everything right now please and thank you

[ew-selfish-art]

DP x DC AU: Danny desperately wants to find the explosion guy. Tim is really good at covering his tracks... he didn't account for ghosts.

The explosions make it onto TV as purported terror activity and most people haven't heard of that part of the world much less ever given a second thought to care about it. The only real reason it gets reported on has something to do with the Justice League and... Danny knows too much.

He's been in training for Clockwork's court (which he's suspicious of- feels like kingly duty bullshit- but Danny is playing along out of curiosity for now) and he's learned a lot about how the living and non-living worlds collide. That means learning about CW's usual suspects- one of which just happened to have a ton of bases around the area Danny was seeing on the news.

It didn't take long for Danny to try to piece together that whoever blew up Nanda Parbat was trying to fuck with the League of Shadows, and was doing it successfully. Less green portals in the world the better, same goes for assassins. But it gets Danny thinking... Maybe he can employ similar tactics on the GIW Bases that keep spawning on the edges of Amity Park. It would at least set them back while he and his friends navigated the help line desk to request Justice League intervention. None of them can leave Amity Park, so outreach is going to have to be creative.

So Danny figures he'll just find the guy. Call up some ghosts who were there, or er, came from there and get a profile and track him down. But the ghosts keep saying it was The Detective. Annoying!

Danny goes full conspiracy theory, gets Tucker and Sam involved, and begrudgingly asks Wes Weston his thoughts.

He hadn't expected Wes to garble out a thirty minute presentation (that had 100 more slides left to go before he cut it off) about how Batman totally trained with a cult and so did his kids. Danny kind of rolled his eyes but... hey, new avenue of searching in the Infinite Realms at least.

The ghosts confirm that Bombs is for sure not Batman's MO- But maybe his second kid would know? The second kid was already brought back to life though, so no way to easily reach him... Danny starts to realize that this might be the work of a Robin now. Wasn't the red one known for solving cold cases? (Sam provides this information- its a social faux pas to not know hero gossip at Gotham Galas- everything she's learned is against her will).

It all comes to a head when Danny goes about the hard task of opening a portal for the guy to come through at just the right time, explain the infinite realms so he doesn't panic and then describe what the fuck was going on with the GIW. It takes months, just over a full year, of random (educated guesses) portal generating- Finally, Red Robin drops into the land of the dead.

"So, you're the guy I've got to talk to about explosions right?" Danny enthusiastically asks.

Tim thinks he's died and landed in the after life following 56 hours of being awake and plummeting off the side of a building into a Lazarus pool. Nothing makes sense about the kid in front of him.

"Yeah, I got a guy for munitions." Tim answers cooly.

"How do you feel about secretly sanctioned government operations that violate protected rights?"

"Gotta get rid of 'em some how. Need me to point you in the right direction?" This might as well be happening.

[senseearly]

For a moment, imagine yourself in Mithrun's brother shoes.

Your brother - stronger, prettier, more charismatic, but also distrustful and disdainful of everyone especially you - is to be sent to the Canaries. It is the rule, it is the duty of all noble houses. But you know what goes on there, Mithrun knows what happens there. Yet you see him off, bidding a temporary farewell as you do, because someone from the House has to go and it won't be definitely you. Mithrun knows this, you know this. And you wonder, very briefly, if Mithrun hates you now more than he does already.

Your brother - powerful, agile, a good soldier just as he is as an heir, if he could only be an heir - suddenly disappears. The unit he belonged to suddenly disappeared. And you're speechless because - how? why? No one wants to answer you; they will instead try to bring back a body, they promise to you. But that is not what you want. You grieve for your brother. but your own family doesn't grieve with you. Wasn't Mithrun family too?

Then you found out: MIthrun is alive.

Your brother - now weak, despondent, his eyes always looking for something that is not here nor there - is to be sent home where people can take care of him. It is not your first choice, you want him home. But he is - sick. Not quite there. He needs someone who can look after him and you look at yourself - your gait, your constitution - and you know it can't be you. So, you follow the advice of your family and pour out all your resources to find him the best of healers and caretakers. You ask yourself, almost daily, if Mithrun would ever return to who he once was.

