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guqin-and-flute · 4 years ago

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[You know how there’s a set of fics I promised to work on first? Apparently that was a lie! 😘 This is just epilogue, Post-Reconciliation fluff with teenage Jingyi--he’s probably 15-16 CW: Moderate descriptions of dead bodies and injuries in reference to a game they’re playing]

[3zun Raise Jingyi AU] [Main Fic][Ao3 Link]

“Are you you cold?”

“Oh yeah, very.”

“Are you animated?”

“No.”

“Do I know you?”

“Nope.”

“Hmm.” Yellow-Father flipped the page of the book he was examining, eyes still on his work. “Are there obvious wounds?”

“Yup, my organs are all chewed up, throat torn out, and...let’s say my nose is gone.” Jingyi thumped his chin into his hands, sticking his legs straight out under the low table in the middle of Yellow-Father’s office, idly waggling his feet.

Next to him at the table, Gray-Father looked like he was falling asleep, his cheek all smushed against his propped up fist, eyes mostly closed, but he still grunted, “Shape of the teeth marks?”

Jingyi squinted into space and wrinkled his nose, considering. “Oblong?”

Yellow-Father twitched a half smirk without looking up from what he was signing. “Oblong teeth?”

“No, oblong...jaw shape or whatever,” Jingyi waved his hand dismissively, wiping away his previous words before drawing a long, thin U-shape in the air with his index finger.

Gray-Father cracked one eye open to take in the sketch, then closed it again. “Not a fierce corpse, then.”

With an air of exaggerated mystery, Jingyi shrugged, then sprawled backward on the floor so he took up the rest of the walkway in front of the door. “Whoooo’s to say? Is that your guess?”

“Boy, I said it wasn’t a fierce corpse, why would that be my guess?”

“Well, you’re trying to fish for unauthorized information, Chifeng-zun, you gotta play by the rules,” Jingyi shot back sternly, jabbing a serious and admonishing finger in his direction.

Though his eyes were closed, it was very clear that Gray-Father rolled them.

Yellow-Father heaved a sigh and drummed his fingers idly on his desk, gaze roving over the piles of paper as he sucked on his teeth in thought--though, Jingyi had to admit, probably not just about their game. Yellow-Father seemed to operate on several levels at once at all times. “Are there deep puncture marks?”

“Uhhh...sort of?”

Finally, Yellow-Father looked up to shoot him an amused glance over his desk edge. “’Sort of?’ That’s hardly fair or specific.” Rising, he gathered a stack of scrolls and came around his desk, stepping easily over Jingyi’s supine form before rapping smartly on the door with his knuckles.

“Like...teeth marks are technically puncture marks.”

After a moment, the door slid open and a harried looking Jin courier took the pile without a word and disappeared down the hall. Yellow-Father closed the door and turned back. “Yes, I suppose. I’m asking specifically about fangs.”

Lolling his head over, Jingyi watched as he stepped back over him without even looking, robe hem brushing over his belly. He barely fought the sudden urge to grab his ankles as he might have when he was younger. He managed not to--but it was definitely a close thing. “It’s not a snake.”

“What?” Gray-Father demanded, sounding offended.

Jingyi lolled his head back to see his eyes open, glaring at him in mock reproach. “You’ll tell him it’s not a snake but you can’t confirm it’s not a fierce corpse without threatening to take away my guess? How is that playing by the rules?”

“Aha,” Jingyi raised his finger straight into the air again as he proclaimed, “But it is.” Then, he pointed back down at himself. “Because I make the rules.”

Gray-Father gave a derisive huff through his nose, but smiled. “Yeah, that was cute when you were 5. Not so much anymore.”

“Um, whatever, I’m adorable. Dieeee, are you done yet? I’m bored. When is Blue-die done with his meeting? I wanna gooo.”

“Patience, Jingyi, I need to clean up. And he’s coming.” Yellow-Father rustled about on his desk, neatly packing everything away into drawers and piles that Jingyi thought were a little excessive--like, why did it need to be that clean? “Where did we find you, again?”

With an exaggerated scoff, Jingyi shook his head slowly, feeling the hard floor beginning to dig into the knob at the back of his skull. He’d have to sit up soon. “Wooow, you find a dead body and you don’t even care enough to remember your surroundings. This must be just any other day to you.”

“In the woods, he said,” Gray-Father betrayed him easily, so Jingyi raised his head to shoot him a glare, but his eyes were closed again. Wriggling closer, he punched the side of his rock of a thigh, earning him a chuckle and Gray-Father leaning down to flip the ends of his fanned out hair over his face.

“Woods, thin, oblong jaws, deep tooth marks, throat torn out, organs and nose gone--or at least chewed on,” Yellow-Father ticked off precisely down an imaginary list as he turned from shelving to continue puttering around. “I’m guessing; wolves.”

Heaving himself upright, Jingyi crashed his hands together just as the gold, white, and blue painted door slid open once again and he bellowed. “GUAAAUAUAUANG!”

Framed in the doorway, Blue-Father stopped short and blinked at the sudden noise but smiled in amusement. “’Guaaaung?’” When Jingyi thrust out his hands demandingly, he stepped in and obligingly gave him custody of one of his arms. “Hello.”

“Almost done, Er-ge,” floated Yellow-Father’s voice from the closet.

“Clearly, it’s a gong noise.” Jingyi used his arm to haul himself to his feet--Blue-Father didn’t even sway. “They won; I was murdered by wolves.”

At this pronouncement, his blue father cocked his head down at him, smile turning quizzical as Jingyi dusted off the seat of his robes. “...Ah?”

Gray-Father blew out a breath and shook himself awake, unfolding slowly from the table. “We were playing Dead Body while we waited for you and A-Yao to be done,” he explained, then gave a hugely expansive stretch, scrunching his face up. “I was thinking it was wolves, but I was waiting for the usual twist.”

Yellow-Father emerged from the closet with a smug smile and murmured, “Mmm, of course you were,” to which Gray-Father leaned over the desk and swatted at his butt--he easily dodged.

“The twist was that there was no twist, this time,” Jingyi said sagely, hands on his hips. “Are we good to go? Finally?”

“I...yes.” Blue-Father still had on that ‘I still don’t know what’s going on here’ smile as Yellow-Father closed the shutters against the streaming sun and joined them. “How does one play Dead Body, exactly?” he asked curiously as he leaned down to let Yellow-Father kiss his cheek hello just before they made their way out into the hall.

Pretending to hold back barf was something Jingyi did less because he cared about them kissing and more because it was his job as annoying teenage son to do things like that. In any case, he was rewarded by Gray-Father wrapping him in a casual headlock, then ignoring him when he flailed to escape as Yellow-Father locked up his office. “You mean you’ve never played Dead Body with him?”

“Mm, not that I recall--and I feel like I would remember something like that.”

From his chaotic and squished vantage point, he saw Yellow-Father look down at him--all captured and partially strangled and sputtering under Gray-Father’s arm. He rolled his eyes, and fondly scolded, “Let him breathe, Da-ge.”

Easily, Gray-Father complied. Wonderful, blessed air flooded back into Jingyi’s lungs--which he immediately used for retaliation by leaping onto Gray-Father’s back like a monster spider and wrapping him in a headlock of his own. Yellow-Father winced and hissed, “Mind Baxia, Fufu, for gods’ sake--”

“Dead Body isn’t a Lan game,” Jingyi panted dismissively, tightening his grip and bracing himself when Gray-Father planted his feet to take stock of the situation.

His other 2 fathers continued to walk on, out of range of Such Antics. It was a good thing, too, because in a whirl of walls and ceiling, Gray-Father managed to very neatly flip him over his shoulder onto the ground. With a smack, all the breath stuck in his lungs for a few agonizing moments while his horrible, rotten Gray-Father grinned down at him and laughed, “You little ass. What did you think was going to happen?”

“Vengeance,” Jingyi wheezed back several seconds later when he could breathe again again. The ring in his ears hadn’t completely left, yet.

“--and then you have to diagnose what killed him. It was very popular back when he was around 7 years old,” Yellow-Father was explaining to Blue-Father ahead of them, ignoring the intense drama of betrayal and revenge happening just up the hall. “Though, what on earth makes it not a ‘Lan game’ is beyond me.”

Staggering to his feet with the grudgingly accepted hand of his gray father, Jingyi caught up to them 2 of them. “Right, like shu-gong would want me lying around shouting about my limbs being torn off. He doesn’t even like me yelling about normal things; I would get so many lines.” He flopped down onto his yellow Father’s shoulders and leaned as they walked, even though he was just a little taller, now (and oooh, didn’t Yellow-Father hate it).

Automatically, his father reached up and pet his head, even as he said, “You’re crushing me, Fufu.”

Transferring over to Blue-Father, he hung from his shoulders when he patiently slowed to allow him to do so. “You find a body,” Jingyi intoned, dramatically. “It’s Lianfang-zun.” He spread his other hand wide as if painting the scene. “He’s folded up like a letter in the halls of Koi Tower! Cause of death?”

“A ridiculous son,” Gray-Father chuckled from behind them, and Jingyi twisted to kick up a foot and stuck out his tongue.

“Wrong.”

“Usually, there was a lot more posing, as a child,” Yellow-Father informed Blue-Father in a heavy tone over Jingyi’s head. “And props. It was a whole ordeal. I’m forever grateful it’s now entirely theoretical.”

“Ahh, I see,” Blue-Father shook his head and put a steadying arm around his shoulder as Jingyi hopped along on one foot, waggling his other one behind him as bait for Gray-Father to take amused, cursory swipes at. “Is there a reason I never got to play Dead Body?”

With exaggerated patience, Jingyi put both feet on the ground and reached up to pat his blue father’s cheek, smiling sympathetically. “Die, whenever I wanted to play war, you always asked if there was a peaceful solution--and I just wanted to stab people.”

All 3 fathers burst out laughing as they rounded the corner of the hallway, the sun shining warmly over their sides from the garden windows. “Oh, so you decided that I just didn’t have the stomach for it, is that it?” Blue-Father asked with a grin.

Jingyi heaved himself off, spinning around to walk backward in front of all of them. “I mean, sort of? I think maybe I figured it would make you too sad to imagine me dead?”

At this, Gray-Father’s eyebrows shot up with a sharp, incredulous laugh and Yellow-Father reared his head back in offended bafflement, demanding, “Oh, and for some reason we wouldn’t be sad to imagine you dead?!”

Shrugging aggressively, Jingyi held up his hands in defense. “I dunno! He seemed like he would handle it worse! I was 7, what do you want from me? It doesn’t have to make sense, I was an idiot!”

“Oh, you were not an idiot,” Blue-Father protested, tilting his head and crinkling him a smile. “You were wonderful.”

“You were 7,” Yellow-Father agreed with Jingyi’s first statement, darkly. Apparently, he was still highly offended, because he muttered, “’Handle it worse’...” under his breath before saying, “You’re about to run into a vase, Jingyi, turn around.”

Instead of obeying, Jingyi just veered away from the obstacle and continued to shrug at him when he sighed and looked to his blue father for help. Before it could come, Gray-Father nudged Blue-Father with his shoulder, teasing, “Congratulations on being the only one to actually care about our son, apparently.”

“Holy hell, fine, if it’s going to be A Thing, we’ll all play and mourn my death together. Happy?” As he rolled his eyes, Jingyi nearly ran into the wall as the last corridor before the outside door ended, but Yellow-Father caught his sleeve and steered him right with feigned annoyance in his pursed lips.

Blue-Father laughed, the light sparking off his spikey guan when he shook his head fondly. “Alright, I’ll play if you turn around. What do we find?”

Obediently, Jingyi spun back around and waited to fall into step with them, pondering the details of his gruesome demise. Beside him, Yellow-Father rolled his eyes to the ceiling with one dimple showing and Gray-Father shook his head with a grin. Then, Jingyi snapped his fingers and spread his hands theatrically just as they all rounded the corner of the hallway. “Alright, so, I’m face down in a river and I’m covered in boils--”

#3zun raise jingyi au #3zun raise jingyi au content #I swear I am also working on the other things I promised #But this just jumped straight into my head and started writing itself so #3zun #my stuff #my fic #Oh yeah you know what's gonna happen ;) I'm gonna post this and find 10 things I hate about it ;) and wish I had proofread better.#RIP Future me but I'm different [presses post]

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amysteryspot · 4 years ago

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Don’t know how to stop - Thomas Shelby x Fem!Reader

Prompts: 40. “I wasn’t lying when I said that I loved you.”; 69. “What do you want me to say?” + "Don't Know How to Stop" by Halestorm

Requested by: @sighonahurricane

Fandom: Peaky Blinders

Pairing: Thomas Shelby x Changretta!Reader

Summary: “Or what, Thomas?” she interrupted him, defiance in her eyes as she glared back at him. “We both know you won’t kill me. You want revenge, want to see me suffer or you would have already killed me that night at the warehouse, in front of my father.”

Warnings: Smut/NSFW/+18, mentions of violence, swearing, there's a very brief implied reference to rape

Word Count: 2510

A/N: Not even going to try and find an excuse as to why this is longer than it should be, all you need to know is that I was in the mood. I absolutely loved to write this, but I'm feeling anxious about what you all are going to think of it. Really hope that you like it. For reference, reader is a Changretta and this is set between season three/four. Feedback is very much appreciated as always.

(Y/N) = Your Name | (Y/N/N) = Your Nickname

English is not my first language and this wasn’t proofread by a beta.

If you want to be tagged in my stories, just send me a message.

She had been the one that faced the Devil. Down on her knees in front of him, begging for her father’s life as he held the knife to her throat.

“One life for another,” she had offered, fingers curling into the fabric of his waistcoat. “You can have me. Do anything you want with me, just spare his life.”

The deal had been made that night, for reasons that Tommy still couldn’t understand, even after all these years. He wasn’t even sure if he had really considered the possibility of killing her, despite the rage clouding his mind at the time.

Vicente walked free, dragged out of the room in tears, at the expense of leaving his daughter behind, a prisoner of war.

Tommy confined her to the guest wing of Arrow House. He didn’t want to see her and be reminded of the reason why he slept in an empty bed now. It was easier to ignore her existence if he didn’t have to see her every day.

His son had other plans though. Somehow, Charlie found a way to escape his nanny and ended up finding (Y/N). Tommy knew something was wrong the moment he stepped into his son’s room to find it empty. It was safe to say that he was seeing red as he climbed down the stairs, calling for Mary and asking about the whereabouts of the nanny and the baby.

The door to her room hit the wall with a loud bang that startled both the women in there and Charlie, who was all curled up in (Y/N)’s arms.

Tommy looked at the nanny, ordering, “Take Charlie back to his room.”

She did as commanded, quickly, even though the boy didn’t seem very pleased with the idea of leaving (Y/N)’s arms. Tommy walked straight up to her, grabbing her tightly by the jaw, and almost lifting her from the ground.

“You don’t get to talk to him. You don’t even look his way or else…”

“Or what, Thomas?” she interrupted him, defiance in her eyes as she glared back at him. “We both know you won’t kill me. You want revenge, want to see me suffer or you would have already killed me that night at the warehouse, in front of my father.”

His hold on her had gone lax but he still kept his hands on her.

(Y/N) continued, “The boy came to me, I’m not going to blame a child for sins that aren’t his.”

Tommy observed her in silence for a minute. The rise and fall from her chest, the way both her hands were circling his wrist, how she didn’t show any sign of fear even though the imbalance in power was evident. He let her go, leaving the room without another world, only to be haunted by the image of her in his dreams.

“Are you going to kill her or fuck her?” Polly’s voice got him out of his trance.

He looked up at her but did not answer, because he didn’t know what to say.

Polly continued, “Because these are the two available options with you. You are either going to kill her or you’re going to fuck her. Considering that you are mourning, I would bet on the second, or you would have killed her already.”

She took a drag from her cigarette, taking her time in exhaling the smoke, before saying, “You men start wars because of your uncontrollable ego, and in the end, is always the women who pay the price of it.”

In the end, both Polly and (Y/N) were right. He didn’t kill her. His aunt’s words have made him realize something better to put a definitive end to this war between them and the Italians: a wedding. What could be worse for Vicente than having to marry his only daughter to a Shelby?

After a year of mourning, Thomas married (Y/N) Changretta, sealing the pact she had made with him for good.

They slept in separate rooms at opposite ends of the corridor. Since she was his wife now, Tommy had to get used to the idea that Charlie would have to be around her, or people would get suspicious. He had never been one to care about what people thought of him, but sometimes it was easier to maintain the appearances than to go against the norm.

If Tommy was worried about having to see her more often now that they shared the same corridor, he was wrong. (Y/N) was like a ghost. He rarely saw her outside of brief encounters whenever he was at home at the time the meals were served, the occasions when he found her in Charles’s nursery, or when she had to accompany at events.

On those occasions, (Y/N) was the image of a perfect, dutiful wife. She was well mannered and educated, making it easy for her to hold conversations with the most different people. Her charm and beauty helped her, and Tommy was surprised at how good she was at making people believe that their marriage wasn’t a sham.

His family and the staff of the house knew better though—all (Y/N) was was spoils of war.

They were surprisingly civil to each other, posing for the public eye as the perfect couple and avoiding each other like the plague at home. When they met at home, occasionally, a polite conversation could end up in a fight. Except for that night when Tommy found Charlie in (Y/N)’s arms for the first time, their arguments never turned physical.

Until one night when Tommy was especially pissed off by something business-related and ended up pressing her up between his body and the wall of her the drawing-room.

(Y/N) had never backed away from a fight, never showed any signs that she was afraid of him. But that night, that night the way she flinched when he touched her and the look of pure horror on her face as she looked at him, made Tommy let go of her immediately.

As he watched her ran away from the room, Tommy realized what must have crossed her mind, and the mere thought of it made his blood boil. The glass of whiskey that was on his desk exploded in a hundred pieces on the wall, before he retired to his room, plagued by the sight of her running away from him.

He tried to be more careful around her after that, always seeking some kind of consent from her before getting too close or touching her. Tommy would never force her to have sex with him, not for revenge, not because she was his wife.

They crossed the line from civil to friendly at some point, maybe after she sassed him because of Lizzie in front of the whole family, making everyone laugh, but he was not sure. What he did know for sure was that he started to see her as more than someone who was there because of a casualty of war somewhere along the way.

It was hard to ignore her after that. It was hard to ignore the beautiful woman navigating the corridors of his house, playing with his son in the garden, handling the staff, helping with the business. It was hard to ignore the woman he tried to avoid for so long, the woman he didn’t want to acknowledge.

He wasn’t sure at what point he had started to consider the idea to fuck her, it just happened. One night, after they arrived from a gala, fighting about something that Tommy didn’t even remember anymore, they fucked against the vanity in her room.

After that first time, it all went downhill. It was like getting high for the first time and then not being able to control the need to take another hit. (Y/N) was warm, soft, willing, and available, and Tommy decided that he wasn’t going to deny himself or his needs searching for other options when he had her right there.

Things escalated quickly and they developed some kind of silent agreement, another deal. During the day, they acted like old acquaintances, respectful, and civil to each other. But after dawn, they would seek each other out, drowning together in a desire that seemed to have no end.

That had been a long time ago, so long that he didn’t remember how it was not to have her around. Long enough for some unrequited feelings to show up.

He did his best to ignore the guy talking to (Y/N). They were hosting a dinner at Arrow House, the man talking to her was some rich bachelor from London that was being a little too friendly to Tommy’s liking. He downed the whiskey in one gulp and noticed Polly watching him, but his attention is quickly drawn back to his wife.

At the end of the night, after all the guests either left for home or to the guest wing and all that is left are the Shelby’s at the parlour, Tommy revels in the feeling of (Y/N) sitting beside him, reclining against the arm he rested behind her shoulders. From the other side of the room, Polly looks at him and smiles, like she knows something that he doesn’t.

It happens the week after the gala. They’re both getting ready for a family meeting. His room became their room, unofficially, because her things were scattered all over the place—her perfume and jewelry on the bedside table, dresses on the wardrobe, lingerie on the drawers, even the sheets smelled like her.

“Tommy,” she exclaimed in a reprehensive tone, as he pressed himself against her back, arms sneaking around her waist and preventing her from running away as his lips trailed down her neck. “What are you doing?”

“Giving some very due attention to my wife,” he answered, casually, walking them both closer to the bed.

“In broad daylight?” (Y/N) gasped, something between surprise and a protest, although she was doing very little to resist his advances.

“Want to see you,” he stated, before turning her around to kiss her.

“Your family is downstairs waiting for you,” she warned against his lips, breath uneven and fingers clutching onto his shirt.

“My family is downstairs waiting for us,” he corrected, nibbling her earlobe and smiling because of the sound she made. “Let them wait. They’re probably too occupied drinking, anyway.”

Any pretense of resistance from her part vanished when Tommy started to unbutton her dress. He was desperate to feel her skin against his, to taste her, and be inside of her. When they were both finally naked and pressed against each other on the bed, it felt like some kind of miracle.

Tommy drank her in, from the blush on her cheeks to the way her toes curled when he touched a sensitive spot on her body. All the scars, the birthmarks, the dips and curves, the softness of her skin, the heady taste of her on his tongue, and how wet she could get for him. He wanted it all, needed all of her.

He was tired to fight against it, tired of pretending that this feeling gnawing on his chest was something else.

“(Y/N/N),” he breaths against her skin, the feeling of her short nails scratching his back driving him crazy. “I love you.”

Her eyes open to stare right into his, something between surprise and uncertainty on her features. Tommy kisses her, gripping her tights a little harder to dive deeper into her.

The whimper of need that comes out of her lips makes him wild. All he can think about is how she feels, how good she feels, how right she feels. Here, underneath him, crying out his name, welcoming him into her body, scratching his back as the both of them get lost in pure pleasure.

All it takes to make her unravel is for him to press the engorged nub at the apex of her thighs. (Y/N) comes undone and brings him down with her, just a few trusts later, her walls milking him from his orgasm, his seed taking place deep inside of her for the first time in a long time because they were too lost in each other to care.

One more time they pretended, dressing in silence and walking down the stairs as nothing more than acquaintances. If his family suspected of something, they didn’t show it.

The meeting went uneventful, as planned. (Y/N) found a way to sneak out of the parlour before him and when Tommy went upstairs to his room—their room—he found it empty.

Sighing, he made his way to the other end of the corridor. He knocked one time, before letting himself in. (Y/N) was sitting in front of the vanity, taking the pins out of her hair. She was already dressed to sleep, the silk nightgown revealing her legs and a bit of the lace underneath. Their gazes met through the mirror as Tommy closes the door behind him.

“I wasn’t lying when I said that I love you.”

(Y/N) takes a deep breath, still not turning around to face him.

“Tom…”

“We’ve been dancing around this for too long, it’s time to face it.”

She sighs, a hand running through her face as she says, “What do you want me to say?”

He is in her in a heartbeat, pulling her up and pressing her against the vanity, just like the first time they had sex. Tommy takes her face in between both of his hands, nose brushing against her as he mumbles against her lips,

“I want to hear you say it.”

“Tom, I can’t. We can’t,” she protests, weekly, eyes closed and hands holding his wrists.

“A little too late for that because I don’t know how to stop this.”

“Your brother blinder my brother, Tommy. Your wife was killed because of that. I’m only here because you wanted my father that and I made a bargain with you. How this is supposed to work. What people will think?”

“Fuck what people think. We are already married, (Y/N). What happened, happened. We can’t change it. But this thing between us, this thing is real. I’ve denied myself that long enough, not going to keep pretending anymore. I love you. I’ve loved you for a long time now and I know, I know that you feel the same, so stop fighting against it and say it.”

Tommy’s lips brush against hers as he repeats himself, half plea, half command, “Say it.”

“I love you,” she whispers, eyes closed tightly as if the words will be less real if she can’t see him.

“Say it again,” he commands, nose bumping into hers while his thumbs caress her cheeks.

“I love you.”

“Again,” the sound is music to his ears and Tommy just can’t get enough of it.

(Y/N) opens her eyes, looks him in the eye, and professes, “I love you, Thomas Shelby.”

He smiles, for what feels like the first time in years, and confesses, “I love you too, Mrs. Shelby.”

Taglist: @stressedandbandobessed7771 @internalmess3 @theshelbyclan @giowritess @captivatedbycillianmurphy

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johnbbutmakeitace · 3 years ago

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if i had a gun

second part to this ask for the mayward song prompts! i am finally getting around to finishing all of these, yay!

“Put it back.”

JJ’s head snaps up from where he’d been rummaging through his backpack. The wind slipping through the screened in porch whips his blond hair this way and that, but it is not enough to cover up the wide-eyed look he is currently giving Pope, like a kid who got caught with their hand in the proverbial cookie jar.

