#I did actually like the movie story though

[sirfrogsworth]

Meeting my longtime artist and good friend, Chris, IN REAL LIFE!

So, I hadn't been to a restaurant in over a decade. I can't even remember which restaurant since it was so long ago. But in the past few weeks I've now been to TWO restaurants.

I am becoming a social butterfly. 

And it is exhausting.

But also good.

First I reconnected with my high school best friend, John.

And that went great.

But then the opportunity to see my friend Chris (a.k.a @whosthewhatnow ) came up only a few days later. And this close proximity of social events scared me a bit, but I have been feeling much better since they figured out my heart thing, so I decided to try and do both things even though they were only a few days apart. 

The key to this was strategic resting. As soon as I got home from seeing John, I got in bed and I didn't get out of it until it was time to see Chris. And that was just enough recovery time to pull this off. Typically a short outing requires 2-3 days of rest after. 

I had never met Chris in real life. He has done nearly all of the artwork for my website and comics over the past decade. And he was a main character in my CRAPPRnauts series.

We know each other so well and it is crazy that we've never seen each other with our very own eyeballs.

He is such an amazing artist. He works fast and he adds so many cool extra details that you can stare at his comic panels multiple times and catch a new joke or easter egg each time. He is a dream to work with and my Corg Life series was only successful because he did such a wonderful job bringing Otis to life in comic form. 

So we decided to meet up at a restaurant with his friend Michael and then I was going to take a nice portrait of him after dinner. Chris had never had a professional photo taken of himself and I decided to fix that.

I told him I had a mobile photography setup. Which, in reality, is a trunk full of lights and stands and other various camera gear that I definitely won't need, but bring anyway. It's "mobile" in that it all fits in my car if you are good at Tetris (which I am).

The restaurant was downtown and I had visions of St. Louis's famous Gateway Arch in the background of Chris's portrait. I thought that would be such a cool shot. I could see it in my head and I even dreamed about it.

So I got in my car and headed downtown and my GPS told me to exit at 249B. But I kept looking and I couldn't see the sign for 249B.

This is how much road I had left when I finally was able to see the exit for 249B.

So I ended up taking 249A and going straight to East St. Louis.

Which, if you believe the headlines, is not a place you ever want to be.

Google Maps and I have been having issues lately. They also tried to get me to take the spooky way home that night, but thankfully I actually knew the non-spooky way back from when I used to go to Cardinal games with my parents as a kid.

My short term memory was trashed by shock therapy. And so was a lot of my long term memory. But it finally came through in a pinch and remembered something useful.

I only had to loop around and cross a bridge so I didn't really do anything but touch the edge of East St. Louis. I was mostly concerned about being late for dinner more than its scary reputation. Usually those news stories about a place being "dangerous" are actually just racist and hurtful to people stuck in poverty. I mean, technically my house is in a "dangerous" neighborhood, and we do have trouble with petty crime in some spots, but aside from a few dinged-up mailboxes, I've never felt unsafe in my home.

On the way back to regular St. Louis I could see the Arch on the horizon at sunset and it was kind of magical. And I wasn't able to get a good shot of it, but it sure looked pretty from my point of view. 

My photos kind of remind me of the beginning of movies like Training Day where they are trying to show you gritty, dutch angle shots of the city out of the car window to give you a sense of the location.

As I approached the restaurant I invented a new genre I call "stoplight photography." The sky was orange and the streets of St. Louis were just asking to be photographed. But I wasn't willing to die to get neat photos, so I just took them at every red light.

The big trick was trying to edit the dark area at the top of my windshield out of the photos to make it look like I didn't take these pictures from my car.

After a 15 minute detour through Illinois I arrived at my destination—a Mexican place called Rosalita's. It had a beautiful sign, so I took that literal sign as a metaphorical sign it was a nice place to get a quesadilla. 

Dinner was great. Both signs were right and their quesadilla was very tasty. Chris and I both got one, so we are quesadilla twins. The waitress was one of those "I can remember your order without writing anything down" types. And I am one of those, "I get anxiety when things aren't written down" types. And, to her credit, she did not forget our orders. But she did forget to give us silverware and napkins. So I still feel like my anxiety was valid. 