Your brother - strong, pretty, uninterested of anything and anyone else aside from what he calls 'the demon' - is now better. He can walk on his own now, eats without throwing up on himself. The color on his skin is back and the scars of his injuries have faded into thick bumps and discolored skin. But he still isn't quite there; still needs help and probably will for the rest of his life. And you can live with that. You can provide that. Just as long as he comes home.

But doesn't. Your brother - now a husk of his former self, and you hate thinking of him that way, but you can't help yourself, the Mithrun you knew is gone - runs straight back to the Canaries. His mission is not over, he says. He doesn't care how long it takes, he says. And you see him off, again, because someone from the House has to go and it still can't be you. Mithrun knows this, you know this, and you can't help but wish, very briefly, if things would've been different if you went instead of him.

[tomwambsgans]

greg said actually i wanna take YOU out and I'M gonna pay for it

[clowningaroundmars]

my personal atsv hobie brown hc is that this boy can build a watch that enables the wearer to travel to any dimension they want to, made entirely out of cobbled up parts he "finds"

but anytime anyone brings up AI or algorithms or social media he pretends to be 100 years old

hobie: what's a bloody "snapchat"? fuckin 'ell those effects are nightmarish, mate

miles, exasperated: hobie, you BUILD TECH that astrophysicists in my dimension can't even replicate. how are filters on a phone trippin you up?

hobie: dunno, everyone's got their strengths n weaknesses, i 'spose... 🙄😒

[avocado62524]

[spielzeugkaiser]

hi, first off i really love your art. the h/c and warmth really hit me where i live and your illustration style is fantastic. lately i've been obsessed with the post where an unwell milek thinks geralt will leave him behind. was that an ingrained insecurity, assuming his super-witcher dad wouldn't have time for a sickly human kid?

[MASTERPOST] - Ahh, thank you for the ask! Yes, this scene.. I actually saw this a bit differently! It's not about Milek fearing Geralt will leave him behind, he actually wants him to. They need to find his Pa!! I think he often feels like a burden; Jaskier knows this, but Geralt isn't aware of this yet. Milek just wants to pull his weight, especially with Jaskier. A little sneak peak to their struggles regarding this:

Meanwhile Jaskier continues to struggle with his omega status.

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[normalbrothers]

TOMMY: It's about he told told me why he wanted to do it. Now if I tell you I can't take the knowledge back. Better off without it.

[valengory1234]

While I love the storyline where Alfred was there from day one and helped raise Bruce, I think the original where he’s just some guy who shows up one day and Bruce and Dick just have to cope is extremely funny

[nerdie-faerie]

I'm once again thinking about the missed opportunities to have Klaus and Kol bond more. Part of Klaus' whole motivation as a vampire is to get his werewolf part back and to finally be stronger than Mikael (sort of, I'm simplifying) both of which can be obtained by breaking his curse. But Kol? Kol is the only other original that can relate to having a fundamental part of themself ripped away from them. Klaus might not have known he was a werewolf until he killed, but he likely still had a connection he couldn't explain, as evident by him going to watch the wolves transform. And something he'd never been able to explain was now gone. He might only be able to realise the connection afterwards through its absence.

Kol though. Kol had grown up with magic, a connection to nature and the world around him in a way the rest of his siblings supposedly didn't have. And then he gets turned. And not only has his baby brother died, his father has just murdered him and the rest of his siblings after forcing them to drink human blood, which he'll later learn. Now, not only does he have to deal with the grief of Henrik's death and also his own but also the loss of his magic. A loss that's likely only worsened by Kol being a self-proclaimed child prodigy.

