#has to deal with his capacity to hurt people

[imagionationstation]

Whats your opinion of the Rise community’s impression of 2012 splinter? For me I think he’s a very nice guy just unprepared like bro just got shoved four children

Uh this was random

I just want to make a note of something:

I’ve spent so long trying to come up with a response to this because I can think of some people who are pretty deep in the RISE fandom who are like “2012Splints ain’t that bad tho”. So addressing the entire fandom is actually more difficult than it sounds concerning Splinter.

So instead of addressing the entire community, which would put many people in boxes that they don’t fit in, I’m going to use this Ask to make a statement about the whole Rise VS 2012 debate.

So my firm opinion that I will give is this:

You cannot forgive Rise Splinter without forgiving 2012 Splinter.

And for the 2012 Fandom:

You cannot understand 2012 Splinter without understanding Rise.

You cannot say that you honestly grasp the extent of one trauma/depression without acknowledging the existence of the other. Both Splinters have similar building blocks of trauma (forcefully separated from someone who they love dearly, forced to fight for their lives for who knows how many weeks/months, forced to live/adapt to a body that’s not their own, and forced care for helpless mutant children on top of it all) but their ways of dealing with it are different ONLY because of their different upbringings.

Their traumas are the same but their history is different. (No, you can’t use the ‘well one is a struggling immigrant and the other isn’t’, because Yoshi literally grew up in Japan. He only moved to New York because that’s what Shen wanted. So he has more connection to his origins than Lou has. But that really is beside the point.)

Anyone can have the argument that they feel that one Splinter is the ‘lesser evil’ in this scenario. There are some pretty good debates for both sides, but you cannot claim to have any sort of proof that one Splinter loves his sons more than the other.

You can’t. It’s ignorant and untrue. And I stand by that.

After all, they both kept and raised four mutant children.

And I know that’s a pretty obvious piece of lore, but I don’t think most people truly realize just how monumental that is.

It’s hard enough to raise one child, and harder still two, but four mutant infants? All on your own while trying to manage a new body with no outside help of any kind- and dealing with the fact that their entire infant hood would be a guessing game of do I have any idea if this would hurt/kill the turtle side of them? Not to mention the patience it would take raising children with super strength and amazing abilities that most parents don’t have to deal with?

Four children- all with different mental capacities, all with the different dreams and desires, all the different wants and hates, all the different fears and struggles and tantrums, and you have to learn how to understand and raise all of those personalities (because toddlers absolutely have MASSIVE personalities) all at once.

All of the variables that came into raising them, all those reasons that would make life beyond difficult, all the temptation not to, and these men pilled with trauma and grief still looked at the tiny freaks of nature and went: Yeah. Yeah, I’ll be their dad.

Just like there are many different love languages, there are also many different ways of showing your love. RISE Splinter did it in the big ways while often neglecting the small, and 2012 Splinter did it in the small ways well often neglecting the big.

One man does not have worse trauma than the other.

One man does not have more love for his children.

You will never be able to convince me that you truly understand what 2012 has gone through but still hate him, if you cannot acknowledge that there might be a reason for you to hate Rise too.

If you cannot comprehend understanding/forgiving 2012 then I really don’t think you truly understand/forgive Rise either.

So, yeah. That’s my hot take, ig.

[t1erradelfuego]

[age-of-moonknight]

“8-Ball,” Vengeance of the Moon Knight (Vol. 2/2024), #5.

Writer: Jed MacKay; Penciler and Inker: Alessandro Cappuccio; Colorist: Rachelle Rosenberg; Letterer: Cory Petit

[call-me-strega]

Dc x Dp Prompt #23: The Custody Battle Turned Romance

A freshly resurrected Jason is found by Single Dad Danny raising a de-aged Dan and Dani who goes "surely one more kid can't hurt?" and takes him in. Danny helps him deal with his catatonia, trauma amnesia, and other side effects of being undead without the need for a Lazarus Pit.

He takes the kid to a therapist Jazz recommended and supports him thoughout his recovery. They did some bloodwork and found out pretty early on he was The Jason Todd-Wayne but then he decided not to reach out and let Jason decided what he wanted once he was recovered.

Danny, Ellie and Jordan love and treat him like family in a way he's never quite had before even with Bruce. They’re just so open and honest about their feelings and never make him feel out of place. So when Danny ask if he’d like to reconnect with the Waynes or stay with the them, Jason chooses to stay with them.

The world has moved on around them, and so has the Batfam. Jason knows about Tim (and talked through his feelings in therapy). He knows about the foundation Bruce created in his memory and the way he very publicly grieved. He witnessed the news over Nightwing nearly beating the Joker to death. He knows enough to decided it’s better to let the dead remain dead. Instead, he becomes Jason Nightingale, eldest adopted son of a mechanic in the Narrows. The family welcomes him with open arms officially accepting him as a brother and son.

Danny supports Jason to finish his high school and college education and Jason decides to be a doctor as an homage to Thomas Wayne and aspires open a free clinic like Leslie Thompkins. They get his death certificate revoked under circumstances of resurrection (which is a thing that actually exists in public documents due to the resurrections that tend to happen in the DC universe) and legally adopt him so that he can go back to school. However, Batman monitors public records to a degree and this gets flagged in the system bc it’s Jason’s death certificate.

Suspicious, but optimistic Bruce informs the rest of the family what he has found out and ask them to come as back up for when he goes to find Jason. He’s investigated and is sure that the family who helped rehabilitate Jason is clean and nice people but he wants his son back. They others also wanna see Jason but are worried if this is a good idea since Jason hasn’t reach out himself and there is paperwork for an adoption in the system. But Bruce decides to track them down anyway.

Bruce shows up as the Nightingale’s door and asks to see Jason. Danny, sympathetic, agrees on the condition Jason wants to see him. Jason is hesitant, but decided it would be good way for both of them to get closure and agrees. Bruce and Jason have a tearful reunion and a long heartfelt conversation at the end of which Bruce says “Let’s go home son”. To which Jason has to awkwardly break it to him, but he has no intention of leaving the Nightingale’s and returning to the Manor. He lets him know that he’s open to meeting the rest of the family at least once more but that Danny is his dad now and Ellie and Jordan are his little siblings.

Bruce is devastated.

He lets the rest of the family know and they all make their visits while Bruce wallows in despair. Normally he wouldn let it go, but he just can’t stand to lose Jason another time. So he decides to take Danny to court in the hopes of getting visitation rights if not split custody.

It’s one of the weirdest cases to hit the Gotham courts: two dads who were never together in any capacity but aren’t antagonistic of each other, are trying to come to a custody agreement over their adopted resurrected child in family court.

Over the course of the court case Bruce sees what a good dad Danny is and bonds with his two “bio” kids. Meanwhile Danny gets to meet Dick, Tim, and Cass (Bruce’s legal kids as of rn) and gets to talk to them about their experiences with Bruce and how much they want to form/reform relationships with Jason. They do form a healthy respect for each other, and accept each other’s places in Jason’s life.

Court case ends up working out in favor of Danny. It’s split custody but he gets custody of Jason majority of the time (as per Jason’s own wishes) and Bruce and the Wayne's still have partial custody and open contact with the Nightingales.

Over the years kids all start to see each other as siblings and both Bruce and Danny as their dads. By the time Damian shows up Bruce and Danny have been functionally co-parenting each others kids for years. They provide support to each other’s kids that the other parent may not be well equipped to, but helping each other improve.

When Damian does arrive his superiority complex is quickly curbed and Bruce puts him into counseling on Danny and Jason’s recommendation. It takes a while, but Damien slowly finally opens up and gets to act like a real kid. Ellie and Jordan, who are around the same age (maybe a bit younger?), love having him over to roughhouse and play princesses/knights/dragons (but with politics and consequences). Sometimes they’ll go out and trick people into thinking they’re triplets.

It’s actually Damien who first suggests parent-trapping Bruce and Danny so that they can be one big family. He obviously gets Dan and Ellie to agree first. Then the three of them bag Tim and Cass. The five of them approach Dick next. Jason is actually the hardest to convince but the manage to get his approval. Thus, these guys try to set up the Oblivious Danny and the Emotionally Constipated Bruce.

And for Flavor, just when it looks like they’re about to get together, one of their past love interests comes into the mix, re-entering their parents’ live just to stir the pot. (Which ex is up to your imagination: Sam, Talia, Val, Selina, Tucker, Wes, Minhkhoa, Harvey)

[ubeb0nes]

Sevika x fem!bar owner!reader

Pt. 2

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a/n: sorry this took so long lmao. I completely scrapped the first version i wrote of this because it just got too damn long

regardless, we're here now and i hope you enjoy!!

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"So… what is it exactly that you do?"

You'd asked her the question on yet another night where she'd stayed extra late, long after the last patrons had bid you a good night (or very early morning) and all the chairs had gone up.

(Sevika had put them up, even after you'd distinctly told her not to before you went into the kitchen. Your fault, really)

She ponders the question, wondering if you're playing at something more or really just asking. She knows you're smart. It's why she likes you. But she just doesn't know how smart.

"I hurt people, usually," she said casually. If the answer offended you, you displayed the opposite of it.

Your glasses clinking was the only sound to clash with the jukebox, ringing in a gentle sense of understanding on your part.

"A lucrative business here," you say.

"In the long-term. Better be, at least."

For someone who's known as The Lioness of the Lanes, it's a while before you ever see her lion'ing about or whatnot.

She's never violent in your establishment. But you know bad people, you know how to pick up someone's capacity for violence. Sevika has a huge one.

But you understand quickly that there's a reason she's called 'Lioness' and not 'hyena', or something. Her violence is never undue. If she bares her teeth, it's to protect.

Physical altercations aren't at all uncommon in your bar. It's the Undercity after all, these things happen but people always move on from it quickly.

You've noticed that people always seem to... "act right" whenever Sevika's at your bar that night. The meanest-looking men in your bar straighten their posture when she walks by their table, others greeting her with a nod of respect (or submission).

