#hate harriet's personality but love her design

[gachagon]

oh so NOW YOU GUYS WANT TO QUESTION IRONWOOD HUH NOW YOU THINK MAYBE HE'S LOST IT? NOT WHEN HE SHOT A FUCKING COUNCIL MEMBER AND MURDERED HIM IN COLD BLOOD FOR EVERYONE TOO SEE? I THOUGHT MANTLE DIDN'T MATTER WHY'S EVERYONE ALL OF A SUDDEN CONCERNED ABOUT MANTLE HUH? YALL ARE FAKE

winter i love you babe but this was not it you literally did abhorrent things to your sisters friends (and like nothing happened to them but she doesn't know that she legit thinks she was gonna blow up her sis' friends while they were in a giant Grimm whale and is prepared to tell her I guess) you sat back and watched as this man condemned thousands and thousands of people to a horrible fate to keep Atlas afloat and your only redeeming action was when you saw some reason and let Weiss' friends into that whale.

but NOW they're like "lol he's bluffing" which pisses me off because WHAT IS THE DIFFERENCE BETWEEN BLOWING MANTLE UP, AND REFUSING TO HELP THE PEOPLE DURING A GRIMM ATTACK?? people still die the whole city still succumbs to the grimm and is destroyed either way, why are the Ace-ops suddenly thinking blowing it all to hell is bad? is it because then it'd be a direct action and not Inaction? So they can no longer pretend like what they weren't doing was for the greater good?

get's pretty hard to ignore your conscience when you deliberately hurt other people just to hurt them I guess.

[clonehigh-takes]

I don’t trust anyone who hates Harriet 99% of y’all are just racist and/or misogynistic

go under the cut for my lil ramble heheh

i think shes a little crazy but i genuinely like her, other than the first two episodes where she and frida are depicted as the same person basically shes pretty well written personality wise and her dynamics with other characters are fun, i think shes a good character tbh and her design has grown on me a lot, people who hate her kinda confuse me. harriet love 4ever

[meanautisticenbian]

Since y’all love putting words in my mouth so much lemme spell it out for you

The people who hate Harriet for her wrongdoings but love Topher despite the worse things he’s done are really really weird

Hating her for her for her personality and/or design is probably fine, I don’t care

I am simply asking people to not be hypocrites

Do you understand me yet

[didyoutrydynamite]

so I'm new to this AU (love it already ngl), but uhhhh where's everyone else? Ruby Blake Yang Nora Pyrrha Ren Oscar Maria Kobalt Ivori Russel Lark Dew Roman Neopolitan Cinder Watts Tyrian Hazel Adam Brawnz Roy Arslan Bolin Scarlet Sage Clover Harriet Tortuga Elm Vine Marrow Happy Huntresses etc?

Glad to catch your interest! As for the whereabouts for certain characters on your list, I've only revealed a few of them, the fates of the rest will have to be revealed as the story progresses (Which you can read in the official story of the JNRZ AU in this link here).

As for the few I can or already have revealed, spoiler warning btw for those not caught up on the story...

Roman Torchwick has brought his criminal tendencies to Atlas, where he has founded a criminal gang known as "The Candlewick Crooks." They mostly do heist jobs and robberies between Atlas City and Mantle.

Pyrrha Nikos has decided to forego a Huntress career in favor of continuing her work as a professional fighter and celebrity. Exact reasons why remain to be revealed in the story.

Arslan Altan took on an Huntress apprenticeship under Reese Chloris's father, Whistler Chloris, in order to earn her license.

Ivori and Kobalt do not exist in this universe and frankly do not exist to me. To be frank, I hate their designs with a passion. As a person who loves to take background characters with no lines in the show and turn them into actual main characters, these two offer nothing to me creatively in any way. I may eventually combine the two of them into one character as a reference to them.

Everyone else though, I actually do have all their places predetermined in this universe, a good number of which will have prominent roles either in the main story or a series of side stories I have in mind.

[besidesitstoowarm]

"The Christmas Invasion" thoughts

currently pacing my apartment like i'm in the angry dome. so that's a good sign

not a lot of thoughts on the story itself. pretty serviceable stuff, not really in the vein of a "real" christmas episode in that it's just an episode that happens to be set at christmas without any accompanying themes. no beef about that

if i had a nickel for every doctor who story with a cool creature face design that turned out to be a mask hiding a less-cool humanoid face, i would have two nickels. which isn't a lot but it's weird that it happened twice. the next great disappointment in this vein will be the introduction of the silurians, i'm still mad about that. love the sycorax ship tho, very geonosis

this episode gives us a pretty good primer for ten and highlights his best and worst quality, which is that he does not SHUT UP. this is often very entertaining, and some of his speeches are wonderful (the doctor who monologue is a phenomenal trope, and while eleven's in "rings of akhaten" is probably my favorite, each doctor has some bangers) but my GOD dude. ten is rather vain and loves the sound of his own voice even more than the other doctors, which is quite a feat. even when he's annoying, he's charming, tho. tennant is clearly having so much fun with the role

i want to keep note of a few things we see from ten here that will inform the rest of his tenure. ten-ure. do you get it. the quick jump from joking about satsumas to dead cold "no second chances" shows that under the bluster and bravado, there is a stone-cold killer in there. the coward no longer, not really. he's a fighter, not just a soldier

i have a little theory here i'm playing off. so i wrote in my "parting of the ways" post that rose and the tardis kind of corrupt each other, right? rose does to the tardis what she does to the dalek, she infects it with her human-ness. we see from this episode that the tardis and the doctor are symbiotic, too. so rose and the tardis mingle, and then the doctor kisses her to take back the tardis's heart, and it gives him super-cancer and he regenerates. there's no way that corrupting force didn't touch him too, right? i joke that nine imprints on rose but i think that's literally true for ten, rose's energy (and his depth of care for her) forced his regeneration. he's in a physically and emotionally turbulent time during early regeneration, he's elastic. i think rose is part of him, it's why he takes on so much of her personality (i attribute his dark streak to her, she risks her life this episode bc "he would"), it's why they get dangerously codependent this season, it's why he never recovers from her loss

so that'll be interesting to keep an eye on as the season progresses. the last thing i want to call attention to is, of course, those six words. you misogynistic son of a bitch. i generally agree when the doctor rails against humans being trigger-happy and xenophobic, but in this case the sycorax aren't like the pig in "aliens of london" or even the slitheen, they're colonialists! they rolled up on great britain and said "we own your planet, your minerals" like directly! they aren't refugees or harmless but weird. they're violent conquerors! they're just going to go genocide some other planet if allowed to leave! you JUST told harriet that all eyes are on earth as far as aliens go, and she's right, you're not usually around! she wasn't lashing out, she was making a measured and reasonable choice to protect earth both from the sycorax and for any other race that will see earth as easy pickings, as "children." and you deposed her through misogyny. oh i hate you. iirc he doesn't ever seem to openly realize that those six words are what bring the master into power in s3 or lead to the events of the s4 finale, but i could be wrong. i choose to be mad at him for now tho

oh actually last note. he looks dead sexy in the new fit but it's too normal, the doctor should look kind of shitty to me. ill-fitting or mismatched patterns or too many accessories or old-fashioned or some stupid gay bullshit no one would wear for real. fucking celery boutonnieres and patterned umbrellas and velvet suits. the doctor should look like he got dressed in the dark and doesn't own an iron

okay up and onward! there's kitty cat people in the next one :)

[itsclydebitches]

RWBY Recaps: Volume 8 “The Final Word”

Well, we made it to the finale, everyone, and if you're reading this it seems you've survived the watching of it too. Barely. To say that some questionable choices were made across these 20 minutes is... an understatement.

But before we delve into the episode, I want you to cast your mind back to November 7th, 2020. A horrible year that heralded a horrible RWBY volume. There, coming off the shaky writing of Volume 7, I posed a number of questions and concerns that the show needed to tackle, with the promise that we would return to these expectations in four months time. Now, here we are! Let's refresh everyone's memory, yeah?

Taken directly from that recap, what RWBY promised us, through various teasers and Q&As, included:

Emphasis on Ruby’s leadership and how Summer’s death has impacted her

Insight into Ren and Nora’s flaws

May Merigold will supposedly have a larger part

More information about The Long Memory (Ozpin’s cane)

Theme of the volume is that you can respect someone but that doesn’t necessarily mean you agree with them

Very short timeline (supposedly just two days)

Yang in particular is very suspicious and distrustful

And you know what? They did all this. In the spirit of being fair and honest to this show, RWBY succeeded in delivering on everything they promised... it was just our foolishness that expected that these ideas would be delivered well. Ruby's leadership took center stage in the form of her hiding for multiple episodes and then others telling her she's still The Best before the plot dropped a solution into her lap... one she could have used at any point prior to this. Summer's death certainly has an impact, though it's an impact born of a crazy reveal that Summer likely isn't dead, but turned into a horrifying grimm monster. Ren and Nora both delve into their flaws, but heaven forbid either grow from that reflection. Ren learns that if he pushes past his primary flaw of keeping his emotions buried and actually expresses his doubts for once, he'll be yelled at and ignored until he admits how wrong he was. The "real" flaw is being a bad friend, with "bad friend" equaling "Not agreeing with Ruby 100%." Meanwhile, Nora considers that maybe she shouldn't rush in recklessly and hit things with her hammer... which is why she rushes in recklessly, hits something with her hammer, gets grievously injured, and is told that this is just who she truly is. No growth there, not unless we count her sudden desire to figure out who she is without Ren... but that exploration hasn't started yet. Too bad she wasn't the teammate separated at the end of the volume!

Meanwhile, May did indeed have a larger role to play, one I quite liked, it's just that this role — like all the others — inevitably circled back to realizing how wonderful Ruby is. May challenges Ruby to make a decision, but instead of being the catalyst for Ruby's growth, May becomes another forgotten side character who does a sudden about-turn regarding her perspective, leaving the group with the contradictory message that Ruby is actually doing her best, she's just a kid, no need to try any harder... everyone who claimed otherwise up until now was mistaken. May is another Cordovin. She's another Qrow. She's another Maria.

Fun fact: we don't even know if Maria is alive right now. That's how little she means to the show!

Actually, wait... anyone remember this nonsense from Volume 7? 

I was too lazy to change the date.

Moving on, Ozpin's cane turned out to be a stakes obliterating bomb that came out of nowhere, makes no sense logistically — how do battles store energy that only hurts grimm? — yet nevertheless seems to have killed Hazel? It's a disaster of unanswered questions. Similar to the disaster of our two day timeline when, I'm fairly sure, we've had an unnatural number of sunrises and sunsets. I'll have to take a look back at the volume as a whole now that it's complete to be sure of that though. As for our themes... did we really explore the idea of respecting someone even if you disagree with them? Because Ironwood wasn't shown any respect. Ren wasn't shown respect. I think the closest we got was Oscar calmly validating Yang's worry about getting buddy-buddy with Emerald, but the whole point there was that Yang was wrong. She wasn't wrong, but that's what the text would have you believe. She is indeed "very suspicious and distrustful," but that's hardly unjustified in these circumstances. I'm still boggling at the fact that it took the group three volumes for forgive Ozpin, even while he was actively working to assist them, yet I-helped-destroy-Beacon-and-tried-to-kill-everyone-you-love Emerald is the group's new BFF after she... ran away with Oscar? She didn't save him, she just went along for the ride. At the very least we might have gotten a scene where Penny was like, "Hey, why are you all laughing with the woman who just tried to kill my dad?"

But oh yeah, the story doesn't remember Pietro exists either. His daughter is DEAD and he hasn't been on screen since Episode Five, let alone there when she passes.

I had my own list going in, including such expectations as "Ozpin bb you got done dirty please acknowledge this" and "Queer baiting, queer baiting… you’re on thin ice at this point, RWBY. Just skate on over to the queer snack bar before you fall straight into the lake." Obviously these needs were not met.

So what, given this mess of expectations, did we end up with?

Our finale — for some reason — breaks the one word title trend with "The Final Word." It's an expression that refers to the final word in an argument or a discussion, the idea of winning by making a last, devastating point. It can also refer to making the final decision on something, which is the best way I'm able to apply the title to this episode (outside of any “final” comparisons). Penny's death is certainly all about choice and making some kind of decision... but on the whole, this title doesn't feel like it fits well. Not like "Worthy" or "Creation" or "Risk." The two latter titles had obvious connections to the episode in question through dialogue and plot, while the former was a deliberate callback to Watts' speech. "The Final Word" feels... less obvious in what it’s trying to say.

That's a minor nitpick though. Let's get into the meat of the episode.

We open on the grimm whale still disappearing, which is weird. I get that it's massively bigger than any other grimm we've seen, but they all turned to dust near instantaneously and it's been, what? At least an hour since Oscar blew it up? Likely longer when we factor in their walk back to the manor, the fight with Ironwood, fixing Penny, and this entire evacuation. It certainly makes for a nice visual, but like so many details in RWBY, it raises unnecessary questions along the way.

The important bit though is that amidst the whale carcass a blob of evil is swirling about. Salem, obviously. 

She’s not reforming in time to actually do anything though, don't worry.

Instead, we cut to the Ironwood vs. Winter fight and there's at least some dialogue this time. Ironwood yells that he's sacrificed everything to keep Remnant safe. Winter yells back that he actually sacrificed everyone else. Obviously, Ironwood should be called out for things like, you know, his unprompted murders, but instead they have Winter listing stuff that she was never shown to have a problem with before. The embargo? "Squeezed Mantle until it broke?" She, as Ironwood's second hand, understood and supported both the decision to close the border and the need to collect resources for a plan designed to take out Salem. I hate that no only did she turn without an ounce of hesitation or grief, but now they're having her act as if Ironwood forced these decisions on everyone, rather than everyone supporting him through them. We all remember Volume 7 when Ruby pressured him to finish Amity, right? And in trust RWBY fashion, most of these words are meaningless. Mantle "broke"? What does that mean? The class disparity did not come about through Ironwood: that's been in the works for generations. The lack of resources made things harder, yes, but when they were reclaimed by Robyn nothing improved. Watts is the one who turned off the heat and Salem attacked Atlas, leaving Mantle alone. Now, all the citizens have escaped through magical portals. So how is Mantle "broken" exactly? More importantly, why is Winter upset over this vague, nonsensical dilemma when she could be yelling about Ironwood wanting to bomb Mantle?

Again: this woman watched Ironwood shoot the councilman, shrugged, and continued to believe in him up until she realized his bomb threat was real. That was one of the main reasons why I thought the councilman might be alive, with Ironwood only shooting a warning shot past him. Because this is how you react to a good person unexpectedly killing someone else

whereas this is what we got from Winter and Harriet.

Hell, Weiss has more of a reaction to Yang telling Ruby things aren't super great right now.

So either Ironwood didn't do something that bad, thereby justifying these tame reactions (unlikely, given where his character ended up), or we should believe based on the animation that everyone was super chill with him killing an unarmed civilian. Which is then directly contradicted when they're like, "You're going to shoot Marrow? Bomb a city?? How could you do such horrible things??? 😲" Friends, buddies, fictional pals... you already watched him murder a dude.

The point is, there's a lot for Winter to be upset about, but she's not upset about that. There's a lot that Winter herself believed in, but the writing has forgotten that. This entire arc went off the rails a volume ago.

Also, why is Ironwood fighting with that giant gun? This is his final battle, presumably ever, and he's wielding this awkward, sluggish weapon we saw him randomly pick up two episodes ago? Let him use his regular guns! Give us a fantastic battle like he had with Watts! Instead, RWBY's final showdown consists of him using this no-name weapon as a unwieldy club in some of the most boring choreography we've seen to date. It doesn't help that this fight needs to share time with three others. Instead of an epic showdown, we're given glimpses of the battle before continually cutting away from it. 

During that first cut we return to the Team RWBY battle where Penny, doing her best to stay out of Cinder's reach, is whisked away on Weiss' wasp.

Too bad she didn't do that for Yang...

Jaune and Nora watch this horror unfold until Jaune says, "Priority one!" and they split. Except... what is priority one exactly? Helping the civilians? I guess, because they don't enter the fight until the very end of it, when everyone else seems to have made it to Vacuo. And you know what, I like that. For once it feels like the group — or at least the B Team — is acting like huntsmen, putting the needs of the people over their own, personal desires. I'm sure Nora wants to help the group after Yang's (presumed) demise and that Jaune would like nothing more than to get his hands on Cinder, but they put those grievances aside to do the work they signed up for. Good job!

My only real gripe is that we don't really see this struggling in the animation, I'm just assuming it's there. In particular, there's a moment when Jaune sends Nora through the portal for reinforcements — not knowing they can't return — and they seem a little too jovial when, by this point, three friends have died.

There's letting your cast be supportive, and then there's having them ignore that three teammates have perished in an abyss. It really doesn't help to sell the idea that Yang, Ruby, and Blake are in any danger here.

But I'm getting ahead of myself.

Penny tells Weiss that since Cinder is really just after the Maiden powers, she can buy the rest of the group time to escape. Weiss, obviously, isn't fond of this idea... and then the both of them are blasted off the wasp by Cinder's fire. Which they deserve, frankly. They're just having this casual conversation about sacrifice while in the middle of a battle. Did they somehow forget that Cinder can fly too?

Note that multiple attacks from Cinder, another blast, and a hard landing on the pathway gives their auras a knock, but doesn't break them. The primary defense for Yang's aura shattering in a single, simple hit was that everyone is exhausted and running on little to no power... yet here the rest of the cast is, tanking multiple hits as we've come to expect. There is no explanation for Yang's defeat except that the writers chose to ignore the rules of their world for a dramatic death scene... even though that drama was erased a week later as half our team falls into the void too.

We'll get to that though. For now, Cinder corrects Penny's belief with "I want it all" and proceeds to try to finish them off, only for Blake to arrive, having made her choice from last episode about who to help. It's a legitimately nice attack, but I happened to pause at the bEST MOMENT

Anyway.

We leave that fight to return to Qrow and Harriet who have, off screen, started an entirely different battle. What I mean is, last we saw Qrow had broken through the windshield of the airship, roughly pinned Harriet, and was taunting her about getting the fight she wanted. Now, suddenly, he's going “You’re making a mistake, Harriet, what happened to Clover—” as if he's been trying to talk her down this whole time. It's jarring, especially when we consider that Qrow had a volume long "kill Ironwood" arc that was dropped because... Robyn reminded him that murder is bad? RWBY feels like a storytelling pinball machine. Characters bounce from one personality to the next, one perspective and another, round and round until you don't know where they'll end up.

Harriet screams for Qrow to just shut up already and honestly? Same. I love Qrow, he's one of my favorites, but I can't deny that he's been done dirty like so many others since Volume 6. I love who Qrow was, not the mess RWBY has created the last few years.

Time to delve back into fic after recapping!

Sadly though, this strange dialogue wasn't the only "wtf" moment. Harriet is still trying to drop the bomb — which is its own mess of confusing motivations — when Vine and Elm show up on Harriet's ship. Elm begs Harriet not to do this "because you’re our friend!”