We told sad stories of the pups we lost. But we also had a lot of fun and laughed and I got to meet Michael who turned out to be an absolute mensch. I sometimes have trouble meeting new people with my social anxiety, but he was very affable and made me feel comfortable with his presence almost right away. He was a fan of Otis and mentioned he still has a Super Otis shirt. I always get choked up hearing that Otis is still loved. Hopefully we get to meet again. 

Dinner ended and it was picture time.

I asked Chris if he wanted the high effort photo or the low effort photo. Either we figure out how to get to the Arch or we find a spot near the restaurant and just take his portrait there. Chris and Michael had a driver because they were coming from a big conference and getting to the Arch would have been complicated. So we decided to go with the low effort option. 

I found a cool shop nearby that had an LED wall that changed to all sorts of different colors. And I thought that would make a neat background and give a colorful edge light on Chris's face. I pulled my car near that spot and started unloading my trunk full of photo gear.

I think Chris and Michael were a little overwhelmed when I started pulling camera gear out of my trunk like a clown pulling an endless handkerchief out of his mouth. But as far as photo setups go, it was actually pretty minimal. 

Light, giant battery, light stand, umbrella, tripod, camera, rolling walker with seat.

My dad's old rollator came in clutch because I wanted to shoot from a low angle and it is hard for me to bend down. In fact, I think I'm going to look into getting an all terrain version so I can do more outdoor photoshoots.

I started shooting in the middle of a downtown sidewalk. And I was super anxious. I could not focus (my brain, not my camera). I was very distracted with all of the people walking by and staring. I was not sure if any of the photos were turning out. I wasn't even sure if they were in focus (my camera, not my brain) because I had not yet had my lens calibrated. But down the street there was a guy with an old school boombox playing random music. His music helped to drown out the ambient noise and gave me some comfort.

I had no clue if the photos were any good, but when I got home and checked them on my computer, I realized I have 12 years of experience and muscle memory built up. I probably should have just trusted myself because the photos all turned out great.

I think Chris can now officially say he has had a professional portrait taken of himself.

This photo has been officially loved by Chris's girlfriend and mother.

There is no greater seal of approval and I am honored.

I was able to comp in any of the colors the wall displayed from other shots in case Chris is feeling a little more green in the future.

A literal rainbow of options.

I also liked this one, though it is a little more "environmental portrait" than regular portrait.

And I got some nice photos of our little group to help us remember the night. 

And I got a bunch of photos of Chris making silly faces like Calvin at his school photoshoot. 

I love this woman's reaction to our little impromptu sidewalk photo shenanigans.

After we said our goodbyes and I gave my friend a hug, I was a little bummed I didn't get to photograph him at the Arch like I had dreamed.

But then I realized I had my own car and it was capable of taking me places. (I actually haven't gotten used to that after not driving for nearly 15 years.)

So I decided to drive a few blocks over to Kiener Plaza—a park with a view of the Arch. 

TO BE CONTINUED...

[aihoshiino]

Man, I think you gotta re-read from chapter 81 if you really think Ruby faced no consequences for the black hoshigan arc and hasn’t grown at all since. Like, she’s utterly alone (as a consequence of her own actions) and actively suicidal by chapter 121. The “The End” panel in chapter 121 is the genuinely cruel recompense for Ruby’s actions in the preceding 40 chapters; she’s in part isolated herself, in part driven her friends away, to the point where she’s seeking out Marina for a long-shot hope at ANY connection whatsoever. And the word of literal god, basically the authors’ mouthpiece, tells/shows her that it is hopeless, there is no such connection, she is completely alone.

And even after she re-establishes her connection with Gorou/Aqua and reopens herself to her relationships with her other friends and family, there are wounds on those relationships. Mending those wounds is the entire point of her sub-arc with Kana from 133 to 137. Also, notably, that’s where the real growth comes: where she is forced to dig into the depths of both her own and Ai’s psyches, acknowledges the emotions she finds and forces others to acknowledge them as well, and then finds a way to move forward with Kana specifically.