"Wow. I'm glad you like me, at least," you say as she sits down, right in front of you like always.

"Says who?" And she always gives that smug little smile when you laugh in response.

While she's watched/admired you put more than one customer on their ass for trying to cause a scene in your establishment, it's always with a protective posture.

She goes into guard dog mode the moment you cross out from behind the protection of your bar to tell a drunkard off. Her poker buddies poke fun at her for it.

She intervenes before you even get the chance to one time. Perhaps it's because the man keeps drunkenly bumping into her shoulder, or because his boisterous voice keeps causing her head to snap over to him.

You're busy laughing at her expense when the man turns his antics on you. You're perfectly content to brush off whatever rudeness he spouts at you, but Sevika clearly isn't when her hand shoots out and grabs the back of his neck.

He'd called you a dumbass or something of the sort in a more distasteful manner when you'd cut him off. Sevika's eyes had flared with a personal, wrathful anger before she'd grabbed him by the scruff.

"You know better," she snaps. It would be as if she were lecturing a child if it weren't for the man's face pressed against the bar. She's pressing him into the surface with nothing but the strength of her human arm, her large body looming over his as he slurs out an apology.

God, you wished she would grab you like that- who said that??

The next time she comes in, you insist her whiskey's on the house.

"Consider it compensation for dealing with that guy last night." She rolls her eyes at you as she lights her cigarillo on the lighter you offer, and throws a few bills on the bartop anyway (hot).

You throw them back at her with a playful glare, and subsequently earn yourself a real one. You feel a shiver run down your spine that's for any reason but fear.

"Don't play this game with me, you'll lose." To you, that really didn't sound all that bad.

Before you can even think, she's leaning forward and tucking the bills into the pocket of your apron in the middle of your sternum. The look she wears is challenging as she sits back, almost expectant of a reaction.

You don't disappoint, reaching out with two fingers to pluck the cigarillo from her lips and taking your own drag. Your eyes never leave hers, watching her shamelessly stare at that damn cigarillo with a burning jealousy.

"Hm. I picked a good brand, didn't I?" "Yeah, yeah, hand it back before you choke, princess."

You try not to let it get to your head (and heart) how it makes you feel when she calls you that, or any other name like 'baby', 'sweetheart', or 'beautiful'.

And you try not to let it get to your head how you seem to be the only one here who she calls those things.

Neither of you had any idea how hopelessly hers you already were.

While Sevika's "occupation" slowly becomes clearer to you, the amount of energy she puts into protecting you is completely out of sight and mind.

She tries to convince herself that her reasoning for continually lying in Silco's face is purely pragmatic; you're good for the community, providing a warm reprieve for the kids in the city against the harsh reality of Silco's slow revolution. As far as she's concerned, Zaun profits more from your continued thriving than any amount of money she could intimidate out of you.

The idea of ever coming into your bar for collections makes her a little sick, if she's honest. Never you. It's far too late for that now.

So when Silco sends her to do exactly that (because you're just that savvy at running your business), she feels her heart churn. She can only say no to Silco so many times and in so many ways. There's no way around this one without raising his suspicions, and she doesn't have the backing to combat that yet.

Your unfailing smile when you see her comes in makes her want to punch her own face in. She hates that she's fond of you.

"Hey good-lookin', you're late! What kept y-" "I'm here on business this time." "O..oh...?"

She explains Silco's tax with a coldness you've grown unfamiliar with from her. You take it like you would a slap to the face, growing angry before you can risk feeling sad.

"Sevika, what the hell is this? I've minded my damn business ever since I opened, the hell did I do to piss him off?" "It isn't personal, princess. You asked me what I do. I don't think I ever gave you the impression it was pretty." "If I knew petty extortion was what freedom-fighting meant to you, then I would've kept those cigs for myself."

You don't give her much more room to say anything after that before you're throwing a bag of coins at her and telling her to get the fuck out. She expected as much. You were hardy and quick to adapt, just like Zaun.

Sevika's done plenty of things in the name of a better future that she isn't proud of. But your money seemed to burn a hole through her hand, and the sting didn't fade even after she'd dropped it on Silco's desk.

"Good work," he said flippantly, as if she didn't always do good work. Go to hell.

She imagines it's your hand holding her lighter when she smokes through nearly half a pack later that night.

The soft voice of a shelved version of her whispers that maybe just this once, she should fight for something only she wants.

She tries to push away the thought and reason that it was always going to end up this way anyways, while you close down the bar for the night alone.

[beforetimes]

telepathy kink is always talked about but i loveee the way erik's relationship with charles' mutation is dependant on how much he trusts charles + how willing he would be to submit to charles should he ever use it. like in first class charles spends time flicking in and out of erik's head no issue because erik trusts charles and also when charles was in erik's head, he brought out a piece of happiness that erik no longer thought he had. so he's more willing to submit to charles' telepathy. and he puts the helmet on because he's more vulnerable directly after killing the man who was such a direct source of violence in his life and realizing that it wasn't enough—which probably shook erik to his core, because his whole life he's been hunting this one guy just to find that it's not over yet?

and then in days of future past, erik once again goes back to saying 'i don't have my helmet i couldn't disobey you if i wanted' which some people read as a taunt, some people read as him not accepting charles' mutation (which like? i don't think erik has ever not accepted him, but whatever) but i personally read it as erik once more trying to find his footing with charles after a decade apart.

anyway now that i talked about canon stuff i think specifically in the context of a sexual relationship, the telepathy stuff would be a way for erik to give up control over the situation and put his full trust in charles. which is important because a) erik is someone who thrives on being in control and finds it very important because so much of his agency was robbed of him and choosing to submit to a higher power than his own is something that insinuates a great deal of trust in the other party and b) charles is the only one who he could do this with because charles proved that he had the capacity to invade erik's mind and know him wholly and didn't take advantage of that and has shown time and time again he will help erik no matter what.

its also the fact that erik repeatedly implies that charles' telepathy will be used to control him when its a much more surface-level/baseline understanding that telepathy is the reading of minds rather than outright taking control of them. it's even in the definition of telepathy. but knowing charles can take control of him and constantly inviting him to (in an assumed sexual context, in this case) highlights how erik sort of longs to have responsibility for his actions taken away from him. which again can only be done by charles. not just because of his powers but because so many of his actions have directly hurt charles and he's the only one who can both metaphorically and physically relieve him of the culpability behind the consequences of what he's done when in complete control of himself. so again erik is someone who wants to relieve himself of his overly-controlling nature, his responsibilities, be completely vulnerable to someone who's seen him at his worst and loved him anyway.

and the only way erik can be all these things at once is by being under charles' control. (under the control of someone stronger than erik who has proven he will never hurt him with the power charles can exert over him).

so like sexually yes it's fun to say haha erik telepathy kink but also i think it is something much more tender which encapsulates the fact that erik is only this vulnerable with someone he has so much trust in and that person can only ever be charles because its only around charles he can truly be wholly himself. and so submissive erik is real to me #tbh

hope this makes sense i am kind of just rambling

[saerins]

𝒅𝒐𝒏’𝒕 𝒘𝒂𝒏𝒕 𝒚𝒐𝒖 𝒕𝒐 𝒈𝒐

+ itoshi sae x f!reader | wc 2.1k | content: fluff, slight angst, hurt/comfort, mentions of jealousy/insecurities

notes: of course when i’m back i write for sae … who else is possible of holding me hostage like this ? :’)

summary: he’s stupid and stubborn and bad at being a boyfriend. you make him want to be better though. always.

itoshi sae has a bad habit.

he’s not used to relationships, or the notion of having to care for someone in a certain romantic way that tests his own boundaries. this much is apparent in the way he’s only ever had one relationship before you and it was over before he started, because he’d chosen career over his ex.

and no, the situation right now with you isn’t like that. even so, it’s tough; when you feel down for no particular reason and sae doesn’t know how to handle it. and sometimes he’s tired too and you catch him at the wrong timing and you both end up sulking the entire night.

you won’t lie—you have a bad habit too. you can’t really bring yourself to express exactly how you feel. it’s difficult to open up just like that, especially when you aren’t used to it. but sae’s especially confused with how to handle these situations, like right now.

right now; when you’re sobbing in front of him and he’s feeling frustrated. when you can’t really handle the heat well—he’s a world-renowned soccer player, one of the world eleven. and next to him, no one even knows you. not when you have a non-disclosure agreement and have to keep everything super private.

it’s funny how you thought it’d be simple. then again, you didn’t factor in all the external disturbances. it tests your patience whenever sae makes the headlines when he’s out for a simple lunch with friends and makes it to the front page with a dating rumor with a top model. it’s tough for you to hold it in when you see people shipping him with someone you can only wish to be.

insecurity just hits you sometimes.

“is it really that hard to just assure me, sae?”

that includes now, when you’ve just had a shitty day and he’s so so tired from all the events he’s had to go to now, having to parade around with that top model, all to promote a brand’s upcoming fragrance line. emotions run high, neither of you have the capacity to deal with this right now.

“look, i’m so fucking tired, can we just deal with this in the morning?”

some pessimistic part of you is telling you he’ll just brush it off in the morning—all the jealousy, the frustration. you don’t even think you can last staying mad at him for that long.

“what’s the problem with talking about it now?”

“i don’t want to talk about it now, could you just let it go for the night?”

both of your voices get higher and higher, just a hair’s breadth away from actual shouting. that’s when sae reels himself in, averting his gaze.

and there goes sae’s bad habit; grabbing his keys and walking out of your shared apartment, no umbrella even though it’s raining outside and he’ll get soaked just trying to walk to the car.

you can’t find it in yourself to tell him to stay safe because you’re all out of energy tonight. everything has been sucked dry into your anxiety, and you’re spent. now what can you even do besides curl up on the couch, wondering if you’re too much?

when your phone lights up, you catch the wallpaper—a picture of sae looking off camera while he presses a kiss on your head.

it just makes you feel worse.

he’s tired. his efforts are spent. on soccer, not you. but still. it’s exhausting. couldn’t you have just waited for a few more fucking hours?

he’s tired. so fucking tired.

