#hans/elsa

[scurviesdisneyblog]

Character designs for Frozen (2013) by Bill Schwab

[puryartist]

frozen 3 leaked photo (real) (trust)

[elvenalba]

“What happened to Hans??” Boy they better return him

[magentacravat]

How would you think their meeting in F3 based on F2?

Mine's like this lol

[firawren]

Frozen text post memes, part 4 of ?

[elanrakiss]

Inktober

Day 5 |binoculars|

[eylih]

We as society need to bring back Frozen memes 🗿

You can repost if you want but tell me before and credit me (I'll know if you don't, I'm caribbean)

[galaxygolfergirl]

“I can’t stay here.”

“Then come with me.”

Hans and Elsa at the end of Frozen 4, confessing their love for each other.

🔽BONUS🔽

I live a life of letting go

Under a starlit night

I wrap myself in thin sheet of ice

Up there, the stars are crystal lights

Find me in the backyard

Find me in the backyard

In the dark

[princess-ibri]

Darkside Disney: Anna and Elsa

The Darkside tale of these two sisters begins when Anna, with so many years of confusion and hurt, decides to take Elsa up on her hurdled order of “then leave”

She turns on her heel then and there, never reaching out for Elsa, never causing Elsa to unleash her powers. She decides that if Elsa wants to close a door between them, she’ll finally stop knocking.

Anna leaves with Hans back to the Southern Isles that night

They're married onboard the ship, and Hans spends the honeymoon and proceeding three years of marriage carefully stoking Anna smoldering hurt into a true fire of resentment

By the time word comes from Southern Isles spies that the Queen of Arendelle has begun to show signs of madness, Anna is more than ready to step up and take the throne. She might have been content to stay in the Southern Isles before, but as her husband points out, Elsa is unfit, Elsa never engages with her people, they’d be much better under someone who actually cares about Arendelle. After all, with Elsa unwed Anna is the next heir, she’s the one who’ll be carrying on the bloodline. Don’t the people of Arendelle deserve security, attention, love? Doesn’t she deserve all that as well?

The people of Arendelle would indeed welcome their exiled princess as their new queen, but things aren't that simple…

After Anna left, Elsa tried to do her best to run the kingdom, to make the memory of her parents proud. But her powers continue to grow stronger, and stronger. The stresses of rule begin to take their toll, and she’s only able to keep her powers hidden by once more withdrawing from the public eye.

When she was still under age, this could be overlooked as the Regency Council trying to protect the royal heirs, but now her reluctance to engage with her people begins to rankle and sour the populace’s opinion of their new queen

And things only get worse when, in the third year of her reign, on top of her growing powers, Elsa begins to hear things…

A voice, calling to her, begging her to just let go, to unleash her powers and step into the unknown

And the harder she fights to conceal her powers, the stronger they—and the voice—become

The strain begins to be too much, the cracks in Elsa’s frozen facade begin to show, and whispers grow of a madness plaguing the Queen

And finally, the day comes that brings the sisters face to face again. Anna demanding that Elsa step down, she has the people’s support, she has the support of Han’s navy connections. She has more right the throne then Elsa has, Elsa who never cared for the people, who never cared for anyone.

“Anna that’s not true! I care—“

“You never cared! You shut me out, you shut the world out! You left me to bury our parents alone! So don’t stand there and claim to care now Elsa! Life’s too short to waste on hearing excuses from someone as cold hearted as you!”

It’s all too much. Her powers, the voices, the hatred in her sister’s eyes. Something in Elsa’s mind—in her heart—breaks. All her life she’s tried not too feel, and now she can’t stop feeling. All the heartache, confusion, anger, loneliness, fear

It all comes crashing out, a dam bursting over, a storm long healed at bay now barreling down in full force

Elsa flees in the cover of the onslaught of snow and ice, barely aware of what she’s doing, just knowing she can’t bear to see Anna, her only family, looking at her like that. All she seems to know how to do is run, and run, and run. Away from the voices, away from the pressure, away from Anna

She doesn’t realize she’s trapped Arendelle in an eternal winter, one that begins to spread out across the land, barely held back by the sea

She doesn’t realize the initial blast has killed the man her sister loved

Anna takes the throne of a kingdom in turmoil as a widow, her own heart broken, bleeding, freezing over under the weight of all that she has lost. The only thing keeping her going is trying to save her people—and the child she carries

The storm over Arendelle never breaks though, and the entire kingdom is forced to flee wherever they or face becoming another frozen statue in the growing wasteland, where nothing walks but the wailing form of their former Queen.

A figure with skin covered in frost, hair whipped about in the perpetual storm, tears frozen to her cheeks. Forever trying to run from the voices calling calling calling to her

Anna returns to the Southern Isles in disgrace, her kingdom and husband lost, her in-laws having no interest in harboring her now she has nothing to offer them. So they send her and her child—so sickly, so frail, never having overcome the cold they were born into—off to the farthest and poorest of their Isles. And there, her heart becomes as frozen as if her sister really had struck it all those years ago…

DisneyVerse After Credits under the Cut

One year later, Anna finds herself approached by a strange wandering soldier, who offers her the power to regain her kingdom, to give her child the life they deserve, to gain vengeance on the one who caused all of this…if she’s willing to make a deal

[artist-issues]

I’m bored and I really enjoy your opinions on Disney, so I thought you might have something interesting to say to get my brain ticking. I came across a post on Frozen and I was like, “Ah, a perfect starting place for dropping you an ask.” I’ve never really been that bothered by Frozen and I don’t know what it is that I’m just not fond about. Maybe it’s that I dislike the characters? Maybe it’s that they didn’t really have any established rules for the way magic worked in that universe and thus had anything they wanted happening? Maybe it’s the twist villain? I don’t know, it’s probably just the characters that they tried to make so cool and girlboss!

Elsa is made out to be this awesome protagonist that is never in the wrong and that grates me. She has flaws, but the film doesn’t act like they’re flaws. She runs away out of fear and shame for not being able to control her powers, but then two seconds later she’s singing “Let It Go” and making giant ice castles and bringing snowmen to life?! And “Let It Go” is super annoying for the fact that Elsa starts off worried and upset (fair enough, she’s just ran away from her home, her kingdom, her sister whom she hasn’t seen in years, she lost control of her powers) but then immediately turns round and is like, “Actually, it’s not my fault and I’m fine as I am and I don’t need any of those responsibilities!” Which would be fine, but she also finishes the film with the same attitude!

