#have fun reading my essay

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[bmpmp3]

sorry to be a bit of a hater but i do wish youtubers weren't so scared of making their videos just like, "reviews", whys everything gotta be a "video essay" all the time. every day my recommendations are filled with 40 minute videos titled "_____: An Underrated Masterpiece" where the first like five minutes are reading the wikipedia definition of "masterpiece" in a somber voice with dramatic themed text on screen. please just tell me how good or bad you think something is and use the rest of the runtime to explain why. you dont need to put on all these airs

[nosieposie]

teeny tiny Rena sprite redraw idk I think she's cute

[gummi-ships]

Kingdom Hearts Birth by Sleep - The Land of Departure

[filthyjanuary]

ok gang here they are

wincest essay

spn fandom essay

[g0nta-g0kuhara]

Daydreaming about making a v3 video essay

[coffeeandcalligraphy]

sorry I will drop this after today but I think it's so interesting that when I make writing posts/content geared toward helping writers feel better about their processes, helping writers feel less isolated/overwhelmed in the vast ecosystem of writing advice that exists online now, etc, the assumption is then that you can't do that AND also critically engage with writing craft. that is very revealing.

anyway my whole thing is centering joy in the process because that's not an easy thing to do in a capitalist context where it's assumed all artistic endeavours MUST monetarily meet the public eye because moneyyyyyy. & how I centre joy is by doing what I wanttttttt. my instinct will never be to commodify a craft I love.

[elmoshipsbyler]

not to say that i was media illiterate before, but getting invested in byler, and joining the ST tumblr fandom, has taught me so much about media analysis in such a short amount of time

like the fact that tumblr is the perfect platform for sharing thoughts, and the fact that when we theorize together it’s basically just one big brainstorm

all of that has taught me 1. how to notice/pay more attention to details, 2. how to analyze those details, and 3. how to develop, formulate, and present an argument

i’ve learnt so much from the coolest people, all while laughing at memes and having fun

stranger things fans are so amazing and you’re all so smart and sexy and cool

[youredyingthatsallthereis]

wip whenevertuesday

tagged by fellow enlightened Roach Enjoyer™️ @patchmates thank you so much 🫶🪳🫶

🧼🪳📞

Roach impatiently tugged at the waistband of Soap's jeans, desperate to get more of him into his mouth, and as Soap obliged and helped him push them down to his knees, the captains cell rang.

They both looked at the mobile phone for a second and then back at each other, Roach holding Soap's cock, slick with saliva, slowly running a hand up and down while he waited for further instruction.

Soap picked up the phone and looked at the caller ID. He smirked and looked back at Roach. "Keep goin', love," he said as he picked up the call.

Roach kept a hand on Soap's dick, holding it at just the right angle to let him lick up his captain's balls, earning an appreciative grunt from Soap as he brought the phone to his ear. "Ghost."

this is for part 4 of my sweet tooth series hehehe

tagging: @lokibuswrites @roachsideblog and anyone who sees this and wants to post a wip snippet!!!!!

[swordheld]

i have been scrolling through ur page and noticed that u tend to put long, thoughtful tags underneath nearly every post u reblog & i just thought that was very endearing since the general trend is short and concise. im not sure why i felt the need to write u and let u know, but i just felt very compelled to. pls never stop being u.

this is so very sweet of you!! it's an old habit that i have held onto for the longest time, mostly due to the fact of tags being excellent for organization (my beloved) but also as a kind of extra space for whatever else you'd like to include without actually including it in the post when others share it for themselves! it's that perfect mixture of private n public.

for this blog specifically it's something that i enjoy since it's really an exercise or activity in enjoyment / enrichment? i like to think about why i was so inclined to reblog it, to pin it up to this lil space on the interwebs that's all my own. whether that's the colors, or the wording of things, or just what it makes me think about or feel, it's just a really lovely way of considering it all a little deeper!

which is not something that comes easy, or at minimal energy, sometimes! my likes are extensive (i keep attempting to clean them out and bring back my queueing system but we are up to 5k and i am very tired at the moment, lol) for that reason, and it's like a small goal to try to chip away at them over time, to see what treasure i can discover today.

alternatively, it's also a really nice near - time capsule of a thing; to be able to comb through my archive and see what has changed in my outlook, what sticks out to me now versus then, is really fascinating to see how far i've come and what's changed. there's something so lovely about time being instilled so deeply into this lil mini game of online scrapbooking that i adore; so i'm peached n overjoyed that you find some joy in it as well!!

this is all to say: thank you sm and i hope you try it out for yourself if it's something you think you might have fun with! let me know how it goes :)

[camzverse]

made my ocs in the sims lalalalaaa

[hadesknockedupintheunderworld]

"Perception" a Nine Essay

I started writing this back in January to take a break from brainrotting about Netflix posting EP1 of Season 3 to discuss something I had been thinking about again (ever since reviewing the end of season 2 for the umpteenth time).

I'd like to talk about the differences in how characters in Sonic Prime see Nine versus how he actually is. I know this seems like a simple topic, but I think we all do well with a reminder of just how much the characters in the show know with their limited povs (as we the audience can view everything).

I'll be going pretty much character by character (grouping some together to discuss their povs at once), and ending with Sonic and Shadow.

(Note: At the time I wrote most of this, I had planned to have it done before S3 dropped, as I felt that the messages of this essay would be good to put out there before we all inevitably saw Nine as the season antagonist. To keep up with my original intentions, this essay will only go up to what we the audience knew as of S2)

ㅤ

So let's start with Rebel Rouge and Renegade Knucks. They gather their first impressions of Nine as they witness Sonic and Nine's capture at the hands of the council, although they don't properly meet Nine until they enter the Chaos Council's base.

"Are you sure we were 'best friends'?"

"Blue streak has a friend?"

"Didn't look friendly. But whoever he is, he's involved now."

They haven't yet watched the video a resistance member took of Sonic and Nine's fight, and when they do, we only know for sure that they'll watch clips of Sonic talking about Green Hill. This means that (especially since there are no references during their meeting with Nine that they saw him fight Sonic), them listening in as Nine and Sonic are abducted is baseline their knowledge of Nine before meeting him.

They consider Nine a possible friend of Sonic's as they listen in, but it’s Rebel who mentions that Nine doesn't sound very friendly. This is a fair assessment, given the tone of Nine's voice and Nine's questioning if he and Sonic even were really friends. It's enough to be suspicious of someone's character, especially in a city like this, where choosing the wrong ally in your resistance could likely get you captured, or worse. It's also worth mentioning that first impressions matter with guys like Renegade who (like Knuckles) tend to make judgements of character based on first impressions and gut feelings. He trusts Rebel quite a lot as well, even listening to her judgement when it opposes his own, so it’s not impossible that her initial judgement of Nine as unfriendly starts to inform his assumptions as to Nine's character.

But I digress. If you believe they didn't watch the full video of the Nine/Sonic fight, that small moment is enough for one or both to be suspicious of character or decide they don't like him. If you believe they did watch the full video of the fight, then I'd say that's enough evidence to form even a bit of a negative opinion on Nine and his character (after all, it does showcase Nine fighting the hedgehog they believe could be a sign of hope/an asset to the resistance. It's not too hard to come to the conclusion that Sonic and Nine may have been fighting up until being captured, even if that isn't the truth).

Now, the first meeting.

If they do have bad impressions of Nine before meeting him, Rebel and Renegade don't hold these against him. Rebel only swoops in to save Sonic from the laser and battle the eggforcers (which also allows Nine to escape captivity). As for Renegade, although he arrives after Nine has used the commotion to sneak away to the monitor, forgotten, he also never accuses Nine of any foul play or of only caring about himself. During this scene, Nine frees Sonic, saves Sonic by taking control of Rusty Rose, and ultimately aids in the battle despite fighting.

Now, as for my claim that Renegade doesn't assume Nine as a threat to the resistance or believe him to be a bad guy, let's pinpoint the scene where Nine first talks to him.

"No"

If you rewatch this scene (Season 1 Episode 2), Renegade isn't moving with intent to attack Nine. After punching an eggforcer, he bounds in the direction he's facing. He takes one step, in the direction Nine happens to be in before Nine instinctively points a mechanical tail at him (perhaps assuming that Renegade was moving to sneak up on him?). In addition, Renegade has this surprised look on his face until Nine says his next words.

"Catch up, Echidna. I'm one of the good guys."

Of course, this does no favor to Nine’s image regarding Renegade (especially as this isn't the only moment like this in terms of how Nine talks to Renegade), but it doesn't prove Nine's a bad guy. At worst, it frustrates and annoys Renegade, and if it comes off as some sort of "secret villain red flag" to Renegade, he doesn't keep this moment in the forefront of his mind. After all, he and Rebel both choose to follow Nine's idea of stealing the Chaos Council's energy crystal, and they don't mention or act like they are suspicious of Nine during the fight. This is all to say that, at the current moment, to them Nine may have an attitude, but he's not evil or intending to betray anyone.

An attitude like Nine's during this portion is either something to overlook or a trait tacked onto an indication depending on how any given person sees you. This is to say that at best if someone likes you or believes you to be good, you're "just a little rough around the edges", and if someone dislikes you or believes you to be bad, it's "of course someone bad would have an attitude like this". It's an accessory, not inherently an indication of moral character or intentions. Someone can use it to further implicate him/find more reasons to dislike him later (such as when people talk/post/write about people they think are bad people and start nitpicking their appearance in their reasoning), but for now his attitude isn't enough to make Rebel or Renegade distrust him.

After all, didn't they really think Nine would save them after nabbing the red paradox prism shard?

The shot is a bit hard to get, as they fully smile just before the show cuts back to Nine. This is the best shot of it I have at the moment. Just know that during Rebel's recount of this event in Season 1 Episode 6, Rebel and Renegade visually start to smile when they see Nine return with the shard.

Now that the mission is accomplished, we see that they're just waiting for Nine to rescue them. However, when Nine chooses to leave alone, Rebel and Renegade take it as betrayal.

Renegade is surprised before he turns angry, freeing Rebel, Rusty, himself in his rage. Rebel's expression deepens (as if angry, regretful) and closes her eyes.

These are not the reactions of people who distrusted Nine (or Sonic for that matter) from the start.

This scene pointedly shows us that Rebel, Renegade, and Rusty did not see Sonic disappear into the red shard (the doors shut before they can). Then they watch Nine leave them to their fates, making off with the shard as Sonic is nowhere to be found. It's not about Nine's attitude or unfriendlyness (or, again, Sonic's attitude for that matter. As Sonic *also* made Renegade frustrated the same way Nine did, but by calling everyone by the wrong names). It's the fact that they have every reason to believe Nine AND Sonic used them only to abandon them when they got the shard.