“hey.”

it’s a lame greeting, but that’s all he can manage right now. shidou’s in his doorway, a cock in his brow and a very annoyed look on his face.

“oi, i got a girl here—”

“don’t care, i’ll just crash on the couch,” sae cuts him off, trudging through the door and settling himself on the leather black couch, the familiarity sinking in. he used to live here with shidou before he got together with you after all.

shidou mumbles something like suit yourself before he leaves his old roommate be, mulling over the remains of his relationship with you.

sae opens his phone, the picture of you at the beach that he snapped glaring at him in this dim light. he swallows the lump in his throat—he doesn’t know how to feel. part of him knows that you feel like shit each time he does this; you’ve made it known over at least three different occasions now. but his head’s throbbing way too much and his muscles are way too sore and all he really wanted was just to come home to you, to the peacefulness he always loves.

is he really the asshole here?

a notification pops up on his phone an hour later. sae’s first train of thought is to wonder if it’s you. but it’s nothing important. it’s just oliver going over the next training’s details. the same old thing. but then sae looks up at the date and he curses inwardly.

it’s your second year anniversary. two years since you’d dated this fickle, troublesome guy.

sae’s head ducks between his palms, elbows resting on his thighs, as he considers the weight of his words.

this morning he woke up without even so much as a greeting for you; all he knew was he’d be late for practice if he didn’t leave in exactly five minutes. he’d rushed out the door and only responded to your morning greeting with a grunt. sae didn’t spare you any time for the rest of the day either, when you’d attempted to ask him out for dinner. he left you on read before ultimately tossing his phone to the side. when he came back home you’d given him a kiss and he barely reacted, too tired to give you anything even when you showed him the big dinner spread you’d cooked.

now he’s here—in an apartment at the other end of the city that’s no longer his while he left you alone in your shared apartment, leaving the argument unresolved and letting you stew in your own thoughts.

sae lets the time fly right by, staring at the ceiling while he contemplates everything. but the answer is plain and simple to him: you.

he’s tired and he’s hopelessly invested in soccer and he shouldn’t have time for anything else in his life but he wants you. he doesn’t know nearly half the right things to do in whatever situations, but the thought that he could really possibly lose you this time is enough to overwhelm him—sae grabs his car keys and leaves just as shidou and his girl leaves the room.

“oi, made up already?” he shouts after him through his front door.

sae rolls his eyes and ignores him; all he needed was some time to himself anyway. he’s glad shidou wasn’t there to poison his head with anything (or more like, he wasn’t there to convince him to drink his guts off).

ten minutes later he’s in his car and speeding back to the apartment, back to you. because no, it’s not too hard for him to assure you—it’s what he should have done. just because he’s used to being the center of dating rumours doesn’t mean you are. just because he knows it’s nothing doesn’t mean you don’t get insecure because of them.

after all, he remembers what he told you that night he asked you to be his. that he’ll make sure you’re happy. being happy all the time isn’t realistic, but at the very least, sae should’ve known better than to keep leaving you alone with your thoughts.

he speeds through the familiar city roads, however fast he’s going just doesn’t seem fast enough. but he still makes it safely back to your shared apartment within twenty minutes, and hopefully still fast enough to make sure you’re not completely disappointed in him.

it’s still raining and the living room lights are still on and he can faintly make out where you’re pacing the room through the blinds. sae feels like a creep staring at you from his car, but his heart’s pounding loudly in his ears and he can’t help but think he’s seen that sleek black car parked next to his somewhere before.

keys out the ignition, rain pattering lightly on his head, he gets out only to meet who he knows has been there for you since day one.

“done running already?” the hostility of your best friend irks him, but he can’t say he didn’t earn it. “that’s faster than i thought.”

“reo.”

your visitor rakes his hand through his purple hair, sighing and rolling his eyes. thanks to sae’s busy schedule, he hasn’t really had time to hang out with any of your friends, and probably hence their usual animosity towards him. though, well, nagi seems to be more indifferent than anything.

“if you’re here to break up with her, don’t worry, i’ll take care of her,” reo tells him, an air of indifference surrounding him. three guesses who you go to whenever you feel upset about your relationship.

sae clenches his fists, reminding himself that reo’s your best friend and punching him would do more harm than good. “i won’t,” is all sae says before he pushes past him, already done with whatever this conversation is.

reo scoffs, “for a guy who loves her, you do a shit job of showing it.”

and although sae shuts the lobby doors right after, reo’s words stay ingrained in his head. it’s not like sae doesn’t know it, but fuck if he knows what to do about it. but when he opens the front door and is greeted by the sight of your red puffy eyes, he forgets everything. forgets the frustration and the anger and the stupid excuses in his head—they’re all secondary when it comes to you anyway.

his feet take him straight to you, pulling you against his chest and holding you tight.

“i’m sorry,” he says, and that’s the easiest it’s ever come out.

from your lack of response, sae finds himself hoping for the best, hoping that he didn’t just lose you because of his stupid impulses. but then he feels your arms wrap around his waist and he hears himself breathing a sigh of relief.

“you’re an ass, you know that?” you sniffle, and it’s kind of hard to breathe when he’s pressing against you that much but you’re more relieved than anything that you don’t really care.

sae chuckles, weakly, the tension leaving his shoulders. “i know.” he can feel you pouting without even having to look at you.

“i should really leave you,” you whine, though your actions betray your words, holding him even tighter.

“then why do you put up with me?” it’s a funny thing, how he can be afraid to lose you yet he can tell that you’re not someone who gives up so easily.

that’s exactly why he has to prove that you didn’t choose the wrong person to be with.

“i guess i’m just stupid too.”

you’re not. sae’s going to make sure no one else thinks you’re stupid for staying with him. it’s enough having your best friend think that, but that’s fine, sae’ll prove him wrong soon enough. it sucks that he’s only good for soccer, but at the rate you’re going? you’ll teach him how to be a good boyfriend. he’s two years in and learning slowly but he’ll get there.

you’re the only one who can get him there.

“no,” sae says, all of a sudden, and you pull away, confused.

“no what?”

“what you asked earlier… it isn’t too hard. i’ll work on it.”

oh, must be right before he left, when you’d asked if it was hard for him to just assure you sometimes. to be honest, you didn’t think he’d even listened. but sae is sae and he’s stubborn and stupid and a little bit of an ass, but he still listens to everything you say.

you try not to break out into a smile—you don’t want to show him how whipped you really are. “i’ll hold you to your word, then.”

sae smiles, ruffling the top of your head before slowly pulling you in again. “so… don’t leave me, okay?”

it sinks in what he’s saying. you didn’t think you’d ever hear sae say those kinds of words. but it’s unfair, really, because how can you say no when he’s like this?

“you already know i won’t.”

and somehow, you’re right. sae knows you won’t. doesn’t mean he’ll get caught lacking though.

“good then.”

because he plans on keeping you forever.

[twilightkitkat]

A major part of Poolverine's dynamic is that they're both envious of each other, in a way. They both believe that the other is their "better half."

Logan feels like he's worthless and undeserving of the title of a hero because of how he let his universe down (and it didn't help to have this confirmed when he found out he was the "Worst Wolverine"). Wade is extremely insecure—he hates how he looks, he finds his own personality insufferable, he doubts his abilities, and he just all-around hates himself.

But why?

The major conflict is this: they both think that the other is a "better person" than they are.

Wade thinks that Logan is the hero he couldn't ever be and that he's inherently more fitting of the title than him. He'd tried to be a hero before—with the X-men, with the Avengers—but he couldn't. He tried but he just... can't understand why he shouldn't kill people who deserve it.

Logan, on the other hand, believes that Wade has so much more capacity to care than he does. Wade so obviously loves his family and is going out of his way to save the universe for their sake. He's capable of emotionally reaching out to people and in a way Logan never could. He failed to save the X-men and protect his home, so seeing Wade succeed and save his family reminds him of his own shortcomings.

When comparing the two, it's easy to say which is more justified in their actions and feelings. It's easy to try to point to who really is a better person to resolve this conflict.

But here's the thing: they both have different standards for what they consider to be a "good" person. And it focuses on the part of themselves that they lack.

Wade believes that "morals" are required to be a good person. One of his defining characteristics that make him a compelling antihero is that he largely lacks a strict moral code. He doesn't follow a set of rules—no killing, no unnecessary damage, no torture—like the other heroes. He tries to care and follow the rules, but he can't find it in himself when he doesn't see why they exist. And yet, everyone around him believes that following a moral code is the standard to become a hero. Which he was never able to do.

To Wade, Logan is fundamentally a "good" person in a way that Wade is not. Even back in his Weapon X days, he clearly had a moral code that led him to leave the army because he couldn't condone senseless killing. When he was a hero, while he did hurt the villains, he was just and tried to prevent unnecessary casualties. He was willing to kill Jean, who he'd loved, for the greater good of the world. He protects people who are weak because it's the "right thing to do" and he can't bring himself to leave them alone even if it puts him in danger (with Rogue and Mariko as examples). He has an inherent moral code that he follows to save the most lives possible.

On the other hand, Logan believes that "empathy" is required to be a good person. While Logan might know the difference between right and wrong, he's always had an issue emotionally connecting to others. He protects people and Does The Right Thing, but he feels hollow. He feels like an imposter because he doesn't "feel" strongly—he saves people so that it won't weigh on his conscience, not because he cares about strangers in the way the other X-men do.

He felt this disconnect pointedly when he worked with the X-men in the past. In serious situations, he was focused on the solution, on saving the maximum number of people and minimizing casualties. Meanwhile, his teammates hesitated and felt bad for each individual life lost even if it was the "objectively" better choice. Logan was the one Charles sent out when a mission required him to do what needed to be done without remorse. Because he would be capable of "dealing with it" (because he was the least "heroic" of them all).

