#haha i'm here to annoy you

[jontheketeld]

save this for later, lol

[vaguely-concerned]

lucanis truly has a near terminal case of burned out golden child syndrome. caterina fucked both of these kids over so incredibly bad with the dynamic she enforced there, with illario being labled the perpetual fuckup kid where lucanis 'could do no (would never be allowed to do) wrong'. the way he admits in the first coffee date scene that the only thing that happened when he showed he could carry the weight of expectation was that more weight was added makes me so sad. you can hear it in caterina's voice in his intro mission that she's incredibly proud of him, but this is clearly a leandra and hawke situation where that pride never translates into relief or resolution or unconditional warmth or understanding or anything that really helps.

[bumblingbabooshka]

I hate when Chakotay is watered down to be Janeway's yes man because their disagreements are actually very interesting. [A lot of rambling analysis of this debate in particular below]

Chakotay in Parallax is very interesting in that he has to navigate a lot of different dynamics. Balance a lot of plates while being watched keenly by everyone around him. Immediately preceding this scene we see him ask B'Elanna for her opinion on the bridge - both as a chance to show her knowledge in his bid to make her chief engineer (because she wouldn't get a chance to otherwise as Janeway has clearly indicated that at this point she views B'Elanna as a troublemaker who won't be considered for the position) and because he just thinks she's a better engineer than Carey and wants the best possible chance of them succeeding. Janeway sees this as unacceptable. Carey is the chief engineer and so he should be called and Chakotay NOT asking for his opinion is an insult to Carey, Janeway, and might make the crew doubt Chakotay (and by extension the Maquis') loyalty to the Starfleet crew.

At this point it seems that to Janeway integration ["They're not your people"] means the path of least resistance, specifically tailored towards the Starfleet crew. She wants Chakotay by her side to keep the Maquis crew calm but also seems unwilling to consider them for important positions aboard the ship. Though she says that the Maquis are not Chakotay's people, not his crew, she certainly doesn't seem to consider them hers [Compare this to later instances where she stresses 'our' crew, here she simply says they aren't Chakotay's: Whose crew are they? Are they crew at all?]. This less leaves the impression of "We need to be a cohesive team" and more "You're not in charge here." She essentially accuses Chakotay of playing favorites. In her mind Chakotay's actions are not conducive to integrating the crews which would (again, in her mind) mean the Maquis being docile and accepting, obedient and content - not making trouble for the Starfleet crew. Chakotay counters Janeway's accusation with one of his own: That he IS trying to integrate them into the crew but her not allowing the Maquis any opportunity to prove themselves or succeed, not showing any trust in any of them (except, implicitly at this point, him) is making things difficult. At this point the Maquis crew are ready to mutiny on his word at any time. He knows this for a fact. Aside from that looming threat (the threat being that tensions are high and if nothing changes and they remain high there might be a mutiny even without his word) - Chakotay knows these people and trusts them. Though Starfleet and Janeway think of the Maquis as a violent bunch of criminal terrorists, Chakotay and a good number of the Maquis joined because they believed in the cause they were fighting for. These are people Chakotay knows WILL fight fiercely for what they believe in and conversely, AGAINST what they perceive as injustice. Even if they're not in the majority - they're used to picking fights which seem impossible to win. At this point Janeway admits that she ISN'T making it easy for Chakotay to integrate the Maquis - specifically talking about practical concerns; how she doesn't feel she can let Maquis crew have roles of importance on the ship because they lack the ability to hold them. "They don't have the discipline, they don't have the training," - asserting that they just aren't prepared for any such roles and it doesn't have to do with them being Maquis specifically. Ostensibly, she's treating them as she might treat anyone unqualified for the job.

Chakotay maintains that some of them, like B'Elanna, have the ability to be trained - challenging her point by saying that IF they're trained there's no reason for any Maquis member NOT to be given a more prominent role on the ship. He isn't suggesting they just unqualified people important jobs. If the problem is that they aren't trained, let's train them. These people have the ability to succeed if you give them the tools they need and a fair chance, he insists. Janeway then switches gears and her argument becomes not "The Maquis are untrained so they can't be given those jobs" but "The Maquis crew are unworthy of those jobs when compared to Starfleet personnel" saying that it'll cause insult and upset among the Starfleet crew if any member of the Maquis were to be promoted above them. Again, her idea of integration is based more on Maquis subservience to the Starfleet crew than it is the two crews working together. (Not that I believe she looks at it that way, it's just where her 'path of least resistance' leads) - though she accuses Chakotay of being too focused on "his" crew, she is admitting here that she believes her real crew are the Starfleet officers aboard, not the Maquis. She also admits here that the system she wishes to maintain (and is asking Chakotay to enforce) is one where there will ostensibly never be any chance of a Maquis crew member being promoted because no Maquis crew member will ever be more qualified, more worthy, than a member of Starfleet. We can see how it'd be difficult for Chakotay to convince his crew to remain calm under these circumstances. There's also Tuvok's behavior toward him at the beginning of the episode where the Vulcan nearly goes over Chakotay's head and when he doesn't do so (as Chakotay reminds him that HE'S the superior officer, the First Officer in fact,) Tuvok acts as if him backing down (partially) and conceding (partially) to Chakotay's authority is a favor to Chakotay.