Kol is pretty much the only one who could understand what Klaus is going through with the binding of his wolf. We know Kol searched for ways to get his magic back/carry on practicing magic in the same way that Klaus was looking for ways to break his curse. While Klaus likely could still feel his wolf there despite being bound, Kol has no access to his magic anymore. I just think they should've been able to bond or connect over their shared loss of an intrinsic aspect of their selves at the hands of their parents

[stormyoceans]

LINE READING SO DEVASTATING I NEED TO DIE ABOUT IT

[yuridovewing]

Definitely a little controversial but tbh I'm a "Crowfeather would have been a bad dad to the three if he and Leafpool succeeded in running or if he knew about them" truther.

[jessicas-pi]

hear me out on this ok. ROTS AU where Anakin still turns to the dark side but that's Palpatine's problem.

So, Palpatine decides last minute that ehhhh maybe dooku could come in handy later and he doesn't encourage Anakin to kill him, and Dooku gets arrested and imprisoned in the Jedi Temple awaiting trial. (Also he didn't get his hands cut off because of uhh plot reasons?)

Fast forward.

Palpatine is encouraging Anakin towards the Dark side, tells him about Plagueis the Wise, etc. etc. But see, the thing is, Anakin is at the end of his tether, probably hasn't slept more than three hours over the past week, and has no remaining impulse control or inhibitions, and upon hearing that the Dark Side can save people from death, his first thought is, "wait a sec, we've got a Sith Lord in-house at the moment!" and he sprints out of the space opera and books it back to the temple.

Now, Dooku has been calmly waiting in Temple custody, confident that Darth Sidious will arrange his escape. But THEN Anakin barges into the cell like OMG THE CHANCELLOR TOLD ME THE SITH KNOW HOW TO KEEP PEOPLE FROM DYING AND I'M HAVING DREAMS ABOUT SOMEONE DYING AND I NEED YOUR HELP TO SAVE THEM

At which point, Dooku realizes Palpatine's plan. He's going to tempt Skywalker to the Dark side and REPLACE DOOKU. this is totally uncool.

So he's like "...who are you dreaming about, exactly?"

Anakin freezes. He can't admit it's Padme because their relationship is top-secret and he can't admit how important she is to him so he tries to think of a good fib and goes "uhhhh OBI-WAN! Obi-Wan, it's Obi-Wan, I'm dreaming about Obi-Wan dying-" and he just throws himself into the drama because now he IS imagining obi-wan dying because Obi-Wan is fighting grievous at the moment and he MIGHT ACTUALLY DIE and that's in addition to Padme dying and he's totally spiraling at this point- "pleasepleaseplease you gotta help me he's like the only father i've ever known I don't know what i'll do without obi-wan I have to save him YOU GOTTA TELL ME WHAT TO DO I'LL DO ANYTHING--"

Dooku begins to smile.

(Would stealing Skywalker out from under his Master's nose be petty? Oh, yeah.)

(But it would also be very, very satisfying.)

---

Obi-Wan calls in to a council meeting to report his defeat of Grievous, but before he can say so, Mace announces that Dooku has escaped and the Sith Master has been killed.

Silence falls between the eleven councilmembers (eleven, not twelve, because their newest one is conspicuously absent. Obi-Wan wonders just what Anakin's up to now. Honestly, that boy will be the death of him.)

Obi-Wan clears his throat.

"...indeed," he says, trying to handle the shocking news with composure. "Well... at least we're down to one Sith, now."

Another awkward pause.

"Yeah, about that--" Mace begins.

[edwinisms]

wait yeah hold on how the hell did edwin open a door from hell to earth? like if powerful beings like the night nurse or certain demonic entities are necessary to open and close doors to other planes (especially hell where souls being trapped there is kind of the point) then what the fuck did edwin manage to pull off? did he somehow trick a demon or whatever into opening one? was one opened for one reason or another– maybe upon a demon’s return from retrieving a soul– and he timed it, booked it, and jumped in? there certainly isn’t just some constantly open ever-accessible door at the top of The Endless Staircase considering that would make hell kind of pointless. did edwin payne manage, somehow, over the span of 70 years, to figure out how to open a door from limbo/the staircase to earth by himself? am i just missing something here?