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currymanganese · 4 months ago

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Matchmaker, Matchmaker,

make me a match!

Find me a find!

Catch me a catch!

@espumado 's fantastic meta on the influence of the horror/noir thriller classic film, The Night of the Hunter on The Bear Season 3 has been rattling around in my brain ever since she shared it; and it prompted me to watch the movie recently. I'd like to encourage folks to check out @espumado's post here if you haven't seen it.

Here are some thoughts I'd like to add concerning a potential parallel between two highlighted romantic relationships in The Night of the Hunter and The Bear thus far -

The marriage of Willa Harper and Harry Powell

And the relationship between Carmy and Claire

There are four features of the relationship between Willa and Harry that are mildly echoed in Carmy and Claire's relationship: external social pressure to accept a romantic partner that Willa and Carmy are not enthusiastic about initially; blatant tip-offs that Willa and Carmy receive that everything is not well in their relationships with the partners that they have been 'set up' with by their loved ones; post-tip-offs, Willa and Carmy's insistent denial of the fact that their partners are less than ideal; and Willa and Carmy's self-loathing and poor sense of self-worth that is reinforced by their larger-than-life familial figures.

External social pressure to accept an undesired partner:

In The Night of The Hunter, a newly widowed young woman, Willa Harper, is badgered repeatedly into marrying Harry Powell (a misogynistic, sociopathic serial killer-thief posing as an itinerant preacher) at the behest of Icey Spoon, a domineering older woman that is equal parts Willa's employer and her, and her children, John and Pearl's, mother and grandmother figure respectively.

Likewise, in The Bear Season 2, Carmy is bombastically pressured into being set up with Claire (whether for a casual fling or serious relationship is unclear) - a former childhood neighbour and acquaintance - by Mikey and Richie, his older brother and his surrogate cousin respectively.

Blatant tip-offs that the relationships are unhealthy:

After marrying Harry Powell, Harry instantly flips from being charming and ingratiating to Willa to being psychologically abusive and refuses to physically consummate the marriage. However, Willa is so cowed by Harry and the will of her mother figure, Icey, and the social approbation of her small, religiously conservative community, that she does nothing when she comes home from work one day and overhears her new 'husband' Harry being verbally, psychologically, emotionally, and physically abusive to her very young daughter, Pearl.

However, in a comparatively mundane indication that all is not well in Carmy's new relationship with Claire, Carmy appears to have his anxiety/panic triggered by being physically intimate with Claire, and/or due to the familial pressure he feels to be with her, which causes him to mentally associate Claire with his dysfunctional family.

Being in denial about their partners:

In a tragic and baffling development, after Willa overhears Harry abusing Pearl, Willa is so deep in denial about Harry's true nature that she meekly fixates on Harry's non-existent virtues even while he prepares to murder her. Harry kills Willa by slitting her throat with a knife, and dumps her body in a nearby river at night, leaving her 9 year old son, John, to fend for himself and his younger sister against their villainous step-father.

Despite showing signs of being anxious around Claire in Season 2 and 3 - his initial refusal to give Claire his number - his laboured breathing with her in his kitchen in Bolognese - his rapidly beating heart when cuddling with Claire in a Season 3 flashback; and Carmy's panic attack the morning after sleeping with Claire in Bolognese, and despite his mental preoccupation with Claire during Season 3, Carmy strangely asserts that Claire is not, "haunting him", as "that would be chaos, and Claire is peace...." Seemingly ignoring the negative emotions that their relationship triggered for him and the additional strain and complications that his time in his relationship with Claire brought to his relationship with Sydney, Richie, and his work-life.

Willa and Carmy's poor sense of self-worth reinforced by loved ones

Willa is an understandably subdued woman after the death of her first husband, Ben Harper, however (as encouraged by the psychologically manipulative Harry Powell) she also blames herself for Ben Harper's death. In her naivete, and self-recrimination over Ben's death, and because of her mother figure, Icey's, overbearing insistence that Willa is a silly woman that cannot take care of herself and her children, Willa rushes into a marriage with the evidently suspicious stranger, "Preacher" Harry Powell; who brainwashes her into believing that he is her path to salvation and redemption for her "misdeeds".