And this is perhaps shown best this interaction between Renegade and Sonic.

"I didn't steal the shard!"

"But your fox friend did."

Sonic had explained what happened to him to Renegade, who explained it to Rebel. Despite this, Rebel still saw him as a backstabber, angry enough to want to leave him at the mercy of the chaos council or turn him "into a handbag". Why?

Well, remember that Renegade and Rebel's first introduction to Nine was Nine bringing his and Sonic's friendship status into question. Whether they believed the two to truly be friends then, they did see the two conversing at the red crystal before Sonic disappeared and Nine left them high and dry. So even if Sonic hadn't purposely left them, I don't think it's a stretch here to say that Rebel and Renegade had assumed the two planned to leave Renegade, Rebel, and Rusty behind. Perhaps Sonic didn't make off with the shard, and perhaps he couldn't help his disappearance, but his partner made off with it.

Rebel and Renegade don't know Sonic, especially not like the audience does. Both with the knowledge they had at hand AND to deal with what was a shocking betrayal to them, Rebel and Renegade considered Nine and Sonic to both be traitors. This is also not to mention that despite Sonic's new testimony of his disappearance and his surprise that Nine would leave Rebel, Rusty, and Renegade to die, he wouldn't give Nine up to them.

Sonic has to try really hard, advocate for himself after a score of disappearances, and help the rebels a number of times for Renegade and Rebel to even consider that he's telling the truth about his helping them.

Likewise, Nine doesn't advocate for himself (or really care to). He swoops in to fight, takes Sonic to disappear again. He swoops in to fight for a bit, and then is captured by the Chaos Council.

And not only do Rebel and Renegade not know he was captured specifically, they did not see it. Earlier, before the battle, they made it clear that the red shard could not fall into the Chaos Council's clutches, or everything would be done for. Renegade even probed Sonic for Nine's location so they could make sure Nine would never give it to the coucil (even despite Sonic's testimony that Nine would never do that). Not only does Nine's capture give the Coucil the red shard, it gives them the secrets to interdimensional travel and makes them more of a threat than before.

This is all to say that, on top of the fact that Nine doesn't try to change their opinion of him as a traitor, as far as they know (influenced by their own biased impressions of him) Nine started working with the Chaos Council, betrayed them all again to get ahead.

We the audience know just as Sonic does that Nine was captured, and that he used his status to aid Sonic and their search for the prism shards from the inside.

Rebel and Renegade do not.

In fact, (now starting from Season 2 Episode 5), Rebel and Renegade are both distrustful of Sonic when he tries to tell them this (and the fact that they see it as his fault that the Council nabbed more prism shards doesn't help)

"I'm gonna bust into the Yoke, grab the shards, and rescue Nine!"

"The fox with the attitude? The one who stole the shard?"

"I...know he's a little rough around the edges..."

"It's not just the edges."

"But he saved you!"

"And then he disappeared again."

"Because he was captured! We can trust him."

"Him? We don't even trust you."

Nine's actions matter to them, and those actions color their perception of Nine for a while. Same goes for Sonic. Their trust is not easily won back after being broken.

The only reason they decide to travel to the Yoke with Sonic in the first place is because they need to make sure the Coucil doesn't keep the shards, and Sonic is going there to try to take them anyways. They don't trust him, but they do need him.

Later in the episode, "Nine" contacts Sonic to tell him of a way into the Council's fortress. We can safely infer that this "Nine" who contacts Sonic is not the real thing. The voice sounds at best like a robotic imitation, and the way "Nine" talks is suspect enough for Sonic to mention that he sounds weird and to ask if he's okay. But not only do Rebel and Renegade have no reason not to believe that this is the real Nine leading Sonic into the Yoke, Sonic himself vouches for him.

"My inside fox is gonna get us in. Come on!"

"'Bring your friends.' Why would he say that?"

"Because he's a nice guy? I told you, we can trust him."

"Not like we have another option."

Whether Rebel believes that's the real Nine or not, she suspects Sonic is being led into a trap. Even Renegade says he "doesn't like this" and mentions how ominous everything feels when the doors into the Yoke open. They only go along with Sonic because they have no other ways to get into the building.

But lo and behold, it's a trap. Sure we the audience know that this is the Chaos Coucil's doing, that Mr. Dr. tricked Nine into giving him info about Sonic that would spark the idea of Chaos Sonic's creation. We know Nine regrets this slip up and even apologizes to Sonic later for being responsible for Chaos Sonic's creation, and we know Sonic doesn’t doubt Nine's telling the truth.

But to Rebel and Renegade? Sonic just followed his so called "inside fox" right into a trap. It plays into how they already see him, just as Sonic's forced transports to the other shatterspaces before this (via touching the shards) continued to play into how they already saw Sonic as a deserter. They distrust Nine for valid reasons, but it’s because of this distrust and their ideas of who Nine is that they believe the worst of him, even when the audience can see that Nine isn’t intending on betraying any given person.

And Chaos Sonic doesn’t help this view of Nine that Rebel and Renegrade have either.

"Failure? You've got the wrong hedgehog, pal."

"Au contraire, blue hair. I know a fox that might disagree with you."

"Another trap. I knew that fox would set us up!"

So when Nine contacts Sonic himself later...

"Sonic! Are you there?"

"Sorry, pal, but I'm a little busy at the moment."

"I have a plan. Follow my directions and lead it to me."

"Ya sure?"

"Positive. But you gotta hurry!"

"What else is new?"

Here's what Renegade, Rebel, and Dread have to save about it.

"Sonic, wait!"

"Ugh. I'm starting to think he likes traps."

"Aye. He does."

Again. We the audience know this isn't a trap. After following Nine's directions, Nine uses the prism energy to blast and destroy Chaos Sonic after this.

But Rebel and Renegade don't trust Nine. They see this as Sonic falling into all of Nine's traps out of naive trust.

And Dread only agrees because he did use Sonic's trust to lead him into a trap. Dread hasn't met Nine, but if others think this is a trap, he has no reason to believe anything other than Nine being another person weaponizing Sonic's blind trust.

And aside from when Renegade saves Sonic and Nine from Dread later, this is the last time Renegade or Rebel see/hear about Nine. Sometimes Nine really does betray their trust, sometimes Nine is truly trying to help Sonic, but after the initial betrayal, everything Renegade and Rebel see (in regards to Nine’s words and actions) plays into their point of view of Nine as a traitor.

Rebel and Renegade aren't insisting that Nine is going to betray Sonic because they're right and Nine is "secretly evil" and going to do just that or whatever. Sonic isn’t ignoring the "bad" things that Nine did only for Sonic to be punished with Nine being a bad traitor villain all along.

Rebel and Renegade keep insisting that Nine is a traitor because he left them behind, because he doesn't care about them, AND because every bit of evidence they see (a miniscule bit compared to what the audience sees) just so happens to play into their existing biased view of him.

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Let's move on to Rusty Rose.

Now this portion is shorter, as she only has a single run in with Nine. This singular run in is during the first few episodes when Nine takes control of her to help him, Sonic, Rebel, and Renegade fight.

Now here's something important about Rusty we learn in Season 2.

1. Loyalty matters to her.

2. She can choose her own alignment.

Rusty Rose's lines to Sonic when he's in the Chaos Council's clutches, in addition to the fact that the Chaos Council turned her into a fighting machine, gives us a hint as to what's going on here.

"Survival required adaptation, as you will soon learn."

Rusty Rose has always cared about her well-being. But to those she is loyal to, she would give even her life. This is to say that whether she gave herself up as the Chaos Council's weapon for her own survival or whether they saved her and she decided to work with them because of this (and because they'd destroy her otherwise), she is loyal to them. At baseline, she is loyal because she believes they will never betray her, that they will always come for her.

How exactly do we learn this?

In season 2, while Dread and his crew still have Rusty Rose in captivity, she insists the Chaos Council will come for her, and even becomes smug when the council comes for the shard.

The chaos council has come for me and the shard. Just as I said they would."

But in the end, the Chaos Council chooses to leave her after obtaining the shard. She seems surprised that they would betray her, even after following every order to the best of her ability and acting as they had programmed her to. And so, after the Council deserts her, she changes her loyalty (her eye turns pink from the red color) and decides to join Dread's crew.

This scene mirrors a point in the first few episodes.

When Nine briefly reprograms Rusty to work for him, her lone eye changes to the color yellow. Likewise, she's loyal to Nine and the rest and follows orders. And although we don't get to see her face in the Season 2 Episode 5 flashback when Nine emerges with the red shard as we do with Rebel and Renegade, we DO see her face when Nine leaves. If you look back to the screenshot I provided in the Rebel and Renegade section of this essay, you'll see that she looks sad and disappointed. She was betrayed and left behind too.

And what does she do when Nine leaves her behind? She restores her Chaos Council programming and her eye turns red again. She returns back to the only people she can seem to trust to value her.

So Rusty may not have spent much time with Nine, but loyalty matters to her. So all Rusty likely knows of Nine as of the ending of Season 2 is that he betrayed her.

I think with this in mind, it's safe to say that she has no reason to like him or believe in him at the moment either, even if she doesn't subscribe to common ideas of morality either. He betrayed his crew and it's as simple as that (and that's why she has no problem blasting Sonic when Dread frames him as a traitor).

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Now for the Chaos Council.

Now, I think it's clear given the fact that they appropriated his tech and that Mr. Dr. Eggman (in S2 E6) referred to Nine as having a "less dull mind than the usual rifraff", the Council at the very least sees Nine as someone who is a bit more intelligent than most of New Yoke's citizens. Given that their goals are to continuously conquer and *gestures to all that they're doing* they're less concerned with morals and more concerned with their own goals. This means that they just dislike/hate anyone who gets in their way. Things like morals, relationships, etc are all things to manipulate to get what you want (if Mr. Dr. Eggman's talks with Nine are any indication).

So. How does the Council see Nine? Do they see him as someone secretly about to or willing to betray Sonic?

Let's start with their first impressions of Nine (or rather, how they will remember him).

