#have you ever existed in the real world

[greensaplinggrace]

"you never see darkling fans being alina stans! there aren't any feminist darklina shippers! lesbians and poc would never like something so immoral!" girl what on earth are you fucking talking about. don't make me tap the fucking sign.

[kagoutiss]

as if it was never there at all.

[pseudophan]

i'm so extremely irrationally annoyed by people not knowing what various terms mean and using them incorrectly like i feel like that's such an asshole thing to care about but oh my god stop

[serpentface]

Do psychotropic drugs and/or ritual play a role in any of the blightseed cultures? A pretty broad question, lol

Yeah that’s a very broad question, the answer is about as much as it tends to play roles in real history. Alcohol is pretty ubiquitous (outside of cultures that abstain from intoxicants) and used for a variety of purposes, opioids are commonly used in some parts for pain relief or recreational purposes, stimulants (usually in mild, natural forms) are used to provide extra energy, and hallucinogens are most commonly used as part of a larger religious framework (rather than for recreational purposes). Any more elaborate answer kinda has to be case by case in a certain culture or part of the setting.

I'll just take this as an opportunity to talk about the one established sect that pretty much REVOLVES around psychoactive use. This is the Scholarly Order of the Root, which is a sort of mystery religion + elite community of scholars who currently occupy the Ur-Tree and its forest in the far southern Lowlands (southeast of Imperial Wardin, on the same land mass).

The Ur-Tree is the obligatory Huge Fucking Fantasy Tree (and its surrounding forest). It’s a mass of vegetation about a mile tall and almost as old as Plant Life Itself, its upper branches are primeval plants, which become more modern the nearer they get to the ground (and each 'level' holds tiny ecosystems, some containing descendants of LONG-extinct arthropods/other small animals). Its lowest branches and the surrounding forest are contemporary plant life, and all is connected and protected by an incomparably MASSIVE fungal mycelium network (which is itself a living god).

A lot of the Scholars' more secretive practices revolve around experimentation with substance use with the goal of expanding the Mind and transcending the body to fully connect to the Dreamlands, and they have a supply chain of traders and mercenaries called Rootrunners who traffic substances into the Lowlands. Most of their psychoactive use is in a very intentional capacity and not just like, for fun, but a LOT of them are just straight up addicted to cocaine (in the form of alchemically refined bruljenum, which is used for practical purposes of its stimulant effect during long hours of work).

All known psychoactives are desirable for experimentation (particularly hallucinogens), with each having properties that either allow expansion of the Mind, transcendence of the body, or outright divine communion. Their effects are logged in great detail and interpreted to form the basis of the Scholars' understanding of the natural world and reality itself.

The most important substance is Ur-Root, which is root matter from subterranean levels of the Ur-Tree that have both their own intrinsic psychoactive substances and a very, very high concentration of living god mycelium. The tree root contains DMT and the mycelium has its own wholly unique effects (being an actual living god). They alchemically refine it into a purer, more potent form, and use it to expand beyond the body and directly commune with the Giants, a group of entities they have identified as the only true gods.

An Ur-Root trip starts off with minor visual distortion, which turns into shifting fractals that slowly obscure the vision. Eventually the senses are entirely taken over by a 'tunnel' of rapidly shifting fractals and geometries. In a complete trip, the experiencer gets a sense that they have been pushed through a membrane and entered another realm, finding themselves in a distinct experiential Space.

At this point they may encounter entities which communicate to them in a language impossible to describe but wholly understood. These beings are understood to be the Giants, or at least aspects of the Giants that mortals are capable of comprehending (they often take familiar tutelary forms of the Mantis or the Snake, or appear resembling the same type of sophont that the experiencer is, all composed of ever-shifting geometries). The experiencer often feels a sense of unconditional and endless love from these beings, though the Giants may be more hostile and may appear in the form of the Trickster (usually a cultural figure regarded as malicious, be it an animal or otherwise) in a bad trip.

(^Up until this point, this has mostly just been a DMT 'breakthrough' experience ft. 'machine elves' and the like).

