#hahaha I have issues

[samthehypotheticaldad]

I’ve reached the point where TMA is a comfort series, adding to the list of “comfort series that make it abundantly clear that I have trauma and am mentally ill”.

[sanasanakun]

People try too hard to make Curly an active participant in Jimmy's abuse. Isn't the whole point that he's passive in everything Jimmy does? Abuse occurs because he actively doesn't do anything? Not to call someone out or be mean, but I saw a post saying Anya's ID being in Curly's locker at the beginning shows that he intended to prevent Anya from filing an HR report and I disagree. I get where that interpretation is coming from, but I think it's a little uncharitable. I don't like being too kind to Curly because he's like...a morally mid dude at best lol But if we're going by the HR report interpretation, I would say it's more likely he requested Anya's ID in order to file an HR report on her behalf. After all, the only way to contact Pony (that we see) is in the cockpit, he's the Captain, and Pony Express sucks bad so I wouldn't put it past them to only allow the Captain to use the communication device thing. As we see before, Curly is the only one able to use tools around the ship that you would think other employees could use (ex. Swansea should be able to use the axe if he's the repair guy. Idk why they'd need an ax but that falls under manual labor which Swansea is designated for as the mechanic/fixer dude. But it has to go through Curly). I never got the vibe that Curly moved to actively protect Jimmy. He just lets things happen without say a word; Jimmy walks all over him, and by extension, the whole crew. I get why people would think that because he gives the whole "Hey Jimmy, we can get through this together, bud" spiel right before the crash. This part interests me a lot because there's so many ways to interpret Curly's intentions there. My interpretation is that Curly is on autopilot mode. The responses seem so stilted in comparison to Jimmy's. Like it's the kind of thing Curly's said before again and again and again when Jimmy's gotten in trouble. However, as others previously pointed out, I don't think Curly ever dealt with Jimmy doing something this irredeemable. He doesn't know how to respond, so he just goes for the default "You've gotten through tough situations before. Work through it one step at a time." Like the response is lame af lol I think he was in shock; he was scared (and just so I can say it one more time: he's super lame).

Anyway, this is way longer than I intended and I've said things a billion people have already stated. But uhhh tldr the whole point of Curly's character is he's passive; he never acts. He just watches. Making him an active participant in the abuse by taking actions to cover for Jimmy (like preventing Anya from filing an HR report) defeats the purpose of his character. He's a bystander.

[appleciderjulie]

trying to be a normal person but these 2 exist

[scarletspider2the2ndpower]

Chasm: Curse of Kaine (Vol. 1/2024), #1.

Writer: Steve Foxe; Penciler and Inker: Andrea Broccardo; Colorist: Brian Reber; Letterer: Joe Caramagna

[stellaluna33]

Turns out that taking my cat to get blood work done is just as horrible as it was taking my babies to get shots. 😫 Because they trust you! But they don't understand! And you're holding them down while nurses stab them with needles and they're crying and looking at you with big, wet eyes full of betrayal like, "Mother? 🥺 It hurts?! Why are you letting people stab me with needles and you're not doing anything to stop them, Mother?" And you're like, "I'm SORRY! 😭 I LOVE you!! I PROMISE this is for your own good and this is all to save you from something even worse!" But they just CAN'T UNDERSTAND! 😭😭😭

[mooniety]

pupupu train metasusie redraw that i don't know if i'll ever finish

this was initially going to be another artist study (specifically workflow) but i got real lazy real fast, i think there's a prev post where i colored & drew some details on the pocket watches but since then i've redone a significant portion of this as i generally didn't vibe with it & still kind of don't, especially the lapels & shirt collars

anyways now you know mk has slit pupils coming out of his mask in my current draft of him‼️‼️‼️ (i don't know if i'll keep that in the future i just thought it made him look better, all of this was experimental)

[suzukiblu]

Mirrorverse Clark for wip Wednesday? Hope you’re not too overwhelmed with all the asks you’re probably getting

Superman settles him on his feet much more carefully than Kon would’ve expected him to, and Kon tries to lock his knees so he won’t crumple the moment the other lets go, but Superman . . . doesn’t let go. What he does, in fact, is loop an arm around him and splay a hand across the small of his back, and lift his other hand to touch Kon’s jaw. Tilt it. Kon feels a little dazed, and doesn’t quite . . . 

“Such a gift,” Superman murmurs approvingly. 

And then Superman kisses him. 

Kon makes–a noise. 

Kon almost fucking collapses. 

He doesn’t even know how to kiss back. 

“Come to bed, baby,” Superman coaxes before kissing him again, and Kon can’t possibly do anything else. 

Not for Superman.