Notably, I think this is the specific area where we know she has surpassed Ai, at this point. Look back at those four pages of the performance in 159: while Ruby is clearly the focus, taking up roughly half of the total space on those pages and the center position in any shared panels, Kana and Mem are clearly each taking center stage as well for some songs, and the affection between the three is visible. In comparison, in how many of the panels in which Ai appeared did we ever see her teammates’ faces? Did we ever see her relinquish the stage? We know her friendships with the old B-komachi had essentially dissolved by the time the twins were born, Aqua tells us as much at the end of the prologue.

Sorry to say that I actually re-read the ch80-123 recently (I was trying to feel out how a hypothetical third season would be paced) and if anything, seeing just how many interesting ideas it sets up and fails to meaningfully iterate on just made me feel that even more strongly. What you've laid out in this ask is a good idea for the structure of BH Ruby's arc but if that was Akasaka's intent then the execution is so insanely botched that it is fundamentally absent from the work itself.

Like… there's no way for me to say this w/o sounding like i'm hitting you with an UM ACKSHULLY 🤓 but the idea that BH Ruby was even passively abandoned by her friends is just not supported by the text. We do see the beginnings of Kana's sense of inferiority towards Ruby take root just prior to Scandal starting up but this is framed as being emergent from Kana's own existing low self esteem (though admittedly triggered by Ruby wanting to add Mimi to B-Komachi). Moreover, it's more or less the same as how her feelings towards Ruby are framed during the Movie Arc, where Kana's jealousy is said to be a response to Ruby being "blessed with natural talent […] special and different from [her]". There is no textual connection drawn between Ruby's clout chasing and her behaviour towards Kana and Mem and Kana's sense of rejection and Kana never treats Ruby poorly as a result. Not only that but when Ruby is seen hanging out with Mem and Kana across those arcs, they're chatting and bantering like always and Kana is even actively supporting and mentoring Ruby in the immediate leadup to Ruby going to try and see Marina in ch121. In the actual text of the story, what leads to Ruby's breakdown is the physical and emotional stress and exhaustion of her massively overpacked schedule - something which is itself Miyako's fault, as explicitly called out by Kaburagi and Ichigo - and her lingering issues with Sarina's abuse and abandonment being quite literally triggered by her engaging and empathizing with material depicting Ai's abuse and abandonment at Ayumi's hands.

Outside of B-Komachi, the most we really get from her school friends that there's any cracks in their friendships is that little internal musing from Minami about Ruby getting tangled up in the "dirty world of adults" but that both comes before Aqua's assertion that BH Ruby is causing strain in her relationships and is clearly spoken out of affection and concern for her. Frill actively reaches out to and supports Ruby during the interpersonal audition way past Aqua's note about cracks and is basically the reason Ruby gets the role of Ai over herself or Akane.

Ruby is by no means abandoned by anyone. She is actively, effusively supported by everyone in her life the entirety of her BH arc. Even the one relationship she does end up fracturing - her and Aqua's - is repaired lickity-split as soon as the past life reveal happens and any tension in B-Komachi is reset to zero as early as 124 with no real nod to of any issues BH Ruby caused. In fact, the issues BH Ruby causes are never so much as acknowledged by the narrative, let alone addressed or worked through. When Kana is, finally, allowed to express any discontent to Ruby during the RBKN conflict, she is not actually permitted to confront her with any of Ruby's actual wrongdoing and is instead just mad that Ruby is more popular. This conveniently shifts the focus away from Ruby's behavior and so rather than having to actually address it, Ruby can simply graciously forgive Kana for being in the wrong and not do any meaningful work on the tension that exists in their relationship. The narrative absolves Ruby of responsibility, sparing her any genuine reckoning or growth.

You brought up B-Komachi as a point of comparison and as a place where Ruby has surpassed Ai but not only do I feel like these are apples and oranges, I also just feel like it's further proof that Ruby is not being allowed to learn and grow because the narrative excessively coddles her. Both Viewpoint B and 45510 explicitly say the issues with the group in a professional capacity are explicitly said to be the result of management excessively favouring Ai and not something she herself did and in Spica, we even literally see her attempt to surrender her center position to one of the other girls all while actively working hard to take steps to put them all in the best possible light even when she does have to be the center. And while there are interpersonal issues in B-Komachi, these are presented as two-sided failures to connect that Ai is actively show trying to resolve - Viewpoint B shows her approaching and reaching out to Kyun when she sees her feeling upset and the entire point of 45510 is Nino's utter revulsion and rejection in the face of Ai's vulnerability.