In Season 1 Episodes 1 and 2, while Nine and Sonic are captured, Nine's life and wellbeing is largely used as motivation for Sonic to follow the Council's orders. Aside from this, though, most of the focus (the camera and the Council's) is on Sonic. So, from the events of Episode 2 and 3 of season 1 where Sonic, Nine, Renegade, Rebel, and Rusty fight their way to the red shard, it's simple enough for the Council to consider them all friends (sans Rusty). Doesn't matter if they actually are. They work together (and with Sonic who considers them all friends), so they might as well be friends to the Council. This is not to mention how Mr. Dr. watches Sonic and Nine enter where the shard is, are aware via the power shutting off that their energy crystal has been stolen, and then Sonic and Nine are the two that disappear before the Council can capture them. So at the very least Nine is...cunning. In their minds, he's smart enough to take the power crystal, but not so smart as to clash with the Council's egos.

Now, whether they knew only Nine had taken the red shard or they assumed both Nine and Sonic had coordinated (like Rebel and Renegade had originally assumed), it doesn't really matter here. In S1 E6, Sonic appears (clearly shardless) mentioning the existence of other shards and asking where Nine is (thus indicating he doesn't know where Nine and the red shard are). Then, during the Chaos Council vs Sonic + Resistance battle after this, Nine appears out of a portal with the red shard upon his craft.

And if they hadn't seen "the fox who stole the shard" as Sonic's friend before, there is clear evidence can see between now and the Mr. Dr. Eggman/Nine talk that leads to Chaos Sonic’s creation that they do now.

In Episode 8 of Season 1, the Council discusses eliminating Sonic in pursuit of their conquest, but Nine voices his dissent.

"Agreed. With our work complete, I'll give our girl-bot the go ahead on Operation Elimination."

"Tch. Eliminating the hedgehog is a bad idea."

"Arguing for the life of your friend? What a shock."

After this, Nine argues against the idea that he and Sonic are friends, but he ultimately convinces the council not to eliminate him outright.

"You sent your robots to another shatterspace. Big difference. You've only barely accomplished what he's done without any technology. He's a living shatter battery!"

*The power in the yoke dies briefly, and the coucil members each groan/make sounds of frustration*

"Til we know why he gives off this power, we need him alive. What? H– Grahck!"

*An eggforcer shocks Nine*

"The rat's right. Too many questions for us to start playing exterminator. At least...not until after we wring every ounce of shatterjuice out of that blue varmint."

Not only does he smile in talking about Sonic's accomplishments, but, if you check the end of this scene, Nine lowers his head when the council laughs over Dr. Done It's final statement, he grits his teeth, and he frowns.

In Episode 4 of Season 2, the Council brings Nine out front, and Mr. Dr. sits there when Sonic arrives to see him.

"Nine?"

"Sonic, get out of here!"

*The Eggforcers shock Nine*

"No..."

In fact, when Mr. Dr. threatens the lives of Sonic’s friends if Sonic doesn’t give over the shard, he pointedly leans in Nine's direction as the eggforcers ready their electricity based weapons.

"I'll make this simple."

*Mr. Dr. Eggman moves his chair closer to where Nine is*

"Hand over the shard, or say good bye to your friends forever."

In case you don't go back to watch the episode for this, also note that he begins to lean over during the "to your friends" part of the line, and Nine is the only one of Sonic’s friends in view of the camera as Mr. Dr. gives the ultimatum. The camera only shifts to include Sonic's captured friends after shifting between Nine and Sonic's expressions, and after Sonic turns around to look at them.

So I don't think it's a stretch to say that Mr. Dr. Eggman thinks Sonic and Nine are friends by this point. At the very very least he knows Sonic considers Nine one, given how comfortable he is using Nine as leverage.

Anyhow, in all of the Nine/Chaos Council scenes between his initial capture and the scene where Mr. Dr. asks Nine how to defeat Sonic, the council isn't fully aware of Nine contacting Sonic. This means they are not yet aware of his continued contact with Sonic and do not know what the audience knows about Nine's working them from the inside. They just make Nine upgrade their shatterdrive, remark that they keep him around for his knowledge on the shatterdrive, make him deploy eggforcers, and then keep him cuffed with eggforcer supervision at all times (should he try to escape). They don't trust him enough to keep him uncuffed and completely unsupervised, and they need his knowledge regarding the shards, but they underestimate him. Dr. Don't provides him full access to their systems, even when they leave Nine alone with Eggforcers, they aren't monitoring what Nine could be saying/doing behind their back, and they seem to think they have Nine under their thumbs enough to destroy him should he attempt to fight back.

Let's move on to Season 2 Episode 5.

In Nine's first appearance in this episode, he's led into the room the Council is in by some Eggforcers and employs his "attitude".

"Ahem. You rang for me?"

"How long are we putting up with him?"

"He's built us what we want. Get rid of him already."

"Now, now. We're going to put him to work. But this one posseses a—shall we say—less dull mind than the usual riff-raff. He'll appreciate this."

Then, the council gives Nine a demonstration of the power they possess with the three shards in their possessions and uses it to build upgraded eggforcers for the purpose of quashing Sonic and the resistance. What is the purpose of this in tandem with Mr. Dr. Eggman's "compliment"? I think the next scene involving Nine and the council gives us a bit more context to form an idea.

During this scene, we see that the council has Nine standing before their display, watching Sonic and the resistance fight upgraded bots in the scareport.

"Enjoying the show?"

"It won't be enough."

"Enough?! Balderdash! My jumbo eggforcers will pound that varmint into blueberry jelly!"

"We'll see."

"Yes. We will."

With the combination of "complimenting" Nine, showing off their power and harnessing of the shards after discussing the topic of getting rid of him, and making him watch the upgraded bots fight Sonic, it's clear to me that they're making a power play here (or at least, Mr. Dr. Eggman is). Mr. Dr. is trying to make it clear the might they possess, the futility of rebellion or of trying to disobey orders.

But here, after Nine says "We'll see", I think Mr. Dr. decides to swap tactics a little. They're still trying (and failing) to defeat Sonic, and Nine seems to believe no matter what that Sonic will come out on top. Perhaps Mr. Dr. at least realizes that their display of power is not scaring Nine into submission or causing him to give up on Sonic.

"You admire him, don't you? For all of your bluster, you think of him as a friend. Funny. I thought you were smart."

And I don't see any reason why Mr. Dr. Eggman would lie about an observation like this. If it was about aligning Nine as Sonic's friend while Nine is secretly planning to betray Sonic or doesn't like him, then the focus wouldn't be on Nine's intelligence. To reiterate, Nine's friendship status (or at least, whether he believes Sonic to be his friend) is not put into question so much as how "smart" of a move it is to place his faith and friendship in Sonic. It's manipulation tactic to put Nine's trust in Sonic into question, to again try to get him to lose faith in Sonic. Why? Well...why else? Nine is Sonic's "friend" to the Council, right? So Nine is their best chance at figuring out how to destroy Sonic.

"We both know that the other members of the council won't stop Sonic. They lack vision and imagination. Unlike you."

"You think I have vision and imagination?"

"Perhaps. Or perhaps you're just a stupid fox. Alone. Useless. Pathetic."

Here it's incredibly clear the way Mr. Dr. is trying to use Nine's insecurities against him. Even if he's only guessing, talking up or insulting his intelligence and talents or playing into a possible fear of loneliness and uselessness is a really good guess.

But when Nine gets ahold of himself, uses his tails to gain height and push Mr. Dr. back this time, and insults the Council's intelligence, Mr. Dr. resorts back to brute force. He laughs off the insults and brandishes one of those electricity based weapons.

"Tell me how to defeat Sonic!"

Of course, if Nine was only using Sonic for his own purposes of gathering the shards and secretly planning on betraying him, he could have done so at any point before now, or made it clear that he's set the plans in motion. But since we know Nine's confident in his ability to fight for himself and escape during episode 6 of season 2, he believes himself to have more control over his situation than anyone else does. With this in mind, as long as he's guaranteed a clean enough getaway with the shards he can choose to do so. This gives Nine the ability to manipulate the council back and use them to get the shards. And, to an extent, he does! Although Sonic fails in securing any of them, Nine puts himself in a position to use the council to get anything he wants, even telling Sonic that he's working them from the inside. With this in mind, while there is still risk involved, I believe that he doesn’t necessarily need Sonic's help.

This is all to say that any of these moments in Season 2 Episode 5 would have been a fine point to betray Sonic by telling the council everything he knows about him. The council is full of idiots (to Nine)—idiots with power, but idiots nonetheless. He very well could have used the council to get Sonic out of the way while continuing to play them so he could escape with all the shards.

And yet not only does he refuse to knowingly tell Mr. Dr. Eggman any weaknesses of Sonic’s, he trusts Sonic. Just see the way he's so sure Sonic will win, even as Mr. Dr. Eggman is trying to make him feel stupid for doing so. See how Nine talked about Sonic in S1 E8, tried to convince the council they’d be idiots to get rid of Sonic. See the way that Nine chooses to risk his own plans by contacting Sonic as regularly as he can. See just how Nine talks about Sonic when Mr. Dr. Eggman stops attempting to appeal to Nine's insecurities to get him to lose trust in Sonic:

"You can't. He's too fast. He thinks on his feet. No matter what you throw at him, he takes it. No matter how hard you hit him, he always gets back up! You'll never beat Sonic, because you can't understand him. You don't think like he thinks. You're not even in the same league.

And what does Nine do when Mr. Dr. Eggman and the Council treat those words as if he sold Sonic out (knowingly or not)? He tries to take it back. He says "what have I done?" He immediately tries to contact Sonic (likely to warn him), not realizing Dr. Don't had entered the room until he's caught in the act.

"Warning your friend? Not cool."

He doesn’t at all look pleased watching the Council create Chaos Sonic. He says "what have I done?" a second time while watching Sonic fight Chaos Sonic. Even Dr. Done It regards Nine's "selling out your blue chum" as a slip of the tongue.

And what does the Council do when they learn that Nine's been in contact with Sonic all along? Well they use this relationship to their advantage, of course.

Ah, ah, ah. Let's not be hasty. The fox can lure Sonic right to us."

After all of this, from now until the ending of season 2, here is what the council knows about Nine. They know he managed to steal all the shards out from under them again (with Sonic's assistance), and they pretty much just attempt to track him down to take the shards back. After arriving at Ghost Hill, they put most of their focus on fighting Sonic and Shadow to get to where Nine is with the shards, dealing with their immediate obstacles. They're also firmly antagonistic against Nine, as he's stolen the shards from them and is no longer under their control.

So let's summarize what we can safely assume the Council knows and believes by the Ghost Hill battle. Nine is intelligent, and his know-how and tech are extremely useful. They'd underestimated him, allowing him to steal the shards under their noses, contact Sonic to feed him information, and escape with said shards. They know that Nine trusts Sonic, considers Sonic a friend (at the very least), and believes Sonic will come out on top.