“What?” JJ asks, voice strung up a whole octave. He reflexively clutches the backpack to his chest before backtracking and shoving it down by his feet, posing nonchalantly like he wasn’t touching it at all a few moments ago. It’s a dead giveaway when that impulsive, nervous grin starts pulling across his face, like Pope totally didn’t just catch him looking at the fucking gun in his backpack.

“Dude.” They’re at the chateau, supposedly getting ready to go watch a movie in the park, one of those old fashioned black and white ones that no one cares about but is required to watch at family gatherings anyway.

The whole event feels like one of those shit attempts by the country club mothers to try and create a closer community. Which would maybe work, if there wasn’t the very distinct divide between the families with Adirondack lawn chairs and yeti coolers and those with nothing but worn blankets and sweaty, family sized water bottles to share.

Pope looks pointedly at the backpack at JJ’s feet, then back at JJ. “You’re not bringing the gun. Put it back.”

“Who said anything about the gun?” JJ asks, all innocent and fast-paced. “I certainly didn’t. And have no idea what you could--,” he kicks the backpack a little farther away, “--possibly be referring to.”

“Yeah?” Pope raises a brow, resisting the urge to smile in the face of JJ’s shenanigans. He goes to stand up, “let’s see what’s in the backpack, then.”

“Nonono! We don’t-- ahaha, we don’t have to do that,” JJ laughs, quickly lunging to snatch up the backpack and dancing away and out of Pope’s reach, who continues to stalk him around the patio table, “c’mon dude, do you see me going through your backpack for fun? Well, no, okay, I do do that when I’m bored but that’s not the point-- hey!”

Faking a left, Pope snags the backpack out of JJ’s hold and yanks it away from his friend’s grabby hands. JJ, like the mature human being he is, promptly lunges for it. Pope-- who is the pinnacle of maturity and would never act childish in any way, ever-- lifts the backpack high above his head and out of JJ’s reach.

This quickly devolves into a game of keep away-- the two of them definitely not bickering like children the whole time, thank you very much-- in which JJ tries to hop over Pope to grab the backpack and only succeeds in tangling their legs together and sending them sprawling onto the couch, JJ landing on top of Pope’s chest with an obligatory “oomph!”

“Tell me why you need it and I’ll give it back,” Pope says, straining his reach as JJ starts to climb over Pope like a fucking spider monkey, or something, ignoring JJ’s frustrated protest.

“I just do, okay? Now give it--,” JJ is cut off with a frustrated huff as Pope shoves him back with a hand planted on JJ’s chest, their legs still tangled together. He only tries again once, but Pope keeps his palm pressed flat to JJ’s sternum and keeps him there. Realizing the effort is pointless, JJ settles for sitting back and pouting instead.

“This would be a whole lot easier if you just used your words,” Pope reminds with a lilting tease, earning himself a sea blue colored glare for his troubles. Feeling the hint of frustrated heat in JJ’s demeanor, Pope settles for something a little softer. “Hey,” he says, earnest, and curls his knuckles to push against JJ’s heart a little, “what’s on your mind?”

“I need my backpack,” JJ insists, avoiding Pope’s gaze to let it settle on the backpack, like it’s suddenly the most interesting thing in the world.

“Okay,” Pope says, patient as ever. He ducks his head a little to meet JJ’s gaze, and presses a little harder against JJ’s heart, “wanna tell me why?”

“Because it’s got the gun in it, alright?” JJ finally snaps, barking like a cornered dog. “There, are you fucking happy? The gun’s in my backpack, and I need the gun.”

“Why do you need the gun, JJ?” Pope doesn’t shy away from JJ’s anger. He never has. Because he knows, he knows that if he presses a little more, looks a little deeper underneath all that anger is--

“To protect you!”

There it is.

Pope’s breath stalls out in his chest in the same moment he hears JJ’s catch in his throat. He finds it hard to breathe in the face of such raw and fierce honesty in his friend’s eyes, but tries his best anyway.

JJ’s hand comes up to grab Pope’s wrist where it’s resting on JJ’s chest. For a moment Pope thinks JJ’s going to shove his touch away. Instead, JJ grips it like a lifeline, holding it against his chest like it’s the only thing keeping his heart in place.

Pope lets him hold it there. Let’s himself hold JJ’s heart in place. He doesn’t shy away from the touch-- doesn’t think he ever could.

“I need it to protect you. And Kie. I don’t know if you’ve noticed, but we’re kinda headed straight into the lion’s den, here.” JJ ducks his head, ears cherry red. He says, quieter, but with no less strength, “if something happened to you, Pope, I don’t-- I can’t, I can’t--,”

“Hey,” And here Pope reaches out, gently digs his fingers into the nape of JJ’s neck, presses hard against the strong heartbeat beneath his palm until sea blue meets his gaze, nervous and unsure. Pope gives the back of JJ’s neck a squeeze, and tells the only truth he’s ever known, “you and me? We got each other. We’re okay.”

“I know,” JJ breathes, and let’s his head fall to meet Pope’s forehead with a gentle bump. He squeezes their hands together just a little tighter against his heart. “I know.”

#mayward song prompts #jjpope #mayward #outer banks #outer banks fic #jj maybank #pope heyward #i've been in the neck kiss truthers discord and their energy gave me motivation so this one is for them wkcnobqvj #i missed writing for my boys ah!#tw gun mention #just in case #my fic

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theclockworkmonk · 3 years ago

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Out of the Mouths of Babes — Chapter 4

Read on AO3

Read on FFNet

Chapter 1 on Tumblr

Chapter 2 on Tumblr

Chapter 3 on Tumblr

Written for Hinny Ficfest 2021

Prompt: “Uncle Ron said something about Harry knocking Ginny up, but I don’t know what he means,” Teddy said.

*******

Ginny had disappeared, dragged through the kitchen door, before Harry could come up with an excuse to keep her by his side. He sighed and took a long gulp from his glass of firewhiskey, welcoming the burning sensation down his throat. Whatever his family was so wound up about, Harry knew he wasn't in danger here, so he hoped the drink would dull his overactive auror instincts so he could enjoy the evening.

"So...how's the shop?" asked Harry, choosing to focus on George, "any accidental new body parts I can't see?"

"Harry, I'll have you know that we ascribe to only the highest of safety standards at Weasley Wizard Wheezes," said George with his nose in the air, "We strictly adhere to a dual-fault system to make sure a trained wizard is on-site to intervene in case of emergency."

"By that he means that he doesn't try any weird shit on himself without me there to rush him to St. Mungo's," said Ron with his mouth full, wincing as his mother smacked him in the back of the head with a wooden spoon for his language.

Harry's eyes narrowed at his best friend. "So you two are already partners now? Really wasting no time on bailing on me, aren't you?"

"Don't be a prat!" grumbled Ron. "No, like I said, it was just a thought that I had. You know, the kind of thought you would hope you could share with your best mate without him jumping down your throat?"

"Well I think it's a marvelous idea," Mrs. Weasley announced loudly from her place at the stove."

George's eyebrows shot up. "Who are you and what have you done with my mother? You're glad that another one of your sons is considering wasting his life at this silly business, instead of a respectable job at the Ministry?"

"Well, if said Ministry job involves chasing after Death Eaters every day," huffed Mrs. Weasley, "Then I suppose my nerves will take any alternative."

She sent a stern look towards Harry and pointed a threatening spoon at him, making him jump back. "You could do well to learn from Ron in that regard, Harry."

Ron was grinning ear to ear, bouncing in his seat from being the favorite child of the moment.

"There's nothing wrong with Ron doing the responsible thing." she lowered her voice to a grumble so Harry barely heard, "at least someone is."

Harry surveyed the tense atmosphere in the room again.

"Okay, what's got everyone in such a mood?" he asked, trying to sound casual.

"No one's in a mood!" said Mrs. Weasley quickly.

"Harry," Mr. Weasley spoke up for the first time, and his voice too was less assuring than Harry usually found it. "I'm having trouble with a fascinating new muggle device I've discovered, would you mind giving me a hand out in the shed?"

"Oh. Sure," said Harry easily. Mr. Weasley got up from the table and led Harry outside. They entered the man's infamous tool shed, and Harry noticed new mechanical and electronic devices in various states of disassembly. Mr. Weasley gestured to his work table, where a VCR sat.

"I've heard that muggles use this to see recorded images, like a pensieve, but I've put in those black blocks, and nothing happens."

"Oh, well," said Harry, trying not to laugh, "You need to attach it to a television. It can't just work on its—"

He was interrupted by the door opening again, and Harry was surprised to see Mrs. Weasley entering the shed which he always knew her to avoid, wanting nothing to do with her husband's "nonsense" tinkering.

"Molly, what are you doing here?" Mr. Weasley asked crossly, "We agreed we wouldn't. The boys—"

"I told them I was getting apples from the orchard," his wife said dismissively. She crossed the shed and looked beseechingly at a very surprised Harry.

"Harry, dear, you know how we think of you as a part of this family. We've been wanting to say….we hope that you don't think that has changed because of you and Ginny's relationship. We know young men have trepidation about 'the girlfriend's parents,' but you're not just our daughter's boyfriend to us, you're one of our own."

Harry was as touched as he was confused. "Th-Thank you, Mrs. Weasley," he said softly. "I can't tell you how much that means to me."

"And one reason we had no objection to you and Ginny dating," Mr. Weasley continued, "is that we trust you to always do right by Ginny. To always do what's best for her."

Harry looked back and forth between them, their expressions pointed and expecting.

"Well — ehem — I'll remember that. I promise to never do anything to hurt her." He meant it.

There was another moment of silence before Mrs. Weasley spoke up again.

"Sooooo…." she prompted. "We just want you to be aware that….should you decide to propose…you wouldn't have to worry—"

"What!?" Harry's heart leapt into his throat and he knew his face had turned scarlet. "Oh, no no," he said, putting his hands up. "I'm glad to have your blessing, but we're not ready to think about that yet."

Harry rubbed his neck nervously. It was only a half-lie. In truth, Harry was ready to think about that. He thought about proposing to Ginny damn near every day, in fact. But he was fairly certain that Ginny was still years away from being ready. She was fiercely proud of her independence and she was still dealing with the papers referring to her as "Harry Potter's girlfriend" before "star Harpies Chaser," even without marriage.

Mr. Weasley sighed in what seemed like disappointment and Mrs. Weasley's mouth thinned and her expression turned sour.

"Well...the roast should be done, we should all head back inside."

The Weasleys led the way out of the shed and Harry cautiously followed them. When they arrived back in the kitchen, Harry saw Bill shoot his father a stern, questioning look, and out of the corner of his eye he saw Mr. Weasley shake his head grimly, and Bill and Charlie gave Harry a glare that would make Mad-Eye Moody quake in his boots.

Harry froze and all the breath left his body. It suddenly all made sense. He was the thing that the Weasleys were so on edge about. Ginny's parents inquiring about him marrying her.

They had somehow found out that he and Ginny were living together.

Harry suddenly felt like a sheep in a cage with several wolves.

"Hey mum," said Charlie, "while you were outside, Aunt Muriel floo-called and said that the gnomes are in her attic again. Apparently she's upset at the way dad tried to take care of it last time."

"Is she sure it's actually the gnomes, or is it the doxies nesting in her hair?" Mr. Weasley grumbled as his wife shooed him into their sitting room and through their fireplace. Harry's heart was thudding in his chest as the few Weasleys he could count on to not murder him due to this secret getting out abandoned him with the curse breaker, dragon tamer, master prankster, and Ministry power-broker.

Several murderous eyes turned towards Harry.

"Look...er…" Harry stammered. "I really thought that, after everything, we had all moved past the whole 'overprotective big brothers' routine."

"Yeah, we thought we had too," said Charlie darkly, "but mum and dad's diplomatic approach clearly didn't work, so the gloves are off. I guess we never figured that the savior of the bloody wizarding world would do this to our sister."

George snorted, still finding this whole thing quite amusing. "Sorry, do this to her? Harry's the real victim here. Ginny's a nightmare already, can you imagine what living with her will be like now?"

"What the hell are you lot talking about?" Ron cut in, looking around the room in confusion.

"I think your brothers have become aware of me and Ginny's...status change," said Harry.

"Oh, that is just so typical!" huffed Hermione, crossing her arms and adopting her lecturing pose. "Ginny is perfectly capable of handling her own life and she doesn't need a bunch of chest-beating men to defend an outdated notion of her 'honour!' I still can't believe how sexist magical society can be sometimes."

"Yes, Hermione, our world is sexist, whether we like it or not" said Bill, not backing down. "You can pontificate all you want about how it's not right, or a double standard, but once the public finds out about this — and sooner or later, they will," he shot another glare at Harry, as if he wrote to the papers about it himself, "then it will change how people see her. And since she's a Quidditch star, the way people see her matters."

"Yup, can see the headlines now," George sighed dramatically, "the ambitious social climber Ginevra Weasley, raised in a pauper's home, so she used her feminine wiles to land herself this sweet gig."

"Look, ultimately, it's none of our business — no, I'm serious!" Ron finished in response to his brothers' looks of betrayal. "Look, Bill, Charlie, you two were only around when Ginny was a little girl. You didn't go to school with her. You never saw first-hand what happens when you try to meddle in her life to defend her virtue, trust me." He shivered a bit, as he remembered the traumatic memory.

"I don't even understand why we have to meddle," said Percy, "I just don't understand your logic, Harry. There's no question you would be willing to throw yourself into mortal danger all over again to protect Ginny. What you're hesitating to do is comparatively easy."

"His reasons don't matter, he should have thought of that earlier," said Charlie, pointing a threatening finger at Harry. "I don't care if this makes me a hypocrite, but you're going to do the right thing and—"

Ginny suddenly burst into the room, causing every word to fall silent. Harry knew that Ginny always hated it when people were obviously talking about her, but as he started towards her, he was surprised when he saw that her eyes were watery with tears. Ignoring all of the eyes on her, she ran straight towards Hermione, throwing her arms around her friend.

"Erm, is something wrong?" asked Hermione. She threw a questioning look to Fleur as she followed Ginny into the kitchen, but the young mother looked just as confused as anyone as she took Victoire back from Bill.

Instead of answering Hermione's question, Ginny withdrew from the hug and smacked Ron upside the head.

"Ah! What the shit!" Ron cried, rubbing the back of his head.

"Ronald, language!" scolded Mrs. Weasley, re-entering the kitchen along with her husband, making the room quite crowded.

"That's your main concern?" asked Ron, "Not the unwarranted physical assault?"

"It's not unwarranted, it's for being a stupid, forgetful git!" barked Ginny

She walked up to Harry and took his glass of firewhiskey, still mostly intact.

"I need this more than you," she informed him, and began to raise the glass to her lips.

"GINEVRA MOLLY WEASLEY!"

Mrs. Weasley's ear-piercing shriek caused everyone in the room to wince, and Ginny momentarily jumped behind Harry for protection. "Merlin's balls, WHAT!?"

"Molly…" Mr. Weasley cautioned.

"DO NOT 'MOLLY' ME, ARTHUR!" his wife shouted back. She had a crazed look in her eye and she was pulling at her hair. She rounded on Harry and Ginny.

"We have tried to be respectful, but you two are clearly not ready for this kind of responsibility! I am so disappointed in you both for not taking this more seriously! You haven't even given a thought to how this will affect your careers!"

"Our careers?" asked Harry, confused. "How would that possibly—"

Suddenly, everything clicked into place. He had gotten it completely wrong about what the Weasleys were talking about. The talk about responsibility, their careers, affects to Ginny's public image.

Somehow, the family had gotten word about the "honour" bestowed upon Harry by the Wizengamot, and all the implications that had for his and Ginny's future together. He supposed it wasn't too surprising that Arthur or Percy had heard about it through their Ministry connections.

He looked sideways at Ginny, and from one look he knew that she had come to the same realization. Both their faces split into wide grins as relief flooded through them that all of this drama was over something so silly. Apparently, the family somehow had the absurd idea that Harry would keep the title and actually take the status, power, and responsibilities being offered to him.

Harry and Ginny cracked up into delirious laughter, leaning on each other for support, which did nothing to help the livid look on Mrs. Weasley's face.

"Oh Merlin's beard, is that what has you all concerned? Don't worry about that," laughed Harry, waving one hand dismissively and wrapping the other around Ginny's shoulder.

"I mean, come on, we're obviously not keeping it!"

There was a moment of silence, then the entire kitchen exploded.

#hp fanfic #hp fanfiction #hinny #romione #hinny ficfest #hinny fanfic #hinny fanfiction #ao3 link #harry potter #hp #harry x ginny #ron x hermione #ginny weasley #weasley family #farce #comedy #ron weasley #hermione granger

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plaidbooks · 3 years ago

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The R Drug part 2

A/N: I promise I still have summer bingo fics ready to go, but this idea wouldn’t leave me alone, so here it is. This is a part 2 to The R Drug, and is a lot of talking and exposition, and a lot of Sonny hating himself. This will most likely get a part 3. No chapter will ever be darkfic or as dark as the first one was. It’s only up from here.

Tags: self-loathing, mentions of rape (like, one line--references first fic heavily) and therapy, otherwise none, just a lot of angst with a maybe happy ending?

Words: 4657

Taglist: @witches-unruly-heart @beccabarba @thatesqcrush @itsjustmyfantasyroom @permanentlydizzy @ben-c-group-therapy @infiniteoddball @glowingmess @whimsicallymad @lv7867 @storiesofsvu @cycat4077 @alwaysachorusgirl @glimmerglittergirl @joanofarkansass @redlipstickandblacktea @caracalwithchips @berniesilvas @reading--mermaid @averyhotchner @mrsrafaelbarba @detective-giggles @crowleysqueenofhell @dreamlover31

For the first few days, you sat on the couch in pain and exhaustion, wallowing in self-pity and self-loathing. The doctor said that you were severely dehydrated and had kept both you and Sonny overnight after the club, though separated. Olivia and Amanda interviewed you, while Fin interviewed Sonny. You were both then sent on leave until you could come back to work…if you could come back at all.

Thankfully, you weren’t pregnant. But you were sore, every movement causing aches and pains as you shuffled around your apartment. Obviously, you weren’t pressing charges, and neither was Sonny; what happened was a freak accident, something you never wanted to think about again, but knew you’d have to in order to move past it.

When you could finally walk normally again, you went to a therapist. It took a while to find a groove; therapists specializing in rape victims had trouble dealing with the fact that while yes, you were a victim, you were also a perpetrator. The other strange thing was that you weren’t angry with Sonny; you were angry with yourself. You assaulted him, just as he assaulted you. And that was the part that was eating you up inside.

It took months of therapy, going every day and working through your confused and frustrated emotions before you finally came to terms with what had happened. You were ready to put your badge and gun back on, ready to move on with your life. You missed your job, your squad. But most of all, you missed Sonny. He was your best friend before all of this happened, and you hadn’t seen nor talked to him since the club. You missed his boyish charm, his bright smile and his loud laugh. You missed the little inside jokes you had together, and the late nights spent curled on the couch, watching reality TV and sports. You missed your Sonny.

**********************

On Monday morning, four months after the club incident, you made your way into the familiar precinct. You were heading for Olivia’s office when you stopped short. Both Amanda and Fin were at their desks like normal. Even your desk was how you left it; a few photos, baskets to hold paperwork, little knick-knacks that made it yours. But Sonny’s desk, the one next to yours, was completely different. There wasn’t a single photo of any Carisi, no Mets or Islanders memorabilia, no nothing that made it his. Instead, there was a picture of two men, one you didn’t recognize posing with…Deputy Chief Dodds?

Before you could ask questions, Amanda said, “that’s Mike Dodds’s desk. He’s the new Sergeant.”

“Where’s Carisi’s desk,” you asked, turning to look at her.

But it was Fin who answered. “He doesn’t have one.” You swore you got whiplash turning to look at Fin so quickly. “He turned in his badge and gun months ago…just after the club fiasco.”

“What?” you almost yelled. You were loud enough that Olivia heard you, and she and the new guy—Mike?—came out of her office. She beckoned you to her office, and you passed by Mike, who tried to give you a smile that you did not return.

“Welcome back—” Olivia started before you cut her off.

“Carisi’s gone?!”

She closed the door behind you before taking a seat at her desk. She motioned for you to sit, and you all but collapsed into the chair. “I tried to keep him, to talk him out of quitting. But he refused, saying he needed to work through things. I’m sorry, but there was nothing I could do.”

You stared in disbelief at the top of her desk. Sonny was gone. You had to talk to him, had to see him. You said as much to Liv.

“If you think you can get through to him, then by all means. Because it’s been hard around here not having two of my best detectives,” she replied. “Dodds has been a godsend, but he doesn’t replace either of you, and especially not both of you.”

You nodded. “I’ll talk to him, try and bring him back.”

“I wish you luck. I think he’ll listen to you; you were close before…all this.”

**********************

After leaving the precinct, you tried texting and calling Sonny, but to no avail. In fact, it was going straight to voicemail, as if his phone were dead or off. So, you swung by his apartment. You buzzed his place, but a deep, gruff man answered.

“I just moved in a few months ago; the previous owner seemed to be in a hurry to move out,” he said. Clinging to the hope that this was still Sonny just trying to put on a fake accent, you buzzed a neighbor. But they confirmed that Sonny had moved out a couple months ago, and that a new tenant moved in.

Out of desperation, you tracked down a phone book, and looked up his parent’s place. Then you took the drive out to Staten Island. You shifted nervously on the porch, waiting for an answer after knocking.

A woman in her 60s, who could only be Mrs. Carisi, answered. Her eyes darted to your waistband, the badge there, then back to yours. You watched them slowly fill with tears.

“Please, don’t tell me yet,” she muttered, and you furrowed your brow. “Don’t tell me my Bambino is…is…” she hiccupped, and you understood; she thought you were here to deliver the news that Sonny was dead.

“No, no! I’m actually…I’m Carisi’s partner…or I was. I’m just…having a hell of a time tracking him down,” you quickly explained.

She sniffled, trying to compose herself. “Well, I hope you do find him.”

“You mean…you don’t know where he is?” you asked, heart sinking.

She shook her head. “He told us he needed some time, and that he’d be in touch. That was the last we saw or heard from him, and that was back in March.” It was June now, and you were realizing that this was going to be a lot harder than you thought.

You nodded, muttering out an apology for bothering her as you turned away, but she grabbed your wrist, stopping you. “Please, if you find Sonny, tell him we love him. And that we want him to come home.”

“Of course,” you replied before leaving, holding back tears until you were back in your car.

****************

Your first real clue as to where Sonny went came through looking at his bank statements. There, you found a one-way trip to Genoa, Italy. Without too much thought behind it, you booked a flight, texted Olivia your intentions, then headed to the airport. In your hurry, you didn’t pack, didn’t even book a place to stay. You only had one thing on your mind, and it was to find Sonny Carisi.

With the clothes on your back, your phone, passport, and wallet full of bills that you converted to euros, you got on the one-way trip to Genoa.

***************

You barely slept on the plane, landing early in the morning. The sun was just peaking over the beautiful Italian landscape. Even in your exhaustion and worry, you had to stop and appreciate the architecture of a different country. Genoa was beautiful, and you’d be enjoying yourself if the drive to find your missing partner wasn’t so high. You had a picture of him on your phone, and you went around, asking everyone you passed by if they had seen him. At first, you were asking in English—you didn’t know Italian. But eventually, you learned the phrases you needed.

“L'hai visto?” you asked desperately.

You understood “no,” and saw the look of sadness on their faces.

“Grazie,” you replied, moving on.

You must’ve asked hundreds of people. The sun was high in the sky, and you felt a hopelessness in your fruitless search. Why did you ever think you’d find him? There was a good chance he wasn’t even in Genoa anymore; he could’ve landed and moved somewhere more isolated. You had nothing to go on, and your voice and face took on a pleading, desperate tone. You must’ve looked like an unhinged person, asking the same question over and over again while pointing frantically to your phone screen.

Another thought came to you in the form of a growling stomach. You hadn’t eaten, hadn’t had so much as a sip of water since you got off the plane. Which then led you to think about what you were going to do once the sun went down. You didn’t have a whole lot of money on you, and you didn’t know how much anything cost.

“I’m such a fucking idiot,” you muttered to yourself in frustrated hopelessness. You sat down hard on a bench, cursing yourself for not thinking this through better.

A woman came over to you; she looked somewhat familiar. You must’ve talked to her before. But she started speaking rapid Italian to you. You gave her a puzzled look, brow furrowed. You tried to express that you didn’t speak Italian, and she stopped, her face contorted as she thought.

“Man,” she said in slow, pronounced English. She pointed to her left. “Man...you want?”

You followed her finger and froze when you saw the tall, lanky frame of Sonny through a shop window. You jumped to your feet, shouting a “thank you!” to her as you ran on tired legs to the shop. Sonny was just paying for groceries, and was heading out of the shop when you reached him.

His eyes widened as he saw you, guilt flooding his eyes. “...[y/n]?” he asked. “What’re you doing here?”

“Looking for you,” you replied, grinning. “I thought I’d never find you.”