Not only that but like… Ai's behaviour never damages or endangers anyone's career! Gen 1 B-Komachi was certainly not a good environment for anybody in it, but everyone in it was still part of Japan's biggest and brightest idol group and enjoyed all the fame and money that came with it. Ruby, by contrast, very much did endanger the career of an entire TV show's worth of people and stepped on Kana and Memcho's backs in order to further her solo career. She is never so much as asked to examine this behavior or face any consequences for it and when we do finally see her express any sort of remorse or regret for her behaviour, it's all exclusively focused on how bad it felt for Ruby, personally to do bad things and how sad she, personally is that she decided to be shitty to people and then Aqua just wholly absolves her anyway. She never attempt to make amends with or even express concern for the people who she might have hurt in the process.

Because of this, both the Ai-Nino/Ruby-Kana parallels and the attempts to uplift Ruby as an idol 'surpassing' Ai fall flat. At no point past the Mainstay arc do we ever see Ruby correcting for Ai's mistakes or better handling situations that Ai had flubbed, mostly because she never gets a chance to. Her career as an idol is propelled along by the narrative failing to place any roadblocks in her way and rather than showing us Ruby's strength of character by letting her overcome social, structural and societal issues that troubled her mother, she is simply arbitrarily unaffected by them in any way that manifests in on-panel action taken by her.

This is what I mean when I say Ruby learns nothing—because the narrative, past a certain point, never challenges her or holds her accountable for her behavior in a way that would allow her to. Ruby is portrayed as a passive beneficiary of favorable circumstances, with any challenges she faces being swiftly neutralized by forces outside of her control or influence. This is not only frustrating to experience as a reader but ultimately diminishes the impact of her success as the story has begun presenting it.

[buffyfan145]

Another great episode with ep 2.6 of "Rings of Power" today!!! 😀 So much happened in it and we only have 2 more episodes!!! Lots to talk about behind the cut but I think I figured out the whole "who Galadriel is kissing" thing and it's not any of the "leaks" we saw as I think the promo for next week showed part of it but something I wondered about when I first heard Morfydd say it. 😏 Also I loved hearing Elendil's dad Amandil being mentioned as I always loved his name is so similar to mine. LOL

I loved the episode and so much happened!!! All of Sauron's scenes were amazing, as well as Celebrimbor's. Both Charlies brought it again and I feel so bad for Celebrimbor. We all what's going and it's so sad. Then seeing Sauron use more of his Maiar powers and doing what we call the mind palace manipulating to Celebrimbor. And him saying the world "precious" twice!!! Then also seeing Sauron with the dwarves and likely calling up the balrog, and then the siege starting. We also finally got to see Charlie Rich too playing one of the elves.

Then everything with Galadriel and Adar was great too!!! 😀 I loved their conversations about Sauron and how Adar figured out Halbrand was Sauron. Also he knows Galadriel lied to him about what Sauron offered her too. I'm curious how he thinks combing Morgoth's crown (which I didn't expect as that does go a bit against the books as Morgoth has that crown around his neck in the Void keeping him there) with Nenya will kill Sauron for good. We know that won't happen and that Sauron actually still didn't die when Frodo destroyed the ring, as he's still out there in Middle Earth as a formless spirit. So curious again how this is going to play out in the finale with Galadriel and Sauron as she won't kill him.

Then that brings me to the kiss that's coming for Galadriel and seeing the promo for next week's ep I do think it's Celebrimbor. There's part of the promo where she's with him in his forge and she's holding his face kneeling beside him on the floor. I think this is likely when he's dying and it's making me wonder if she tries to save him via a kiss, like she did with Gandalf in "The Hobbit" movies, but it doesn't work and he dies in her arms. The thing with the banner happens after his death with the orcs so it's possible this is how he dies, and if the show got the rights to that 1st Age story about how Celebrimbor was in love with Galadriel but she fell in love with Celeborn they could work that in too that she's with him when he dies. I can see them doing this and his death is tragic already but I also wouldn't mind if when he does die she's with him so he's not alone. So all those "leaks" about the kiss are likely all false if this is really what happens, and I'm totally ok with this as even being a Haladriel shipper I didn't think they'd go that far with a kiss this early in the show (though I can tell they've confirmed they both have feelings for each other) and the whole thing with Elrond are lies made up to make us shippers angry. We'll see if I'm right but I do believe this likely is what is happening.