Wade, in Logan's eyes, is so much better than him because he feels for people. He isn't like Logan, he doesn't make the hard decisions based on numbers, he makes them based on emotions. He murdered the headmaster of the orphanage for abusing Russel. He killed all of the people remotely involved in Vanessa's death and his own mutation. He doesn't adhere to a strict moral code because his moral code is his empathy. It's protecting the people he cares about and deciding who is worth saving based on his own feelings. He's confident and proud of his feelings in a way Logan could never be.

(If Logan had been like Wade, had prioritized the people who mattered over the world, he wouldn't have lost everything. It doesn't matter if he was a hero in title, what kind of hero was he to let the people he loved get killed? He still regrets his choices. Regrets killing Jean back then instead of trying harder to save her even if more lives would've been lost. Even if she resurrected later. He regrets not focusing on the smaller pieces instead of the big picture. He regrets never telling them he cared. He regrets and regrets and regrets.)

They are both a reflection of what they wish they could be.

Wade wishes he could care about "justice" and "righteousness" because at least then, he'd have a greater purpose. He could be a hero. He feels frustrated with himself for being selfish and only going out of his way for the people he cares about, but he can't change that. He'd tried and failed. (He wishes he could be "more" like Vanessa had wanted. That he could have a sense of purpose.)

Logan wishes he was able to prioritize the people he loved, back then. He wishes he could admit when he cared like Wade instead of being gruff and emotionally closed off to people. He wishes he was capable of the same kindness. To extend a hand to the Worst Wolverine—who had rampaged, murdered innocents, ruined the reputation of mutants, then chose to drink his days away—just because he empathized with him. To not care about the bad things he'd done and try to sacrifice himself for Logan despite him being an asshole to Wade for the majority of their journey.

They both yearn for what they could never truly have. Whether it's morals or empathy, they define being a "good" person by being the opposite of themselves. By the part of themselves that they'd always struggled with.

By the piece of them that had always been missing.

[tealvenetianmask]

If You Act Like You Don't Need Support, People Believe You: Blitz's "Bulletproof" Act

We know pretty well by now how Blitz's outer shell looks and why he built it. He's carrying a whole cargo load of trauma, and he doesn't want to get hurt anymore. So he puts his natural resilience and charisma front and center and channels all negative emotions into being an asshole. No one gets in.

I think we often fall into seeing Blitz's mask as all negative. But one thing I took away from Ghostfuckers though is how much the people in his life actually find security and comfort in that same shell.

Millie:

Based on her backstory, who can blame her? The final sign that made Millie trust/respect Blitz enough to agree to his job offer?

I can blame this partly on imp culture (valuing toughness), but also, Millie says "you're fucking weird," and I think that comes down to how Blitz doesn't look angry or scared even for a moment. He keeps the smile. The charm. "Unbothered."

When M&M give each other most of their attention (understandable), Blitz just pushes his way past their boundaries anyway, seeming to make a game out of it. We see in Ghostfuckers that his jealousy of M&M, his fear that they don't really care for him . . . that becomes part of his trauma reel. But his friends have no way of knowing that.

When he's on a solo mission in Wee-a-boo-boo, Blitz tells Millie in no uncertain terms that he's got this.

So yeah, Millie's truly never seen him SERIOUSLY upset before, even if WE'VE seen him screaming into the abyss (Truth Seekers) and crying himself to sleep (Ozzie's).

Luckily, Millie has the capacity to adjust and offer the support that Blitz needs.

Loona:

I think Loona gets comfort too from Blitz's outer shell. This time, it's not so much that Blitz never shows her that his feelings are hurt. But that he bounces back quickly. That he always ends up fine.

And at an even farther extreme, Loona can literally throw Blitz across the room and have him doting on her again later that day.

There's comfort, especially when you're someone with a temper, in knowing that there's someone who you can't really hurt, who will stick by you no matter how you behave.

But again, in the Ghostfuckers trauma reel, we get a clip that shows us that's not true either.

Like Millie, when Loona sees Blitz at a true emotional low (this time, his guard is lowered by alcohol . . . and perceived rejection from Stolas), she's able to adjust and be supportive.

Stolas:

Was fairly careless with Blitz's emotions in Season 1, until he saw some vulnerability in Ozzie's and immediately started rethinking his approach.

We often talk about Blitz not realizing that Stolas is vulnerable, but the opposite is also true.

I'm thinking about the flirtatious classism, the teasing, the initial idea that the book deal would be fun and sexy. I think it stems, at least in part, from the idea that Blitz is amazing, that his spirit is kind of unbreakable.

Which again, is not true. His optimism and resilience are wonderful, but he can be hurt (intentional reference to Blitz realizing the same about Stolas).

After the debacle that is Ozzie's, after Stolas sees Blitz in pain from the treatment he received and unable to believe that Stolas's romantic interest in him is genuine, he understands much more. He immediately starts trying to undo the deal, and later in that process, there's this beautiful line . . .

"It's not enough to get through the walls you've conjured up to live."

Stolas isn't there yet by any stretch, in terms of understanding Blitz fully, but even while hurt, there's a part of him that wants to understand, that knows that Blitz is hurting under his mask.

Moxxie:

Ahaha. I bet you thought Stolas would be the twist ending of this meta. NOPE. It's Moxxie. He's the only person close to Blitz who hasn't even begun to adjust to seeing Blitz be vulnerable yet.

Not to psychoanalyze the poor guy, but. His daddy issues are off the fucking charts. Not in a sexual way (though who knows). In a sad way.

Moxxie was raised to follow authority, and the consequence for not doing so was death. Crimson made it very clear. And that's horrible, obviously, but also, there's a certain level of comfort in having everything decided for you.

In having someone who's "got this" in charge. Cult survivors often recall feeling this way.

And I'm not saying Moxxie wasn't incredibly relieved to be rid of Crimson or that he was happy under his control in any way.

But he likes that Blitz is confident, unbothered, and takes care of his team.

I'm done looking for exact lines and screenshots because I have a dinner to get to, but Moxxie does ask in his Truth Seekers hallucination why Blitz pushes his friends away. But he never gets a clear answer, never sees beyond the symbolic mask that Blitz wears there.

And in Unhappy Campers and in Ghostfuckers, we really see him crumble without Blitz's confident leadership. Millie, letting Moxxie take charge and having her own needs that have to be met . . . isn't really enough.

And this is a problem.

Moxx needs to learn some confidence because the unshakeable Blitz he follows . . . doesn't really exist. So I'm interested in seeing how this develops in upcoming seasons.

[seravphs]

ੈ♡˳·˖✶ — MIYA OSAMU x FEM READER

On a bad day, Onigiri Miya becomes your new comfort restaurant. Not only is the food good, but the man who takes your orders is always kind. You think the Miya you’ve been venting to on the phone is the same Miya who shows up at your door to deliver all of your orders.

It’s too bad you don’t know there’s two of them.

wc — 2k

tags — fluff, romcom, miscommunication, miserable corporate girl x small business owner who teaches her joy

The email doesn’t even do you the courtesy of being short. They make you read through two whole paragraphs before you get to the point of it all in the final sentence. 

Your termination is effectively immediately. 

You sit back in your chair to allow yourself a moment to take it in. It’s…not terrible, all things considered. 

You get to leave this job that you hate. They’ll pay you severance. You have enough savings to be comfortable for the next few months. 

It might even a blessing.

But it still doesn’t feel good. You worked hard to land this, and now you’ll have to start all over again. Change is always hard, especially when you haven’t asked for it. 

You look at the clock. It’s currently 8:30 in the morning. You’re giving yourself exactly twenty four hours to wallow, and then it’s back to business. 

First things first - a good meal. Food always make everything better, and you really deserve something special today. For a moment, you entertain the idea of calling your friends over to get breakfast somewhere fancy, but then you remember - 

They’re all at work. 

Where you would be, if you hadn’t just been let go. 

That does sting a little, so maybe you’re not as okay as you thought you were. Hurriedly pushing those thoughts to the side in favor of scrolling through your options, a plain blue banner catches your eye. 

Onigiri Miya, it reads. 

Japanese comfort food. Family owned. 

When you click on the link, it takes you to a page that’s as simple as it’s name. It’s just a menu and a series of pictures, but it’s what you need right now. Your head hurts. You don’t have the capacity to deal with anything more. 

You want something straightforward and easy to digest. Onigiri Miya it is, then. 

“‘Miya speakin’. What can I get ya?” 

It’s a pleasantly accented voice. When you rattle off your order, you suddenly find it a little less pleasant after he says, “Er. Ya sure?”

This is some shoddy customer service. 

“I’m placing the order, aren’t I?”

“Those two don’t normally go together,” he says. “I’d suggest number nine and number thirteen instead. Trust me.” 

You don’t trust him, actually. This is probably just an upselling tactic he tries on every customer, but you’re not in the mood to argue. You had thought when you called a family owned restaurant, you’d be speaking to some kindly old grandma who might let you cry and vent into the receiver for just a little while, not whoever this is. 

At least the delivery is quick. 

A series of sharp raps on your door alerts you to the arrival. You pull it open to a man in a baseball cap and a uniform with onigiris on both. Their merch is cute. You’d wear it unironically. 

Underneath the cap, yellow blonde hair peeks out. On his shirt, a name tag reads Miya. 

Instantly, you feel a little worse for thinking poorly of him. Your bad attitude from work is no reason to take it out on this hardworking entrepreneur who’s running a one man show by himself. 

“Here ya go,” he says, thrusting a paper bag at you. “Eat it while it’s hot!” 

And then he’s off, scampering back down the stairs instead of taking the elevator even though you’re several floors up. You suppose there’s a reason he has those thighs. 

That the food is good is an understatement. 

Your former coworker Aiko used to work in food advertising before she pivoted. She loved to talk about how fake the industry was during lunch, both in terms of people and actual product. It’s through her that you know that half of the food in commercials aren’t actually food, but styrofoam and plastic painted to look appetizing. 