Tuvok in this conversation is downright insubordinate to Chakotay. Despite Chakotay being the first officer, he doesn't take what he says seriously, argues that his own opinion on what should be done should be followed rather than Chakotay's, lectures the first officer about his conduct, and then almost seems to threaten him with a report. In Starfleet's rigidly hierarchical rules, acting like this to a superior officer (ESPECIALLY the first officer) wouldn't be tolerated and Tuvok knows this perfectly well. He isn't a rebellious character and clearly in other episodes adheres to these Starfleet hierarchies and codes of conduct very strictly. He values them highly. But Chakotay, a Maquis, shouldn't be First Officer. Why should he be given respect for a title he didn't earn? [Affirming Janeway's argument about how Starfleet officers won't be eager to follow a Maquis senior officer] Even though Chakotay tells Tuvok off for it ["I don't have to explain myself to you"] he doesn't threaten to put Tuvok on report or explicitly mention his insubordination. It's unclear if this is Chakotay's personality or if he just doesn't feel he CAN do that. Tuvok is one of the three most senior officers aboard and very close to Janeway. Chakotay has to think of the optics of any situation at all times - we see seconds after this conversation that rumors have already started swirling around B'Elanna being relegated to quarters that've fanned the flames of mutiny. Though we know Tuvok has personal reasons for behaving the way he does toward Chakotay (which he later admits), I really don't think it'd be out of the ordinary for this to be how most Starfleet personnel would treat the Maquis if they weren't outright hostile: Like they're only pretend crewmen. To a lesser extent we even see this with Janeway: In the following staff meeting, she clearly doesn't consider B'Elanna a viable option when Chakotay brings her up and almost ignores the suggestion entirely.

It also, again, leaves Chakotay in an impossible position. If he doesn't protect and fight for the Maquis crew, they won't ever be considered a true part of the crew and dissatisfaction will likely spread among them. Dissatisfaction which the Starfleet crew will then use to further label the Maquis as insubordinate, uncontrollable, unfit. Not to mention that if he doesn't advocate for them, he might lose their trust. However, if he DOES try to help the Maquis crew advance the Starfleet crew will view this as 'favoritism' and will further distrust him, won't respect the people he puts forth as worthy. Janeway seems to be intent on not advocating for any of the Maquis crew and also seems unwilling to ask that the Starfleet crew grant leniency. She implies that the Maquis crew need to learn to get in line and keep quiet and it seems almost like [we must remember the optics] she has Chakotay as the only Maquis in a position of power to facilitate that. Chakotay recognizes and pushes against that, saying that he won't just be her token Maquis - there only so she can point to him and say "See? We don't discriminate against the Maquis here." effectively a tool used to shut down any arguments of unfair treatment and a tool to quell the Maquis if any talk of mutiny DOES arise. In this model, Janeway can just tell Chakotay to calm them down and they'll listen because they trust him. She also doesn't have to really listen to anything he says: A token First Officer has no authority; his words don't hold weight. [Chakotay isn't Maquis anymore, they aren't his crew anymore - ok. What is he then? What are they? Nothing, without respect.] This plan seems untenable, as much as Janeway frames it as sensible: "I can't make it easy, Commander. Surely you can understand that," and alternatives as impossible "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" - in the long run, how would this be sustainable? In any power structure, you cannot expect a group of people you're unwilling to grant trust or agency to obediently follow you forever. This proposed form of 'integration' in which the Maquis are kept on the bottom rung and told intermittently to stay there quietly by the only one of them granted permission to stand at the top would never be sustainable - especially with a group like the Maquis who again, were founded on the belief that its members should fight against inequity and are already on the verge of mutiny.

I specifically find the statement "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" to be interesting because personally I'd say that being forced together for the rest of almost everyone's natural life is a pretty good reason to ask people to adapt and Janeway does understand this but only applies it to the Maquis - the Maquis are the ones who have to adapt, not Starfleet. The only thing the Starfleet crew have to do is tolerate their presence on board.