Am I glad that they finally acknowledged that the Ace Ops have always been friends? Sure, but why did we spend two volumes claiming otherwise? They were friends, a fantastic team, then Harriet announces that's a lie and we get a bunch of "Team RWBY is superior because they're actually friends" messages. Except this entire time we're still watching the Ace Ops be kind and playful with one another. But they're not friends, the story says. Not friends as they fight these battles. Not friends as they grieve for Clover. Definitely not friends as they react in horror at Ironwood nearly shooting Marrow. No, there's nothing there... until Elm claims there is! Then Harriet reacts in shock. I have friends?

Except Elm was labeled the one "just following orders" by Yang. Elm is the one who shook off Vine after the whale exploded. This isn't the story of one character, Harriet, thinking she was alone and then realizing that people do care for her, this is a story that, seemingly at random, had this group being BFFs or acting like they hated each other — and at each point the visuals are contradicted by the story's message. When they act like friends, we're told they're not friends. When they don't act like friends, we're told they really have been this whole time. I mean, do any of them even care that Marrow teamed up with Qrow and Robyn to take them out five minutes ago? All three were going along with Ironwood's scheme until they were physically stopped, but now Elm is convinced this is a bad decision she needs to talk Harriet down from with the power of friendship?

None of these characters are characters, they're just slapped together reactions based on whatever the plot needs. Who is Elm? I've got no clue. Her personality changes every episode.

Also, love that Qrow moves to stop the bomb from dropping and Harriet screams at him to "Get out of the way!" rather than just... attacking him? She even throws her hands out like she's having a temper tantrum. This feels like schoolyard bickering, not a life or death struggle.

Even though, you know, the audience is aware that the people of Mantle have already been evacuated and Qrow's group is aware that Atlas is falling on top of Mantle as they speak, so... why does the bomb matter? It's going to, what? Destroy the city thirty seconds before Atlas does? Oh no, the horror.

Things then, if you can believe it, get even worse. The bomb is still about to drop, so instead of doing anything to stop it — I mean seriously, we know it takes four people to shoulder the bomb's weight, but you're telling me Qrow and a reformed Harriet can't snag it in a pinch? — Qrow sits there, looks at Clover's pin... and the bomb careens towards the side of the airship instead, stopping.

Because I guess Qrow has good luck now? Or always did and somehow never noticed it? Or his semblance evolved?? Again, we don't know, but it's a bad moment any way you slice it, imo. Qrow has always been defined as the guy with a bad luck semblance and, much like Penny's android struggles, the allure was in watching him overcome those challenges, not having the show erase the challenge entirely. Especially when we don't even understand how it was erased. Qrow just... stops drinking, stops caring for Ironwood, stops wanting to kill Ironwood, stops causing bad luck, I guess. RWBY takes major character traits and flips them off like a light switch, leaving the audience with no emotional tether. We didn't watch Qrow overcome his drinking, or realize he can't bear to kill Ironwood, or discover a way to live life with the horrible hand he was dealt, he just blinks one day and those things are gone. Why? No one is sure. Not even the writers, I'd wager, because otherwise they would have written explanations into the text.

Many in the fandom insist that any basic information provided by the story amounts to "hand holding" when in fact there is a massive difference between the sort of unnecessary exposition that bogs down a tale, and having facts enough for the audience in its entirety to be on the same page about what is actually happening. For example, recently someone argued strongly that the "Penny is human" take is incorrect because Penny isn't human, she has an inhuman body made entirely of aura... yet where in the world does this exist in the story? Ambrosius may have been unsure about what Penny would be prior to removing her robotic parts, but that ambiguity is gone once her body forms, the equivalent of worrying about that gun only for a flag with 'BANG' to appear instead of a bullet. Worrying about something doesn't mean that something actually occurred. Penny appears human, expresses human sentiments, and then, this episode, dies as a human. If it walks like a duck and talks like a duck and succumbs to the mortal peril that all ducks face... it's probably a duck. As I said in a recent ask, I implore the fandom to stop writing RWBY's scripts for them. Or rather, do so in some amazing fanfics. Don't do it on critical posts as a means of insisting that your revision is canon.

So Qrow has good luck now, maybe, but this character change doesn't amount to anything because Watts remotely starts the bomb's countdown.

At least he’s entertaining and competent. We had that for a time. 

Back to the main battle, Neo is kicking Ruby's ass. Why? Because there's no consistency in power levels in this show. The ancient woman who hasn't fought in decades dances circles around Neo, highlighting how weak she supposedly is, yet now Neo dances circles around our main character. None of us should expect fights to follow the logic of the world, only what drama the plot wants to stir up. Ruby is eventually knocked down from a hard hit — yet her aura's intact! — and is saved at the last second by Weiss tossing Neo into one of the portals. 

Far more of a problem than the power leveling is that Ruby gives no indication here that Neo just murdered her sister. Again, that's what the characters are meant to believe, yet Ruby is as stoic as she would be fighting a bunch of White Fang grunts. If you showed this scene to a RWBY fan on its own and asked, "What do you think happened prior to this?" the answer would be, "Uh... nothing? Ruby is just fighting Neo like she did on the airship in Volume 3." Nothing about this scene — from dialogue to animation — sells the idea that Ruby just lost the person most important to her in the world.

When we do finally mention Yang, it's Weiss who goes, “Come on, we have to do this for Yang” and the delivery is... meh. Honestly, I normally don't pay much attention to the voice acting, but I had a problem with most of Weiss' lines this episode. The "Leave her alone!" during this fight and later a "Get back!" as she attacks Cinder both fell really flat for me. Given the devastation and charged emotion that's supposed to be here, we can't give her anything better than generic cries that, again, she’d throw at any grunt? In that later scene the animation absolutely helps sell Weiss' distress, but the dialogue is common and the delivery has no emotional punch, leaving it feeling like Yang is just hanging out in Vacuo and they promised they'd beat the baddies before catching up with her. No one but Blake is acting like Yang died.

In fact, we see more emotion from Ruby when Weiss shoves her back, taking the brunt of Cinder's blast.

Weiss' aura breaks, not that that's a danger or anything. Everyone falls before they're injured, Winter gets the Maiden powers, Ren barely has to fight. Losing aura in this show used to be a moment of peril, where just last volume Winter was bruised, bleeding, and now needs an assistive device because she had to continue a battle with no aura. Now it's a joke. Aura breaks left and right across the volume with no repercussions attached to that.

We see a bit of the Blake and Penny vs. Cinder fight where Cinder blasts Blake off the edge. Penny rushes after her because at least one character remembered that they can fly.

Ruby, meanwhile, remembers that she can fly when it benefits her. After getting hit down onto a lower level and watching Crescent Rose plummet, she taunts Neo into an attack with a move that's actually quite good. I like the confidence with which Ruby riles her up and I like the strategy of darting behind Neo to knock her off the path instead. “Whatever you wanted, I hope it was worth it."

The only thing I don't like is that this speed and ingenuity had to disappear to justify Yang falling.

Cinder breaks Ruby's aura from behind though, sending her over too and grabbing onto Neo's leg. In an obvious moment born of the trope, it looks as if Cinder is reaching to help Neo, only for her to snag the Relic instead. “You should have never threatened me," she tells Neo and to Ruby: "you should have never been born.” 

Love that they erased all that cool growth from last episode! And by "love" I mean "hate." As I said last recap, I'm not going to pretend that Cinder's character isn't riddled with problems, but realizing she was stronger by teaming up with Neo and Watts was one of the best things they've ever done for her. It made Cinder dangerous again and showed Watts' speech having a clear impact. It also made her more entertaining, creating a new dynamic among the three villains. Now though, Cinder is just... Cinder. The same boring, stupid Cinder we've had since Volume 4. She betrays Neo and then later betrays Watts.

So Cinder kicks Neo and Ruby both over the edge because why would we want to make her interesting? Neo falls, but Ruby has friends there to catch her! Unlike Yang. Jk. Weiss’ aura is gone and Blake actually tried both times, so major kudos for her. Using momentum supplied by Penny, she snags Ruby and hooks her weapon into one of the pathways... only for Cinder to cut the ribbon. Both plummet and once again Penny has a more believable reaction to all this, just like she did last week

Speaking of reactions, does anyone else find it weird that Cinder finally succeeded in killing Ruby and... doesn’t seem to care? 

No? Just me? 

At least we get that good animation with Weiss I was talking about before, even if the dialogue is lacking. I love that she snagged Blake's weapon and uses it to try and take out Cinder, shaking the whole time. Those are some great details. 

Back to the bomb, Qrow is trying to escape, but Harriet says there isn't enough time to get out of the blast range. "I've killed us all." Vine has the solution though, using his semblance to wrap up the airship, thus containing the blast when it goes off. His final words are to reassure Elm that he can give his life, "if it means saving all of my friends." Just in case you missed the part about the Ace Ops being super close this whole time. Even though they also weren’t. Trying to eat your cake too, RWBY? 

Frankly, I didn't feel much of anything during this scene, not when Vine made the sacrifice, nor when Elm and Harriet look on sadly while Robyn pilots them away (that's her contribution this episode). 

All I can say is, good on RWBY for not killing one of the three dark skinned characters, or just murdering the Ace Ops as a whole. What the story is going to do with them though, who knows.

Jaune and Nora have that ‘You can do it!’ moment after three of their friends have presumably been killed. I swear, about 80% of Jaune's scenes do not work tonally and oh boy, things only get worse from here.

First though, I like his entrance. He slams into the fight against Cinder and lines up with Penny and Weiss, who is still dual-wielding her and Blake's weapons. That's an epic shot.  

It looks as if they stand a decent chance against Cinder — Weiss' lost aura notwithstanding — except then Cinder's arm starts going crazy and she gleefully announces that Salem has returned.

Working on a time limit now, Cinder unleashes a volley of attacks that Penny steps in to protect the other two from. It's here that Cinder grabs hold with her grimm arm.

It's here that Penny dies. Again.

For the third time.

Friends, I am tired. This moment honestly deserves the most epic of rants, but that, in turn, requires energy. Energy? In this economy? Ha! That's hilarious. Taking this seriously though, the problem here can — as usual — be boiled down to a single question: What was the point?

Penny died in a horrible attack that shook the cast and audience both to their core.

That emotional impact was erased through her resurrection.

The resurrection did not create a new emotional impact for our heroes to grapple with.

Penny is given the Maiden powers, solidifying the fact that she's always been a "real girl."

That lesson was erased when the story decided to make her human for unexplained reasons (because no, she never needed to be human to survive the virus).

Penny then dies, passing the power to Winter... who was set to get the power in the first place.

We have, once again, come full circle. You can take Penny out of the story and nothing changes. Does Ruby lose any lessons or emotional growth? No. Does anyone survive who would have otherwise died? No. Does her getting the powers lead to someone unexpected snagging them upon her death? No. Penny's existence was filler. She was put in the story to take up time and, that done, was removed from the story once again. It's a choice that wouldn't be half as horrible if that filler hadn't done so much damage along the way.

First is the obvious: that Penny didn't deserve this. As a character, she didn't deserve to be brought back just to be killed off again, seemingly without narrative purpose, serving only to draw in viewers who RT knew loved the character. Second, keeping her in the story led to her entire arc unraveling. Initially, Penny died as an android in the world's eyes, but those who actually knew her — Ruby and Pietro — mourned the girl she really was. Now we have this horrible message that being a machine isn't real enough, so she has to die as a human being. It's a disservice to her character and, as an allegory for many minorities, downright insulting to the audience. Third, this offensive 'better to die as a human than live as a robot' message is wrapped up in the claim that Penny finally gets to choose something — “Let me choose this one thing. Trust me” — but she already did that when she chose to take the Maiden powers. We already had the better written version of this last volume!

And the fourth issue...well.  

Fourth and fifth are the real kickers. Fourth is that Penny's death was an assisted suicide. She explicitly asks Jaune to kill her so she can ensure she's thinking of the right person when she passes (never mind that her thoughts would probably be on Jaune while this is happening) and that's... pretty horrible. Look, I'm no purist. I like a great deal of dark, gritty stories whose plot exists to make us uncomfortable. That's a valuable emotion that fiction can generate. The problem is not that RWBY is tackling a sensitive topic, but that they aren’t tackling it well. Yes, they put in a content warning and (from what I've heard) a suicide helpline as well, but providing the already necessary resources is not the same thing as writing that kind of scene with respect and care. All of the above tells us that, no matter what RT may have intended, that respect and care weren't communicated to the audience. Like Yang, they didn't even bother to keep Penny's death within the rules of their world. Jaune is right there ready to heal her and Penny says no, there's supposedly not time.

Um... since when?

Jaune's aura boost is instantaneous. The second he amplifies aura is the same second the healing starts and their talk could have been spent saving Penny. There was certainly time to save Weiss in Volume 5. To have a character go, 'Nah, it's too late' when the solution is right there is the ultimate cop-out. Suddenly announcing that the solution will no longer work For Reasons is not a legitimate limitation and it's made doubly insulting that RT didn't simply use the limitations already available to them. Jaune has been running low on aura since the whale. He then expended a great deal of aura boosting Penny to keep the virus in check. Every other ally has had their aura broken in this fight so, there. That's your solution. Have Jaune take a few hard hits from Cinder, his aura breaks, and then when Penny is mortally wounded he no longer has a semblance to heal her. It's that easy! Yet instead they had Penny reject help so that she could ask to die. That's what's offensive here.

Finally, reason number five... why is this moment given to Jaune? That's another easy solution: Jaune has gone through the portal and can't get back to heal Penny. There. Done. But logistics aside, this scene should have gone to any other character. Who is Jaune to Penny? Or Penny to Jaune? No one! They don't have a relationship. I get that the writers didn't want any of the girls at her side because then it would be hard to justify Penny not passing the power to them (which I get: making one team member a Maiden changes the show drastically), but you know who should be there instead of Jaune?

Pietro.

Pietro, who built Penny as a weapon and who was never given the chance to apologize for that. Pietro, who told Ruby he could only rebuild her once more, setting up an expectation that he'd sacrifice himself for his daughter (despite the complicated racial issues that would bring up). Pietro, who watched Penny plummet and has no idea what happened to her, let alone that she's been made into a human girl. Pietro should have been at her side, saying goodbye to his child and helping her complete her last wish.

And it would be so very easy to pull off. All it takes is a single line where Penny remembers that her father exists, asking Ruby to ensure a portal opens up in Amity. There's a quick reunion along the pathways before Cinder attacks. We hear a cry of despair as Penny falls and she looks, seeing her father racing towards her, though she thought he'd already made it out. There, you’re done. We open ourselves up to a lot of attacks whenever we say, "Why didn't RWBY just do ____?" because those who vehemently defend the writing like to go, "Oh, you think you could write RWBY better?" and no, I don't. I struggle with long-form storytelling and massive casts. I don't think I could do justice to the sort of show RWBY wants to be, but I do think I'm a decent enough writer to spot when there are major problems like this. The question of "Why doesn't Penny remember that her beloved dad exists?" and "Why, out of that massive cast, is Jaune the one to do this deed?" are both things that a newbie writer can spot, and a sometimes okay writer can figure out how to fix them both simultaneously. A good writer will start thinking about themes — what might it mean for Pietro to kill the creation he made? — and a great writer will find a way to pull that off without having that insulting, discomforting feeling pop up. At this point, our RWBY crew feels less like new writers making mistakes (because they're not new, not at all), but rather just writers who haven't bothered to learn from their mistakes after eight years. That's a lot harder to watch.

Because putting Jaune here doesn't just mess with RWBY's internal rules (not using his semblance) and it's not just useless in terms of Penny's development (she doesn't know him outside of "dude who boosted my aura for an hour"), but it also falls back into a pattern I thought RWBY had finally broken from: making Jaune the story's emotional center. This is not the JAUNE show. It's the RWBY show. Yet here, once again, we have Jaune in the spotlight. Why, after a whole volume of Ruby avoiding making decisions, does Jaune finally make the hard call? Why, after a scene where Penny asked Ruby to kill her, does Jaune do that deed? Why, after a divisive arc where all the grief for Pyrrha went to Jaune, is Jaune now set to shoulder the grief of Penny? At least Jaune had a relationship with Pyrrha, even if Nora and Ren did too. Yet with Penny he seems to be there solely because the writers can't bear to keep him out of that center spot for long. All of Team JNOR make it through to Vacuo... except Jaune. Jaune falls into the abyss too because, if the show goes this route, we apparently can’t have a volume just about Team RWBY, the main characters. The main characters are separated from the rest of the team and it's Jaune, not Oscar and Ozpin with a connection to the lore, not Nora or Ren whose development now hinges on them learning who they are without the other, it's Jaune who follows the title characters into a new dimension. 

The issue is not whether Jaune deserves to grieve over the truly traumatic thing he just did now that he’s done it. He obviously does. The issue is the writers setting up a scenario where Jaune is situated to do that emotional work in the first place. 

I like Jaune as a character. I don't like how the writing uses him as a character. RWBY is built on the idea that these four girls are the heroes of this tale, not the expected blond, blue-eyed, sword wielding guy we’ve seen in so many other stories. So why does that guy get the most important scene of the finale? Yes, Jaune had much less screen time this volume than he did in the past, that’s a good thing given the number of important characters RWBY has to balance, but that hasn't erased the problem of him being given significant moments that should be going to title characters. Does Ruby’s team rescue Oscar and take on Salem? No, Jaune's team does. Does Ruby's team save Penny? No, Jaune's semblance keeps her grounded and then holds the virus off. Not everything is a problem — we've also got good choices like having Ruby defeat the Hound and Ruby's team take on Cinder for the majority of the fight — but that doesn't erase that Penny’s death wasn’t something Jaune should have been a part of. Not unless he was going to heal her. Doing better than they have in the past doesn't mean that RT isn't still slipping when it comes to giving him undeserved focus.

They took one of the most controversial characters, controversial because of how much emotional focus he's gotten in the past, and had him help a fan favorite commit suicide while he cried about it, showing more emotion for a near stranger than our title character showed for her sister. This is a character who, up until two or three episodes ago, had no connection to the victim and still has no reason to thematically be the one committing this act. That is why the fandom goes, “The crew loves Jaune and does everything they can to put him in the center of the action.” Ruby, as main character and Penny’s first friend, is the obvious choice here. Pietro, as Penny's father, would be a good choice too. Hell, Nora is a better option given their moment in the Schnee manor this volume. Or Winter given their moments in Volume 7! Have her escape Ironwood, find Penny, receive the powers, and then finish him off. Literally anyone would be better than Jaune, not because Jaune is a bad character, but because Jaune has no emotional stakes here and putting him in a position where he could heal Penny but doesn’t is massively stupid. No one should be surprised that a lot of the fandom is upset about this. It was one hell of a reach to give him this moment and, since Jaune's problem has always been getting too much screen time and emotional nuance compared to our main cast, it's no wonder this act brought up a lot of bad memories. RT fell back into an old pattern after two volumes of improvement and they did so at the worst possible time. 

The tl;dr is that Penny's third death is a writing travesty, just like her second. I shouldn't be surprised, given that this is the same volume that tortured a kid and the only thing they did with it was have him blindly trust his torturer... yet I find myself surprised nonetheless. Because Penny had such potential as an android Maiden and, as much as I personally hated it, potential as a former android learning to be human too. But why explore any of that when you can kill her off instead? Again.

As a final, far smaller note about this scene, we have the continuing problem of what purpose Cinder's arm is serving. If everyone recalls, its threat comes primarily from the fact that she can "siphon off" power from other Maidens.

