Bonus 8: How met your mother (CSSR design by @qourmet!)
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:) hello! :D hope you have a nice day and absolutely do not think of the possibility of one of the last story cards being of silver! and that his groovy will very probably be crying!!! THERE'S SO MANY CRYING PEOPLE IN STORY CARDS LATELY!!! SPECIALLY LIGHT USERS!! I AM!!! SCARED!!!! bc so far we got Lilia and Sebek in the beginning book 7.... so at the end.... so we're missing story Silver... and Malleus is the one with less cards, so they might add one for him... but... the tears... ego.... THE TEARS!!!! EGOOOO!! (LOVE YOUR ART BTW EVERYTIME I GET A NOTIF FROM YOUR BLOG I RUN HERE TO SEE!)
(thank you! 💚💜💚)
YES I am ALSO like...90-95% convinced that we're going to be getting a story card for Silver once we wrap around back to diasomnia. 👀 especially because the way things are going, Silver will be the only character whose dream we haven't seen -- yet???? -- and that just. y'know. makes me wonder!
although I do think it would be VERY funny if he got a story card and the groovy was just "regular Silver except with one beautiful single crystal tear". this is actually a lot coming from him.
(he used up all his emotion yelling at a baby that one time, there's none left for a proper groovy-level cry.)
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miss this technoblade fella
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Lackadaisy Enrichment
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Genshin fans: So the archons are going to be only 2 men to 5 women? That's kind of uneven...
Mihoyo: Sorry, it is what it is.
Mihoyo in 4.2, giving Neuvillette his authority over Hydro back and straight-up destroying the very concept of the Hydro archon: SIKE.
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no because what if gojo satoru had found another special grade child. a child whom the jujutsu higher-ups wanted satoru to mentor because they'd be a useful trump card to the jujutsu society so naturally they'd want this child's talent to be honed till they potentially surpass satoru and be used. but satoru had seen too much of what this world had done to the person he'd love the most and he wouldn't ever be the one to subject another person to it like a tool. like a weapon. like a machine. so of course he takes them under his wing and gives them the guidance he never had, suguru never had. a 20 year old prodigy fresh with wounds of loss and grief taking in a child with greatness sitting on their head like a heavy crown cutting into their skin underneath his cape of power and blood stains. satoru is an enigma and even he himself doesn't know if it's because he wants to mold more strong jujutsu sorcerers who will change this world (because what greater irony than the child you wanted to utilize like a cold knife being the one to bring reform right to your door?), or if he wants to give them everything everyone else didn't have (please, he can't have someone follow in suguru's footsteps.), or if being number 1 was too tiring for him (but he doesn't know if it's selfish bringing them up to this blinding spotlight.)
years pass and he vehemently denies the higher ups control over his protégé, his student, his brat. he'll give them control and the means to break out of the shackles of this damned hierarchy. and even if satoru cannot outwardly say it, they're his child. as though he was there at their birth and has been ever since. his child and his best friend and he's their father and their best friend. it's either he sees too much of himself in them or too much of suguru because they're rising to the top fast and he's proud of them and so full of dangerous hope their wings aren't made of wax. (but he'll be there to catch them if they'll ever fall, of course!) they're so strong now. if he was blessed by the heavens and the earth then perhaps they were born of it because look at them go! giving the great gojo satoru a run for his money! not everyone can do that, you know? they're such a great student and person! isn't he such a great mentor?!
so he decides to have faith in them. bring them along with him to shibuya to deal with those reports of special grade curses he was being told about. this is how your teacher deals with these curses! better watch closely because you'll probably have to do it too! he has them positioned on the sidelines to ensure the civilians aren't hurt and if anything, to aid him because they're gonna be the strongest some day too so they can't be lazing a round on their ass all the time.
and they're doing so well until kenjaku comes along. satoru's breath stops and his heart rattles against the prison bars of his ribcage but it isn't the stupor of seeing his lost love that doomed him to the box. his special grade student lurches to -- what, attack kenjaku? pull satoru away? run? it didn't matter what. it was all a blur -- wards him and his body moves on an instinct that's even stronger that the compass needle pointing to suguru's body.
