#have they forgotten about all of it ?

[hummingbee-o0o]

I'm sorry, I know we already talked about this, but

Aziraphale just. Casually painted an entire room the colour of Crowley's eyes.

He is so extremely normal about that demon.

[shalom-iamcominghome]

If anyone is interested, please feel free to light a digital candle through Illuminate. I got a name a few years back, and it's a name I won't forget. May every name we have found be a blessing. May their names never be forgotten. May we never forget.

Never again means now.

[somerandomcockroach]

[14dayswithyou]

💖 EVEN MORE DAY 4 SNEAK PEEKS! 💖

[lazylittledragon]

hi i'm unw el l

[shower-phantom-ideas]

Danny is just a kid ya know? Like he is just a little guy. A baby really. 14? Tiny child! Look at him, he needs to be protected. Someone has to help this poor little dude. I mean he forgets to use his own powers to avoid attacks all the time.

Anyway cut to Batfam not knowing all of Dannys power set cause the lil dingus keeps forgetting he can do that stuff in the heat of battle.

Danny uses his invisibility all the time… to avoid being followed. But in a fight? Oopsies hes too busy thinking of funny one liners to realise he could do that.

Intangibility? Give the guy a break. I mean who calls themselves condiment king. Even he was stunned.

He so rarely actually uses his biggest advantage powers that the League doubt he actually has them. He, like any naive child, trusts them and reported fully on his power set. Instead of just asking him to demonstrate his powers they instead start watching him and try to find evidence of his powers.

At least they know duplication was true since they watched him make a copy of himself to go to the bathroom and not miss any of his fav tv show.

[themisterhip]

I'm still down bad for him, that'll never change.

[iyohme]

and i know that you mean so well;

but i am not a vessel for your good intent!

("Tongues and Teeth," - The Crane Wives)

my serotonin got jetpack bursted into the stratosphere with this blurb by OP. Your brain is so juicy and moist and wrinkly OP. Godspeed. I'm not even into DC but the whole "Burnt out and neglected, and now a bunch of people driven by guilt guilt guilt want me back so they can feel less guilty?" just made the racoon in me rub its hands menacingly hoho

Just imagine not even living your best life; just a shadow in the lives of the illustrious Waynes, a ghost in a castle, visible only to the loyal servant and the occasional curious paparazzi who shrugs and looks away--after all, there was no mention of you in any occasion: must be the kid of in-house staff. How nice of Brucie Wayne to allow even the children of in-house staff the opportunity to study at such a high-end college! (The reporters chortle and snicker at your barely-passing marks, sighing at such a wasted opportunity. Oh well. And then they move on to the tabloid topic of the week, after the strutting socialites and the rich and the arrested Rogues.)

You gather things.

You gather pieces of a cracked dream, a single plastic teacup you had brought into the cavernous mansion the day you held Alfred's old, gnarled hand. Ears ringing and slippers still stained with your parent's blood as they were gunned down before your very eyes. You gather your things, what made you before you were "Wayne," so to say. Your mother's old cigarette box, smuggled from the crime scene, your one memento of the woman who you could not forget but never forgive.

A juxtaposition of love and hate, forever crucified. The image of the Virgin Mary inside the tin box seems to be a mockery of faith, across from her image lying cheap cigarettes.

You gather test papers, all barely passing and with more reds than blacks, and grind them up into strips with the shredder you had brought; just one time the black card Wayne had given you, and it left the bitterest, sourest aftertaste in your mouth. They burn so cozily on the school Bunsen burners, especially when sprayed with alcohol, immediately immolating like timelapse sparkler videos. You gather your name before the Incident, you cherish it, and you repeat the syllables in the dead of night, spilling past your mouth. Even if it was the name of a child-abusing monster, it was still yours, and it was still of use.

And use it, you would.

While they go and be a family, you work to begin yours.

You gather funds: it's easy to take on odd jobs when people do not suspect you. You tuck away that black card at the bottom of your study table drawers, forgotten there like scribbled-out pages of an essay, an unfinished drawing, and leftover candy wrappers. It's a bit-by-bit work, but you know the Waynes wouldn't even see it happening. Your brothers and sisters (an absurdly alien concept, as they don't even acknowledge you exist ninety-five percent of the time) are prodigies paraded around at every event. You are the unseen ghost flitting through their shadows.