He gave you a hard look. “I wish you didn’t,” he muttered before turning to leave.

You stared in disbelief as he walked down the street, bag in his arms. Snapping yourself out of it, you hurried after him. “Carisi, what are you doing here in Italy?”

“Isn’t it obvious?” he asked, not breaking in his stride. You struggled to keep up with his long legs, your body and mind exhausted. “I’m trying to start over, away from my past.”

You pushed yourself to get in front of him, cutting him off. “You can’t just—just run away.... Don’t I...don’t we mean anything to you? The squad, your family—”

“Of course you do,” he replied, eyes softening for a moment. “That’s why I left.”

You looked at him, eyes pleading. “Look, Dom, I know what happened was...traumatic. But—”

“I’m not talking about that. Not now, not ever.” And then he was walking again, easily stepping around you. “Please, just go home,” he called over his shoulder to you.

You watched him retreat for a moment before heading after him again. “Dominick, you need to talk about it, if not to me, than to someone else. But you can’t bury it down, move on like nothing ever happened.”

Sonny whipped around to glare at you, face hard. “Like nothing ever happened? You think that’s what I’m doing?” He shook his head, huffing. “I’ll never stop thinking about it! This will haunt me to my grave! And when I’m burning in Hell, I’ll know why.”

It broke your heart to see him like this. “Please, listen to me. You need to work through this. It took me months to come to terms with my actions, and I know you can do it, too.”

“I’m too disgusted with myself,” he replied, shaking his head. “I hate myself too much for what I did to you.”

He tried to turn away again, but you grabbed his shoulder, stopping him. He flinched at the contact, pulling away from your touch, and you let your hand fall. “I hated me, too. Still do sometimes. But it wasn’t our fault; we were drugged. There was nothing we could do—”

“I could’ve fought it. I could’ve controlled myself.”

“And what, I couldn’t?” you shot back. Sonny’s eyes widened at your outburst. “If you hate yourself so much, then you must hate me, too. I did the same thing you did.”

He was quiet for a moment, eyes scanning yours. “I could never hate you.”

“Then why are you so hellbent on hating yourself, but not me?”

“Because I...” he trailed off, thinking through his words. You could tell there was something he wanted to say, but instead he whispered, “I don’t know.”

You moved closer to him. “Then please, let me help you.” You didn’t make the mistake of touching him again, instead just gazing deeply into his eyes.

Sonny sighed heavily, regripping the bag in his arms. “Yeah, okay. But...let me sleep on it, first?” He saw the skeptical look you gave him, and he quickly added, “I promise I won’t run away again. I just...I need time to process things. Where are you staying? I can swing by in the morning.”

“Uhh...” you said, looking at the ground.

“...please tell me you have a place to stay.”

You shifted uncomfortably. “I was going to try and find a place, soon?” you tried.

You could see the inner struggle he had as he fought himself. “I could...you could stay with me, if you want.... That is, if you feel safe with me...if you can trust me.”

“Dominick, I trust you with my life,” you said softly.

His eyes widened for a moment. “Yeah...okay. Follow me.”

****************

Sonny lived in a small apartment. Though it was a little smaller than his place in Manhattan, it was absolutely stunning, the view from his window gorgeous. It was simply furnished, yet it still somehow felt like...Sonny. He put his grocery bag down on the little counter that acted like an island in a kitchen. In reality, it was just a piece that separated the kitchen from the living room.

“Have you eaten?” he asked as he put his things away.

You stomach grumbled loudly in response. “Uh, no,” you muttered, embarrassed.

Sonny gave you a look. “So, let me get this straight. I can tell by your no luggage or place to stay that you just flew to Genoa with absolutely no backup plan? What if you didn’t find me? What if I went to Vernazza or something?”

You smiled sheepishly. “I wasn’t in the best state of mind, okay? I was worried about you; no one had heard from you, not even your parents. And your phone just went to voicemail.”

He sighed. “I left my phone in New York; I didn’t want it. Maybe I also wasn’t in the best state of mind when I left.”

You dug your phone out of your pocket; you only had 10% left on it. You unlocked it, then shoved it towards him. “You need to call your parents. Your mom is heartbroken, and asked me to tell you that she loves you. But I think it would be better coming from her directly to you.”

Tears filled his eyes as he took your phone from you. “If I do, then it’ll kill your phone battery. There’s no way the call would be less than five hours long.”

“Call them,” you urged. You could buy a phone charger in the morning. Sonny sighed, dialing the number. “I’ll give you some privacy,” you whispered, heading outside. You heard a soft, “hey ma; it’s me,” before you closed the front door behind you.

You were so relieved to have found Sonny. Sure, he was still broken and hurt, but you knew you could help him find himself, pull himself back from the darkness in his mind. You just didn’t know how long it would take, how long you’d be in Italy for. You didn’t want to rush him, couldn’t rush him if you tried. And you knew a lot of this would be an internal battle, something you knew intimately well based on your own experience. In the end, he’d have to find the strength to forgive himself on his own before he could move on. You sighed, looking up into the dark clouds above you, the muggy heat making your skin sticky.

*********************

Sonny came and got you about an hour later. His eyes were rimmed red, but it seemed as though a weight had lifted off him as he handed back your now dead phone.

“Sorry; I can buy you a charger in the morning,” he muttered, leading you back inside.

You shook your head, smiling softly. “Don’t worry about it.”

You both ate dinner in silence; Sonny was pensive, thinking, while you were starving and shoveling the delicious food into your mouth. Once you finished—your huge bites compared to his little nibbles had you finishing in record time—you took your dishes to the kitchen and started cleaning them.

“I can do that—” Sonny started before you cut him off.

“It’s fine; you cook, I clean.” It was your rule back in Manhattan, and Sonny smiled softly at the memories of you both in his kitchen.

“Look, Sonny, I know you said you don’t want to talk—and that’s fine! But, if you ever do want to talk, I’m here, willing to listen,” you said. You scrubbed at your plate with the sponge, forcing yourself to not turn and look at him.

He sat in silence for what seemed like an eternity. You resolutely stayed facing the sink, washing a now clean dish, waiting for a response that may not come.

“I...I know it was R. I know it was. But I just...I can’t stop the self-loathing I feel,” he said so quietly, you barely heard him over the water in the sink.

Slowly, you turned the water off, then turned to face him. “I know. It took me months to not hate myself. To not blame myself.”

Sonny took a deep breath, then rubbed his eyes. “I never asked; how are you?”

You knew he didn’t mean in general. “I was very sore and exhausted the first week. I was stuck in a downward spiral. But the thing about hitting rock bottom is that you can only go up.” You sighed. “I’m doing better. I doubt I’ll ever be 100% me again. But I’m working every day to get closer.”

He nodded, thinking. “See, I feel like I hit rock bottom, then grabbed a shovel. I’m still fighting to get back to rock bottom.”

“Well, just know that I do not blame you in any way. All the anger and hatred I felt was directed at myself,” you huffed out an emotionless chuckle. “In fact, you hardly came up in my therapy sessions at all. Just that I hated myself for doing that to you.”

Sonny stood then, bringing his own dishes into the kitchen. “I never blamed you, either; still don’t. I—I guess because I’m bigger and because I was...on top, I blame myself instead. I didn’t even consider the fact that you got drugged, too....”

“That’s the thing; I know you. And I know myself. Neither of us...that wouldn’t have happened without outside forces making us do it. Like I said, I trust you with my life, Sonny. And while I understand why you turned your badge in, I really would like my partner back one day,” you said, hope tinging your voice.

He reached past you to put his plate in the sink, and you gazed up at him. This was the closest you’ve been since that night in the club, his face inches from yours, bright blue eyes boring into your own. For a moment, it was like nothing had happened. You could pretend that you were in Sonny’s Manhattan apartment, having just finished dinner he made, Love Island playing on his TV. But then reality set in, and Sonny backed away from you, a look of guilt in his eyes.

“M—maybe one day. But I’m not sure I want to go back to that line of work yet,” he muttered, looking at the floor.

You nodded. “I understand—” you were cut off by a loud clap of thunder, sounding directly above you. You dropped the plate you were rinsing off into the sink, the clatter loud in the shocked silence.

Sonny looked from the ceiling to you, saw your petrified look. He knew you hated storms, would often get a call at 1am from you, asking to come over when a thunderstorm rolled in. When he saw you on the streets of Genoa, he didn’t connect that Italy had some of the most intense thunderstorms in the world.

“Hey, it’s okay; I’m here,” he murmured out of instinct; the words he would say back home to you.

You were trembling, tears in your eyes. “S-Sonny, I—”

Another loud rumbling resounded through the apartment, and he saw you shrink in on yourself, slowly dropping to the floor, curling around your legs. You tucked your face against your knees, shaking with quiet sobs. He came over to you, kneeling in front of you. Normally, he’d wrap you tightly in his arms, whispering to you that you were safe. But now, he was afraid to touch you.

“Dominick, I trust you with my life,” he remembered you saying, with no hesitation. Swallowing the thoughts propelled by self-loathing, he placed a hand on your shoulder. He knew he wouldn’t assault you, wouldn’t do anything without your consent, so why the hell was he hesitating when you needed him?

“Come on; let’s get you into bed, okay?” Sonny whispered to you. You nodded without looking up. Gently, he unfolded your limbs, helping you to your feet. He had been planning to sleep on the couch, give you his bed. Now, though, he was leading you to his bedroom quickly, trying to make it before more thunder sounded.

He got you into his bed just as another clap of thunder shook the walls. You pulled the covers over your head, tucking down as hard as possible into the bed. Sonny climbed into bed next to you, laying on top of the covers. Gently, he wrapped an arm around you, pulling you back against him. He could feel you trembling, the whole bed shaking. What else could he do besides what he normally did?

“It’s okay; you’re safe. I got you,” he whispered, rubbing your arm over the blanket. You rolled over until you were facing him, and curled in against his chest. Sonny stiffened for only a moment before relaxing in the familiar position.

“I hate storms,” you choked out, tucking your face into his shirt.

He rubbed your back in comfort. “I know you do. It’ll be gone soon enough.”

But unlike Manhattan, where that may be true, thunderstorms in Genoa lasted hours. Simply because you didn’t sleep the night before, you were able to drift off in Sonny’s embrace. You’d jerk awake every time a clap of thunder was heard, though, shaking and sobbing softly as he murmured sweet words to you before succumbing to sleep again.

Sonny, however, didn’t sleep a wink. He was too lost in thought, holding you to him. You trusted him enough to sleep in the same bed, his arms around you, even after everything that happened. You didn’t blame him, felt no hatred towards him. And while most of his problem stemmed from his own self-hatred, he was always afraid that you felt the same way about him. And he couldn’t deal with that, couldn’t stand it. Not when he—

He almost said it out on the street earlier, when you asked him if he hated you. He almost told you that he loved you, had come so close. In fact, he was planning on asking you out after work that day. The day that changed his life forever, and not in the way he had been hoping. If only Liv hadn’t called you both into her office that day, then maybe there would still be a chance....

But he could never tell you, not now. How would you even begin a relationship after this? He was too afraid to even touch you, for Christ’s sake. Though, that was before the thunderstorm started. Now, you were curled against his chest, your trembling stopped for the moment, breathing deep as you slept. His arms were around you, and god he loved it, loved the feeling of you sleeping in his arms, whether from a storm or not. This wasn’t the first time he held you throughout the night, and he loved it every time, regardless of circumstances. But how could anything evolve from this? How could he kiss you? How could you be...intimate together without the memory of the club popping up in either of your minds?

A small part of him whispered that if he could get over his fear of touching you—evident by the cuddling—then he could overcome his other fears, too. But would you want that? Did he?.... Yes, yes he wanted that very much. He wanted to be able to love you without fear and/or guilt in his heart. Before the club, he had thought that his biggest obstacle would be 1PP. Oh how ignorant he had been.

He resolved that he wouldn’t tell you, not now, maybe not ever. He couldn’t, not when this darkness was still inside his head, not when his hatred for himself was so high—

Thunder rolled out, and you jumped, instantly waking. The trembling started again, and you grabbed Sonny’s shirt, pulling him closer to you.

“I got you. You’re okay, you’re safe,” he whispered to you.

But for the first time ever, you responded. “You make me feel safe, Dom,” you muttered back.

At first, he was filled with such a profound warmth and happiness, feeling protective and strong. But then a flash of your face, beet red, your body moving erratically underneath his while loud club music played, and he sunk in on himself. He felt like such an asshole, such a coward, holding you like this. He should’ve left you on the streets in Genoa, closed himself off. Or at least offer to put you up in a hotel or a hostile, not fucking take you home with him. He hated that side of him that couldn’t let you go, almost as much as the hatred of that night in the club.

“What’s wrong?” you asked suddenly. You were still shaking in his grasp, but you noticed he was deep in thought. He had stopped talking, and was humming slightly. Sonny only hummed when he was thinking hard. He didn’t respond right away, unsure of what he’d even say. So, you pressed on, “need me to comfort you?”

Sonny’s expression softened. Here you were, scared out of your mind, but still offering him help. This is one of the main reasons he loved you. “No, I’m fine. Just sleep, okay?” he murmured.

Without thinking about it, he brushed his lips against your forehead, giving you a gentle kiss. You smiled at the gesture, tucking your head against his chest again, quickly finding sleep once more.

But Sonny was silently cursing himself. Why the hell did you kiss her?! he thought in anguish. In truth, he didn’t think, just reacted. He often kissed your forehead in comfort, trying to coax you to sleep. It seemed as if when he turned his brain off, he could rely on instinct, doing things he normally did. But that nagging side of his brain never left him alone for long. Things he used to do that brought him joy, like holding you or kissing your soft skin, now filled him with regret. How was he supposed to move on and leave you behind in New York when he did shit like this?

He sighed, glancing at his clock and seeing that it was only a little past 1am. This was going to be a long night. And he still wasn’t sure what to say to you in the morning.

#sonny carisi x reader #law and order svu #law and order svu fanfic #fanfic #my writing

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jewish-privilege · 4 years ago

Link

(...)

I was a 12 years old when I was attacked by a mob of children and called "Christ killer" — the same age Jesus was, according to the Gospel of Luke, when he lingered in the Temple of Jerusalem and impressed the elders with his intellect — so this issue is undeniably personal. That wasn't the first or last time I was bullied for being Jewish, but it was the only time I nearly died because of it: Those kids held my head underwater, chanting, "Drown the Jew!"

This incident sprang back to mind this month as Republicans tried to figure out what to do about Greene, a particularly obnoxious Christian right-winger who has suggested that a "space laser" affiliated with Jewish banking families caused the 2018 Camp Fire in California, expressed sympathy for the anti-Semitic QAnon fantasies, promoted a video that claimed Jews are trying to destroy Europe, posed for a picture with a Ku Klux Klan leader and liked a tweet linking Israel to the assassination of John F. Kennedy.

(...)

None of this is surprising for anyone who is familiar with the history of American anti-Semitism. Greene is not an aberration, some inexplicable pimple of hatred that blemishes the American right's otherwise Jew-friendly visage. The American right has long had an anti-Semitism problem, and she's just the latest symptom.

This history of hatred "tells us much more about the anti-Semite than it tells us about Jews," Dr. Jonathan Sarna, a professor of American Jewish history at Brandeis University, told Salon. After citing an Israeli historian who refers to anti-Semitism as a "cultural code," Sarna explained that beliefs that vilify Jews as malevolent plotters who secretly control the world have a long history in American political life. "These ideas, which I think many on the left frankly had thought were done and over with, we suddenly see them full blown," he said

Before the 19th century, Sarna explained Jews were stereotypically depicted as being cursed: They were "wandering Jews" for their supposed role in killing Jesus Christ. In the modern era, however, the stereotype emerged that Jews secretly controlled the world and were responsible for everything that a given anti-Semite might regard as sinister. During the Civil War, Gen. Ulysses S. Grant blamed the Jews for cotton smuggling and expelled the entire Jewish community from areas he controlled in Kentucky, Tennessee and Mississippi. When the populist movement arose to address agrarian economic concerns in the 1890s, Jewish bankers like the Rothschilds were a frequent target among ideological leaders like William Hope "Coin" Harvey.

(...)

There's a direct line between those conspiratorial fantasies ideas from previous decades and the anti-Semitic attacks of the 21st century. "Conspiratorial thinking, by its nature, argues that everything is connected," Sarna explained. "There are no coincidences and it eschews complexity. It believes there are simple explanations based on sinister individuals who are manipulating the universe. Unsurprisingly, in a Christian setting, those are Jews."

Those ideas can evolve — Sarna pointed out that the QAnon belief in a giant child abuse ring run by Jews is analogous to the "blood libel," the medieval myth that Jews used the blood of Christian children for rituals — but the underlying assumptions have been consistent. It just so happens that, in the modern right-wing incarnation, Donald Trump's cult-like following believes that "all the enemies of Mr. Trump are now child molesters."

(...)

[Jewish comedian Larry Charles] brought up community organizer and political theorist Saul Alinsky, a favorite target of the right. "He is almost like the devil in a way," Charles observed. "He's like this radical leftist Jew, he fits all the categories. He checks all the boxes."

"Shooting some of these movies, we would see reasonable people who have this blind spot," Charles said. "They have this crazy belief, and there were all different applications and manifestations of it, that the Jews control everything. That is like a mantra amongst a certain segment of the population."

(...)

With the election of Trump in 2016, those ingrained belief systems — which for many years had been kept outside the American political mainstream — became more prominent, and their adherents more emboldened. David Weissman, a military veteran and former conservative Republican who stopped being a self-described "Trump troll" after a 2018 conversation with comedian Sarah Silverman, told Salon about his encounters with anti-Semitism on the right.

Back when he still supported Trump, Weissman recalled, he got into a "little spat" with an alt-right commentator who calls himself Baked Alaska, who was recently arrested after the Jan. 6 Capitol riot. Ultimately they moved past it, Weissman said: "We both realized we were Trump supporters" who believed "Democrats were the bad guys." Once he left MAGA world, however, Weissman said "the anti-Semitism definitely escalated" in interactions with his former allies.

"When I became a Democrat, I was called 'the k-word'" and targeted by "anti-Semitic slurs and tropes," Weissman said. Trump supporters sent "memes of me being Jewish in the oven," and "put my name in parentheses," a common tactic used by the far right to target someone for being Jewish.

(...)

"Anti-Semitism certainly did not start with Marjorie Taylor Greene, nor did it start with Donald Trump, but we have seen an exponential increase in violent anti-Semitic incidents during Donald Trump's presidency," Halie Soifer, CEO of the Jewish Democratic Council of America, told Salon. "That is no doubt related to the fact that he emboldened and aligned himself with white nationalism." She mentioned Trump equating the neo-Nazis in Charlottesville with the peaceful protesters by "commenting that there were very fine people on both sides," refusing to denounce white nationalism and telling the right-wing Proud Boys during one of the campaign debates to "stand back and stand by."

"White nationalism had existed in our country prior to that, and anti-Semitism as an element of it, but white nationalists had never had an ally in the White House until Donald Trump," Soifer said.

(...)

Donald Trump's supposed pro-Israel policies were closely aligned with those of Benjamin Netanyahu, and did nothing to correct for Trump's history of anti-Semitic words and actions. He accused Jewish Democrats of "great disloyalty" toward Israel (feeding into the stereotype that Jews have dual loyalties), removed any specific reference to Jews from a 2017 State Department statement on Holocaust Remembrance Day and has frequently used anti-Semitic dogwhistle terms by opposing "globalists" and describing himself as a "nationalist." When I interviewed Charlotte Pence, the daughter of former Vice President Mike Pence, she talked about her family's love of Israel but refused to answer a question about whether she believes Jews are going to hell — or discuss the creepy messianic theories underpinning the Christian right's support for Israel.

When I asked Larry Charles whether, based on his experiences, there's an opportunity to build bridges with anti-Semites, he was skeptical. "I have not seen a lot of opportunities for bridge building in the situations that I've been in," Charles explained. "The people that I've met through Sacha [Baron Cohen] were very rigid and dogmatic in their prejudices. There was no crossing that gulf with them. There might be tolerance, temporarily. There might be patience, temporarily. But there's no changing that belief."

I hope that Charles is wrong but suspect he is right, which raises the question of how American Jews should react to the Marjorie Taylor Greenes of the world. For want of a better alternative, I think the only solution is to be intolerant toward intolerance. House Democrats were right to strip Greene of her committee assignments, but that is not nearly enough. Social media platforms like Facebook and Twitter need to do more to limit hate speech, even if conservatives cry foul in bad faith (the First Amendment only protects people from government censorship, not consequences from private corporations). Right-wing politicians who attack prominent Jews in ways that can be plausibly construed as anti-Semitic, or by denouncing "globalists," need to lose their funding. People who oppose anti-Semitism must lead boycotts against right-wing media figures who cover for people like Greene, such as Fox News' Sean Hannity.

On a broader level, critics of anti-Semitism must recognize that this form of bigotry is part of America's long history of hate — a history which holds that only white, straight Christian "manly" men have a right to rule — and recognize our responsibility to be allies to African Americans and the Latinx community, Muslims and the LGBT community, women suffering under the patriarchy and the poor struggling to make ends meet. If we limit our empathy merely to other Jews, the implicit message is not that systemic oppression is wrong, but only that we happen to dislike it when our group is targeted. The Jewish tradition at its best instills a moral responsibility to see all the layers of oppression, and align ourselves with its victims.

[Read Matthew Rozsa’s full piece in Salon]

#marjorie taylor greene #antisemitism #american antisemitism

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itsclydebitches · 4 years ago

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RWBY Recaps: Volume 8 “The Final Word”

Well, we made it to the finale, everyone, and if you're reading this it seems you've survived the watching of it too. Barely. To say that some questionable choices were made across these 20 minutes is... an understatement.

But before we delve into the episode, I want you to cast your mind back to November 7th, 2020. A horrible year that heralded a horrible RWBY volume. There, coming off the shaky writing of Volume 7, I posed a number of questions and concerns that the show needed to tackle, with the promise that we would return to these expectations in four months time. Now, here we are! Let's refresh everyone's memory, yeah?

Taken directly from that recap, what RWBY promised us, through various teasers and Q&As, included:

Emphasis on Ruby’s leadership and how Summer’s death has impacted her

Insight into Ren and Nora’s flaws

May Merigold will supposedly have a larger part

More information about The Long Memory (Ozpin’s cane)

Theme of the volume is that you can respect someone but that doesn’t necessarily mean you agree with them

Very short timeline (supposedly just two days)

Yang in particular is very suspicious and distrustful

And you know what? They did all this. In the spirit of being fair and honest to this show, RWBY succeeded in delivering on everything they promised... it was just our foolishness that expected that these ideas would be delivered well. Ruby's leadership took center stage in the form of her hiding for multiple episodes and then others telling her she's still The Best before the plot dropped a solution into her lap... one she could have used at any point prior to this. Summer's death certainly has an impact, though it's an impact born of a crazy reveal that Summer likely isn't dead, but turned into a horrifying grimm monster. Ren and Nora both delve into their flaws, but heaven forbid either grow from that reflection. Ren learns that if he pushes past his primary flaw of keeping his emotions buried and actually expresses his doubts for once, he'll be yelled at and ignored until he admits how wrong he was. The "real" flaw is being a bad friend, with "bad friend" equaling "Not agreeing with Ruby 100%." Meanwhile, Nora considers that maybe she shouldn't rush in recklessly and hit things with her hammer... which is why she rushes in recklessly, hits something with her hammer, gets grievously injured, and is told that this is just who she truly is. No growth there, not unless we count her sudden desire to figure out who she is without Ren... but that exploration hasn't started yet. Too bad she wasn't the teammate separated at the end of the volume!

Meanwhile, May did indeed have a larger role to play, one I quite liked, it's just that this role — like all the others — inevitably circled back to realizing how wonderful Ruby is. May challenges Ruby to make a decision, but instead of being the catalyst for Ruby's growth, May becomes another forgotten side character who does a sudden about-turn regarding her perspective, leaving the group with the contradictory message that Ruby is actually doing her best, she's just a kid, no need to try any harder... everyone who claimed otherwise up until now was mistaken. May is another Cordovin. She's another Qrow. She's another Maria.

Fun fact: we don't even know if Maria is alive right now. That's how little she means to the show!

Actually, wait... anyone remember this nonsense from Volume 7?

I was too lazy to change the date.