At this point Janeway again claims that if Chakotay can show her a 'qualified' Maquis candidate she'll consider them. I believe this is true but we already know that Janeway's standards for qualification will likely not fit the vast majority of the Maquis and Chakotay ignores the claim in favor of putting forth B'Elanna again, firmly. Janeway predictably dismisses her as unqualified and Chakotay disagrees, arguing that he knows her. He's worked with her. He KNOWS that B'Elanna can excel at the job even if she doesn't meet Starfleet/Janeway's qualifications. He doesn't value those qualifications over what he's observed about her - just as he didn't value Carey's title over what he knew about the gap between his and B'Elanna's abilities. Then, Chakotay switches gears. He admits that Janeway's right - he does view the Maquis as his crew but that's because Janeway (almost self admittingly) doesn't and if he doesn't, who will they have? [What kind of captain, kind of man, would he be?] "You're going to have to give them more authority if you want their loyalty." "Theirs or yours, Commander?" Janeway frames Chakotay's words pointing out the flaws in this plan which I outlined earlier, as almost a threat (if she doesn't have Chakotay's loyalty it'll most definitely mean mutiny). Chakotay asserts that it wasn't a threat, he's only trying to help by telling her how the Maquis crew will react to what she's telling him. "I'm sorry you can't see that" - not an apology for what he said but that she isn't willing to budge, not willing to listen to him and acknowledge that she might be as biased towards her crew as he is towards his. Chakotay is trying his best to acclimate his crew but if Janeway isn't willing to do the same, to talk to her people as he's talking to his, then this will not end well and that isn't a threat. It's just the reality of the situation. He then asks permission to leave, showing he is willing to observe Starfleet protocol (just as when he asked permission to speak freely), and Janeway lets him go, exhaling at the intensity of their debate when alone in her ready room.

[niinnyu]

Here's why I think jjk 261 is bad writing and wasted potential.

I've tried to separate more objective stuff and my opinions so I've made them into separate sections.

1. Jjk 260: I've already stated my issues with how jjk 260 ended and this applies tenfold now with this chapter. Buildup to sidestep to something completely different nullifies your buildup and is jarring to read. You also cannot blame villains in the story for undermining a character if you, as the author, keep doing it.

2. Okkotsu Yuuta's character: Yuuta's plan and willingness to use Gojo's body if he dies feels incredibly ooc and very uncompelling.

Yuuta is one of the few characters who's been able to see glimpses of the slightly more human side of Gojo "The Strongest" Satoru (he was my one and only/love is the most twisted curse of all). He has *just* seen the catastrophic consequences of a body used by someone else as a weapon. He was willing to go against a villain purely so that Gojo wouldn't have to.

You're telling me the same Yuuta was that ready to use his sensei's body and brought to anger when someone questioned the ethics of it?

Yuuta saying 'if no one else has the guts to then I will' means nothing becauseif his idea of becoming a monster includes using Gojo's body then he is the only one who can do it. All while implying cowardice of the others for "not having the guts to do so" (while being in Maki's presence and with Yuuji's absence, both of whom have been not self described as monsters).

Yes this is him stepping up to the task of being the strongest. But it doesn't feel like the big sacrifice of his humanity he says he doesn't care it being, if he's okay with it the moment the possibility of having to do so comes into light.

It just comes off as cocky and inhumane. And if that *is* Yuuta's character now, show me reason to believe this shift in personality in him specifically.

Also if Yuuta gets so mad at Gojo for being the "monster alone", why is his solution to do exactly that.

The easiest way to have the same events play out, but keep characters intact and have it be much more compelling would be:

Yuuta is presented with the plan of using Gojo's body. Have Meimei or Kusakabe, who've never really interacted with Gojo in any meaningful way to see him as more than his power, bring it up. Or maybe while brainstorming with everyone he comes to theconclusion himself with a lot of dread.

Yuuta immediately rejects the plan because he wouldn't do that to his sensei. Him having to throw his humanity away isn't his issue. He won't allow something like this happen again. And especially not to Gojo whom this was used against firsthand. He plans to kill Kenjaku himself.

Yuuta is reminded that if push comes to shove they still might have to if Sukuna continues to pose a large threat, but since he's the only one who can, it'll finally be only his decision. A panel of internal dialogue shows that Yuuta knows this is true.

Yuuta gets the formality "permission" from Gojo. Gojo says "who cares what happens to my body once I'm dead" and Yuuta *then* gets angry because Gojo of all people knows that he should care. Yuuta notices how Gojo also sees himself only as a weapon for others and calls him out on taking the burden all by himself (being a monster alone).

Fast forward to when Yuuta is dying and being kept alive by Shoko, Nitta, and Amai, Yuuta knows that Sukuna is still going strong and he has no choice but to use Kenjaku's CT against all his hopes because he knows he needs to.