Graduation comes and goes. It's laughably easy to falsify having lost your social security number and other documents--Gotham is that much of a shithole, you suppose. The man in the cowl notwithstanding. His efforts are admirable, but weak. Recidivism is common in this place, as if there were some sort of pull that incited the people in Gotham to cruelty, to madness.

It's absurdly Lovecraftian, in its own way.

You are not even living your best life, and yet you are free. Alfred knows; he always knows. If you are The Ghost, then the aged butler is a man one step between the doors of death, and he sees you every time you move. Your room is empty, and he raises an eyebrow at your satchel: all your items already stored elsewhere or given away.

("I suppose this was a long time coming, Little Master."

Tap tap tap. Footsteps on marble floors, setting sun.

You shrug. "Eh. The Waynes gave me a roof and education. It's all good."

You grunt. "Well, people change. Like you know, how kids being gifted stop being gifted when they grow older." You say, instead of 'Well, if a child doesn't get any praise or attention if they do good and probably even less if they were bad, why even bother?')

A pause. "Your academics were not so lackluster when you were younger."

You promise to try and stay in touch. (You crossed your fingers behind your back.) You leave, sunset on your face.

The nap you had in a dingy hotel with far too many odd stains and not enough locks you could put on was the soundest you've ever slept in years.

Freedom smells like summer air and the last rays of sun, followed by the cold blue hour.

It takes three months for an out-of-state college to accept you. It's far from Gotham. It has a dormitory. Excellent. While you were indeed a mediocre academic student, you had banked everything on band scholarships.

Who knew more than a hundred clarinet players had unclaimed scholarships yearly? Packing up your small life in bags, you take a train upwards to another state.

(Meanwhile, in Gotham, there is an odd sense of unease as Bruce Wayne stops by an inconspicuous door. It's relatively clean, as expected of his manor, but the worn out brass on the handle suggests that someone had lived there before. He opens the door. Steps in. A bed, a dresser, a study table. Bare bones.

The unease intensifies. But who?)

Someone had lived in here, yes.

[front-facing-pokemon]

[just-a-cheese]

No one expects Superman to have hobbies. Mostly because everyone thinks he lives in an ice fortress in the artic and spends all his time saving people instead of being a person and having a job. No one expects him to be Clark Kent either. But he is a person and he has a job, and even though he can't exactly keep up with a hobby -what with all that ‘spending most of his time saving people and trying to be a person’ thing- he does have ways to pass the time and unwind himself after a long day.

Technology is so amazing, and social media is so addictive.

So maybe he keeps up with inane internet drama. So what? People having parasocial relationships with random bloggers is like the norm nowadays, and honestly the lowscates problems of celebrities are like a breath of fresh air after stopping another world-ending threat. So yeah, he knows meme speak; he's fluid in the way only chronically online people are, even if his coworkers think he barely knows how to navigate google and his uh- night shift coworkers still think he could somehow not know what a tv is.

This is all to say, that he could be excused of momentarily forgetting himself after a long battle and even longer debriefing, and in a completely conditioned response -totally outside of his control- having responded to a comment about one of his favorite celebrities in the way he would have inside a fandom space.

Meaning, that while sitting at the table in the watchtower, surrounded by his fellow superheroes, listening to Green Lanter cry over the 500k luxury car crash that Bruce Wayne was involved in and how someone had to stop the crazy bastard or stage a rescue mission for all the poor beauties trapped in his garage, Superman -world’s mightiest hero- actually opened his mouth and without any input whatsoever from his brain said “or i could get him pregnant, maybe that'll calm him down”.

The absolute silence after that didn't get to last for more than a second, as Batman tripped over his own feet and almost brained himself on the table.

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[nanierose]

The idea that the gods should have to justify why they should be allowed to be on Exandria, a place they see as their home, is kind of fucked up, and is also completely unworkable. Like, who gets to decide the standard the gods would have to meet in their argument? Is there going to be some universal decision where everyone is happy and the world doesn't tear itself apart in the process? Because clearly the fact they have already left Exandria to protect mortals, and only work through those who choose to interact with them, is not good enough for a lot of people. Except it is for many, many others on Exandria.