So we return to those questions.

How does the Chaos Council see Nine? As a tool to be used for his information, his intelligence, his technology, and his limbs, capable of performing work. They see him as Sonic's friend (an important one at that). He's bait for Sonic, a pawn that can be used to lure Sonic or motivate him to make certain choices. He's to be used when he can be, and to be crushed if he opposes the Council or is no longer useful.

Do they see him as someone secretly about to or willing to betray Sonic? Do they try to get Nine to betray him? Yes! They command him to dispatch eggforcers and upgrade their tech. They use his well-being as a bargaining chip or to lure Sonic into a trap. They're constantly using him against Sonic. They can see he has the potential to betray, which is exactly why Mr. Dr. appeals to his insecurities to persuade Nine to give up information on Sonic and let go of his trust in Sonic. And yet...they don't seem to think Nine is actively planning to betray Sonic. If they thought so, why spend so much time trying to convince him that placing faith in Sonic is stupid? Why not actively try to persuade Nine to work with them instead? Why do they keep on having to try? Why do they enjoy watching Nine protest as they laugh about how Nine betrayed Sonic? (And why does the insuation that it's all Nine's fault that the council could destroy Sonic get to him the way it does?)

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Let's talk about Shadow the Hedgehog.

Shadow (similar to Rebel and Renegade) is a character than people often forget to consider the full pov of. This is to say that I've seen people forget what it is exactly that Shadow knows, and what of his knowledge informs his actions and beliefs (like people believing that Shadow was stupid for thinking that getting Nine's tech would allow him to traverse the shatterverse, forgetting that he didn't even have a tenth of the knowledge Sonic does of everything going on, much less the audience's, by season 2).

So with this in mind, before Shadow and Sonic talk at the beginning of Season 2, what does Shadow know about Nine, and how does he act based upon this knowledge?

Before Season 2, we, the audience, largely see Shadow appear in either flashbacks or trying to talk to Sonic (which happens when he starts to run fast enough to exit the shatterspace or is hurled through the in between after touching a shard), so it’s hard to know the extent of what he knows or can even gather in those moments of communication. Luckily, Season 2 Episode 1 gives us a chance to see some things from Shadow's point of view.

Unluckily, it's a bit hard to determine what exactly Shadow can hear and see at this point, as the first Shadow pov sprinkles in a couple moments Shadow most likely could not have seen (but we cannot rule out him seeing)—moments that tell the audience what point in time everything is occurring. One such moment is when Shadow is chilling on a crystal in the space between the shatterspaces and we see the scene of Sonic being sucked into the red shard before he shoots out of the New Yoke portal entrance. This is to say, it's hard to know for sure whether Shadow is aware of all of the scenes that play out for the audience, such as the clips that play as Shadow punches the entrance to New Yoke (Sonic losing control of his feet/legs, the shot of Mr. Dr. watching Sonic run, etc).

What we can glean from context, though (during this portion, as well as later moments) is that Shadow can at the very least see and hear Sonic, even possibly some of his surroundings (within limits). At the beginning of Episode 1 of Season 2, we can see Sonic sort of partially phase through the portal and into the in between when he runs fast enough (parallel to how Shadow can begin to partly phase into the shatterspace from Sonic's pov if Shadow is around him). During Season 2, namely during the No Place portion as Sonic tries to make off with the blue shard, we can even watch Shadow hold a conversation with Sonic and see changes to his appearance (such as the red dot of light on Sonic as Dread's crew aims to blast him). And finally, during Season 2 Episode 1, Shadow admits that he saw Nine in his lab giving Sonic the tech and the lab Sonic ran fast in (scenes that played for the audience while Shadow was busy punching the New Yoke portal).

Okay, so let's consider what we can see before Shadow confronts Sonic in the space between. At the very very least, he's aware that Sonic has new tech on his gloves and shoes and can hear everything Sonic says when Shadow manages to reach him through the portals. At the very most, he has some strange unexplained telepathy that allows him to see and hear some of what Sonic sees and hears. Of course, I don't personally believe the latter, as this hasn't really come up or been explained. So in my opinion, at most he can just see and hear what's going on and Sonic’s surroundings within certain limits. Under this interpretation, I believe that it's possible he saw and heard some of the scenes the audience sees here such Nine talking about energy, Sonic losing control, etc (if his admittance of seeing Nine and Sonic in the lab as Nine puts the regulators on Sonic is anything to go by).

So what does this mean for Shadow's knowledge? I believe it's safe to infer that, from Shadow's pov, the tech Sonic got from the strange version of Tails (Nine) has some sort of effect on him (as Sonic started to move through shatterspaces after this).

The next piece of knowledge we know Shadow could learn is the existence of alternate versions of people in the different shatterspaces. When Shadow finally gets ahold of Sonic, Sonic (loudly) starts trying to sus out whether Shadow is "grumpy Shadow" or "Shadow who needs a shower" or "Sheriff Shadow" or whoever. Then, after this, he realizes that this is the original Shadow he's faced with.

"Shadow, you're...you! The real you!"

"The only me."

This is info enough for Shadow to learn there are other versions of people they (Sonic and Shadow) know out in the shatterspaces. It's even enough context to assume that they are copies of the real thing, fakes, if Sonic's wording of "the real you" is anything for him to go by.

Here are the next two bits of information to add to Shadow's abilities and what he knows (one we learn about Shadow, and one tidbit that adds to Shadow's knowledge). The first is a bit of a testimony of just what he can see when Sonic kicks up a lot of prism energy.

"Have...you been able to see me this whole time?"

"Not exactly. When you get going fast, you kick up prism energy, and it thins the veil to the void. It's like it's...opening a portal through the gateway."

So, at the very least, we know that Shadow can't just see Sonic whenever he wants, and hasn't been doing so the whole time. As Sonic kicks up prism energy by running fast, it thins the veil to the place in between, allowing Sonic and Shadow to see each other.

The second bit would be Shadow hearing about Nine for the first time.

"So that must be how I teleported into No Place. I was looking for Nine, I started running fast, and then, suddenly, I portaled out of New Yoke."

This isn't a lot, but it at least tells us that the existence of Nine has entered the equation here. A being that Sonic knows by name who exists in one of the shatterspaces, and someone that Sonic was specifically looking for.

Now, I want to bring up something interesting about Shadow's pov after he and Sonic enter Ghost Hill. Aside from some possible tidbits here and there (and more than likely experience solely through seeing and talking to Sonic), the bulk of Shadow's experiences with the shatterspaces are based upon his experience with Ghost Hill (the only shatterspace he can enter at this time).

"What’s wrong with them?"

"It's a shatterspace, Sonic. Just like the others. A cruel version to make us suffer."

"A cruel version to make us suffer"

That line alone gives us more insight into Shadow's pov. While we, the audience, can see that the existence of those who live in the shatterspaces aren't inherently existing out of cruelty/to mess with someone like Sonic, Shadow has only seen what Ghost Hill is like. This tells us that Shadow sees Ghost Hill as a cruel version of Green Hill, an imitation that allows you to see but not have. It shows you the places and faces and voices you know, but none of it is "real" (or in this case, the original). It's not even surprising for Shadow to feel that this is cruel or purposeful. I mean, he is the one trapped, unable to do anything, as Sonic just so happens to be the one with the power to fix anything. He is the one who's doomed to watch the shatterverse change while he can't do a thing about it. And so of course the only shatterspace he can enter tricks him into thinking it may have been home (the home that's gone). Of course that shatterspace is filled with imitations that seem like what he lost but cannot be.

While Sonic is on his hero's journey, Shadow is stuck in a genre more psychological. So of course, via his experiences being stuck and his only experience with one of the shatterspaces, he'd assume the entire shatterverse was designed this way.

So, to sum this up a little bit. It is entirely likely that Shadow sees the inhabitants of the shatterverse as not only fake copies, but of those whose existence is part of a cruel game to make he and Sonic suffer over the shattering of the prism and the loss of their home. Does this make sense? It not only inherently hurts, but it’s designed to be cruel.

Shadow has only met the "ghosts" of Ghost Hill at this point. He doesn't fully know what we the audience know—that the inhabitants of the shatterspaces are real people with lives and backstories.

Now, with all of this in mind, how does Shadow first approach Sonic regarding the knowledge he has? Remember. It's, baseline, that Sonic can enter shatterpaces while he can't, Sonic started moving through shatterspaces after obtaining the tech on his gloves and shoes from a being who resembles Tails, Sonic creates portals and thins the veil between shatterspaces and the void when he runs fast, that "Nine" is an inhabitant of one of the shatterspaces Sonic knows and looked for at some point, that Ghost Hill is the only shatterspace he can enter, that Ghost Hill resembles and immitates Green Hill to a degree of cruelty, and that he believes that all the shatterspaces are "cruel" versions of his and Sonic’s home with fake versions of people they know, crafted specifically to make the two of them suffer.

"Yeah...yeah, that could work! It has to work! We gotta show Nine. He's like super smart! He knows a ton about prism energy. He–"

"No."

"No?"

"No."

"Why 'no'? I just said he's, like, super smart."

"He can’t be trusted."

If there's one bit from the Shadow portion so far I need to point out, it's this. Shadow asserts that Nine cannot be trusted. Shadow has never even met Nine at this point, only seen him standing in the lab with Sonic. How can he be so sure that Nine—or the other inhabitants for that matter—are specifically untrustworthy? Not even just fake imitations. Untrustworthy.

Why does Shadow jump to this conclusion?

"What are you talking about? Of course he can. He's just like Tails. He's just a little...angsty, that's all."

Again, there is no proof that Shadow has even seen much more than maybe an image of Nine, much less met him. Sonic's sticking up for Nine's attitude again, just like he did when talking to Rebel and Renegade, but Shadow cannot even know much of anything about Nine. He should not have a bias (beyond looks) based upon knowing Nine.

And this also means that, most likely, Shadow cannot assert that Nine is untrustworthy due to any solid evidence like Rebel or Renegade can, for example.

"He's not Tails. He's Nine. And they're not. Your real. Friends."

"Dude. He's real. This is his reality. And you know what else is real? Nine's tech on my kicks and punching sticks. So back up off Nine."

So, again. Why does Shadow jump to the conclusion that Nine and the other inhabitants of the shatterspaces are untrustworthy? This is what I think based upon the evidence we've gathered in this section.