Not only does this align with Yuuta's character a bit more, as someone who cares a lot for the people in his life including Gojo, and abides by his concern people at large, it also gives us a moment to see how heavy an ask it is of Yuuta, and forces the reader to be much more sympathetic of the choice he's had to make. How he'd rather not have done this and only went through because he's desperate.

3. Gojo's influence: This chapter essentially disregards any influence Gojo has had thoughout the story outside of having physical.

The main reason he'd not killed the higher ups waaay before now was because he knew the people who'd take their place would continue to pull the same shit.

Gojo ideology and the reason he went into teaching was to bring about a new generation of sorcerors who would know better. To dismantle the system that doesn't see sorcerors as more than dispensable tools for their power balance purposes, from the inside out.

I've seen people talk about how this ending for Gojo is significant because he isn't an exception to the cruel jujutsu system. Yes! True! He's been facing that his whole life! And that is exactly what he'd hoped to change through his students!

Yuuta using Gojo's body for his power feels like something the higher ups would not think twice about ordering. This was the perfect opportunity to show that the kids Gojo brought up *despite* this system are better than what the higher ups were.

And although throughout his life he too was not exempt as a jujutsu sorceror of being seen as solely his power (he'd also never allow anyone to see him otherwise). He sees, right at the end, these kids that he's helped train, and grow, and keep alive, know just a little better. Know *of* the human behind the power even if they don't *know* him.

OR! If you wanna stay grim about it, show that Gojo failed in this endevour. That the system still continues. Yuuta has made himself a weapon that is used because of his CT and Rika. That Yuuji has only ever been seen as a vessel, he'l he was created solely as one. That Yuuta goes to great lengths to keep his friends safe and Yuuji does so because he's already (kinda) lost them. Show that *they* still hold onto the parts that make them more than tools even if the system still doesn't.

And acknowledge the failure that it is on his part.

Because with this chapter Gojo, even just narratively, continues to be just a weapon.

Below the cut are my pretty coloured opinions about the chapter.

1. Payoff followed by setup and why Shibuya is still some of Gege's best writing: (ended up being long and not specific to this chapter so I'll make it it's own post lol)

2. Okkotsu Yuuta: I am frankly tired by the amount of importance Yuuta has been getting since the culling games ended. The only real narrative significance he has is being a student of and related to Gojo and the previous protagonist. He has no arc, no narrative weight, no personal stakes that other don't have.

He was an interesting character back when he was first reintroduced into the main story. As an unbiased executioner who would be there to kill Yuuji if Sukuna took over, both a threat but also an ally until then. The framing also made him more of a threat against Yuuji than a threat against Sukuna. Interesting!

He also has no personal conflict with the villains. The closest he got was wanting to kill Kenjaku because 'he won't let his sensei kill his Best Friend again', which is personal once removed since it's more for Gojo. Which was also a nullified sentiment because Gojo died before facing Kenjaku anyway.

He is just an overpowered character with no developmental backing. I still won't believe that Yuuta using Gojo's body is stronger than Gojo, because it is still Gojo who had had to condition and train his body to be able to handle the power he wielded. Yuuta has had a lot of groundwork already done for him in Gojo's body so even if he's able to do more damage than Gojo, it's still only because he's standing on Gojo's shoulders. People talking about "are you Gojo Satoru because you're the strongest or you the the strongest because you're Gojo Satoru" will be answered here need to remember this.

And since when has either of them cared about the Gojo clan looking bad to mention this lmaao what?

3. Kenjaku's relevance: Yuuta copying Kenjaku's CT being such a flippant discussion made me so mad lol. Your telling me they were seeing killing Kenjaku as a minor stepping stone to a bigger plan. When Kenjaku has been alive for yeaaarrrs on end pulling who knows what all shit that got all these balls rolling in the first place?

I know it easy to do in retrospect with Kenjaku already dead in current time and Sukuna being the current threat. But that's just undermining the threat Kenjaku posed and the "victory" that killing them was (even as anticlimactic as it was).

Seems like Gege had to do his best to brush off Kenjaku since they was proving to be a much more interesting villain than the Big Bad Sukuna, but man way to make your own rather well written character feel lame.

4. Gojo killing the higher ups: While the panels of Gojo wanting to shield his students from the bloodshed he was about to cause was sweet, I still wish the second years had siccesfully forced themselves in and joined him. It's another place where they could've shown Gojo fostering a generation that follows through with his ideology and plans because they get how messed up the system is.

When the higher ups were initially shown to be killed before Gojo vs Sukuna, the chapter had Inumaki and Yuuta talking in the hallways of the higher ups' hq. The implication that they'd also done it in the month of preparation made it feel like everyone was joining in and getting shit done. Yes it's satisfying knowing that Gojo got to go through with something he's wanted to do for a long time, but almost everyone has the same beef with the higher ups. Give everyone or a representation of everyone a slice of the action.