There are millions of people who worship the deities and get a lot from them. Their temples provide healing, resurrection, defences and armies amongst other things. Paladins and clerics have done many thing in service of their gods and the world, not all good of course but there are examples of them doing good in living memory. Imogen and Orym said it best, one person should not get to decide for the entirety of the world. In the same vein, Bell's Hells or anyone else for that matter can't decide that either.

There is no perfect answer or argument in something where opinions vary so much. I understand this was brought up in hypotheticals, but it's still a point that could never feasibly work. Hate the gods all you want, but if your idea is to make them essentially beg to be allowed to stay on their home, when they have already done a lot to ensure they don't hurt mortals anymore, I don't think your argument is in good faith. You just want to feel superior to people you blame for the bad things in your life.

[keirientez]

Pokemon trainer AU, Reborn is the champion meanwhile Tsuna is his apprentice. Tsuna’s design belongs to my friend @Cloud_Knee (Twt or X)

[lilithofpenandbook]

Something I can't stop thinking about is that Snape began the series being perfectly okay

He was actually at his best. He'd spent ten whole years in Hogwarts without the Marauders and before Harry Potter walked in.

Of course it wouldn't have been easy for him to adjust, but he did. And I just can't help but think of those first months where the other teachers got to know him, and got to realise that this boy needed them, needed their help, and took care of him. I can't help but think of how they promised him that it's okay, it's over, everyone's safe and he's not what he thinks he is. He's okay.

Like, for ten years he would have been happy. He had friends. He had a job. He had a home. Hogwarts was his home.

And then Harry Potter came and everything went wrong.

Can you imagine, him seeing Harry's face for the first time? After so many years of actually being content and happy, suddenly he sees James Potter's face, Lily Evans' eyes. Suddenly he's reminded of Voldemort who will return now, and now he's got a ticking clock, a countdown warning him that that's it, time's up, everything you've built in these ten years are soon going to break. And then come the events of the first and second year. Okay, so they're chaotic and stressful, but it's fine, they're all stressed, they're all in this together.

Then it's Harry's third year.

And that's when everything falls apart.

Remus Lupin, one of his abusers and a serious gaslight, is here in the job he wanted, and acting like everything's fine between them while simultaneously disrespecting him and forgetting to take the potion and being a huge risk to them all. Sirius Black, one of the two main abusers, is on the loose. And no one is ever gonna believe him about Lupin, are they? Suddenly it's Lupin's home. Lupin's safe space. But what about Snape? Do the past 13 years mean nothing? It seems so. And in the end, he has a complete breakdown because it's all coming down.

Then comes the goblet of fire. Okay, normal, right? But then there's moody. And there's the visiting schools. And then there's Kararoff who will not leave him alone! And then...

And then Harry Potter comes with the dead body of a teenage boy, crying and screaming that Voldemort's back.

And now Snape knows that time is up and things only get worse. Everything happens after that, from spying to dealing with that wretched Umbridge who's trying to destroy the school.

And then...

And then he has to kill Dumbledore.

And that when it all ends.

All he built in the past 16 years....

All the promises that they'd never leave him...

That they'd always look after him...

That they know he's not that person he used to be...

That everything will be okay because he has them to look after him...

They mean nothing now.

He's not okay anymore.

[edorazzi]

More Thunderbirds Are Go comics! 🏝️

In which the pod bros make small talk, Scott is a thoughtful sibling, and John is adept at parenting his murderous toddler daughter. The first strip was about the hydrofoil incident from classic lore, but I watched "SOS" right after (unprepared and vulnerable!) so here's to Gordon breaking every bone in his body twice! ✨🦴✨

[nyehilismwriting]

They hold out the cigarette to you, their gaze never leaving yours. Your fingers brush theirs as you take it, a shock of warmth against your skin. They watch, intent and focused, as you raise it to your lips. Close your mouth around it.  You can still feel their eyes on you as you tilt your head back, take a long drag. Warmth suffuses your mouth, cascading down your throat; you hold it there for a moment, lungs aching beneath broken ribs, before breathing out. The smoke obscures the sky above, stars replaced with swirling grey, and when you look back, Nash is still watching you.  For once, they don't look away.

thank you to @harbingersecho for this stunninggorgeous nash! my prize for the palestine GFM raffle - and a sneaky preview of a scene coming in chapter five👀