What’s up with the ties between Sally & Eddie?
There are quite a few - to the point where I’m starting to suspect that they may be foils, or at least inherently tied together in the story.
First let's bring things back to the clocks. The “day” side has an obvious resemblance to Sally, like how the “night” side resembles Eddie. There’s not really much I can say here since we don’t know much more yet, and who knows if this has changed behind the scenes. But just think about that, the rarity of the color purple, night vs day, and the “monster”. Keep it in your head, I think it may be important.
Also the fact that Eddie is the only one with a watch, but Sally’s face has an incredibly similar face on her door.
Obviously Sally has some sort of beef with Eddie, despite him being nothing but friendly and (to our knowledge) being undeserving of it. One thought I entertained was “maybe Sally is dismissive of him because he’s a worker,” but that holds zero water when you consider how perfectly friendly Sally was with Howdy (karen Sally debunked <3). The second thought I had was “maybe Sally senses the queer in Eddie and it intimidates her” - which would make sense if Sally is a lesbian like I suspect. Internalized homophobia, anyone? This holds up if Eddie is going to turn out to be - not open about himself, but comfortable in his skin in a way that, say, Frank isn’t. Which I have a feeling that will be the case, which would likely make Sally put on airs even more so than usual.
Anyone else seeing a continuous trend of (social) masks and performances unfolding in the Neighborhood? I sure am.
But let’s talk about why I think they might be foils. They balance each other out in an interesting way, despite their only solid similarity being that Both will work/perform no matter the weather. They have a lot of closely related differences:
Eddie has been mentioned (and implied within the story so far) to have a deeper well of knowledge than he lets on, but acts humble about it. Sally has been mentioned (and implied) to know less than she portrays, but acts like a bit of a know-it-all - she pretends to know things that she doesn’t.
Eddie’s role is about helping others at his own expense, while Sally’s is using others to reach fame.
Eddie strives to connect with his Neighbors and is all about accuracy/precision. Sally is in her own little world and has proved to be more than willing to improvise / not think things through before acting.
Eddie is slow to anger, and Sally is easily irritated.
Selfless vs Selfish.
Night vs Day.
And to put them in the Johari Window - i believe that Sally resides in the Blind Spot (known to others, not known to self), and Eddie resides in either the Facade (not known to others, known to self) OR the Unknown (not known to others, not known to self). Personally I’m starting to believe that Eddie may reside in both.
It’s far too early to draw any real conclusions, and theorizing on all of this is difficult. I feel as though - as usual - we have puzzle pieces but no frame of reference for the way they fit together, what picture they build. And who knows, tomorrow’s update may shred this to ribbons, but I doubt it.
One thought I had was that they’re in cahoots about something - it doesn’t have to be something malicious or some sort of secret plot, it could simply be something they both know and are trying to keep quiet about. Eddie is trying to connect with Sally since they have this in common, but Sally is actively putting distance between them to preserve their secret / plausible deniability. Do I actually believe this? Meh. I’m just throwing spaghetti at the wall to see what sticks.
So current base thoughts: Sally is dismissive of Eddie either because he intimidates/scares her on an internalized level, or she’s actively trying to put distance between them for a currently unknown reason. There’s probably a secret third option I haven’t even considered!
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Another reason why the whole "forced marriages" concept (that Rhea haters ate up like pie) is bullshit.
Speaking for Faerghus, since this seems to be an issue players point the finger at Faerghus for, it's just... not true? This NPC does understand there are political implications to his marriage, but he wasn't forced into it and neither was his wife. They married for love.
The only known case of an arranged marriage prospect within Faerghus' known cast is Ingrid, and that's something Ingrid has taken on for herself as well. She knows her lands struggle with crops and that her people go hungry. She's choosing to deal with a non-romantic marriage for her people.
But what about Glenn, you ask? There are two aspects to that:
The marriage was arranged when Ingrid was born, but it's worth noting the marriage was arranged between Gunnar and a childhood friend's son. She wasn't just being married off to just anyone. It was both a childhood friend (who Gunnar clearly had deep trust in)'s son, but also a family member of the royal family's right hand family. But what about the Houses paralogue, you ask? Gunnar wasn't aware of the man's crimes, but as soon as he found out he rejected the proposal. Gunnar cares about his daughter's happiness and wellbeing. The only reason they're searching for a marriage candidate is because Galatea lands desperately need the financial support.
Ingrid is the only case we know of where she's being "married off" (her endings rebuke this entirely anyway because she does end up marrying for love if paired with someone). Nobody else in Faerghus had a marriage forced or politically forced on them (and frankly I still fail to understand how the Church is supposedly at fault for concept of this being the case period anyway). Dimitri, the literal prince and at the time of birth immediate heir to the throne, was never forced to marry. Felix has never been pushed to marry. Sylvain has never been pushed to marry (despite how important it is that they continue that bloodline). Annette, a female, has never been pushed to marry.
In other words, the major political players have never put their kids into arranged marriage with a single exception of necessity for one family (Galatea), and in Rodrigue's case with Glenn, it was done with a childhood friend's lands' welfare in mind. Gunnar could have married Ingrid to anyone at any point, but the most important aspect of it is that when it was arranged without her say so (i.e. at her birth), it was done with the son of a man who Gunnar trusted implicitly.