Anna, too! Naive and optimistic and perhaps a little too trusting, she never realises that even if Han hadn’t turned out evil, Elsa had every right to be worried over their marriage. She never realises that it’s partly her fault for revealing Elsa’s powers (and she definitely doesn’t apologise). There’s a lot she doesn’t realise, and the only lesson she takes away from it all is that Christoff loves her instead of Han.

Oh my days, I’ve just realised how ridiculously long this has gotten, super sorry! Have a lovely day!

Let’s do this! For fun!

1. They don't need to establish exhaustive rules for how magic works in their world.

Red Riding Hood doesn't explain how the Big Bad Wolf can talk-it just explains that he can. Cinderella doesn't explain how Fairy Godmothers work, or why the spell should only last until midnight—it just explains that she casts one, and it does only last until midnight. Beauty & the Beast does not explain how, after The Beast has died, the "breaking of the curse" could bring him back to life. After Belle confesses her love, he should just go from dead beast to dead human, for all the explanation they give.

Beauty & the Beast also famously refuses to explain (explicitly) why all of the household were cursed, along with the castle and the Prince. But what it does explain is, "there's a curse, it was put in place because of a defect in the Prince's character, and there's a time limit on it's ability to be removed, which can only happen if the defect in his character is overcome."

The whole point of having magic in the story is just as a tool...to create a plot. You don't have to explain everything; you just have to explain what will affect the characters. So, Frozen says, very plainly in the beginning: "you can either be born with magical powers or cursed with them in this world, and trolls are the experts on how magical powers work. The way Elsa's specific magical powers work is, they're beautiful, but powerful, and they're tied to her emotions. Therefore, if her negative emotions control her, her negative emotions control those powers. Also, if you're struck with magical powers in the head, the effects can be removed with memory alteration. If you're struck with magical powers in the heart, the effects can only be removed by an act of True Love.

Also, here's an explanation of what counts as 'True Love." They actually do way more explaining than the average fairy tale. And they set you up really nicely to receive that explanation by having the opening scene be a song that describes Ice Magic as “beautiful/powerful/dangerous/cold/ice has a magic can't be controlled.” Etc.

If you were wondering what limits there are on Elsa's powers, and whether or not she can just make anything out of ice, and how it's possible for her to bring inanimate snow to life

—well, you're focusing on the wrong things for this kind of story.

It's not that important for a fairy tale like this one. In a superhero story, limitations on powers would be important. Because the point of a superhero story is, "how am I going to take selfless responsibility for what I'm able to do?" And if you don't know the boundaries on "what I'm able to do," then you can't communicate that point clearly. That's why we need to know that Superman can see through just about everything, but not lead. That's why you need to know that Elastigirl can't stretch in the cold. You can't know how to take responsibility for your abilities if you don't know what they are and are not.

But Elsa? The point of Elsa having powers is not as a metaphor for her unique skills. That's what it would be in a superhero movie.

Like, in superhero movies, Spidey's ability to stick to walls is supposed to be a reference to like, your ability to...l don't know, draw really well. How is Spidey going to use his ability to stick to walls for the good of others = how are you going to use your ability to draw for the good of others, because it's something special and unique to you, you have something to offer, are you going to use it selflessly, etc.

But for Elsa, that's not what it's about. Her powers are just a metaphor for how what's going on inside of her effects everyone around her, relationally. And it's still relatable. But not in a "skills" way. Just like all of us non-superpowered people: "if you let fear control you, you'll hurt everyone around you. But if you let love cast out fear, you'll love and be loved."

That's what's so good about this movie. When you look at it like that, you realize the powers aren’t the point.

Elsa isolates because she thinks that'll keep her from hurting everyone (fear controls her) but actually, by isolating, she's still hurting everyone-nobody in the kingdom gets to see their beloved ruler, and her sister is hurt, relationally, and feels unloved and shut-out, enough to trust the first scoundrel she meets-etc. See how the powers just make the story interesting, but they're not the point of the story? If Elsa's powers were replaced by "frantic outbursts of human temper" the story could be told in a lot of the same ways. But that's a post for another time.

So I don't think you disliked it because of the powers not being "established." "Whatever they wanted to have happen" did not happen, in the story. They laid out the rules that were relevant—“if fear controls you, it'll lead to great danger/but an act of true love can thaw a frozen heart."—and then they followed those rules in an interesting and consistent way.

2. The "twist" villain worked perfectly for the story.

A good villain is supposed to be the opposite of whatever your story's message is. Frozen's is, "Self-Sacrificial Love Casts Out Fear." Elsa is afraid she'll hurt everyone around her, and afraid that makes her unloveable-so she's a control freak over her circumstances. Anna is also afraid she's unloveable-simply because she's shut out and unknown-so she's always trying to control who she keeps in her life. Hans is both "unknown" and "controlling." He's "unknown" in two ways—1, nobody sees him in the shadows of his brothers in his own kingdom, and 2, nobody in Arendelle "knows" his true nature, especially not Anna. But the difference is, where our heroes don't like being unknown, Hans does, and uses it to his advantage, because he's also "controlling." But unlike our heroes, who learn that "control" is not the way to love, Hans is willing to do anything to stay in control. Which is, always, rooted in fear, too. Hans is just afraid he'll never get a throne. So. You see that he foils the two main characters perfectly.

But the main point of Hans is that he's not self-sacrificial, he's self-serving, which is the opposite of what the story claims "True Love" is.

Why's the "twist" part important? Because he uses the main characters' fears as a weapon to serve himself, and he couldn't have done that, for these two particular characters, by being anything but a liar. Anna is afraid she won't ever be loved, so he pretends to love her to get something for himself. Elsa is afraid she'll hurt everyone, so Hans pretends to be protecting everyone from her. And honestly, that's another core of the movie-love that is self-sacrificial, true love, can't be separated from truth. Anna can't really "truly love" Elsa in a way that HELPS Elsa feel loved if she doesn't know Elsa's flaws. Elsa can't "truly love" Anna if she's refusing to know Anna by always shutting her out. And Hans comes along and doesn't let himself be "truly known." Perfect.

So, the movie says "Self-Sacrificial Love Casts Out Fear" and Hans, the villain, says, "Self-Service Uses Fear As a Weapon."

So I don't think you disliked the "twist" villain. Because it wasn't just an empty "shock-jock, look how edgy we are, to make the Prince the bad guy" move. It was the right move, for this story and these characters.

3. I think your definition of "so cool" and "girlboss" might be different from what l understand those terms to mean, because none of the characters fit those descriptions.