no, no.. that isn't suguru. it's his body and that's not him. somethings not right. but his student is right infront of him and that's them and he can't let anything bad happen to them now. flexing infront of his student can be saved for another day. but it's this mistake that ends up setting him right into kenjaku's trap and the box. the moment his gaze snaps to them and his body is torn between suguru infront of him and them kenjaku sees an opportunity and snaps it up like it's golden.
satoru doesn't even get the mere moment of chained freedom before he's fully trapped in the box. with the special grade student there, kenjaku needs to make it quick. make it count. he does. satoru is pulled into the box and satoru can't even say anything to his student. and he worries in his infinitesimal prison. satoru never usually worries unless if it's his leftovers have gone bad in the fridge.
they'll be alright.
they'll be alright.
they'll be alright, won't they?
they're strong.
they're capable.
they're smart.
he's raised them well they'll be okay they've got friends.
they'll do the right thing.
...
and when satoru finally exits the box he's sees faces changed. they tell him a lot about what they've been through, about what has changed since he's been gone, what changed about them.
he sees yuuji has been weathered with pain and a unique sense of hope.
he sees megumi has been puppeted with the strings of despair by sukuna.
he sees maki has faced the fiery trials and tribulations of this cruel world and bears it like her trophy.
he sees...
he sees nothing of his student. his special student. where are they? injured? somewhere off in the game? will they be back soon? time's a-running out, you know.
he sees the looks his students exchange and his heart drops. he knows. he knows. he knows what must've happened.
they're dead, aren't they?
and he's brought back to the time he carried riko's dead body in his arms and he was met with the disappearing suguru in the crowd and suguru slumped against the wall.
it's happened again.
they tell him they were a hero. that in satoru's absence, they did the heavy lifting and protected shibuya from the full-on destruction it would've suffered if not for them. that if not for them, the jujutsu world would've been left in even deeper disrepair. they saved some of their fellow sorcerers from certain death and suffering! they were the one to grapple with sukuna when he let all havoc ravage the city.
they paid with their life.
all because they were too worried about getting these normal civilians back home safe. about keeping their friends and mentors safe. and satoru wonders if there was someone else worrying about keeping them safe.
... atleast he didn't have to worry about them following in suguru's footsteps and the hatred of regular civilians. they were good of heart and soul. they were strong.
they did the right thing.
and satoru has a hard time wrapping his head around the fact that the person he's raised for, what, 10 years? is dead. gone. deceased. that's just preposterous! he was there when they were a snobby little kid and he was there when they were going through that awkward phase and he was there when they were learning more and more as a teenager and where are they now?
sukuna asks him that. "where's that miniature personification of yours? hah, don't tell me they died the last i saw them. have the special grades of this era started to slack off?"
satoru has all the more reason to kill sukuna now. he has to show his students who are watching that he can do it.
even if they will no longer watch him do anything.
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The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.
Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.
Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.
In saving Marceline, Simon helped to not only to save the world, but also himself.
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SOMEbody failed his wisdom save to resist unlimited tadpole power, and that somebody is definitely my tav Mayhew. a WIP:
mindflayers are incredibly fun to draw fwiw, do recommend
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No canon ships means post-canon is anyone’s game
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"Disney's princess needs to have more diverse personalities!" Yes true, sure, but also
Disney's first three Princesses (Snow White, Cinderella, Aurora) are all graceful, sweet, like singing songs about dreams and wishes, and do not actively fight: "omg they're such anti-feminist caricatures!!!"
Disney's next princesses have more established emotions and personalities, alongside the establishment of the "I Want" song as applied to motives outside of love (exploration, adventure, making their family proud): "OMG Ariel traded her voice for a man, how stupid!" "Belle's so stuck-up!" "Jasmine's just a spoiled brat!"