I believe that it's entirely possible that Shadow sees himself stuck in a psychological horror. Based on his experiences living in the shatterverse so far, this reality they're in is like a punishment game. He and Sonic are both being punished for how Sonic shattered the paradox prism. Their home is gone, everything is broken. Unless they can fix it, the shatterverse is the setting of this cruel game, filled with shatterspaces (pale imitations of the home they lost) and the copies—fake beings—who inhabit it that were created with the sole purpose of hurting Sonic and Shadow. They hold similarities of the settings and the faces of the people they know as if to taunt (or to remind what they lost and cannot have). Logically under this framework, if Shadow believes that the inhabitants of the shatterverse have an inherently cruel existence and exist to make them hurt, then them seeming real is a distraction from the fact that they're designed to hurt (think...how Yen Sid tells Sora in Kingdom Hearts 2 that Nobodies are fake people, and any emotion they show is a manipulation tactic to make people believe that they're real). But Sonic is not only acting like they're real, considering them friends, he's trusting them. Perhaps Shadow feels...angry, because the only other "real" person (the one who caused all this) keeps chasing these living lies and believing them when they say/act like they can help end this hurt (help "fix" everything, restore it to how it used to be). Perhaps to him, these people (Nine included) are beings who wish to bring hurt, so why, then, would they help end that hurt or erase their own existences by "fixing" everything? Maybe Shadow thinks Sonic is being stupid, that he's placing his trust in Nine only because he sees Tails' face (falling for the lie), and is also angry because Sonic would stick up for and trust Nine rather than believe him—someone who is real and wants to end the hurt.

Okay okay, I'll stop there for now. That's moreso an interpretation I think you can derive from the beginning of Episode 1 of Season 2 up to this point rather than necessarily fact or authorial intent. I just think it's...food for thought.

Of course I also happen to think that Shadow, with his limited knowledge of who Nine even is, also chooses to insist that Nine specifically is untrustworthy because he becomes jealous that Sonic values a "fake" so much and thinks of him so highly, trusting him even over Shadow (someone who is real and clearly just wants to help Sonic as well as fix everything).

In any case, here are the facts up to this point. Shadow has heard Nine's name, knows the tech on Sonic was designed by him, watched Nine put the tech on Sonic, thinks this tech Nine created allows Sonic to traverse the shatterverse, and knows Nine is smart and "like Tails" because Sonic speaks highly of him. With this evidence, Shadow believes Nine is untrustworthy. He also believes the inhabitants of the shatterspaces aren't real and cannot be Sonic's friends. Shadow also grows angry when Sonic tries to argue and assert that Nine is trustworthy and that he and his other friends are real.

After Season 2 Episode 1, Shadow takes more of a backseat role. While we get to see his pov at times, or even watch him talk to Sonic, he can only see inside the shatterspaces to any extent while Sonic is kicking up enough prism energy. This, of course, means that Shadow is still not privy to most of the information Sonic and the audience are.

In Season 2 Episode 2, Shadow (to our knowledge) is not privy to much going on. In fact, with what we know about the limitations he has of seeing inside the shatterspaces, he could have seen during the portions Sonic is particularly speeding, but none of these occur in relation to Nine. This is all to say that we the audience could see the scene where Nine contacted Sonic through the eggforcer, explained how he was infiltrating the Council from the inside, and upgraded Sonic's tech to make gathering the shards easier, but Shadow does not.

Here is the only conversation between Nine and Sonic in Episode 2 of Season 2 that Shadow was privy to any of.

"Hang on, Nine. I'm comin' for ya."

"No. Don't worry about me. I'm working on a plan to get the shards from the inside. The best thing for you to do is to get the next shard before they do."

"Are you sure?"

"Totally! These eggheads are playing into my hands. They don't—"

"—been dowloading their tech. You just need to get to the shard first, then get out. I better go."

At that last bit of dialogue (beginning with "You"), Sonic lands on a crystal out in the place between. After Nine hangs up on him, the camera zooms out, revealing Shadow standing on the shard next to him.

"That's the first time one of them has made any sense."

It's hard to know for sure how long Shadow has been listening to Sonic's conversation, but given just how far away he'd have to be stalking Sonic when he exits Boscage maze (far enough to hear without being within range of the camera), I think it's safe to assume he's at least listened to the lines Nine and Sonic spoke as Sonic landed on that piece of crystal. That line specifically was Nine instructing Sonic to get the No Place shard before the Chaos Council does, which lines up with the immediate goal Sonic and Shadow would have. This is to say that if Shadow heard this line at least, it makes sense for him to "compliment" Nine by saying that he makes any sort of sense.

Although I also believe Shadow says "That's the first time one of them has made any sense" because Nine is one of the first inhabitant of the shatterverse Shadow's heard that isn't exactly like the "ghosts" of Ghost Hill (essentially, seems to actually think rather than repeating a single line endlessly.

What this scene adds to Shadow's knowledge is that no matter how much of the convo he heard, he has reason to believe that Nine is also seeking the paradox prism shards. However, just because Shadow knows a motivation of Nine's and more of what he's like doesn't mean he trusts him. Or, at least, Sonic takes Shadow's attitude as him still being openly distrustful of Nine. Given how short Shadow is with Sonic, even spin dashing him into the No Place portal entrance, I don't find it too much of a stretch to assert that his attitude here is a mixture of his frustration at not being able to go himself and the relationship/trust Sonic insists on keeping up with Nine (rather than just "how he acts usually").

"Nine's on our side, Shadow. And if you're not gonna help, you can–"

"Oh. I can help."

Although Shadow shows up in Season 2 Episodes 3 and 4 to talk to Sonic and to delay the Chaos Council's mothership's arrival in No Place, none of these really involve Nine. In any of the moments Shadow could have seen Sonic in No Place, they were Sonic running away for the most part (trying to escape with the shard), which of course doesn't exactly help the pov he has of the shatterverse inhabitants. Though Nine also contacts Sonic and is able to see him during this portion, these do not coincide with the times Shadow talks to him. Likewise, although Nine was on the mothership while Shadow was attacking it, neither of them see each other, and there is no evidence to suggest that they are aware of each other's presence (as in, that Shadow knows Nine is on the mothership and Nine knows that Shadow is the attacker). With Shadow being largely absent the way he is, it stands to reason he still has no chance to see the complexity and humanity of the shatterspaces' inhabitants, especially since he's in contact with Sonic as Sonic is running away (trying not to get killed).

As for Episodes 5 and 6 of Season 2. Shadow only shows up once between these two. Specifically, Shadow's pov is shown in Episode 6 as he reacts to how the shatterverse is beginning to break down. Other than that, though, the only moments he'd have to peek into what's happening (offscreen in this case) would be while Sonic is running fast enough. During Episode 5 and most of 6, these moments Sonic may be running fast enough for Shadow to peek in on him are all while he's fighting. This, again, doesn't give Shadow a chance to really gauge the character of New Yoke's residents (aside from the council), much less a chance to see what's going on with Nine.

Even in Episode 7 of Season 2, Shadow doesn't show up until the scene in which he properly meets Nine. With this in mind, aside from Episode 1 of Season 2, Shadow is very rarely present during Season 2 before his first official meeting with Nine.

So, to summarize, this is what Shadow knows/thinks about Nine before properly meeting him. Nine is similar to Tails (in both looks and intelligence), Nine built the tech that Sonic wears on his gloves and shoes, Sonic trusts Nine and fancies him a friend, even going so far as to stick up for the idea that he's real and trustworthy, and Nine is also gathering the paradox prism shards.

That's...it. That's all. And Shadow knew even less when he'd initially claimed that Nine wasn't trustworthy. Before their official meeting, Shadow saw Nine maybe once via what he saw during Sonic's first arrival in New Yolk, and he heard him speak once after S2 E2, when he told Sonic to focus on getting the next shard. He has...such little context/knowledge compared to the audience.

Now, the first meeting. After Sonic and Nine enter the space between with the shards in Episode 7 of Season 2, Shadow catches the container for the shards with Nine on top.

"It's about time."

"Nine, meet Shadow. Shadow, meet Nine."

"You're not another version of Sonic...but you could be twins!"

"Hardly. I am the ultimate life form."

"Don't listen to him. Come on."

Personally, I don't feel as if Shadow acts differently than usual in this scene. He doesn't talk very much, doesn't greet Nine, and isn't necessarily "friendly", but, again, none of this is out of the ordinary for him. The only thing I can confidently say here is that Sonic’s problem is Shadow's attitute, which is why he tells Nine to ignore him. However, he responds as this is a usual thing as well. "He's always like this. Just ignore him." He is also not going out of his way to be mean or vindictive towards Nine. Even Nine (despite his talking about Sonic and Shadow's resemblance) can't have done more than mildly annoy Shadow.

No, what's more significant than the first meeting (for the purposes of this essay) is actually Nine's reaction to seeing Tails in Ghost Hill.

"This world... It's like an embryonic shatterspace. Like it got stuck in the blueprint phase while forming. Hmm... Perhaps it would be useful in finishing The Grim."

"As long as I'm around, you'll always have a wingman!"

"This is the friend Sonic thought was like me? Heh. We're nothing alike."

After this interaction occurs, the camera switches to Shadow, who begins to make this face.

There are two bits from Nine's words I believe could be of interest to Shadow here.

"Perhaps it would be useful in finishing The Grim."

"We're nothing alike."

Why?

Well, let's tackle the first one. One thing that Shadow knows about Nine is that Nine is also looking for the paradox prism shards. Sonic seems to think Nine is on his side, but Shadow hasn't trusted Nine and his intentions from the beginning (as I went a bit into earlier going over Shadow's opinions on Nine as of Episode 1 of Season 2). So if Shadow did hear this line (and it's a bit unclear, but not impossible, that he did), he has reason to believe that Nine doesn't want the shards for the same reason Shadow believes himself and Sonic do. Or, at the very least, that Nine just has different goals in general.

As for the second one, Shadow told Sonic all the way back in Episode 1 that Nine isn't Tails, that he can't be trusted, and that Nine (as well as the other variants) isn't one of Sonic's "real" friends. A statement like "We're nothing alike" straight from Nine's mouth would be validating in this case. It validates Shadow's opinion that Sonic is being stupid and that Nine and Tails aren't the same, and it can easily give Shadow less reason to trust him. After all, if Tails is someone who generally is considered a "good" person or someone who would logically try to help fix everything, but Nine is not at all like him... That line could put Shadow off because he's already distrustful of him, and because of the potential implications Nine could be making from as Shadow's pov. This is to say that although Nine here is only rejecting the idea that he is just like Tails (or really, just like anyone and not his own unique being), Shadow is already biased against him. With Nine's wording, it's not hard for Shadow to insert intent/implications where there are none in his interpretation of the line.