5: Shoko hate: Completely unfounded. People expecting her to suddenly have so much more agency than Gege has ever given her just because they're sad about their fav is stupid. And if you need to be angry direct it at Gege's writing that chose to use her opinion for comedic purposes.

Also question why you care about her ability to do something only when it comes to your fav male characters are facing difficult situations. Remind yourself she's the only overworked bloody doctor/ healer assisted by only a 15/16 yo underskilled underprepared child (Nitta) in a society that is still facing the effects of Shibuya. Also go away stop pretending you care.

I have more issues but whatever. Jjk fans who's favs are dead and never mentioned again be glad!! They're safe!!

[lord-squiggletits]

The reason this fandom hates IDW Optimus isn't because he's a cop (plenty of people are fine with Prowl) or because he's a bastard (most characters in IDW are) but because he commits the crime of being an actual person who's messy, flawed, and makes a shitload of high stakes mistakes fitting for the intense situations and pressure he's put under constantly.

But we can't have Optimus actually react to his situations by lashing out or being unpleasant, no, he has to have the personality of a cardboard cutout of G1 whose only defining personality traits are "dad, funny, nice," and if he ever vents negative emotions it can only ever be #relatable depression or him being sad on his own without ever letting it show during the important parts of the story. If Optimus dares do things like be angry or frustrated or bitter it's just a sign that he's a bastard and LITERALLY the worst Optimus ever. If Optimus ever makes mistakes or does wrong things in the heat of anger/frustration/stress it's because he's just an evil bastard with no redeeming traits.

God forbid Optimus go through an unending gauntlet of war, politics, atrocities, near-complete loneliness, and a seemingly endless cycle of violence for his entire life and come out of it kind of bitter, angry, and tired of dealing with people's shit. He's not allowed to be a realistic person, context doesn't matter, sympathy doesnt matter. IDW Optimus doesn't fulfill the fandom's fantasies of Father Figure or Perfect Cultural Icon or Twinky Fucktoy and since that's the only reason most people care about Optimus in general, the fandom collectively trashes on IDW OP.

All because he can't fit into the overly simplified and childlike double standard the fandom has where if any other character is messy and flawed, that's good writing and interesting and compelling, but if OPTIMUS is messy and flawed, he's Literally The Worst and he's an asshole for no other reason than He Sucks, context be damned

[camellcat]

just finished crush on my s5 rewatch and oh my god I NEED to know what the general opinion was when that episode first came out. how did y'all og buffy fans react to that??

[cerealforkart]

Closing Manga Thoughts

I just deleted a long vent post about every single one of my feelings about the end of the podcast and the manga being over. Except not really over because it looks like there's a lot more interest in a physical edition than I was expecting. Hopefully I'll see y'all in the preorders in a couple weeks once I figure out how expensive this will be to make and from there how much I want to charge.

Anyways. Please humour me for a quick moment while I make a big deal out of my thing because it might look like sixteen goofy little drawings in boxes every other week, but it's been a really big deal for me over the last year and a half. I've decided all I really want to say about the end of the manga is thank you for being a fandom I was comfortable sharing something like this with. When I first got into DnDads I had never shared fanart anywhere and I had been fallen off the creative train for a while. So thank you for being here, for engaging with the manga because without that engagement I wouldn't have bothered to see this through to the end. Thank you for allowing me to foster an interest in making comics.

I feel really peaceful now that it's over. It's hard to explain, but I was always very anxious about if people would still be interested in the next pages, if I was wasting my time, if I had phoned it in and should have tried harder. But now that it's over, now that it's complete, and I'm proud of every single page, even the ones I was kind of lazy with, I'm just very content and grateful that I was able to share this very special project, and I don't care so much about if they'll be looked back on fondly, or laughed at, or ignored anymore. It's done, and I'm happy.

Now that the manga is over, if you're ever wondering what I'm going to be doing next, I'll still be here. I have more DnDads ideas, some comics that will escape the four panel format I've been locked into for so long, and I draw One Piece stuff too sometimes, and that won't be going anywhere for a while still haha. I also have an original fantasy comic about a magic that kills you that just entered it's third chapter and you can check it out starting here on Tumblr, or on it's own website here. And if you ever want to request art from me or just support me financially, I have a ko-fi, I take requests for the low price of literally any money.

Once more, thank you. This project has been so special to me, and I'm so unspeakably grateful that it was this fandom I was able to share it with, I don't think it would have lasted, or even started anywhere else, for anything else.

