#he also said that he doesn’t even read

[a-random-allison]

Brandon said on his insta that he was so nervous for Sinsmas to release that he was rereading the script. WHAT DOES THAT MEAN BRANDON

[aceredshirt13]

as an American currently living in Japan. can’t stop thinking about modern AU Jeeves and Wooster where Bertie can’t flee from Aunt Agatha to America because she can just fly there and find him so he has to find somewhere even further away, resulting in Bertie and Jeeves taking the most sterotypically white tourist trip to Japan known to man. featuring:

Bertie saying “Konnichiwhat ho, Jeeves!” the second they get off the plane

Bertie getting complaints from the cat cafés because the cats adore him and the other customers are upset that he’s hogging them, leading to a blanket ban from every establishment in Tokyo

Jeeves (who is either inexplicably still Bertie’s valet or is an incredibly dedicated live-in PA) critiquing the technique of everyone working in the butler cafe, leading to a blanket ban from every establishment in Tokyo

karaoke night where Bertie knows all the lyrics to various anime songs but is absolutely not even close on the pronunciation (Jeeves watches him with impassive, amused fondness)

Bingo, for some reason

[theotherbuckley]

Okay but Tommy drops out of high school — he told his father he was gay and he told him he could either be homeless or go to military school. He goes to military school and joins the army and he likes flying the helicopters because it means he doesn’t have to do any of the killing himself. And he makes some friends.

There's one guy who's like the squad leader who's a few years old and built like a Greek god and Tommy's young and a little bit in love. And they're friends maybe even family because this whole group of people spend every waking (and sleeping) moment together. And they all talk like a family and they all say they love each other and tease each other and it's nice. And one night it's just the two of them trading a flask of some sort of alcohol that Tommy doesn't know the name of and the man asks Tommy why he joined the army and where he wants to be in five years and Tommy trusts this man. He's half way in love with him so he doesn't even think twice before he tells the story about the time he came out to his family and his father nearly beat him to death before sending him here. And the conversation tapers off after that and he doesn’t register the change in the air but when he wakes up the next morning he’s being dishonourably discharged because he poses “unacceptable risk to the high standards of morale, good order and discipline, and unit cohesion that are the essence of military capability”. He knows what that means.

Tommy joins the fire department because he doesn’t know what else to do. He represses anything regarding his sexuality because he knows now that it’s wrong. He almost feels like he has a family again because his captain seems to like him and some of the guys are cool even if they say things he doesn’t agree with. And then he starts agreeing because maybe they’re right and he’s wrong and he’s just inherently wrong. So he follows their leads and is just straight racist because that’s how he can fit in.

And then a black lesbian woman joins and says she’s a black lesbian woman and Tommy doesn’t understand that either because you can’t be queer you just can’t be because it’s wrong.

But he nearly dies and and an Asian man saves his life and a black lesbian woman comes up with a better idea than any of them had and she tells them she’s no different and she is just as capable. So he improves himself he does and he tries to be better but he still can’t be who he is because the last 2 times he was honest about that he was betrayed.

Tommy leaves the 118 and “don’t ask, don’t tell” is lifted and he meets this guy he likes who likes him back and the 217 don’t seem to have a problem with the gender neutral pronouns and he slowly but surely lets himself open up again and be who he is and when the thing with that guy doesn’t work out because he’s moving to New York and Tommy’s not sure he’s ready to leave, it’s okay because his crew is there and they support him and he can still be himself.

[itspileofgoodthings]

Hilaire Belloc in an essay on Jane Austen

[aalghul]

I don’t think it makes sense to assume that Jason was mocking Mia’s past. At all. The thing that got jason painted as violent back in the 80s was his anger against rapists…how does that turn into mocking a victim? and that entire story was written by winick. Do we honestly think winick intended to communicate that? The same writer who made Jason’s first kill a man who was trafficking children? Who had Jason pause in his mission of madness to make sure those kids were found by the right people so they wouldn’t be in further danger?