Tiana's a dedicated hard worker, loves her family a lot, and wants her loved ones to be very happy even at her own expense and gets... totally ignored in this conversation, gee I wonder why
Rapunzel, Anna, and now Asha are a little bit awkward, silly, but exuberant and get written off as "stupid adorkable" despite the other tenets of their personalities setting them apart, like Rapunzel's creativity, Anna's dedication to her family, and how Asha strives to help those around her
Moana gets called a disobedient brat for seeing beyond her father's narrow-mindedness
Disney Princesses have many wonderfully different personalities. It's just that people are dedicated to misinterpreting them, and that's why I never take the "Disney Princesses need more diverse personalities!" comment at face value.
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OC again gomen ... (her name is Yuma)
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every day I’m grateful landoscar fandom can draw the line between fun rpf and reality and that we never attracted the rpf pipeline fans who fully flip reality on its head to … and I’m not joking … think that another driver wasn’t trying to win a race ?? he was trying to be on a podium with Lando ??
the absolute delulululuuuu of ppl choosing to not have heard Carlos’ pissed off radio and then repeating it in his post race that if he had Lando’s “luck” with the SC then he would’ve won it instead of Lando. he literally went “fuck, so he’s won it then” in an angry voice and later on doubling down on Lando’s “luck” with the SC and how if Carlos could’ve had that he’d have gladly taken the win for himself he didn’t gaf about being on the podium with his lil buddy he wanted to win instead of Lando and he said so
and that last year when Lando said he would like Carlos on the podium with him for his first race win he literally said “so I can look down on him for once” he didn’t give a shit about anything but finally beating everyone on that track including Carlos which he’s literally said as well repeatedly he’s literally said he has no friends when racing
like these are brotherly yes but still very competitive digs they’re getting in at each other they’re not even misconstrued as friendly shavdjdbejbd
which makes sense since they call each other brother and cabrón but howwww do you mistake any of that for them giving two fucks about their friendship when they’re both wanting to beat the other at all costs like yknow they should as racing drivers ???
ironic tho bc it was Max and Oscar who stipulated that the SC may have been a bit of a help but that “Lando still had the pace even after that” to win like it’s wild how rpf can make people ignore that Max hates being second and still stuck up for Lando and Oscar had had his entire race completely ruined and still made sure to immediately and repeatedly defend Lando against ppl thinking the SC car gifted him a win
again it’s in reality fully normal and fine that Carlos wanted the win and thinking he should have won and couldn’t stop himself saying that even immediately after praising Lando !! it’s just absolutely wild the mental gymnastics to try and see it any other way
and yea I’m so happy our fandom can appreciate the reality of Oscar and Lando as drivers and not desperately try to larry it into insane rpf fantasy. like. even landoscar fic doesn’t pretend that Oscar and Lando are out on the track at any point thinking gosh I’m gonna remotely lose my competitive edge that’s been honed since I was a child bc I looooooove that guy in the other car like we all fully accept that’s not believable even in fiction ajshsbdjsbd
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so...John’s planning on pulling the plug on the world, right? Like that’s what he’s doing here?
I’ve just been turning these bits of ntn over and over in my head and tbh I can’t stop thinking about the description of 10,000 years of civilization as a first draft. John’s first resurrection didn’t quite end up how he wanted -- closest friends all dead, turned traitor, or both, fighting a war on multiple fronts, his only allies the corpse of his accidental bastard daughter and a twenty-something princess with cannibalistic tendencies whom he canonized as part of a failed attempt to revitalize his polycule-- but hey, it doesn’t matter, because he can just start over. All of NTN he’s in this depression spiral; he’s falling apart, he’s having orgy parties with his senior staff, he’s got at least part of his subconscious camped out in the comatose mind of a half-dead nineteen year old he tried to have murdered, treating it like a confessional booth; because right there, in the background of his mind through all of this, is the off switch. He can have his breakdown, and then just...let Alecto out. Erase it all, start fresh, and this time he’s got one attempt under his belt, he’s got notes for what to do differently, and so let it all fall to shit! Nobody else is gonna remember any of this anyway. Two worlds, now, that only John will remember. Maybe three, later; maybe four, what’s to stop him from redoing it over and over til it’s just right?