Carmy's monologues to Al-anon and to Tina/ himself in the walk-in - as overheard by Claire - reveal that Carmy is self-loathing and considers himself a: "psycho"; someone unworthy of love; a loner; a man of few to no true friends; and his dreams also expose that Carmy questions whether his brother/father-figure, Mikey ever really loved him or not, and that he also suffers from survivor's guilt. This poor sense of self-worth does not appear to have been helped by Mikey's refusal to let Carmy work with him, prior to his death, when Mikey was self-isolating and descending further into addiction; and Carmy's negative self-concept is further promoted due to his mother's abuse, and his family friends e.g. Tiff & Richie/brother's attestations that he is, "a mopey little fuck" and/or "weird", and like his mother, Donna.

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This post is already stretching on to be rather long, and these similarities between the aforementioned relationships and Willa and Carmy's personalities and actions may be coincidental/ unintended, but I do find them interesting to note, and I would like to point out a few final thoughts concerning Harry and Claire's motivations for pursuing relationships with Willa and Carmy respectively, and their personalities:

It should be noted, that despite being an influential and now-much lauded classic film, as a modern viewer, The Night of The Hunter is aggressively misogynistic; the women and girls in the film are either depicted as: gossipy, simpering, naive, easily manipulated, or domineering or mean-spirited, and in the lone exception to this rule, a positive mother figure that takes in John and Pearl at the end of the movie still expositions that, "women are foolish." However, it must be said that the quality of character of the men in this movie doesn't fare much better in turn, and Harry Powell is a misogynistic menace of a man that paradoxically is implied to lust after the very women he hates, and who he projects onto and dismisses as, "wanton temptresses", yet, in a case of deeply entrenched sexual repression, he refuses sex and sexual contact with women despite being found desirable and attractive by them.

Having said all of this, I find it funny that Claire seems to be everything Harry Powell would hate in a woman; she is intelligent, a medical doctor; presumably financially secure under her own merits as a doctor; she is confident and sexually forward; she is the one that pursued her interest in Carmy and not the other way around, which flies in the face of parochial heteronormative traditions about M/F romantic relationships; Claire does not desire to become a doctor out of (a traditionally maternal and feminine instinct) to show care and concern, or to "fix things" so much as she becomes a doctor out of a fascination with the intricacies of pain / the workings of the human body, and is somewhat unaffected by her almost killing one of her patients in her care due to misreading her chart; and lastly Claire breaks things off with Carmy instead of, "standing by her man", after overhearing his meltdown in the walk-in.

However, inversely, it must also be said that while Harry Powell's motivations for pursuing marriage to Willa before killing her is as clear as day, he wanted to marry her and kill her because he learnt that her first husband stole and hid a large sum of money with Willa's children, and "Preacher" Powell coveted the stolen money for himself; yet Claire's motives for staunchly pursuing Carmy as a romantic partner - besides Mikey, Richie and the Fak's encouragement, and Carmy and Claire's alleged former childhood/adolescent crushes on each other, and sexual attraction - is a little more nebulous.

What does she see in him really?

And, unlike Harry Powell, based on the impact Claire has had on Carmy's life thus far, after pursuing him romantically with Neil Fak's help, is Claire an anti-villain?

Thank you for reading if you've read all this - and on a personal note, I will be on here less frequently for the foreseeable future as I will be heading off to film school to study film production soon.

If any of what I've written above catches your interest, please do feel free to check out the following observation posts - and the reblog add-ons too! if you haven't read them:

Why'd the crew at The Bear ignore Syd's question about Marcus, to talk about Claire? by @moodyeucalyptus

Sublimation and Intellectual Orgasms by @mitocamdria

The Bear - Sleight of Hand Movie Posters by @ago0112

The Bear Season 3 & Meta Filmmaking by @thoughtfulchaos773

Natalie and Night of the Hunter by @espumado

Carmy and Claire: Guilt by @brokenwinebox

Claire: Ominous or Naive by @brokenwinebox

Richie and the viewer by @whenmemorydies

Richie's Journey is not over by myself.

Fourth Wall being broken by @brokenwinebox

Claire and The Faks: A Lovable Alpha Bitch and her henchmen? by myself.