They are then removed from this space and returned to something that feels like the real world, but is nearly unrecognizable. They have a sense of rapidly moving through time, and will usually see 'the spires' towards the beginning, which just so happen to look like this:

(source + some context via Implication- the spires are exactly what this art is depicting)

The experiencer continues to move across an unfathomable amount of time, occasionally 'seeing' other such flashes of unfamiliar landscapes and creatures, and yet also being devoid of all their senses, the 'seeing' is pure, unfiltered experience. There is a sense of interconnectedness with all life, and that one has become the forest (or even Life) itself. The sense of time is wildly distorted, the trip lasts only about 5 minutes but feels like an eternity and is understood as literal hundreds of millions of years.

The experiencer has usually lost any remaining sense of Self and individual consciousness during this phase (in which case this time distortion is usually a neutral or even peaceful experience), but some retain a fraction of their identity, and find themselves trapped and conscious while experiencing what feels like eternity (which can be LIFE-CHANGINGLY distressing, even after the fact).

(^This latter part of the trip is the effects of the Ur-Tree fungus).

The trip ends with a sense of rushing through the ground and back up into one's body, at which point they will abruptly return to their senses and consciousness. The details are then immediately retrieved via interview and recorded in immense detail. The whole experience is understood as having been full comprehension of the Dreamlands, communion with the Giants, and then a tour through the act of creation.

This is done as part of the initiatory practice into the inner mystery-religion of the scholars, and as needed for study by high scholar-priests. It is not taken lightly, both as it is absolute communion with the gods and reality, and in that it can be a very, very difficult experience. People who have gone through this often walk away with a permanently shifted perspective, often in a positive and/or comforting way- a sense of interconnectedness with all life, a peace with the concept of death, seeing less of a point in individual ego and the concept of Self, and comfort in the sense of divine love they (may have) experienced. This heavily influences the philosophy of the Scholars and has had effects by proxy in the religious worldviews of the region.

Details of this experience are closely guarded, and initiates are given absolutely no prior knowledge and expectations for their trip. This is seen as a necessity- their naivety will allow for a true, unfiltered experience, and can be used to gauge whether they should or should not be accepted. Those that have a distinctly bad trip upon initiation may be assumed to have been 'rejected' by the giants and thus denied full priesthood, though this largely depends on How they interpret their distressing trip- those who identify this as a test and harsh lesson in a journey to enlightenment may be accepted (as this is how fully initiated scholar-priests interpret and handle their bad trips).

This inner priesthood is only a small fraction of the Scholarly Order, and its greater function is as a hub of education and repository of knowledge, and Scholar-trained doctors can provide some of the best medical care available in the setting ('best medical care in this setting' only means so much but it's pretty solid, relatively speaking). Only a chosen few Scholars ever get to commune with the Ur-Root, and most of the divine secrets revealed in the process are kept hidden (though they indirectly influence the politics and worldview of the entire order).

[codenamesazanka]

Shigaraki/Tenko wanting to destroy the false sense of peace All Might and Heroes created

.⬇️.

Shigaraki/Tenko wanting to destroy everything that lead to the existence of that house, which he conceptualizes as the embodiment of rejection and injustice in the world. Be a Hero for the Villains.

.⬇️.

AFO basically literally created that house

.⬇️.

Shigaraki/Tenko helps defeat AFO

.⬇️.

Deku telling him 'you already destroyed it' is... apparently Shigaraki/Tenko having finally gotten rid of the true cause of (his) rejection and injustice? main antagonist's big problem that represents an overarching major issue of the story/in-universe society... solved? (main antagonist's big problem that represents an overarching major issue of the story/in-universe society not actually being the problem he thought it was but now also solved?)

.⬇️.

No longer a need for there to be a Hero for the Villains, Shigaraki/Tenko dies.

.⬇️.

Heroes not to be blamed in the first place. also fuck everyone else and all other 'actual' outcasts I guess.

[steakout-05]

random thought but i love the idea of Herobrine being less of an explicitly evil character and more of a weird cryptid thing that exists by accident and can only be perceived at long FOV distances by humans, forever being sort of isolated from the rest of them to only be seen partially obscured by the fog. he physically exists, but can only be perceived as though he were a ghost. he's very curious about other humans, watching over them as they traverse the world, but he means no harm. this can often look like stalking behaviour which can freak other humans out and make him seem menacing or off putting. scrambled throughout the world are legends and scriptures written about this mysterious being that make him out to be terrifying and threatening. warnings, spells and summoning rituals are seen scratched across the walls of ancient catacombs and ruined civilisations. locked inside dusty chests are torn and withered parchments scribbled with illustrations that depict him to be some sort of monstrous eldritch creature, perhaps mistaking something more terrifying for the legends of the strange man all should beware that have persisted for centuries. others depict him more as a silent, stalking shadowed figure, lurking behind trees and mountains with unknown intentions.