Back to kisses the Poppy and Merimac one was cute. And I thought Elendil and Mirel were going to 3 times. LOL 😀 The whole Numenor storylines this episode was great!!! I loved Miriel was able to prove she's still queen and it extends the whole Faithfull vs The King's Men more as we've got a ways to go before Sauron gets there hopefully back in his Halbrand form. But now Ar-Pharazon knows that Halbrand is Sauron and he needs him!!! Also, loved how Elendil was looking very much like Aragorn and even Halbrand in this episode.

Even more convinced The Stranger is Gandalf after his talk with Tom Bombadil and the thing he said to him that is almost exactly what Gandalf said in the movies. I do think The Stranger/Gandalf is going to go save Nori, Poppy, and the stoors and that's likely when we find out his name is Gandalf. Curious if he'll face the Dark Wizard (who is likely a Blue wizard) this season or if that will be next.

So excited for the final 2 episodes of season 2!!! Though I know the 2 year wait will be coming after that. Also looking forward to those scenes of Adar and Elrond next week that were in the trailer too.

[forthegothicheroine]

Please correct me if I am wrong but I am not sure if there is any way to depict Fagin or Shylock in a modern retelling in a way that is not antisemitic? Is that even possible? Does that make sense?

Fagin: Yes, absolutely. You can either do what the musical did and make him more of an antihero- he does want the best for the kids, but to him "the best" means "raising them to be criminals like he is"- or make him not Jewish. (My father tells me "Fagin teaches Oliver how to sell drugs" happens in The Wire.) You could put the whole thing in the Jewish part of London, meaning that most of the characters save maybe the Bumbles are Jewish, but for a modern story, I don't think London has much of a Jewish mob anymore. (Though there are Jews in the Russian mob in New York.) Will Eisner's graphic novel Fagin the Jew did a great job of making him not a very good person but a lot more human than in Dickens.

Shylock: Eh...

If you're actually putting on the Shakespeare play, then you'd be actively at war with the text, and at that point you should probably just write an entirely new play about the character (see: Will Eisner's Fagin the Jew.) I honestly don't think The Merchant of Venice should be put on anymore, though many Jewish actors who want to do those fun speeches disagree with me, and I wouldn't picket it or anything. If writing a new thing in modern times, there are certainly still loan sharks who will break your knees if you don't pay them back, so hypothetically you could have one as a tragic villain who is whatever ethnicity all the other characters are. The thing is, the most interesting thing about Shylock, and the source of all the great speeches, is the fact that society has been bad to him because he's Jewish. It's not intended to generate lots of sympathy for him, it's more like the Joker's "You let me fall in a vat of acid!" but it is what everyone remembers about the play. I've heard people talk about Portia as a crossdressing lawyer, and I've heard people talk about Antonio maybe being gay, but I've never heard people actually care about the romantic comedy part of Merchant.

So, if being persecuted (for being Jewish or whatever makes sense for your setting) is what makes him interesting, you have to deal with the fact that the story still not only fucks him over, but emphasizes that he's a murdering bastard. You could give him a happy ending, where he and Jessica are reconciled and Antonio apologizes to him, but I suspect that's not what you're trying to do. You could do an Everybody Sucks Here version (which is what the Pacino movie did) and have it be a Peaky Blinders/The Sopranos type mob drama where you're rooting for whoever your preferred gangster is to come out on top. If what you want to adapt is the romantic comedy part, then just drop Shylock entirely. It all depends on what you're going for.

That said, the best Shylock is still Redneck Shylock:

[allaboutalf]

Not enough people are talking about Twisters team of queer hillbilly tornado wranglers. That’s a full fruit bowl, including Tyler’s disaster bi cowboy-scientist ass. They’re the rainbow flag of storm chasers, the Young Avengers of meteorology.