Now, what I find interesting after this (in addition to Shadow's lack of hostility towards Nine despite his assumptions back in Season 2 Episode 1) is the attitude change.

Of course Shadow may have been angrier at Sonic back then, but he had also asserted so confidently back then that Nine isn't Sonic's friend as isn't to be trusted (and not even confidently, but as if annoyed or angry). But he...fulfill's Nine's wish to be alone with the prism shards, offers to take Sonic out, and gives him a calmer talk at the end of Episode 7 of Season 2.

"How do you know you can trust him?"

...

"I don't think your 'friend' wants the same thing we do."

Vs.

"He can’t be trusted."

...

"He's not Tails. He's Nine. And they're not. Your real. Friends."

There are a multitude of reasons this change in tone and demeanor Shadow has could be. It could be because he calmed down a bit more since S2 E1, it could be that he's decided to take a different approach when talking to Sonic about Nine, it could be that he's not so overly confident in his belief that the variants are all just "cruel versions to make us suffer" anymore after meeting Nine (or at least that the variants are so one dimensional), or it could even be that he's decided that Nine is helpful but Sonic should be more on guard. It's...hard to know which or how many are the truth here. All we know is that there is an outright change between these scenes and even Shadow's attitude, and that, despite the little interaction they've had, what Shadow's seen and heard is enough for him to come to the conclusion that Nine may not have good intentions and/or that Nine isn't actually trying to help them. Just like with Rebel and Renegade, whether Shadow has valid reasons or reasoning we can understand from his pov on Nine's character and intentions, his heavy bias he had even before meeting Nine colors all the information Shadow learns about him. This is all to say that (like Renegade and Rebel) it's easy for even actions/statements that have no inherent bad intentions to just feed back into his existing bias against Nine.

So, just in case, I'll reiterate. Shadow does have enough evidence to suspect that Nine doesn't truly share his and Sonic's goals, and he has enough pre-existing bias based upon his first impressions of the Ghost Hill variants to be suspicious of Nine's intentions and character. However, he has still barely met, seen, or heard about Nine second-hand. He knows very few facts about Nine other than how he's intelligent, is looking for the shards too, and is someone Sonic clearly has some attachment to. Yet...he seems to feel that Nine is untrustworthy (perhaps even on gut instinct) despite the lack of solid proof.

Well, actually, he doesn't just feel, this way. He actually tells Sonic that he distrusts Nine.

"What about him? We can't just leave him alone with the prism shards."

"Uhhh, yes we can, seeing as how he's the only one who can put them back together. You know, fix reality. You really don't trust him, do ya?"

"No."

"Of course you don't. You don't trust anyone."

He doesn’t actually tell Sonic why he doesn't. If anything, throughout this whole scene of them talking about Nine, he seems not to understand why Sonic does trust Nine (why he and Sonic aren't on the same page). Perhaps it just feels...obvious to Shadow? But even then, with Shadow's facial expressions as Sonic takes the "Why wouldn't we trust him?" stance, it seems to be that Shadow's point of view remains to be that of "Sonic is trusting him naively. This is something that could cost us."

Finally, we arrive at the final episode of Season 2. Despite his distrust in Nine (like Renegade and Rebel before him regarding Sonic), he has no choice but to join Sonic in the battle against the Chaos Council. First, Sonic's right in saying that Nine is the only person they have right now who can recomplete the prism. Second, he doesn't want to leave Sonic to fight the Council alone.

Now, while Sonic is in communication with Nine during the battle, he rarely talks to him around Shadow. The only moment he does is when eggforcers breach the mountain and put the prism's security and Nine's safety in jeopardy, to which Shadow only tells Sonic to go and protect the prism. Out of the two, I feel as if it's clear that Shadow trusts himself to hold his own over Sonic (I mean, he felt as if he (Shadow) was the best one to gather the shards in S2 E1, and he just made a statement about how badly the battles go when Sonic fights alone), so it makes sense why he'd send Sonic off to fight some eggforcers while he himself holds his own against the council, giving Sonic his chance to move. This is all to say that it makes sense why Shadow doesn't choose to be the one to protect the prism here, but we should also keep in mind just how in the dark Shadow is about what's happening with Nine.

In fact, Shadow isn't privy to anything happening in the prism chamber for a while. He didn't see Sonic and Nine's interaction, didn't watch Nine power Sonic up with the shard energy, Sonic didn't give him a detailed answer on how he got stronger and who was involved (only that he "got a power up"), Shadow doesn't see Nine power Sonic up to defeat the prismatic Titan, and Shadow–

Pause.

That scene in the final episode. You know, the one where Sonic returns after defeating the prismatic titan, Nine says that they were just using the blueprint to figure out what shards went where so they could complete the prism, and Sonic asserts they've actually been doing it to fix Green Hill? The part where Sonic and Nine disagree over whether it's possible to fix Green Hill, whether they should fix what was or move on and create a new home?

The part where Sonic accidentally implies Nine isn’t real to him?

A scene in which Shadow would be able to clearly see Nine's motivations?

The ENTIRE lead up to Nine taking the shards and deciding to leave Sonic behind?

Yeah ha ha...ha...ahah...

Shadow doesn't see any of that. You want to know when Shadow arrives? What he sees?

All he sees is Nine with all the shards at the edge of a portal, Sonic trying to get him to stay and Nine leaving (choosing not to trust Sonic). Practically all Shadow sees of Nine and Sonic interacting while they don't know he's there is Nine "betraying" Sonic and stealing the shards. He misses the entire complicated conversation and everything that lead up to the event.

Again, Shadow misses any nuance and any context that might allow him to see Nine more as he is. Nine leaving with the shards, betraying them and blowing off Sonic's attempts to appeal to him? It just feeds right back into Shadow's existing bias against Nine.

Shadow didn't trust Nine. He thought Sonic was naive for choosing to trust Nine. He felt that Nine didn't share the same goals as him.

Of course Nine steals the shards, betrays Sonic (who'd believed in and trusted him so so much, Shadow knows), and leaves them to die. Shadow already thought the variants were practically designed to make him and Sonic suffer, and what best to make Sonic suffer by having his trust broken by a fake wearing the face of his best friend, right?

Shadow did not have proof or real reason to believe Nine to be evil or planning to betray Sonic. He didn't even have half the physical proof Rebel and Renegade had when they decided Nine was traitorous. Shadow just always felt that Nine couldn't be trusted, and frustrated and annoyed for some reason that Sonic didn't agree.

Does this make Shadow a good judge of Nine's character? Was Shadow really right because he was seeing the signs all along, or was it because everything that happened just so happened to line up with his pre-existing bias (like back when Chaos Sonic implied Nine was involved with the trap, and Renegade assumed that Nine had set up the entire trap because of course the "traitorous fox" would)?

ㅤ

For now, let's move on to the last point of view. How does Sonic see Nine? Is Sonic really just some naive hedgehog who trusted a fox—a fox who was clearly always planning to betray him—just because he wore the face of his missing best friend? Up until the end of season 2, did Sonic just refuse to see or miss all the red flags—all the signs that Nine was always going to betray him in the end?

Let's start from the very beginning. Season 1 Episode 1: Shattered.

What not a single person can overstate is how Sonic’s initial perception of every variant and their character is heavily rooted in his own bias. In this case the "bias" at hand is Sonic either assuming the variants are one of his original friends (like when he thought Nine was just Tails who had forgotten him), or somehow connected to them. In my Sonine Prime essay series I have talked a few times during S1 about how Sonic is largely going through Season 1 trying to guess what's happening around him with his limited knowledge of everything at hand, his lack of knowledge of the genre he's in, and his scrambling to explain things without there being someone like Tails to understand it for him. At first he believes Nine is Tails but missing some of his important memories. Then he believes that Nine, Rusty, Rebel, and Renegade are just his friends but "messed up" (still with the idea that they don't remember him). Then he realizes that there are multiple variants and comes to the conclusion that they are all part of the originals or contain pieces of the original deep down. Sonic’s idea of the reality of the variants continues to change until he at baseline believes they are all their own real people.

But where does Nine fit into all this? Just how much does Sonic's original perception of him as "just Tails" affect how he sees Nine by the end or season 2? Does Sonic actually just 100% see him as a replacement for Tails rather than his own person?

Well, I can answer that last question now if you wish. The answer is no, but the entire thing is eh...complicated.

In Episode 1 of Sonic Prime, after participating in an entire fight scene against Nine (who he believes to be Tails fighting him for some reason or Tails who doesn't remember him and home), Sonic explains what he knows of Tails' backstory. In return, Nine reacts as if Sonic knows details about him that no one should know, but then goes on to explain what actually happened to him. Sonic, of course, begins to have a reaction based on this.

I will remind you that, at this point in time, Sonic believes that Eggman succeeded in taking over Green Hill. He believes that this is is home, and that Nine, Rebel, Renegade, etc are his original friends.

"...Doesn't make sense. You are Tails, but– you're not... Here, but...gone?"

As of here through to the end of Episode 3, we have reason to believe that Sonic believes that Nine is Tails. He does his best to recognize Nine's preferred name, but he makes a number of references to getting the prism and "fixing all of this", refers to the New Yoke variants as "messed up yous", and at times even acts as if the variants should be/are like his original friends (as we see from the scene he starts introducing the variants under the names and traits of the originals). He quite literally believes that Nine is just Tails without his memories of Sonic. He thinks he just needs to stop eggman, get the prism, and make his "friends" remember.

While I will emphasize how much it makes sense that Sonic would approach the New Yoke variants initially with this conclusion, it will unfortunately affect how he perceives Nine forever.

In Season 2 Episode 6, Sonic returns to New Yoke. Rebel and Renegade are angry at him for leaving them behind, and (as we covered in the Rebel and Renegade section) they consider Sonic and Nine to be traitors. However, while Rebel and Renegade (understandably) label Sonic and Nine as traitors for the betrayal they witnessed, Sonic is...surprised when he learns that Nine made off with the shard.

"I didn't steal the shard!"

"But your fox friend did. Right before he left us high and dry."

"He...did?"

I'm going to refrain into digging too far into how Sonic sees Tails (as dredging up the evidence would be another essay), but, in short, we know that Tails is his best friend. Tails is smart, he helps fight Eggman for the greater good, and he'd never leave a friend behind, right?