Anna (as we understand her throughout the story) is introduced like this:

And she's constantly dropping stuff and getting into awkward social situations-and she basically makes zero correct decisions, for the entire adventure. Tries to fight wolves like a girlboss-and instead accidentally knocks her guide out of the sleigh and has to be thrown to safety while she ruins his livelihood. Tries to climb a cliff with zero experience-looks ridiculous and falls. Tries to talk her sister into lifting a curse and insists that she knows best because her sister would never hurt her-gets crippled, because her sister absolutely does hurt her, and totally fails. Tries to marry a handsome prince-really bad judgement of character, totally duped, basically would've died without help from the weakest and most mentally-confused character in the movie, Olaf. The only "girlboss" moment you could argue she had was punching Hans in the face at the end of the movie, and I would argue that that one moment, in the face of all her failures and humiliation throughout the movie, and in the face of him as a vile villain? That moment is okay.

Also, the whole way they pace that moment is still in-character for Anna. It's still like she's not doing the "dignified" thing. She delivers her little one liner, "the only frozen heart around here is you," and then turns around to walk away with her nose in the air, like she's

"above it all." Which frames the moment where she turns around and punches him like a joke. It frames that moment like it's a satisfying, but still "not decorous, not dignified," thing to do. It would've been "cool" and poorly received if Anna, the character who's always jumping into doing the emotional, awkward thing, had suddenly become the bigger person and risen above her hurt in that moment.

So instead, she punches him. And whatever. He deserved it, blah blah blah. The point is, even that moment isn’t supposed to be strictly “cool” or “girlboss.” It’s just supposed to be “in-character funny.”

See, usually a "girlboss" character knows exactly what the best thing to do is in a situation, and does it well. Or, she gets knocked down, but consistently gets back up and hits harder. Anna does not do any of those things. She keeps trying when she fails, yeah-but it's not because of an inner strength, it's because of an inner weakness. She keeps pushing because she's desperate, and insecure, not because she's awesome and never-say-die. Eventually, after Elsa strikes her and Hans betrays her, Anna does give up. She tells the snowman "we won't (come back.)" after Elsa strikes her. She tells Olaf she doesn't know what love is. It's not until she learns that lesson that anything she tries to do works—and she gives herself up to do it. And that's finally a moment of strength from her, not weakness. As for "cool"-gimme a break.

There's nothing "cool" about Anna. Anna's not good at anything except, at the very end, self-sacrificially standing in front of a sword and getting one punch in on a villain who's already disarmed, defeated and probably slightly concussed anyway. She's not supposed to be "cool" or "girlboss." She's supposed to be "Desperate to Love and Be Loved." And that's what she is, perfectly. "Desperate" is not a characteristic that fits the definition "girlboss" or "cool."

But maybe you just meant "Elsa is so cool and a girlboss." Okay, well, again, depends on what you mean by that. If you mean "having superpowers are cool" okay, well, are they? Is that what the movie is telling you? Because powers basically ruin all of Elsa's childhood and life until the last 3 minutes of the movie. You could be like "come on, she can make snow and ice monsters, glitter gowns, and an entire palace just by dancing. They totally tried to make her 'cool." That's like saying Simba's ability to eat bugs and belch and fight with Nala is "cool." She does all those things at her "Character in the WRONG" moment, in the story, just like Simba living in the Hakuna Matata jungle. Therefore the movie is not trying to tell you that Elsa is cool, it's trying to tell you that Elsa is wrong, but you can understand why she's wrong. You can understand why she feels triumphant for a moment-and then the movie shows you that triumph is misplaced.

I mean, she's taken out by her own falling chandelier. Every time she's confronted with a problem, she runs away. When she gets into "battles of wits," she says the wrong thing, or the shy, shut-down thing, not a girlboss one-liner that shuts the other person up. Elsa's not cool either. She doesn't have the answers, she doesn't save the day-she gets saved.

Both of these characters are desperate, open wounds-—they're needy and they're in the wrong, each in their own way, for the majority of the movie. They're weak, and they have to learn to find strength in love, for most of their story. There's nothing "girlboss" or "cool" about them.

I think maybe what some people make the mistake of is noticing the Frozen mania, and the fact that the two main characters are girls and one of them has superpowers and they other doesn't get with a Prince, and then they get the impression, from that, that the characters are "cool girlbosses." But like...that's like saying Dory from the first Finding Hemo movie is a girlboss. She's so totally not. She's a wreck. A funny, appealing, sometimes-relatable-human wreck. And a good character, but the hype doesn't change who she is, as a character. And who she is, like Anna and Elsa, is just a good character.

4. Elsa does not finish Let it Go with an "I'm Fine As I Am" attitude, and she doesn't finish the movie that way, either.

She finishes "Let it Go" with an "I'm fine up here, isolated from everyone," attitude. And then the movie very quickly proves her wrong by having Anna show up and reveal to her that no, actually, she is not fine up there, because the person she cares about most can still find her and be hurt by her, and the whole kingdom is still reeling from the problems she ran away from.

At the end of the movie the only thing I can guess you got the impression that she's "fine as she is" from was the fact that she's using her powers again.

But like. Elsa's whole problem was never her powers. She wasn't supposed to learn to stop using them. She was supposed to learn to stop living in fear. Instead, she was supposed to lean on love-love that sacrifices for her, flaws and dangerousness and all-and stop trying to control her image and what everyone knows about her.

Because in trying to control what everyone knows about her, she was controlling whether or not they loved her or treated her like a monster. And even running away and singing Let It Go was still an effort to control everything-by not being around people who could treat her like a monster or be hurt by her. Instead, accepting that she might hurt people because she can't always control everything, and trusting that they'll still love and forgive her, was her character arc.

She lives by faith in sacrificial love by the end, not by fear. That's the arc. She does that perfectly.

It was never, "I'm fine as I am." Because the point was never "there's* something wrong with me." It was, "I don't need to fear a lack of control, because true love covers what I can't control." That's all.

4. Anna does communicate to the audience that she's sorry and willing to understand the reasons behind Elsa's secrets.

The lesson Anna takes away from all of this is not "which guy loves me." It's "what is love?" And you know she's learned that because she demonstrates it. If Anna had died-frozen forever-or been cut down by Hans' sword, you realize that Elsa would never have been able to repay that gesture, right? But Anna still made that choice.

Even though it meant Elsa would never repay her. And the point is — excuse me, I know this is long enough, but I feel like you're missing out on something wonderful here—

Anna could have left Elsa to be killed and ridden off into the sunset with Kristoff.