[wavesoutbeingtossed]

All I’m going to say I think now that my brain remembered part of what it was thinking is that Taylor and Joe went through a lot together (good and bad) and regardless of how it ended or what led to it they both seem to be determined to keep that private and not throw each other under the bus and in the end they’re just two very, very different people whose outlooks in the long term were just never going to align and never has that been clearer.

[unordinary-diary]

Blyke and John: Parallel Characters

I’ve written multiple entries about this,

[x] [x] [x]

But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.

‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.

Firstly, this scene:

ch. 121

This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.

“If someone hit your best friend, would you let it slide?”

That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.

John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.

But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.

They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.

I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.

Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:

(ch. 80)

As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.

Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.

Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.

Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.

Another thing I noticed in Episode 80 is this:

Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.

In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.

This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.

But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.

They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.

I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)

A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).

It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?

The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.

(138, 153, 206, & 211)

In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.

For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.

As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.

In the Rowden amusement park, John does start to realize how similar they are:

(249)

Additionally, I want to draw your attention to the parallels between this scene:

Blyke and John’s argument in chapter 249

(which the image limit won’t let me add, scroll until you see red hair.)

And this scene:

Argument in ch. 121 (it’s at the beginning)

Two sides of the same coin.

Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.

[stellewriites]

really fucking grinds my gears how my dad knows just how to make me feel fucking guilty for putting up boundaries and saying no

[jasontoddenthusiastt]

“Jason should get over being upset about his death” - he has, he wasn’t angry at Bruce or the world because they failed him and he ended up dying, which he made clear plain as day and that’s about the most reasonable a person who went through what he went through could be

anyway I don’t think these people realize how gory being bludgeoned to near death is, and maybe it's because of the limitations of the medium that scene was presented in

[lesbiansanemi]

For the first time since I can remember I did not hate every second around my family and… not only that actually…. Kinda enjoyed myself? Idk, just got home and I’m real tired but I think that’s just cuz I was up early and busy and then had the drive home. Christmas stuff and all that. My mom did…? Get me a pair of shoes that were lesbian colors…. I can’t tell if that was some insane coincidence and she didn’t know or her trying to say/do something all things considered. Apparently my siblings kept telling her I wouldn’t like them when she picked them out (which is fair I wear almost exclusively all black and mostly boots over tennis shoes) but she insisted so…. Mmm…. On the one hand I wish she would just like… say something? But if it was some weird way of being supportive I guess it was kinda sweet? Idk. I might be reading into it and it was just a coincidence

They also all insisted on helping me move in February which kinda has me like ???? Because I’ve moved four times since I’ve moved out and they have never once done a THING to help even when I lived much closer but I’ll take it cuz that means I won’t have to rent a truck cuz they’ll bring theirs and I won’t have to hire ppl to move the big furniture so that’s a lot of money I’ll be saving

They're also giving me one of the beds and mattresses from my great grandma's house since they've been clearing it out after she died a few months ago because when they asked what all I would I have to move and didn't say a bed and then explained my bed is a 20+yo mattress laid directly on the floor they were like :/ which obvi I know wasn't ideal I just couldn't afford to get a new one but now I won't have to. Obviously it's used but it's still only a year or so old they said, and I don't think I've EVER had a mattress that wasn't at least 15 years old so that'll be nice. I hope it helps some of my back issues...

Anyways, idk what fucking happened to these people in the span of a couple months but it kinda feels unreal

[sweetpapercroissant]

i just want to emphasise how crazy it is that samdean don’t need or even really want (at times) any external relationship outside of each other. developing different kinds of human relationships with different people is a huge part of growing as a person. and they just-don’t. even when they have the choice and chance to do so-they just choose not to. they really fulfill each other’s every need and that is so. it’s so sick how insular they are and even more so, in some ways, how content they are in that.

[gothsuguru]

i love muting people on twitter some of you bitches are very dumb

[shima-draws]

I just finished Skypeia AGHHHFJHHHH it was so GOOD

[touchlikethesun]

now when are we going to pull out the literary analysis big guns and talk about how important harry potter is to saltburn’s story and aesthetic???

[bibleofficial]

i’m myself at home, me in public, & i runs it all

[acourtofquestions]

Golden flame danced between her fingers.