[cream-and-tea]

heyyy don’t mean to bother you but did you know that um. You, now - the ones listening to my idling progress from back home in Glottage - you’re telling yourselves; Val cannot possibly be growing angry over something like this. How dare she? The hypocrite. How can this thing, this monster, this battle-saint, possibly find any kind of righteous anger in her twisted and repurposed heart for the lives of the fallen foe? How does our terrible Val think she can justify any kind of anger at the sight of the flattened and buried corpses of enemy civilians and enemy children, when we’ve already been listening to her murder police officers, soldiers and townsfolk single-handedly in turn? How can she be furious when we’ve heard her butcher her way through the little old ladies of the CLS in the hopeless effort to murder her own faraway mother? (Mockingly) See? You can be sacred and yet self-aware. Yes, I am culpable. I am dreadful. I have been responsible for great atrocities and I will commit a great many more before I’m done. And still - I am growing furious, as I walk through the devastation of this town. Because the wound of Sutler’s Weald is not like any wound I would make. It’s clumsy, it’s crude. It’s thoughtless. I begin to tell myself, as I walk - I wouldn’t have murdered them like this. I would have been kinder. I would have killed them quickly or gracefully, and there would have been beauty and strangeness in the manner of it. And even that’s all deception, even if I had been cruel and slow and lingering in the massacre of these innocent people, upon my whim - I would at least have looked them in the eyes, and I would have borne the weight of my cruelty. If they’d asked me to, I could have killed this town beautifully. And I’d have borne witness to the horror, and I’d have rejoiced in it - and it would have been considerably less vile and ugly than this. The ones back home, the ones who are listening in, I don’t think they know what they’ve done here. The line of connection between the victim and the victimiser, the sacrifice and the god - it’s long, and tangled, and indistinct. A god should not be able to avert her eyes. What a terrible thing it must be, to be monstrous and not even know it. And even if all of this is lies, even if I am just as bad and just as careless as the people back home who did this to Sutler’s Weald… …well, then, let me hate them, pure and simply, for being just as bad as me, because people - -people should be kinder than the gods that eat them. The town square is largely intact. A few burning cars, a single shrine and statue to some goddess of victory, her snapped-off arm raised in imagined triumph. I sit down upon the pavement in the ruined heart of the town, and I tell the dead people of Sutler’s Weald beautiful lies. I tell them that they survived, in their hundreds - miraculously and inexplicably, dodging the bombs. Not a single victim, not one death. An act of divine mercy. When that doesn’t work, I tell them that they were buried properly, according to whatever rites or customs they happen to cherish. When that doesn’t work, I try and turn them into my mother again, in the hopes of making the dead people hateful to me. When that doesn’t work, I tell them that I’m sorry. I tell them I wish they still had ears to become all the wondrous imaginings I had in store for them. I tell them… …that all things considered, they deserved a better avenging and foreign god, a better tormentor, a better oblivion, than the one that was forced upon them. (With cold fury) I tell them- I will find a way to give them something better.

[averlym]

i have been thinking about this lyric all day 

[goldenlandfiascos]

Natsuhi eating cup ramen with Gohda in the background i drew with a mouse because my laptop died and i didn't feel like reinstalling my tablet yet and also i ate cup ramen a few hours ago

[age-of-moonknight]

“What If Venom Bonded to Moon Knight?” What If…? Venom (Vol. 1/2024), #5.

Writer: Jeremy Holt; Pencilers and Inkers: Jesús Hervás and Geraldo Borges; Colorist: Ceci de la Cruz; Letterer: Ariana Maher

[stop-breaking-my-heart-telltale]

I played romance Louis/save Violet for the first time (and last) in my life some days ago and I really didn't expect the game to feel so different without him. Not is his absence only extremely notorious but to quote one of your old posts, the game won't shut up about him.

EVERY SINGLE TIME. They didn't mention Violet even half the times they did with Louis, and it just feels. Awful. Constant reminder that you left him get taken, that he's being tortured and traumatized. It really did hit different, I wanted to think about all the details for Violet's route but I couldn't. THEY KEPT BRINGING HIM UP LIKE OK !! I GET IT !! I KNOW, IM COMING TO HIS RESCUE

and in the end I ended up getting mad Violet suddenly forgot about his existence. I remember you talked about that a lot but since I hadn't experienced it I hadn't realized how bad it was.

When she didn't mentioned him even ONCE, not in the cells, not in the walk home back to Ericson, nothing.

But back to Louis– the game says Louis' name over and over and it makes me feel guilty and I don't like it

That route haunts my nightmares.

When I used to stream, we called the romance Louis/save Violet [+don't trust AJ] route The Despair Route.... you can probably guess why. You're right, the whole thing hits differently when you've built up Clementine's romance with him, only for him to be taken away. Plus, when you do that, your relationship with Violet isn't as strong so not only do you miss out on a lot of Louis content, you miss out on Violet content for not romancing/best friending her.

And yeah, the game will not shut up about Louis when he gets taken. It's actually so fascinating, because Violet doesn't get mentioned nearly as much, so that begs the question of why? Y'know? I mean, we can look at Louis getting captured and conclude that they keep reminding us about him so that we're extra hurt and guilty when we find him in the cells.

But then with Violet? Louis is the one who brings her up most of the time, except when Ruby pulls out her file. But it's odd that the others don't make more comments like they do with Louis. I think we are kind of meant to forget about her? Well, okay, not forget about her but like... The fact that they don't talk about her as much makes her feeling pissed off, forgotten and abandoned all the more powerful, no?

As for Violet forgetting about him, in my opinion that's just a genuine flaw with the writing... because Violet would ask about Louis. I've played her romance route. I believe that in my heart of hearts that she would, and when she doesn't, I'm like ?????

