#harris calvin

[songswiththesamename]

Bastille;

Air Traffic Controller;

Chaz Cardigan;

Harris Calvin;

[thekingwade]

YOOOOO!!!! Today is Election Day!! Go exercise the use of your voice! GO VOTE!! Vote Blue! I did!💙💙💙💙💙💙

[mostly-funnytwittertweets]

[joesalw]

Taylor Swift has an unhealthy obsession with changing her personality according to the men she dates from time to time. It’s funny how she talks about how she's never gonna get back the six years of her life being wasted for being private. But this is the same person who released interviews saying she craves privacy and it has made her life manageable and feel real instead of being the objective of tabloid stories by the media.

It's like she doesn’t have her own perspective of life, she always sees the world the way her partners see them. When she first started dating Joe and started talking about him, she made it look like he is the best thing that has ever happened to her, even in her songs she wrote so highly of him. All the things that she's rejecting now are the things that she admired back in 2016-2022. With all the privacy cravings back then, her fans were dragging Tom hiddleston and Calvin Harris for being so public with her, they dragged these guys saying they only used her for fame and never seen the real Taylor. Back then the narrative was, only Joe was a real guy who loves Taylor for being herself and not the Taylor Swift tm. But since the relationship didn’t work out, she switched the whole narrative again.

This time Joe is the villain for not being public with her. She is so proud of Kelce, she loves to enjoy his shows and apparently she doesn’t care about how many people are pissed of seeing her face everyday, she made a quote on that. But how long since she will switch this narrative too? Again swifties will villainize Travis Kelce and not TS. It's funny how they totally erased the existence of Matty Healy from the interview as well, since it was bad for her image. But we didn’t forget it Taylor that you were proudly hanging out with a racist, xenophobic, islamophobic, zionist guy and publishing articles on how your relationship is NOT platonic.

Her whole activism era started because Joe was an activist. He didn’t stop it after the breakup because it's a part of his personality, he still signed the ceasefire letter. But Taylor didn’t utter a single word about genocide, she's busy learning football and crying about how oppressed she is in her billionaire lifestyle. And somehow she is the Person of the Year in Times magazine.

And talking about her new boyfriend so publicly is something she never did even with Calvin Harris, which was (in comparison) her third most public relationship. But somehow all of this is directed towards Joe as if he was the one in fault for keeping her silent for so long. She is a grown ass woman who can take her own decisions. If she wanted an out from being locked for so long in her own mansions, she could've done that anyway. But to make it look like someone else fault is something she never gets tired of. It's always her exes' faults and not hers. When will you take accountability for your own decisions Taylor Swift?

Like this woman is pushing 40 and is still acting like a high school bully. She is proud of having a boyfriend from football team which is fulfilling her dreams from high school. She loves the attention, loves to play a cheerleader role as a gf. She got a platform like Times magazine’s person of the year where she could talk about serious issues in the world but she'd rather talk about how independent she feels being in a public relationship like this.

Btw it will take no longer than two years for this to turn into a victim trap again, she will then release another article about how she hates so much attention from public and how she craves privacy again, (based on whatever her then boyfriend would want lol) and her fandom will again forget everything she's said in this interview and make an ultimate villain out of Travis Kelce. Literally the same way they did with Jake Gyllenhaal, Calvin Harris, Tom Hiddleston, Harry Styles and Joe Alwyn. It is a never ending cycle and it will go on forever until she decides to seek some therapy for herself.

[aeolianblues]

‘Indie sleaze’ is not 2014, ‘Indie sleaze’ is not 2014, ‘Indie sleaze’ is not 2014, ‘Indie sleaze’ is not 2014!

It’s not tumblr-core and it’s not Lana Del Ray or 2013 AM, it’s not #girl interrupted, it’s not Ethel Cain (she literally is an artist of our time, what are you on about.)