Moving on, Ozpin's cane turned out to be a stakes obliterating bomb that came out of nowhere, makes no sense logistically — how do battles store energy that only hurts grimm? — yet nevertheless seems to have killed Hazel? It's a disaster of unanswered questions. Similar to the disaster of our two day timeline when, I'm fairly sure, we've had an unnatural number of sunrises and sunsets. I'll have to take a look back at the volume as a whole now that it's complete to be sure of that though. As for our themes... did we really explore the idea of respecting someone even if you disagree with them? Because Ironwood wasn't shown any respect. Ren wasn't shown respect. I think the closest we got was Oscar calmly validating Yang's worry about getting buddy-buddy with Emerald, but the whole point there was that Yang was wrong. She wasn't wrong, but that's what the text would have you believe. She is indeed "very suspicious and distrustful," but that's hardly unjustified in these circumstances. I'm still boggling at the fact that it took the group three volumes for forgive Ozpin, even while he was actively working to assist them, yet I-helped-destroy-Beacon-and-tried-to-kill-everyone-you-love Emerald is the group's new BFF after she... ran away with Oscar? She didn't save him, she just went along for the ride. At the very least we might have gotten a scene where Penny was like, "Hey, why are you all laughing with the woman who just tried to kill my dad?"

But oh yeah, the story doesn't remember Pietro exists either. His daughter is DEAD and he hasn't been on screen since Episode Five, let alone there when she passes.

I had my own list going in, including such expectations as "Ozpin bb you got done dirty please acknowledge this" and "Queer baiting, queer baiting… you’re on thin ice at this point, RWBY. Just skate on over to the queer snack bar before you fall straight into the lake." Obviously these needs were not met.

So what, given this mess of expectations, did we end up with?

Our finale — for some reason — breaks the one word title trend with "The Final Word." It's an expression that refers to the final word in an argument or a discussion, the idea of winning by making a last, devastating point. It can also refer to making the final decision on something, which is the best way I'm able to apply the title to this episode (outside of any “final” comparisons). Penny's death is certainly all about choice and making some kind of decision... but on the whole, this title doesn't feel like it fits well. Not like "Worthy" or "Creation" or "Risk." The two latter titles had obvious connections to the episode in question through dialogue and plot, while the former was a deliberate callback to Watts' speech. "The Final Word" feels... less obvious in what it’s trying to say.

That's a minor nitpick though. Let's get into the meat of the episode.

We open on the grimm whale still disappearing, which is weird. I get that it's massively bigger than any other grimm we've seen, but they all turned to dust near instantaneously and it's been, what? At least an hour since Oscar blew it up? Likely longer when we factor in their walk back to the manor, the fight with Ironwood, fixing Penny, and this entire evacuation. It certainly makes for a nice visual, but like so many details in RWBY, it raises unnecessary questions along the way.

The important bit though is that amidst the whale carcass a blob of evil is swirling about. Salem, obviously.

She’s not reforming in time to actually do anything though, don't worry.

Instead, we cut to the Ironwood vs. Winter fight and there's at least some dialogue this time. Ironwood yells that he's sacrificed everything to keep Remnant safe. Winter yells back that he actually sacrificed everyone else. Obviously, Ironwood should be called out for things like, you know, his unprompted murders, but instead they have Winter listing stuff that she was never shown to have a problem with before. The embargo? "Squeezed Mantle until it broke?" She, as Ironwood's second hand, understood and supported both the decision to close the border and the need to collect resources for a plan designed to take out Salem. I hate that no only did she turn without an ounce of hesitation or grief, but now they're having her act as if Ironwood forced these decisions on everyone, rather than everyone supporting him through them. We all remember Volume 7 when Ruby pressured him to finish Amity, right? And in trust RWBY fashion, most of these words are meaningless. Mantle "broke"? What does that mean? The class disparity did not come about through Ironwood: that's been in the works for generations. The lack of resources made things harder, yes, but when they were reclaimed by Robyn nothing improved. Watts is the one who turned off the heat and Salem attacked Atlas, leaving Mantle alone. Now, all the citizens have escaped through magical portals. So how is Mantle "broken" exactly? More importantly, why is Winter upset over this vague, nonsensical dilemma when she could be yelling about Ironwood wanting to bomb Mantle?

Again: this woman watched Ironwood shoot the councilman, shrugged, and continued to believe in him up until she realized his bomb threat was real. That was one of the main reasons why I thought the councilman might be alive, with Ironwood only shooting a warning shot past him. Because this is how you react to a good person unexpectedly killing someone else

whereas this is what we got from Winter and Harriet.

Hell, Weiss has more of a reaction to Yang telling Ruby things aren't super great right now.

So either Ironwood didn't do something that bad, thereby justifying these tame reactions (unlikely, given where his character ended up), or we should believe based on the animation that everyone was super chill with him killing an unarmed civilian. Which is then directly contradicted when they're like, "You're going to shoot Marrow? Bomb a city?? How could you do such horrible things??? 😲" Friends, buddies, fictional pals... you already watched him murder a dude.

The point is, there's a lot for Winter to be upset about, but she's not upset about that. There's a lot that Winter herself believed in, but the writing has forgotten that. This entire arc went off the rails a volume ago.

Also, why is Ironwood fighting with that giant gun? This is his final battle, presumably ever, and he's wielding this awkward, sluggish weapon we saw him randomly pick up two episodes ago? Let him use his regular guns! Give us a fantastic battle like he had with Watts! Instead, RWBY's final showdown consists of him using this no-name weapon as a unwieldy club in some of the most boring choreography we've seen to date. It doesn't help that this fight needs to share time with three others. Instead of an epic showdown, we're given glimpses of the battle before continually cutting away from it.

During that first cut we return to the Team RWBY battle where Penny, doing her best to stay out of Cinder's reach, is whisked away on Weiss' wasp.

Too bad she didn't do that for Yang...

Jaune and Nora watch this horror unfold until Jaune says, "Priority one!" and they split. Except... what is priority one exactly? Helping the civilians? I guess, because they don't enter the fight until the very end of it, when everyone else seems to have made it to Vacuo. And you know what, I like that. For once it feels like the group — or at least the B Team — is acting like huntsmen, putting the needs of the people over their own, personal desires. I'm sure Nora wants to help the group after Yang's (presumed) demise and that Jaune would like nothing more than to get his hands on Cinder, but they put those grievances aside to do the work they signed up for. Good job!

My only real gripe is that we don't really see this struggling in the animation, I'm just assuming it's there. In particular, there's a moment when Jaune sends Nora through the portal for reinforcements — not knowing they can't return — and they seem a little too jovial when, by this point, three friends have died.

There's letting your cast be supportive, and then there's having them ignore that three teammates have perished in an abyss. It really doesn't help to sell the idea that Yang, Ruby, and Blake are in any danger here.

But I'm getting ahead of myself.

Penny tells Weiss that since Cinder is really just after the Maiden powers, she can buy the rest of the group time to escape. Weiss, obviously, isn't fond of this idea... and then the both of them are blasted off the wasp by Cinder's fire. Which they deserve, frankly. They're just having this casual conversation about sacrifice while in the middle of a battle. Did they somehow forget that Cinder can fly too?

Note that multiple attacks from Cinder, another blast, and a hard landing on the pathway gives their auras a knock, but doesn't break them. The primary defense for Yang's aura shattering in a single, simple hit was that everyone is exhausted and running on little to no power... yet here the rest of the cast is, tanking multiple hits as we've come to expect. There is no explanation for Yang's defeat except that the writers chose to ignore the rules of their world for a dramatic death scene... even though that drama was erased a week later as half our team falls into the void too.

We'll get to that though. For now, Cinder corrects Penny's belief with "I want it all" and proceeds to try to finish them off, only for Blake to arrive, having made her choice from last episode about who to help. It's a legitimately nice attack, but I happened to pause at the bEST MOMENT

Anyway.

We leave that fight to return to Qrow and Harriet who have, off screen, started an entirely different battle. What I mean is, last we saw Qrow had broken through the windshield of the airship, roughly pinned Harriet, and was taunting her about getting the fight she wanted. Now, suddenly, he's going “You’re making a mistake, Harriet, what happened to Clover—” as if he's been trying to talk her down this whole time. It's jarring, especially when we consider that Qrow had a volume long "kill Ironwood" arc that was dropped because... Robyn reminded him that murder is bad? RWBY feels like a storytelling pinball machine. Characters bounce from one personality to the next, one perspective and another, round and round until you don't know where they'll end up.

Harriet screams for Qrow to just shut up already and honestly? Same. I love Qrow, he's one of my favorites, but I can't deny that he's been done dirty like so many others since Volume 6. I love who Qrow was, not the mess RWBY has created the last few years.

Time to delve back into fic after recapping!

Sadly though, this strange dialogue wasn't the only "wtf" moment. Harriet is still trying to drop the bomb — which is its own mess of confusing motivations — when Vine and Elm show up on Harriet's ship. Elm begs Harriet not to do this "because you’re our friend!”

Am I glad that they finally acknowledged that the Ace Ops have always been friends? Sure, but why did we spend two volumes claiming otherwise? They were friends, a fantastic team, then Harriet announces that's a lie and we get a bunch of "Team RWBY is superior because they're actually friends" messages. Except this entire time we're still watching the Ace Ops be kind and playful with one another. But they're not friends, the story says. Not friends as they fight these battles. Not friends as they grieve for Clover. Definitely not friends as they react in horror at Ironwood nearly shooting Marrow. No, there's nothing there... until Elm claims there is! Then Harriet reacts in shock. I have friends?

Except Elm was labeled the one "just following orders" by Yang. Elm is the one who shook off Vine after the whale exploded. This isn't the story of one character, Harriet, thinking she was alone and then realizing that people do care for her, this is a story that, seemingly at random, had this group being BFFs or acting like they hated each other — and at each point the visuals are contradicted by the story's message. When they act like friends, we're told they're not friends. When they don't act like friends, we're told they really have been this whole time. I mean, do any of them even care that Marrow teamed up with Qrow and Robyn to take them out five minutes ago? All three were going along with Ironwood's scheme until they were physically stopped, but now Elm is convinced this is a bad decision she needs to talk Harriet down from with the power of friendship?

None of these characters are characters, they're just slapped together reactions based on whatever the plot needs. Who is Elm? I've got no clue. Her personality changes every episode.

Also, love that Qrow moves to stop the bomb from dropping and Harriet screams at him to "Get out of the way!" rather than just... attacking him? She even throws her hands out like she's having a temper tantrum. This feels like schoolyard bickering, not a life or death struggle.

Even though, you know, the audience is aware that the people of Mantle have already been evacuated and Qrow's group is aware that Atlas is falling on top of Mantle as they speak, so... why does the bomb matter? It's going to, what? Destroy the city thirty seconds before Atlas does? Oh no, the horror.

Things then, if you can believe it, get even worse. The bomb is still about to drop, so instead of doing anything to stop it — I mean seriously, we know it takes four people to shoulder the bomb's weight, but you're telling me Qrow and a reformed Harriet can't snag it in a pinch? — Qrow sits there, looks at Clover's pin... and the bomb careens towards the side of the airship instead, stopping.

Because I guess Qrow has good luck now? Or always did and somehow never noticed it? Or his semblance evolved?? Again, we don't know, but it's a bad moment any way you slice it, imo. Qrow has always been defined as the guy with a bad luck semblance and, much like Penny's android struggles, the allure was in watching him overcome those challenges, not having the show erase the challenge entirely. Especially when we don't even understand how it was erased. Qrow just... stops drinking, stops caring for Ironwood, stops wanting to kill Ironwood, stops causing bad luck, I guess. RWBY takes major character traits and flips them off like a light switch, leaving the audience with no emotional tether. We didn't watch Qrow overcome his drinking, or realize he can't bear to kill Ironwood, or discover a way to live life with the horrible hand he was dealt, he just blinks one day and those things are gone. Why? No one is sure. Not even the writers, I'd wager, because otherwise they would have written explanations into the text.

Many in the fandom insist that any basic information provided by the story amounts to "hand holding" when in fact there is a massive difference between the sort of unnecessary exposition that bogs down a tale, and having facts enough for the audience in its entirety to be on the same page about what is actually happening. For example, recently someone argued strongly that the "Penny is human" take is incorrect because Penny isn't human, she has an inhuman body made entirely of aura... yet where in the world does this exist in the story? Ambrosius may have been unsure about what Penny would be prior to removing her robotic parts, but that ambiguity is gone once her body forms, the equivalent of worrying about that gun only for a flag with 'BANG' to appear instead of a bullet. Worrying about something doesn't mean that something actually occurred. Penny appears human, expresses human sentiments, and then, this episode, dies as a human. If it walks like a duck and talks like a duck and succumbs to the mortal peril that all ducks face... it's probably a duck. As I said in a recent ask, I implore the fandom to stop writing RWBY's scripts for them. Or rather, do so in some amazing fanfics. Don't do it on critical posts as a means of insisting that your revision is canon.

So Qrow has good luck now, maybe, but this character change doesn't amount to anything because Watts remotely starts the bomb's countdown.

At least he’s entertaining and competent. We had that for a time.

Back to the main battle, Neo is kicking Ruby's ass. Why? Because there's no consistency in power levels in this show. The ancient woman who hasn't fought in decades dances circles around Neo, highlighting how weak she supposedly is, yet now Neo dances circles around our main character. None of us should expect fights to follow the logic of the world, only what drama the plot wants to stir up. Ruby is eventually knocked down from a hard hit — yet her aura's intact! — and is saved at the last second by Weiss tossing Neo into one of the portals.

Far more of a problem than the power leveling is that Ruby gives no indication here that Neo just murdered her sister. Again, that's what the characters are meant to believe, yet Ruby is as stoic as she would be fighting a bunch of White Fang grunts. If you showed this scene to a RWBY fan on its own and asked, "What do you think happened prior to this?" the answer would be, "Uh... nothing? Ruby is just fighting Neo like she did on the airship in Volume 3." Nothing about this scene — from dialogue to animation — sells the idea that Ruby just lost the person most important to her in the world.

When we do finally mention Yang, it's Weiss who goes, “Come on, we have to do this for Yang” and the delivery is... meh. Honestly, I normally don't pay much attention to the voice acting, but I had a problem with most of Weiss' lines this episode. The "Leave her alone!" during this fight and later a "Get back!" as she attacks Cinder both fell really flat for me. Given the devastation and charged emotion that's supposed to be here, we can't give her anything better than generic cries that, again, she’d throw at any grunt? In that later scene the animation absolutely helps sell Weiss' distress, but the dialogue is common and the delivery has no emotional punch, leaving it feeling like Yang is just hanging out in Vacuo and they promised they'd beat the baddies before catching up with her. No one but Blake is acting like Yang died.

In fact, we see more emotion from Ruby when Weiss shoves her back, taking the brunt of Cinder's blast.

Weiss' aura breaks, not that that's a danger or anything. Everyone falls before they're injured, Winter gets the Maiden powers, Ren barely has to fight. Losing aura in this show used to be a moment of peril, where just last volume Winter was bruised, bleeding, and now needs an assistive device because she had to continue a battle with no aura. Now it's a joke. Aura breaks left and right across the volume with no repercussions attached to that.

We see a bit of the Blake and Penny vs. Cinder fight where Cinder blasts Blake off the edge. Penny rushes after her because at least one character remembered that they can fly.

Ruby, meanwhile, remembers that she can fly when it benefits her. After getting hit down onto a lower level and watching Crescent Rose plummet, she taunts Neo into an attack with a move that's actually quite good. I like the confidence with which Ruby riles her up and I like the strategy of darting behind Neo to knock her off the path instead. “Whatever you wanted, I hope it was worth it."

The only thing I don't like is that this speed and ingenuity had to disappear to justify Yang falling.

Cinder breaks Ruby's aura from behind though, sending her over too and grabbing onto Neo's leg. In an obvious moment born of the trope, it looks as if Cinder is reaching to help Neo, only for her to snag the Relic instead. “You should have never threatened me," she tells Neo and to Ruby: "you should have never been born.”

Love that they erased all that cool growth from last episode! And by "love" I mean "hate." As I said last recap, I'm not going to pretend that Cinder's character isn't riddled with problems, but realizing she was stronger by teaming up with Neo and Watts was one of the best things they've ever done for her. It made Cinder dangerous again and showed Watts' speech having a clear impact. It also made her more entertaining, creating a new dynamic among the three villains. Now though, Cinder is just... Cinder. The same boring, stupid Cinder we've had since Volume 4. She betrays Neo and then later betrays Watts.

So Cinder kicks Neo and Ruby both over the edge because why would we want to make her interesting? Neo falls, but Ruby has friends there to catch her! Unlike Yang. Jk. Weiss’ aura is gone and Blake actually tried both times, so major kudos for her. Using momentum supplied by Penny, she snags Ruby and hooks her weapon into one of the pathways... only for Cinder to cut the ribbon. Both plummet and once again Penny has a more believable reaction to all this, just like she did last week

Speaking of reactions, does anyone else find it weird that Cinder finally succeeded in killing Ruby and... doesn’t seem to care?

No? Just me?

At least we get that good animation with Weiss I was talking about before, even if the dialogue is lacking. I love that she snagged Blake's weapon and uses it to try and take out Cinder, shaking the whole time. Those are some great details.

Back to the bomb, Qrow is trying to escape, but Harriet says there isn't enough time to get out of the blast range. "I've killed us all." Vine has the solution though, using his semblance to wrap up the airship, thus containing the blast when it goes off. His final words are to reassure Elm that he can give his life, "if it means saving all of my friends." Just in case you missed the part about the Ace Ops being super close this whole time. Even though they also weren’t. Trying to eat your cake too, RWBY?

Frankly, I didn't feel much of anything during this scene, not when Vine made the sacrifice, nor when Elm and Harriet look on sadly while Robyn pilots them away (that's her contribution this episode).

All I can say is, good on RWBY for not killing one of the three dark skinned characters, or just murdering the Ace Ops as a whole. What the story is going to do with them though, who knows.

Jaune and Nora have that ‘You can do it!’ moment after three of their friends have presumably been killed. I swear, about 80% of Jaune's scenes do not work tonally and oh boy, things only get worse from here.

First though, I like his entrance. He slams into the fight against Cinder and lines up with Penny and Weiss, who is still dual-wielding her and Blake's weapons. That's an epic shot.

It looks as if they stand a decent chance against Cinder — Weiss' lost aura notwithstanding — except then Cinder's arm starts going crazy and she gleefully announces that Salem has returned.

Working on a time limit now, Cinder unleashes a volley of attacks that Penny steps in to protect the other two from. It's here that Cinder grabs hold with her grimm arm.

It's here that Penny dies. Again.

For the third time.

Friends, I am tired. This moment honestly deserves the most epic of rants, but that, in turn, requires energy. Energy? In this economy? Ha! That's hilarious. Taking this seriously though, the problem here can — as usual — be boiled down to a single question: What was the point?

Penny died in a horrible attack that shook the cast and audience both to their core.

That emotional impact was erased through her resurrection.

The resurrection did not create a new emotional impact for our heroes to grapple with.

Penny is given the Maiden powers, solidifying the fact that she's always been a "real girl."

That lesson was erased when the story decided to make her human for unexplained reasons (because no, she never needed to be human to survive the virus).

Penny then dies, passing the power to Winter... who was set to get the power in the first place.

We have, once again, come full circle. You can take Penny out of the story and nothing changes. Does Ruby lose any lessons or emotional growth? No. Does anyone survive who would have otherwise died? No. Does her getting the powers lead to someone unexpected snagging them upon her death? No. Penny's existence was filler. She was put in the story to take up time and, that done, was removed from the story once again. It's a choice that wouldn't be half as horrible if that filler hadn't done so much damage along the way.

First is the obvious: that Penny didn't deserve this. As a character, she didn't deserve to be brought back just to be killed off again, seemingly without narrative purpose, serving only to draw in viewers who RT knew loved the character. Second, keeping her in the story led to her entire arc unraveling. Initially, Penny died as an android in the world's eyes, but those who actually knew her — Ruby and Pietro — mourned the girl she really was. Now we have this horrible message that being a machine isn't real enough, so she has to die as a human being. It's a disservice to her character and, as an allegory for many minorities, downright insulting to the audience. Third, this offensive 'better to die as a human than live as a robot' message is wrapped up in the claim that Penny finally gets to choose something — “Let me choose this one thing. Trust me” — but she already did that when she chose to take the Maiden powers. We already had the better written version of this last volume!

And the fourth issue...well.

Fourth and fifth are the real kickers. Fourth is that Penny's death was an assisted suicide. She explicitly asks Jaune to kill her so she can ensure she's thinking of the right person when she passes (never mind that her thoughts would probably be on Jaune while this is happening) and that's... pretty horrible. Look, I'm no purist. I like a great deal of dark, gritty stories whose plot exists to make us uncomfortable. That's a valuable emotion that fiction can generate. The problem is not that RWBY is tackling a sensitive topic, but that they aren’t tackling it well. Yes, they put in a content warning and (from what I've heard) a suicide helpline as well, but providing the already necessary resources is not the same thing as writing that kind of scene with respect and care. All of the above tells us that, no matter what RT may have intended, that respect and care weren't communicated to the audience. Like Yang, they didn't even bother to keep Penny's death within the rules of their world. Jaune is right there ready to heal her and Penny says no, there's supposedly not time.

Um... since when?

Jaune's aura boost is instantaneous. The second he amplifies aura is the same second the healing starts and their talk could have been spent saving Penny. There was certainly time to save Weiss in Volume 5. To have a character go, 'Nah, it's too late' when the solution is right there is the ultimate cop-out. Suddenly announcing that the solution will no longer work For Reasons is not a legitimate limitation and it's made doubly insulting that RT didn't simply use the limitations already available to them. Jaune has been running low on aura since the whale. He then expended a great deal of aura boosting Penny to keep the virus in check. Every other ally has had their aura broken in this fight so, there. That's your solution. Have Jaune take a few hard hits from Cinder, his aura breaks, and then when Penny is mortally wounded he no longer has a semblance to heal her. It's that easy! Yet instead they had Penny reject help so that she could ask to die. That's what's offensive here.

Finally, reason number five... why is this moment given to Jaune? That's another easy solution: Jaune has gone through the portal and can't get back to heal Penny. There. Done. But logistics aside, this scene should have gone to any other character. Who is Jaune to Penny? Or Penny to Jaune? No one! They don't have a relationship. I get that the writers didn't want any of the girls at her side because then it would be hard to justify Penny not passing the power to them (which I get: making one team member a Maiden changes the show drastically), but you know who should be there instead of Jaune?

Pietro.

Pietro, who built Penny as a weapon and who was never given the chance to apologize for that. Pietro, who told Ruby he could only rebuild her once more, setting up an expectation that he'd sacrifice himself for his daughter (despite the complicated racial issues that would bring up). Pietro, who watched Penny plummet and has no idea what happened to her, let alone that she's been made into a human girl. Pietro should have been at her side, saying goodbye to his child and helping her complete her last wish.

And it would be so very easy to pull off. All it takes is a single line where Penny remembers that her father exists, asking Ruby to ensure a portal opens up in Amity. There's a quick reunion along the pathways before Cinder attacks. We hear a cry of despair as Penny falls and she looks, seeing her father racing towards her, though she thought he'd already made it out. There, you’re done. We open ourselves up to a lot of attacks whenever we say, "Why didn't RWBY just do ____?" because those who vehemently defend the writing like to go, "Oh, you think you could write RWBY better?" and no, I don't. I struggle with long-form storytelling and massive casts. I don't think I could do justice to the sort of show RWBY wants to be, but I do think I'm a decent enough writer to spot when there are major problems like this. The question of "Why doesn't Penny remember that her beloved dad exists?" and "Why, out of that massive cast, is Jaune the one to do this deed?" are both things that a newbie writer can spot, and a sometimes okay writer can figure out how to fix them both simultaneously. A good writer will start thinking about themes — what might it mean for Pietro to kill the creation he made? — and a great writer will find a way to pull that off without having that insulting, discomforting feeling pop up. At this point, our RWBY crew feels less like new writers making mistakes (because they're not new, not at all), but rather just writers who haven't bothered to learn from their mistakes after eight years. That's a lot harder to watch.

Because putting Jaune here doesn't just mess with RWBY's internal rules (not using his semblance) and it's not just useless in terms of Penny's development (she doesn't know him outside of "dude who boosted my aura for an hour"), but it also falls back into a pattern I thought RWBY had finally broken from: making Jaune the story's emotional center. This is not the JAUNE show. It's the RWBY show. Yet here, once again, we have Jaune in the spotlight. Why, after a whole volume of Ruby avoiding making decisions, does Jaune finally make the hard call? Why, after a scene where Penny asked Ruby to kill her, does Jaune do that deed? Why, after a divisive arc where all the grief for Pyrrha went to Jaune, is Jaune now set to shoulder the grief of Penny? At least Jaune had a relationship with Pyrrha, even if Nora and Ren did too. Yet with Penny he seems to be there solely because the writers can't bear to keep him out of that center spot for long. All of Team JNOR make it through to Vacuo... except Jaune. Jaune falls into the abyss too because, if the show goes this route, we apparently can’t have a volume just about Team RWBY, the main characters. The main characters are separated from the rest of the team and it's Jaune, not Oscar and Ozpin with a connection to the lore, not Nora or Ren whose development now hinges on them learning who they are without the other, it's Jaune who follows the title characters into a new dimension.