Onigiri Miya, in contrast, doesn’t look perfect. Appetizing, certainly, but not like a work of art. It just looks like what it is - a ball of rice with special ingredients for flavor.

So why are you crying as you finish your first onigiri and reach for the next? 

It’s been so long since you had a home cooked meal. You’re trying not to be maudlin, but you can almost taste the love that went into everything you’re eating. Imagining Miya carefully packing each triangular ball of rice by hand with a smile has you reaching for another, then another, until eventually the entire order is gone before you know it. 

Exhausted from crying and eating, you sink into your couch with a satisfied sigh and fall asleep. 

It’s 1:30 P.M. by the time you rise again, feeling a little better. Sleep really was the cure to all evils. Now you have 20 hours left to indulge yourself as much as possible. 

You’re not in the mood to turn off your brain by binge watching a show. You want to do something. You want to use your hands to craft something from scratch. 

Learning how to make onigiri could be a start. A quick run to the grocery store and the first recipe that popped up on Google later, you have a half formed, crumbling mound of rice with pickled radish shoved inside. If you squint, it looks almost like what you got from Onigiri Miya this morning. 

Who are you kidding?

That’s an insult to Miya’s craft. He put so much care into each dish - you can hardly compare your shoddy workmanship to his. There’s only one thing to do. You have to taste the real thing again to see where you went wrong. 

“Miya. What d'ya want to order?” 

“I’d like-“

“Hold up. Didn’t ya call this morning?” 

Flustered, you nearly fumble your phone. You’re breathless as you clutch is tighter and bring it back to your ear. “Yeah,” you admit sheepishly. “Is that bad?” 

“I mean, yeah, a little,” Miya says. “I appreciate the business but ya shouldn’t be eatin’ onigiri for two meals a day. Yer going to make yerself sick.” 

“It’s a special day,” you tell him. “I got laid off.” 

In the resounding silence that follows, you have ample time to berate yourself for sharing that. What is wrong with you? Why would you say that? He’s a stranger that you’ve randomly dumped your misery onto and you’re sure he’s -

“Ouch,” he says. “‘Kay, I’ll make an exception just for today. What’s yer order?” 

Miya shows up at your door promptly. He’s ditched the cap so his yellow hair is on full display. It looks like he’s run his hands through it. It sticks up at odd angles. 

“Here ya go,” he says, almost distractedly as he hands you your bag. “Enjoy.” 

You bring the bag inside and start rummaging through it immediately, excited to try new flavors you hadn’t gotten the first time around. Out comes the four onigiri you had ordered, a cup of miso soup, and…

A little takeout container of sushi with a cat’s face drawn on it. A speech bubble next to its head reads, “You can do it, meow!” 

Laughter echoes around your apartment. To your surprise, the world feels less daunting already. You hadn’t realized how quiet you had been the entire morning. Miya’s the only person you’ve spoken to the entire day, and even that was a quick and whispered thank you. Your throat almost hurts with the force of your giggles after disuse all morning, but it’s a good kind of pain. 

Onigiri Miya, family owned. You can almost feel the warmth of an embrace around you as you bite into your steaming onigiri, still a little too hot. 

All too soon, it becomes a tradition for you to order Onigiri Miya as your comfort meal. It doesn’t even have to be a bad day - you actively try to avoid associating things you like with painful feelings by using them as treats for hard days. Instead, Onigiri Miya is anything from a reward for getting to the second round of interviews or a celebration for successfully starting a new hobby. 

Onigiri has become your favorite food, and the person on the other line who takes your orders and even spares a few minutes to chat with you when it’s not too busy has quickly become someone irreplaceable in your life. 

You think you might need to redownload Tinder if you’re this attached to the man who fulfills your onigiri orders. 

Even though you know it’s strange, you can’t bring yourself to sever your connection. Miya is warm and kind, and you’ve quickly come to think of him as a friend. It’s a culmination of lots of little moments piling up over time. 

When you had forced yourself to go on your first date after a while, determined to get back out there, it had crashed and burned catastrophically. Onigiri Miya had been there to pick you back up. Miya had even recognized the sniffles in your voice that you were fighting and drawn you another little cat. 

The next time you had ordered, before you could even tell him what onigiri you wanted, Miya had asked you what happened last week. Maybe that’s just how family owned businesses are. They actually care about their customers. Enough so to play therapist to the girl that orders from you every week. 

Then there was the time you had gotten your first call back for a job application, and you had called Miya to celebrate. 

Well, not Miya. You didn’t have his personal number, but you had called Onigiri Miya, which is more or less the same thing at the moment. This time, he had been the one to be interrupted as you blurred out your good news. 

You can almost hear the smile in his voice when he says, “What’d I tell ya? I knew ya could do it.” 

There’s no container of sushi with a hand drawn cat this time, but there is a little note written on a napkin. It’s accompanied by an origami star. 

You don’t cry, exactly, but your eyes water up as you read the note. He’s proud of you. The star is to wish you luck on your continued journey. The knowledge that he’s proud - his own words - fuels you as you keep applying and interviewing, never letting rejection stop you. 

He’s just the guy that takes your onigiri order, but at some point, he’s become someone special to you. 

He cares. He spends an extra two minutes on the phone with you to ask about your day even when you can hear the sounds of a busy environment in the background. He remembers your accomplishments and failures. Whether you fall or rise, he’s there with you every step of the way. 

Sometimes, you get a fluttery feeling in your stomach when he laughs at you, calling you silly for whatever mistake you’re relying to him. You miss his voice when you don’t have an occasion to call, and when something happens, your first thought is always to tell him about it. 

Maybe he feels the same way, because the next time he comes to deliver your order, he tells you, “We’ve known each other long enough, ya order every week. I don’t like being called Miya. My name’s Atsumu.” 

Or maybe not, because he never treats you in person the way he does on the phone. There’s no spark of connection, no bright laughter, no willingness to linger, to stay, to listen. 

Perhaps he’s just shy. In that case, you’re willing to take what he’s offered you and make the first move.

The next time you order, you end the call with, “Thanks, Atsumu. I’ll talk to-“ 

There’s an abrupt interruption from the other end immediately. 

“What’d ya call me?” His voice sounds funny. 

“…Atsumu?”

Even when you’re confused, the sound of his belly deep laughter makes you feel all shivery from your toes to your head. It makes your joints feel weak, like they can’t support you, and you ease into the dining chair as you wait patiently for whatever laughing fit that’s gripped him to pass. 

“Atsumu,” he repeats, with another snort of laughter. “Atsumu, really?”

“What?”

“Ya know Onigiri Miya’s a five minute walk from yer place, right?” 

“What does that have to do with anything?”

“Come here,” he says, and hangs up. 

When you enter Onigiri Miya, you get instant whiplash. There’s two of them! 

You’re just wondering if you should get your eyes checked when you start seeing the subtle differences. They have different hair colors, and their eyes are just the subtlest shades apart. 

The most discerning difference is the way the one with grey hair is looking at you. 

“There’s the girl of the hour,” Atsumu says. “I’ll leave ya to it.” 

When Atsumu leaves, Miya gestures for you to sit at the bar in front of him. He’s still packing onigiri. 

“I’m a little hurt, ya know. Can’t believe ya mistook me for my twin.” 

“It was an accident!” You protest. “How was I supposed to know?” 

“I’m teasin’ ya,” he says, laughing. “Yer so easy to rile up. Remember this, okay? I’m Osamu. The nicer brother.” 

“I heard that,” Atsumu yells from the back. 

“Atsumu’s just the delivery guy,” he says. There’s a twinkle in his eye. You don’t think it’s that funny, but you like seeing him mirthful. “I’d rather make the food than deal with the people, so he does it.”

“Am I part of the people?” 

He gives you a look. 

“Stop fishing for compliments,” he says, and your cheeks grow warm with delight. “Ya know ya aren’t.” 

“Here,” he says, sliding you a napkin with a series of numbers and a hand drawn picture of a cat. “I’ve been meaning to do this for a while.” 

By the cat’s head, the speech bubble reads, “Miya Osamu’s personal number.” The cat is winking at you. 

“Is this…?” 

He smiles at you. “Stop clogging up the line cause ya miss me-“

“I don’t-“

He ignores you. “I got a business to run, ya know? Just call me next time.”

Then, he leans over the bar. He’s too close. Your cheeks feel warm under his attention as he whispers to you, “I’ll make something just for ya, compliments of the chef.” 

Trying to recover, you swallow to bring moisture to your dry mouth. You’re trying to be playful when you say, “It’s a date, then?”

He looks at you with a hint of a smile. “It is.” 

[explicit-tae]

ughh I just came back from re reading the cruel intentions drabbleee, I want to see girl dad jungkook so badd

no but girl dad jungkook that just lets her do whatever she wants, whenever she wants against the mc's will

Punishment

Jungkook cannot help but release a sigh - a sigh so deep from his chest that he has to take a deep breath to regain back all of the oxygen he let out. His hands rub at his temples, eyes closing a bit so he can process the words that the young man before him speaks.

“Who…why are you here?”

Jungkook was tired - simple. He was tired of running this empire that was known as Bangtan. Sure, he wasn’t doing it alone. But it was enough to drive his stress levels high. He often had headaches having to deal with the new recruits - all young and determined, but dumb as shit and often made mistakes.

“You can’t keep hurting the men that work for you, Kook.” Yoongi had said to him one day, scolding him with his tone and those feline-like eyes. 

“I-I don’t know what you mean, Jeon-ssi.” the young man murmurs, sitting across from Jungkook as he speaks. He’s obviously nervous, hands trembling in his lap.

“Someone had to have let you on to this job because I sure as hell didn’t!” Jungkook barks, crashing his hand down onto his desk. “I bet it was Taehyung, huh? He always wants to give me his shitty people.”

The last thing Jungkook needed was to deal with more shit - on top of more shit. Over the course of the last few months, he had to pick up the slack of other new recruits. His products were being lost, which meant his money was slowing down (not enough to hinder him, just enough to piss him off) which meant he had clients waiting longer than what they should be.