It was 2001 with the Strokes on the cover of the NME every 2 weeks, it was cabaret night and English poetry with the Libertines in 2002, it’s those red and blue military jackets, it was the fucking grease in Julian Casablancas’ hair, it’s ’cocaine was the banker’s drug’ quoth Alex Kapranos, it was Don't Go Back To Dalston and the heroin, it was red and black horizontal striped tops and tight black shirts as evening wear, it was Russell Lissak’s mop top and a full page interview with London hairdressers in the NME in 2005, it was Jack and Meg’s saturated red and white dresses, it was glued glitter on the cover of Santigold’s first album, it was the sleaze and the sex of CSS’s music, it was ‘cold light, hot night’, it was the anti-Bush and anti-war stances of the bands at the time, it was America by Razorlight, it was Popworld on telly and Simon Amstel being a little shit to musicians, it was Karen O defying death on stage nightly, it was throwing up in shitty nightclubs on god knows what drugs, it was the fucking danger knowing this could all collapse any second—and rightly, it should. It was the godawful egos at DFA, it was knowing that while you were lucky to be seeing these bands live, you’d fucking hate them if you had to spend even a minute in their individual company. It was Amy Winehouse telling the world to get the fuck out of her business, it was Leslie Feist and Peaches sharing a dilapidated flat above a sex shop in Toronto.

It was horrible camera flash and red-eye editing softwares and putting your feet by the warm, spinning fans of your computer while it whirred away and downloaded your albums in *checks* 46 more minutes. It was horrible, it was dirty, it was gritty, we all hated it and thought the 90s were the last time music was good and that nothing good had happened since 1997. It was garishly bright clothes we were all embarrassed of by 2011, it was multiple layers and leggings and asking your mum to cut the itchy tag on the back of your low rise jeans only for her to snip your back. It was bell bottoms at the start of the decade. It being thankful that by 2017, no one would dream of wearing low rises anymore, please please, please let them never come back.

It was faux nostalgic of the past itself. It was ‘please make sure baby you’ve got some colours in there’ in your clothes. It was moral panic over emos. It was wanting to escape into a better past that you could see was visibly impoverished in the present. It was watching your favourite programmes become less and less relevant on air. It was watching MTV decisively die a horrible death. It was watching important venues and nightclubs get bulldozed. It was watching the last regular broadcast of Top Of The Pops in 2006. It was seeing how the 2009 financial crisis most definitely put a stop to independent music in the western world for a decade, it was watching the rise of bedroom DIY and electronic music. It was seeing the phrase ‘SoundCloud rapper’ being coined. It was the rise of Disney pop. It was counter-culture Justin Bieber hatred. It was the MS paint meme of those tumblr girls thoroughly unimpressed by the guy.

It was not using the words ‘indie sleaze’ at all, in fact. That’s a retconned word. It was garage rock revival. It was ‘post-grunge’. We didn’t care what it was called, we hated it all the same. It was a lead into a decade of despair and nihilism, it was the last hurrah for the music industry before it splintered into a thousand little online ecosystems, it was the last time we had physical community and any shared pop cultural moments. It was Live8 2005. It was the same as it is now, and it was a time that’ll never happen again, for better and for worse.

But one thing is for sure: it was decisively dead by 2014. Santi and Karen O’s 2012 collab was its last hurrah and it was dead by Comedown Machine by the Strokes (2013). It has nothing to do with 2014.

[evermoredeluxe]

i actually didn’t know about this piece of lore (x)

[adekalyn]

*Professor McGonagall reading a note Sirius handed her*

Professor McGonagall: “Please excuse Sirius from class today. His genius is urgently required on a top secret matter of national security. Sincerely, the Minister for Magic of Great Britain. P.S. Really.”

Professor McGonagall: Nice try. Sit down.

Sirius, at his desk: I gotta learn how to write in cursive.

Remus: Yes. That was the problem.

[softspiderling]

harry for calvin klein🙂‍↕️

[chaoticartistan]

harry in those boots he has

[aemondwhoresworld]

🫠✋

[men-in-4k]

HARRY COLLETT for Calvin Klein

If you like the content, follow me on TWITTER as well <3

[tswiftupdatess]

Calvin Harris deactivates his X/Twitter account after Taylor performs ''This Is What You Came For'' as a surprise song at The Eras Tour!

[starlight-tequila]

I'm probably extremely right and extremely wrong

[oscahpitlane]

Ty f1 for these delightful captions

[mndvx]

HARRY LENNIX as J’ONN J’ONZZ in  ZACK SNYDER’S JUSTICE LEAGUE (2021)

[adekalyn]

*Fred and George going to Percy’s room*

George: Percy? Are you busy?

Percy: Well, sort of. Why?

Fred: Oh. Nothing. We were just thinking, maybe, if you had the time, we could all do a brother bonding kind of project. You know, just you and us.

Percy: Of course we can. That’s more important than this. Sure, what would you like to do?

George: You’re old enough to buy firearms and explosives, right?