She did it to Penny during the Amity battle and now she does it again, a great deal of green energy absorbed into Cinder. So what's left to give to Winter? Why doesn't Cinder become noticeably stronger with each successful theft? Like so much else in RWBY, we're told it exists without actually seeing the impact of that. Winter isn't a weaker Maiden for having lost power and Cinder isn't a stronger Maiden for having snagged it. It's just.. there, hanging out and looking vaguely menacing, I guess.

Outside of this unnatural not-transfer, we get to see how the power normally passes as Penny meets with Winter in some in-between place. It's a soft, heartfelt scene... with the exception that Winter says, “You were always the real Maiden at heart. I was just the machine. Just following orders."

I don't know how any viewer can doubt that RT now believes machinery = evil. Penny's machine body is magicked away so she can be a real-real girl. Yang announces that the arm she worked hard to make a part of herself is just "extra." The man with half a metal body is made this volume's villain and losing his second arm is, by the authors' own admission, a symbol of his lost humanity. Mercury with two metal legs remains a bad guy while Emerald and Hazel are hastily redeemed. Tyrian with his cybernetic tail is the most devoted crazy of the bunch. Maria, blind and in need of assistive lenses, is so forgotten by the story she was left in the tundra nine episode ago and won't be mentioned again until next volume (if then). Pietro, the guy in the wheelchair, is forgotten too, despite it being his daughter who dies on screen.

Now Winter, also bearing an assistive device, says that she's the real "machine" here and tells Penny, now human, that she was always the "real Maiden." I don't know what happened to make RT do a 180 lately, but the disability rep is no longer what it was.

Penny reassures Winter that she'll always be a part of her and then passes on, for good this time.

The rest of the episode feels lackluster, if I'm being honest. Images of Cinder beating Weiss are intercut with Ironwood beating Winter, getting her to a point where her aura breaks. 

But then the powers appear and, as we'd expect, she easily turns the tide. 

Gorgeous animation there. 

But RT once again rewrites earlier scenes by having Ironwood claim that the "destiny" he chose for Winter has finally arrived — isn't that Cinder's MO? — and Winter shoots back that he chose nothing, this was a "gift." Except, it was never about destiny or orders? This was why Weiss' anger in Volume 7 was ridiculous. She acted like Ironwood forced Winter to accept the powers and Winter told her point blank she chose this. Ironwood didn't decide anything, he offered and Winter chose... kind of like how Penny is choosing now. I hate how nearly all of Ironwood's character has been ignored or, during times like this, outright lied about to make him seem super duper evil. He tried to bomb a city! You don't need to make him seem evil anymore, that job is done! Like their sudden change regarding disability, RT now seems to be allergic to nuance. Heaven forbid Ironwood be allowed to have valid points like he did in Volume 3. No, if you've got an antagonist every single thing they've ever said must be twisted into a display of their evilness.

Unless you're Hazel, who Oscar trusts for #reasons. Unless you're Emerald, who the group immediately embraces. Unless you're Cinder, who gets to cry on a rooftop and secures the trust of her allies long enough to betray them again.

But Ironwood? Nah, screw that guy.

Salt aside, the fight is pretty boring. Winter literally just throws up a wall of ice and Ironwood's blast rebounds, taking him out.

Winter flies through the portal and we return to Jaune. His sword is broken by Cinder, so weapons should be quite the problem in Volume 9. 

There's a bit of sword vs. sword Maiden battling — this episode really pulled heavily from both Volume 3 and 5's finales — before Cinder gets smart again and attacks Weiss, currently trying to escape with Jaune. Weiss goes right off the edge and Winter isn't able to reach her in time. That's the entirety of Team RWBY, lost to the magical void.

Kudos to Winter's VA and the writing here though. This feels like an appropriate reaction to losing a sister. Screaming, sobbing, falling to her knees and beating the floor... Ruby, take notes.

A roar sounds through all the portals though, the sort of roar a pissed off witch might give. Jaune convinces Winter they need to leave Cinder behind, but before they can escape Cinder... makes a new wish?

Look, it works on all the major fronts. Cinder has the staff, check. We've basically established that Ambrosius can make an unlimited number of things per era, check. We know the previous thing disappears when a new wish is made, check. My only question is the timing. In all honesty, I'll have to re-watch the scene to be sure, but at the time it felt like the portals began disappearing almost the second Cinder left. Did she really have time to summon Ambrosius, deal with his explanatory nonsense, and get him to make a new wish without any fiddly concerns? Sure, fire is just fire, but it still felt like way too much happening too fast off screen.

Either way, the portals are gone and Winter makes it through in time, but Jaune does not. He falls through the void along with Team RWBY. And Neo.

Neo is the only addition I'm looking forward to here.

We get a few shots of our other characters as Winter arrives, saving the day by taking her grief out on the grimm. So glad something came of Ren breaking his aura again! Maybe they'll be more fighting at the beginning of Volume 9? If we see any of this group outside of 9's finale. My worst fear right now is that we'll spend an entire season away from the main action — remember how I said it would be stupid for Team RWBY to go on a side adventure while Salem is attacking the world? — and when they return there will have been some major time skip. Salem has destroyed most of Remnant, only pockets of survivors remain, it's all dark and dystopian... and oh look, every bit of character development happened off screen. How did Nora discover who she is without Ren? She did it while Team RWBY was gone. That merge we've been teasing for five years? That happened while you were gone too and, btw, Ozpin has ceased to exist. So sad, right? Not that anyone will actually mourn. Just take comfort in the fact that his last line was an "Oh no" about Ambrosius and his last major scene was apologizing for how the group treated him. Emerald's redemption? Off screen. Winter's grief? Off screen. Any and every one of these challenging beats to tackle can be waved away with, "We went through that arc while you were lost in the magical realm. Just get to know our new, improved selves now!"

Please, oh writing gods, don't let that happen.

Though I do worry because my last prediction came true.

But we all knew we’d end up here. My current theory? The portal should still be open at the vault. Winter will fight Ironwood, escape through it, and it will close right before he escapes too. He’ll fall with Atlas and everyone will act as if it’s some beautiful, poetic justice for him to perish with the city. 

Ironwood didn't make a break for the portal — too busy being unconscious — but we got everything else. Winter left him, he falls with Atlas, and this is some poetic justice, I guess. Really, it's just an undignified death. I'd hoped for a sympathetic kill, something that showed the characters still cared about him even if they knew Ironwood had to be stopped. Baring that, I'd hoped for an epic battle that took him out with style. Instead, no one even bothers to kill him. Ironwood is now beneath the entire cast, not even worth finishing off. Winter casually tosses his blast back at him and leaves. Cinder throws out a "that's checkmate" and leaves. I don't think Salem even looks at him. Ironwood (presumably) dies with no one and nothing, just a casualty of the city Team RWBY made fall. And I say "presumably" because the audience isn't even given the satisfaction of being sure he's passed on. Like Hazel, Ironwood's death is this weird, ambiguous moment that, based on the other character reactions, isn’t meant to be ambiguous. Is he dead? Most likely. Is it possible, based on what we've seen, that he'll pop up two volumes later like

Yes and, memes aside, that sucks. I don't want to be wondering for the next couple years if Ironwood survived and if they'll bring him back just to drag his character through the mud again. Move on.

But no, we don't even get that.

I've spoken at great deal about Ironwood both in these recaps and on my blog more generally. Last week, I said I'd covered it all and there was no need to rehash it all again. I stand by that, so let me just conclude this travesty with a final note: if your bad guy's final moment is using the last of his strength to point a gun at the actual villain of this story, and you don't realize the problem of how this image contrasts everything else the story has insisted about his character? … I just don't know what to do with that.

Oh, actually, final-final note: Ironwood’s semblance is officially a Schrodinger's semblance. It is both canonical and noncanonical simultaneously. Wooo. 

Cinder tells Salem she used her wish to "add more flames to the first of Atlas" and we cut to Watts, trapped in a roaring fire, unsuccessfully trying to break his way out. Wow, I hate that too! Next to Tyrian, Watts was our last remaining, entertaining villain. He carried a lot of the last two volumes and, I had hoped, was going to add some bright spots to the coming volumes as well. Apparently not.

Just another waste.

In addition to this casual, second murder of her ally, Cinder successfully convinces Salem that Neo killed Ruby and Ruby used the Lamp's last question, but she's back in her good graces since she snagged the Relics anyway. “You’ve done well, Cinder. Our work here is done" and they leave, blasting off like a less cool Team Rocket as Atlas plummets into Mantle.

Let's spend a second to tally things up then, shall we? What happens if Ruby, instead of throwing a moral fit, says, "You're right and we never should have lied to you, or betrayed you. But we want to help now. You get the Relics and the Maiden to safety in Atlas, if you can, we'll defend the people of Mantle"?

Well, they can still tell the world about Salem and call for help, much more easily now since Ironwood would likely just give them the code rather than them needing to spend an episode stealing it.

The Staff at least may not have ended up in Salem's hands and the group could have actually focused on getting the Lamp back (also solved if they'd been smart and just put it in the vault to begin with).

Mantle would still have been safe because Salem was never interested in Mantle to begin with.

Atlas wouldn't have fallen.

Ironwood wouldn't have died.

Penny wouldn't have died.

Even Vine wouldn't have died!

Our heroes unambiguously made the situation worse. Rather than banding together with their allies to fight the real enemy, Salem, they pushed until they made enemies of Ironwood and the Ace Ops both. Then they asked for help — which a pinch of logic said would never arrive — and twiddled their thumbs waiting for it. When it was clear none would come they...did nothing. They sat around, upset that the people were in danger, but not willing to do anything about it. It's only when one of their own, Penny, is threatened that they kick into high gear, hitting on a solution that they could have posed to Ironwood from the very start if no one liked the fly away plan. Yet instead of taking a few minutes to brainstorm other ideas — doing anything other than denouncing Ironwood to the rest of the group and attacking the Ace Ops — they spent two days sitting around, fixing minor messes they’d helped to create, then rushed through the portal plan, messing up the wish and stranding an entire kingdom in a sandstorm, with only Winter now to protect them from grimm.

Fantastically done, team. 

The villains won, yes, but not because the villains were smart and compelling. Watts' hack on Penny and the heat petered out to nothing and Salem... well, she sat around for the whole volume, expending energy only to torture Oscar and try to (unsuccessfully) stop some escapees. Neo and, miraculously, Cinder did the most damage, but only in the final hour, with this "damage" being that our characters fall into a void that we now know looks remarkably like a paradise! Everything bad that happened was a result of our heroes being stupid and stubborn. That's a compelling story to tell... but RT isn't trying to tell it. Our heroes caused so much damage, yet that damage goes unacknowledged — or worse, ignored into silence like with Ren — and everything else is waved away with the magic wand the series claims isn't there. The cold doesn't kill anyone. Oscar has no problems walking off the torture. Nora hops back out of bed. Ruby one-shots the Hound. The civilians lost to the void must have survived too. The entire kingdom successfully makes it to Vacuo... unless you count the massive army we never saw making use of the portals, but who cares about them, right?

The villains won, there was indeed something resembling consequences, but none of it was emotionally satisfying. Not even when the series tries so hard to insist that emotion is there.

Qrow watches Atlas fall, mouthing Ruby and Yang's names, but it's too little, too late. Where was this care for his nieces when he was obsessed with killing Ironwood? When did they care about him? Was it when Ruby shrugged at his arrest, when neither cared that he was missing, or when they were designing an escape plan that didn't include putting a portal where Qrow could reach? RWBY markets itself around the found family-ness of its cast, but they're done a poor job in recent volumes (not others) of convincing me that most of these characters care for one another. We went from Ruby denouncing all adults, to Ruby pulling an Ozpin with Ironwood, to Ruby watching blandly as her sister falls to her presumed death. This is my hero? This is the simple soul we're supposed to rally behind? Ruby doesn't feel like a character who cares about other people anymore and, given that she leads the charge, neither do most of her friends. Or, when that emotion appears, it's jarring and undeserved. Jaune cries over Penny's death? That's tonally and characteristically backwards.

This volume was the culmination of so many mistakes over the past two years. No, Covid couldn't have made things any easier for the crew — the fact that they got a volume out at all is amazing — but the pandemic isn't to blame for the problems in the story. These seeds have existed since Volume 5, with some (like Jaune) going back even farther. I don't think we're ever going to get that flawed, but emotionally fulfilling RWBY back. The show has dug too deep and unless it somehow manages to create a clean slate — those time travel ideas get more and more alluring! — there's nothing they can do but keep on digging. At this point, I can only hope that the series does wrap up within the next two volumes, rather than dragging RWBY to a Supernatural-esque length.

Our final shot of the episode proper feels fitting for what this volume has been. Atlas and Mantle flood rather than exploding, something that makes a certain amount of sense, sure, but definitely wasn't what I was expecting. And after all these shocking images — Penny dying, the grimm attacking, our main characters disappearing in a puff of gold dust — we end it all with bits of random debris. It's strange and underwhelming. Out of everything you could have done with the options you had, you choose to do this?

Of course, RWBY always has an after-credits scene (RIP Raven's, still amounting to nothing). Here, the sounds of water return to show us a beach. Crescent Rose imbedded in the sand, mirroring its classic pose in the snow.  

There's a tree. It's a very different kind of tree from what we saw in Volume 6, but the height and shape is nevertheless reminiscent of Light's domain.

A tree of life, anyone? After all, the group has fallen into a dimension created by a Relic, the gift of Light himself. It certainly seems as if RWBY is heading towards another encounter with the Gods, though what that will look like and how narratively satisfying it will be remains to be seen.

As for our bingo board, RWBY certainly pulled its weight! Only three squares got gold stars: Watts and Jacques didn't manage another team up because both are dead, Oscar didn't apologize for getting shot because he was too busy being tortured, and Qrow didn't drink likely because he didn't have access to any alcohol across the whole volume. Can't say that's a stellar result. The final image is something to behold though lol.

What a mess.

And on that less than exciting note... we’re done. This has been the volume of desertion, with a large number of fans telling me that they will no longer watch RWBY, but baring something entirely unexpected in my future, I'll be back next volume, for whatever that's worth. It never ceases to amaze me that even one person would give these nonsense recaps the time of day, so in all seriousness: thank you for reading. You rock.

Now go forth and fill the hiatus with great RWBY content!

✌️

[blookmallow]

Can you do a rating on child animatronics like you did with the clowns

i sure can

welcome to animatronic nightmare preschool

theres a trend ive discussed about spirit before where all their female animatronics tend to be either the “old hag” type, or “creepy little girl” - and now that im thinking about it i actually couldn’t think of any boy characters ive ever seen. i dont know why this is exactly. theres something to analyze there but im not really sure what it is. i found a few but almost ALL of them are little girls. i dont know what to say about this but i did notice it 

there IS a boy in this group though: 

ring around the rosie

enter the ritual 

just some nice kids having a fun time. it may be cliché at this point but i love the “spooky nursery rhyme” trope anyway (and y’know, ring around the rosie was already creepy to begin with. im not sure if the theory that it’s really about the black plague is actually true but its still highly questionable to include the line “ashes, ashes, we all fall down” in a childrens rhyme with no explanation either way) 

for some reason the fact that none of them have hands and its just their sleeves tied together is really funny to me and i dont know why. they also dont have feet and im not sure if its a technical limitation for convenience purposes or if they’re supposed to be little ghost children but it definitely comes across like they’re little ghost children who tied their sleeves together to try to feel like they’re holding hands which is very cute. 10/10 big fan of this one 

i already mentioned harriet hustle in this post, shes fantastic 

angeline

i LOVE this one shes SO cute

i dont really understand how she's supposed to be scary, the description is like "she'll scare the lights out of your guests" or w/e but like, she's just. a kid who can see ghosts. she herself isn't even a ghost. i like her id adopt her i think she'd be a fun addition to a graveyard scene 10/10

abandoned annie

ok technically this one is a doll but im counting her anyway, shes one of my FAVORITE spirit animatronics bc A) i love creepy dolls B) shes cute and most importantly C) her entire fucking face unhinges i need y’all to watch the video on this one its so good 12/10 ive said this before but animatronics that do something completely fucking unexpected are my absolute favorite 

broken girl 

completely batshit. horrifying. shes actually initially standing upright and then snaps backward and screams and the image does not do it justice i highly recommend the video for this one. not much there as a Character but as “really effective way to scare the shit out of someone” its, i would imagine, incredibly effective. 9/10

there’s also menacing molly who looks similar and has the same kind of “facing away from you but then snaps backward” scare but is on a swing and sings “I see dead people, I see ghosts 💖i see the things that hate you the most” before she does her jumpscare which is incredibly funny to me 

double trouble

creepy little girl trope meets creepy twins trope, at first glance i thought this was just like, discount grady twins (which it looks like they also have, in blatant knockoff form. they’re uh, not good) but it looks like their description backstory is that they killed their mother and disappeared with their rumored-insane father so its slightly different. one of their phrases is “daddy says we have to play outside :( he doesnt want any more blood on the floor” and i love it 

they have a pretty good sense of personality and character to them even if its not necessarily groundbreaking. 7/10

ellie hatchet 

i love this one bc so many of the creepy little girl animatronics are just pretty much standing there being creepy but not ellie. she’s fucking DONE with all of you. you come near her she will swing an axe at your face. 6/10 not really a big stand out but i appreciate her undying rage 

lunging lily 

shes spooky. she jumps out at you. thats about it. i dont really have anything to say about this one. that sure is a creepy little girl that jumpscares you. i like that she goes “help me... help me...” before she jumps out but i feel like it would be hard to get the timing right for that to actually work as a lure to make guests curious where the sound’s coming from since most of these are motion activated. anyway 6/10 shes just not very interesting 

johnny punk 

one of the rare boy characters, i have actually seen him in store and just completely forgot about him because he was that uninteresting. he doesn’t really do much and his backstory on site is just like, “He's got a nice house, loving parents and a severe attitude problem.” 

like this isn’t an undead child back for revenge against those who wronged him or a crazed circus runaway or anything. he’s just a bratty kid. hes like a 13 year old who just saw Joker and has decided to make it his entire personality. this comes across less as a threatening figure and more just like some shitty kid who thinks he’s cool. i glanced at the comments on the wiki page and it turns out absolutely everyone hates him which is completely hilarious to me 

2/10 nobody likes you johnny go do your homework and apologize to your mother 

i also found limb eating zombie boy, who is considerably better 

gross. bloody. would probably be pretty effective if you had him like, placed among some boxes or something so people dont see him at first and aren’t expecting him there. pretty standard zombie. i dont have much to say. He’s Fine. 6/10

mommy’s favorite

ive seen this one in the stores several times, I think we have her there now, and i just don’t. get it? she just moves back and forth with the “shhh” gesture and it’s like, ok, she’s vaguely creepy, but what’s going on here. she just says “don’t wake my mommy! she’s been sleeping for a long time!” so i guess the implication is that her mother is dead and she doesn’t understand, which is just sad rather than scary. the description says she makes mommy’s tea just how she likes it with five drops from the special skull bottle, which could imply she killed her mom, which would make more sense as a horror character, but if that’s How Mommy Likes It that implies the mother instructed her daughter to unknowingly poison her, which is horrifying but in a way darker sense than a spooky halloween prop lmfao 

anyway if i have to go digging into descriptions to try to figure out what this character is or what shes supposed to be or anything i just dont feel like its a very effective character design. and i did read it and i still dont really get it. 2/10 i just feel like im missing something here 

anyway there’s a bunch more variations of “scary possessed child” that are all basically the same, so im just gonna close this out with:

swinging skeletal boy 

allo there, guvna 

look at this dapper little victorian child im gonna cry he’s so cute 

he just swings but has this surprisingly endearing soft little voice which COMPLETELY contrasts the weird shit he actually says. hes this precious little skeleton kid with a sweet little voice who goes “your skin is so nice :) can i have it? haha. that’s okay. I’ll take it when you’re sleeping” 

absolutely love animatronics with that “wait WHAT did that thing just say” factor to them i love this guy 11/10 good boy my new son 

i would also like to mention that people are also continuing to dunk on johnny punk in this guy’s comment section too fsadkflj people hate that shitty joker kid so much their hatred has bled into other completely unrelated swinging children

[rwbyconversations]

RWBY Volume 7 Review

Two weeks out from Volume 8 and I finally cared enough to write this. Go team I guess. 