They make it very clear that that is her goal when she stumbles onto the ice, free from the room Hans trapped her in. Elsa is no longer her motivation. She isn't looking for Elsa. She's not trying to get that love she's looked for, from Elsa, in that moment. She's trying to get it from Kristoff, not just for her emotional need-but for the "breaking of the curse" that's killing her in the moment. That whole scene where she realizes he loves her-truly loves her, because he fits the description Olaf gives-is in there to communicate to the audience that he could save her. He could give her what she needs.

And the reason that's important is that it proves that this is character development: when she chooses not to go to Kristoff, and to go to Elsa instead.

Because it's her, choosing to turn away from the person who could give her something (even if it is "love") and to turn toward the person who can't give her something (Elsa.) Who has repeatedly failed to give her something, for their entire lives.

Anna at the beginning of the movie would've run to Kristoff. That was the whole point of Hans, when it comes to Anna-he represents someone who can fulfill a need in Anna. But when Anna turns away from Kristoff and runs to save Elsa instead, Anna is demonstrating what she's learned —that love isn't about her own needs. It's putting someone else's needs before yours. She stands between Hans and Elsa, with the full expectation that she's not going to get anything out of it, not even a guarantee of E/sa's love in return. And her own needs will NOT get met if she puts Elsa's first.

And that's what she does. Whereas, at the beginning of the film, Anna would not have done that. Because that's not what she thinks love is. She hasn’t realized that yet.

She thinks love means closeness. And that does come with love. But that's not love. Love is, like Olaf says, putting someone else's needs before yours. But the whole movie, Anna is not working to put Elsa's needs before her own. She's working to change Elsa's mind, now that she knows the truth, so that she and Elsa can be "close again." She's climbing that mountain and arguing with Elsa, because she thinks that all that stood in their way before was this secret that's been uncovered. And sure, Anna has always been willing to “be there for” Elsa, but you have to see that Anna wanted that to come with Elsa being there for her, in return.

Which would be nice. But it's not true love. True love is being there for someone even when they refuse to be there for you. Because that's putting their needs before yours.

Thanks for the super long ask! That was fun! I hope you enjoyed reading as much as l enjoyed writing-I think sometimes we judge Frozen by the mania that followed, not the good quality that actually caused the mania, and deserved the mania, though. Anyway 😂

Guards! Take them away! Back to the theater with you! Watch the movie again!

[photsibutnot]

WIIITCHHHH 🫵 | 𝘩𝘦𝘭𝘴𝘢 𝘹 𝘸𝘢𝘯𝘥𝘢𝘷𝘪𝘴𝘪𝘰𝘯 @helsaweenfun hi! i am aliveeeee. sorry if i worried anyone, i deleted most of my socials and had to prioritize other parts of my life for a little bit. but i wanted to come back on tumblr in the meantime and join the chaos 🫡

[jasmindoodles]

Hold on to your britches cuz the brain rot is real!! 

Thank you @galaxygolfergirl for igniting my love for this ship again! Y’all check out her page and concept art on these two!

[puryartist]

She didn’t recognize the man standing in front of her. This wasn’t the man who had courted her for a year, sent her flowers weekly, and patiently waited for her to decide on their future.

In truth, Hans was the monster.

[frozen-snowflakesandsunflowers]

D23: Frozen content breakdown | Breakdown/ Analysis

What a day it was yesterday! So much content we were flooded with and especially for us with the Frozen 3 and 4 update! I'm sure you all know the latest deets but I would like it to break it all down and guess what it could all mean. So be prepared to read a lot! ❄️

[long post alert]

Frozen III logo

A couple of hours before the Frozen panel had begun, we were given a first look of the logo for Frozen 3:

It features the four elements symbols and two snowflakes too for Elsa and Anna as the fifth spirit. The III had a purple - pink gradient to it and the background had a spring scenery south blossom/ sakura trees and mountains far behind. Some of us predicted before that Frozen 3 would be set in Spring given Frozen being in winter/ summer and Frozen 3 in Autumn.

However, some people didn't believe this logo was real. But after the panel, Josh Gad put it on his stories and as a post on Instagram, the announcements and reveals made at the panel.

This must mean that it's real. But a more accurate, rendered logo was also revealed at the Panel and that Gad had also shared in his post.

So my conclusion is that the first one is a working title, a concept of what it would be like when it's promoted. The second one is a mix of the first Frozen logo and the second movie's logo combined being more 3D but still with a frozen effect. This logo is the official used rendered one whilst the first one is just a concept based on the implied spring theme of the movie. Both are real.

Frozen questions left unanswered

When the Panel began we were given a flood of questions on the board that were the questions the fans had after Frozen 2, aka the questions that were left unanswered. Here they are:

Who gave Elsa her powers?

Why doesn't Anna have powers?

Was there a fifth spirit before?

What kind of Queen will Anna be?

Will Kristoff be a King?

Do they [Anna & Kristoff] want kids?

Where are Kristoff's parents?

How did Kristoff meet Sven?

How can Sven be so old and still so virile?

Why is Olaf alive?

What about Marshmallow and the snowgies?

Is it “Hoo Hoo” or “You Hoo”?

What are Elsa's powers still growing?

Why are their castle ruins throughout Ahotohallan?

Where do the nature spirits come from?

Do we still need to beware of the Frozen Heart?

Who is the Frozen Heart?

What happened to Hans?

These questions will most likely be answered in Frozen 3 and 4, as they are confirmed to be a two part film. These are actually really good and interesting questions we have that we do need to have answered. I actually want to try and analyse (and answer them for fun!) them because some people might feel some have already answered so why the need to answer them again?

Who gave Elsa her powers?

We already know that Ahotohallan is where her powers come from. That's the source along with the other four spirits. But they probably felt like they didn't make it clear enough. Some people before Frozen 2 had theorized that there was a Snow Queen who gave Iduna something that caused Elsa to have powers. Maybe there's more to Ahotohallan than we know.

Why doesn't Anna have powers?

This isn't addressed in the movie other than the fact that Elsa and Anna are both the fifth spirit and the bridge which has two sides. But why doesn't Anna, I believe that's because the fifth spirit's role is to create balance between the powerful and the powerless (in a literal magical form). The fifth spirit was never just one being I don't think. It was always two to have one with powers and one without and have the two form a deep unbreakable bond so that humans and magical entities would look at them and see that though different, they can get along and have peace amongst each other, and live in harmony. If both were magical it would defeat the objective of creating peace between the two different types of beings

Was there a fifth spirit before?