What is their story? How did they meet? Did Tyler put an advert out for his crew like ‘must be hot, hets need not apply’?

Need a movie solely focused on their adventures being gay and chasing tornadoes. They were the story.

*Honorary members Ben and Kate pictured

[hellspawnmotel]

remember when I did this?

well I did more

[feroluce]

So I went to the wiki page for the henghill Bullet & Brain mission of 2.2 looking for some dialogue I had missed and

a) I found something incredibly tasty that slotted into some other thoughts I'd been having, more on that on another day, and

b) I saw this super fun little trivia at the bottom, which!

I knew Penacony characters like Boothill took a lot of inspirations from old movies, but I didn't realize it was even in his and Dan Heng's relationship, that's so cool!!

It fits them very well, it's such a fun reference. "Butch Cassidy and the Sundance Kid" was an old buddy Western film (from 1969- nice) about a pair of outlaws. Butch Cassidy was the leader of a gang, and described as clever, affable, and talkative. Meanwhile, his closest companion, the Sundance Kid, was known as a man of few words.

Cassidy's original birth name was much more plain, but similar to Boothill, he took on a new moniker when he became an outlaw. "Cassidy" had been the last name of his beloved mentor, who taught him how to shoot and ride. And Sundance Kid was known as he was because Sundance was the name of his hometown, and it was the only place that had ever managed to catch and jail him, back when he'd been younger (also similar to Dan Heng, but ouch).

These two stick together like glue throughout the length of the film- through Cassidy's leadership of the gang being challenged, through a train robbery gone wrong, through being pursued by mercenaries, and even through fleeing to Bolivia and trying to start over together.

I don't want to say too much more, since the mission title is referencing one specific movie that I've never seen. I kinda wanna watch it now, though, just to see the inspiration that went into Boothill and Dan Heng and how they get along. I just think it's really sweet that these two were literally made to be the best of bros, how lovely is that. 💕

[ferryfoam]

Why did they give AOS Spock such a bad haircut ?? Where's the pointy fringe? Why is it round?

[icewindandboringhorror]

sneeping with his legs up over his head for some reason... weird boye

[nostalgia-tblr]

one problem with getting into Fiction Franchises like, oh let's say the MCU, long after they started is that 1) there are things that refer back to things I don't know about and 2) i don't know what i don't know about, and in a way that latter is more of a problem at least for me.

i managed an episode of wandavision and was left thinking "this seems like it's good, but i have no clue what's going on here so it's not going to work for me is it?" and i am reliably told it's supposed to be Mysterious Mindfuckery but i, a noob, was unable to work out without external clarification what i wasn't supposed to know. if you see what i mean.

i notice the mcu movies (at least as it progresses?) don't have numbers on them, and we know when they're direct sequels because there's a subtitle. and if you come at these later you need to get a chart to work out whether you should watch thor: ragnarok before or after thor: the dark world. which is easily done if i am determined to get things in the right order, but any effort is too much for someone.

so while i am willing to consider the idea that the later mcu films/shows are just Less Good than the early ones (personally Doubt so far but I'm not opposed to the idea) it's very easy inside a fandom to lose sight of what your thing looks like to the casuals who make up most of an audience, and frankly the mcu is currently Very Large and confusing.

who are all these Mrs/Captain/Miss/etc Marvel ladies and which of them have already been in films I might or might not have seen? how many ant men are there prior to this one? am i supposed to know who the baddy in this or that film is? which of these side-characters are from something else?

doesn't-seem-related-but-it-is: i was surprised to discover that the general mcu fandom view of the loki series was not that it was some sort of AU situation that could be thought of an entirely separate from the main series of films. because that was pretty much why it was the one to hook me, i think - it explained the relevant backstory with clips and yet also this is a different loki so if i don't want to go and watch however many films he was in i don't have to. i would expect him to be to some extent "out of character" because it carefully explained to me that this is not really the same character as that identical guy with the same name who was in some number of films. there's a woman one and an alligator one but don't worry they're all from AUs anyway.