the only reason he exists is because of a strange bug that causes a duplicate of the main player to generate along with the world, and no matter how many times the developers of Minecraft try to remove him, he always quietly comes back somehow, implying that the rules of the game they created has developed into its own ecosystem that is slowly developing its own independence separate from the game, and that Herobrine is an integral part of it. he might possibly be a remnant of an ancient experiment or society that has long since disappeared, but for whatever reason, Herobrine still persists.

[osamucide]

if this bothers anyone they can kindly feel free to leave or ignore it or whatever but can we stop flooding the x reader tags with half-baked thinkpieces on why people should or shouldn’t do whatever with their writing. every other post is “you shouldn’t romanticize [x]” “you’re problematic if you do [x]” “stop writing about [x]” “[x] is gross and if you write about it kill yourself” how about if you don’t like certain content you heed the content warnings, block the tags, don’t interact with it, so on and so forth. of course part of our responsibility as writers, especially ones dealing with sensitive topics, is to label and tag our works appropriately but let’s be real—i hardly see any writers (at least within the bsd fandom) who don’t make it abundantly clear what they do/do not write about, interact with, or tolerate. wait until you find out how much fucked up shit happens in real life and how much some person on the internet coping with their trauma by writing self insert fanfiction about a cartoon character doesn’t fucking correlate to the perpetuation of that fucked up shit at all. it doesn’t even have to be that serious. people are going to write and read the content they want and they’re allowed to and you spilling your complaints all over the x reader tags “to boost attention” isn’t gonna change that. if you don’t like something ignore, unfollow, block, mind your own business. it’s actually super easy

[jazzzzzzhands]

i loved my dolly so much that i drew her!!

i changed her hair and skin tone because i can! She loves Wally!! Just like me!

[crimeronan]

i think worst timeline AU luz's most common recurring nightmare while she thinks hunter is dead is that she opens the door to find him on the doorstep healthy and whole, but then -- sometimes with a slow horror creep, sometimes all at once -- it becomes apparent that this is not the hunter she grew up with, nor is he the confused terrified grimwalker she helped kill. this is a copy of hunter that doesn't remember being hunter but still apparently remembers loving her. in the worst dreams he apologizes for not being the right hunter and he so so so earnestly loves her and he's still Not Right and nothing at all has ever been his fault.

[imjustavenuxwithaboomerang]

idk if anyone's said this already but my brain just registered that lela and tanner (and everyone else from wet side story) are in fact not real, they're just fictional characters in the teen beach universe

which means that they have actors that are in the real world and that mack and brady befriended fake people

[atopvisenyashill]

do love how this is an asoiaf blog but i did not put either show in my top 10 this is the world we live in

[thirdtimed]

he was only ever meant to watch

[druidshollow]

"what would your character be like without their trauma?" is such a hard question for me because it makes me feel like a massive asshole LMAO

(im attaching a picture of a tundra literally to add context to my ramble in the tags because my posts are structured by a sane person) (you should read the ramble in the tags i talk so much about rivers fsr)

[copiawife]

hi i'm not back from hiatus i just need to show you all that copiablair is canon in stardew valley

bonus look at our house it's cute and i worked very hard on it

[antisocialxconstruct]

good news: it is real 👍

bad news..... it is so so small 😂😂

tell me in WHAT universe this is an XXL..... I might still be able to style it somehow but I am a little disappointed it isn't the slouchy sweatshirt I was dreaming of. Trials of online shopping I suppose

[badboysupr]

just wanna make something very clear here and on percy's blog; i adore crossovers

and i don't just mean the "let me make an entire involved AU for this" crossovers; i also mean the 0 effort, "let's just throw our two muses together and merge their universes and see what happens" crossovers

like don't get me wrong—i love all my pjo mutuals and i also do enjoy the effort put into creating AUs but listen

you can't tell me it isn't fun to take two muses who exist in the "real" world who have dealt with their own weird bs and watch them compare notes on the weirdness okay? it's immaculate

so if you write a muse who isn't pjo or doesn't have a pjo verse, i guarantee we will make it work, frienderino u-u and i guarantee i'm stoked for it