Part of it came down to my feelings on Volume 7. It’s a complicated season that’s made me realize a lot of my overall feelings on RWBY as a series, particularly a lot of the less flattering feelings. Volume 7 is just... frustrating in general, as for all the good that it does have, and it does have a lot of great elements to it, it’s let down by a frustrating script and writing choices that feel distinctly amateurish, especially as the series moves on and gets better and better looking each year. There’s elements and kernals here of great character writing, season-wide arcs that land in a really good way and get me emotionally invested in the characters. But on the other... Ren only has two hundred words the entire season and you can tell! 

Volume 7 is a season of dizzying highs, some of the best moments of the entire franchise... and some of the series lows. It’s a season where there’s no production reason for its shortcomings... it just comes down to an awkward script that focuses on the wrong elements far too often. Let’s talk about that. In a very long and drawn out manner.

Thanks to @jamesbranwen​, @h-e-m-o-goblin​ and @retro-riffraff​ for help with GIFs and consultation on this review.

1) The Good Stuff!

A) Atlas is very pretty!

I cannot stress enough how on a set level, Volume 7 is leaps and bounds above the other seasons in sheer environmental detail and setting dressing. Mantle has a great atmosphere with its New York influences, the smog covered backgrounds and oppressive streets and alleys. Ironwood’s office which is deliberately designed to evoke astronomy themes to represent James’ love for the stars. The cold oppressive atmosphere of the Schnee Manor and how Jacques has begun warping it to glorify him with only lip service paid to Nicholas in public. Penguins! 

There’s a lot of great set design work that went into this season and the crew deserve props for it. Genuinely. 

B) Ironwood’s arc is the best character arc in the entire franchise

Yeah just wearing my heart on my sleeve there, I fucking love Ironwood and his character arc here in Volume 7 is the best written arc of the show. I simp for the tin man who just wants to do the right thing. This one season of content is better than a lot of the series-wide material being honest. I went back to James’s big volumes in the last month to rewatch the show and it’s interesting to see the early seeds in retrospect for where his arc goes. His need to protect everyone he can and the brutish measures he considers necessary for such an act, his conflicting loyalties towards Ozpin that manifest in both frustration at Oz’s seeming apathy to the growing conflict, but also desperate desire for validation from Ozpin that what’s he doing is the right call. After the Mistral seasons set up James as going off the deep end following Volume 3, having him open the season with an earnest smile, an immediate apology for the team’s arrest and trusting them with his plans for Amity and Salem is a jarring but pleasant surprise. He’s not been slacking off, he’s been trying to keep the world together in the way he thinks is best. He lets his guard down around the heroes and we see the good man underneath, which makes the moments where he raises his walls hurt all the more. While Em and Merc are still probably my favorite characters period, James is absolutely my favorite character in Volume 7 and Top 5 favorite characters series-wide. I’m very eager to see where he goes from here. He also rocks the beard and fixed his T-Rex arms so James came out of the washing machine that is Volume 7′s costume design. He truly is the Best Boi, and I cannot give Jason Rose enough credit for his performance this year. He hit every note of Ironwood’s character perfectly and I wish the fandom would give him more credit for giving James as much life as he does.

Oh, and as the obligatory comment on mlm rep that I am known for getting obsessively weird anon hate over: IronQrow hug nearly had me crying on a convention floor from how goddamn soft it was. Remember conventions? Ah good times.

This just... hits me... ya know? Seeing him lower his guard so much to come in for a hug just shows how isolated he’s let himself become to let himself have this moment of contact... Godamnit James. Also this is the second time after Martial Arcs that two guys hug and I really liked their ship for the following hiatus. 

C) Soft Qrow hours are nice

Qrow’s a good guy, he went through a lot of bad stuff in Volume 6 but now he’s on the other side and purged his voice of the demon within. I think Volume 7 was a very good year for Qrow overall. It was great to see him interacting with more characters his age and lowering his own guard. His moments of letting the facade drop around James and Clover especially are great expansion for his character. Jason Liebritch hit the ground running as Qrow and gave him a far more dynamic range than I think Vic could. While I wish Qrow going off alcohol had been given more of a focus as it’s kind of done off-handedly that he’s gone cold turkey and otherwise doesn’t get brought up barring his revulsion at the wine in the Schnee Manor, he overall had a great year. And trust me I’ll get to the fights later, I have a lot more I can say about the bird boi there. 

D) I liked the Ace Ops! 

I was ambivilent towards the Ace Ops on first watching. They’re kinda underdeveloped in the context of the season at large and most people immediately pegged them as a miniboss squad/fodder for Salem to kill. But in rewatch they do still get to shine, if not as brightly. They’re very enjoyable. Clover especially is just really fun in retrospect, I love cocky fighters in general, and he was infectiously enjoyable (I’ve already covered the FG stuff in the past, not doing it again). Marrow came a close second because... well it’s Marrow, he is The Best Boi. Harriet got points for being a punchgirl which is always cool, I liked how her Semblance was shown and being cocky while being able to back it up is always a win. Elm and Vine are tied for dead last, I like the body diversity Elm introduces with her muscles and Vine... existed... but overall I think with the time they had, they did get to establish themselves well. I wish I could say that about their relationship with Team RWBYORNJ but this is the Nice Section so we’ll leave it there for now.

This is one of the best shots of the entire season. I adore it. God I like the Teryx design.

E) God the villains rocked this year! 

I am a villain whore. I own that. I will embrace that monkier. But when they’re as cool as this, I feel validated in this Chilli’s tonight. Watts and Tyrian really make the season shine and don’t have a dud scene all season. They have great chemistry together, shining bright in even the weakest or most mediocre episodes. Watts went from “Oh yeah you exist” tier to “Oh yeah you rule” tier. His vendetta against Ironwood feels so real and pre-established, even though this season is the first time it’s ever come up. Watts just ozzes style in everything he does. The animators bring him to life and make every step, every flick of his twist and even just how he moves his eyes all bleed contempt. He’s such a rat and I love him! Chris Sabat finally gets to stretch his wings after a few years playing Watts as just Evil Scientist Guy, and he makes the most of it. 

And Tyrian remains an absolute treat. He didn’t get much in V6 but here he takes center stage with Watts and also gets so much impact because of it. All the little twitches, and tilting of his heads, and dramatic gestures, he’s still just so goddamn cool to watch and we even get a little backstory of him. I know he’s irredeemable. But I just want to watch Tyrian kill people and scream. Like hot damn his line “THE GRIMM SHOULD HAVE DESTROYED OUR ENEMIES, NOT MADE THEM FRIENDS!” is so fucking raw. He’s having fun destablizing a nation with his boyfriend! 

“You want more chaos than a Grimm invasion?” “If anyone on Remannt can do it, wouldn’t it be you?” There is no heterosexual explanation for how these two look at each other and yes this is me outing myself as a Nuts and Volts fan.

Watts and Tyrian really do become the absolute highlights of the season alongside James. They have a great dynamic and even during their more slower moments there’s so much care and thought put into their every mannerism. Animators, seriously, great job, I love what you did. And their fights... we’ll get there. But they’re so goddamn good. 

Look they even run the same! They’re soulmates! 

Honorary mention to Salem by the way. She’s only in two scenes but her presence is felt throughout Ironwood’s arc and his growing fear of her and she damn well delivers when she shows up. That shot of her arriving in person is a killer shot to end on as well.

Oh and I guess Cinder and Neo exist don’t they? Eh, we’ll come back to them. 

F) Oscar got a character arc!

Finally! He did it! He got an arc that began, continued and ended all onscreen! It only took four tries! 

But yeah Oscar had a really good set of scenes in Volume 7. I like him being the first to confront Ruby on the Ironwood lie, bringing up the hypocrisy after their condemning of Ozpin just last season. I like him having a more forward role (outside of not getting to be part of the celebration in episode 4 what the hell guys), and that he’s the big link between RWBY and Ironwood was a great call. Having Ozpin shelved for one more season so Oscar can take center-stage was an inspired choice. I love his dynamic with Ironwood, and how James closing himself off emotionally gets reflected in how he begins slipping in how he refers to Oscar, starting off as treating him and Oz as separate, ending with him gunning Oscar down as he doesn’t care anymore to differentiate the two.

My big issues with Oscar’s arc are that I’m first of all annoyed at the lack of followup on the Oscar stuff from V6, I’m still waiting for Qrow to apologize for punching Oscar guys! I also really wish Neo’s first attack wasn’t offscreen. CRWBY’s cliffhanger fetish meant I got to break out the Offscreen Pine jokes again. And of course, the Neo hallway punch was a bit bullshit.

G) (Most of) The fights are amazing

There’s no punchline. These fights are great, two of them are in my Top 10 Series Wide fights list and at least the duds aren’t Volume 5 bad.

If you’d told me before Volume 7 that Watts would get an extended firefight with James, I’d have felt that a bit cheap as Watts to me doesn’t feel like a fighter, more a planner who hides behind armies of mechanical soldiers. But damn if they didn’t sell me on Watts “You’ve yeed your last haw” Watts whipping out a Glock just to spite James. 

This is another one of my favorite shots in the entire series.

Ironwood vs Watts is potentially my favorite fight in the entire series, and if it’s not, it’s easy Top 3 alongside Yang vs Mercury and Pyrrha vs CRDL/Mercury. It makes great use of Amity in the abandoned gravity biome meant for SSSN vs JNPR, with Ironwood and Watts deftly moving around in a manner that very easily could have been difficult to track with the constantly shifting gravity, but the crew do their best to keep it coherent as to who’s where. The credits showed their dedication also stretched into visual continuity, as James and Arthur’s route throughout the Arena was carefully considered so they’d loop around organically. 

This is what I mean when I say the crew went above and beyond to keep things clean.

Ironwood vs Watts could have easily failed to impress, given its lack of choreography on the level the series usually does, but the team’s efforts went instead into showing a situation that lets Watts get a dragged out battle: James wins whenever he closes the distance here, so Arthur’s constantly on the run and being forced to tamper with the arena. Great camerawork, a GOD TIER song from Caleb Hyles that I’m still listening to today, and two characters with a fantastic history coming to blows makes for easily the best fight of the season and a series-wide highlight. Watching it develop from storyboards, to mocap, to animations and the full version is a delight to see. This is what CRWBY can do when everything comes togehter. The orchestra’s all tuned. It’s a goddamn symphony.

THIS is my favorite shot of the season.

Tyrian also gets to shine with his two battles this year. His alley fight with Qrow, Robyn and Clover is short but sweet, the corvid and the scorpion especially trading brutal blows in the cramped space. Qrow goes full Devil May Cry with his style-switching here, Harbinger being swapped between sword, tonfa and gun forms freely alongside Qrow applying The Power of Punching. His 1v1v1 with Clover and Qrow though is the true highlight of the season in terms of choreography. It’s lighting-fast, and has some impeccable shot work. Qrow gets to use his scythe with deliberate nods to the Red Trailer, Clover gets to shut up everyone who doubted his weapon, and Tyrian is just along for the ride and he makes the most of it. It’s frentic, it’s heart-pounding, it’s everything a fight should be. 

Honorary mentions as well go to Ace Ops vs the Geist, which is just really fun and has a great backing music choice, the opening battle with Sabre having Ruby’s obligatory ten seconds of fighting that come at the start of every new era of the series, and the Ace Ops vs RWBY fight which has some good choreo in places.

H) Winter and Penny have good chemistry

I don’t have a ton to add here, I just like their dynamic and how they advance each other’s arcs. It’s nice writing. I also like Winter apologizing to Penny when she’s angry at Jacques and takes it out on Penny by accident with the “You wouldn’t understand” line.

Penny as a Maiden is a nice idea, I think her new design is cute. Penny says trans rights.

Those are a lot of my favorite things about Volume 7. It’s a killer season when it’s firing on all cylinders but unfortunately... it often misfires in frustrating ways, many of which are unfortunately due to core emblematic problems with the series that won’t go away.

2) The Bad Stuff

A) The costumes

It’s been a over year. It’s low hanging fruit. I don’t care. Most of them are still not good and they’re ludicrously over-designed.

Blake’s in a fetish suit and I wonder how she even goes to the bathroom. Weiss just looks like an abino Sabre alt, Yang is what a Halloween costume site would describe as “Sexy UPS Driver,” (why does she have a thigh window) Ruby... looks fine, it’s one of her better costumes. Jaune’s hair is silly, Ren’s model has lost some muscle definition and he looks like an e-boy, Nora’s costume really doesn’t fit the Atlas visual design and looks like a rejected Kingdom Hearts costume. Cinder’s is too black and I actually can’t track her in darker scenes because of it (which is kinda bad during... a fight scene... where I need to know where she is...), Neo looks like a Ren Fair cosplayer doing a bit for her OnlyFans, Winter’s is anatomically weird with super skinny arms and legs, and Blake’s hair is a fucking hate crime. 

Qrow’s is one I liked at first but in retrospect it does feel like a downgrade. To quote @h-e-m-o-goblin​ from a Discord chat:

in a show like rwby, where color is such a vital defining aspect of every character, a cohesive colorscheme goes a long way. qrow's original outfit works great in this regard. neutral tones. greys, whites, and blacks, with red accents that pop against the otherwise sparse color. it's good! it's distinctive! it doesn't feel cluttered and it doesn't look like a clown vomited on him! the subdued colors really lend themselves to the grey, cynical energy qrow seems to carry with him. a literal lack of color in his life. the outfit itself feels like something he would wear; a combination of "clearly trying to look cool" and "a little disheveled and laid back." the design breathes, it isn't cluttered. let's contrast this with his vol 7 outfit. a lot of outfits in vol 7 suffer from this problem, but first and foremost it doesn't look like something he would wear. where his old outfit had a casual feel to it, his new look feels like someone dressed him up for a family christmas dinner. it's too... tidy. now of course you could argue this is him "cleaning up his life," but i dont feel like you have to sacrifice his own personal style in order to convey that. if that's really what they were going for, they easily could have just, oh i dont know, given him a cape that isn't tattered???

remember how i said qrow's original outfit really made his colors pop? how less is more when it comes to having a character with a specific color theme? vol 7 butchered that. we suddenly have articles of clothes that are tinted with greenish blue tones, browns, and with gold trim? on TOP of the old colors he already had in his design. it's muddy. it's ugly. the burgundy vest is fine, if they wanted to work more color into his outfit they should have done it that way throughout, shades of grey and different tones of RED. his COLOR. it just feels like they tacked so much on there without a second thought and i really think he deserves better. its just. such a mess.

The ones I did like were Watts’ new coat (I like the puffy hood), Penny’s is fine, the Ace Ops look great, Ironwood’s new outfit is stellar (those last six are great examples of how to do a lot with just primary colors of white and red), Neon’s Jolyne cosplay is cute and Flynt is slick. Otherwise, Volume 7 feels like it’s taken a lot of the wrong lessons from the costume design of the earlier seasons. Less is often more but now it feels like they have a pathological aversion to empty space on the costumes, leading them to feel like... costume vomit for lack of a better word. I didn’t love the Mistral outfits, but their modifications at least were carried by how many of them called back to the Fall of Beacon and emphasized the themes of loss in Volume 4. The new Atlas outfits... don’t have that shared theme. It feels like a hodgepodge of different design influences without trying to find a way to unify them. It’s like putting Baki the Grappler beside My Little Pony, they just fail to mesh.

Also for fuck’s sake already CRWBY just give the girls muscles already.

2) JNR suck and Ren’s arc is glorified character assassination

I don’t love JNR. They’re fine, but the show has arguably not needed them for a while and while I’ve liked them all at different points, it’s never been adoration outside of Ren in Volume 4. I was cool with the idea of them staying in Argus to help cover Mistral after its Huntsmen were wiped out, and Volume 7 has... made me wish they did that.

Jaune is just comic relief, and it kinda blows for later reasons but the big one is that he’s just not very funny. His big role in Volume 7 is basically to crosswalk some kids so we can have a joke scene during the Mantle Battle where Jaune uses his tactical genius to teach people to walk in single file. I feel like at this point Miles is just actively trying to kill Jaune’s fandom out of spite for how badly Jaundice was received. He’s never allowed to be cool or try and redeem himself. His hatedom aren’t going to stop hating Jaune because he gets more comedy guys. They’re going to stop when you write Jaune well. It’s a bummer he got some genuinely great upgrades for his sword and shield and never gets to use them outside of the opening. 

Nora exists. She got a surprising amount of focus this season in that she got focus of any kind. I liked her confronting Ironwood over his choking of Mantle because we know she was once the kind of person Ironwood would have been stifling. I like her being the one to realize the loophole in Jinn’s “You can’t” line. I don’t like much else about Nora this year, or at least the Nora the writing team are pushing. She’s not funny like Jaune but Nora just absorbs so much screentime in the first half with her constant shrieking. Sam Ireland has good range but making Nora into Discount Harley Quinn is pushing her out of it. She sounds shrill, making Nora sound like she has no heart outside of the election rally. A shrill voice is one thing. A shrill voice that never lands a single joke? Yeah that character is tainted by association. 

And Ren... oh God Ren what happened to you.

The Volume 7 commentary confirmed a suspicion of mine that Ren’s arc was heavily cut down from what was planned. Even watching V7 I could tell his arc was bare-bones at best, and it’s downright character assassination in places. Why is he suddenly so cold to Nora? Why is he now so obsessed with training? Why does he side with Ironwood for all of... one line which is this last between episodes 7 and 11. Ren only has two hundred words of dialoge in Volume 7 and they feel so weird in places. Ren goes from seemingly disliking Nora, to kissing her, to never referencing the kiss, to partaking in the Worst Scene Of The Season, all with no consistency. It’s not even threadbare. Ren’s arc just has no connecting tissue for so much of it! It’s insane how badly Ren was hurt by this, and I shudder to wonder how bad his Volume 8 arc will be because you know that was one of the first plotlines they cut down on when they inevitably overreached again. 

I don’t know how they made Renora kissing feel unearned? But by God they found a way with how much of a trainwreck Ren’s writing is in regards to tainting this. 

If Ironwood is an example of RWBY doing character writing well, Ren is the mirror image of how badly they can do. JNR really suffered from Volume 7 (also fun fact, Ren has about 200 words of dialogue? Ironwood has 4400). Maybe not to the level of irredeemable dislike? But very close to being on the same tier as Cinder of “Just go away already.”  I’m not looking forward to their content in Volume 8. 