The issue is not whether Jaune deserves to grieve over the truly traumatic thing he just did now that he’s done it. He obviously does. The issue is the writers setting up a scenario where Jaune is situated to do that emotional work in the first place.

I like Jaune as a character. I don't like how the writing uses him as a character. RWBY is built on the idea that these four girls are the heroes of this tale, not the expected blond, blue-eyed, sword wielding guy we’ve seen in so many other stories. So why does that guy get the most important scene of the finale? Yes, Jaune had much less screen time this volume than he did in the past, that’s a good thing given the number of important characters RWBY has to balance, but that hasn't erased the problem of him being given significant moments that should be going to title characters. Does Ruby’s team rescue Oscar and take on Salem? No, Jaune's team does. Does Ruby's team save Penny? No, Jaune's semblance keeps her grounded and then holds the virus off. Not everything is a problem — we've also got good choices like having Ruby defeat the Hound and Ruby's team take on Cinder for the majority of the fight — but that doesn't erase that Penny’s death wasn’t something Jaune should have been a part of. Not unless he was going to heal her. Doing better than they have in the past doesn't mean that RT isn't still slipping when it comes to giving him undeserved focus.

They took one of the most controversial characters, controversial because of how much emotional focus he's gotten in the past, and had him help a fan favorite commit suicide while he cried about it, showing more emotion for a near stranger than our title character showed for her sister. This is a character who, up until two or three episodes ago, had no connection to the victim and still has no reason to thematically be the one committing this act. That is why the fandom goes, “The crew loves Jaune and does everything they can to put him in the center of the action.” Ruby, as main character and Penny’s first friend, is the obvious choice here. Pietro, as Penny's father, would be a good choice too. Hell, Nora is a better option given their moment in the Schnee manor this volume. Or Winter given their moments in Volume 7! Have her escape Ironwood, find Penny, receive the powers, and then finish him off. Literally anyone would be better than Jaune, not because Jaune is a bad character, but because Jaune has no emotional stakes here and putting him in a position where he could heal Penny but doesn’t is massively stupid. No one should be surprised that a lot of the fandom is upset about this. It was one hell of a reach to give him this moment and, since Jaune's problem has always been getting too much screen time and emotional nuance compared to our main cast, it's no wonder this act brought up a lot of bad memories. RT fell back into an old pattern after two volumes of improvement and they did so at the worst possible time.

The tl;dr is that Penny's third death is a writing travesty, just like her second. I shouldn't be surprised, given that this is the same volume that tortured a kid and the only thing they did with it was have him blindly trust his torturer... yet I find myself surprised nonetheless. Because Penny had such potential as an android Maiden and, as much as I personally hated it, potential as a former android learning to be human too. But why explore any of that when you can kill her off instead? Again.

As a final, far smaller note about this scene, we have the continuing problem of what purpose Cinder's arm is serving. If everyone recalls, its threat comes primarily from the fact that she can "siphon off" power from other Maidens.

She did it to Penny during the Amity battle and now she does it again, a great deal of green energy absorbed into Cinder. So what's left to give to Winter? Why doesn't Cinder become noticeably stronger with each successful theft? Like so much else in RWBY, we're told it exists without actually seeing the impact of that. Winter isn't a weaker Maiden for having lost power and Cinder isn't a stronger Maiden for having snagged it. It's just.. there, hanging out and looking vaguely menacing, I guess.

Outside of this unnatural not-transfer, we get to see how the power normally passes as Penny meets with Winter in some in-between place. It's a soft, heartfelt scene... with the exception that Winter says, “You were always the real Maiden at heart. I was just the machine. Just following orders."

I don't know how any viewer can doubt that RT now believes machinery = evil. Penny's machine body is magicked away so she can be a real-real girl. Yang announces that the arm she worked hard to make a part of herself is just "extra." The man with half a metal body is made this volume's villain and losing his second arm is, by the authors' own admission, a symbol of his lost humanity. Mercury with two metal legs remains a bad guy while Emerald and Hazel are hastily redeemed. Tyrian with his cybernetic tail is the most devoted crazy of the bunch. Maria, blind and in need of assistive lenses, is so forgotten by the story she was left in the tundra nine episode ago and won't be mentioned again until next volume (if then). Pietro, the guy in the wheelchair, is forgotten too, despite it being his daughter who dies on screen.

Now Winter, also bearing an assistive device, says that she's the real "machine" here and tells Penny, now human, that she was always the "real Maiden." I don't know what happened to make RT do a 180 lately, but the disability rep is no longer what it was.

Penny reassures Winter that she'll always be a part of her and then passes on, for good this time.

The rest of the episode feels lackluster, if I'm being honest. Images of Cinder beating Weiss are intercut with Ironwood beating Winter, getting her to a point where her aura breaks.

But then the powers appear and, as we'd expect, she easily turns the tide.

Gorgeous animation there.

But RT once again rewrites earlier scenes by having Ironwood claim that the "destiny" he chose for Winter has finally arrived — isn't that Cinder's MO? — and Winter shoots back that he chose nothing, this was a "gift." Except, it was never about destiny or orders? This was why Weiss' anger in Volume 7 was ridiculous. She acted like Ironwood forced Winter to accept the powers and Winter told her point blank she chose this. Ironwood didn't decide anything, he offered and Winter chose... kind of like how Penny is choosing now. I hate how nearly all of Ironwood's character has been ignored or, during times like this, outright lied about to make him seem super duper evil. He tried to bomb a city! You don't need to make him seem evil anymore, that job is done! Like their sudden change regarding disability, RT now seems to be allergic to nuance. Heaven forbid Ironwood be allowed to have valid points like he did in Volume 3. No, if you've got an antagonist every single thing they've ever said must be twisted into a display of their evilness.

Unless you're Hazel, who Oscar trusts for #reasons. Unless you're Emerald, who the group immediately embraces. Unless you're Cinder, who gets to cry on a rooftop and secures the trust of her allies long enough to betray them again.

But Ironwood? Nah, screw that guy.

Salt aside, the fight is pretty boring. Winter literally just throws up a wall of ice and Ironwood's blast rebounds, taking him out.

Winter flies through the portal and we return to Jaune. His sword is broken by Cinder, so weapons should be quite the problem in Volume 9.

There's a bit of sword vs. sword Maiden battling — this episode really pulled heavily from both Volume 3 and 5's finales — before Cinder gets smart again and attacks Weiss, currently trying to escape with Jaune. Weiss goes right off the edge and Winter isn't able to reach her in time. That's the entirety of Team RWBY, lost to the magical void.

Kudos to Winter's VA and the writing here though. This feels like an appropriate reaction to losing a sister. Screaming, sobbing, falling to her knees and beating the floor... Ruby, take notes.

A roar sounds through all the portals though, the sort of roar a pissed off witch might give. Jaune convinces Winter they need to leave Cinder behind, but before they can escape Cinder... makes a new wish?

Look, it works on all the major fronts. Cinder has the staff, check. We've basically established that Ambrosius can make an unlimited number of things per era, check. We know the previous thing disappears when a new wish is made, check. My only question is the timing. In all honesty, I'll have to re-watch the scene to be sure, but at the time it felt like the portals began disappearing almost the second Cinder left. Did she really have time to summon Ambrosius, deal with his explanatory nonsense, and get him to make a new wish without any fiddly concerns? Sure, fire is just fire, but it still felt like way too much happening too fast off screen.

Either way, the portals are gone and Winter makes it through in time, but Jaune does not. He falls through the void along with Team RWBY. And Neo.

Neo is the only addition I'm looking forward to here.

We get a few shots of our other characters as Winter arrives, saving the day by taking her grief out on the grimm. So glad something came of Ren breaking his aura again! Maybe they'll be more fighting at the beginning of Volume 9? If we see any of this group outside of 9's finale. My worst fear right now is that we'll spend an entire season away from the main action — remember how I said it would be stupid for Team RWBY to go on a side adventure while Salem is attacking the world? — and when they return there will have been some major time skip. Salem has destroyed most of Remnant, only pockets of survivors remain, it's all dark and dystopian... and oh look, every bit of character development happened off screen. How did Nora discover who she is without Ren? She did it while Team RWBY was gone. That merge we've been teasing for five years? That happened while you were gone too and, btw, Ozpin has ceased to exist. So sad, right? Not that anyone will actually mourn. Just take comfort in the fact that his last line was an "Oh no" about Ambrosius and his last major scene was apologizing for how the group treated him. Emerald's redemption? Off screen. Winter's grief? Off screen. Any and every one of these challenging beats to tackle can be waved away with, "We went through that arc while you were lost in the magical realm. Just get to know our new, improved selves now!"

Please, oh writing gods, don't let that happen.

Though I do worry because my last prediction came true.

But we all knew we’d end up here. My current theory? The portal should still be open at the vault. Winter will fight Ironwood, escape through it, and it will close right before he escapes too. He’ll fall with Atlas and everyone will act as if it’s some beautiful, poetic justice for him to perish with the city.

Ironwood didn't make a break for the portal — too busy being unconscious — but we got everything else. Winter left him, he falls with Atlas, and this is some poetic justice, I guess. Really, it's just an undignified death. I'd hoped for a sympathetic kill, something that showed the characters still cared about him even if they knew Ironwood had to be stopped. Baring that, I'd hoped for an epic battle that took him out with style. Instead, no one even bothers to kill him. Ironwood is now beneath the entire cast, not even worth finishing off. Winter casually tosses his blast back at him and leaves. Cinder throws out a "that's checkmate" and leaves. I don't think Salem even looks at him. Ironwood (presumably) dies with no one and nothing, just a casualty of the city Team RWBY made fall. And I say "presumably" because the audience isn't even given the satisfaction of being sure he's passed on. Like Hazel, Ironwood's death is this weird, ambiguous moment that, based on the other character reactions, isn’t meant to be ambiguous. Is he dead? Most likely. Is it possible, based on what we've seen, that he'll pop up two volumes later like

Yes and, memes aside, that sucks. I don't want to be wondering for the next couple years if Ironwood survived and if they'll bring him back just to drag his character through the mud again. Move on.

But no, we don't even get that.

I've spoken at great deal about Ironwood both in these recaps and on my blog more generally. Last week, I said I'd covered it all and there was no need to rehash it all again. I stand by that, so let me just conclude this travesty with a final note: if your bad guy's final moment is using the last of his strength to point a gun at the actual villain of this story, and you don't realize the problem of how this image contrasts everything else the story has insisted about his character? … I just don't know what to do with that.

Oh, actually, final-final note: Ironwood’s semblance is officially a Schrodinger's semblance. It is both canonical and noncanonical simultaneously. Wooo.

Cinder tells Salem she used her wish to "add more flames to the first of Atlas" and we cut to Watts, trapped in a roaring fire, unsuccessfully trying to break his way out. Wow, I hate that too! Next to Tyrian, Watts was our last remaining, entertaining villain. He carried a lot of the last two volumes and, I had hoped, was going to add some bright spots to the coming volumes as well. Apparently not.

Just another waste.

In addition to this casual, second murder of her ally, Cinder successfully convinces Salem that Neo killed Ruby and Ruby used the Lamp's last question, but she's back in her good graces since she snagged the Relics anyway. “You’ve done well, Cinder. Our work here is done" and they leave, blasting off like a less cool Team Rocket as Atlas plummets into Mantle.

Let's spend a second to tally things up then, shall we? What happens if Ruby, instead of throwing a moral fit, says, "You're right and we never should have lied to you, or betrayed you. But we want to help now. You get the Relics and the Maiden to safety in Atlas, if you can, we'll defend the people of Mantle"?

Well, they can still tell the world about Salem and call for help, much more easily now since Ironwood would likely just give them the code rather than them needing to spend an episode stealing it.

The Staff at least may not have ended up in Salem's hands and the group could have actually focused on getting the Lamp back (also solved if they'd been smart and just put it in the vault to begin with).

Mantle would still have been safe because Salem was never interested in Mantle to begin with.

Atlas wouldn't have fallen.

Ironwood wouldn't have died.

Penny wouldn't have died.

Even Vine wouldn't have died!

Our heroes unambiguously made the situation worse. Rather than banding together with their allies to fight the real enemy, Salem, they pushed until they made enemies of Ironwood and the Ace Ops both. Then they asked for help — which a pinch of logic said would never arrive — and twiddled their thumbs waiting for it. When it was clear none would come they...did nothing. They sat around, upset that the people were in danger, but not willing to do anything about it. It's only when one of their own, Penny, is threatened that they kick into high gear, hitting on a solution that they could have posed to Ironwood from the very start if no one liked the fly away plan. Yet instead of taking a few minutes to brainstorm other ideas — doing anything other than denouncing Ironwood to the rest of the group and attacking the Ace Ops — they spent two days sitting around, fixing minor messes they’d helped to create, then rushed through the portal plan, messing up the wish and stranding an entire kingdom in a sandstorm, with only Winter now to protect them from grimm.

Fantastically done, team.

The villains won, yes, but not because the villains were smart and compelling. Watts' hack on Penny and the heat petered out to nothing and Salem... well, she sat around for the whole volume, expending energy only to torture Oscar and try to (unsuccessfully) stop some escapees. Neo and, miraculously, Cinder did the most damage, but only in the final hour, with this "damage" being that our characters fall into a void that we now know looks remarkably like a paradise! Everything bad that happened was a result of our heroes being stupid and stubborn. That's a compelling story to tell... but RT isn't trying to tell it. Our heroes caused so much damage, yet that damage goes unacknowledged — or worse, ignored into silence like with Ren — and everything else is waved away with the magic wand the series claims isn't there. The cold doesn't kill anyone. Oscar has no problems walking off the torture. Nora hops back out of bed. Ruby one-shots the Hound. The civilians lost to the void must have survived too. The entire kingdom successfully makes it to Vacuo... unless you count the massive army we never saw making use of the portals, but who cares about them, right?

The villains won, there was indeed something resembling consequences, but none of it was emotionally satisfying. Not even when the series tries so hard to insist that emotion is there.

Qrow watches Atlas fall, mouthing Ruby and Yang's names, but it's too little, too late. Where was this care for his nieces when he was obsessed with killing Ironwood? When did they care about him? Was it when Ruby shrugged at his arrest, when neither cared that he was missing, or when they were designing an escape plan that didn't include putting a portal where Qrow could reach? RWBY markets itself around the found family-ness of its cast, but they're done a poor job in recent volumes (not others) of convincing me that most of these characters care for one another. We went from Ruby denouncing all adults, to Ruby pulling an Ozpin with Ironwood, to Ruby watching blandly as her sister falls to her presumed death. This is my hero? This is the simple soul we're supposed to rally behind? Ruby doesn't feel like a character who cares about other people anymore and, given that she leads the charge, neither do most of her friends. Or, when that emotion appears, it's jarring and undeserved. Jaune cries over Penny's death? That's tonally and characteristically backwards.

This volume was the culmination of so many mistakes over the past two years. No, Covid couldn't have made things any easier for the crew — the fact that they got a volume out at all is amazing — but the pandemic isn't to blame for the problems in the story. These seeds have existed since Volume 5, with some (like Jaune) going back even farther. I don't think we're ever going to get that flawed, but emotionally fulfilling RWBY back. The show has dug too deep and unless it somehow manages to create a clean slate — those time travel ideas get more and more alluring! — there's nothing they can do but keep on digging. At this point, I can only hope that the series does wrap up within the next two volumes, rather than dragging RWBY to a Supernatural-esque length.

Our final shot of the episode proper feels fitting for what this volume has been. Atlas and Mantle flood rather than exploding, something that makes a certain amount of sense, sure, but definitely wasn't what I was expecting. And after all these shocking images — Penny dying, the grimm attacking, our main characters disappearing in a puff of gold dust — we end it all with bits of random debris. It's strange and underwhelming. Out of everything you could have done with the options you had, you choose to do this?

Of course, RWBY always has an after-credits scene (RIP Raven's, still amounting to nothing). Here, the sounds of water return to show us a beach. Crescent Rose imbedded in the sand, mirroring its classic pose in the snow.

There's a tree. It's a very different kind of tree from what we saw in Volume 6, but the height and shape is nevertheless reminiscent of Light's domain.

A tree of life, anyone? After all, the group has fallen into a dimension created by a Relic, the gift of Light himself. It certainly seems as if RWBY is heading towards another encounter with the Gods, though what that will look like and how narratively satisfying it will be remains to be seen.

As for our bingo board, RWBY certainly pulled its weight! Only three squares got gold stars: Watts and Jacques didn't manage another team up because both are dead, Oscar didn't apologize for getting shot because he was too busy being tortured, and Qrow didn't drink likely because he didn't have access to any alcohol across the whole volume. Can't say that's a stellar result. The final image is something to behold though lol.

What a mess.

And on that less than exciting note... we’re done. This has been the volume of desertion, with a large number of fans telling me that they will no longer watch RWBY, but baring something entirely unexpected in my future, I'll be back next volume, for whatever that's worth. It never ceases to amaze me that even one person would give these nonsense recaps the time of day, so in all seriousness: thank you for reading. You rock.

Now go forth and fill the hiatus with great RWBY content!

✌️

#suicide tw #rwby #rwby spoilers #rwby volume 8 #mymetas #rwby recaps #rwby the final word

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maddiethebull · 3 years ago

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Belphie (Obey Me!) - Prompt# 45 - “That’s the laugh I was missing.”

Hi eveybody! This was requested by @little-cherryblossomtree

Hope you have a good read and a good day!!! :)

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The Devildom was exciting as ever as you and the brothers sat at the table to have dinner and all of you were talking about your days.

“Well I got a C- on a test today,” said Mammon with a grandiose smile and pose. Satan rolled his eyes,

“Pff, I’ll believe it when I see it.”

Then you chimed in, “Shouldn’t you be aiming a little higher there, bud?”

Belphie erupted into laughter, “Oh, that’d be the f***ing day! Imagine Mammon getting a C+ for once.”

His comment caused laughter all around the room, including Mammon. As the laughter died down, he caught you looking at him and a pale blush rose to his cheeks. He smiled at you and was about to say something when Levi spoke up, “Today had much more important events going on, though, did you guys know that Sucre Frenzy came out with their new line of merch today?!”

“Oh NO, mn-mn,” said Asmo, “you already dress like that, don’t make it worse.” Levi’s orange eyes narrowed and he stuck out his tongue at him.

Lucifer cleared his throat, “Though I agree with Asmo-”

“Hey!” Levi interrupted and was met with a cold look from his eldest brother.

“As I was saying, though I agree with you, I will admit it was an off-handed comment, Asmo.”

“I’ll stop making off-handed comments when Levi stops wearing off-branded clothing.”

The conversation was light and produced much laughter among the lot of you until dinner came to an end and as you, Lucifer, and Belphie were cleaning up the table, Lucifer spoke as he handed you one of Beels thirty plates, “I’m glad that you’ve enjoyed yourself so much.”

You replied, “Yeah! The food was amazing, I can’t say that I’ve ever even thought about eating Three Spice Three Head Hell Turkey before, but wow can Beel cook!”

Belphie smiled at you, “Right?” As you and Belphie kept conversing about cooking, Lucifer’s eyebrows furrowed as he thought of how to go about saying what he was going to say next. He cleared his throat before speaking, a staple of Lucifer, and said,

“I was referring to the Devildom as a whole, your stay with us is coming to an end in approximately one earthly month.”

Both you and Belphie looked at him wide-eyed.

“Oh,” you said. You didn’t honestly know what else to say, it’s not like you were counting the days till you left so the end of your stay came much faster than you expected it would. You looked to Belphie as his hands tensed, gripping the plate he held till his knuckles turned white.

“It feels like it’s hardly been a day,” he said as he forced his features to display happiness, but you knew that look in his eyes. The same went for the look in your eyes. When Belphie looked at you all there was between the two of you felt almost visible at that moment, as if it hung in the air like specs of dust floating around or like sunlight shining through a window that graced everything in its sweet glow. Belphie’s deep purple eyes fell upon yours with a look you could only decipher as a deep, soft yearning. He quickly turned around and finished putting the plates away.

“So, will you be getting your stuff together soon?” he asked you gently, scared to know the answer.

“Um,” your voice cracked, you felt so overwhelmed with feelings after hearing how soon you’d have to go, “I- um… I’m not sure.” You cleared your throat and put away the silverware you were cleaning and hastily made your way to your room because you felt like you needed to be alone for a minute. It was like a crashing down of all these emotions; it felt like you just got hit by a bus. Was the end really coming this soon? What was going to happen when you left? Would the brothers forget about you… would Belphie forget you after you left? The tears that brimmed in your eyes began falling as the painful thoughts kept coming forward. You grabbed the pillow that Belhpie left on your bed for whenever he slept in your room. You clung to the cow print pillow with all your strength as you sobbed quietly into it.

Belphie paced up and down the divide between his and Beel’s bed. He wasn’t tired, which was the first sign that something was seriously wrong.

“Will you tell me what’s the matter?” prodded Beel. He was met with the sound of Belphie’s footsteps pacing and pacing and pacing and nothing else, he couldn’t find the words to respond. Beel responded to the silence,

“Hello? You’re obviously upset and I’d like to know what’s bothering you so much, you’re my brother and best friend, dude. If I can help, I want to.” Frustrated, Belphie stopped pacing, let out a grunt, and left the room. He knew that Beel only meant well, but he didn’t want to be the one to remind his brother that you were leaving so soon. He knew it’d break Beel’s heart to see you go. You were one of the only people that Beel could really open up to. Belphie decided it best to just have Lucifer tell his twin, they would all be torn up that you were going but Lucifer was so good at hiding his emotions that he could be steady when telling the rest of the brothers the news.

He continued walking. He had walked up and down the whole house before deciding he needed some air and made a beeline for the garden. He could feel everything boiling over and he couldn’t stand when others saw him cry. He figured it would be his safest bet at being completely alone to get his feelings out given the late hour. He hurried his pace until he got to the wide glass doors leading outside, pushed them open, and began running. He didn’t know why he started running, maybe he just had to get away from it all for a minute; to have the world to himself. But he did not have it to himself.

He stopped short as he saw you sitting in the gazebo. He heard whimpers and saw the silver streams running down your cheeks. Normally, he would’ve gone straight over without hesitation, but he could feel his muscles freeze up. It felt like there was nothing he could do to make you feel better this time, so why try? Why go over there to remind you of what you would be losing and what he would be losing. He would be losing everything. Hot tears began falling from his eyes and he fell to his knees. He began sobbing and his cries alerted you to his presence. When he looked up and saw you sitting there looking so perfect in the pale moonlight, he moved without thinking and made his way to you. He wiped the tears from his eyes on his shirt sleeves and stood in front of you. His warm hands graced your cheeks as he wiped away the tears on your face.

After some calming down, the two of you simply sat and talked, you huddled up next to him to fend off the chilly night air as he said, “You know that thing I said earlier, about the stars?”

You nodded your head in reply. He had sent a text about wanting to give you the stars in the sky, but he sent it because everyone was sending impossibly romantic things to you and he figured you’d get a laugh out of it.

He continued, “And how I made fun of it being impossible and cheesy?”

A faint smile formed on your lips and you replied, “Yes, I do.” That faint smile, though held down by the somber look in your eyes, still lingered on your expression as you twiddled with your fingers.

He turned to you, “I would still do it, you know, give you a star…” He continued looking at you as your gaze turned to the night sky that glittered with the silver specks of light, “So, just point and tell me which one you want.”

You chuckled, “Even if it’s impossible?”

After a moment of thought, Belphie replied, “I don’t know if I’d say impossible. I gave it more thought and I ordered a fuck ton of ladders, but I still gotta find some inflammable gift wrap.”

A laugh spilled from your lips, your smile brighter to him than any star, “That’s the laugh I’ve been missing,” he said, his voice quiet as if you weren’t supposed to hear.

As you continued snickering at his dumb joke, you asked, “How many ladders do you reckon we’ll need?”

“Oh, at least 12.” And soon the both of you were just a pair of giggling idiots, rambling on about the stars and how to capture them. For the first time, Belphie wasn’t the first to fall asleep, he couldn’t sleep with so many thoughts of you running through his mind at a million miles per hour, were you really going to leave? Were you really just going to one day not be there? His eyes were yet again hot with brimming tears as these questions arose and were replaced by many more. Everything he’d done for you, with you, all of his feelings, were they not enough to make you stay? Were you going to forget him? But as he kept thinking, he thought about how little he really knew you, you’d only been in the Delivom for a year.

Did you want to go home? Did you have loving parents, friends that you missed? Should he really keep you from all of that just because he couldn’t bear losing you? Was there someone that you loved on Earth? He held back his tears, he knew that whatever you decided to do, he would have to go along with it, and if you wanted to leave, if you truly wanted to go back, he wouldn’t stop you even though it would be the most painful thing he’s ever done. He was between a rock and a hard place if you left because he couldn’t leave all of his brothers that easily, he couldn’t leave Beel, but he also couldn’t leave you, the more that he thought, he knew that he couldn’t watch you go, he couldn’t say goodbye.