By this episode, Sonic has shifted his idea of the variants already. He no longer thinks Nine or Rebel or Renegade are just his original friends missing their memories, but we know that he feels as if there are pieces or traits of his friends who reside in all the variants deep down. He tries to talk like Amy and get Thorn to be a "good friend" and make up with everyone. He tries to appeal to Dread and get him to join the crew's search for the blue shard, referring to that stubborn loyalty of Knuckles'.

So Sonic has already created an idea of Nine based upon his idea of Tails. Sure Nine is "a bit angsty" and a loner, but he'd never leave any friends behind or leave people in danger, would he?

Tails would never just leave everyone behind, and Sonic doesn’t want to believe that Nine would or to believe the worst of him. So to Sonic...it must all be some huge misunderstanding, right? Sonic will prove that he and Nine aren’t traitors. When he finds Nine there has to be a reasonable explanation for why he made off with the red shard and left Rebel, Rusty, and Renegade to the council's mercy.

Nine is Sonic's friend, and Sonic believes that Tails is in him deep down here. He refuses to believe that Nine is evil or doesn't care about others.

"If they get that energy crystal back, we're done for."

"Nine won't let that happen!"

...

"I'm sorry I wasn't there when you needed me. But I'm not a traitor and neither is Nine. Let me prove it to you. Let me fight by your side."

He thinks so highly of Nine and believes in the good in him. Most of us agree that this is because of Sonic comparing Nine to Tails and because of how he initially started trying to pull Nine into the intelligent little buddy role. But...is this all because of Tails? Is it–?

Let's take a step back for a moment. Remember how in the previous sections I talked about the character's pre-existing biases and how Nines actions would coincidentally fit into these biases, and how I've emphasized what it is the characters actually have seen?

Well, here's the truth of the situation. Sonic didn't see Nine abandon Rebel, Renegade, and Rusty. While they're clearly angry, he has no clue what actually occured, how Nine acted, and he refuses to assume that Nine grabbed the shard and just split. And when you hear that someone you've already decided to trust (even though Sonic later updates his idea of Nine as his own person, it's due to Sonic's existing bias towards Tails that he trusted Nine in the first place) has done something awful, you'd want to see that proof or know the context. You'd want to hear what happened from the one you trust. And here's another truth about the situation. Nine up to this point has never betrayed Sonic. After they talked in the scareport after their battle, had a heart to heart, Nine proved he was no longer hostile to Sonic. Nine gave him the regulators and helped him with his little running issue. Although Nine had no way to save him when Sonic was about to be blasted back at the Yoke, when Rebel and Renegade swooped in to fight, Nine freed Sonic at his first available chance. During that entire adventure in the Yoke through to episode 3, Sonic has seen Nine work together with the others as they fight for a singular goal. Even when Nine suggested they leave the others behind to get the shard, Rebel tells Sonic the same thing right afterwards.

Aside from hearsay, Sonic (by Episode 6 of Season 1) has no reason to believe that Nine is a traitor. Nine assisting with the fight in the Yoke, helping him out—all of this feeds right back into the idea Sonic has of Nine's character. He reasonably feared that Nine would keep attacking him in episode 1 after the battle, and he reasonably believed that Nine baseline cared about the well-beings of others.

Let's look at Sonic's talks with Nine in S1 E6 after Nine picks him up from New Yoke.

(For the record, as I've already taken up quite a lot of your time here, I'm going to try to be as concise as I can with this section. But if you'd like to read a more in depth analysis of Nine and Sonic during this scene I've done, you can read Sonine Prime Part 6 here.)

As I said, Nine helping out in the battle before he picks up Sonic just feeds into Sonic's pre-existing bias. Nine very clearly only came to pick Nine up from New Yoke so he could take him to the Grim (and that's pretty much what he does the moment Sonic jumps into his cockpit). Sonic, however, already asserted to Rebel and Renegade that Nine is not a traitor and that this battle for the existence of the resistance and the citizens' hope in a better future will allow him to prove that neither he and Nine are traitorous. He doesn't know where Nine is exactly before he shows up, nor does he have real reason to believe Nine will show up during this fight, but Sonic was extremely happy Nine did. Likewise, Nine doesn't know any details about the resistance's fight with the Chaos Council. He has no real reason to believe that Sonic will just go with him and leave during the battle, but he's also very happy to see Sonic and to take Sonic's attention.

So while Nine came to New Yoke to pick up Sonic, Sonic assumed Nine came to join the fight, to help the rebels fight for a better future, and to clear their names. He's assuming that Nine shares the same intentions as him and has the same general idea of what "a good person" would do that he projects onto Nine. As for Nine, he also just kind of assumed Sonic would go along with him. When talking about the Grim to Sonic, he emphasizes that it's a clean slate, he appeals to Sonic's wish for home by talking about how it can be a new home for the two of them. In addition, he also has an idea of a "good person" he projects onto Sonic, given how he tries to appeal to that assumed nature by talking about how the two of them can create a "better world" (as opposed to New Yoke, a city that only brought Nine misery, that Nine has no hope for).

Plus, as the two traverse the area between the shatterspaces, they play tug of war with the conversation at hand. Sonic talks to Nine about how they really should get back to New Yoke to help the rebels (they're fighting an incredibly important battle at the moment). Specifically he says "we should get back" (emphasis on the "we"), and talks as if he's trying to remind Nine why they should be fighting right now and why that matters.

As for Nine, especially because he's pretty detached and doesn't know or care of the extent of what's going on in New Yoke, he keeps steering the conversation towards The Grim and what he's discovered about the shards. He keeps emphasizing that this is about creating home for the both of them together, and he also talks like he's trying to remind Sonic of "their" goals and why the creation of home here matters.

It's also worth mentioning here that Nine both does not know the extent of what's happening in New Yoke (because he wasn't there with Sonic, he didn't meet the full resistance, he doesn't know about the palm tree or the specifics of that fight of the future) and doesn't really care. He also isn't malicious about it either. He's not acting like everyone in New Yoke deserves to suffer and he's purposely leaving them there to suffer. Rather, he responds to Sonic's attempts to convince him to go back to New Yoke with him and fight by talking about how the city brought him misery and he doesn’t owe it anything. He's taking a neutral stance of "That city was not my home. It hurt me and it brought me only misery. I'm not going to go out of my way to destroy it or hurt people there. As long as people there leave me alone, then I will leave it alone. It's the city's problem if it's hurtling towards destruction, not mine."

These two are just focusing on completely different things—specifically things they emotionally invested themselves in and placed their focus in before the two met again in S1 E6. And yeah! Maybe how Nine acts during this scene should have been enough to tell Sonic that Nine doesn't care about New Yoke or saving every little person in danger. Nine does make it pretty clear that he only cares about his goal of creating a new home and better world for himself and Sonic. However, Sonic is the kind of hedgehog that not only believes in Nine's capacity for "goodness" (or how Sonic personally believes one has to be to be a "good person"), but that Nine has to be a "good person". Even before he'd accepted Nine as his own person that isn't just Tails, he'd formed that solid idea of Nine's character as someone who would naturally help people in need, and he doesn’t want to admit that the idea he has of Nine in his head is wrong.

But, even with all of that in mind, is any of this really proof or "red flags" that Nine would betray Sonic all along? Sure Sonic's ignoring here in the Grim that Nine doesn't care about New Yoke or the resistance all that much, but does Nine ever give any indication that he's just using Sonic to get the shards and was planning on exerting control over the shatterverse?

No.

Nine is happy to see Sonic. We know from S2 E7 that he very genuinely had integrated Sonic into his plans, very seriously planned to create a new home to live in with Sonic (so he wasn't lying about it). He already had two prism shards and was already experimenting with using them to alter reality in the Grim, and gave no indication he wanted more. He could have continued to shape the Grim to his will, but instead he brought Sonic there so they could do it together. When Sonic seemingly rejects his proposal to create a new world together, he seems disappointed, acts like he's been rejected, helps Sonic get back to New Yoke.

Nothing about that screams power hungry fox trying to hurt people on purpose. He got exactly what he needed (a couple shards and Sonic), and if he'd had his way right then, they would have just created a home in the Grim.

All the fox wanted was to be left alone and to be home.

During this scene, how can Sonic miss "red flags" that Nine has been "secretly evil all along" that aren't even there?

Sonic's only crime is trying to hold onto the exact idea he has of Nine as a "good person" by his own standards. And frankly, even when Sonic relents and goes to New Yoke without him, he makes it so clear that he just knows Nine will come back to fight with him, just like he knew Nine would come to help earlier (even if Nine had only actually come for him).

After their battle in S1 E1, Nine had a heart to heart with him. Nine created the regulators and helped Sonic control the energy bursting from him. Nine helped him and the rebels escape captivity/danger while they were in the Yoke, and assisted in keeping the others from harm as they all fought together. He came right in the nick of time to turn the tide of the battle for a minute in E6 of S1. And even after making it clear to the audience that he doesn’t care about New Yoke, and pushing against Sonic's internalized idea of his character, he still comes back for Sonic.

Even if he only comes back to join the fight so he can give Sonic another chance to pursue his (Nine's) goals, his coming back feeds right back into Sonic's pre-existing bias. After all, he knew Nine would come, didn't he?

Let's even go further into S2. Sonic learns that Nine got captured, and Nine makes this clear as well. He tells Sonic that he's going to use his vantage point to work the council from the inside. Both are aware of how dangerous it is for the Chaos Council to have access to so much shard energy. From the little contact Sonic has with Nine during most of this season, Nine situates himself as Sonic's inside helper and giving him direction. This is why he believes him when "Nine" leads them into the Yoke for a trap, and that's why he believes the real Nine when he leads him through the Yoke building in a plan to get rid of Chaos Sonic.

To Sonic, Nine always comes through for him, whether it's for fighting, giving him insider information, or giving him directions/plans/helping things make sense to him.

If Sonic just let himself see it, he would notice that Nine doesn't really care about anyone else but himself and Sonic, and he would know what Nine's actual goals were. Assuming that Nine naturally followed his same goals and acts regarding other people "like the real Tails would", that was Sonic's folly. That's where he was being naive and only taking in evidence that fit his bias of Nine as a good person.