I think yes because in the Myth VR on Disney plus, it was revealed that there was a fifth spirit before Elsa and Anna but after it created harmony with the other spirits and humans, it disappeared creating disharmony in the forest and caused the spirits to rage. Then the other four spirits managed to calm down until they were raged again by King Runeard's war between Arendelle and Northuldra. Even if this isn't canon I still believe there was one. I think it's important to know because it could be important with the journey Elsa and Anna next go on.

What kind of Queen will Anna be?

Her own kind of Queen. She will continue to bring peace and joy to Arendelle while also supporting the Northuldra tribe as her statues unveiling had suggested. She won't try to be Elsa. She's not Elsa. She's Anna. She may be the fifth spirit But whether or not she realises that she'll help maintain peace between magic and humans will Elsa's support too.

Will Kristoff be a King?

If Anna does abdicate from the throne then yes. To be exact he would be a king Consort. At the end of Frozen 2 we saw Anna greet the public as Queen and unveil the statue of her parents and kids. That wasn't the coronation which is confirmed and this confirms it too as it asks will he be king? and not is he king? I loved Elsa as Queen but she probably felt that she couldn't take care of Arendelle as she had to restore and look after Northuldra/ the enchanted forest and felt Anna deserved it after she had scared her and Arendelle twice without a doubt.

Do they [Anna & Kristoff] want kids?

That's a question that none of us thought of? Do they want kids? I think they do but will find it hard to do if there's threats and danger around. Anna definitely would be a lovely mother and Kristoff and lovable dad. But I don't think we'll see them have kids so soon, at least not in the beginning of the movie, like we won't immediately be introduced to them I don't think.

Where are Kristoff's parents?

A question we've been asking since the first movie. All we know is that he grew up as an ice harvester. He seems to have grown up independently with Sven. I can't even guess the answer because I'll probably be wrong anyway.

How did Kristoff meet Sven?

Another question regarding Kristoff's backstory we've been longing to see. It's nice to see they're including Kristoff's backstory now. The first two movies were about the sisters backstory and development arcs (and 3 and 4 continue that) but now we can finally learn about Kristoff!

How can Sven be so old and still so virile?

No clue! I never noticed that actually. I never thought of why. I don't know much about reindeer so I didn't know that Sven was so old yet so virile. Perhaps when he was young he was injured and the trolls may have healed him giving him a longer youthful life. I'm certain the trolls have a role in this if it's magic related.

Why is Olaf alive?

Why not how!! Another really interesting question that I can answer. We all know how he is alive because we saw Elsa bring him back to life but why was he brought back? He's still an important part of the sister bond and individually he has much more in him than we have seen. Plus he's Olaf and we love Olaf!

What about Marshmallow and the snowgies?

I believe they all too, along with the ice castle and all other permanent creations of Elsa, got restored either automatically after Elsa's return or by hand when Elsa got the chance. They too are as iconic as Olaf is. I hope they return in Frozen 3. They're so lovable and cute - it would be a fun addition to the movie.

Is it “Hoo Hoo” or “You Hoo”?

I always thought it was... “Yoo Hoo” because that's what people say. Hoo Hoo is an owl's line lol and one says that.

What are Elsa's powers still growing?

Just as we grow individually sometimes in height, in character, in what we feel, powers are no different. They grow as we grow inside. And Jen Lee has previously said that her powers will reach a new height in Frozen 3.

Why are their castle ruins throughout Ahotohallan?

I think they are referring to Ahotohallan as a castle and inside and out it looks ruined. During Show Yourself Elsa has to lift things up and add things to get across to the place where the memories are held. I theorize that the previous fifth spirit may have done something to Ahotohallan or to its power and caused chaos that caused Ahotohallan to have ruins in it. Ahotohallan probably was the previous fifth spirit's castle and when it went rouge Ahotohallan may have been left abandoned and ruined.

Where do the nature spirits come from?

Ahotohallan is where their powers are from. But perhaps it's more complicated than that and it needs to be addressed for lore reasons. There's more to Ahotohallan than we know.

Do we still need to beware of the Frozen Heart?

Oooooh!! My favourite question along with the next two. Do we? We must be if it's even a question at this point?

Who is the Frozen Heart?

Who? Frozen Heart is a person?! It was literally Anna in Frozen but metaphorically it was Elsa. Maybe someone else will be the Frozen Heart. Hans? Kristoff? A new character/ being?

What happened to Hans?

A question we've needed answering since Frozen and one that Hans fans have been trying to answer. His backstory based on official and unofficial media is that he has 12 brothers but they all or at least most of them treat him poorly along with his dad because he's the last child and last in line to the throne. That means, they think Hans as unworthy and unless of anything. So why did the Queen and King have another child? Probably as an accident child or just because. I'm sure the Queen is loving. He was sent back at the end of Frozen to his home, the Southern Isles so they can deal with him themselves and they did. As punishment they made him do chores like sweep up horse poop as seen towards the end of Frozen Fever before Elsa's giant snowball accidentally yet subconsciously hit him causing his major injuries. The southern Isles didn't immediately know where the snowball came from. But what happened to him after that? In a poster in the new Frozen Park in Hong Kong, it is revealed that Elsa and Anna invited the Southern Isles among other kingdoms to celebrate a year since Anna sacrificed herself to the Elsa and the Kingdom.

Hans couldn't come because he was injured. But his return is almost certain in Frozen 3 with his rise in unofficial/ canon media. Will he return as a villain or a redeemed hero is to be determined. I don't think he should return as a villain. If he did he would have taken his revenge out during Frozen 2, as he would have been recovered by then. Seeing the concept art of Frozen 3, which I'm about to go onto, it looks like we'll see mythical beings and a world bigger than Ahotohallan. Hans wouldn't fit as a villain in the expanded world of magic because he doesn't seem to be interested in magic in that greed sense. I think he'll be redeemed and help them in their new quest. Perhaps he does have tied with magic in his ancestry as we know nothing about his family.

All these questions are ones that the team feel like they need to answer in the next two movies and I think that's good. Along with showing something new, we get answers from questions we've long waited for too. And I think it's a good strategy for them to tell us the questions we've been asking so that they can answer it in the movies. They're letting us know that they can hear us and want to fulfil our wishes while telling a new story. It's good communication in my opinion.

Frozen 3 concept art and new release date

Jennifer Lee also revealed the concept art of Frozen 3. I'm sure there must've been dozens of art but this one may have been the direction they're headed in.

We have a beautiful calm colour palette that reminds me of dawn/ dusk of spring. Trees are on either side, golden light beams from behind a mystical palace in the left centre. Flowers and leaves present hinting at a Spring setting. Anna's on a horse with Olaf and Elsa on the Nokk on the river both heading to the palace-like place. The scene is set at night as the aurora borealis/ northern lights can be seen arising from the castle. Perhaps this castle has some connection to the northern lights. In the Lego Northern lights series, the trolls crystals are the ones to cause the northern lights or have a connection to them. I don't think the Lego series is canon but I do wonder if the trolls will have a role in this too.