[sonknuxadow]

i think i do want amy and rouge to be in the next sonic movie, especially if its gonna be an sa2 adaptation, but i cant help but worry that if they try to introduce shadow AND rouge AND amy in the same movie then at least one of those characters (most likely amy. tbh.) isnt gonna get the amount of screentime and development that they deserve. especially considering in the game timeline amy was introduced much earlier and by sa2 was already an established character while rouge and shadow were the newcomers. and then theres also the human characters who are gonna be making the cast a lot bigger than it was in the game so more people to divide the screentime among. like what if amy is in sonic 3 and she gets like 5 minutes of screentime and her big moment with shadow is given to another character again

[runningatypufullspeed]

WOULD YOU GUYS LIKE TO SEE MY FUGLY UGLY ASS ALLEGORY OF THE CAVE X FAHRENHEIT 451 CROSSOVER DRAWING THAT I WAS FORCED TO DO FOR SCHOOL….. ITS SO UGLY AND MONTAG IS

WHITE.

AND THE HOUNDS ARE DISGUSTING THE COLORING IS SO SHITTY AND MILDRED …. Well ok she looks alright kindof but the COLORING ….. SKETCH WAS BETTER but do you guys. Do you still want to see it…….,,,,,,

ALSO NO OFFENSE TO WHITE PEOPLE PLEASE I LOVE YOU GUYS 🫶😁��� within reason

[unproduciblesmackdown]

also marble hornets fun fact #92 like it's fun that for once the neurotypical agenda accidentally got a win: when in that s1 "interview" episode apparently there was no particular plan to have tim be a recurring character before a strong audience response of speculation that there must be something more going on with this guy because his fidgeting with a notebook all throughout the video was indication of Liar's Anxiety or whatever; in reality tim sutton was not making any acting choice (to serve then-nonexistent writing) but was spontaneously being someone often fidgeting with paper. then call that unfolding developments

[thosetwofirefighters]

find the word challenge

rules: share snippets of your work containing each of the words the previous poster selected for you (optional addition: if you can't find the word in your WIPs, or you simply don't have any WIPs, you can just write a sentence around the word)

thanks @the-likesofus for the tag!! very excited to see how many of these words I've used...

my words are: quiet, hold, cover, first, together, and small. unsurprisingly, my fake dating au (currently sitting at almost 30k words like it has been for the past few months...) has all of these words multiple times lol <3

quiet

Buck’s phone rings, and he pulls it out of his pocket, his hands shaking when he reads Bobby’s contact name. He answers before he can even register it. “Pops?” His voice is quiet and terrified.

hold

Hearing footsteps from his spot on the couch, Buck tenses as Nathan comes up the stairs. It’s been so long, but Buck can still recognize the man’s footfalls. He lets out a breath he’d been subconsciously holding when Nathan finally appears and moves towards one of the armchairs across from him instead of the couch.

cover

“Jurassic Park!” Chris yells, and Buck has to cover his ears against the sound, the kid’s excitement causing him to be louder than usual. “Please, Dad, I know it’s kind of scary, but they just put it back on Netflix, and I’ve seen it before! Plus, I’m ten now, I won’t have nightmares!”

first

“I don’t want you to get hurt again,” Eddie says, meeting Buck’s gaze. His eyes are soft and despite his words, they shine with support, and Buck thinks—not for the first time—how lucky he is to have a best friend like Eddie.

together

Nathan’s study abroad had been nearly over when Buck brought up the idea of him going to Los Angeles to fight fires and help people. Nate had just nodded before taking Buck’s hand and kissing him, saying he’d buy the plane tickets in the morning. Buck had assumed they’d be going back together to be together.

small

Eddie glares at Chim when he insists on playing with the station’s small Hildy gadget that they keep in the kitchen. They mostly use it to play music, but Chimney takes the opportunity to ask her a bunch of questions throughout the day and only stops when Eddie threatens to run her over with a fire truck after Chimney starts asking her questions about the 118 themselves.

words for people I tag: home, care, love, make, and dream

no pressure tagging @mooshkat @jacksadventuresinwriting @ty-in-bedlam @lilbuddie <3

[just-an-enby-lemon]

[I have a silly idea of Batman recruiting Crane when he was still a professor because Crane was the best on his field and he needed psychiatric knowledge to help with a particular rought case. Scarecrow is already a criminal but no one knows who he is]

Jonathan: Can't I at least go back to my office and check if it's locked? I let my computer logged at all times and a student may use it to change their grade.