[vulpinesaint]

listen i am geralt of rivia hater number one but one thing i actually CANNOT stand is when the fandom mischaracterizes him. took one look at this man who speaks very straight-forwardly and matter-of-fact and is a little recalcitrant with his words sometimes and went "haha he communicates in grunts! man who only says 'hm'!" and then won't even write him to speak in full fucking sentences. hello???? hello???????? yes the netflix show was a bad influence on everybody because they were trying too hard to depict geralt as a stoic manly badass but we CANNOT let that distract us from the REAL thing to make fun of geralt for. which are his Constant Unprovoked Monologues

[smile-files]

oh yeah i watched the new ii and it was pretty wack. my only two thoughts are

i love cabby

they had to neutralize clover?????? hello?????????

[wellhalesbells]

Is it still Wednesday? No, you say? Well, time is an illusion so you're probably wrong about that. Thanks for the tag, @piratefalls! I had this idea because of a tumblr post I stumbled across again in my likes... I dunno an hour or two ago? And now here we are, lol.

Derek hadn’t expected he would hear from Stiles again, possibly ever, but certainly not until he was back within the borders of Beacon Hills when he pulled out the rock. Derek blinked it.  The rock’s eyes rolled back at him.  Ignoring the hand with the rock in it for the moment, he diverted his attention back to the box.  It was a perfectly ordinary and small, square box.  Derek’s address and Stiles’ return one at his dorm room the only things scrawled on the outside. And it appeared to contain nothing but bubble wrap and a rock. A rock with googly eyes on it. It wasn’t quite smooth, peaked but rounded almost precisely in the center of its top, and squat.  Perfectly gray, perfectly bland, with a flat bottom to it.  The eyes were placed with care more towards the hilly top and right under where the sides started their downslopes.  Meaning they almost looked like brows depending on the angle Derek held the rock at. He glanced at his phone but flatly refused to ask.  That had to be what Stiles wanted with this and Derek was hardly going to give him that. He thought about crushing the box and throwing the rock away.  Instead he carefully pulled the tape apart, breaking the box down for his recycling.  Which is when he found the little piece of notebook paper that had slid under the flap. In that same scrawl were the words: It needs a home and a name. - Derek, despite all his better judgment, didn’t throw the rock away but he did leave it on top of his microwave and forget about it (after letting it bother him for far too long). That should be the end of that particular saga - he’d managed to dismiss it as a prank that went over his head, probably some social media, not-quite-his-generation fad that he would never get no matter how hard he tried - except.  Except that not-quite a month later he got another similarly-sized box. And if Stiles had sent him another rock, he was throwing them both away after crushing them into powder.  He opened the top, parted the bubble wrap with a sigh, only to find very much not a rock. It was a miniature armchair. The detail was exquisite and the upholstery on it felt real, that scratchy but nostalgic quality that reminded him of going to his grandparents’ house.  The wood of the legs and arms was finely honed and the arms even had upholstered tops.  The color was a deep maroon and embroidered in the back of it in gold were a few stalks of wheat contained in an oval shape. The strangest thing about it, aside from everything, was how wide the seat was.  The proportions really didn’t seem to— “Oh you have got to be fucking…” Derek trailed off, practically stomping over to the other side of the kitchen.  He snatched up the rock and plonked it down in the chair, eyes rattling about but facing forward. It was a perfect fit.

Tagging..... I dunno, other people who spit in the face of 'Wednesday' and all its cohorts? I don't really know who fits that description but, if that's you, you've been summoned.

[curseofpower]

I think the fact that Ganondorf has suffered so much is what makes him so compelling to me. Fiction is rife with villains who never suffer the consequences of their actions. Gan has had consequences out the wazoo. But he never stops fighting, because his spirit is truly unconquerable. On a related note (sorry, this thing doesn't seem to paragraph very well), I think that gloom is very different from malice. Consider the terminology: malice is the will to do harm, gloom is sorrow and depression.

That is certainly what drew me to him to begin with, as Wind Waker was what completely made me change my mind about him as a character. It took some time, but eventually I started to comprehend, I mean really comprehend the ending, all the things he says to you. Then watching him lose everything and mentally break for the last time before your very eyes.

I realized. He had been so determined, because this one goal was all he had left. He didnt even want the Triforce at the end, he wanted to be rid of it because he was tired. He wanted an ending to this fucked up story.

Then he watched the one thing that would have kept him going get taken from him and was left with nothing. Nothing to go back to and not a friend in the world, because this was not his world at all. He broke down completely for those reasons but also because it was just so predictable, so fucking like fate to do this to him, he couldn't help but see the irony even as his soul was shattered.