3) RWBY themselves are poorly handled in Volume 7

It’s unfortunate that the actual title characters of the series are also some of this season’s weaker links. RWBY feel... superfluous to this season in a way they’ve never felt before. It’s baffling how much of the season doesn’t change if you just don’t include them, and apparently Volume 7′s first draft? Was even worse.

The commentary says that many of the RWBY moments were added later in production. Stuff like Ruby and Renora at the rally, Blake and Yang’s talk with Robyn and Ruby and Qrow’s chat were all either added in near the end of the writing or were “low priority” enough that they could have been cut which is... veyr alarming that’s stuff even the main protags have to worry about! 

Ruby feels half-baked. I was looking forward to her in V7 after how V6 gave her a more dynamic personality and the focus she got in Brunswick, and having Penny’s return had me interested in seeing Ruby grapple with her emotions about it. She watched Penny die, how would it influence her to see Penny back and OK? Good question, we never get to see it. Ruby’s just OK with Penny’s return, the one time they touch on it Penny immediately glosses over it. Ruby just goes back to her old happy go lucky persona where any and all negative emotions are immediately forced down instead of confronting them and growing from them. I’m getting a little tired of Ruby bottling her grief and being teased about finally getting her snapping like a Twix Bar. We finally got her crying and it lasted all of ten seconds. And it doesn’t help that Ruby’s still getting shafted for fights. Her scythe choreography has no excuse being as flacid as it is now after Qrow vs Clover showed they can do scythe fighting! Why is Ruby being upstaged by (let’s be real) a supporting character! Why is she being limited to ten seconds of good combat then nothing for the rest of the season outside of flimsily swinging it or shooting. It’s disappointing, especially after how good V6 Ruby was.

I swear, Gravity’s not just my favorite episode of the season just because Ruby finally cries in it.

Weiss was kinda just done dirty though. At least Ruby has a good outfit. Weiss confronting her father has been a long standing plot thread for the series, it’s been Weiss’s Big Thing since the White Trailer. And when Jacques finally appears, he’s very... bland. He’s just evil corporate dude who exists less as an obstacle for Weiss and more just a roadblock for the plot through the election. Weiss finally gets a chance to take her father down and work to redeem her family name... but instead of earning said victory and it being treated with the same gravitas and emotional weight as Blake defeating Adam... Weiss has her victory handed to her. And it’s played for comedy by her abusrdly attractive mother. 

Listen, I like I Willow Schnee. I think she’s a fascinating character and I like the idea of a person who is aware of the harm they’ve done by accident but is too broken to fix the issues she accidentally left. I love her calling Weiss out on her treatment of Whitley. But she is absolutely a Deus Ex Machina that exists to get Jacques out of the plot as fast as possible. You mean to tell me Hackerman Watts never once made sure Jacques had hidden cameras? Or that none of the staff found Willow’s cameras and reported them under the assumption they were White Fang spies? It’s so... convenient. It’s handing Weiss her victory on an unearned platter. Which sucks. I was really looking forward to Weiss beating Jacques. Instead she just gets given the plot device while JNR engage in the Worst Scene of The Season in that Whitley food stunt.

Me whenever I’m asked to rewatch Cordially Invited

Blake and Yang have much the same problems, in they never separate. I know they’re going to be together. I know CRWBY are making it canon (get it over with already). I still would like Yang and Blake to have individual character scenes. I’d like Blake and Marrow to talk about being a Faunus Huntsman in Atlas (another thing that got cut thanks to Robyn Hill). I want Yang and Ironwood to discuss their PTSD and have Yang thank Ironwood for his trust in her that he commissioned the arm despite Yang attacking Mercury. I want Blake to be well animated in fight scenes so she’s doing more than just jobbing so Yang looks better. I want Yang to stop hogging all the good Team RWBY choeography. I want them to interact with other characters and continue to grow instead of feeling like two halves of one character. And no, making a meta joke of how Blake and Yang don’t talk to other people doesn’t make it OK. It just means you’re self aware about your own faults. 

(Also give Yang better merch or quit the favoritism. If you’re gonna milk her, put effort into it beyond crapply overpriced flannel. RT’s merch store is actively making me hate Yang.)

Team RWBY’s biggest contribution to the season is the Ironwood Lie which is... a can of worms. They certainly had a point in withholding some of the bigger truths from James but I feel by Pomp and Cirumstance he’d proven himself truthwrothy enough to warrant being told the truth about Salem. But then when he’s finally told the truth, it’s offscreen’d and the consequence isn’t “Why didn’t you tell me earlier” but “Fucking Ozpin man.” Gravity has it bite them in the ass, but it’s more an accessory to Yang and Blake telling Robyn about the Amity tower. I wish more had been done with the team disagreeing on whether the lie was a good choice or not, maybe have Yang be hardline against it due to her own “No more lies and half truths” policy instead of... having Yang tell more lies and half truths (Commentary confirms she never told Ruby and Weiss about the Robyn stuff BTW). But that’s a wider problem where RWBY aren’t allowed to disagree beyond surface level “I don’t know if this is the right call” dialogue. There’s never a threat of one of them cracking and just spilling the beans to James, everyone just blindly trusts Ruby and Qrow tells the audience “No this is different from when Ozpin lied. Trust us.” 

This is the most RWBY get for content in the season finale: Ruby just nuking Cinder with no difficulty after having trouble with the eyes three episodes ago. Kinda lame tbh.

Team RWBY are just disappointing in Volume 7. They’re not given good animation, their story roles are largely insignificant, the impact of their roles on the story is threadbare and... well most of their costumes suck don’t @ me even CRWBY have admitted Blake and Weiss’s haircuts looked bad. It’s a whole barrage of a letdown for the main girls. And it’s really sad that the best scenes of the season... are usually the ones where RWBY are nowhere in sight.

Why the hell didn’t Yang get to keep the sunglasses come on guys. One job.

4) Robyn, the election plot, and the Happy Huntresses

Oh God, Robyn Hill is... not great. I could and likely will write a full meta on her character and how they bungled it but I’ll just be blunt here: I don’t like her design, the colors don’t mesh well, he head’s too small, Christina Vee is sleeping through the role and her weapon’s lame. Introducing her in a scene where she threatens to attack our heroes, and her agents are actively sneaking up on them to do it, is not a great first impression for a hometown hero. And that the commentary thinks she’s meant to be the hero in that scene is... staggering. 

RWBY’s greatest threat yet is a wine mom Karen and her Home Owners Association army. 

The election plot is less a misfire and more the engine just exploding. There’s so little good content between when it’s introduced and concluded, with it usually being individual scenes that are more good in spite of their connection to the plot (such as Tyrian’s massacre). It drags in pacing, going on for nearly half the season between episodes 5 and 10, and it purely exists as a roadblock to keep RWBY spinning their wheels while Watts and Tyrian keep going with the main plot. I don’t know why CRWBY went for this plot. They could have easily had something else fill the gap that also allowed for a lot of the character beats (such as Marrow and Blake’s talk and Ren’s entire arc) to shine, or at least condensed it to the important elements instead of letting it become bloated. It ends in such an unsatisfying way where Willow just shows up and goes “We have four episode left, here’s the plot device to beat Jacques, get back ot the main plot.” If they wanted to do the election plot, the best route would have been to give Volume 7 more episodes or stretch out its events to two seasons, but neither is realistically possible while RWBY lives off the teat of AT&T. 

Jacques and Robyn are just boring. Evil corporate man and a lame adaptation of Robyn Hood who only has fans because of thirst who also like downplaying Robyn making a racist remark at Marrow (to say nothing of that weird subsection of Robyn fans who make her a Fox Faunus who cut her tail off to join Atlas Academy which is... certainly a creative choice especially when Marrow and Neon are punching holes in that angsty BS backstory). They can’t carry this plot and the artifical attempts to make it seem more exciting with the two cliffhaners ending on Mantle under riot or Grimm attack are laughably cut short by the next episode in each case opening the morning after. On binge watch it becomes weirdly funny more than anything and that’s not a good reaction. The dual cliffhangers being cheaply resolved is a short but succint example of V7′s pacing issues, and they almost always loop around to the election plot being too bloated, slow and just boring.

Also the Happy Huntresses are just... lame. I like their Semblances but that’s it. Fiona’s OK because she gets some screentime but May’s just “the surly one” and Joanna doesn’t even get her Semblance or much dialogue (oh wow she really is just a female Sage Ayana isn’t she). Robyn should not have been leading the HH and running for Council. That’s really stupid. And kind of wrong. Having May or Fiona be running instead while Robyn leads the team in relief efforts would have been better and could have split the focus more effeciently instead of leaving May and especially Joanna feelng like roster padding. There’s also some delicious irony in the show trying to frame the HH as the resistance fighting for the people and representing individuality, only for them all to have the same boring outfit and weapons (I think even the exact same model just with different sizes) while the Ace Ops are meant to be the military drones who are “Just following orders,” only for them to be more racially diverse, more diverse body-type-wise, and have more unique weapons. It’s another one of those odd creative dissconnects between what the writers wanted and what the artists/animation teams chose to do. 

The election plot is overall toxin for Volume 7, and Robyn in my opinion, has one of the worst introductory scenes of any character in the franchise (and CRWBY have tacitly admitted that V7 had a character they were surprised at how controversial they were, which has to be Robyn). In a year where they were already juggling so much content and characters, adding in this bloated subplot was something I don’t think anyone wanted, especially now that we know we lost so much content on the sacrificial altar for this. It’s a black mark on the season and I don’t really care for the return of the Happy Huntresses or Robyn in Volume 8. None of them are interesting enough to care for outside of meta reasons like “cute.” 

Also fuck you Fiona, can’t believe you got a shirt before Ironwood. 

5) Cinder and Neo sure exist

To be fair, this is one of Cinder’s best years, easily her best since Volume 3 but that’s more because Cinder in the Mistral era was crap. (And if I wanna be cruel, because Cinder wasn’t in two thirds of the season)Her fans were finally vindicated after years of telling anyone who dunked on Cinder that “nooooo she has a super covert backstory that’s gonna be amazing when it’s revealed! You’ll see!” And well they finally got it. All of one line during a fight about how Cinder “refuses to starve.” 

It’s still something so I guess we have to take it. Seriously... how do we still not have Cinder’s backstory. 

There’s just not a ton to say about Cinder and Neo in V7 barring I that don’t think they needed to be here. They feel very superfluous and just here to have a big boss fight in Cinder’s case alongside continuing her streak of ending the odd numbered seasons fighting a female side character... which for me became an exercise in tyring to find during Cinder during the damn fight.

And this is why when most people saw Cinder’s V6 outfit they went “It’s gonna be hard to see her in darker environments,” then were vindicated when it became legit difficult to see Cinder in this scene. God if they at least just made the inside of the cape red it’d be easier.

Neo is Neo, which means she makes funny faces and mocks Cinder (I like that), but she doesn’t get a super good fight which uh... we’ll get to. I’m interested to see her finally exploding at Cinder and going for a backstab, but really Neo in V7 was kinda hit hard by the double whammy of the Oscar Hallway Punch and how humiliating ORNJ vs Neo was for ORNJ. Cinder’s definitely had far worse years and after how aimless she was in Mistral this feels like a sep in the right direction, but at this point CRWBY just need to shut up and tell us her deal. It’s been seven years guys. Come on. At least make her interesting if she’s gonna say around. They’ve had worse years, but unfortunately Cinder and Neo’s role in the finale leads into...

6) Some of the fights weren’t good

I wanna be clear, I like most of Volume 7′s fights. It’s just a bummer the worst ones are back and back and make up a chunk of the finale. ORNJ vs Neo is just crap. It’s the worst fight since the Battle of Haven. There’s nothing else I can say, it’s poorly animated, paced, choreographed and written. JNR especially are made to look like complete jokes after they spent all season training, to the point where it looks like V2 Yang could solo V7 JNR after this. Oscar I expect this from because he’s not allowed to have fun stuff onscreen after accidentally stealing the Haven budget for his fight with Hazel, but JNR were just done dirty. There were ways to make the fight work in a way where Neo still won but JNR looked good. They went for the worst possible outcome that just leaves Neo looking like she got fan-wanked and JNR looking like they’re just not allowed to be cool due to Miles’ spite at the Jaune-Self Insert stuff (and that’s not even getting into JNR being forced to run from lame rent a cops who can’t even handle a single Grimm). Cinder vs Winter and Penny isn’t much better, with her dark outfit making it very hard to track the fight because she blends into the background too well. It’s not a great showing for Winter or Penny given their earlier feats but, hey, some random female character had to fight Cinder in this odd numbered volume, carrying on Glynda, Pyrrha and Raven’s tradition. It’s at least better than ORNJ vs Neo, but that’s really not saying anything. At least Cinder’s VA work isn’t too bad this time but this fight commits the cardinal sin of a finale fight: It’s just not super interesting because we know Cinder can’t kill both Winter and Penny and she’s not becoming a Maiden, while Winter’s been too blatantly set up so it has to be Penny.

RWBY vs the Ace Ops also gets a dishonorable mention due to the choreography on display here... and the lack of it for Weiss, Blake and Ruby. Ruby never once swings Crescent Rose the entire fight and is just reduced to getting the tar kicked out of her by Harriet. Weiss barely gets to use her sword and largely just sticks to her summoning and glyphs which makes for a very visually uninteresting fighting style at the best of times. Blake just swings around and gets caught by the bad guys so Yang is motivated to fight stronger. She never dual wields (again) and her best moves are just setting up Yang to do all the hard work while Yang gets to personally KO two of the Ace Ops. There’s a lot that can be said about whether or nor RWBY earn the win, but while the animation team try to sell the Ace Ops landing heavy hits, having only Blake’s Aura even flicker really undercuts the idea from the commentary that this wasn’t meant to be a stomp for RWBY and they had to work together and be in synch to win.

Which is why Yang solos two of the Ace Ops whle Blake plays support, Weiss beats Marrow alone and then kill steals Harriet from Ruby, all while the song playing is an extended diss track from RWBY to the Ace Ops about how badass they are now, and the commentary itself says the Ace Ops are hard carried by Clover’s Semblance (because you gotta love basically saying four POC were only competent because a white guy led them, and then have them lose because said white guy wasn’t around to carry them!). Great job guys, you really sold it.

And talking of Clover, I feel it worth mentioning Qrow vs Clover vs Tyrian. It’s animation wise near perfect, but unfortunately I do feel it would be remiss to not mention that I feel the writing really has to bend over backwards to justify this fight. A lot of it is stuff I would say in that hypothetical Robyn essay, but I feel Robyn, Qrow and Clover all have to become massive idiots for this specific sequence of events to occur, and for Clover especially every retroactive attempt to explain why he prioritized Qrow over Tyrian just sounds more and more desperate. Between the references to MCU Captain America (a person whose entire arc is about learning when it’s OK to defy bad orders) or the attempt in the commentary to say “Oh Clover thought it would be easier to take out Tyrian alone instead of Qrow,” none of them land and just further drive home how much the plot had to stretch and reach to get that moment of Tyrian killing Clover. I like the fight. But I hate the road the show took to get there.

Some of the misc fights are also weak like ORNJ vs FNKI and elements of the Mantle Grimm battle, but those are the big offenders. Otherwise, again, the fights are largely good. 

7) The soundtrack wasn’t... great

I mean the vocal songs only, don’t crucify me. Trust Love is just lamer Let’s Just Live/Triumph, Celebrate and Let’s Get Real are so boring I thought they were the same song until the OST dropped, Brand New Day is boringly peppy and Jeff’s vocals are dreadful. I completely forgot Touch the Sky until I was checking the tracklist to make sure I didn’t forget any songs. War has good singers but tries to sell the RWBY-Ace Ops bond as way deeper than it was. The lack of a villain song did really sting though, those are always the highlights.

There are good songs. I really like Fear, I feel it encapsulates the themes of the volume well and serves as a good condemnation of Ironwod’s mentality. Until The End is finally the Ruby song I’ve waited for since Red Like Roses 2 and I enjoy that she got a melancholic song, and Hero is easily, hands down, best track of the record and probably best RWBY track, full stop. Caleb killed it, I loved the second verse, opening opera was strong, guitar riffs were a plenty. Stellar work all around for that one.

The OST has great work from Jeff and Alex as usual, but the Jeff and Casey songs are really starting to lose their appeal. Going for a peppy feel this year didn’t help cover the cracks that are beginning to show with RWBY’s vocal songs (especially Jeff’s vocal range), and while a few standouts remain such as Fear and Hero, they are the slim minority in an otherwise very boring vocal tracklist that barely scrapes above Volume 5 for weakest set yet.

8) It wasn’t as funny as it thought it was

Comedy is subjective but man a lot of these jokes didn’t land. RWBY really needs to realize that does work in traditional 2D does not translate into 3D and just comes off as making official reaction GIFs for your Twitter account. Making characters SUDDENY SCREAM LOUDLY is not good banter. Please stop making Nora into Harley Quinn. Marrow was probably the most consistently funny character but that was it. Also I dunno why CRWBY thought Forrest was funny or what the deal was with that FRWBY crap. 

“Honorary” mention to the JNR food scene in Cordially Invited which is genuinely one of the worst scenes in the entire show and I hope whoever animated it has their save files deleted for a game where they were about to beat the final boss. Nothing sums up JNR’s pointlessness in the series more perfectly than this.

C) Conclusion

See what I mean about Volume 7 being frustrating? 

It’s weird that I overal think of Volume 7 as a mid-tier volume. There’s so much here I genuinely adore, with some of the best stuff to do with the show coming out of this season (barring lame, overpriced merch that feels like clothing gacha), but simultaneously the whole thing is let down by outside circumstances that unfortunately are ones the show can’t ever really recover from. Put bluntly, Volume 7 is the most technically proficient season of the show with the best lighting, backdrops, (some of the) character models, etc. CRWBY definitely didn’t slack off this year, but the problem isn't with them. It’s with the writing. A wider reaching problem is just that Miles and Kerry can’t really improve to the level that the series now requires. Eddy and Kiersei’s first season could have gone far worse, but it definitely was notable whenever they took over. Volume 7’s core problems are fourfold: The comedy is terrible and none of the jokes really land, the season focuses on the wrong plots and gives them too much effort, too many episodes are spent building up to new plots only for them to be weakly resolved (especially the Mantle Riot/Grimm attacks that are shoved off-screen), and the character bloat strikes hard here and leaves a lot of the cast feeling like dead weight. CRWBY don’t need more writers. They need more editors willing to tell the team what has to go instead of them hemming and hawing themselves on if they if they can include a plotline. The election never should have gotten past its first draft, there was too much already in this season before adding that.

When this is an unironic shot in your series... you’ve got character bloat issues.