Sure, you can say she's got her mind on other things, or that Aasim already told her what happened to Louis so she doesn't ask when they're in the cells... except she would ask if he's okay.

They're different characters who react to things differently, and that's not inherently good or bad.... but you're seriously going to tell me that the only thing Violet's says to Louis is a sad little, "Lou..." when meeting up with him on the beach? and then she only makes a minor mention of him when talking about pushing people away on the walk home?

No, sir. I think not. I think that's an oversight, especially if you're trying to sell their friendship in her route.

But I suppose in her defense, if you're a Louis fan, you're more likely to be angry about it. We're used to Louis mentioning Violet and then to see her not do the same isn't great. Whereas a Violet fan who prefers her route is more likely to justify why and how it makes sense, y'know? In fact, if a Violet fan plays Louis' route, they probably get mad that she's "forgotten" about a lot prior to the cells so I suppose it balances out?

Also, can I add for both routes how much I side eye the fact that captured Louis/Violet say nothing about the other if they died on the bridge? I get they didn't want to be a downer on the happy ending, and that time has passed so they probably already mourned......... but c'mon. I know Louis can't verbalize but he can write, he can stand by Violet's grave, something. Violet could've said something. Listen, if you're gonna make me suffer through that, give me some of the angst I actually want.

[taradactyls]

Desperately and urgently need to know—what adaptation’s actors do you picture for TTTW? (Thanks!)

I actually don't picture any actors most of the time! Sometimes when I'm writing a line I remember the actors saying it, and if I'm worried something is too ooc a good litmus test is whether I can imagine the actors from the 1995 and 2005 adaptions saying/doing it.

But otherwise I have my own interpretations in my head which I've never been able to capture on paper - maybe I'll try again soon.

...

(but perhaps my most controversial opinion in this fandom is that as far as actors and not acting/characters go is that I only ever had a crush on Matthew MacFayden... it's the height and the voice. And maybe it's my age but as GREAT a Darcy as Colin Firth is he was firmly father-figured coded to me long before I watched 1995's P&P so though I adore his Darcy I only ever swooned over the romance as a whole and not him personally. That's right, sopping wet see-through-shirt Darcy at Pemberley does nothing for me. I'm ashamed to admit it.)

[prince-liest]

You inspired me to write! And I got up to 2k words for the first time ever when it comes to writing for myself... but I'm struggling a bit 😅 Do you have any advice about narrator POV and how you use your verb tenses? It's like I have no idea how you manage to "head-hop" while still being an omniscient narrator so smoothly & effortlessly. And verb tenses. if I write "was" one more time I might pop a gasket lol. any help is appreciated <3 have a good one!

First of all, that's freaking amazing! 2k is a lot, congratulations! That might sound weird coming from me considering how many words I put out, but I 100% remember the struggle of being newer to writing and hitting multiple thousands of words for the first time - I'm so happy for you!

Second of all: I actually write exclusively in third person limited POV, not third person omniscient! Even though I'm writing in third person, the narration is fully from the perspective of the point of view character, which I personally enjoy a lot because it allows for a lot of unreliable narration and also characterization through how their train of thought manifests (choppy, stressed, dreamy, etc). That's why when I'm writing from the point of view of character A, for example, any assumptions about character B's motivations are what character A is thinking, not an omniscient narrator informing you.

That said, you still have to head-hop specifically to write the actual visible actions and dialogue of the second character, and that's actually the most recent thing that I used to struggle with in writing specifically because I got most of my initial writing experience doing roleplay where I was only ever responsible for one character's thoughts and actions at a time.

Honestly, the main thing I can say is that it gets much, much easier with practice. When you start out, it will genuinely just take you longer to switch from the mindset of one character to another! I used to take character notes to put together little snapshot profiles of character headspaces to re-orient myself between the characters I was writing when I felt like I was getting lost. They included things like a few traits to keep in mind, behavior mindset, and snippets of dialogue that I thought were very representative. I don't use these anymore, but I do still do things like rewatch episodes or reread portions of books when I'm learning new characters to orient myself to their personality. It's like code-switching to me nowadays.

As for verb tense: I was a consummate Homestuck, so I started out writing in second person present tense, hahaha, and while I've adopted the third person POV (and believe me, this took adjusting), I've kept writing in present tense as a personal preference. I like it because it makes things feel more in-the-moment as they're happening, because there's less grammatical fuckery involved when describing the past vs the present, and just because I'm used to it. That said, past tense is more common and stands out less to people, and I think that you are finding all of your "was"s a lot more noticable than a reader would! People generally don't really notice the tense of what they're reading once they get into the flow of it.

[apollos-boyfriend]

i know a lot of people have issues with watching vods but i’ve coke to realize i have the opposite issue. i’ve gotten so used to livestreams and vods that i get sad at edited videos. i want to see every tech issue i want all the silly clips and quips that got cut i want to see every single second down to the detail no matter how long or boring the process may have been

[eggmansplatformboots]

more doodles! sonic is the fixation i can and always will be able to go right back to and you bet im back on my bullshit hehehe