He didn't attack Link because he wanted to take these kids down with him (If he did then let's be honest, both link and tetra especially would have died) but he attacked Link because the kid had the one thing in the world that could kill him, and he was ready to use it. Ganon was never the type to just lay down and give up. To the very end, to his suicide, he went down fighting. It was what he wanted. A final wish, I guess, that was ultimately just to die.

I related with that and it hurt so deeply. It still does. I can still barely watch the ending, as much as I love seeing him in action. The ending just breaks me every time. Because for him and his people, everything truly is hopeless.

As for gloom and malice, I can see the discrepancy. They're parts of his strongest negative emotions. I find it kind of fascinating that the malice was the Subconscious (calamity) while the gloom happens when he's actually waking up. Rage and depression go hand in hand with him, really.

[longagoitwastuesday]

Going through the Utahim.e tag had me checking several times if at some point I had clicked on the G.ojo/Utahim.e one instead

[vaguely-concerned]

I don't know what I love more, the fact that as rook you can make a statement in NO uncertain terms that you are NOT responsible one way or the other for the theological implications of the shit you're discovering in the 'regrets of the dread wolf' memories. not my jurisdiction. quite simply none of my business. not my chantry circus not my chantry monkeys. irrelevant to the matter at hand here we'll kill that god if we get to him he can get in line. or if the best thing about it is seeing the lone little 'lucanis approves' that pops up right after choosing it. corvid with a knife about to commit deicide keeping it real and sensibly, pragmatically, wilfully agnostic with me here in this magical lighthouse today

[sollucets]

I kinda want to ask you to write all touch prompts for akk and aye but because that is unreasonable and way too greedy, how about 26, 27 and maybe 33? thank you so so much! And congratulations on your followers!!!!

you know, i'd write them all too if i had the fuckin Time [sobs] thank you very much nonny

26 (kissing the top of their head) + 27 (pulling them closer) + 33 (tasting their smile) from this list for my lil event; right around 1k of height difference & nickname shenanigans and talking around another bigger issue!!!! set in the summer after ourskyy, rated t for 'tall'

💜

“Hand me that plate, Shortstop.” 

Akk does, but not without making sure to splash Aye with the water running off of it. “We’ve been over this." They have, although it's been a while since Aye had first tried it in the tent. "That’s your name.” 

With a little yelp, Aye snatches the plate from his hand and sets to drying it with slightly more force than strictly necessary. The water drops stand out against the gray material of his t-shirt. “Why can’t we switch?” 

“Do you not have eyes?” Akk takes another bowl out of Aye’s mom’s sink and starts washing it with a little grin. “Grow a bit taller and we can talk.”

He expects Aye to fire back with a water attack of his own, or an insult, so when neither comes he turns to look at his boyfriend in faint surprise. Aye is giving the plate an undeservedly contemplative look, lips pursed. It’s very cute. Akk splashes him again. 

“Akk,” snaps Aye, his nose going all scrunched the way it does when he’s actually annoyed. 

“Aye,” Akk answers, grin reaching all the way up to his eyes. 

Aye stares for a long second, then softens all at once, mouth curving up in turn. He still elbows Akk in retribution before picking up his next dish, though. “So if I was taller than you, we could switch? I could be your Bigfoot.”

“If you were taller than me, I would’ve come up with a different nickname in the first place.”

“But I wouldn’t have,” Aye says decisively. “You’d have been Shortstop to me.”

Akk shoots him a sidelong look, dubious. “It's annoying, so yes, probably. In a hypothetical parallel universe where you’re taller. Why are you suddenly so obsessed with this? Don’t you call me enough things already?” 

“Do you not like it, darling?” asks Aye, all coy and playful, and it devolves from there. He doesn’t bring up the height thing again that day. 

But apparently he didn’t actually forget, because in the time following that initial conversation Aye starts taking every possible opportunity to be taller than Akk. 

It starts small, like Aye insisting Akk sit on the ground while he’s on the couch so he can reach his hair to dry it, calling him Shortstop in a tone of such overdone honeyed affection that all he can do is laugh. Or like Aye crawling into Akk’s lap so he has a height advantage when they kiss, and Akk making sure he doesn't get a chance to use any nickname at all.

Then it escalates, as things frequently do with them. Aye sits on top of the couch backrest at Akk’s house instead of on it, buys a pair of shoes with these ridiculous heel boosts, sits on Akk's desk while Akk writes his admission essays. At one point, very memorably, he gets on a table at a party they’d attended with Kan and refuses to come down until Akk has to drag him. 

Akk doesn’t mind as much as he’s pretending he does, which is something he’s found works for them with these things. It makes Aye happy to see him annoyed, so if he gets what he wants and the behavior isn’t actually that annoying, it’s a win for both of them. And it is funny, honestly, and frequently ends with Aye hanging off of him somehow. 