At this point, I think JNR need to go. The show had no idea what to do with them throughout the season, leading to Jaune just being comic relief while Ren and Nora became characters I actively dislike. Renora was the easiest ship in the show to land, and they still managed to blow the engines and ram at least three icebergs just to prove that RWBY can’t romance to save its life. Team RWBY themselves are little better, with Ruby’s feelings about Penny’s return being shelved, Weiss’s victory against Jacques feeling un-earned and undercut by comedy, while Yang and Blake are benched for the volume and become a singular entity with how tied at the hip they are. Maria basically yeeted herself out of the show and I didn’t notice, Pietro is just a death flag, and while the Ace Ops had a good intro, it was undercooked by how they had to play the villain role to give RWBY something to do in the final hours. Cinder and Neo didn’t need to be here. Robyn had one of the worst introductions for a character I’ve ever seen, I never enjoyed her moments and it genuinely feels like she only has a fandom because RWBY’s community are in fact that desperate. 

On the brighter side, Ironwood’s arc is fucking perfect and Jason Rose deserves all the love. Great fight, great song, great design, love the beard, it was a perfect downfall for Volume 7’s true protagonist. Qrow had a fun volume and I loved his dynamic with Clover (I don’t see the ship stuff but that’s more because I’m an IronQrow main so my blinders were on). Clover was also way cooler than I remembered. His fights stood out but the guy’s just really cool at the end of the day, with Chris doing great work as a VA. Oscar even managed to do stuff this year which was a shock and a half, but a welcome shock and a half. I didn’t mention it, but the Ozpin fear monologue is one of my favorite scenes in the entire show and it and the Ironwood/Oscar confrontation in the vault save the finale. And of course, Watts and Tyrian were the MVPs. I don’t have a bad word about either of them, they fucking nailed their roles and I can’t wait to see them again. 

And that’s kind of what I mean when I say Volume 7 flummoxes me. It’s frustrating at times with how it handles seemingly easy tasks and drops the ball. Renora went from “everyone liked that” to wondering how badly Ren’s stuff got butchered for him to be the way he is. RWBY themselves could be almost entirely cut and so little would change, and the fact that the finale basically hinges its entire emotional stakes on Winter, Penny and Oscar is a staggering call. And it really feels like the season was compressed beyond necessity because they decided going in that Volume 7 had to end on Salem’s arrival. There’s two volumes worth of material here, and maybe it would have been best to have broken up these events. Volume 7 does too much in too little time, and RWBY especially suffered from it. But when it works… it’s good. Never close to the highs of Volumes 6 or 3, but there’s genuinely good material here. The fights are mostly getting better with far less missteps than previously, the acting (mostly) continues to improve and it’s obvious that RWBY is a very good looking show at this point. Ironwood’s arc is franchise-wide highs, I loved Clover, and Marrow remains the best boi. But it’s frustrating that despite all the tech advances Volume 7 has made, it still makes such threadbare, rookie writing mistakes in cast management, comedy and character arcs. I’m glad Miles and Kerry finally realized that they needed more writers, but it won’t mean anything if the show just continues to circle the drain on the core mistakes it’s been making since 2013. Volume 7 has good in it. But I can see where it could have been great.

Thanks for reading, stan IronQrow and please get Whitley a therapist.

And for the love of God already make an Ironwood vs Watts shirt! 

[kittyprincessofcats]

RWBY Volume 8, Episodes 1-7

Since I know there was a hiatus in the middle of this volume, I decided to make a separate post for the first half. (Also because SO MUCH HAPPENED in just the first half that I felt like it deserves a separate post and because I think mid-season speculations can be interesting at times.)

[There will be spoilers for episodes 1-7 of RWBY Volume 8 in this post (duh). Please don’t leave spoilers for any of the later episodes on this post, or I will block you.]

Under the cut because some people might want to avoid spoilers

- So, Ironwood is just a full-on dictator now, cool. Sleet just asked what’s going on and Ironwood straight-up shot him without even trying to explain first. Wow. If there was any doubt in my mind that Ironwood is evil now, it’s gone. Also, just how DUMB do you need to be to work with Watts on trying to hack Penny? HOW DUMB??? Didn’t he realize that Watts still works for Salem and would obviously secretly make this work in Salem’s favour? Did he really think a few guns would stop Watts from that? Ironwood’s a f-ing idiot.

- Also, if Ironwood’s already working with Watts, he could have at least also made Watts turn the heat in Mantle back on? Just saying? I mean, I know Ironwood doesn’t care about Mantle, but he could have at least done that to give them a fighting chance? That would have been the very least if you’re already not evacuating them?

- I like the slight design change in Weiss’ hair; definitely makes the braid look more natural. I also like how they made Blake’s hair a bit fluffier.

- I love the opening, though I’m still trying to figure out what some parts of it mean. (And it scares me how dark and depressing it seems – it’s giving me Volume 3 vibes, but I really don’t want anyone to die.)

- When it comes to dying, I’m particularly worried about Penny, Nora, and Winter. But especially Penny. I hate how Ironwood was trying to pressure her into coming back, how everyone is after her now, and how she herself said she wished she didn’t have the Maiden powers. I just want my baby to be okay 😢. I’m also worried Cinder might die, just because you see her screaming in the opening when the lyrics say “Some lives will end much too soon” – and after getting her backstory, I actually like Cinder now, so I’d be sad about it this time.

- I love Robyn so much. Her comforting Qrow, yelling at Jacques to shut up, and calling out Harriet were all such giant moods.

- The conflict between Yang and Ruby (and by extension the rest of the gang) is interesting, though I’m honestly not completely sure why they’re angry at each other. Both of them have a point about why their respective plans are important and I think splitting up and doing them separately was the best course of action (though they could have maybe split the teams up a bit more evenly). So, I’m not completely sure why their conflict feels like they’re also mad at each other on a personal level. And same for Ren and Nora, by the way.

- The Hound and everything about it freak me the hell out and I don’t want to ever see it again. (Right now, my sister and I are speculating that the Hound might have once been a person and while I think that’s likely, I also hate it – no thanks, do not want to see.)

- The Happy Huntresses are amazing and I love that they’re getting more screen time now. I still think both May and Fiona’s semblances are super OP. I also like that we now got on-screen confirmation of May being trans (yay for some more LGBT+ representation!).

- Blake getting motion-sick and hating being transported with Ruby’s powers was adorable and reminded me of Catra (from She-Ra and the Princesses of Power) and how she hates being teleported by Glimmer’s powers. So, now I’m wondering: Is motion sickness a cat thing or something?

- Can you believe we got 3 Nuts and Dolts hugs in just the first 3 episodes? I’m living!

- Nora’s arc was interesting so far. I loved seeing her hug Oscar so sweetly, and her moment of taking down that door was epic (I really hope she’s okay!). I also think what she said about not knowing who she is without Ren is really interesting. It’s something that happens in real life, that two people who have spent so much time with each other can lose their sense of who they are as individuals. So, I hope she gets the possibility to figure out who she is by herself.

- Ren’s arc was interesting as well. I’m glad he finally voiced what’s been bothering him and while I was annoyed with him during his fight with Jaune and Yang, I loved that moment where he told the Ace Ops that no one is replaceable. (Bold thing to tell Team JNR that people are replaceable after how they lost Pyrrha.) His evolved semblance is really cool, I loved how he analyzed that Marrow and Winter don’t really want to be there, and now I want him to psycho-analyze all the characters. I also like how Jaune telling Ren not to hide his feelings is what eventually led to Ren realizing that hiding their feelings is exactly what the Ace Ops are doing.

- Also, I really want both Winter and Marrow to jump ship and abandon Ironwood and the Ace Ops already. (Winter telling Harriet she outranks her was epic!)

- Honestly, Ironwood and the Ace Ops (minus Marrow) are my most hated characters right now. Because Salem and everyone under her are at least not pretending to be the good guys. They’re evil, but at least they’re honest about it and they’re still interesting and/or entertaining and they have style. So yeah, I don’t really hate the actual villains because they’re at least cool villains, but Ironwood and the Ace Ops are just awful - and they keep insulting my girl Penny and I want to slap them for it every time.

- Salem’s giant whale is one of hell of a villain-lair location. I dig it.

- In general, this volume (so far) once again reminded me how much I love Salem as a villain. She’s so stylish and so deliciously evil, while also being extremely compelling. It’s not often that I find a “big bad” character so intriguing and fascinating while still considering them irredeemable* and wanting the heroes to take them down. I really have to clap for the CrewBY here. Not many writers have managed to make me feel that way about a big bad. And then there was that part where she acted like an orchestra conductor while classical music plays as the Grim attack everyone… she just has style as villain, okay? You have to admit she’s got style.

[*Small correction here: I would be okay with it if the show redeemed Salem and the gods ended up being the final villains, as long as it was handled in a believable way. What I meant to say here - but didn’t express well - is that I don’t necessarily need Salem to be redeemed and I’m okay with just liking her as a villain. That said, no one is ever “irredeemable” because no one is ever unable to make the choice to change.]

- I mean, just that first scene between Salem and Oscar was so good! The way Ozpin has an “okay, don’t panic” moment before Oscar looks up and sees Salem (😂), the way Salem talks to Oscar and refers to Oz as “my Ozma” 😢. How she caresses Oscar’s cheek after he lied to her and her line “like-minded souls indeed”, implying that Ozma lied to her as well – I love all of it. Salem’s such a good character I could go on and on about it.

- I feel so bad for poor Oscar, though! He didn’t ask for any of this, he’s only a kid, and how he’s getting tortured and beaten up after everything he’s already been though. I really hope Yang, Jaune, and Ren manage to save him (possibly with Emerald’s help?). And like, I’m not surprised that Salem isn’t above hurting kids (she did kill her own ones and all that), but Hazel is a hypocrite. His beef with Ozpin aside, he knows full-well that none of this is Oscar’s fault.

- Also, I feel dumb for only now understanding that Salem’s plan is to bring the relics together so the gods will destroy all of humanity and finally let her die as well. Honestly, just having a deep death wish after being alive for so long is also an unconventional motivation for a big bad, and I love it. I also think this should make Oscar and Ozpin’s idea of turning Salem’s followers against her a lot easier: With the exception of Tyrian, I’d say most of Salem’s other followers are probably interested in, you know, staying alive. So, telling them Salem’s real plan should honestly at least make all of them consider the idea of leaving Salem. And we saw that it’s starting to work with Emerald, Mercury and Hazel.

- So yeah, I think Ozpin and Oscar (and Penny) had the right idea when they questioned Salem’s underlings on why they follow her. And honestly, I think whether all of those characters “deserve” a redemption or forgiveness isn’t relevant right now – they don’t need to be forgiven by every character for everything they’ve done, they just need to leave Salem and potentially help fight against her because, frankly, our heroes need all the help they can get right now.

- I loved that moment of Yang asking if “she” would think less of her for not helping with Amity and Jaune reassuring her that Ruby loves her, before Yang implies that she wasn’t talking about Ruby (heavily implying that she meant Blake).

- And yeah, my sister was right about Qrow being even more upset about Clover’s death because he thought Clover was someone his misfortune semblance couldn’t hurt.

- Penny is best girl and best Maiden, I said what I said. I love how she’s only had the maiden powers for a few hours and she’s already better at using them than Cinder (or Raven, for that matter). Holding her own against the Ace Ops 4v1 was epic, as was her fight against Cinder and Emerald. The way she used her powers to freeze those pillars into place, fought off Cinder when she tried to steal her powers, found the real Cinder among the illusions via heat signature – epic stuff. And the way she lifted up Amity all by herself? As much as I hate that everyone’s after her, I love seeing just how strong Penny is now and I loved hearing multiple characters admit they can’t beat her. I also loved all of her funny moments (like figuring out Ruby’s semblance before she did, or that part where she explained which way they’d have to go). I swear though, I’m going to punch every character who’s insulting her or trying to guilt-trip her. And the Ace Ops blaming her for Winter being hurt? Fuck them. (Notice how Penny only attacked them after they insulted Ruby, though? D’awww.)

- The thing that makes me love Penny even more than all her amazing powers though is just how compassionate she is and what a big heart she has. She was the first to ask Cinder why she even serves Salem, before even Oscar and Ozpin thought about trying to turn Salem’s followers against her, and she ultimately let Emerald and Cinder go when she could have finished them off, despite the fact that those two were directly responsible for Penny’s first death in Volume 3 – whether heroes letting dangerous villains go is a good thing or not is a different discussion, but in this case it just showed to me how compassionate Penny is – enough that she felt bad even for the people who hurt her before.

- Pietro and his bond with Penny are giving me all the feels 😢. I really felt for him when he said he didn’t want to lose her again – but he ultimately had to let her make her own choices. That “I love you” before she fell really got to me. Gosh, I hope Penny will be okay.

- Maria fighting Neo was epic as well. Never count out the Grimm reaper just because she’s an old lady!

- I loved the scene of the broadcast and all the cameos of people all over Remnant listening to it. I really didn’t expect to see Terra and Saphron, Sun and Neptune, Ilia, Tai or Glynda! And the moment of Ruby herself watching it with such wide eyes was adorable.

- Okay, now let’s talk about my highlight of the volume so far and my new problematic fave: Cinder. I’m honestly not even surprised at myself. I often have a thing for villain ladies, I love Cinderella as a fairy tale and I’ve thought since Volume 4 that I could probably really like Cinder if they explained her motivations a bit more and gave us a bit more development. Then Volume 5 disappointed me on that front, but I’m glad we’re finally getting there now! I’ve been practically begging to get a backstory or something for her and I’m so glad CRWBY finally delivered! The moment they opened the volume with that little glimpse of her backstory, I became super hyped that we were finally getting it, and the fact that they opened the volume with it makes me think it’s going to become relevant to the main plot somehow. The backstory itself was pretty much what I expected (my prediction was “Cinderella but slightly worse, and then she murders the evil stepmom and stepsisters”), though I have to say the human trafficking, literal child slavery, and shock collar were a surprise. I expected “Cinderella but slightly worse”, but I’d say we got “Cinderella but A LOT worse”. And even though I get why some people might feel that this backstory was introduced too late to make Cinder interesting, I’m personally team “better late than never”, so I’m still glad we got it. And honestly, it puts so much of Cinder’s character into perspective and explains so much about her. How she models herself after the abusive figures in her life (Madame, Salem), how her confident demeanor is an act, her affinity for glass, her treatment of Emerald and Mercury and how she probably sees herself in both of them (Emerald was a starving orphan, Mercury killed his abusive parent, Cinder’s backstory combines both of those). So yeah – I get why opinions here differ, but I personally loved the backstory and have to officially come out as a Cinder fan now.

- I also think Cinder’s backstory reveals a lot about Atlas’ society as a whole. Because, are you seriously telling me that all the high-society hotel guests saw literal child labour in front of them, saw this child being yelled at and mistreated, and except for one Huntsman no one said or did anything about it? Is child labour just normal in Atlas? Or are the people there that heartless? And I’m not sure if the implication is that Rhodes only trained Cinder in secret because he wasn’t willing to do more, or because he wasn’t legally able to do anything else to help her. And if it’s the second one, then what does THAT say about Atlas? No child protective services anywhere? No legal way at all to help a literal child slave instead of waiting for her to turn 17? Because holy hell, that’s messed up, Atlas!

- I also want to again stress what a brilliant manipulator Salem is. That scene where she punishes Cinder at first by hurting her only to backtrack and say it’s her own fault and that she needs to support Cinder is so good. The way Salem reminds Cinder of her pervious abuser before backtracking and pretending to be kind to make sure Cinder doesn’t make the connection and doesn’t realize that Salem is her new abuser – it’s such good emotional manipulation on Salem’s part. Because Salem IS Cinder’s new abuser, but she’s much more psychological about it. She hurt Cinder first before stopping, basically saying “Look, I’m not like your evil stepmom because I stopped”. It’s a brilliant way of making sure Cinder stays under her thumb and won’t rise up against her the way she eventually did against the stepmom. It’s amazing – but I also need Cinder to realize what’s going on and get out of there asap.

- Also, I just want to say: After I finished watching “Midnight”, I went on AO3 hoping that someone had written a canon divergent fanfic where someone actually saves young Cinder – and I wasn’t disappointed. So far, after only skimming through AO3 for a bit, I’ve seen two fanfics where Qrow saves her, one where Tai saves her, one where Summer Rose saves her, one where all of team STRQ save her, and one where a time-travelling Ruby from the future saves her. Thank you FNDM for not disappointing me – I can’t wait to read all of them.

- So yeah, I’m a fan of Cinder now and… uhm… *quietly hides before sharing my very controversial opinion*… I’d like it if she switched sides eventually.  I don’t necessarily think a redemption is realistic or likely, but I’m kind of team “redemption for everyone (except Salem because she’s the big bad and awesome at it and Tyrian because he clearly loves what he’s doing)” now. Hazel might be a hypocrite, but he’s still someone who has morals and doesn’t want the world to end. Emerald, Mercury, and Cinder have all had tough lives and I feel bad for them – so I’m kind of like, let’s just redeem them all. (And again – that doesn’t have to include all the heroes forgiving them! In fact, I’d be really disappointed if Teams RWBY or JNR ever forgave Cinder. I just want her to turn against Salem eventually; that doesn’t have to mean anyone forgives her!) And no, I don’t think they will all get redeemed - but I can dream, right?

- In general, I’m really curious to see where they’ll go with all four of those characters (Hazel, Emerald, Mercury, Cinder) now. Oh, and Neo as well! I think Emerald and Mercury definitely care about each other if their parting looks are anything to go by. I also think that despite his words, Mercury was worried about what Emerald told him she overheard. I think either Hazel or Emerald might steal the lamp and ask Jinn the last question (probably Emerald because she’s based on Aladdin and Jinn is the Genie). I’d really love to see all of Salem’s underlings asking the lamp something like “What is Salem hiding from us?” – similar to what Ruby and company asked about Ozpin, but since Mercury left and Cinder’s on her mission, I know that won’t happen. But maybe we’ll still get something like that with just Emerald, Hazel and Neo.

- I loved seeing Klein again (I still can’t get over the fact that he’s just all 7 dwarves in one person) and it was so sweet when he called Weiss “my snowflake” 🥺. And I’m glad Whitley came through and called help for Nora. Weiss hugging him was really sweet.

- That cliffhanger with Penny was honestly evil. That’s what they left people on for a month? Evil. I also think that given that the Hound and Cinder are after Penny, she should definitely stay with Ruby (since Ruby’s silver eyes should work on both of those).

[roodllle]

Year in Review - Animal Crossing New Horizons

I started writing this review/criticism in May of 2020 but decided to update it as the year went along and post it on the anniversary of NH’s release. I would like to preface that this is mostly going to be full of questions of criticisms, I love this game. I have not been able to put it down since I got it on March 20th. My first AC game was NL and then I played HHD. I was ecstatic when they announced NH at E3 2019 and kept trying to find other games to fit in my AC shaped hole in my heart but I wasn’t able to fill it till this game came out. I feel like the pace of the game is great with how you build up to unlocking terraforming and 5 stars, and I feel like the updates are well timed especially with how crazy 2020 was for everybody. That being said there were some things that irked me. 

Some of the points I will bring up came from other people/commenters I have seen on here, Discord, Reddit, and Twitter that I also agree with. Some other points are from Youtubers such as ShayMay and ChuyPlays. And others are from me. 

With that out of the way, let’s get on with the review. Warning, I guess, don’t expect this to be an essay, this is just a patchwork quilt made up of thoughts.

Terraforming

I wish cliffs/tiers had a smaller level? Like how we’re able to make stepping stones for our rivers if we don’t want to put a bridge down/use our vaulting pole. I just wish there was a cliff alternative. 