But that doesn't change the fact that Nine did help people out, did help out Sonic. He prioritized his own goals over others' well-being in E6 of S1, and when he left Renegade, Rusty, and Rebel behind, but he did not do so without hesitation. It doesn't change the fact that he helped Sonic out and that Sonic had no reason to believe Nine was using him for his own purposes, because even when Nine made his true character and his goals clear, he always genuinely wanted Sonic at his side. And it doesn't change the fact that even when Nine was frustrated at Sonic, he still stuck up for Sonic. He still convinced the Chaos Council not to kill him outright. He still risks his position and safety to help Sonic, even in the face of being killed for doing so. He feels guilt and remorse for being the reason Sonic was led into a trap and attacked by Chaos Sonic. He expresses this guilt to the Chaos Council (as they jab and jeer and he goes "what have I done?"), and he expresses it to Sonic, who reiterates the trust he has in Nine.

What I'm getting at here is that Sonic’s problem was always how he didn't fully see Nine as he was, and how he just assumed Nine would go along with whatever he thought and wanted. Nine's criticism at the end of S2 was not a baseless one. However, his problem was never that he trusted Nine. No matter the place his trust in Nine began from, Sonic has never had any reason to distrust him, and, in fact, only grew to trust him more over time and Nine helped him out and proved that he cared about his well-being.

Sonic thinks Nine will go along with his goals because he's "just like Tails" and kind of assumes so.

Sonic sees "the good" in Nine and trusts that Nine is his friend because he's gotten to know Nine a bit better over time. Actions speak loud, and it says a lot that Nine continues to aid him and very specifically wants to be with him.

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Now, in the interest of not going on for too much longer, I'm not going to go piece by piece through every Nine scene to dissect exactly who he is as a person and why. Nine's exact character is an essay for another time. So for now, let's keep in mind just what we can see of Nine in the show (and in contrast to what other characters think of him).

I'm going to pose a question or two. Has Nine the Fox been secretly evil all along? Has everyone else been seeing the signs while Sonic has been blind because he doesn't want to believe "Tails" could be evil?

And now, from what we've gone over so far, here's some of what we know about Nine:

Nine isn’t the type to hurt people for no reason or out of malicious intent. He attacks in self defense and generally just wants to be left alone. Thus, if you leave Nine alone, he won't go out of his way to mess with you.

He doesn’t care about others to an extent. If he's already involved in an event, he will help out if people are in danger. However, he always pursues his goals first. He ultimately hesitates when he sees Rebel, Renegade, and Rusty captured, but ultimately chooses to secure making it out alive and with the shard over risking losing either to assist these three.

He cares very deeply about Sonic. Even when he's clearly frustrated or disappointed or says that he's not friends with Sonic, his actions show otherwise. He wanted to build a new home with Sonic, and he risked his own well-being to help Sonic in S2.

He trusts Sonic back. He believes in his ability to overcome anything, even when the Chaos Council is throwing more and more terrible robots at Sonic and trying to convince Nine that it's not worth putting faith in him.

Others actually try to convince both Sonic and Nine during the runtime of S1 and S2 that the other shouldn't/can't be trusted, and that it's idiotic to place their trust in each other. These are scenes that genuinely end up showing that each plans to stay on the other's side and features them sticking up for each other.

Nine doesn't care about others, but not in a malicious manner. He aspires to be left alone and to his own devices, to which he will leave others alone and to their own devices. Even when he's alone and not in Sonic's presence, he never expresses a wish to exert control over the shatterverse and to be its god (essentially trying to make it all better). He only wants to create his ideal home with Sonic away from everything that hurt him.

He rejects the idea that he is exactly like Tails.

He actively seeks and even becomes smug/happy when he gets Sonic's attention. Being considered Sonic's friend or even a best friend is important to him.

The only ulterior motive he ever presents in helping out Sonic is when doing so allows him to get the home he desires, a desire that he includes Sonic in on for the bulk of the runtime. Essentially, he sees Sonic as a collaborator in a goal that includes them both.

So now, I pose the question to you reading this. Has Nine the fox been secretly evil all along?

Personally, I think not. He's not a "good person", but to be evil one has to have a specific kind of malicious intent. You can argue that the Chaos Council are evil because they act in self interest, knowingly oppress the mobians in New Yoke, and don't care what they have to do or who they have to kill to get what they want. They are aware of what they are doing and that they are hurting people, and actively choose to do "evil" deeds because they want to.

Nine acts in his own self interest, he doesn't go out of his way to be a hero to others, he doesn't care what becomes of the other shatterspaces, but he doesn't go out of his way to just oppress or hurt people. He doesn't attack people or leave them to die for the enjoyment of it. He's not outright acting evil with intentions to commit evil deeds, but he never claims to be a hero either. He's a morally grey fox who acts in his own self interest who just wants a real home, and just wants to be safe.

But all in all I ask this to you because I wonder genuinely. What of Nine's actions during these two seasons betray that he's just "what if Tails was evil"? Does acting in one's self interest or selfishly, even if you believe it's for a good cause and if you don't go out of your way to hurt people, make you an inherently evil person?

Has everyone else been seeing the signs while Sonic has been blind because he doesn't want to believe "Tails" could be evil?

Renegade, Rebel, Shadow, etc. They all don't trust Nine.

But with I've gone over so far re:their povs and what they've seen and know of Nine, have all of these people been seeing something Sonic has been missing? Have they not just been doing the same thing Sonic has been (in this case, forming an idea of them based upon first impressions and continuing to paint that person in a specific light because of how their continued experiences with that person fit their pre-existing biases)? They've had less run ins with Nine than Sonic has. What makes their gut instincts and povs more valuable than Sonic's pov of Nine (or the chaos council in s1 and s2 for that matter)?

What is it even that they're seeing that Sonic is missing? Is it that Nine cares more about creating a home within the Grim than saving people or being a hero, or even more than some goal of bringing back Green Hill (even at the expense of the shatterverse and his life)?

Sure, Sonic doesn’t want to believe Nine could be evil. Heck, he doesn't even want to believe that his idea of Nine as someone who would put his life on the line for those in danger and help people when he can is false.

But what? What exactly is it that he's missing? What are the "red flags" Sonic is "ignoring" in these two seasons that "prove" Nine has been evil all along? What was Sonic missing that proves Nine was always planning on betraying him?

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It's all food for thought my friends.

Anyways, if you've read up to this point, thank you so much! I know it's a long one, but it means a lot to me that you'd take the time to read my thoughts and analysis. In the end, the point of this essay is that I implore you all to think of how the characters see each other. The creators put genuine thought into these characters, how they act based on what happens to them, and how they act based upon what they could possibly know from their povs. I implore you to consider why certain characters assert things they do. I implore you to think why Nine would have betrayed Sonic at the end of S2, why Sonic would have trusted him, and for what reason other characters may not have trusted him. I implore you to think of Nine not as a twist villain, but to think of how he actually is and what might push a person to this point.

Thank you for coming to my Ted Talk.

[mcgnussen]

SOLDIER: “there will come a soldier who carries a mighty sword, he will tear your city down" righteousness. strength. violence. you see a door and break through it. you wonder, sometimes, if anger is the only thing you can feel. remember that love is passion too. you made your own rules and will follow them to death. you try and forget that there is only one rule, and that it is "FIGHT". you are tired of fighting. you try to forget that too and keep going. you dream of quiet. your love is where you heal. god knows you deserve to. (really. you deserve to.)  

kevin is a soldier through and through as is fernando. however, max could either be a soldier or king, but i ultimately would make the argument for soldier. pierre is wavering between soldier and poet, but i think he lands on the side of soldier. esteban is also all soldier. carlos could also be either a soldier or a king, i think it would be pretty 50/50, but the way he talks about racing makes me side with soldier. george is also a soldier, he has a goal in mind and will do everything to reach it. i chose to place the 2022 drivers as i don’t know the rookies well, but my guess would be that nyck is a soldier too. he had one chance and took it.

POET: "there will come a poet whose weapon is his word, he will slay you with his tongue" loneliness. strength. joy. you are powerful but struggle believing it. you think you're not enough. here's the truth: you are. you sing songs and hope they carry faith, because you have run out if it, and yet you still throw your heart out to the world and hope it makes it through. you convince yourself that pain is art because at least then, you will always have something to create. you are tired of stumbling through life. you dream of a ground you can stand on. one day, you will dance. your love is where you feel - without fear.

yuki could either be a poet or soldier, i think a lot of people would probably say soldier, but i actually think poet is more fitting. mick could be poet or king, i put him as king first, but then i ultimately changed him to poet. however, i would not be surprised if he took the quiz and got king. zhou is a poet through and through and same with alex. they both give off big poet vibes. daniel is a poet or king, but ultimately i think he would get poet as an answer if he took the quiz. checo was hard to place as you could argue all three with him, but i think in the end, he would either be a poet or king, but i chose to go with poet.

KING: "there will come a ruler whose brow is laid in thorn, smeared with oil like david's boy" duty. strength. resignation. you were told to do things and you did them. the world is something that was put into your hands and that you must deal with - so you will. you have a rigid back and steady hands, either metaphorically or physically. is it nature or nurture? you don't know. you are tired of being steady. you dream of feeling alive. not that you aren't, but sometimes it's hard to remember that there is a heart between your ribs. your love is where you breathe. come on, breathe. in. out. it starts now.

charles and lewis are both kings all the way through. lando is either a king or poet, but he has more king vibes because he was literally given the world, he is blessed with immense talent and born into privilege to pave the path for him and now the rest is up to himself. valtteri is either king or poet, he is the least soldier out of all of them, but after his stint at mercedes, i think he is more king than poet now. seb is a king and i will accept no other answer. now this might be controversial but lance is for me the ultimately king. he has been “crowned” with, more or less, a permanent f1 seat and sometimes i wonder if he is just living out his father’s dream without his heart being into it. he was giving a racing helmet and was told to drive. nicholas was super hard to place, but in the same vein as lance, the path was cleared for him due to wealth and he has simply walked it, never meeting any hindrance, and so maybe never considered if this is what he truly wants. logan feels like he would be a king too, but he is the one i know the least, but that would be my gut feeling from the few things i’ve seen of him. oscar also feels like he would be a king, he has been given a chance because of his immense potential, but had to take the chance at the cost of his countryman, which does feel like a big “crowned with a thorny crown moment.” nico hulkenberg also seems like he would be a king, he is tired of being steady and wants to risk it all to finally get that podium.

TAKE THE “SOLDIER, POET OR KING?” QUIZ HERE!

[savage-rhi]

Fuschia/Magenta?

[wikipedie]

grief is like a really ugly couch

I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it. ― Jodi Picoult, Leaving Time

[powerfulkicks]

yes i'm very smart *watched a few too many video essays and got a bit cocky*