Still, though, after nearly two months of their summer together being intermittently marked by Aye’s new favorite running joke, something starts to nibble at the corner of Akk’s mind. It’s late summer now, and they’re running up closer to the thing they’ve barely managed to talk about: Aye’s impending departure, and his own entry into a northern university. And— well. He can’t manage that, but he might be able to manage this.

So the next time Aye makes a point of standing two stairs up in his own home to talk to Akk, he turns and looks up at him and asks, point-blank, “Does it bother you that I’m taller?” 

Aye blinks once, twice, then laughs a little. After a second, he seems to realize that Akk is honestly asking and tilts his head with an expression of mild bemusement. “No, baby. I like it, you give great hugs and have great legs. Why?”

Akk makes a sputtering noise and tries not to get derailed thinking about Aye’s feelings about his legs, which he did already know about for— various reasons. Instead, he pointedly jerks his chin at Aye, noticeably needing to tilt his head up to do so. 

“I'm just messing with you,” Aye says, reaching a hand out with a little smile. “I thought you knew.” 

“I do,” says Akk, and lets Aye take his hand and pull him one step up the stairs. It doesn’t equalize their heights; Aye’s still just a little taller like this. “But... it’s been going on a long time.”

“Yeah, I guess it has,” says Aye a little thoughtfully. “I just like seeing—” 

“—My angry face. I know.” 

Aye outright giggles at that, gently intertwining his fingers with Akk’s. “If you know, then why are you worrying about it?” 

Akk can feel his resolve failing already. He sighs. 

“I guess,” says Aye thoughtfully after a moment, “I do also like it when we… switch.” He wiggles his eyebrows and continues talking over Akk’s incoherent noise in response. “So it’s fun for me, to try and turn the little nickname thing on its head. Not that you’re cooperating.” 

“You wouldn’t like it if I cooperated,” Akk says, half-sure, and tries mostly unsuccessfully to glare up at Aye. 

“Oh, but I do,” Aye says, tugging him even closer by their twined hands and putting his other one on the back of Akk’s neck, pushing his head down enough to press a kiss to the top of it. “Just not right away. I like getting you to admit things."

There's an odd-- hesitation there, a long moment of silence. Akk looks back up, their faces close enough to kiss properly now, and sees Aye looking away from him, eyes big and preoccupied. 

“What?” Akk prompts, and when he doesn’t get an answer, adds, “Bigfoot?” 

Aye’s gaze snaps back to him, suddenly focused and intent and sparkling, and he grins. “Yeah,” he says, slowly like he’s savoring the confirmation, “That’s nice.” 

Akk leans up a little further and kisses that smile, gently and then less so when the fingers on the back of his neck tighten and pull him closer. He leans into it with a sigh and tries not to think about other things Aye might like him to admit, and instead thinks about how — it is nice, sometimes, to be the smaller one. 

[isekyaaa]

Alh*itham & K*veh relationship analysis (spoilers below)

I said before that Alh*itham holds a level of "resentment" for K*veh, but what I really meant was "contempt." It's the contempt you feel when you're pushed past the point of sympathy and pity. You see someone you care about that's in a bad state, but the thing is that they're ALWAYS in a bad state due to nobody's fault but their own. They go from pitying to pathetic and pitiful.

This line isn't because Alh*itham literally refuses to do good deeds. It's because giving into K*veh's nagging would only serve to enable his guilty conscience. K*veh's guilt is what pushes him to clean and do things. One would think that helping K*veh would help ease his guilt and ease his stress, but all that does is put a bandaid on a gaping wound. What K*veh needs to learn is simply to stop. Learn he doesn't need to clean. He doesn't need to do the errands. He doesn't need to be "good." He doesn't need to give. He doesn't need to DO. He can just BE and that's okay.

But K*veh doesn't learn. He doesn't catch the hint. He doesn't change. Then the thought comes, "Why should I care about someone that doesn't want to get better?" And the next thought, "But unfortunately I DO care, so this whole situation irritates me even more." Alh*itham can ignore K*veh for the most part, but the times he gets too much, Alh*itham's irritation and contempt begins to seep in and he gets more biting.

It confuses me why people pair these two together because they are not what the other person needs. K*veh needs care. He needs love. He needs reassurance. Alh*itham needs independence. He needs low maintenance. He needs stability. As of right now, they only make the other worse.

[batfamfucker]

TikTok is now at the 'fake movie' stage Tumblr was at a few months back. Whilst we had Goncharov, they have a movie called 'Zepotha'.

For the trend, people will comment on videos to say the creator 'Looks like [Random Name] from Zepotha' and make up lore, edits and aesthetic videos based on the film, ect. It's a horror movie from the 80s. Everyone is upset the couple they were rooting for died.