As silver moonlight fell on the both of you, he leaned his head close to yours as you rested on his shoulder, “Do you remember that other thing I texted you about?”

He asked, though he already knew you were fast asleep.

He smiled and kept talking, “It was a while ago but I made you promise me that we would do all of the things that I wanted to do with you… we haven’t done all of them yet. I don’t think we’ll ever be done with that list because it just keeps growing,”

He put his hand on yours, gentle enough so as not to wake you, “So, I’m not gonna let you go.”

His voice quivered as those tears that he held back fell from his eyes and hopelessly tumbled down his cheeks, “Even if you do leave, I’m gonna pack up my stuff and I’m gonna haul ass to wherever you are, whether it’s here, in the human world, or even the celestial realm.”

He let out a sigh through his gentle smile, “I know you’re not technically listening,” he wiped the tears with his sleeves, “but I don’t care, I’m getting practice in telling you all of this when you’re awake.”

He quietly chuckled and leaned further in to give you a soft kiss on your forehead as he brushed the hair from your face.

“I love you,” was the last thing he said before he drifted off to sleep with you in his arms, and he wished to have endless days to tell you that.

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Hope you enjoyed! If you have feedback, I’d love to hear it! Have a good day everyone ❤️

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themurphyzone · 4 years ago

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PatB: Snowball Ep Talk

You know, I really do love the episode Snowball (my personal favorite AKOM episode) but I don’t think I’ve ever talked about it here much, and if I did it’s probably really only because of the flashback sequence.

Okay so all looks good so far. Chain letter scheme and superstition, a standard introduction to Brain’s latest plot of world domination. All looks good. Plus I just like this shot of Pinky. Don’t mind me, just starting off light here with a smushed Pinky.

I just like Pinky’s pose here. He’s so cute.

You will bow before Troz.

“I met a Snowball today! Right here in the lab!” -Pinky

You know, I just find the implications of this line hysterical. This means that Snowball was in the lab that day, waiting for the moment to strike, and he definitely pushed his stolen chain letter through the mail slot.

And then he lets Pinky see him, and no it’s not just a passing glance either cause Pinky specifically describes a tattoo with an A and a circle and points to his leg. Which means Snowball deliberately lifted the fur on his leg and showed his tattoo to Pinky.

Like, wow.

“It means, Pinky, that evil lurks among us. By the name of Snowball! SNOWBALLLLLLLL!” -Brain

Talk about a bad breakup. *Alexa play Bad Blood*

Personally I think one of the interesting visual cues is that Snowball purposely plants himself into the mice’s space. There’s a lot of that in this episode. He knows how to rile up Brain and hit him where it hurts, namely through Pinky.

Brain values his personal space, and he values a sense of control. When Snowball invades that space, Brain loses control, and his anger can lead him to make some very ill-informed decisions. Which is exactly what Snowball aims for.

“You think Pinky is an asset?”

“Anything I can take from you is an asset.”

Ah yes, Snowball’s mission statement. Crush everything Brain has into dust.

The flashback sequence. Dear God this flashback sequence. They were both so cute!

You know, it’s really sad that a younger Brain acted more like Pinky. Making silly faces and trying to get someone to laugh are such Pinky things to do. I know canon is loose but if you consider this flashback taking place shortly after Brain was captured from the wild, then young Brain didn’t gain a grasp on what happened to him until after the gene splicer.

Ok but Brain was literally right there when the gene splicer exploded. Imagine having your cranium size dramatically increase, you’re injured, you’ve suddenly gained sentience, and as if all that wasn’t enough, you see the gene splicer explode with your only friend inside.

Oh, and said friend’s mind was probably damaged in the explosion and now he hates your guts. And though you’re angry with him for his betrayal, some part of you will never stop caring about him.

Once again, Snowball needs to learn to keep his hands to himself.

This conversation here establishes Snowball as the perfect third character. He appears only in a handful of eps, but he’s fun to watch and love to hate. Snowball challenges the mice’s relationship. Snowball sees the weak points; the insults, the reliance on each other, and twists them to his advantage. And Pinky even admits he’s hurt by Brain’s insults occasionally, though he still loves being around him.

“Pinky, the Brain doesn’t care about you. He’s just using you.”

“No, he’s not.”

It’s really interesting to me how Pinky denies Snowball’s statement, yet his ears go down to show that he’s affected by the idea of being used. Pinky and the Brain may be night and day, but one thing they do have in common is their tendency to deny certain things. Brain with emotions and affection and Pinky with concepts he’d rather not admit the possibility of.

Coming back to this later.

Non plot related but Brain is teeny tiny and I love how he just trusts Pinky to catch him

Side note: I apologize if any of these screenshots look weird. It’s an AKOM ep.

WHY ARE YOU TWO SO BAD AT SNEAKING AROUND.

I just find it hilarious how they clearly run around where Snowball can see and hear them. Like they just shout Snowball’s name in the middle of the room. You’re terrible at being sneaky little mice. Please.

Those dang boomers and their old timey 90s computers. Technology is ruining boomers. Can’t even hold a conversation anymore cause they keep looking at their screens.

No touchy!

Well, it’s awful nice of Snowball to engage in nepotism and offer Brain a position in his administration...and then tempt Pinky with an amusement park when he refuses.

You really gotta appreciate the complexity of Snowball’s plans. Stealing the chain letter fails->plant seeds of doubt in Pinky’s mind, even if this doesn’t work right off the bat, the idea will still be there-> take over a corporation->impersonate Bill Gates->When the mice show up, offer to co-rule the world on expectations that Brain will refuse->make co-ruler offer to Pinky->wait for Brain to open his big mouth and drive Pinky away.

All to take everything Brain has. His dignity, Pinky, his meager resources. Like holy Snowball, Batman.

And then Snowball reveals the amusement park he had specifically built for Pinky.

And here we have the most heartbreaking line of the ep. If I had the ability video edit I would’ve put the entire line on audio because Brain’s tone is very important here. It’s about 12:38 to 12:57 in the ep if you want to see for yourself.

“Oh, go ahead, Pinky. I don’t need you. What did you think, I just have you around so I can steal your brilliant ideas and claim them as my own? That I’m just using you, Pinky? Oh yes, I’m using you for your brilliance!”

First of all, very poor word choice, especially to someone who has trouble understanding sarcasm. I just want to dissect this statement here.

The Literal Meaning: You’re an idiot to think you were ever more than an assistant.

This is what Pinky hears.

But if you listen to Brain’s tone rather than just reading the line, he sounds genuinely hurt that Pinky would ever be tempted by something as frivolous as an amusement park. It’s Pinky, so he just sees ‘ooh fun rides, cotton candy, and carnival games’!

But Brain is perfectly aware that this is Snowball’s well-crafted method of taking away the only thing he truly has, and he knows it’s working. And he’s hurt.

The Actual Meaning: Snowball’s trying to separate us and you’re falling for it, Pinky. You may be an idiot, but many of my plans never would’ve come to fruition without you. You’re much more than an assistant. You’re my friend and my world.

Unfortunately, all Pinky hears is that Brain was only using him. That Brain values him for manual labor and an extra hand only, rather than a treasured companion. The fact that Brain often falls short of making Pinky feel appreciated just adds to this.

And now that he no longer has Pinky, Brain’s spirit is crushed. Brain is persistent, but without Pinky, he has no reason to be.

As far as he knows, his only two friends have turned their backs on him and couldn’t care less if he has nowhere else to go.

Poor thing. He needs hugs.

“I didn’t think it was possible. Humanity has actually gotten dumber.” -Brain

OK I think this one shot establishes what the world would be like under Snowball. His name is everywhere, and he tells the population to do stupid things just to bask in his own superiority.

However, I can’t see Brain putting his name on every building so frivolously like this if he ruled the world. Sure, he’d name a bunch of things after himself and Pinky, but it would be more meaningful to them.

Brain wants humanity to advance, not regress.

Poor Pinky. Despite all this new extravagance and luxury, he’s also lonely. The room and bed are large, but it lacks personality. He’s sleeping with an ACME Labs snow globe, and other than a reference to Citizen Kane, it also shows that he’s not happy with this.

The worst thing in the world for these mice is separation from each other.

Suicide by cat.

Poor little guy can’t make it on his own. Luckily, he snaps out of it.

“My world. I must save MY world!”

Said while looking at a picture of Pinky. Real subtle there Brain.

“Look, you fool. You have no brilliant ideas. I’m only using you to get at him! So just stay quiet!” -Snowball

“You’re...using me?” -Pinky

He was just a bargaining chip. Never a friend.

“What do you want?”

“My friend. And MY world!”

AWWWWWWWWWWWWWWWWWWWWWWW

He makes martial arts noises like a dork. I love him.

I love how their characters are reflected in the mecha designs (also I had no idea Snowball was Iron Man!)

Snowball’s is overall the more efficient design. It’s also much more combat ready and violent. In comparison, Brain’s suit is simply operated with a bunch of levers. It’s alright for peaceful situations like getting around faster or simply blending with a human population, but in a straight up fight the levers take too much time to operate.

Snowball is more efficient than Brain, and while he’s got the ego, he lacks the insecurities that hold Brain back. His confidence makes him such an effective foe. And more importantly, Snowball doesn’t value Pinky’s companionship. He’s a tool and nothing more. Compare that to Brain. While Brain struggles at showing it, he ultimately wants Pinky’s input and values his jumbo-sized heart.

Somewhat off topic, but I feel like the reboot missed this aspect of Brain and made him too overly edgy and violent (reboot!Brain would probably prefer Snowball’s mecha design over his counterpart’s). The only time Brain should become violent, if not for comedy, is when he’s protecting Pinky. His plans should have a level of restraint to them, and Pinky is the moral compass.

I just like this shit-eating grin right here (I mean, he did eat shit in Welcome to the Jungle so...lol)

This is such an insanely clever move for Pinky. I feel like Brain would be like ‘oh my god Pinky!’ and then ‘wow, that’s actually brilliant what the heck is this tingling feeling’.

ACME LABS IS IN NEW YORK CITY??????

I know this is a case of Where the Hell is Springfield but gdi aren’t they supposed to be in southern California.

Ok fine I realize the ending to this ep is a reference to North by Northwest cause they somehow got to Mt. Rushmore but still

Weird tangent but North by Northwest’s ending bothers me (not gonna fault this ep as it’s just a parody)? I’m sorry the girl is barely hanging onto Mt. Rushmore, the dude pulls her up, and then they have sex in a car. The sudden transition always seemed weird to me.

I am ending this analysis post with a weird shot of Snowball cause i can and it’s his episode.

#pinky and the brain #patb analysis #patb snowball #long post

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waywardwrestlewritingwaif · 4 years ago

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Waking Up Alone

This is for my anon who requested something angsty and fluffy with El Phantasmo- hope you enjoy! The idea is partially inspired by the Cowboy Junkies song "Sun comes up, it's Tuesday morning". (I am the queen of sad lady songs, I swear.)

Pairing: El Phantasmo x OFC

Word count: 3.091

Content advisory: language, sexual references

Sun comes up, it’s Tuesday morning

Hits me straight in the eye

Guess you forgot to close the blind last night

Oh that’s right, I forgot, it was me

The morning sun feels like an assault on your eyes, punching its way through your delicate eyelids and right through into your nerves. Yeah, you definitely had a few too many drinks last night. Gin and tonic with the girls, which you hadn’t done in ages. It ended up with pitchers at the dive you’d been frequenting since you were too young to get into bars, the place that truly catered to everyone. Beer after liquor, never sicker; liquor before beer, in the clear. Why the hell had you switched from liquor to beer?

Doesn’t matter now, you think, wrestling yourself into a sitting position while protecting your eyes with a trembling hand. Wrestling yourself. You sigh a little as you consider the term that immediately springs to mind. You didn’t mention the breakup to the girls. It still feels too strange, too ephemeral. Were you ever really a couple anyway? You suppose that’s the crux of the problem. You didn’t know where you stood, so you’d estimated that you were somewhere it turned out you weren’t close to.

If Riley The Perfidious Bastard were around, he would have made sure to lower the Roman shade you’d fashioned out of an old curtain and some bamboo rods. He was always impressed at your ability to create homey touches from spare parts. Now that he’s not around, you realize how much you’d liked having your abilities praised.

If Riley were here, you’d also be waking up to the smell of coffee, the most wonderful thing in the world for someone in your condition. But there’s nothing. No rich, roasted scent, no happy, burbling noises from the machine in the kitchen. You have to get up and take care of it yourself, which you haven’t had to do in a long time. Goddammit.

You run one hand over the expanse of your king bed, the plump mattress extending almost all the way to the window. Sure, the thing took up most of the room but you didn’t care. The room was only going to be used for sleep anyway. Well, sleep and that other, delicious thing. That thing you missed so much. Well, you missed it the way that Riley had done it. If he was really gone, you were going to have a hell of a time finding someone who could make you want to spend all day in bed the way he had. You still hadn’t made your way back to the center of the bed. Somehow, your mind refused to accept that things were over. You were still making space for him.

With a dramatic effort that has no one to appreciate it, you heave yourself off the bed and make your way towards the kitchen. You’re halfway through the process of making coffee when you realize that you’re wearing one of his shirts, one of the ones with his logo emblazoned on it. You must have just reached for the first thing you could find when you got home and, of course, that would be something from the pile of shirts you’d made next to the bedroom door; shirts to be given to charity because you sure as hell didn’t want to look at them anymore. That pile had been sitting there for three weeks, the dried traces of angry tears still on every part of it, and you hadn’t gotten around to carrying everything to the donation bin less than a block away.

Coffee is more important than anything right now, so you focus on that. You also shove a couple of pieces of bread in the toaster oven. Bread and peanut butter will help ease the seething broth in your gut and allow you to concentrate on the day. Which would be even more useful if your day actually required concentration. Band practice had been pushed back to tomorrow because Kyle and Lily were off in the country visiting her parents. Sure, you could work on the guitar parts by yourself, but it’s not like there was anything to learn. You had a handful of gigs coming up in the next few weeks, mostly local, all focused on your last album. Practice was just a matter of making sure you all kept tight and maybe came up with some new ways to make the live experience a little different for people.

As autumn shifted closer to winter, it was always the quiet season. Students were running short on money, the weather became unpredictable, and going on the road became less and less lucrative the closer it got to the holidays. It was approaching that time of year when people started to nest rather than seek a mate. Or at least that’s how it was for most people. It just wasn’t that way for wrestlers dividing their time between North America and Japan. You cringe at how that thought makes you recall the fights you’d had in the last few days of your whatever the hell it was because apparently it wasn’t a relationship.

It’s a very different feeling than at the beginning of spring, when everything was starting to pick up, when you constantly felt excited about what the immediate future held, and when you’d agreed to go to a wrestling show because Nadia was doing makeup for it. You and Wendy had shown up already drunk and had taken advantage of Nadia’s invitation to come backstage.

You’d stolen beer from kraft services and watched Nadia attending to her work while you tried to distract her by making her laugh. You’d been surprisingly successful but she was such a pro that she had no problems. The women took the longest for her to do, but all the performers had to come in to make sure that they’re coloring and contouring was perfect for tv lighting and that was how you’d met him.

The two of you had locked eyes as soon as he came in the room and had remained that way as he settled into Nadia’s chair. You hadn’t been able to tear yourself away from those huge, shiny orbs with their saucy expression and despite your inebriated state, you could feel that stare lodging itself in your memory forever.

“This is El Phantasmo,” she giggled.

“He’s a what now?” you’d snorted in response, relishing the flare of indignation in his eyes.

“Are we letting just anyone back here now?” he snapped.

“These are my friends!” Nadia assured him, slurring her speech as she motioned to you and Wendy. You’d been feeding her the beer you’d purloined as well.

“Like I said. We’re letting just anyone in.”

At that, you’d given his seat a shove with your foot, despite the fact that Nadia had started to apply bronzer to his cheeks. He was left with a dark streak across one side of his face and nose, which had made you and Wendy crack up.

“Come on,” Nadia chided, “I need to make these guys look good.”

“Good luck with that,” you laughed.

The man you knew only as El Phantasmo flipped you off and you’d returned the gesture, swiveling on your seat a little so that your hips were thrust forward. It wasn’t that he was the most gorgeous thing you’d ever seen, far from it. But something about him just got to you. He had such an effect on you that even as you were mocking him, you let your body move and pose in ways that were intended to resonate with his basest masculine instincts.

You’d been captivated by the show, particularly by his display of athleticism, as well as his bratty defiance to what the audience wanted. You’d booed him with everything you had and you’d been so drawn to him that you’d had to restrain yourself from running to the ring and grabbing his pert ass right there.

Instead, you’d made your way backstage again and insinuated yourself into the group that was going for drinks. You insisted that Nadia come along because Wendy had headed home as soon as the show was over. You wanted someone to hang out with so that it wasn’t totally obvious what and who you were there for. It didn’t really matter, though, because everyone was so friendly and most were so drunk that they didn’t care that they had no idea who you were.

You’d kept an eye on him for a while and then approached the bar when you saw him going for a refill, elbowing your way in so that you were right next to him, bumping his shoulder hard as you got to the bar.

“You wanna buy me a drink?” you crooned.

“No.”

“Fine, I’ll buy you one.”

“Does that mean I have to hang out with you?”

“Yup. Besides, you know you want to.”

“I really don’t.”

He was laughing a little when you said it, and when you leaned over to scream your order at the bartender, ordering him a random drink since you hadn’t even bothered asking, he ran his hand down your back and gave your ass a quick slap. You’d smirked to yourself. You knew you’d seen the spark in his eyes.

“Riley,” he shouted right into your ear.

“Deaf now,” you shot back, pushing his drink at him. “You’re skinny for a wrestler.”

“Don’t need to bulk up when you’re as good as I am.”

“Anything else you’re good at?”

“Fucking women with big mouths until they can’t say anything but my name.”

The two of you had spent the night all over his apartment and, yeah, he’d lived up to his own hype. The sex had been outright feral, biting and clawing and animal-like noises until you were both too exhausted to move.

You thought about dropping a hint that you wanted to sleep there but since it was kind of obvious that this was a one-night thing, you’d waited a while then pulled your clothes back on to go. The two of you shared a surprisingly tender kiss at the door and when you made to leave, he’d looked surprised.

“You don’t want to exchange numbers or something?” He’d sounded legitimately surprised.

“Sure.”

You’d entered each other into your phones and you went home in a cab, reflecting that you did feel more of a connection than you’d realized at first.

Still, you held off calling him so as not to look desperate, but he’d called you a couple of days later. Not knowing what else to do, and not wanting to admit you were broke until your next royalty check cleared, you’d invited him over for dinner. The two of you had cooked some pasta together and drank a couple of bottles of wine and then tore into each other again, gradually making your way to your bed. Once again, it had been mind-blowing, but the real surprise came at the end of the night.

“Mind if I stay here?” he asked quietly.

You’d patted the pillows beside you and grinned. You’d drifted off thinking that, yes, this was something a little special and you’d woken up thinking the same thing.

Craving the crisp air on your reddened cheeks, you grab a sweater, jeans and boots and that wonderful alpaca poncho you’d found when you and Riley went to that farmer’s market. It was a weird thing to find in a place that was supposed to be all about food but it didn’t matter because it was soft and full of deep colours and even though it had been hotter than hell outside, you knew that you were going to get plenty of use from it once the weather turned colder. At the time, you thought that you’d still be going for walks and dinner and drinks with Riley.

As you get ready, your phone buzzes. Wendy sending you a message.

“Never let me do that again.”

You chuckle, remembering that however bad you got last night, she was the one who ended up trying to dance on the bar, refusing to acknowledge that she couldn’t climb up on it. You’ll all have a good laugh about it later but right now, you can’t deal with it. And the reason you can’t deal with it is because for a second, you’d hoped that it was him texting you.

Your body immediately knows where it wants to go, turning the first corner and heading for the hipster diner you eat from too often. They make a mean breakfast burrito but today, you limit yourself to one of those extra buttery croissants you love so much.

Joanne is working the counter, which is kind of remarkable since you remember running into her late into the night, but although her face is flushed the same as you, she’s smiling warmly at every customer.

“Hey there, lady,” she chuckles. “Still walking?”

“Barely. May I please have coffee and a croissant? And may I ask why Peter isn’t working this morning?”

She prepares your order, grinning. “Well he had some of the guys over to watch the game last night and it turns out he’s in worse shape than I am.”

“The bastard.”

“He was totally unconscious this morning. I hope he’s not dead because being a widow would suck.”

Everyone is in a relationship. Everyone you know is in love. It hurts a lot to think that one of those things is still true of you.

Things had gone to shit over an instagram post of all things. Him during a trip back to Japan, posing with a woman who looked straight out of a modelling agency. Immediately, you’d felt in your gut that something was off and although you hadn’t wanted to seem like you were scrutinizing his every movement, you’d been unable to hold back.

“Is something going on with you and that girl in the pictures with you?”

“Going on?” He’d seemed puzzled. “I mean, we hook up when I’m in Japan. No big deal.”

That’s where he had been wrong. It was a very big deal for you. The two of you hadn’t talked about your status but you realized that you had been assuming that because you’d been wrapped up in the romance of it all that he was too. Apparently not.

It had led to a huge fight, then another resentful exchange, and then he was back in Japan for a week. You hadn’t messaged him at all while he was gone. He didn’t contact you when he got back. You’d come home one day to find your spare set of keys in an envelope in your mailbox. No note, nothing. No request to get his set back from you. Giving someone a spare set of keys was supposed to mean something. How many women had keys to his place?

You ponder it glumly for the umpteenth time as you make your way back to the home that always feels strangely empty to you now. You’d been in the place for five years. He’d been coming around for five months and somehow it feels like he belonged there. You see a figure sitting on the front step of one of the buildings and for a second, you think it’s him, waiting for you to get home, like he used to before he had keys and could go in and surprise you with dinner, or flowers, or-

Then you realize that it actually is him, sitting on your step, drinking a beer and staring off into space. He doesn’t even look up when you come to a halt next to him.

“Dude, it’s nine in the morning. Are you starting early or finishing late?”

He shrugs without looking at you and after a long moment of silence, you sit down next to him. You tear the croissant in half and silently offer it to him but he shakes his head.

“For the love of god, eat something.”

He shakes his head again.

“Fine, become an alcoholic and drink yourself to death for all I care.” You bite into the delicious pastry, humming in satisfaction and finally he reaches over and takes the other half from you.

“Good boy.”

“Here’s the thing,” he says quietly. “I thought that since you’d never said anything, it meant that you had other guys in your life. All the guys I work with either lie to their wines and girlfriends or they just have these open things going on and I guess after a while it starts to seem like that’s the normal thing to do.”

“Well I never said that I was opposed to that. I never said that we couldn’t work something out. But you didn’t even give me the chance. You just carried on as if I didn’t even exist.”

“I didn’t, though.” For the first time, he turns to look at you. His eyes are red and swollen and something tells you that it isn’t from drinking. “I said that I’d hooked up with that girl and I had. In the past. Nothing happened when I was there last time.”

“Then why did you let me believe that something had?”

“I have no fucking idea. And that’s been killing me.”

With a heavy sigh, you reach out and place your hand on his. He immediately grabs hold.

“I think,” he says pensively, “that I felt nervous about telling you I was serious about you. I was nervous because I haven’t felt this serious about someone before. And when you got angry, I think I just flipped out and thought it meant that I was wrong.”

“Wrong for having feelings?”

“Wrong for thinking you did too.”

Your stomach flips and you tighten your hold on his hand.

“Well I did.”

He nods and stares off, his face twitching a little like he’s trying to keep from crying.

“I still do,” you tell him.

He turns and stares at you, big eyes surprised and hopeful.

“Really? Because I’m an asshole.”

“Yeah,” you mutter, “I know.”

“I miss you,” he whispers.

“Why don’t you come in and have a cup of coffee?”

“Only if I can make it,” he grins. “You always put too much in.”

“Asshole,” you grunt, standing up and pulling him with you.

As you unlock the door, he leans in and plants a warm kiss on your cheek.

“Thanks,” he murmurs.

The two of you enter your flat, hand in hand again.

#el phatasmo imagine #el phantasmo fanfic #njpw fanfic #njpw imagine #wrestling imagine #wrestling fanfiction #wayward wrestle writing

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lovelucybradford · 4 years ago

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I Pretend You’re Mine (All the Damn Time). One

Tumblr’s hottest new Derek HalexOC fic is “I Pretend You’re Mine (All the Damn Time)”. Fueled by one too many rom-coms and the author’s thirst for Tyler Hoechlin, this fic has EVERYTHING: childhood friends to lovers, fake engagement, mutual pining, Derek Hale’s family alive and well, and SLOW BURN (oh so slow).

