#havent posted here in a While lol

[ocglaze]

My #freak

[kinerxy]

havent posted in a while so have some werewolves designs i've been working on!!

[choccy-milky]

Pls I beg Clora wearing only Seb’s shirt

she just can't wear it if she plans on getting anything done😇

[yanumii]

promised meeting

Happy 5 years to FE3H! I know I don't draw much from it but I do love this game and these 2 dearly 💙💚

[nvoc]

GENSHIN IMPACT ; natlan 01 - the night kingdom

[kaeyachi]

One of the probable reasons as to why Kaeya didn't arrive on time for Crepus and Diluc when they were attacked was because he, and the knights with him, had no vision, and thus, cannot use a teleport waypoint.

Him receiving his cryo vision when he was supposed to get scorched by Diluc was genuinely the biggest slap to the face given to him by Celestia. It arrived just in time to save HIM.

Even now, the vision only heals and shields him alone as a manifestation of his desire to keep living from that fight... but he can't use it to help others.

[iamlivinginsideyourwalls]

Posts Kai Ninjago and scurries away back into the shadows (also posted on @explodesanddieseverywhere )

Alternative backgrounds under the cut

[nosekiss]

︎*twirls hair* heyyy <3

[hacksawboy]

hipaint is really cool i think my favorite part about it is the fact its literally just free procreate. truly the photopea of our time. anyways some tf2 loadout stuff + a soldier sorry for the inactivity ive mainly been on twitter and also mainly just drawing chucklenuts podcast stuff and there is. no audience for that lol. i am my own audience

pal got me. strange festivized professional killstreak fire axe for christmas and i am so excited. i saw it on the steam marketplace and saw it was name a desc tagged after american psycho and wanted it so bad and thought i wouldnt be able to get it cuz i was $2 short but he came in so clutch and im .very happy (100% chance he sees this hi thank you again i owe you one 😭😭)

in other news one of my favorite (and by that i mean one of the 2 that exist) chucklenuts artists i follow on twt liked my last reblog. so i am very happy. ok yap session over im gonna go take a shower byeeee

[seiwas]

hope everyone is having is having a great week so far! 🥹✨

[a-whole-lot-of-things]

i love dead boy detectives to death, and hope with all my being that we can Somehow pull off getting it back (through netflix or otherwise)

but honestly if we cant? if we get stuck at where we are now forever? i honestly think ill miss the potential s2 soundtrack the most

[aardvaark]

expanding on that post about sophie devereaux backstories, grift ones and real ones and the things in between:

a year or two after they meet, tara and sophie are somewhere near drunk in a hotel room after a con, high heels thrown against the wall, dresses unzipped and halfway off. tara asks for her Story. the Story. and maybe she wouldn’t have asked if she were sober or maybe tara is simply a little too bloody brave sometimes, a little too determined.

so sophie tells her about a father in the military, a mother who died young, a family that moved houses, towns, regions, countries, all the time growing up. about lying to impress kids at every new school. about desperately doing almost anything to fit in for the months or year she’d stay in that area. about sweet talking her way out of a few little crimes here and there, cash that she would certainly never steal from her rich friends’ parents’ wallets, some driving rules she broke when she was too young to even have a license, yet old enough for a cop to encourage her flirting. sophie tells tara that her father died when she was 19, and the grief had led to recklessness. she made a mistake on a too-ballsy grift. she would’ve gone to jail. instead, she faked her death (for the first of many times) and never looked back. it’s the only funeral of hers that she didn’t attend.

and then, tara told her an equally untrue Story in return.