Another cliff alternative would be if we could put bridges between cliffs. I think we’ve all been there where we see this picture 

          thought ‘we can do that!!” then realized it was photoshopped

When we go into terraforming, I wish a grid showed up on our island. It would make it much easier to avoid hitting the wrong square when I’m trying to change a river. 

Having us be able to “close” a waterfall from a lower level but not create a new on at the same spot. 

Also the fact we can add a 4th tier but can’t put anything on it is just strange to me. I know we have to have a limit to how high we can go, but at least let me put nature stuff, such as trees/flowers/bushes, on top of it instead of just a flat piece of land. 

Houses

Why no ceiling items? Find it odd they added a bunch of stuff in HHD and didn’t add that to the new mainline game

There’s no reason I can think of to why we can’t access our storage when we’re crafting inside our house. 

Buildings

Dodo Airlines

The Dodo Islands right now are very boring and barely use them. I have enough money and materials to not go farming and save up all my NMTs for when I go villager hunting, which has also become a rarity. I think it would be a good idea to make some islands seasoned themed. Have them be all rare, but have an island where it’s fall and has maple leaves falling, a cherry blossom one, one with snowflakes. I wouldn’t recommend they make Holiday themed ones, but having seasonal ones would be nice.

When I mess up a dodo code or accidentally hit ‘make a bridge’ instead of incline, etc. why do I have to restart the ENTIRE conversation instead of the characters just being “oh? did you mean “x” or “would you like to retype it?” like is it that hard??  

Resident Services

As much as I love Isabelle this game has made me very indifferent towards her. I think they gave her a role that didn’t need to exist. They could have either let us roam around without any warnings to who was roaming around our island, in the campsite, or any weather updates. Just have us rely on our villagers, the TV, and our eyeballs. OR they could have given us a social media like app and/or a weather app. Instead, they gave us Isabelle that only announces something once a month.

Nook’s Cranny

This might just be me but can they add a little DIY area in the store? Maybe just make to where you can only customize things?? This is more out of convenience than an actual problem  

Speaking of customization, since you can make medicine but also buy can we do the same for the custom kits and bait. Like make it where we can buy bait and also make our own custom kits? I just think it’s weird that they give us either/or for medicine but not for the other 2 that I honestly use way more than medicine.

Why do the Able Sisters get to have all of the colors of an item in their shop but Nook’s Cranny can’t? And why can’t we just be able to customize all items that have multiple looks/colors? Example, why can’t I just be able to change the wood type for the antique set instead of having to buy each one? I get that the furniture catalog is already small, but that’s not my fault. They’ve decided to not add past furniture sets into NH. 

Able Sisters

Let us multi select clothes instead of it just being how much we can wear. idc if it’ll just put those clothes in our personal storage and then we’ll have to run home and put it in that storage, I just hate having to walk back in and out every time I want a dress in multi colors. ALSO tell us if we already bought it, like a little storage icon or something

Why can’t we hang any article of clothing on the back wall, why do we have to either make it or have the OG qr designer come to our island? 

Why can’t we have the transparent option when designing clothes? I think it would make many designer’s lives easier instead of having to make 8 versions of the same outfit.

NPCs

I have played this game almost every day since it came out, minus 2 days. I have also been able to make friends on discord that help with trading/cataloging/etc. I have all of Saharah’s, Kicks’, Label’s, and Redd’s items. I have all of the fish/bug models I want and have no desire to “catch them all”. I haven’t talked to Wisp in months because I have most of the items and his idea of “expensive” is 10k bells. The only NPC I actively look forward to is Celeste because even though I now have all of her DIYs, she still gives out star fragments, regular large or horoscope, when I talk to her. 

What I’m wondering is if they’re planning on doing anything else with these characters. Before I speak further I’m going to weed out characters that I am actually fine with. CJ and Flick will always be there if I want a bug/fish model, I understand that Saharah/Kicks/Redd have a ton of stuff to get and w/o the help of my discord friends, I probably wouldn’t have gotten everything till late 2021. 

So that leaves Label and Wisp. I understand Wisp is there for beginners, but now that I’m at a point where I am a bell millionaire and have most of the Nook’s items cataloged, there is no reason for me to talk to him. I wish Nintendo had put in a system where depending on the person who Wisp is talking to, it determines how much money you have in your bank account/looks at your catalog, Wisp’s item’s worth goes up.

As for Label...I never saw her as viable. I also thought the tickets were dumb and you don’t even have to talk to her to have her items show up in the shop the next day. I think it would be great if when you bought all of her items, she decided to join the Able’s sisters in their shop like in NL and then have Gracie show up in her place for the weekly NPC. 

Where is Blanca? Or Brewster? Or Shrunk, Katrina, Gracie, or Kapp’n and his family? I understand we will probably never see characters like Harriet or Pete because they have been replaced by a new system, but what is the excuse for these other characters? I’m hoping they show up in year 2 of NH but...we’ll see.

Villagers

I think having your first villagers living in basic homes is a good idea but one that quickly gets annoying. I found Sherb while villager hunting for the 1st time and have had him ever since, but his house is stuck at basic lazy setup. Instead of me going back and forth on whether or not i should trust somebody enough to hold Sherb, get somebody else out, then get him to move back to my island, You can have it to where you let them leave, then just wait till he comes to the campsite to visit and reinvite him. You get his actual house and he still remembers you. This could also go for you accidentally letting somebody go or letting somebody go then regretting it. Also it’d be fun to see some old villagers again.

I was curious and looked back on past games to see how many new villagers were released each game and NH has been the least amount. NL released 112 new villagers in total while NH has released 8. I’m hoping they might release more down the line but, hella disappointing imo. Along with the Sanrio update and adding those characters to the game, I am more hopeful that they’ll be adding new characters!

Having an “event” of sorts where you visit a villager’s house and they’re looking inside their closet. They look at you in surprise when you walk in and sheepishly explain that they were going through their clothes/items. They then decide to ask you for help since they can’t decide what to get rid of/what to keep and think you have a good eye for that sort of thing. Basically, a way to get rid of any clothes/items your villager somehow received bc I guess Isabelle scolding them isn’t enough.

A big problem I feel like everybody has is the villager dialogue. Yes they added sub personality types for each personality but they are not perfectly cut in half, ex. are the Sisterly types where there are 4 B types and 20 A types, like?? How I have “fixed” this problem is by having one of each personality type on my island so I always have different conversations with my villagers, but I understand not a lot of people do that. Some people just want normal/peppy types on their island bc they’re cute as hell, I get it. I know it would be...difficult to come up with unique dialogue for all 399 villagers, including Sanrio, but....you could at least for the “gimmicky” villagers. Some examples of these villagers are Ribbot and Sprocket, Lucky and Ankha, the super hero squad, and Kabuki. 

Quality Life stuff

Why cant we sit AND wish on stars? And I don’t mean the sit emote; why can’t I sit on a bench and wish on stars?

It sucks when I’m about to hit my rocks or just do a lot of dig work and then my shovel breaks in the middle of it. To show the tool is about to break, cracks should start to form on the handle and get deeper/longer as you keep using it, starting when you have 5 uses left. You can also add an auditory element by making the tool sound like its struggling when you are using it. Net/Shovel/Axe/Fishing Pole can have cracks show up on the handle, Slingshot can have crack show up at the bottom of the 2 spokes while having 1 at the top of the handle. And the watering can have cracks at the base of the can.

If our inventory is full when I dig up a flower, why can’t I replace it with another flower to bury? And if I can dig up an item at an diagonal item, I should be able to bury it again at the same angle.

Other

Having more...liveliness?? on the island, idk how else to say it. Example is whenever you travel by plane there's a chemtrail in the sky afterwards, maybe just seeing other planes go by throughout the day. Maybe you can get a hint Redd or Gulliver will be visiting you tomorrow if you see their boats beyond the horizon, Redd’s just crusin’ and the Gulls’ boats looking messed up. On a week where you don't have a new camper, maybe have an old villager visit. That leads me too

I wish villager’s doors could count as “exterior decorating” and we can just put any ornamental on there instead having to hope that your villager will put the wreath on their own door. 

Conclusion

If you read this whole thing holy shit, thanks!! Go treat yourself on my part lol If you disagreed with me or whatever feel free to chat with me about it! 

[descendantofthesparrow]

Fandom asks 003 for Audrey please?

003 | Give me a character & I will tell you

How I feel about this character: hated her in D1, like genuinely, i didn't like her writing, her clothes were cute af, and i had long past my “pink is a gross color because its a girly color” stage so it more lied with how much i hated her personality and somehow the daughter of a very kind and gentle princess (one that i grew up on and was my favorite princess) was this cruel and mean bitch of a girl who reminded me of regular old high school bullies who have nothing better to do than talk down to other people, but by the time D3 came around, she went from this stingy rich spoiled brat who switched BFS as soon as Ben “dumped” her, to a much more emotionally deep character who had been hurt by the events of D1 and was still hurting, but hid it all behind a mask becuase that's all she could do, i stil ldont like D1 Audrey as a person, but knowing the context of her character after watching D3 nad reading the “audreys diary” side book provides some insight to her and you see her as a more sympathetic character in what happens to her (it still doesn't excuse her actions to the vks during D1, she was just plain rude to them for no reason almost the whole time) 

All the people I ship romantically with this character: Huma (i think they would be good for her, getting her to loosen up and just learn to go with the flow of what's around her and teach her to stand up for what she believes in and even stand up to her own family and their views) Lonnie (gimme that “oh shit” Audrey moment when she sees Lonnie kicking some ass) Harriet Hook (Harriet, is either the same age as the main 4 or just a bit older (i HC her as the oldest kid but still) not as a full romantic relationship but also more of a “oh I'm gay” thing with Audrey

My non-romantic OTP for this character: Chad, idk i just never saw that...truly being anything other than Chad being in an unrequited love thing and Audrey “entertaining” it for a bit before she just kinda lets him down gently and they go back to being friends...idk just “chad” chad and pink princess brotp fills me with joy

My unpopular opinion about this character: i have two since the first one might not be unpopular, but her D3 “good” hair fucking sucked, and her main “good” outfit also sucks please have some fucking variety in your shades and fabrics please descendants designers 

One thing I wish would happen / had happened with this character in canon: her just fucking going loose on her grandmother, just fucking screaming her head off about how shes not fucking responsible for someone else's actions and shit like that

my het ship: @disneyfan50 made me love Ben/Audrey again so if written correctly, Ben/Audrey

my fem/slash ship: Harriet/Audrey

my OTP: toss up between beasty boy x Princess or Pirate (Harriet) x Princess

my OT3: HumaxAudrey

my cross over ship: iiiiiiii got nothing

my kink: nope

a head cannon fact: she has magic that seeped in from when her mother was under the sleeping curse that basically passed down into Audrey and that's why she was kinda a natural with the scepter, because she already had some of its magic naturally in her 

my gender bend: Aidrian Briar (instead of Audrey Rose) 

[yourladyem]

Walt Disney

One lesson you can learn from studying the life of Walt Disney is your actions and your words are what make up your integrity. How you act and what you say can either help or hinder your testimony to others. Walt Disney was a man of integrity and humility. He set up the chairs for his own private screening of Fantasia. He gave money out of his own wallet to any cast member who went the extra mile for a customer. He and Roy would forgo a paycheck at times in order to pay their staff when they were first starting out broke and creating Micky Mouse cartoons. He rode his own Park attractions in full disguise and timed his rides with a stopwatch to see if the employees were cheating his customers out of the full allotted time for each ride. He worked until the early hours of the morning painting the "20,000 Leagues Under the Sea" attraction the night before the grand opening of Disneyland.

Walt Disney was also a brilliant man ahead of his time. He sold over 3 million Mickey Mouse watches in 1935 in the middle of the Great Depression thanks to the genius of his marketing team. He invented animatronics and created Stereo sound when he made Fantasia with a multi-track sound system that made the audience feel as if they were at a live concert. It was called Fantasound.

The man who created one of the largest empires in the world, never cared about making money. In Pat Williams’ biography "How to Be Like Walt", Walt himself stated, “I’ve always been bored with the idea of just making money. I’ve wanted to do things, I wanted to build things. Get something going. People look at me in different ways. Some of them say ‘The guy has no regard for money.’ That’s not true. I have had regard for money. But I’m not like some people who worship money as something you’ve got to have piled up somewhere. I’ve only thought of money in one way, and that is to do something with it, you see?”

He disliked dealing with the financial side of the growing empire and left that to his CFO and brother, Roy. Walt hated it so much that after endless failed attempts, Roy finally convinced his younger brother to attend a stockholders meeting.

Two good things came out of that meeting. The first came when Walt saw the stone faces of the businessmen in their perfect expensive suits. He just found his inspiration for the bank bosses for his future film, Mary Poppins.

The second good thing came after he boldly read a simple letter from a man in Florida who owned a couple of shares telling Walt Disney, “I don’t care if I ever get any dividends. You just keep up the good work and keep making good pictures.” After reading the letter, Walt focused his attention back to the room and stated, “I wish this company had more shareholders like that one. He understands what Disney is all about. Now, it’s been very nice to see all of you, but if you don’t mind, I’ve got a studio to run.” and left the room. Roy never asked him to attend another meeting ever again.

Walt struggled to convince Roy to back the idea of Disneyland. Many of the famous classic films we know today including Alice in Wonderland, Fantasia, and Pinocchio bombed at the box office. Constantly in debt after so many failures, no matter how many awards the studio won over the years including setting records for a single nominee. It looked like the dream of Disneyland was going to be delayed even longer.

Instead of reaching out to rich friends in Hollywood or begging the stockholders, the people he turned to for the financial backing for Disneyland were his own employees. They believed in his dreams as much as he did. He wasn’t too confident in asking his own people for money and the first person he asked was the studio’s nurse, Hazel George. She not only donated to the cause but also spearheaded the in-house charity group Disneyland Backers and Boosters.

Another prominent woman at the Disney studios was Harriet Burns, the first female Imagineer who helped design and build the Disneyland attractions. And before she became the future Mrs. Disney, Lillian Bounds, was a young inker and painter at the Disney Brothers Studio (later renamed the Walt Disney Studios) along with her friend Kathleen. Two of Walt’s very first employees at the start up studio were women doing the hard jobs and not just errand girls who simply looked pretty and got coffee for the bosses.

Most of the staff loved Walt. He never discriminated or thought lowly of anyone no matter their race, background, religion, or anything else. Neal Gabler’s biography "Walt Disney: A Triumph of the American Imagination", suggests the slander and lies of him being Anti-Semite most likely came about from Anti-Semite Ben Sharpsteen who worked for the studio and Walt was “guilty by association.”

Pat Williams states, after consulting many Disney scholars, another likely reason for the rumors was because of a smear campaign against Disney during a strike in 1941. Union chief, Herb Sorrell once told Walt “I will smear you and I will make a dust bowl out of your studio.” Sorrell stayed true his word of tarnishing the Disney name. For nearly 80 years those rumors have circulated but nothing to back up those ridiculous claims. Firsthand accounts including other Jewish employees who hated Walt because he didn’t agree with their political stances, never accused Walt of being an Anti-Semite.

Kathleen and Richard Greene also addressed the question of Anti-Semitism in the Disney family in their book, “Inside the Dream: The Personal Story of Walt Disney”. They discussed the relationship a former Jewish neighbor of Roy and Walt’s childhood neighborhood in Kansas named Meyer Menda saying she never experienced any sort of Anti-Semitism from the Disney family. As well as Walt’s daughter Sharon dated a Jewish man at one time with no family objections.

Also, if Walt Disney was an Anti-Semite, he never would have hired the famous Sherman Brothers who wrote the music for "The Jungle Book", "Mary Poppins", "Aristocats", "Bedknobs and Broomsticks", and the song "It’s A Small World" for the attraction. Robert Sherman recalls in "How to Be Like Walt", the time Walt defended the Brothers and fired one of his own lawyers who hated minorities and who called the Sherman Brothers the “Jewish boys.”

In the biography by Pat Williams, "How to Be Like Walt", Joe Grant, a Jewish animator for Snow White and the Seven Dwarves and the only animator to animate both Fantasia films, said, “Some of the most influential people at the studio were Jewish.”

Neal Gabler’s biography, "Walt Disney: The Triumph of The American Imagination", mentions production manager Harry Tytle and Kay Kamen stated the Walt Disney studios had more Jews than the Book of Leviticus. Harry Tytle had changed his last name from Teitelbaum to hide his Jewish background but when he told Walt Disney he was half Jewish, Walt replied if he were all Jewish, he’d be better.

Pat Williams and Neal Gabler also report firsthand testimonies of Walt’s love for the Jewish community. Including, how Walt donated money to Jewish charities and even had a Protestant preacher, a Catholic priest, and a Jewish rabbi at the opening ceremony of Disneyland to bless the event. Pat Williams’ biography also states that in 1955 the B’Nai B’rith chapter of Beverly Hills cited Walt Disney as their man of the year.

Walt was never a racist, sexist, nor hated minorities of any kind. If he did, he never would have hired them for spotlighted high-profile positions and certainly never would have made the “It’s a Small World” attraction that not only celebrates the cultures of the world but also showing the world we aren’t that different from each other outside of customs and languages.

Pat Williams mentions the time Walt told Billy Graham on private tour of the Park “Billy, look around you. Look at all the people, representing all nationalities, all colors, all languages. And they are all smiling, all having fun together. Billy this is the real world. The fantasy is outside.”

One of his story artists was an African American named, Floyd Norman. He also testified saying, “I never felt any prejudice from Walt.” A statement found in Neal Gabler’s book.

Walt Disney loved all people no matter status, age, race, religion, or gender. Everyone was equal in his eyes and deserved the same amount of respect no matter what. He never even allowed his employees to call him Mr. Disney. Everyone was on a first name basis. He believed everyone deserved a fair and equal chance at life and he did his best in words and actions to shows that.

So why have the rumors lasted so long? The slander and lies sadly have continued to spur on because many people choose to simply regurgitate rumors out of laziness instead of researching the information themselves. Hollywood does it, college professors do it, and even biographers. Research information yourselves and never take rumors for fact without backing them up with real facts. Especially firsthand accounts and eyewitnesses. These testimonies were firsthand accounts of people who knew him and worked for him and the real Walt Disney was a kindhearted, loving, brilliant man ahead of his time who loved people, loved by his people, and wanted to create a utopia of his own for everyone to enjoy.

Sources:

How to Be Like Walt by Pat Williams

Walt Disney: The Triumph of The American Imagination by Neal Gabler

Inside the Dream: The Personal Story of Walt Disney by Kathleen and Richard Greene

Highly recommend these biographies! You might want highlighters and pens with you when you read them.

[clonehigh-takes]

"Hating Harriet makes you racist" I think people are allowed to not like a cartoon character for whatever reason.