One: get me with those green eyes, baby.

“Yo Rosie, you better go over there. Cinderella’s about to steal your man,” Stiles commented nonchalantly, sipping on a Coke from a paper cup. He was trying to hide his smile, but Rosalie could see right through him.

“Shut up, Stiles. He’s not my man.” Rosalie rolled her eyes, but didn’t stray her focus from Derek, Cinderella, and her niece, Charlotte. The young girl who was playing Cinderella couldn’t be older than twenty-one. (Way too young for the man.) Sure enough, she had her dainty hand on Derek’s bicep, likely commenting on his muscles. (That had happened with Ariel, an hour before. To which Rosalie thought that she’d be able to fill out those seashells much better.)

Derek laughed, scratching the back of his neck—a sure sign that he was uncomfortable with all of the attention. It had been his tell for as long as Rosalie had known him—verging on twenty-five years, give or take the time that they’d spent apart in college and Rosalie’s four-year stint living with her father’s family in New York City (a mistake, big mistake).

That had been a change; Derek used to eat up all of the attention from women when they were younger. A lot had changed with the two friends through the years; lovers had come and go, lessons learnt the hard way—but the one thing that hadn’t changed was their connection to each other. No one quite understood Rose the way that Derek did, and she’d like to think that nobody understood Derek like she did.

Charlotte pointed one blue-painted nail towards her aunt, and suddenly all eyes were on her. “Auntie Rosie! Come here!” she called loudly.

Rosalie obliged, excusing herself from Lydia and Stiles to join Charlotte, Derek, and the princess. Cinderella smiled kindly at Rosalie, eyes briefly flicking up to her hair. She turned to Derek and asked, “Is this your princess?”

To which Rosalie flushed a bright shade of red. Cinderella was likely referring to Rosalie’s elaborate updo. Her red hair was covered in green glitter, complete with a sparkling, emerald-encrusted tiara. Charlotte, ever the shy child, had been nervous to go to the Bippity Boppity Boutique by herself, and convinced her aunt to play along. So, Rosalie had gotten the works, and Derek and Stiles teased her incessantly all day. She didn’t mind, really. She’d do anything for the kid, whether that be to sell her soul or literally become her childhood moniker.

Derek chuckled apprehensively and ducked his head. Charlotte answered for them both, giving Stiles Stilinski more fodder for his jokes.

“Yeah! This is my Auntie Rose. Uncle Derek calls her princess,” Charlotte smiled proudly. In the distance, Stiles guffawed, and Lydia leaned her head on her boyfriend’s shoulder. Likely hiding her own laugh, for Rosalie’s benefit.

Rosalie stumbled over her own words. “I…um…childhood nickname. Anyways, Char, do you want a photo so the nice people behind us get a chance to meet Cinderella, too?”

The four posed for the photo, Derek and Rosalie on either side of the princess and Charlotte, curtseying, in front. Lydia snapped a quick photo on her own phone and on Rosalie’s. Then, Rosalie graciously thanked Cinderella and the photographer, eager to get the hell out of the awkward situation.

Derek swept Charlotte up on to his shoulders, giving a polite nod before he turned to leave as well. Cinderella tapped him on the arm, and added, “Have a magical day! Your girlfriend is beautiful.”

Rosalie lost her footing at Cinderella’s words, almost crashing embarrassingly to the floor if it weren’t for Lydia’s supportive hand on her wrist. She let Lydia lead her out of the building, feeling quite lightheaded all of a sudden.

The sun had set in the near hour that they had waited to meet the princesses. The stars in the sky sparkled above, bringing a whole new sense of magic to ‘The Most Magical Place on Earth’.

“Oh my God, this picture is so cute. I’m def posting it on Instagram,” Lydia said, smiling down at her phone. She moved closer to her cousin so Rosalie could see the photo as well.

Rosalie cringed. “Um, no you’re not.” Charlotte looked adorable, as she always did. Rosalie, well—Rosalie looked exactly as she felt in that very moment. The pink in her cheeks perfectly matched the tapestry behind them, and she couldn’t blame that shade of red on a blossoming sunburn. And Derek—he looked like a deer in the headlights, wide-eyed with a tight-lipped smile. Even when mortified he still managed to look gorgeous.

It hurt Rosalie’s heart just a little bit to think that Derek was mortified because someone thought they were together. But she buried that feeling once she saw Stiles saunter towards them, Derek and a chattering Charlotte in tow.

“Too late. I already did,” Lydia announced, lips tilting into a playful smile.

“Already did what?” Derek peeked over the women’s heads.

He groaned loudly, making Charlotte laugh. “Please tell me you didn’t just post that on Instagram. God, Laura’s never going to let me live this down.”

Rosalie tilted her head upward and smirked at her best friend. “Just wait until I tell her that you got hit on by Cinderella.” She laughed at Derek’s flared nostrils and pursed lips. He smacked her on the shoulder blade with the hand that wasn’t supporting Charlotte, who was clutching Derek’s black baseball-cap covered head with both little hands.

Charlotte tilted her head, befuddled. “What does ‘hit on’ mean?”

Rosalie and Derek stayed silent, neither one wanting to answer. Stiles replied for them, winking up at the little girl. “It means that Cinderella liked your Uncle Derek. Anywho, I’m thinking that we hit that Millennium Falcon ride.”

Rosalie checked her phone. “Can’t, Stiles. We have to head to dinner.”

Stiles sighed. “Please God, tell me your father won’t be joining us, Rosalie. I already have to deal with him for a whole week. If I have to spend more time with him than that, I might chop off my arm with a lightsaber.”

Lydia checked the map, and the group began their trek towards the restaurant.

“What’s Stiles talking about?” Derek asked as he hiked Charlotte further up his shoulders.

“The Martin Family Reunion,” Lydia commented, looking pointedly at Rosalie. Rosalie, who had forgotten all about it. And furthermore, forgotten about the little white lie she’d made when she RSVP’d. “A weeklong cruise hosted by Rosalie’s father.”

Lydia pursed her lips, green eyes flitting back and forth between her cousin and the path in front of her. “The one that Drew will be at… with his new fiancée, Ashleigh.”

The mention of the two made Rosalie sick. It had been a blow to Rosalie, when she’d seen that Instagram post on her sister’s profile. She was stupid to think that it couldn’t get worse than her ex and her sister sleeping together behind her back. Then they had to go and get engaged, a sure reminder to Rosalie that Drew, the one love of her life, would never really be gone from it.

“Gross,” Charlotte said. “Drew the Douchebag.”

Rosalie’s mouth gaped in repulsion. She glared scoldingly up at her niece. “Charlotte Marie Martin, who told you that?”

Charlotte had the nerve to not look guilty at all. She innocently smiled back at her aunt. “Daddy… and Uncle Derek.”

Rosalie turned her glare to Derek, whose shoulders were shaking, and not because of the weight of the five-year-old perched on them. “You’ve never even met Drew,” she hissed.

Derek kept his gaze straight forward. “I didn’t have to, not with what he did.”

“Can’t argue there,” Stiles chimed in, and Rosalie smacked him on the back of the head.

Derek stopped, and Rosalie thought he was going to apologize. Instead, he crouched down. “Ok, Charlie. Why don’t you walk with Auntie Rose for a while? Uncle Derek’s shoulders hurt.”

Charlotte clambered off of Derek and into the welcoming hand of her aunt. Rosalie couldn’t stay mad at Charlotte. It wasn’t her fault that Rosalie’s brother let things slip. Charlie just mimicked what her father said.

Rosalie didn’t speak the rest of the way. She was too angry with what Derek and her brother had been saying behind her back. (Even though she knew they spoke the truth.)

“Rosalie? Lydia?” came a call from behind the group. Rosalie didn’t have to turn around in her beach chair to know who it was. She shifted the sleeping little girl in her lap slightly so she could sink down in it, ducking her head.

Derek snorted a laugh. “What are you doing?” His stare flickered between Rosalie and Lydia (who was in a similar position in her own chair), green eyes full of amusement.

“I’m invisible. I’m not here. I don’t exist,” Rosalie whispered, eyes scrunched shut and wishing it into reality.

Derek crouched, meeting Rosalie’s line of sight. “Why are we hiding?”

“Shh!” she shushed him with a finger to her lips. “You remember my crazy Aunt Susie?”

“Your dad’s sister? The one who looks like the female version of Donald Trump?”

“Yes. Also known as the family gossip. She will undoubtedly say something shitty about Drew and Ashleigh’s engagement.”

Derek scoffed. “Fuck them.” As an afterthought, he added, “You know what, fuck her too.”

Rosalie swatted him on the forearm. “Children, Derek. There are children present.”

Derek rolled his eyes. “I didn’t say it that loud… and the kid is asleep.”

“Yo Lydia, Rosalie, Derek. I’m back with the contraband.” Stiles weaved between chairs and the standing crowd, arms full of paper drink cups and soft pretzels.

Lydia kicked him in the shin. “Shut up, Stiles.”

Stiles looked amused. “Why are you whispering?”

“Yoo Hoo! Rosalie Anne! Lydia Isabella! You can’t hide from your Aunt Susie!” Rosalie’s aunt yelled, words slurred with her southern drawl, and likely a bit of alcohol.

Stiles’ eyes widened, and he too ducked down. “Forget I asked.”

A slim, bony finger poked Rosalie on her bun-topped head. Aunt Susie shuffled around the chairs to stand in front of the group. With no escape in sight, Rosalie and her friends sighed and straightened themselves up.

“Oh, my,” Aunt Susie chirped, grabbing hold of both Rosalie’s and Lydia’s cheeks. “Look at how much you two have grown!”

Rosalie smiled kindly, as she was taught to do from a young age. She hoped if she obliged in conversation, then Aunt Susie would leave quicker and they could enjoy their night in peace.

Aunt Susie’s smile fell when her eyes swept over Lydia’s boyfriend. “And Steve…nice to see you again.”

Stiles scratched his chin, mumbling, “It’s um…Stiles. Stiles Stilinski.”

But Aunt Susie paid no mind. Her attention was completely on the man that sat to Rosalie’s left. Her eyes scanned him, seemingly sizing him up. Or checking him out. Likely the latter, Rosalie thought, knowing her aunt.

“Well, Rosalie. Who’s this?” she drawled, looking quite like a cat watching its prey.

Derek straightened out and forced a smile. He held out a hand for her to shake. “Derek Hale, ma’am.” Derek’s mother had instilled politeness in her son, even if he didn’t like the person. And Rosalie knew that Derek wasn’t fond of Rosalie’s father’s side of the family.

She took it, shaking too enthusiastically. A sense of recognition washed over her plump face, and her hand stilled. “Derek Hale… little Derek Hale? Why, you’ve grown, too. When was the last time I saw you? Ten years ago?”

Derek smirked, fire in his eyes. Rosalie prepared herself for the inevitable shit talking, already planning damage control. “Actually, it was fourteen years ago. At the second wedding of Jason Martin. When your brother married his mistress and left Rosalie, Levi, and Ms. Hart.”

Stiles snorted noisily, placing a hand over his mouth to cover up his laughter. Lydia cracked a smile, too. Rosalie kicked Derek, hard. Well, as hard as she could with a child still sleeping soundly on her lap.

Aunt Susie’s mouth opened and closed in shock, for once at a loss for words.

Charlotte woke at just the right time, deterring the awkward silence. She stretched and yawned loudly, then sat up in Rosalie’s lap. Her tiara was crooked, and her eye makeup was smudged, but she still looked cute. Rosalie wished she looked that nice after sleeping in her makeup.

“Aunt Susie!” she cried at the sight of her great-aunt, wrapping the woman in a hug. Ah, childhood innocence. Charlie didn’t know what the real world was like, what her extended family was really like, and Rosalie preferred to keep her naivety.

Charlotte easily engaged Aunt Susie in an excitable conversation. Rosalie, eerily conscious of eyes on her, shifted her ring between the fingers of both hands. It was an impulse buy, the vintage sapphire with the white gold band. She’d seen it on display in one of the shop windows and absolutely had to have it, even if it was way more than she’d ever spend on herself.

“Well, I guess I’ll be seeing you on the cruise in a few weeks.” Aunt Susie turned to leave. Her eyes caught something, and she halted, wide-eyed.

“Oh, my stars,” she commented, hands on her heart. “I… I thought after Drew you were a hopeless case, but…”

Rosalie couldn’t comprehend why her aunt was getting choked up. And the ‘hopeless case’ comment stung more than she would have liked.

Sweet, sweet Charlie reached up to dry her great-aunt’s tears. The damage was already done—white tear tracks contrasted starkly with the tangerine of the older woman’s self-tanner. “What’s wrong, Aunt Susie?”

Aunt Susie, so overwhelmed with emotion, didn’t register the little girl’s words. Instead, she grabbed Derek’s hand. It hung limply in hers. Derek looked alarmed. “Oh, Rosalie’s father will be absolutely thrilled to see you… both of his baby girls… first Drew and Ashleigh…”

Aunt Susie shook her head and dabbed at her eyes with the bottom of her red Mickey Mouse t-shirt.

With her resolve back, she straightened. “Well now, please tell me you’re coming on the cruise?”

“I, um…” Derek stuttered, looking to his best friend for help. Rosalie had no idea what was going on either, and just shrugged in response.

“Well, you absolutely must go now! Of course, Lydia and her wild boyfriend are coming--”

Stiles quietly muttered something along the lines of “I may be wild, but at least I’m not one step away from the loony bin, lady.” Rosalie leaned her elbow on the armrest and laughed into her palm.

“--and Rosie, you absolutely have to bring your fiancé,” Aunt Susie pleaded, looking straight at Derek.

Rosalie couldn’t look at him. She froze, stock still, staring in horror at the sapphire ring that had migrated from her right ring finger onto her left. Where an engagement ring would go. And her new piece of jewelry sure as hell looked like an engagement ring.

“YOU’RE GETTING MARRIED?!” Charlotte squealed loudly, clasping her hands in glee.

Rosalie was about to deny it, let the little girl down easy, when Charlotte began to cry.

“Char, why are you crying?” Rosalie asked, voice shaking. She couldn’t look anywhere else but at her niece, heart beating heavily in her chest.

“I’m just… I’m so, so, happy,” Charlotte sniffled. “I love you so much, Uncle Derek.” The little girl climbed over Rosalie and hopped into Derek’s lap, engulfing him in a huge hug. Derek didn’t hug her back, but only for a miniscule moment. He shook his head, coming to his senses, and then wrapped his arms around the girl, patting her back stiffly.

“You didn’t tell her?” Aunt Susie asked Rosalie, accusingly. Rosalie looked to her right for help. Stiles and Lydia were silently sharing a soft pretzel, looking just as stunned as Rosalie.

“No… um, we were going to tell Charlotte during the fireworks. Right, Rosie?” Derek mumbled, saving face. Rosalie thanked him silently for his quick wit.

Rosalie’s head whipped in the opposite direction. She met Derek’s apprehensive eyes. It was almost as if he was asking permission, like he actually agreed to go along with this whole charade.

It was the perfect ruse if Rosalie could ever think of one. A month ago, she’d drunkenly RSVP’d with a plus one to the family reunion cruise, as a way to save her pride and spite her family, who likely thought that she’d come alone and pine for her ex.

No way in hell, she’d thought. Even though there was no one in her life that she could even remotely think of to bring as a date. Derek was out of the question, before…

But now…

She subtly raised a brow, wordlessly asking, are you sure?

Derek subtly nodded back, lip quirking in a reassuring half smile.

Rosalie cleared her throat and straightened herself to her tallest seated height. She wasn’t confident at all, so she was going to fake it till she made it. “That’s right. We were going to wait until the fireworks, make it more magical for Charlotte.”

The speakers on the green lamppost next to them announced that the show was starting. Aunt Susie left them all with a wave and a ‘see you soon’.

No one spoke during the show, except for Charlotte, who was oblivious to the mess that she’d inadvertently got them into.

“So, I guess you’re my fiancée now,” Derek joked, lightly shoving Rosalie in the side. She smiled shyly up at her best friend. Amusement shined in his eyes. He wasn’t mad or appalled like Rosalie suspected him to be. Thank God.

“I, um, I guess I am,” Rosalie replied, swinging her now free arms beside her. Stiles had taken over the task of carrying a sleepy Charlotte to the car. He and Lydia trailed behind them, whispering. Likely about Derek and Rosalie’s… predicament.

“Dude, you two are fucked,” Stiles said, appearing suddenly on Rosalie’s left.

“So fucked,” Lydia affirmed after checking to see if Charlotte was still sleeping.

Rosalie couldn’t help but agree.

#derek hale #derek hale x reader #derek hale x oc #teen wolf #tyler hoechlin

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my-writings-and-musings · 4 years ago

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Same anon thank you for answering my question! I was wondering if you could do headcanons for MTMTE Rung, Megatron, Rodimus, Minimus, and Swerve with an Artisic human reader that just sees the good and creative artist side of everything? From books to pictures to even their own bot? Like they can just look at their bot and go out on a whole rant on how beautiful their optics are from the color to their expression. if that’s too many characters you can take any one, I don’t mind! Thank you and have a good day ❤️

You're welcome! I'm always open for clarification, so feel free to ask questions about whatever you'd like if you're unsure on anything. I took a little liberty with this one, but I've got all the requested bots because darn it all these beautiful mechs deserve recognition!

Rung

·He discovers your artistic inclination thanks to years of experience reading personalities and emotions at a glance, but he wasn't prepared for the depth of your conviction in seeing the world through a creative lens, which he learned upon speaking to you about your process as an artist. This surprise grows as he sees you sketching around the ship, your exuberance for the inherent beauty in everything coming through in every conversation you share.

·When he praises some of your sketches on a quiet day in his office and is compelled to ask how you developed your style, he's fascinated by your explanation, and his spark is warmed by how beautifully you describe the world around you and credit it for inspiring you. He's visibly shocked when your list of current subjects and muses includes him specifically, and you can't help but chuckle at the usually calm bot looking so absolutely flustered. There's no way for him to hide any of that feeling when he requests a bit of clarification; there's hundreds of bots on board, what about him could possibly stand out?

·You're happy to elaborate on your process to a bot who so regularly underestimates his worth and lay out why he in particular piques your interest. The warmth and goodness of his being is such a rare and beautiful thing, you explain, but also so rarely appreciated that it drives you to try and capture that essence in a manner one can see. How could you not? Such compassion and empathy and forgiveness should be remembered! You've also seen that he's capable of accepting any genuine apology, and to have that level of mercy after so much war is beautiful, enough that you have to try and show it.

·To say he's touched is an understatement of unfathomable proportions. Removing his lenses to clear optics blurred with tears, he doesn't even know how to begin processing your praise of his character when you add that his physical self hardly fails to encourage you either. His glasses nearly slip from his hands when he hears you say that. You continue quite easily; the kindness in his optics and the sweetness of his smile, combined with his genuinely handsome profile, simply inspire you to start sketching.

·He's touched, but you have to understand, he is NOT accustomed to this level of praise. Between the near tears and the blushing he has to politely excuse himself to recover from this absolute tsunami of emotions, but being flustered and melted at once is enough to have him smiling through a little blush all day long. While he tries to take a little bit of your mindset into his everyday life going forward, he gets a bit dazed every time he sees a sketch of yours that includes his face, as that level of artistic devotion being dedicated to him is more than he'll ever be able to process. Not that he minds...

Megatron

·Being more familiar with the written word, he enjoys the arts but has little experience with those who create them, and time has not been on his side in regards to learning more. Thus, you're one of the first artistically inclined individuals he's been able to discuss the topic with, which he was motivated to do after catching a glimpse of your work. He could swear some of your sketches bear a resemblance to him, but he says nothing on the matter and is certain his optics are tricking him.

·Your talk of technique quickly surprises him by shifting to inspiration, which to you is the primary driving force of your work, as it influences how you go about conveying the subject matter. Eager to share what you mean, you explain that anything can have beauty worthy of capturing if you just take the time to look at it right. Even the most mundane or seemingly unappealing things can be remarkable if you know their story, and you want to convey that energy as wordlessly as possible.

·A little overwhelmed but quite impressed by your manner of reasoning, he rather jokingly asks if even beings like himself could ever inspire you, or perhaps another artist with your mindset. He's caught off gaurd like never before when you, quite enthusiastically, reply that he most certainly can and does! To keep his composure he recalls portraits of his likeness being commissioned to inspire his soldiers, but never believing these fell under the category of art so much as they did propaganda. They often depicted him quite... violently as well.

·Having never seen these pieces, you reply that your own experience is tied more to how you see him now, and you flip through your sketchbook to demonstrate. As close to your level as can be, he's speechless while you explain what you wanted to capture about him in each sketch, whether it's a quick study or a detailed project; and that's how safe he makes you feel. Hearing himself referred to as a protector cuts straight through his powerful armor.

·You depict him looking almost... gentle? Hearing you describe the his immense size as a source of comfort and his strength as a tool of keeping peace processes about as clearly to him as a foreign language, but he nods along and keeps the conversation going until his duties call him away. Though he says nothing of it, he volunteers himself for more of the physically demanding work around the ship. His body's purpose had always been decided for him, but you've reminded him he has the only true say in its use, and that everything really is a matter of perspective. Perhaps he'll take up sketching once this is all over.

Rodimus

·He's certainly always had an appreciation for visual appeal, even if his idea of beauty doesn't often overlap with what most would consider artistically valuable. This and his natural alertness makes him quick to notice you often sketch about the ship, frequently when he's present, but at first he leaves you alone to work in peace. Having a hobby on this crew is beyond valuable, and he doesn't want to distract you from a passion... That is, until he decides on one especially slow day to just ask you what you like to doodle about.

·You can tell he wants to be a little nosy, if only because he's naturally a curious bot about these things, but you're more than happy to share regardless. There's a lot due to the ample downtime on the quest, and he has to squint so he can properly scan the many sketches on the human sized paper. He happily recognizes friends, locales about the ship, even earth things he knows about... but he's not ready when he finds a picture of himself.

·While he remains outwardly playful, teasing you with how he'd pose if you only asked, he's internally flattered that you took the time to draw him. More specifically, he's touched by the way you drew him. The sketches and portraits portray him as a calm but amicable leader, standing tall and serving as a guide to those around him, a true "father to his men" kind of bot... it's everything he wants to be, but is quite certain he's not. He's barely able to keep up his smooth persona when he asks about your process.

·You explain that you find inspiration in everything, but he's been your chosen subject lately for a lot of reasons. It's no secret he's handsome, but you see something more when you look at him, and you did everything you could to show it here; there's a real leader in him. Maybe some bots don't see it under all the bluster and sarcasm, but you see how much he cares for every bot on his crew. He wants to be the best for all of them, and even if he struggles at times, that effort is beautiful to you.

·It takes everything in him to bite back some very embarrassing tears, and the crack in his voice doesn't help him hide the emotion, though he covers that up with unconvincing coughs and claims something got in his optic. From then on he seems to stand a little taller and find his assigned duties a little easier to bear, but you absolutely notice how he poses in what he believes to be heroic fashion whenever your sketchbook comes out. Inspired by his enthusiasm, you invite him to model more officially, and the crew is just happy to see him so enthusiastic.

Minimus

·Being as observant as he is, your consistent appraisal of your surroundings is not something he'd ever miss, but your frequent sketching in the most random places does leave him absolutely mystified. Every time he sees you there's artistic supplies on your person, but he can't find anything that appears to be worthy of putting to paper, so what could you be drawing? He respects your privacy too much, and feels too silly about his curiosity, to interpret and ask you for an explanation.

·Thus it's with some small eagerness that he finds one of your sketchbooks after it's been misplaced, and he sees the perfect opportunity to slip in a question. For the sake of handling something so tiny, he approaches without his armor, offering the lost item back with barely concealed pride at your delight to have it returned. In the moment of truth he nearly falters, but does indeed manage to ask what you draw around the ship. He leaves out the fact that he's observed you whenever you draw in his presence.

·The question has an answer only he seems to think isn't obvious; him! You spend time together frequently, and while everything is fair game for sketching, he's a very regular subject for you. Whether he's wearing the Magnus armor or not, you explain that the commanding aura he radiates is something you can't help but find beautiful. That word choice baffles him enough that he has to interrupt; beautiful? Commanding? Even without his armor?? You're delighted to assure him that you absolutely mean that.

·Hearing you describe the details of your reasoning, like the quiet dignity of his stance or the calm intelligence of his red optics, touches his spark in ways he wasn't expecting. He's calm and speaks softly as he keeps the conversation going, asking questions about your various works and listening attentively when you answer, processing your view of the universe as being packed with beauty in all the places people don't think to look.

·Any bot that sees him during the remainder of the day absolutely notices the change to his entire demeanor; namely that he's smiling a soft and barely perceptible smile. It's not long after he requests a few sketches from you to keep in his office, whether they're of him or not, and he has them framed in places of honor. He doesn't tell you, but you figure it out, that one particular drawing of him you gift for his sake is kept securely stored in a compartment by his spark.