when sophie is duchess charlotte prentiss, her husband william asks far too many questions about her past. of course, charlotte has a Story. all of her aliases have Stories, even the ones she only uses for a day - they all have birthdays, childhood pets, first kisses, people they love. so she tells him that her parents died in a car crash when she was 16 and instead of going into the foster system, the authorities figured she was old enough to become an emancipated minor. she tells him how it was difficult at times, incredible at others, and sad and exciting and embarrassing and bittersweet. she weaves a damn good tale about charlottes life, if she may say so herself - one that’s just painful enough for william to stop asking questions. it works perfectly. but when she tucks astrid into bed that night, and the little girl looks up at her with big round eyes and asks if ‘charlotte’ misses her mummy and daddy and says that she’s sad for ‘charlotte’ because she knows what it’s like to miss a mama… sophie freezes. there’s a lump in her throat and goosebumps on her skin. she blinks down the tears and recovers just enough to fake a smile and kiss astrid’s forehead as she leaves the room. lying has never hurt like this before. it takes all her strength to shut it down, shove the emotions in some tiny box in her head that she simply refuses to acknowledge. she decides, then, that she has to leave this house as soon as possible.

the charlotte Story is one of many that hardison finds. it’s inevitable, when he has to cover all their tracks so thoroughly, that hardison would stumble upon various old aliases. he only learns about the charlotte one from the job in england - there’s no links between her and sophie, but he destroys a decent amount of excess duchess charlotte prentiss information just in case, and then looks for any other mysterious women who happened to pop up or vanish around that time. he notices that there are some things that all of sophie’s aliases share: their parents are dead, they have no siblings, and their life changed dramatically somehow in their mid-to-late teens (usually with those parents’ deaths, or gaining an inheritance, or moving far away). he knows that these are all pretty standard, convenient details for a fake identity. but he wonders, sometimes. couldn’t she have made up dead siblings? estranged but alive parents? a dramatic event in her early childhood or in her twenties? he doesn’t know if the consistent parts mean anything. he doesn’t ask for her Story - not outright, at least. though for the first couple months of knowing her, he does sometimes enquire about little things here and there. did she grow up with sisters, what was her high school like - that sort of stuff. information is his thing, sue him! sometimes sophie just smiles. sometimes she answers, and he eventually learns that her truths, at least, are very much relative. when he decides that she is family - which is pretty early on, to be honest - he also decides not to ask anymore. he destroys old aliases when necessary, but he never reads more than he has to. he loves sophie and that is enough.

eliot never asks anything about her life. not even the innocent, casual, unthinking questions that sophie is used to from other people: where’d you grow up? did you ever have any pets? i always had to share a room with my sister, what about you? eliot clearly avoids asking her any of it. she’s somewhat surprised by that. sure, he’s polite, but he’s also suspicious both by nature and due to certain unfortunate experiences, so she sort of expected him to interrogate her when they first met.

one night, they’re the last two left at nate’s apartment. even nate had gone to bed and left them there, long given up on shooing his team out at appropriate times. sophie’s been drinking tea and flipping through a latvian phrase book to refresh her memory for tomorrow’s grift, and apparently that 90-minute-a-day sleep schedule allows for eliot to be doing one-handed push ups in the living room at this ungodly hour. too tired to retain any more information, sophie studies eliot instead. he’s a straightforward guy. she decides to be straightforward too. she breaks the silence of the apartment and simply asks - is he ever curious about her Story? eliot pauses a moment. looks her in the eye, quiet. doesn’t brush her off gruffly like she thought he might. instead, he asks if she’s ever curious about What He’s Done. that is answer enough for the both of them. they don’t talk for the rest of the night, each going back to their own activities, but the silence isn’t uncomfortable. on the contrary - the mutual understanding ends up solidifying their relationship.

nate isn’t always so intensely careful about his questions like eliot. well, actually, there were many times back in his insurance days that he very much did ask her questions on purpose. and of course, for five years, he asks after her real name. sophie generally thinks of it as a fun game. she smiles at his useless determination and teases him when he comes back from jail. after a while, though, she realizes that the questions about her Story mostly stopped when leverage formed, and stop completely once he proposed. nate never hears any version of her Story. she’s here now, and that’s all he needs or wants to know - just like how sophie is her real name in any way that matters.

the moment that sophie realizes this is the moment she stops caring about the real Story, the burden of the secret and the guilt and shame of keeping it from her newfound family. in that moment, she understands that what happened back then is just a small drop in the ocean, irrelevant to the life she’s built and come to love. she never tells them the story, and she never needs to.