I think she's very cute and her design and personality have grown a ton on me but she does suffer from the same issues with the rest of the cast' characterization which is underutilizing their full potential. That and I feel like she actually has little to do with her clone mother, which is a shame because it would have been interesting to lean more into that, but I wonder if the reason they didn't is because they're afraid of offending people by accident again like with Gandhi.

oooh i like this point more abt my opinion under the cut

also i love the no connection to her clone mother point a lot, i’ve thought abt it before, abe resembles his clone father physically and seeks guidance with him in thoughts of him and.. whatever happened that one episode, joan acknowledges she can never live up to her clone mother, gandhi was chaotic yet acknowledging who his clone father was/how he’s thought of, saying once “Gandhis anti violence not anti comedy”, jfk has his whole sexual shit from his clone father being a ladies man or wtv, cleo has her utmost famous beauty plus is a sort of leader, frida has her art like her clone mother, confucius has made an attempt to think more and be wise like his clone father, tophers whole thing is that he doesn’t want to be his clone father, van gogh has the depression and ear problems also his room is literally that one painting of a room that his clone father made, jesús has a connection to god, marie antoinettes head was cut off in an episode for some reason, and harriets only thing is that they have the same name, dna and race

[hotdog-frenchfries]

Did you enjoy the Doctor Who new year’s special?

I'm just going to use this as an opportunity to rant about the whole thing if it's okay, because I have a lot of thoughts about it, so this is just going to be me rambling, I apologise in advance anon.

Overall, I really really enjoyed it, in my opinion I think it's one of 13s best after Spyfall and FOTJ.

I'm so so pleased that Jack was finally able to meet 13, as I was kinda disappointed he didn't in S12, although I was excited as well. I think 13 and Jack were really great together and I loved the whole rescue, ofc Jack had his vortex manipulated shoved up his ass lmao. Also I loved the whole "have you had work done?" "You can talk" bit, it gave me flashbacks to 10 🙃. However, I do think the whole rescue was a bit rushed, I feel like it was a bit too easy for 13 and Jack to escape, also I want to know what exactly did Jack do to get him locked up??? 😂😂

The whole section where the Doctor was in prison was so 🥺🥺🥺. The part where she was telling herself Harry Potter and also how she said hello to all of the other prisoners, sksfsfgk she's just so cute, I love her sm. Also how she said "oh I forgot you were here" to the Silence and also Angela the Weeping Angel, I just dfghfd 😆😍.

Yaz, oh my gosh, she's so in love with 13, I just 😢😢. I personally have mixed feelings about Thasmin, it would be very cute, but I see it as more one-sided ngl, I like it but I prefer other ships like 13/River or Thoschei or 13/Rose etc, however I would be happy if Chibnall made it canon. However in this episode anyone can see that she is head over heels, and at the start she misses 13 so much, I can't. Also her conversation with Jack, it gave me so many feels, it also took me back to S3 when Jack and Martha had that conversation about loving 10. I really liked Yaz and Jack's dynamic, and I feel sad that John Barrowman isn't going to return for S13.

I was kinda disappointed with 13 and the fam's reunion ngl. I mean they do have a right to be frustrated with 13, but it wasn't her fault she was locked up and like they didn't even ask where shed been, idk it just felt a little off. However, Jack continuing to flirt with Graham was funny and so him, although I kinda wished 13 said "Stopppp", like what usually happens.

The Daleks were really cool,I liked their new black and red design, although it was good to see the old bronze Daleks as well, best of both. Overall, ngl I was more focused on the 13, Jack and the fam than the Daleks and the actual plot ngl, although the part where the Dalek was controlling Leo (was that his name?) was pretty cool.

I absolutely hated that Jack Robertson (was that his name?), Omg I was ready to leap through the screen and punch him in the face the entire time, he was literally like Trump 2.0 and the way be got all the credit for it and on the news they said he was in line to be president I just ugh 😡😡😡. Also I didn't like the new PM, I miss Harriet Jones ngl.

The references to Rose, 😭😭😭, let's just say I'm still not over her. Also I liked the reference to Gwen Cooper, although I haven't actually watched Torchwood yet (I am going to!!!), Although I thought they could've given Jack a better exit, especially since we don't know when we're going to see him again (hopefully soon!!!). Also I want to see Jack's suite with the cocktail bar 😂😂.

Graham and Ryan's exit I thought on the other hand was really well done. I'm glad they didn't get killed off by Daleks,like I thought was going to happen, and the scene at the end with the bike paralleling the S11 Pilot, I just ugh so many feels!!! Also 13 FINALLY got some hugs, it's about time after what she's been through. Although I love Graham I've never really been keen on Ryan, he just never had much personality ngl, however I am going to miss them both 😢😢😢. I thought Ryan's conversation with the Doctor about the whole Timeless Child thing was really good, and I'm glad it's not going to overshadow future episodes (at least I hope it doesn't).

Finally, John Bishop. Ngl Ive never heard of him before, apparently he's some Scouse comedian, I hope he's good, although I have mixed feelings. However Bradley Walsh is a comedian and I liked Graham and Catherine Tate was absolutely iconic as Donna, so i am willing to give him a chance. Despite this, I am really disappointed that we're not going to have an all-female TARDIS, and Iwas really looking forward to it being just 13 and Yaz. I don't know why Chibnall can't just let 13 have the one companion, especially as one of the key issues with S11 and 12 was because there were 4 characters there wasn't much development, and Chibnall had a chance to fix that and let Yaz properly develop, but he just threw that away. Nevertheless I am going to give him a chance and I am excited for S13, as although the past few seasons have been a mixed bag, personally I think that usually the 3rd season of each doctor had been their best (except with maybe 11). 

Thank you for reading this much, if indeed you still are, like I said before although the special wasn't perfect, I loved it and I can't wait until S13.

[adamwatchesmovies]

Adam Watches the 92nd Academy Awards

The 92nd Academy Awards have come and gone. As always, there’s plenty to be happy about and plenty that’ll make you wonder what the heck the voters were thinking. I watched the ceremony and while I may say that I don’t care… I do. Those awards are a big deal. Legions of people who would’ve otherwise dismissed Parasite as some movie that requires them to read subtitles saw it because it was nominated. One of those golden statues can make a career and let’s face it, you like to hear your love for something validated by people who have even the semblance of authority on the subject.

But here’s what you may not know: most of the voters really don’t know what they’re doing. While cinematographers NOMINATE what films are up for that Best Cinematography Award, EVERYONE in the Academy of Motion Picture Arts and Sciences gets to vote for the winner and there’s no guarantee they’ve actually seen every nominee, know what the technical terms mean or are voting because what they saw is what they actually believe was “the best”. Once you take into account the dollars required to produce a nomination campaign, the stigma many genre films face, the prejudices against certain types of roles and/or actors, and how popularity influences votes, a win hardly means more than a bunch of people you don’t know saying they liked a movie.

If you want a better idea of which of 2019’s films were “the best”, you’re better off asking someone you know and trust, someone who can prove they’ve done their homework and aren’t just voting for their friends, the one they’ve heard is good from their kid, or got a special gift basket from. I may not be a paid professional, but I have put in the time and effort to see EVERYTHING nominated (with a few exceptions I’ll detail below). Reviews for some of these (The Irishman, Judy) are coming to the blog in a couple of days. If it were up to me the list of nominees would be different but we’ll get to that later. Without further ado, here’s who SHOULD’VE won. 

Best Visual Effects

1917 – Guillaume Rocheron, Greg Butler, and Dominic Tuohy The best special effects are the kind you don’t even notice. I couldn’t tell you where the explosions, sets, and actors in 1917 begin, and where the computer-generated imagery takes over. It’s seamless.

Best Film Editing

Parasite – Yang Jin-mo Got to hand it to Parasite for its amazing use of montage and the way it stitched its footage together. Some shots I initially thought initially were one take I realized under carefully scrutiny - and by that I mean frame-by-frame examination - were actually two melded together. The scenes showing how the Kim family infiltrate the Park’s household should be shown in film class to demonstrate how the art of montage is at its best should be done to maximum effect.

Best Costume Design

Little Women – Jacqueline Durran Funny how every single film nominated at the 92nd Academy Awards was a period piece. My vote goes to Little Women not because it was necessarily the most accurate (I couldn’t tell you what people wore in 1868) but because of the way the costumes were used. You can tell a lot about the characters from the multiple outfits they wear throughout the film - check out that purple bonnet adorned by Aunt Marsh (Meryl Streep).

Best Makeup and Hairstyling

Bombshell – Kazu Hiro, Anne Morgan, and Vivian Baker I called it when I reviewed the film. The makeup used to transform John Lithgow was nothing short of incredible. It was an easy pick.

Best Cinematography

1917 – Roger Deakins I’m glad to see The Lighthouse on this list but I have to hand it to 1917. The one-shot motif adds so much to the story. Then, there are the individual shots I remember so vividly. The quiet meadow just outside of No Man’s Land, the raging inferno Schofield sees when he wakes up, the trench he must run in front of to reach the Colonel are all shots that permanently imprint themselves into your memory.

Best Production Design

1917 – Production Design: Dennis Gassner; Set Decoration: Lee Sandales Tempted to hand it to Parasite for the house they constructed for the movie but I’m give it to 1917. The trenches, the blasted landscape of No Man’s Land still haunt me. When you see the craters, it’s jarring. Then, as your eyes become adjusted, you notice the rats. Then, the chunks of bone and charred meat that have now become part of the landscape. It’s horrific.

Best Sound Mixing

Ford v Ferrari – Paul Massey, David Giammarco, and Steven A. Morrow What you remember most from Ford v Ferrari is that big race at the end. The climax wouldn’t have been the same without the sounds we heard. The roar of the engines, the clacking and grinding as the pedals are pushed and gears are switched… the air rushing by. Out of the nominees, it’s the one whose sounds I most remember.

Best Sound Editing

Ford v Ferrari – Donald Sylvester This year, the Best Sound Editing award goes hand-in-hand with the sound mixing. Obviously, the actors were never moving at the kind of speeds depicted in Ford v Ferrari but you wouldn’t be able to tell because of the foley and sound design.

Best Original Song

Stand Up from Harriet – Music and Lyrics by Joshuah Brian Campbell and Cynthia Erivo Stand Up plays during the end credits of Harriet and it perfectly caps the film. Whenever I hear its lyrics, I’m transported back to that moment. It’s the most memorable and emotional song on this list.

Best Original Score

Joker – Hildur Guðnadóttir I chose the best song for its ability to stand out. In this category, Joker wins because its music doesn’t stand out… at least not at first. While you’re watching, those notes don’t draw attention to themselves. They subconsciously build the mood, augmenting the performance by Joaquin Phoenix, the visuals, and the story. You don’t notice how much of an effect it has on you until you see isolated clips. When you do, it’s shocking.

Best Animated Short Film

Abstaining (I’ve only seen Hair Love)

Best Live Action Short Film

Abstaining

Best Documentary Short Subject

Abstaining

Best Documentary Feature

Abstaining

Best International Feature Film

Abstaining, as I’ve only seen 2 films (Pain and Glory and Parasite)

Best Animated Feature Film

I Lost My Body – Jérémy Clapin and Marc du Pontavice I Lost My Body is the most audacious and inspired of the animated films nominated. The only movie among these to be aimed at adults, it often tells its story through visuals alone but when you get to the end, you realize it’s about more than just what was on-screen.

Best Adapted Screenplay

Little Women – Greta Gerwig based on the novel by Louisa May Alcott Greta Gerwig does more than merely adapt the classic novel, she breathes new life into it, makes it her own, makes it feel wholly new and modern. This version of the film surpasses all others we’ve seen before because of the changes she’s made to the story’s structure. 

Best Original Screenplay

Knives Out – Rian Johnson What a ride Knives Out was. It’s got so many twists and turns, so many delightful characters you want to re-watch it the second it’s over so that you are no longer distracted by its central mystery and can simply step back and admire the handiwork by Rian Johnson. A sequel’s been announced and I can’t wait to see it.

Best Supporting Actress

Laura Dern – Marriage Story as Nora Fanshaw Laura Dern was also in Little Women and her two roles couldn’t be more different. Here, she’s loathsome and captivating. As soon as I saw Nora take off her shoes before she kneeled down on the couch to console Nicole, I knew there was a whole lot more to her character than what we were told. The more you see her, the more you want.

Best Supporting Actor

Al Pacino – The Irishman as Jimmy Hoffa Al Pacino has the advantage of getting A LOT of screen time as Jimmy Hoffa. The Irishman clocks in at over 3,5 hours and he isn’t in the whole movie but when he is, the seasoned performer gives us so much. At different periods of the story, you’ll feel differently about him. There’s no point comparing him to the real-life person. He takes the meaty role and makes it his own. His voice, his mannerisms, I can’t think of anyone who could’ve done it better.

Best Actress

Renée Zellweger – Judy as Judy Garland Judy was the very last movie on my list to watch, having missed it when it came to theatres. When I think back to Zellweger’s performance, I don’t see her. All I see is her character, a rich, complex person you sometimes hate, sometimes love and feel sorry for. The movie is not going to be on my “Best of” list but she is.

Best Actor

Joaquin Phoenix – Joker as Arthur Fleck / Joker To me, there was no question Joaquin Phoenix would take this one. I saw Joker three times and each time, I found something new in his performance.

Best Director

Sam Mendes – 1917 With this award, I’m awarding Sam Mendes for the craft he displayed in 1917. It’s such a visceral experience that when people asked me how it compared to Dunkirk, it felt weird to lump both together. This is coming from someone who gave both pictures a 5-star review, who put both on their respective “best of the year” lists. It’s a movie I’m going to go back to and wondering “how did they do that?!

Best Picture

Little Women – Amy Pascal It’s a tough call for me this year, partially because I loved Parasite, 1917, Joker, and others so much. I’m planning on adding those three films to my collection so I can pop them into my Blu-ray player any times I feel like it. That said, I would’ve given the Best Picture Award to Little Women. You’re so emotionally invested in this little story that telling you why with merely words is impossible. You fall in love over and over. It made me cry and every time I think back to that scene at Christmas, I tear up again. I’m choosing it because of all the things it does differently from the other films. At the end of the day, it isn’t a big story. It isn’t about people with guns, corruption, war, a turning point in history or even necessarily the biggest event in the lives of the characters but it feels like it is. That’s exactly why it’s so good. 

Disagree with my choices? I don’t blame you. What kind of idiot finds a way to leave out Marriage Story from their list? You let me know where it should’ve gone. Hopefully, commenting keep you warm until MY Best of 2019 list gets posted in the next few days.

[dinosaurs-last-day]

I rewatched RWBY vol 7 and compiling a list of things I don’t like or am confused by with in the volume.  

This includes everything from main plot points, side story arcs, and character designs. They are all my opinions. 

Go below the cut to read the list, since it’s so long.

- When did Qrow give up drinking exactly? They never said anything until the back of the truck scene.

-No relapses. I know the volume was only 13 episodes. But giving up drinking is hard, and Qrow had it bad. The most temptation he faced was being offered a drink at a party and the way he turned it down was too easy for someone who just gave up drinking. Did CRWBY not do their research on rehab? I, and I’m sure a lot of other Qrow stans, would have loved to see them at least touch on the subject.

-Ace Ops introduction. They come all the way to Mantle to arrest them and then just hand them off to two random soldiers instead of bringing Team RWBY and Co. in themselves. They could have gotten the kids and Qrow up there faster if they had all gone together. I know it adds to the drama of the Ironwood meeting, but still. 

-Ace Ops Hair. Marrow is the only one with a valid hairstyle.Elm and Vine get a pass because even though their hair is super basic, it works for their characters. Harriet and Clover are the two Ace Ops where I really hate their hair style. Hair doesn’t naturally stand up the way Harriet’s does and I hate her short Mohawk thing going on. I don’t even know what to call Clover’s hair, all I can say is that it’s bad.

- Marrow and Vine’s skin color. Like, Why does Marrow look greyish-blue? I know literally zero people who look like that. That ain’t natural. One the same note, I feel like I should mention Vine’s skin color. This one doesn’t bother me as much, but still. I know CRWBY makes their characters pale, but Vine is as white as a sheet of paper.

-Ironwood and Qrow hug. You cannot convince me that James would actually hug someone, especially initiate the freaking hug. 

-Jaune’s new haircut. This has been something I hated since the new volume premiered and we saw it for the first time. It looks like a bunch of bananas and I want his fluffy hair back. 

-The Moms flirting with Jaune. He’s 18, you have children. Really, what the hell.

-The way they introduced Robyn and her Happy Huntresses. I’m not talking about when that dude mentioned them in the airship, I’m talking about when they first appeared on screen. Robyn is a good person, she wants to change Mantle for the better, but she’s introduced trying to it illegally. I mean, she’s running for council, and she had a really good chance of winning. I know she wanted to help as soon as possible, but did she really have to do it illegally by stopping shipments? After the election is more understandable, but before?

-What was Willow Schnee doing in Jacques’ office? It felt like CRWBY just inserted her there to let us meet Weiss’s mom. I mean, they made it work, but I can’t be the only one wondering what she was doing in her husband’s private office. She couldn’t just be drinking, right? 

-Why wasn’t Robyn handed the position of Councilwoman when Jacques was arrested? I mean, the Council knows that she was supposed to win, that she technically won. And Jacques can fit back when he’s under arrest, especially if he’s being convicted of treason and assisting a murderer. It would have made sense to give her the seat, even if it wasn’t a ceremonious moment, she definitely deserved it. 

-Tyrian vs. the birds. (Robyn, Clover, Qrow). If the birds were taking Tyrian from Mantle to Atlas, which is floating right about Mantle, why would they need to cross the Tundra? 

-Episode 12. Do I even need to say anything about it? I don’t know a single person who enjoys watching episode 12. There are already so many posts about everything wrong with episode 12, I don’t really need to go over it again. Let’s just say that it is all kinds of messed up.

-One thing I will say about Episode 12 is: where the fuck did Tyrian go? He’s in the middle of the Tundra, with no shelter around. But when the military comes to pick up Qrow after the fight (you know what fight I’m talking about), he’s nowhere nearby. Did Tyrian teleport or magically disappear? Seriously, what is that about?

-Blood. This is about Clover and Winter, and how we saw more blood in two episodes than we have in the entire season. One thing RWBY has always prided itself on is being a family friendly, blood free show. That all went out the window in the last two episodes in vol 7. Not only did we see blood, but it was a lot of blood. 

-Ren’s personal story arc. Why is it necessary that he needs to doubt himself so much that he pushes Nora of all people away? What does it bring to the story but angst. I mean, I love angst, but there was already a lot of it in this volume without adding Ren’s personal pain into it.   

-Marrow’s wasted potential. I mean, he’s a faunus, working in a military position, and who obviously doesn’t agree with everything the government does and allows. I mean, Marrow couldn’t even look Team RWBY in the eyes when they stood up against Ironwood, when all of the other Ace Ops defended Ironwood. He stayed silent. He looks so sad having to arrest the girls, it’s pretty clear that this is not what he wants. CRWBY could have used that to make a really good side plot, but instead they just kinda erased Marrow’s personality and made him do whatever the rest of the Ace Ops were doing. Honestly, I could make this point it’s own post, and maybe I will later. 

-The Staff of Creation. Why is it in the intro if they don’t even show it in the actual volume? It’s mentioned a few times, and yeah, it’s the all important relic, but it was just in the intro to remind us that it existed. 

__________________________________________

That’s a lot to take in. This took me about a week to sit on and think about. The original list was a lot longer, and a lot picker, breaking apart every little moment in the show. But I shorted it to 18 notes, leaving only the ones I felt strongly about. Please feel free to add onto this list or DM me/send me an ask if you want to ask anything about my list. 

people who asked to be tagged in this post: @panickedpansexualpanda @jadeviridi78