“I apologize, Jeon-ssi. I should have been more attentive-”

“More attentive to my product?” Jungkook leans forward. On his desk is a brick of what is supposed to be coke sent straight from overseas - what he got was not coke. “Have you ever done drugs?”

The man - boy, he appeared to be in his late teens - shakes his head with wider eyes. 

Jungkook turns his eyes to the surrounding men, all standing behind the one seated across from him. They were all seemingly new, some here longer than others. 

“This is not coke.” Jungkook murmurs. “You were instructed to check the product before handing them millions of my money, correct?”

“Yes, but-”

“Shut up.” Jungkook hisses. “Now what we got is some cheap imitation of fucking coke and I’m down millions of fucking dollars because of you,” Jungkook points at the wide-eye boy. “and all of you,” he waves his arms around to the surrounding men. “who cannot do something so simple!”

Jungkook wants to ask his hyung’s what they do when their men act foolish if he was instructed to not hurt them. His hand itches to strike each and every one of them and he was trying his hardest to be the bigger person.

Jungkook closes his eyes. “Just take a deep breath…” he hears your voice in his mind; so soothing and calm. 

Jungkook opens his eyes and stands. “Tomorrow, you all will be going back overseas and getting me my money back. This,” Jungkook picks up the brick of cocaine - if only it was authentic, and throws it at one man - it hits him in the chest harshly. “is unacceptable.”

The room is silent as Jungkook gives his orders. He doesn’t dismiss them properly and only waves his hands for them to leave. They all scurry off, seemingly throwing one another out the door to be out of the older man's sights.

“I’m proud.”

Jungkook groans again at hearing the voice.

“Jimin.”

“You never add hyung to my name anymore.” Jimin enters the room and behind him, another young recruit. “I’m hurt.”

“Why the fuck is he here?” Jungkook didn’t have time for small talk. “Please…please don’t tell me you fucked up again?”

Jungkook doesn’t have the mental capacity to handle the amount of screw ups everyone has been throwing his way lately. 

“Ji-hu…” Jimin pushes the younger man inside the office. “...tell Kookie,” 

“Don’t call me that.” Jungkook injects. “Speak.” he then says to Ji-hu.

Jimin shuts the door to the office behind him and leans against him. He is always amused when Jungkook is visibly upset.

“I…we may have-”

“May have?” Jungkook quoted. “You may have what? It’s either you did or you didn’t?”

Ji-hu glances away for a moment. “The heist…”

Jungkook groans loudly, crashing against his seat.

“I told Taehyung-”

“As did I.” Jimin nods in agreement before Jungkook can finish his sentence. “These new batches of men we have are completely useless. You all are always fucking up.”

“Don’t we pay you enough, Ji-hu?” Jungkook stands, rounding the desk and stalking his way towards Ji-hu. “You were appointed leader of that heist because I am well aware of your abilities. You let me down like the rest of them.”

Jimin crosses his arms just as Jungkook slaps Ji-hu on the side of his head. He proceeds to do it a few more times, letting out more frustration than necessary on the poor boy - but he would be lying if he said it wasn’t an amusing sight. Jungkook looked more like a father disciplining his child than anything else. 

“I’m sorry, Jeon-ssi-”

“Jimin, where’s everyone else that was on the heist?”

“Outside. Would you like me to get them, Kookie?”

Jungkook glares at his older friend but only nods. 

It took five minutes for the rest of the men to return and now Jungkook decides that, however comical it may be to Jimin, that he had to do what was right to shape these men into where they need to be.

Yoongi would be proud that he wasn’t causing damaging harm to them.

Jungkook swings the belt against the younger mens back, each blow slapping against their skin harshly and leaving a stinging effect each time. 

“I shouldn’t have to beat you all into submission,” Jungkook hisses, slamming down his belt more on the four men. “I don’t even have to do this to my own son!”

Jimin wants to say it was because Jungkook would never hit Jin-seon - who now is a direct carbon copy of his father at the age of 10,  attitude and all. Jin-seon’s behavior is often excused by his father and only corrected by his mother, but knowing how Jungkook was raised, Jimin understands why he allows his son to do whatever he wishes.

There’s a knock on the door that halts Jungkook’s beating to his men. He turns towards Jimin who only shrugs his shoulders.

“Enter.” Jungkook sighs, turning towards the door fully.

The door opens and immediately, Jungkook’s eyes soften.

You widen your own eyes at the four men, all cowering on the ground with welts on their exposed skin. You’re holding a large tray in your arms and you contemplate turning away.

“Appa, look!”

“Jin-ah, appa’s busy-”

Your daughter doesn’t care - she never did. 

Jimin watches as Jin-ah, the small 5 year old girl, runs towards her father who kneels down to bring her into his arms. She isn't fazed by the four men who are forming bruises onto their skin as she had seen this before on accident. “They were being bad so appa had to punish them, baby. No need to worry.” was what Jungkook had told her when she asked why a few men were bleeding all over the place. 

“Eomma and me made lunch!” Jin-ah is excited, her eyes wide with excitement. She had most of the lunch she prepared herself - a complete mess that only a five year old could make - on a tray and insisted that you and she take it to her father. Jungkook would eat whatever concoction Jin-ah made for him, the worst being ramen cooked in coffee and milk because she knew her father liked them.

“I made the tea.” you sigh, stepping into the room. There was no stopping Jin-ah now. “Um,”

You glance down again to the men on the ground. 

“They were being bad, eomma.” Jin-ah says, pointing to the men. 

Jimin cackles at this while you only sigh, wishing Jungkook would try better to not normalize what he’s involved with to the children. 

“Very bad.” Jungkook hugs Jin-ah tighter, peppering her soft cheeks with kisses. His heart swells when his daughter wraps her small arms around his neck.

“Can I banish them?” your daughter asks when she’s releasing her father’s neck.

“It’s pronounced punish-”

Jungkook is interrupted by your stern hiss. “No! You can’t!” you walk over the men who remained kneeling on the ground to place the tray onto Jungkook’s desk. “Let’s go-”

“I wanna stay.” Jin-ah clings onto her father, nails digging into his shirt. 

“Why don’t we all just have a little tea party?” Jimin claps his hands. “Come, Jin-ah, sit on the ground with us.”

Jimin grabs the tea just as Jungkook allows his daughter down. She goes towards Jimin who has set out four glass cups - taken from Jungkook’s liquor cabinet - and into each of the men’s hands. “Pour them their tea, Jin-ah.”

“I-I don’t really drink tea-”

“You’ll drink whatever my daughter serves you.” Jungkook isn’t amused with the lack of respect for his daughter’s hospitality.

“Yes, Jeon-ssi.”

Jin-ah is happy to pour the tea - that barely makes it into their cups and instead is poured on their hands and lap instead. To avoid any reaction from her father, then men remain quiet, dying on the inside at the burns they’ll be receiving. 

Jin-ah sits across from the men and speaks about nonsense - whatever cartoon she’s watched lately and what goes on at her school. You shake your head, turning your eyes to your husband. “Really?”

Jungkook has a soft smile on his lips as he looks at his daughter. “She looks so happy.” he murmurs. “How could I say no to her?”

You cross your arms. “I do it all the time.” you murmur. 

“I remember how small she was when she was first born. I knew she loved me when she didn’t cry in my arms.”

“You cried instead.” you snort, leaning against his desk at the memories of your daughter's birth. 

You suppose it was emotional for Jungkook as he wasn’t able to be there for Jin-seon’s. He was very attentive, determined to witness you during your entire pregnancy. It was astonishing to see  your stomach grow bigger and bigger each month.

“Let’s have another one.” Jungkook winks at you suggestively, jokingly. Though he wouldn’t be opposed. 

“No.” you deadpan and it causes Jungkook to wrap you into a tight embrace. “Dealing with three Jungkook’s is hectic enough. You truly want me to add a fourth?”

Jungkook only snickers, placing his lips at the nape of your neck. He inhales your sweet scent, a familiar scent of home to it.

[calisources]

𝐅𝐀𝐌𝐈𝐋𝐈𝐀𝐑 𝐁𝐄𝐓𝐑𝐀𝐘𝐀𝐋, 𝐄𝐍𝐄𝐌𝐈𝐄𝐒 𝐀𝐍𝐃 𝐑𝐎𝐌𝐀𝐍𝐓𝐈𝐂 𝐁𝐄𝐓𝐑𝐀𝐘𝐀𝐋 𝐐𝐔𝐎𝐓𝐄𝐒.

All quotes are taken from different media about betrayal, heartbreak and future betrayal or the art of it. Some quotes include some foul language so please beware. Change names, pronouns, locations as you see fit for your muses.

It is easier to forgive an enemy than to forgive a friend.

The mistake was mine, for trusting you.

For there to be betrayal, there would have to have been trust first.

I used to advertise my loyalty and I suffered the consequences of it.

I used to open my heart easily, until you broke it.

Why did you despise me?

 You loved me - what right had you to leave me?

He would have killed me.

Then you should’ve died. Died rather than betray your friends, as we would have done for you.

I think I realized that I would rather die because I betrayed them, than live because I betrayed you.

Stab the body and it heals, but injure the heart and the wound lasts a lifetime.

It's hard to tell who has your back, from who has it long enough just to stab you in it.

What was it that you wanted and why didn't you fight for it?

But... do you stop loving someone just because they betray you? 

That's what makes the betrayal hurt so much - pain, frustration, anger... and I still loved her. I still do.

 Maybe I was safe to you, and you needed to feel that.

I could never hurt him enough to make his betrayal stop hurting.

You are going to break your promise. I understand. 

When someone stabs you in the back and then apologizes, accept the apology, but don't give him the knife back to do it again.

I will forget you as soon as my head lays on someone else's arms. 

I would have taken a bullet for you. It just never crossed my mind that you would be the one to shoot.