[carma-tjol]

intermission

[badlydrawndedkidz]

hello there! it's me, Tortilla, known mostly as Mod by the people who have been following this blog for a While!

if you've ever scrolled for a bit here, you've probably Seen that I've tried a few times to get back into posting more often and failed comically as i grappled with the dreaded Mental Eel Nesses and Executive Dysfunction, among other things. especially since ask blogs aren't as popular as they were back in the day when i made this blog (2015! turned 9 years last aug 15th! that's an entire child. jin owes me a lot of child support,)

(before anyone gets scared, no I'm not deleting anything lol gimme a sec to word this thought)

okay so like. cutting straight to the point not gonna get sentimental right now I'll save that for later: i want to keep this blog active REALLY bad, but as much as I'd like to, for multiple reasons i cannot draw as much as i did back in the day, which is like... the main thing i usually post here. so I've been pondering for the past year or so What to Do about it

my one idea is to turn this into a general kgpr blog and reblog other people's art and official stuff and the alike here, instead of keeping it Just My Stuff

but the thing is, if i DO that i would want to change my url, because reblogging art to a place that's named "badly drawn--" whatever is. i Don't Want That y'know? it's disrespectful lol

the thing is that that's soooo many links that would Break. among other things. (+ i have nooo clue what id change the name to but that's a different issue)

so like, my question here is,

[discjude]

it is literally 4 in the morning and I can't fully articulate this but like. I spent a whole lot of time trying to work out who the "third" in Rise + Fall is (given the 'two works well, three complicates things' rule in Fall) mostly because its the sort of thing that works really well for parallels (example: my insane Hook theory). Obviously there has to be a Third for the Prequels twins (since Soman wouldn't've made it that big of a deal if there wasn't), just as there is a third for the TSY and TCY twins: Tedros is the Third in TSY, and the Complicator Of Things himself - Aric - is the Third in TCY, but there's a lot more candidates for Prequels: you could make cases for Hook, the Pirate Captain, Pan, and Vulcan, from my memory. But none of them really stay around long enough for them to be the third, so I was struggling to pick one out that worked well.

Based on how the Rule Of Three is described, the Third has to be someone that gets in the way of two others, who are going to be the twins, and needs to do a significant amount of Complication. Aric is literally the blueprint for this (potentially also Evelyn, but also not Evelyn, for Reasons). So anyway looking back on it the Third in Rise and Fall is SO OBVIOUSLY the Storian itself and im mad I didn't clock this earlier

It's present through both prequels, where most of the other candidates aren't. It DEFINITELY gets in the way and DEFINITELY does some significant Complication, looking at the end of Fall. If I were to reach slightly, the first image we see in Rise and Fall is of the Storian physically between the brothers, mirroring how it ends up coming between them emotionally, and I like to think that's intentional (Book 2's cover does this as well).

More importantly, there's another part to the Rule Of Three pattern with the sets of twins that isn't explicitly stated, but is consistent between all three: the Third always replaces one twin to form the Two with the other. in TSY, this happens with Tedros and Agatha (predominantly). In TCY, this happens with Aric and Japeth - this is why Evelyn can't be the TCY third in my opinion, since she doesn't replace either twin, and breaks this pattern. in Rise and Fall, this happens with the Storian and Rafal. There isn't really a pattern to whether the Good/Evil twin gets replaced, unless you want to go into some very very very bit leaps ive thought about regarding the whole "was Rhian II evil or good before becoming Rafal, and does that also affect Japeth doing the same thing" thingy but I could not fully explain that stuff ever. There is probably so much more nuance I could add to this if only I reread TSY but that will happen Some Other Time

[frogintheair]

🍞🐉 sketch dump

extras v