#happy returns

[dramasetter]

Hey brother,

Happy returns

It's been a while now

I bet you thought that I was dead

But I'm still here,

Nothing's changed

Nothing's changed

Hey brother,

I'd love to tell you I've been busy

But that would be a lie

'Cause the truth is

The years just pass like trains

I wave but they don't slow down,

They don't slow down

[sairceketli]

I feel I'm falling once again But now there's no one left to catch me

[chloesimaginationthings]

The Mikes and Vanessas celebrate 10 years of FNAF!

[egophiliac]

he did it! 🐍 and it only took...uhhh...well, there probably could've been less punches, but why hold back!

PUNCHES FOR EVERYONE

[kaiju-krew]

monarch made him merch

[bluerosefox]

Her Astrophel and Sterling

hmmm

Hmmmmmmmm

You know what.

You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.

Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.

DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!

YES.

Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.

"Ellie! I thought I said do not answer the door my Sterling."

"But Daddy, yous was busy fighting the hotdoggys!"

Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.

and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."

[ruporas]

it's time to go, my love (ID in alt)

[wangxianbaybee]

"Your flowers."

"You're welcome, I gave them to you."

[mint-fixates]

There's this weird take I've seen floating around on TikTok that Bill doesn't actually care about his family/dimension or Stanford at all; that we're supposed to take everything in TBOB as non-canon basically because he's lying to garner sympathy from reader to make a deal with them. I'm all for having your own interpretations of media, but I just don't think this idea that Bill is a completely heartless unfeeling creature is supported by canon at all. In fact, it kind of feels like the opposite of the point of the book.

Like, yeah, most things Bill says should be taken with a grain of salt because he lies a lot, but he's not actually a very good liar? It's usually pretty easy to clock when he's full of it. But okay, even if we assume every word Bill says while trying to recruit the reader is a lie, there are three major things that this doesn't account for.

Bill is not the only source in the book. The lost Journal 3 pages were written by Stanford, we only know about the interdimensional Taco Bell incident because of an included police transcript, etc.

Even once he's lost any chance of making a deal with the reader to escape, Bill is having a complete breakdown and mentions all the people he so totally doesn't miss for real you guys. Why bother with reverse psychology double-lying for sympathy once his shot at getting the reader on his side is already gone?

Trying to garner the reader's sympathy makes sense to a certain extent, but why go out of his way to make himself look pathetic? Does revealing that he got drunk and cried over his ex in a fast-food drive-through really help his cause if that cause is to convince the reader he's still a powerful being capable of starting the apocalypse again so they can rule with him?

And that's all without even mentioning that, as previously stated, I think the entire point of the book is missed if we're interpreting Bill as having no genuine feelings or attachments. The book ends with Stanford healing from his past by being open about what he went through with his family and accepting their help, while Bill insists he doesn't need anyone and refuses to heal, actively making himself worse in the process. The clear theme imo is that accepting your past and accepting help from people who love you is essential to healing, while denying those things just makes everything worse. If Bill doesn't actually care about his family, his dimension, Stanford, or anything/anyone else, he has no trauma to heal from or regrets to learn from that he's refusing to accept and deal with, and the entire meaning of the book is made moot.

[gracefuldisasters]

Hobbits through the years. I love these four goobers so much.

(I have more sketches, but I'm going to get back to animating for now. Maybe there'll be more next week?)

[paintsandquests]

Long live Elessar and Arwen, King and Queen of Gondor

[kimtaegis]

JIN HUGS JIN HUGS! for @jinstronaut ♡

cr. namuspromised, dwellingsouls, 0613data

[magicandmundane]

*after Mon Mothma’s briefing*

Wedge: Hey, Luke! So where’ve you been?

Luke: Yeah, so I went back to Tatooine to break Han’s ass out of Jabba’s Palace. I had to fight a rancor first, though. Luckily, I killed it before—

Omega, on the other side of the room: YOU KILLED MOOCHI?!

[artbyleav]

“I should put it all behind me, shouldn’t I? But I see her in the back of my mind All the time Like a fever, like I’m burning alive Like a sign”

Wildflower by Billie Eiliesh is so Frodo coded you can’t change my mind

[eurodynamic]

SIMON "GHOST" RILEY 💖✨💕 — gift for @simonghostrileys 🎁

[lilpatison]

“…𝘈𝘯𝘥 𝘵𝘩𝘦𝘯 𝘺𝘰𝘶 𝘤𝘢𝘯 𝘴𝘮𝘪𝘭𝘦 𝘢𝘨𝘢𝘪𝘯, 𝘫𝘶𝘴𝘵 𝘭𝘪𝘬𝘦 𝘺𝘰𝘶 𝘶𝘴𝘦𝘥 𝘵𝘰.”

“𝘛𝘩𝘢𝘵 𝘪𝘴 𝘯𝘰𝘵 𝙢𝙚, 𝘈𝘯𝘨𝘦𝘭.”