Don't be nice. Be loyal. Nice can be faked. Loyalty can not.

You got betrayed because love turned you blind.

Don't punish yourself for trusting people and getting betrayed. It's not your fault.

What is more important, that Caesar is assassinated or that he is assassinated by his intimate friends?

It hurts to breathe. It hurts to live. I hate her, yet I do not think I can exist without her.

Was it all in my head?

You are enough to drive a saint to madness or a king to his knees.

Some people are in such utter darkness that they will burn you just to see a light. 

Her only way home was to betray her friend.

I risked, and I lost, but the risk was still worth it.

Could a marriage be happy, standing on a shaky ground of adultery and a disregard for the wife’s feelings? 

When dealing with love and relationship. Hurting and betraying a great woman can lead you to a painful life of regret.

I once met a man who didn't have a heart. He told me he didn't have one.

Do not give your ears to snake they are legless to stand on their own.

Even as your body betrays you, your mind denies it.

When you care about someone, you can’t just turn that off because you learn they betrayed you.

You believed me incapable of hurting you, and yet I did.

I would rather my enemy's sword pierce my heart then my friend's dagger stab me in the back.

Do you ever wonder, do you, why I loved you for such a long time, and still didn’t really know you?

False friends, like weeds, try very hard to appear genuine.

Some scars don't hurt. Some scars are numb. Some scars rid you of the capacity to feel anything ever again.

Whoever controls the king, controls the kingdom.

A man sleeps with another woman, he is praised for it, a woman does the same, she is labeled as a whore.

Innocence like yours attracts snakes, and all they want is a piece of you.

I didn’t know that you were ashamed of me.

My past. My mistake. My regret. My love.

The easiest way to steal something is for it to be given willingly.

I don't want to fall in love with you, because you will use it against me.

Cal betrayed me, and I betrayed him. And you betrayed both of us, in a thousand different ways.

Betrayal isn't ridiculous. It's the reason empires fall.

She is an able negotiator and a strong ally.

That is for what you did to me.

Not as the faceless lover. Not even for today when you made love to me... or perhaps we should call it 'fucking', since there was nothing loving about it, only manipulation

Do you know why he did what he did to you? Because he could.

You’re my prey tonight.

You should’ve paid attention. Princesses don’t trust the dragons, they fall pray of it.

A son for a son, heh. But that's a grandson...and he never was much use.

I can love what is broken.

She is intent on pleasing the men that frighten her.

I’ve given my loyalty before. Too many times now. Always works out the same.

You’ve been moving your lips, but I’ve not heard a word.

I would betray you a thousandfold for her.

A woman should not be trusted. Specially one with such beauty and doesn’t even realize they have.

Because you needed to know that not everything was a lie.

Did he touch you like this?

Yes, but that's how he always touches me. He would n-never…

Maven is his mother's son.

I gave him so much-parts of myself I didn't even know were there.

The only betrayal I ever did was being my mother’s child.

We made a bargain. I give you over, and he agrees to let my forces enter Prythian through his territory.

Having faith in your spouse does not lead to trust, truth does.

You may not have loved me,but I loved you, and my love was never a lie.

I hope I never meet the guy that did this to you.

If there is a marriage and your husband loves you, there is no other woman. 

From his vantage point on the deck, the commoners were ants.

I will never make the mistake of loving you ever again.

Why the hell would you save that motherfucker’s life?

The only one you protected was yourself.

Yes. I did protect myself. It was about damn time I learned to do that.

Betraying someone once can be a mistake. Betraying someone twice is a choice.

My brother needs to watch where he steps while doing so. And on whom he steps.

You ended one life, but I got another in me.

You think I betrayed you.

You're nothing but a bad habit.

Can’t have love without lust.

Be careful who you follow and treat everyone who come to you as if the have an agenda towards you.

Break his crown, break his throne, rip his monarchy apart.

[weebsinstash]

Sort of a specific idea but

Bruce Wayne returns to Gotham to become Batman in his late 20s and he doesn't retire (at least from working in the field) until I believe he's in his 60s, so

It's entirely plausible to think of a platonic yandere Batman scenario where, you were a child involved in a disaster that he rescued, and some 10, 15 years later he runs into an adult you by whatever means and he can see you're struggling to make ends meet and you're having issues that ultimately stem from the trauma caused by that incident all those years ago, and he wants to help you, save you from your current situation, and maybe even finds out you've fallen to the dark side in all this time you were out of his sight

Like, the added drama if, in a way, he feels partially responsible for your current situatuon; he was still kind of green when you went through your accident. Maybe he feels like he should've kept a closer eye on you after the fact, helped make sure you were OK; you were just a little kid clinging to him in fear, so small you fit into his arms to be picked up. Could you even imagine it's something like, you lose your parents in a villain attack and you're just this frightened little kid and some 10 years later Bruce meets you as an adult and you're either an addict, a criminal, both, and potentially even a metahuman on top of everything else so you have the capacity to be legitimately dangerous

See, a lot of the thematic elements of Batman as a franchise itself is that many of the Batman villains were sort of just, normal people that had horrible things happen to them that, while not being justified, may be understandable. A lot of Batman villains carry underlying themes of, being victims of abuse, victims of society, victims of disability or mistreatment for that disability, so, from a narrative standpoint, you then have Batman seeing you as not just someone he feels he failed to fully save, but now, you could potentially end up going down a dark path like so many others he's personally seen spiral, and he doesn't want to have to put you in Belle Rev or Arkham.

Batman loving you and wanting to protect you but for your own good he ultimately feels has no choice but to contain you until he can either convince you to control your powers or he finds a way to suppress them by force. Then, he wants to take you under his wing; you're broken and hurting, just like a part of him will always be. If you've got no one else to look after you anymore, he can be your new family.

Batman going into full helicopter Batdad mode where he's just, fully convinced that just about every negative action or choice you make is just stemming from trauma or some other problem he has to fix and basically, kind of in a way robs you of the autonomy and accountability that you have making your own choices as a whole. Oh, you haven't had mental healthcare all these years? Prepare for him forcing you to go to therapy and promising you he doesn't know what you talk about which is a lie because he has spy equipment to listen in on your sessions anyway. Hope you like being forced to take medication for conditions and disorders that you're not sure to believe you've even been credibly diagnosed with.

Then of course you have all your new "siblings" and comrades in arms watching over you, ESPECIALLY once Batman becomes convinced that fighting crime with him and the others will be the outlet you need for your anger just like it is for him and most of the others in his traumatized gaggle of adopted children. NOW you've got this entire, basically half dozen or so prodigies with their own sets of skills, traumas, obsessions. Some see you as a playful rival. Others see you as more of an equal. They ALL see you as "sweet cinnamon roll, must protect"

Batman having to keep you from becoming radicalized. Batman dealing with this super-powered angry version of you that wants to take justice into your own hands, in YOUR way, which yeah, involves a lil killing, as a treat. Bruce absolutely convinced, and perhaps being right, that he's the only one that can save you from doing something that will ruin your life forever

You'll don your new costume and you'll like it. You'll have his symbol on your chest marking you as his family and you'll like it. You'll spend basically every waking moment either in his home, with a member of his found family, or with him, and you'll like it. Hell, maybe you'll even be finding your last name was legally changed to Wayne without evem being discussed with you, and guess what? You'll have no choice but to learn to like that, too :)

[hrizantemy]

It’s time to say what’s obvious but so often ignored: the Inner Circle, these supposedly wise, all-powerful beings, are over five hundred years old. That’s centuries of experience, life lessons, and power, and yet they constantly act like immature, emotional wrecks. They’ve lived through wars, court politics, and the passage of entire generations, but instead of showing the wisdom that should come with their age, they bicker like children. Feyre, Nesta, Elain, and even someone like Tarquin—who, by all accounts, is much younger—don’t have even a fraction of their life experience, and yet the Inner Circle’s behavior often doesn’t reflect any of that supposed wisdom. It’s not only frustrating but also embarrassing that they repeatedly revert to petty emotional outbursts, jealousy, and manipulation, refusing to grow past the same toxic dynamics they’ve had for centuries.

There’s simply no excuse for this kind of childish behavior when you’re over five hundred years old. By now, they should be the epitome of maturity, poise, and wisdom, but instead, they choose to stew in their own egos, dragging others down with them. Take Rhysand, for example—he constantly pushes the narrative that he’s this benevolent leader, yet he uses his wife, and her family when it suits him, all while coddling his supposed circle of warriors when they’re in the wrong. For a group that holds so much power, they act like they’re stuck in the same emotional rut, never maturing beyond their pain and petty rivalries.

Let’s get one thing straight: this isn’t about denying the Inner Circle their emotions. They’re entitled to feel, to hurt, and to carry their traumas just like anyone else. But what’s frustrating—and what I’m pointing out—is the way they handle those emotions and, more importantly, how they project them onto others, especially when it doesn’t align with their supposed maturity and experience. These are beings who have lived through centuries of hardship, war, and loss. They’ve seen entire kingdoms rise and fall, watched loved ones die, and survived unimaginable horrors. So, no, I’m not saying they need to be emotionless or stoic. I’m saying that for beings with that level of experience, their reactions, especially to those younger and less experienced than them, are bafflingly immature and often downright toxic.

Take Cassian as a prime example. You’re telling me this five-hundred-year-old man who’s been a general, who’s led soldiers into battle, and seen the worst war can bring, has the emotional capacity of a temperamental teenager when it comes to Nesta? When she, a woman clearly battling her own trauma, tells him to leave her alone, his response is to yell at her? To throw the present he wanted to give her in some kind of temper tantrum? This is a man who has seen more death, more hardship, more conflict than most people can comprehend, and yet, he can’t handle a conversation with a woman he supposedly cares about without reverting to childish behavior. Oh, poor Cassian, does he need a blankie and a bottle after someone dares challenge him or ask for space? Instead of showing any emotional intelligence or restraint, his answer is to lash out. How does that align with centuries of experience? Shouldn’t he, of all people, understand that sometimes backing off and offering quiet support is what someone needs?