The issue with that, of course, is there’s really no way to treat the world like this and still care about it in the way other people do. You’d lose your ability to be affected by life’s events after a couple reboots and then what’s there to get emotionally invested in? When you’ve turned a person off and back on two, three, four times and you know you’ll probably do it again the next time something happens you don’t quite vibe with, how can you possibly look at them as a real person? Are they a real person, if they only know what you want them to know and do what you want them to do? And once you reach that point, once people aren’t people but project components for you to edit, what are you even bothering with all this for?? John started down this path because he so loved the world; what happens when he reduces the world to something he can no longer afford to love? Might as well pull that plug for good, yeah?
Anyway. I’m fascinated by the way John’s shitty mental state is dooming the world and it’s everyone else’s bad luck. The rest of the cast is out there fighting for their lives and he’s like *sigh* let’s try that again. take two, everyone!
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(This is a reply to this reblog because the post would have been way too long otherwise)
You’re right, @purplehairsecretlair; it would make so much more sense if the priest featured in the video was not Jerome! I was ready to accept this headcanon, but then I found the official description of the trailer:
This is about Joseph Seed's journey before he became the Father, before Pastor Jerome was forced to forfeit his status as shepherd of the County's souls.
So The Baptism is about Joseph “stealing” Jerome’s congregation… That said, I totally agree that this isn’t consistent with the game for several reasons (which you probably already know, but I want to use this opportunity to talk more about the trailer).
First, Joseph found John and Jacob before he started the Project, and they all arrived in Hope County together. In the trailer, however, as you pointed out, he’s alone. We see him creating Eden’s Gate, writing his own holy book, and recruiting his first followers. Also, this shot...
...looks like what the 2nd step of the Pilgrimage tells us in the game:
II. The Cleansing: Joseph Seed affirms his obedience to the Voice by cleansing himself with his own two hands, becoming born again.
Steps III and IV are about him getting his first followers and the Voice telling him about the Collapse, and he only “collects his blood family” at step V, which... I realize is not consistent with The Book of Joseph, unless that means he had already found his brothers and only “[anointed] them as his Heralds” at this point.
Regardless, the story told along the Pilgrimage path isn’t consistent with The Baptism either because he only brings his disciples to Hope County at step VII, but he’s clearly already there in the video. Plus, his Heralds don’t seem to be with him…
I tried looking for more information about the trailer, especially about the cast and characters but, aside from Greg Bryk, I couldn’t find the names of the other actors.
However, I found this. The website says the video has won 25 (in my opinion, well-deserved) awards and provides a synopsis, probably written by DDB Paris, the agency that created the two live-action trailers, The Baptism and The Sermon, for Ubisoft. It says that the little girl is “the daughter of the legitimate priest whose place [Joseph] took, ten years ago”. Far Cry 5 never implies Jerome ever had a child, so I don’t think that’s still canon, but I’m glad we finally know who she is!
I stumbled upon this other article (with a behind-the-scenes picture). It’s in French, so here’s a summary:
It was Ubisoft who “imposed” Greg Byrk on the agency, but the artistic director thought he was “perfect” even though they barely knew him. The copywriter comments he was “very immersed in his role” and “exuded something powerful”.
The video was shot in Canada, in Merritt BC. To help the team, Ubisoft sent them the “huge mood board” they made during their one-year trip to Montana.
Some shots were unscripted, such as the scene with the little girl on the swing.
About 150 people were involved in the project which also required dozens of supply trucks.
Finally, it says the trailer was released 14 months after the first briefing. Jerome and Joseph’s backstories had plenty of time to be rewritten...
I also remember reading this interview with the director on the now-offline UbiBlog years ago. So, in case anyone was wondering (I was), that string of saliva was, in fact, totally unplanned :’)
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The worst part about reading in a genre where you have low expectations (in this case, Christian historical fiction) is that when a book impresses you, you have no idea if it's actually good or if you're just overly impressed because it was a fraction of a degree better than the usual garbage.
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