*Bruce sends him a look*

Jonathan: What? It happens. I was on lockup so Jeremiah could change his grade on former professor Strange's old computer multiple times. Now I always told him "why take a class on criminal psychology if you have such a weak stomach for Hugo work tales, Miah" and he would go "well my family has this Asylum" and our grades came and his was down and he was soo scared of disapointing his family. It's one of my favorite memories really. So lil old Alyce god bless her soul saw Miah crying and me failing to confort him and she always had a soft spot for Miah so she said "you know I heard that Strange never locks his door and his computer is always logged on" and at first Miah wouldn't do it, he was afraid of getting caught, fear is a very strong motivator, but you already know that, don't you, Batman? Stricking fear on the hearth of the criminals. Anyway, the best way to fight fear it appeared was with more fear as being remembered of the fear of disapoiting his old man was all it took to overcome his fear of Strange's ire. Long story short Miah decided to go. I of course offered to help and he was "you will? But your grades are good?"" and I simply reminded him that his weren't and he was "Thank you, Jon" and we did. We keept doing it the whole semester. I have no idea how Hugo never noticed... What was my point again? Oh yeah, this things happe, Dark Knight, and I pride myself of being a fair teacher. I may have being permissive of cheating as a student but never as a professor, I love Miah but we all known he would be better off teaching or working at the hospital, maybe opening a pratice not in Arkham and he wouldn't be if I didn't help him cheat. I don't want a repetition of that.

Batman: That's certainly a nobble cause, Dr. Crane but I'm afraid-

Jonathan: Afraid! We are all afraid. Now tell me, Crussader what are you afraid off?

Batman: *suspicious* Excuse me?

Jonathan: uh... *internally: dammit Crane that was too obvious* uh... bonding exercise *internally: nice save*

Batman:... Bonding exercise?

Jonathan: Yes, to help inspire trust and calm the body during a stressfull situation. I suppose I started to harshly what about you favorite color?

Batman: I understand that situation might be scary for you but I would preffer if you refrain from bonding activities.

Jonathan: *whispering* social interations make him nervous interesting

Batman: I didn't hear you?

Jonathan: Sorry, I'm a little out of it, I suppose, you are right is merely a bit of fear, it is a rather unusual stiuation. It almost fells like visiting Gotham for the first time all over again.

Batman: I imagine you liked the experience the first time though?

Jonathan: And why is that?

Batman: Because you stayed.

Jonathan: To be honest I find Gotham absolutly terrifying. It's creepy atmosphere, the gothic architeture, the almost permanent fog in the sky, the constant bad weather *raising an eyebrow at Batman* the crime. Gotham is a place where all urban legends are true! There really is poison in the water mains and we truly have crocodiles in the sewers and clowns wanting to kill you.

Batman: Than why stay?

Jonathan: Maybe I just didn't had anywhere to come back to or maybe I just like the fear or maybe and there is the real answer here maybe I just find the people of Gotham truly fascinating. How brave they are in the mist of everything.

Batman: I suppose.

Jonathan: Suppose? *he laughs* Only in Gotham you would find an old lady who would stand up in front of a deranged serial killer like Victor Zsaas and order him to finish his target already cause he was stopping the traffic. Or a kid who face to face with local terrorist Edward Nygma dared him to solve his puzzle. Only in Gotham a man would dress up like a bat to fight crime. We don't have it anywhere else. Certainly not in Georgia! It's inspiring. It makes me wonder what are the gothamites afraid of.

[gothic-chicanery]

I just realized if I want to write about Oppenheimer for my final paper for my west class I probably have to rewatch it and it is So Damn Long. I’m also writing about it in comparison to a production I saw of Doctor atomic (the Oppenheimer opera (yes there’s an Oppenheimer opera)) but that will be a little bit easier bc I’m pretty sure no footage exists of that production so like at least I don’t have to rewatch that