Elsa and Anna are in their Frozen 2 attires, Anna in her travel one and Elsa in her fifth spirit one but with boots (for practical reasons). That doesn't mean that's their final look. Frozen 2's early concept art had Elsa and Anna in their Frozen looks. Olaf looks worried as he points to something off scene.

Just below the direction in which he points, in the river, lies a shadowy creature. It could be that that's the shadow of the creature Olaf points to. The creature appears to have horns and hold a staff/ spear with a sharp end.

Just below the palace-like place is a land. I was going to say Ahtohallan but the silhouettes are different.

So it seems like this place is unknown. If they went North in Frozen 2, perhaps Thai time they're going south, which is why Hans could appear. But that's just a guess.

During the panel it is also revealed that the release date is November 2027 having it moved back by a year from its original 2026 release date. 2027 seems quite far away just when we felt we were getting closer to Frozen 3 but we'll just have to be patient and hope we get some other Frozen content released meanwhile.

Frozen: Winter Festival short form series?

That's everything that was revealed regarding Frozen 3, but no word on the series that was revealed by dolls and their descriptions. I believe since the movie got delayed by a year, probably to spend more time developing the two part movies (which is a good thing so we avoid the mistakes caused by rush in production for Frozen 2), the short form series will be delayed by a year. That would mean the announcement could be closer to time in next year's D23. That or they wanted to announce the series later. The dolls are to be released in September and the series is said to be released this fall. That is of course unless they have delayed it by a year but we'll have to wait and see if anything gets said before September otherwise consider it delayed by a year (😭).

And that's all the information given to us for now. Frozen 3 looks so good and promising - the vibe of spring with a deeper fantasy element is making me extremely excited! New places, new seasons, new characters, expanded lore, possible character returns, new looks and more!! Can't wait!! And yeah though my patience is sad that Frozen 3 had been delayed by a year, I'm glad because it means they can spend more time on the movie, to develop it properly and not repeat the same mistake they made with Frozen 2 with no good planning and a rushed development to the run up of the movie.

And the Frozen: Winter Festival I'm also excited for. I think Frozen needs a canon series in its franchise.

The future looks big and bright for the franchise! ❄️

Any new info or details I have not mentioned please let me know! Any questions for me please feel free to drop them in the "Ask" box

[magentacravat]

I am your Secret Santa @crazyaboutto Based on the painting La Belle Dame sans Merci, 1902 by Frank Dicksee. Credit of the background is Blooming Meadow Painting by Oleksandr Dubrovskyy.

Hans being a lost soldier kissed by the snow spirit on her white horse. I hope you love it. It's been fun to draw this :3

[lucydarkrain]

The Big Four - Rubinrot AU

Background

Twelve gemstones represent twelve time travelers, each from a different era and a historically significant family in London. The births of these individuals were prophesied long ago, marked by unique astronomical constellations that signified their destinies as gene carriers. These individuals possess a rare genetic defect that grants them the ability to travel through time, making them carriers of the time-jumping gene.

Time Jumping Ability

These gene carriers can leap back in time, but the ability is not fully under their control and poses significant danger. Their first “dizziness” signals the activation of this power. To stabilize it and prevent erratic jumps into unknown eras, they must inject their blood into a time machine, called the “timer,” which is controlled by the church. Once stabilized, they can precisely jump to specific time points and remain there for a fixed duration. Without this process, they risk being pulled into random historical periods for unpredictable lengths of time.

The Time Machine and the Blood Ring:

The Time Machine functions by drawing blood from the carrier’s fingertip, linking the blood to one of the gemstones to facilitate precise time jumps. After completing this process, the gene carriers officially join the “Blood Ring,” a group of twelve individuals connected through this unique ability.

The Church of Saint Germain Earl’s Society

Located in the heart of London, the Saint Germain Earl’s Society is a church that safeguards the secret of time travel. Its judges, called Fathers, are the only ones privy to details about the “genetic defect” and “astronomical constellations.” They prepare the gene carriers for their roles through rigorous training, including etiquette, horseback riding, and historical studies, to maintain the order of the timeline. Their philosophy is: “Some things are meant to change, while the rest are destiny arranged by the divine.” The Fathers oversee the two timers, coordinate clothing appropriate for different eras, and manage journals that record historical events. They are also the only ones who can predict the births of gene carriers.

The Blood Ring - 12 Gene Carriers

Jack Overland Frost

The Frost family is one of the most renowned families in England, with its members widely recognized for their high profile in the business world.

Jack was born in the 21st century, in 2047, making him two years older than Merida. His time-jumping partner is Rapunzel. The two of them were very close even though he did not like her at the very beginning due to her family name. He didn’t realize his true feelings towards Rapunzel until the 18th-century Guy Fawkes Night. After Jack’s father left the family, he severed ties with the Frost family, unaware that Jack would become the first genetic carrier in the history of the Frost lineage.

After his parents’ untimely death, Jack was adopted by North, a close friend of his parents. During his teenage years, the church informed him that he was a genetic carrier. Initially, he was reluctant to join the Blood Ring, but with North’s persuasion, he eventually agreed and began participating in the church’s training sessions alongside Rapunzel.

Jack is skilled in hand-to-hand combat and swordsmanship. He attended Winchester College (a boys’ school) at the same time as Hiccup, though they did not know each other. After forming a team with the other three, he and Hiccup became close friends. Jack met Merida during the church’s riding and combat courses, where he enjoyed teasing her as she was new to the church.

Jack was particularly popular among the girls at Rapunzel’s school. He refused to acknowledge his connection to the Frost family, believing they had cast his father out. However, he later discovered that his father had chosen to leave the family to live independently. After Jack’s parents passed away, the Frost family had been searching for him all along.

Jack experienced his first dizziness at the age of 15, traveling back to the early 20th century for nearly an hour. At 16, he officially became a member of the Blood Ring as the genetic carrier of Moonstone.

Rapunzel Peregrin Moore Corona

The Duke of Corona is a distant relative of the Queen and closely related to the Arendelle family. The Corona family has natural connections with the nobility and upper class.

Rapunzel was born in the 21st century, in 2048, making her one year younger than Jack and his partner. She is skilled in dance and etiquette and was told from a young age that she is the genetic carrier in her family. Unlike most genetic carriers, she possesses the unique ability to see spirits, and in school, she befriended a deceased spirit named Emily.