It’s not about whether they can have emotions. It’s about how those emotions manifest. Cassian’s outbursts, Rhysand’s manipulations, Morrigan’s coldness—these are not signs of beings who have had centuries to learn emotional regulation. They act like they’re stuck in the emotional maturity of their youth, never evolving, never adapting, never showing the wisdom or grace you’d expect from someone with five hundred years of life behind them.

Trauma absolutely plays a part in how the Inner Circle behaves—it would be unfair to say otherwise. But here’s the problem: they hold everyone else to impossibly high standards when it comes to dealing with trauma, yet they give themselves all the room in the world to indulge in unhealthy coping mechanisms. They’re allowed to drink themselves into a stupor, sleep around, lash out, or wallow in their issues for centuries without anyone questioning it, but the moment someone else shows signs of struggle? Suddenly, the torches are lit, and it’s time to ‘fix’ them. The hypocrisy is staggering.

Take Nesta as an example. She drinks, she isolates herself, she lashes out—and yes, those behaviors are self-destructive, but they’re clear signs of someone drowning in trauma. Instead of offering her real support or even the same leniency they give themselves, they treat her like she’s a ticking time bomb that needs to be locked away until she behaves. It’s as if the moment someone else mirrors their own coping mechanisms, it becomes unacceptable. Rhysand and his Inner Circle are constantly drinking and celebrating, finding solace in excess, but that’s fine because they’ve ‘earned it,’ right? Cassian can sleep around, drink to numb his pain, and it’s brushed off as just his way of dealing. But when Nesta drinks? It’s suddenly a huge problem, a sign of her being out of control and needing to be ‘rehabilitated.’ The double standard is glaring.

It’s this hypocrisy that makes their treatment of others so frustrating. They act as though they’re the gatekeepers of who is ‘handling’ their trauma the right way. It’s perfectly fine for them to drink and fuck away their pain, to drown their sorrows in hedonism, but the minute someone else—someone younger, someone less experienced, someone like Nesta—shows even a fraction of the same behavior, they’re ready to intervene. They want to control how others process their trauma, but refuse to examine their own methods. If Nesta needs to be locked away for drinking too much, for isolating herself, then what about Cassian? What about Rhysand? What about Morrigan? Why don’t they hold themselves to the same standards? Instead, they act like they’re above it all, excusing their own vices while condemning others for the same.

[explaintome]

Dear Mouthwashing fandom, explain to me, why next to the incredible fan art, I find a fuck ton of shipping content, especially between characters where this is highly problematic? SPOILERS FOR MOUTHWASHING AHEAD CN for talk about sexual abuse, death, suicide & violence

DISCLAIMER: I do not shame the general practice of shipping at all. I am a shipper myself and I think it makes up for a lot of interesting dynamics and narratives outside the canon. Shipping is an important pillar of fandom communities and I am unable to forbid you to do it. HOWEVER, in the case of Mouthwashing I want to talk about what, in my opinion, feels tone-deaf to the themes and the canon of the game. But let me start with a short summary of the game before I get into it.

Mouthwashing is basically a visual novel that takes place on the Tulpar, the last manned cargo ship of the company Pony Express. The crew, consisting of Caption Curly, Co-Captain Jimmy, Nurse Anya, Mechanic Swansea and his intern Daisuke, is confronted with a crash against an asteroid and the consequences following it. The story is told out of order to reveal the truth bit by bit. What caused the crash, what happened and how the crew deals with the time afterward being stuck on the ship. Revealing sexual abuse, tragic backstories, the horrible side effects of late state capitalism and the neglect of people in command towards the people they are responsible for.

To boil it down we have two men who, out of societal misogyny, hurt the only woman on their crew by assaulting her or not acting as they should have in their position of responsibility. All of this would not have happened if Jimmy didn't rape Anya and impregnate her, and if Curly had disciplined Jimmy in a capacity possible on the ship and in Jimmy's position as co-pilot. To be honest, with the amount of automatization the ship has, I don't think they need Jimmy if it is not a case of emergency, but I digress. Jimmy is the perpetrator of the story, but Curly is an accomplice in putting his aim of finding a solution and compromise over punishing his subordinate as he should have.

And now to my actual point: I am a big fan of the game, the narration style and the utter tragedy of 5 people losing their lives in the isolation of space, with their company not giving a shit about them. Otherwise, they might have been rescued much earlier or at all. Or had enough cryo pots in the first place. Or a nurse with experience. Or any amount of better equipment and not the most cheap shit that somehow made it through a resemblance of regulations. There are probably no regulations.

Being a fan I, of course, looked into the hashtags on several social media sites, and between the incredible art and analysis of the game, I quickly found shipping content, and I have no idea why. I have literally no idea how that narrative speaks to you in a way of shipping characters romantically/sexually. Especially three shippings really rub me the wrong way.

ANYA/JIMMY

Are you fucking kidding me? Literally, what is wrong with you shipping a victim with their abuser? There was not one interaction between them, that suggest that there was consent or affection, that Jimmy has any sympathy for Anya. He knows what is going on, he knows that Anya is pregnant and takes no responsibility. Even worse, his idea of FIXING this was to kill everyone, at least himself, to avoid responsibility! Same goes for AUs where she kept the baby and is somehow okay and happy? I get the urge to fix it, but that is not a good fix. There is no good fix if you are pregnant due to rape.

ANYA/CURLY

A lot of argument I hear for that is that "at least Curly is her friend and was nice to her" and if that is your whole foundation of argument, I want to ask what your standards for a relationship are. Please know that you deserve more than the bare minimum. Another question in that context: Is Curly really Anya's friend? His friend was abused and instead of protecting her, he tried to reason and help her abuser! That is not the behavior of a friend! There is no "but Jimmy is his friend too!". If your friend is an abuser and that does not make you stop being their friend....why?

JIMMY/CURLY

It feels like it is a law on the internet, that two men who look at least averagely handsome will be shipped, especially if they have the tiniest of connection to each other. I am not even sure if I would call them friends in the first place. It appears that Jimmy, whatever his bad life before that job was (thanks to the developers for not giving us a backstory), he is still absolutely unsatisfied with that he has. He is jealous of Curly and his position, seeing how quickly he takes on the Captain title after the crash and only realizes far too late how hard the position actually is. Curly on the other hand feels a bit like a people pleaser to me. He probably had pity for Jimmy, took him under his wing to help him? Fix him? Whatever it is, it made him ignore Jimmy's bad side to a fatal degree. I respect the toxic yaoi but are you sure?

TLDR; I am worried about how the practice of shipping developed, from a way to extend the canon, explore queerness in cis/straight dominated media, into a compulsion of where some people can't look at any form of media or constellation of characters without immediately smashing them together like dolls. If you do this, maybe step back for a minute and ask yourself if it is appropriate. On that note, same goes in case you defend Jimmy. Why?

[lenoue]

“he wants to know now that he is the patriarch of their family, Sam will submit to him. he doesn't want that submission to be shared with John.”

yes! and there’s actually such interesting subtext to it. i’ve been thinking about that one scene from playthings where sam says “he (john) was right to say it” and dean angrily reacts “yeah, well, dad’s an ass”. it’s giving “dad isn’t here anymore. but i am. i am the one you should listen/submit to. because i know what’s best for you. i am the one in control of you now”. definitely reminds me of their interaction in 5.16, sam’s “i finally got away from dad” and dean’s “he wasn’t the only one you got away from”. the way he immediately makes it about himself. yeah it’s definitely about competition with john

also another interesting example is from 4.13:

dean: i’m gonna rip his lungs out!

sam: it’s not a big deal

dean: not a big deal? sammy, look at yourself. if dad was here —

sam: he’s not

dean: well, i am!

he wants to replace john in sam’s eyes so bad it’s not even subtext it’s blatant text. which makes the wincest dynamic so much more twisted & delicious ♡

the 04.13 exchange is making me unwell bcs this! this is it! he make the decisions when dad's not around. he decides the next course of action. it was set up so early on, so glad you brought it up

yeah it's blatant text, that's what gets me riled up when people say dean doesn't become a john variant later on. it's essential to his development that he shares traits with his dad. there are 2 mechanisms that the narrative utilizes to bind sam at dean's side. one is dean's excessive need for authoritative control over the lives of everyone he is close to (sam, bobby, lisa, cas) and sam's own guilt by hurting his closed ones by actions he did that (coincidentally) questioned their authority.

and I dont want to make it sound like sam doesnt doesn't love dean, he absolutely does. but its established that sam has the capacity to exist separately despite so. in fact, he wants to. but he doesn't leave. sometimes its covert, most times its overt that dean needs to "watch over sam" (like after seeing the endverse)

and playthings ofc is a gift that keeps giving. how quickly dean jumps to speak against john is fascinating. this is a man, who would ignore, refute or deny any claims from sam that painted john in negative lights, is now stewing in mourning and resentment. (yes, I do believe he was resentful. john left their family and dean, who views leaving your family as the crime of crimes, could not accept this.) to negate the absolute hurricane of emotions in his life, he puts focus on taking control of the thing closest to him, his sammy. (god i could talk forever about how he clutches to this control for stability throughout the show)

he has already set the reality that he will save sam. it is highly inconvenient to him that sam, now of all times, is putting 2 cents to john's words when dean is right there. keep your eyes here sam, trust me, put your faith in me. I am saying I will save you, that is the only reality you need to trust now.

the vibe of "i am the bedrock of your reality" reminds you of something else?

i also mentioned in another post that dean is insecure about his position in sam's life. he doesn't like losing sammy to even his father. in dean's perspective of their childhood in flashbacks, we only see what dean does for sam. these are at the forefront of his mind. these are his validity documents for his claim on sammy. how no one can know him better. not john, not ruby, not amelia. none of them know what's good for sammy, especially not sam.

(if I had more time I'd go back to "houses of the holy" and examine why dean didn't take well to sam's faith in the divine from a wincest lens)