After Glenn died, Ingrid was plenty old enough to have a say so in who she might be married to. Presumably the issue wasn't pushed on her for a while after Glenn died for emotional reasons, but once they tried again, Ingrid had a say in things. Her father sent her letters specifically for her input. No, she doesn't want to marry for political reasons, but she understands how much her lands need it. Still though, her father won't force her to marry some scumbag. If she tells him she won't marry someone, he accepts that.
In other words, the only argument that can be used for "forced marriages" falls flat on its face. It's not a regular practice in Faerghus. None of the heirs to specific territories are being married against their will. The only instance we know about isn't so extreme that Gunnar is just going for it and picking the best dowry without considering his daughter's happiness and health.
The one time it was decided before she was old enough to give her input, Gunnar didn't need to "consider" marriage prospects and be unsure who to pick, because it was planned between two old friends who trusted each other and presumably felt that their child would be safe with the other family in question.
My biggest problem with people saying this claim is supported is that for the most part, people just take Claude's words in GW at pure face value and assume it's absolute, definite truth when he gives nor has any evidence to back it up (mainly because he blames it on the Church, which still doesn't make sense because such things are out the Church's jurisdiction. No amount of "seeing what the world is like without Rhea" is going to change Faerghus' politics, so even if his claims were true, Claude would have to go talk to every single individual territory within Faerghus to realize the truth if he's that dead set on his view of this, as each territory does its own thing politically).
He brings it up like it's a fact in Faerghus, which as I've said before, he has literally no knowledge whatsoever about Faerghus, and it shows. He doesn't even know extremely basic things, such as the previous king literally dying in the middle of making friends with a foreign land. He knows that Lambert died in Duscur during the Tragedy, and that's... basically the extent of his knowledge and understanding about it. For some reason though in Hopes, he thinks he understands Faerghus as well as he understands Almyra.
It's also annoying because in Fodlan games, a character can just say something - literally anything at all - and it's eaten up immediately and taken at pure face value with no thoughts actually put into questioning its validity. And before anyone says "but Dimitri didn't argue this in Zaharas!" yeah, I'm aware, and I feel that was a huge reason why that chapter, trying to be the "we fight as allies this once" chapter, was a total flop, aside from other things (particularly in the SB/GW department with Dimitri and magically wanting to "talk things over" with someone who had just murdered one of his dearest friends mere hours ago tops in SB, or in GW where politics would demand more from him).
The games have a problem with trying to introduce false concepts through characters who don't know better (i.e. introducing incorrect perspectives that we're meant to understand are just perspectives and not the truth nor fact) but then not refuting those claims, despite the game itself as the story progresses outright denying those things, whether outright or passively (in the latter's case, again, other important political figures having no talks of marriage on the table at all).
In the screenshots, the NPC is aware that politics have to get involved with his marriage, but he wasn't forced to marry and neither was she. Not only does he mention it, but he wants people to know they married for love. He's basically saying he doesn't want people to misinterpret their reasons for marriage (wanting land, wealth, etc).
In Ingrid's case, it was started with that goal in mind, but it started out in safe hands. After that she always had a say in who she might marry, and ultimately didn't marry for political reasons. The one person who was possibly going to marry for political reasons in Faerghus and not out of love ends up not even doing that.
Honestly, in Claude's case, I feel like he was just written with no purpose in mind except to rock the boat unnecessarily, because everything he claims in regard to Faerghus is purely speculation on his part. He knows absolutely nothing about Faerghus (in both games, but his ignorance in Houses isn't malicious, whereas you could argue in Hopes he's attempting to overthrow what he believes are their systems when even if they were, it would still be none of his business) but talks like he's lived there or spoken to its people who make the decisions he claims are happening.
Also, the concept of Dimitri being forced to do this that and the other thing are just... not true? Dimitri is happy to be able to help others and make reforms for his lands. He likes that he's able to have the power to make good change and help people. He knows that you need a certain degree of power to be able to push things in a better direction and to have a voice. By having the most important voice, he can make other voices known that otherwise would not be. When people have no choice but to listen to the king, he can demand that other voices are heard.
Even in his A support with Shez, he believes his happiest moment will be when he dies after dedicating his life to "a peaceful kingdom full of joyous citizens". I get the whole "but he isn't living for himself!" side of things, but this part of this post is specifically about how Dimitri is supposedly "forced" into doing things because he's king; but plain and simple, he wants to be king because by having the highest power in his land, he can make positive change happen
"This bad thing is happening in the Kingdom!" Well now he can change that. He wants to change things in his land for the better, and he understands that his position is a necessity for that. That's why he's so upset when he's "rendered powerless by age" in Houses, i.e. can't ascend the throne yet. He wanted to make change and couldn't. He wanted to do right for the Kingdom, but he couldn't yet.
Basically what I'm saying is that people keep using Claude's Hopes rhetoric as "fact", but literally none of it is. It's all based on the most severe amount of ignorance in both games and him for some reason believing that he knows jack shit about Faerghus. That includes the marriage "issue", which while I'd say it may exist in Adrestia (ex. Bernadetta being planned to marry Ferdinand), does not exist in Faerghus as any sort of "issue".
I don't recall if it's really even present in Leicester? So either... Claude just pulled that argument out of his absolute ass, or he's seeing an issue in Leicester and for some reason assuming his country's politics are every country's politics, which is, again, total ignorance (and he makes no effort to ever found out if any of that is true).
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