Rapunzel had heard of the historically significant DunBroch family and one day realized, while speaking with Emily at school, that Merida could also see Emily. Upon learning that Merida was also a genetic carrier, the two became close friends.

At a family gathering, Rapunzel secretly found Elsa’s journal, where she read that she would die at the age of 20. Later, she and Jack traveled back to the 16th century to try to persuade Elsa to return home. However, during the crowded event, she got separated from Jack and encountered Pitch, who took her blood.

At the age of 20, just before a time jump, Rapunzel died during the 18th-century Guy Fawkes Night, shielding Jack from a musket bullet. Her first dizziness occurred at age 15, when she briefly spent two minutes in the late 18th century. At 16, she officially became a member of the Blood Ring as the genetic carrier of Citrine.

Merida McDonald DunBroch

The DunBroch family is one of the most historically significant families in England, with a lineage that extends from the 16th century to the 21st century.

Merida was born in the 21st century, in 2049. At the age of 14, she experienced her first dizziness and traveled back to 19th-century England for three minutes. Until that moment, she had no idea that her family was among those with the “genetic defect.” Afterward, in addition to attending school as usual, she began training with her partner at the church. She is the youngest of the Four Guardians.

Merida and Rapunzel are alumni of Westminster School (a girls’ school) and are among the rare few who can see the spirits of the deceased. At the age of 16, she officially became a member of the Blood Ring as the genetic carrier of Ruby.

The year after officially becoming Ruby, the church assigned her to form a team with Rapunzel, Hiccup, and Jack to locate Pitch and retrieve the timer he had stolen. However, due to Pitch’s interference in history, the DunBroch family was destroyed in the 17th century, erasing the events that led to Merida’s birth in the 21st century.

Hiccup Horrendous Haddock III

The Haddock family is one of the most discreet among the upper class. Its ancestors were often high-ranking military officers and generals, and the family’s reputation continues to be widely recognized to this day.

Hiccup was born in the 21st century, in 2047, and is the same age as Jack. He is Merida’s partner. Before his family revealed the truth about the genetic defect, Hiccup had already deduced that he was a genetic carrier by studying various materials at home. Following this realization, he joined the church’s training programs, though due to differing schedules, he remained unaware that Jack and Rapunzel were also genetic carriers. Ever since he joined the church, he’s been waiting on his partner, “ruby” to show up.

After Merida’s first dizziness, Hiccup found her unconscious on the roadside and brought her to the church, marking the beginning of their acquaintance. After the DunBroch family was erased from existence, Hiccup was the only one who still remembered Merida. Through extensive research, he convinced Jack and Rapunzel that she had indeed existed and ultimately helped save the DunBroch family from destruction.

He met Rapunzel in the library and, after her tragic death on Guy Fawkes Night, received a letter from her written in the past. Following the letter’s instructions, he contacted Hiro, a genetic carrier he had never met, and learned there was a way to change history and prevent Rapunzel’s death.

At the age of 13, Hiccup experienced his first dizziness, traveling back to 18th-century England and calmly staying there for ten minutes. At 16, he officially became a member of the Blood Ring as the genetic carrier of Smoky Quartz.

Kozmotis Pitchiner Black

Count Kozmotis Pitchiner is the earliest ancestor of the Black family. His reputation and noble gentlemanly demeanor have been passed down through the centuries since the 17th century. Though the Black family is not large in number, it is one of the prominent families with both historical significance and royal lineage. Kozmotis is a descendant of the earliest gene carriers, making him born with a powerful time-jumping gene that other families do not possess. The strength of this gene not only allows him immunity to disease but also the ability to indefinitely extend his life. As a result, Kozmotis, by constantly altering his attire, manners, and name, has lived for hundreds of years since his birth in the 17th century. Even the Church has been deceived, unaware that “Pitch Black” is none other than Kozmotis Pitchiner himself.

It is said that the blood of twelve time travelers is required to unlock the closed loop of the “Timer,” which then releases energy capable of granting eternal life. While everyone believes Pitch stole the Timer to use this energy to destroy the Church and other families, in truth, he intends to return to the 17th century to save his daughter, who died of hemorrhagic fever. This secret is known only to Elsa. Since his coming of age in the 17th century, he has been a carrier of the Obsidian gene and officially became a member of the Blood Ring.

Elsa Menzel Arendelle

The Arendelle family is a distant relative of the Corona family. Although the family has no noble titles or connections, it is one of the wealthiest families in high society. Elsa was born in the 21st century in 2046, two years older than Rapunzel and Anna. She is Anna’s elder sister and Rapunzel’s cousin. Her original partner was Tadashi Hamada of the Hamada family. Elsa and Tadashi were pursuing Pitch back to 1666 when Tadashi perished in the Great Fire of London, which raged for four days and nights. His death was a severe blow to Elsa, leading her to shut herself off for a long time. Later, she secretly used the Timer to search for Pitch, intending to complete the mission Tadashi couldn’t. However, she was persuaded by Pitch and chose to follow him, assisting him in collecting the blood of twelve gene carriers.

At the age of 14, she experienced her first “dizziness” and traveled back to the 18th century, where she stayed for nearly two hours. At 16, she officially became a member of the Blood Ring as the Aquamarine gene carrier. At 19, after following Pitch, she was labeled a traitor by the Church. She attempted to return to the time before Tadashi’s death but discovered his fate was irreversible. Tadashi, accepting his fate, hoped Elsa would stop blaming herself. Later, Elsa was forgiven by Hiro and returned to the 18th century, where she lived out the final years of Hans’ life with him.

Anna Kristen Arendelle

Anna was born in the 21st century in 2048. She is Elsa’s younger sister and Rapunzel’s cousin of the same age. The Arendelle family is one of the rare families to have two gene carriers in the same generation. To protect Elsa and Anna, the family rarely allowed them to attend social gatherings with other families.

When Elsa experienced her first dizziness, Anna mistakenly believed the genetic defect was a disease. Later, when Elsa officially became the Aquamarine gene carrier, the family revealed that Anna was also a carrier. However, fearing the dangers of time travel, the family forbade Anna from participating in the Church’s training sessions. After Elsa defected to follow Pitch into the past, Anna demanded to join the training, vowing to personally bring Elsa back. At 17, Anna experienced her first dizziness and encountered Elsa and Pitch in the 19th century. At 18, she officially became a member of the Blood Ring as the Emerald gene carrier.

Hans Westergaard

The Westergaard family is a renowned lineage of winemakers, specializing in crafting fine wines for royalty since the 17th century.