Elide recoiled, and the fire vanished as quickly as it had appeared.

"My name is Essar," the female said softly. "I am a friend--of your friends, I believe."

Elide said nothing.

"Cairn is a monster," Essar said, taking a step closer. "Stay far from him."

"I need to find him."

"You played the part of his mistreated lover well enough. You have to know something about him. What he does."

"If you know where he is, please tell me." She wasn't above begging.

Essar ran an eye over Elide. Then she said, "He was in this city until yesterday. Then he went out to the eastern camp." She pointed with a thumb over a shoulder. "He's there now."

"How do you know?"

"Because he's not terrorizing the patrons of every fine establishment in this town, glutting himself on the coin Maeve gave him when he took the blood oath."

Elide blinked. She had hoped some of the Fae might be opposed to Maeve, especially after the battle in Eyllwe, but to find such outright distaste...

Essar then added, "And because my sister--the soldier you spoke with--told me. She saw him in the camp this morning, smirking like a cat."

"Why should I believe you?"

"Because you are wearing Lorcan's shirt, and Rowan Whitethorn's cloak. If you do not believe me, inform them who told you and they will." Elide cocked her head to the side.

Essar said softly, "Lorcan and I were involved for a time."

They were in the midst of war, and had traveled for thousands of miles to find their queen, and yet the tightness that coiled in Elide's gut at those words somehow found space. Lorcan's lover. This delicate beauty with a bedroom voice had been Lorcan's lover.

"I'll be missed if I'm gone for too long, but tell them who I am. Tell them that I told you. If it's Cairn they seek, that is where he shall be. His precise location, I don't know." Essar backed away a step. "Don't go asking after Cairn at other taverns. He isn't well regarded, even amongst the soldiers. And those who do follow him... You do not wish to attract their interest."

Essar made to turn away, but Elide blurted,

"Where did Maeve go?"

Essar looked over her shoulder. Studied her.

The female's eyes widened. "She has Aelin of the Wildfire," Essar breathed.

Elide said nothing, but Essar murmured, "That was... that was the power we felt the other night." Essar swept back toward Elide. Gripped her hands. "Where Maeve went a few days ago, I don't know. She did not announce it, did not take anyone with her. I often serve her, am asked to... It doesn't matter. What matters is Maeve is not here. But I do not know when she will return."

Relief again threatened to send Elide crumpling to the ground. The gods, it seemed, had not abandoned them just yet.

But if Maeve had taken Aelin to the outpost where they'd lied that the Valg prince had been contained...

Elide gripped Essar's hands, finding them warm and dry. "Does your sister know where Cairn resides in the camp?"

For long minutes, then an hour, they had talked.

Essar left and returned with Dresenda, her sister. And in that alley, they had plotted.

Elide finished telling Rowan, Lorcan, and Gavriel what she'd learned. They sat in stunned silence for a long minute.

"Just before dawn," Elide repeated. "Dresenda said the watch on the eastern camp is weakest at dawn. That she'd find a way for the guards to be occupied. It's our only window."

Rowan was staring into the trees, as if he could see the layout of the camp, as if he were plotting his way in, way out.

"She didn't confirm if Aelin was in Cairn's tent, though," Gavriel cautioned. "Maeve is gone--Aelin might be with her, too."

"It's a risk we take," Rowan said. A risk, perhaps, they should have considered.

Elide glanced to Lorcan, who had been silent throughout. Even though it had been his lover who had helped them, perhaps guided by Anneith herself. Or at least had been tipped off by the scent on Elide's clothes.

"You think we can trust her?" Elide asked Lorcan, though she knew the answer.

Lorcan's dark eyes shifted to her. "Yes, though I don't see why she'd bother."

"She's a good female, that's why," Rowan said.

At Elide's lifted brow, he explained, "Essar visited Mistward this spring. She met Aelin." He cut a glare toward Lorcan. "And asked me to tell you that she sends her best."

Elide hadn't seen anything that came close to pining in Essar's face, but gods, she was beautiful. And smart. And kind. And Lorcan had let her go, somehow.