Claire and Sydney by @brokenwinebox

Mikey and Claire as a reverse engineered haunt - an add-on to @espumado's post on the fantastical elements of season 3 by @whenmemorydies and @thoughtfulchaos773

Scene Lighting, Blocking and Dialogue Callbacks between Claire and The Berzattos by myself

Crack theory but...Claire as Lilith, Carmy as Adam, and Sydney as Eve? or why I think Claire and the Faks could possibly shape up to be shocking, exciting, funny, and even wonderful characters by myself

Mikey and Sydney paper parallels: Sydney as the light of Carmy's life by @miredball

Sydney as Our Mother of Victory by @gongziyus

Moments on Fillm: Carmy's Vital Signs by @moments-on-film (you may want to pay particular attention to moment's amazing breakdown of JAW's physical acting in his scenes opposite Molly Gordon as Claire)

Sydcarmy and Amelie parallels by @gongziyus

Sydcarmy and breaking down walls by @bbythurs

Is the Claw Clip Carmy's Bear Claw? by @vacationship

Claire: Clear As Mud add-on to a post on the meaning of Claire's full name by @whenmemorydies

The Night of The Hunter movie details and trope breakdown on TV Tropes

also tagging @yannaryartside @tvfantic87 @angelica4equity @devisrina @ambeauty @bioloyg @post-woke @caiusmarciuscoriolanus @imliterallyjustablackgirl @pureseasalt @chansoooo1-blog @amieraisposting @outmakingmoonshine @anaustenheroine @augustmonsooning @mkayartist @hwere @gardenianoire @mod-doodles @myloveismineallmine @turbulenthandholding @anxietycroissant @inalltheirgorgeouscolors @laryssamedeirss @justabovewater20 @prowitchazel @unlikelyjapan @afrofairysblog in case you're interested!

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blackcur-rants · 26 days ago

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Okay, I don't know if Dana Terrace is a Stephen King fan or not, but there are certain elements of "The Owl House" that remind me quite a bit of the Kingverse. Obviously, the story of a group of misfits and oddballs becoming a found family together and fighting a monstrous person-entity who represents America's long history of horrific racist violence and bigotry is very "IT"-coded, and there's also the whole parallel between Mark Petrie and Luz Noceda using their knowledge of genre tropes and formula to deal with their respective supernatural menaces until those tropes fail them and they are forced to confront the uglier and darker realities of their situations.

However, I think the "Owl House"-Stephen King parallels that I find the most fascinating are the ones between "The Owl House" and "The Dead Zone". In the broad strokes, both "The Owl House" and "The Dead Zone" tell the story of a goofy and lovable nerd whose life ends up taking an unusual new direction when they discover a long-dormant form of magic (Johnny's psychic powers/Luz's glyphs) that enable to do wonderful and incredible things and eventually bring them into conflict with an evil ruler (Greg Stillson/Emperor Philip "Belos" Wittebane) who has been oppressing people across the land and whose machinations are threatening to bring about a cataclysmic apocalypse. Eventually, both Johnny and Luz are brought into conflict with this abusive tyrant and try desperately to bring them down for the sake of everyone they know and love.

Obviously, I am not saying that "The Owl House" is secretly a Stephen King adaptation anymore than "Kingdom Hearts" is secretly "The Lion King" to "His Dark Materials" as "Hamlet". I just think it's fascinating how "The Owl House" lifts from so many prior stories. Not just other previous cartoons like "Avatar: The Last Airbender" or "Gravity Falls", but also from classic books such as "The Dead Zone", "The Odyssey", "His Dark Materials", "A Wizard of Earthsea", "Great Expectations", and also the works of William Shakespeare, most notably "Twelfth Night", "A Midsummer Night's Dream", and "The Tempest" with just a few bits of "Macbeth" and "The Winter's Tale" added just for spice. And there's also a lot of comparisons to be drawn between Belos and not just Greg Stillson in "The Dead Zone", but also between Belos and Noah Cross from "Chinatown" and Harry Powell from "Night of the Hunter". And before you say that Dana Terrace was probably not thinking that many layers deep, I would like to remind everyone that Willow's dads are named Gilbert and Harvey and that it was Harvey Milk who commissioned Gilbert Baker to create the first-ever Pride Flag and Willow herself...is pansexual.

@thegunslingerfollowed-blog @luimnigh @disregardcanon @sepublic