Hans was born in the 18th century in 1744. He was the thirteenth and youngest son of the Westergaard family and the only gene carrier in his lineage. Despite being born into the family’s grand estate and his unique status, Hans was never valued by his parents or siblings, except for a close relationship with his closest-aged brother.

When Elsa first experienced dizziness and time-jumped to the Westergaard estate, Hans was 16 years old. He immediately recognized Elsa as a gene carrier. They shared many common topics, and Hans experienced true friendship for the first time during the two hours she stayed. At 17, Hans had his first dizziness and, at 18, became a Blood Ring member as the Diamond gene carrier.

Later, Hans attempted to use Elsa’s trust to seize the blood she collected for Pitch, driven by a deal proposed by Gothel. However, realizing Elsa was also deceiving him, he chose to stop working for Gothel and willingly gave Elsa his blood. Hans died during the Battle of Bunker Hill in middle age but left behind his treasured wine cellar as a gift for Elsa in the 21st century.

Violet Vowell Parr

Violet was born in the early 18th century, in 1703, as the eldest daughter of the third-generation Baron of the Parr family and the first gene carrier in the family. She is the partner and lover of Wilbur. From a young age, Violet knew she was a gene carrier, but she disliked this genetic defect, feeling it made her out of place in the normal world. After spending time with Wilbur, her perspective on herself and the world changed, and she became more confident, ultimately becoming his lover.

After Wilbur stole the Timer, Violet persuaded him to return it to the Church. Unaware that Elsa was also a gene carrier, Violet was tricked into giving her blood. Violet strictly distinguishes between the past, present, and future, believing the future is predetermined and accepting that one day she and Wilbur’s lives will end, albeit on different timelines. She was the first to discover Madam Gothel’s ambitions and wrote to the Church to warn them. At the age of 17, Violet officially became a member of the Blood Ring as the Amethyst gene carrier.

Penny Forrester

The Forrester family’s earliest ancestors date back to the 18th century.

Penny was born in the early 20th century, in 1908. In her youth, she immigrated with her parents to the United States during its Golden Age, where she gained minor fame in Hollywood. Penny was the second gene carrier born into the Forrester family since the 18th century. She learned she was a gene carrier during her teenage years and officially became a member of the Blood Ring at the age of 14 as the Morganite gene carrier.

At 14, during her first dizziness episode, she nearly died in the American Civil War before returning to London. With the Church’s help, she stabilized her time-jumping ability and returned to the United States. Her partner was Hiro, and despite the Church’s disapproval, she enjoyed asking him questions about the future. At 18, Penny was recalled to London and tasked with bringing Hiro back to the Church after he illegally used the Timer. However, she fell into Pitch’s trap and was imprisoned by him. After Madam Gothel’s secret was revealed, Penny joined forces with Hiro, Violet, and Wilbur to stop her plans.

Wilbur Robinson

Wilbur was born in the late 23rd century, in 2295, as one of the heirs to the Robinson family, a technological dynasty that developed from the 21st century to the 24th century. Wilbur was the first gene carrier in the Robinson family and Violet’s partner.

Wilbur knew from a young age that he was a gene carrier, but unlike his father, he lacked an aptitude for invention. After officially becoming a member of the Blood Ring, he believed time-jumping was the only thing he was good at. At 16, during his first dizziness episode, Wilbur jumped back to the 21st century, where he encountered a painting called “Violet,” which he found strange. At 17, he officially became a member of the Blood Ring as the Sapphire gene carrier.

At 18, Wilbur and Violet became lovers. Unable to accept that they lived in different centuries, he attempted to steal the Time Machine, mimicking Pitch. As punishment, the Church banned him from time-jumping or accessing the Time Machine. At 19, Wilbur saw the painting of Violet again in his own time and realized the person depicted was Violet. This realization triggered an unconscious time-jump back to her timeline. Hiro later discovered that Wilbur was the only gene carrier capable of precision time-jumping without a Time Machine. After training, Wilbur mastered this ability, which became the key to saving all Blood Ring members.

Hiro Hamada

Hiro was born in the late 23rd century, in 2296, as the younger brother of Tadashi Hamada, who was four years his senior. After Tadashi’s death, Hiro became the sole heir of the Hamada family.

Before Tadashi’s death, Hiro was unaware that he was a gene carrier. However, their birth dates (excluding the year) were identical, making Hiro one of the 12 gene carriers, and the inheritor of Tadashi’s gem. Hiro’s high intelligence allowed him to master all knowledge about gene carriers within a year. At 14, he officially became a member of the Blood Ring as the Tanzanite gene carrier.

Hiro illegally used the Time Machine to investigate Tadashi’s death and discovered it was no coincidence or accident. After discussing his findings with Violet and Wilbur, Hiro realized all events pointed to Pitch. While helping Wilbur train his unique abilities, Hiro saved Penny from Pitch’s trap. After reading a letter from Violet, the group discovered that Tadashi’s death and the conspiracy against gene carriers were orchestrated not by Pitch but by Madam Gothel.

Other Characters

Madam Gothel

Born in the 18th century, Madam Gothel was responsible for providing attire and tools for gene carriers within the Church. She coveted the Timer Machine’s power, which could grant eternal youth, and learned all its secrets. Knowing Pitch’s background, she planned to let him gather the blood of gene carriers, only to eventually take the immortality elixir from him.

To release the Time Machine’s power, the blood of 12 gene carriers was needed, along with the death of the final carrier. Mistakenly believing Tadashi to be the final carrier, Gothel orchestrated his death in a fire. However, the final carrier was actually Hiro, who shared Tadashi’s birthdate. Gothel lured future-born gene carriers to the 18th century on Guy Fawkes Night, aimed to kill Jack Frost but Rapunzel catches the bullet for him. She intend to eliminate all 12 carriers and their families to elevate her own.

Emily Jane

Emily Jane is a ghost who haunts Westminster School for Girls. Rapunzel, who can see Emily, befriends her. Emily has long black hair like Rapunzel but has forgotten much of her past after centuries of death. While investigating Pitch, Rapunzel hears the name “Kozmotis Pitchiner,” and Emily recalls that her surname is Pitchiner, realizing she is Kozmotis Pitchiner’s daughter.

Through Rapunzel, Emily conveys to Pitch that she has come to terms with her fate and urges him to do the same. Eventually, Pitch accepts his daughter’s wishes, drinks the immortality elixir to neutralize its effects, and becomes mortal. He and Elsa return to the 16th century, living out their days in London. Emily’s wish fulfilled, she no longer lingers in the mortal world.