Swerve

·Many bots may see him being a tad bit on the shallow side when it comes to the arts, but our beloved barkeep has his own unique appreciation for creativity and all the ways it can be visually expressed, and you recognize it not long after meeting him. As his bar is a frequent hangout for everyone, you find it to be a fantastic place to sit and sketch, as the variety of bots makes it quite easy to have your choice of subjects even if you have to sit on a table. Obviously Swerve notices and asks you what you're drawing when traffic slows one evening.

·You're happy to show him your work and he's always eager to hear what everyone is up to, so he starts asking questions about your art in general. How long have you been an artist? What's it like suddenly having a whole ship of aliens to sketch? Why draw here all the time? At that query you light up brilliantly, and he's delighted by your enthusiasm as you describe all the incredible sights the bar has to offer.

·You list some of your favorite things to draw, like the many friend groups on the ship that gather here, the brilliant colors of the glowing vats of enjex, and him smiling and rushing with orders through it all. That last one gets a flash of surprise from behind his visor, which is quickly overtaken by exuberant delight; you've been drawing him?! He babbles out a surge of confusing statements that you're eventually able to interpret as a request to see, just one he's too bashful to say directly.

·Happily obliging, you're touched by how he smiles at every little sketch, and feel compelled to explain that he's a big part of why you love drawing here. You try to see beauty in everything, even what often gets overlooked, and there's so very much of that here. The bar is one of those places that everyone knows is special, but you know he's the reason they love it like they do, and that his enthusiasm and hard work hold it all together. You find that inspiring, and actually quite beautiful. It doesn't hurt that his brilliant smile is always a treat to sketch.

·Trying to play it cool and totally failing, he doesn't quite hide that he's near to tears when he asks if you'd like to hang some of your work up in the bar, or maybe have a little corner for yourself to draw from. He just doesn't want you getting squished while you sketch, is all! And having a better vantage point is ideal for someone so small! When you accept, he gives you your own human sized accommodations not too far from the heart of the bar, and every so often when you sketch he'll glance up at you absolutely beaming.

#transformers #more than meets the eye #mtmte #idw #lost light #maccadam #tf #rung #megatron #minimus ambus #rodimus #swerve #self insert #human reader #requests #anon #my writing #transformers headcanon #my asks

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rallamajoop · 4 years ago

Text

The Witcher: The Games vs The Books

Coming to the fandom this late, I can only assume the relationship between the Witcher games and the original novels has been long since talked to death by others. But I'm far too fascinated by the whole glorious mess that is this canon not to want to get down some of my own thoughts about how it all fits together.

See, on the one hand, the games (Witcher 3 especially) are arguably only too dependent on the novels to stand alone. They do a wonderful job of picking up a number of unresolved plot points the books left hanging, and a woeful job of explaining so much a player coming in cold would really like to know – Ciri's history with Geralt, Yennefer, her powers and the Wild Hunt itself just to begin with. This is an issue that only increases as the games go along: cliche as Geralt's amnesia may be, it's used to good effect to introduce the world to the player in the first game. By the third, Geralt has all his old memories back and two extra games worth of new experience, and good lord is it all alienating to the newcomer.

On the other hand, so much about the games (again, the third especially) contradicts the novels in painfully irreconcilable ways. That wouldn't necessarily bother me – adaptations are allowed to rework and reinvent, stories can and should evolve in the retelling – except, well, see point one above. So you're bound to come out of the games with a lot of unanswered questions if you haven't read the books, and just as many if you have.

Spoilers to follow, of course, for both the books and the games.

Here's one of the big ones: just how did the world – Ciri included – discover that one of her long-presumed-dead parents was actually alive and well and now ruling the entire empire of Nilfgaard? Fucked if I know. Neither the games or the novels have any explanation. In the novels, in fact, the world at large believes Ciri is married to the emperor of Nilfgaard. Naturally, this 'Cirilla' is a fake, but the scandal were the full truth ever revealed would redefine Emhyr's reign. Yet somehow, in the games, everyone seems to know he's Ciri's father, and that whole awkward incest angle is never mentioned. Continuity has been tweaked pretty significantly, and it's left to the player to guess how. If that wasn’t bad enough, the games apparently still included a Gwent card of the fake!Cirilla (artwork above) just to ensure maximum confusion.

Before I get too sidetracked with all that stuff that doesn’t add up though, there really is a lot to be said for what does work about how the games expand on the plot of the novels. The Wild Hunt itself is the big one. The spectral cavalcade appears several times through the novels and hunts Ciri across multiple worlds in the final book before apparently losing her trail and vanishing to make way for the 'real' big bad, never to be mentioned again. While TW3 left me pretty underwhelmed by the revelation that the spectral Wild Hunt were just a bunch of dark elves in skull armor, the books had introduced the Hunt and let us spend some time on the dark elves' world before we get the reveal that the two may be one and the same. So for all the ranting I could do about missed opportunities regarding the Wild Hunt, they're the natural candidate for the games to pick up on as their new big-bads.

To my surprise, Geralt and Yennefer's "deaths" and subsequent recovery in pseudo-Avalon also comes straight from the novels. That everyone thinks Geralt dead at the start of the first game isn't, as I'd first assumed, a convenient excuse to have him reappear with amnesia, but simply how the novels end. Why Ciri leaves them and goes world-hopping isn't clear, but "because the Wild Hunt was after her again" is as good a theory as any. So, another point to the games there.

And there's so much more. The Catriona plague has only just appeared at the end of the novels, but we know it's posed for a major outbreak – one that’s in progress by the time of the games. The second game in particular does a terrific job of taking the ambitions of the expansionist Nilfgaardian Empire and the still-relatively-new Lodge of Sorceresses and building an entirely new conflict around them – even taking two of the least developed members of the Lodge (Sabrina Glevissig and Síle de Tansarville) and expanding them into major players. Dijkstra similarly ends the novels on the run from those in power, and having already taken the same assumed name 'Sigi Reuven' he's using in the games – while the books assure us that prince Radovid will grow up to pay back his father's assassins (ie. Phillipa) and become Radovid the Stern.

The twisted fairy tale origins of the novels are something the games actually seem to have gotten better at as they went on: the 'trail of treats' to the Crones is the great example, the monster-frog-prince and the land-of-a-thousand-fables of the expansions are two more, and many more are hidden in sidequests. And I'd be remiss not to mention that in again asking Geralt to pick a side in the conflict with the Scoia'tael, the first two games not only recreate a scenario Geralt repeatedly deals with in the books, but a major theme. It's interesting too how much the broad structure of the third game feels like an homage to the books, with Geralt searching for Ciri, interspersed with sections from her POV. You can nitpick the detail of any of these examples, but the intent is unmistakable, and a lot of credit is due for it in the execution too.

Some of the detail that's gone into translating the world of the Witcher books into the games is just insane – not just in the geography and history of the place, but right down to the names of the wine you can pick up. There's the fact the Cat potion makes Geralt see in black-and-white, or the fact the basilisk and cockatrice monsters are clearly based on the same model, but the basilisk is reptilian where as the cockatrice is more avian – which is exactly how Geralt describes the difference between them in The Lady of the Lake. There's a point where Book!Regis recounts a detailed list of all the lesser vampiric species, ending with the only two violent enough to tear apart their victims: almost all can be encountered in the games, and the last two (Fleders and Ekimma) are indeed the most animalistic. This kind of thing is everywhere.

My favourite examples tend to be those that blend into the background if you haven't read the books, but will get a grin from those who have, such as a peasant in Velen who will call out to Geralt (paraphrased from memory, alas) "Sir, sir! We be up to our ears in mamunes, imps, kobolds, hags, flying drakes... oh, and bats!" – which is a lovely little reference to a couple of conversations from Edge of the World wherein Geralt explains that most of the monsters the locals want him to take care of don't actually exist. Or all those soldiers chanting "Long live King Radovid!" – natural enough, but it takes on a whole new life if you've read the passage in Lady of the Lake where the young prince Radovid grumbles internally about having to sit and listen to the city chanting 'long live...' to every other notable figure present except him.

Really, it would be faster to list the things the games introduced that don't come from the original source material in any obvious form, because it's a struggle to come up with very many. The villainous Crones of Crookback Bog and Master Mirror of the Hearts of Stone expansion are the biggest ones that come to mind, along with a great deal of the vampire mythology from Blood and Wine. To the witchers themselves, they’ve added mostly game mechanics: the use of bombs and blade oils, the names of most of the potions, and three new witcher schools (all with their own specialised gear). There are a number of new creatures and monsters – Godlings, noon-and-night-wraiths, botchlings, shaelmaars and so on – and though trolls are mentioned in the books, the games take credit for giving them so much character. Obviously, there are new characters, like Thaller and Roche – but not technically Iorveth, because a Scoia'tael commander of that name is mentioned in the books, if only in passing. And already, short of just listing off every new character the games introduced, I’m running out of ideas. Credit where credit’s due on that front: most of the new characters and locations they’ve created feel authentic enough that Kalkstein or Thaller would be right at home in the novels’ world.

But for all their dedication to the detail, it's hard to feel like the games have really managed to capture the spirit of the books in their storytelling: the mundanely corrupt bureaucracy that does so much to bring the world to life, or their cheerfully cynical sense of humour, or the flamboyant wonder that is book!Dandelion, or their enthusiasm for putting women in positions of power, or the bigger themes about the differences between the story that gets sung by the bards and what really happened – or so much else from the novels that came as such a surprise to me when I started getting really sucked in.

And if we’re going to talk about all the little things they got right, it’s only fair to point out there are just as many little things they got wrong, and sometimes pretty glaringly at that. "I thought you bowed to no-one" says Emhyr to Geralt – almost as if book!Geralt doesn’t happily bow in most every situation where it would be polite or diplomatic to do so. "This would never have happened if the council was still around!" says Geralt upon finding a sorcerer's lab full of human experiments – as if none of his experiences with Vilgefortz or the wizards of Rissberg ever happened, back when the council was very much still around. In TW2, he mocks the idea of a woman like Saskia leading a rebellion – almost as if women like Falka and Aelirenn haven't led some of the most storied rebellions in history (and we can't even blame the amnesia, because Geralt himself mentions Aelirenn later – oh yeah, this one annoyed me particularly).

Book!verse 'Lady of the Lake' is basically just Ciri being surprised while bathing

Yennefer's studious aethiesm and willingness to desecrate Freya's temple is entirely in character – but only if we forget that she had her own personal religious experience with the goddess Freya herself in Tower of the Swallow. And then there’s the fact the Lady of the Lake is now a literal lake nymph who distributes swords to the worthy, as if no-one writing for the games ever got past the title of that particular Witcher novel (let alone got the joke). And the list goes on. It's easy to get overly caught up in contradictions like this – it's hardly as if Sapkowski's novels don't contradict themselves in places, as almost any long-running series eventually will – but it's going to stick out to those who’ve read the novels nonetheless.

While we're talking about how the games pick up where the books left off though, the big contradiction that has to be touched on comes in bringing Geralt back at all, at least in any public capacity. There's plenty to suggest that Geralt survives the novels' end and even goes on to have further adventures, but it's also pretty explicit that the history books record his death in the Pogrom of Rivia as final. The last two novels by order of publication (Season of Storms and Lady of the Lake) go so far as to feature characters far in the future with an interest in Geralt's legacy, and they discuss the matter in some depth. As far as the world knows, Geralt is dead.

Book!Geralt fanart by Diana Novich

But it's hard to blame the games for ignoring this – true, thanks to Geralt's longevity, they could have set their conflict many more years after those future scenes – maybe even used Ciri's established time-travel powers to let you pop quietly in and out of the past (and, okay, now I've thought through all that, I'm kind of sad they didn't). But there comes a point where that kind of slavish devotion to preserving the source material really doesn't do a story any favours, and I'm not sure I could name any other successful adaptation that's bothered.

Besides bringing Geralt back at all, most of the bigger changes pertain to Ciri. In fact, as much as I'm about to get deep into the nitpicks below, you can make a surprisingly good case that the games have made only one really big change, and that's in simplifying the prophesies surrounding her. See, in the novels, all those world-saving prophesies aren't technically about Ciri, they're about her as-yet-unborn child. Who gets to impregnate her is the big driving force behind most of the villains of the books – one that all the main contenders seem to see as more of an awkward necessity rather than the inspiration for violent lust, but even so. To Emhyr, having to marry his own daughter is a bug, not a feature – but he's willing to do it to become the father of the savior of the world. But if Ciri is capable of fulfilling those prophesies herself, then Emhyr is already the father of the savoir of the world, and the revisions to his relationship with Ciri start to make a lot more sense.

Ciri's history with the Aen Elle elves seems to have been similarly revised – if not quite so cleanly. Avallac’h and Eredin are, naturally, both book characters – in fact, a lot of personality has been left behind in the books, since Avallac’h originally had a rather camp flair, and Eredin is less the power-hungry kingslayer you might imagine. When Geralt meets Avallac’h in the books – which happens briefly in Toussaint, for one of those "everything you're doing is going to make everything worse because prophesy" conversations – he's busy decorating a cave with fake prehistoric paintings in the hope of confusing future explorers. (Surprisingly, there does seem to be official art of this moment on one of the gwent cards – see above – though the Avallac’h who jokes about adding erect phalluses to the picture and admits his vanity won’t allow him to resist signing it hasn’t entirely survived the transition to the new medium).

We also meet the former Alder King, Auberon, whose death we see in flashback in the game. (Fun fact: Auberon is actually blowing bubbles through a straw in a bowl of soapy water when we first meet him in the books, hence the straw in the illustration below. The books just have more whimsy than any of the games would know what to do with.)

Ciri spends some time in the final book as a prisoner on the world of the elves, who are as keen as everyone else for their king to father her unborn child. Avallac’h eventually convinces her that this is all for the greater good: her child will be able to open gates to allow the people of her world to escape when the apocalyptic White Frost arrives. But their king, like most older elves, is impotent, leading to multiple nights where Ciri allows him to take her to bed (in some of the frankly more disturbing scenes of the series) to no result. Eredin, moreover, doesn't appear to have intended to poison the king: the vial that kills him was supposed to contain some sort of fantasy viagra, and even Eredin seems genuinely shocked to learn its actual effects.

Regardless, Ciri eventually discovers that Avallac’h and the Aen Elle have deceived her, and intend to user her child's powers to invade her world, not save it. Neither world is threatened by the White Frost for at least several millennia, it's just a pretext to make her cooperate. And so she flees, and Eredin (already leading his Red Riders aka The Wild Hunt long before he was crowned king) pursues her.

With the books as context, why Ciri would ever trust Avallac’h is very hard to understand. It's a little easier if that whole awful episode with her and the former king is subtracted out – Ciri's child is no longer necessary for Eredin's goals. So it's odd that the game still references the deadly vial Eredin gave to the king. Are we to suppose the vial genuinely contained poison in this version of continuity? I'd rather it didn't – Avallach's ruse is far more interesting if he underwhelms Eredin's support by revealing a half-truth – but the games aren't telling us.

And then we have to factor in that one last detail I'd forgotten when I originally started playing with this theory: TW3 does contain one last, dangling reference to the time the old king spent trying to impregnate Ciri, when Ge'els very reasonably asks why on earth Ciri would ever trust Avallac’h now. It's a damn good question, and the game offers no real answers. So in Avallac’h, we're left with a character who is vital to the final chapters of the games, who comes out of nowhere without the books as context, but whose role makes no sense with that backstory in mind. Frankly, the writers would have been much better off avoiding the whole mess altogether and inventing some new character to take Avallac’h's place.

The treatment of the White Frost is even more confusing. The books are ultimately fairly explicit about just what the White Frost is: a ice age, most likely caused by the same mundane climactic factors that produced the real ice ages of our history. The only escape is intergalactic emigration, as Ciri (or her children) might some day enable.

In the games, the White Frost has instead become some sort of nebulous, free-floating apocalypse which will eventually reach all worlds, which is basically fine – up to a point. We briefly visit a dead world that the Frost has decimated, and even the Aen Elle are now supposedly planning to invade Ciri's world because it threatens theirs as well (I mean, apparently – their motivations are so underdeveloped you could miss them by accidently skipping just one or two lines of dialogue). When the Wild Hunt appears, it's always in a haze of cold. Their mages can invoke its power still more dramatically through portals which can freeze you in your tracks. So obviously, the Frost has already reached their world, and time is running out, right?

Well, no – you visit their world too (again, briefly – to meet a character who has never been mentioned before and won't be again, for reasons which have also never been mentioned before if you haven't read the books) – and there's no Frost in sight, apocalyptic or otherwise.

So why does the White Frost follow the Hunt around? No idea. It's never explained.

At the very end of the game, a second "Conjunction of the Spheres" occurs (possibly because of the Wild Hunt's appearance?), and the Frost begins to invade (or possibly Avallac’h summons it, so Ciri can go into it and destroy it?) It's all painfully unclear. The game is too busy pulling a bait-and-switch over whether Avallac’h's betrayed you to tell you what's actually going on instead.

But if Ciri could destroy the Frost completely (at great personal risk, but still) why is this not more clearly set up? Why did the Aen Elle think that escaping to another world (which will ALSO eventually be destroyed by the Frost) was a better solution than sending Ciri to face the Frost directly? For which matter, why do the Aen Elle need Ciri at all if sending enough ships to carry an army is no problem? Why does Ciri spend so much of the game questioning Avallac’h's true intentions, if they were ultimately so noble? When did he tell her the truth? If Avallac’h did summon the Frost, why did he pick that particular moment? And if he didn't, and it all just happened spontaneously, we're back to questioning why invading that world ever seemed like a good solution to Eredin – it all collapses in on itself.

None of these questions couldn't have been answered with a little creativity, but then the game would've had to dedicate some real time to explaining its backstory and developing its core conflict – something it's bizarrely reluctant to do. And if you think I may be drifting from the point a bit in the name of getting all my gripes about the ending down in one place, you're not wrong, but I feel Avallac’h and everything surrounding him is pretty much the ur-example of what doesn't work about the way The Witcher 3 depends on the novels: the backstory the writers are building on doesn't actually exist in any format available to the rest of us.

There are plenty of ways TW3 could have incorporated its backstory into its own narrative (yes, even excluding the method "by expecting people to read many many more pages of text from in-game documents", because that's bullshit and always will be). There are times it does this brilliantly, such as in the quest ‘The Last Wish’: everything you really need to know is covered in Yennefer and Geralt's conversation in the boat, and without ever making the dialogue sound unnatural. In fact, TW3 has even more options here than many works with the same problem, because Geralt is famous and people already think they know his story. You could have bards singing Dandelion's ballads, you could have characters confronting him with misunderstandings about his past to force him to correct them. You could also have Geralt visiting people and places he knows Ciri remembers fondly because of the time they spent there together, or include playable flashbacks similar to the time you spend playing as Ciri. You could stick chunks of backstory in optional sidequests or scenes old-school fans can skip through quickly. So many of my questions (how did Ciri get so close to Yennefer if they were never at Kaer Morhen together? Why has no-one tried training Ciri in her powers before? What does the Wild Hunt even do while it's not hunting Ciri? Why is Ciri princess of Cintra if her father is Emperor of another country altogether?) could have been answered so easily.

Seriously, summarising the Witcher books is not that hard. Lots of things happen, but only a fraction of it is really relevant in retrospect, and you could hit all the major plot beats in a handful of paragraphs. (Heck, I’d do it here if this post wasn’t already ridiculously over long.)

But then, TW3 has a bizarre problem with leaving so much of its best material off screen, even from its own story. It's criminal that we never get to see any of Geralt's time (or Yennefer's) with the Wild Hunt, even in flashback or dream sequence. This is material that directly sets up the relationship between the main hero and the main villain, and the most we ever hear about it is a few vague allusions to it being like a strange nightmare. Really? That's it? What was it like? Was Geralt in a trance, unable to control his own actions – was he brainwashed into believing he belonged there, or was he merely unable to escape? What atrocities might Eredin have forced him to commit? Did he visit other worlds? Was he paraded among the Aen Elle as a captive? There is no way this isn’t a part of the story worth talking about!

We never see the moment Ciri rescues Geralt from the Wild Hunt. We never see how Avallac’h convinces her to trust him, we never see the moment he was cursed, or any of her efforts to save him – all these big, story-defining moments are left off-screen, to be vaguely recounted to you later in dialogue. Then there's the entire political situation in Nilfgaard – you hear about it second-hand, and it's all resolved off screen. And the list goes on. Yet you and Ciri still have time to run around Novigrad so she can thank a bunch of throwaway characters you've never even heard of before, nor will again. The priorities on display here are baffling.

The Witcher 3 was such a wildly successful game that it’s obvious these sorts of issues didn’t seriously hold it back, and it’s such a big game that I could have sat down and written just as many words focusing only on the parts that do work without much difficulty. It boasts stunning visuals, addictive gameplay and some truly wonderful characters, and so many parts of the story work brilliantly in isolation that it’s strange to come out of it feeling that it ultimately adds up to so much less than the sum of its parts.

I’m glad TW3 exists – if it hadn’t been such a runaway success I doubt I’d ever have discovered Sapkowski’s universe at all, but for myself, TW3 will probably always be remembered as a somewhat-overlong introduction to the really good stuff, in the expansions and the original novels it came from. I looked up the novels after finishing TW3 in large part because I’d been left with so many unanswered questions – and I’m glad I did, but I’m honestly surprised more people weren’t turned off by TW3′s scattershot approach to its own narrative. You’re allowed to change and rework in moving to a new medium, but I can’t imagine it would’ve hurt games’ success to tell a complete story in the process.

#The Witcher #Witcher Novels #The Wild Hunt #Geralt #Ciri #Emyhr #Avallac'h #Eredin #meta #long post is long

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boop-le-snoot · 4 years ago

Text

PARTY FAVOURS | CHAPTER 1

Rating: Explicit. 18+

‼️TW: Reader is EIGHTEEN! Recreational drug use, smoking and alcohol consumption, deeply internalised self-loathing, very questionable moral standards. Daddy kink taken half-seriously. BDSM themes in later chapters - explicit content will come with it's own TWs. FIRST PERSON POV.

Summary: You're Peter's classmate, a child of rich and famous but uncaring parents. Getting paired up for a lengthy project with the boy was an interesting turn of events and you don't know whether to feel blessed or cursed when you develop, seemingly, a perfectly normal, harmless crush on Tony Stark. Fueled by feelings of inadequacy and boredom, your life spirals out of control - and you're lucky your newfound friends are there to pick up the pieces even if you cannot find it in yourself to believe these amazing human (and not so human) beings voluntarily give you more than a fleeting glance and an offhanded thought. And they brought cake!

A/N: Bad girls are sad girls! Always wondered what goes through the mind of a spoiled, rich but intelligent and perceptive teenager? Have you found yourself craving that adrenaline rush, the danger of a forbidden fruit? Okay. That was cheesy as hell. Gross.

Let's try again. Sarcasm? Check. Vine references? Hell yes! Crude humour? Check. Blunt honesty? Double check. We're living in a Lana del Rey song, ladies.

The author doesn't actually condone codependent relationships in real life. This is a filthy little fantasy. Enjoy, deviants.

THE TAG LIST IS NOW OPEN! @another-stark-sub @mostly-marvel-musings

Beta read by the lovely and patient @miscmarvelwritings ! She deserves all the love 💙

Pining. I was pining after Stark and it made me upset. I thought I was better than that. Better than acting the part of a lovesick puppy, begging for scraps of attention- a kind word, a pat on the shoulder, a blanket thrown over me in my sleep. Even if he was my Mount Olympus, I wasn't exactly on board with starting the whole damn journey in the first place.

Most of all, I hated being a cliché. I tried my best to avoid showing how I felt and with time, I think I excelled at it. I am really good with things if I really put my mind to it. Was it a blessing, or was it a curse? Only the future will tell. I try not to think about it, as I prefer not to stress out too much. Peter was the anxious kid and I was the calm one. I was the Ying to his Yang. He flipped his shit often and I always calmed him down and cleaned up after him. No complaints there, Pete is pure and precious and I would kill everybody and then myself if he actually got hurt.

I'm only a year older than him and that year feels like an uncrossable bridge to me. We get along like a house on fire and I delight in the way he starts smiling when we're paired together for a project. Deep inside I'm sure he thinks of me as one of his best friends, his homies but-and there's always a but-I can't reciprocitate that. He goes to decathlon after school with his wholesome BFF duo, I go to a local dive bar with a fake ID I'd made sometime when I was about 15.

Peter has everything I wish I've ever had. Good for him. I'm not going to mess that up, no matter how much my angst demands I throw a tantrum and become, like, a supervillain or something.

I banter, instead. I chit-chat. I laugh and I repeatedly make a joke out of myself. Nobody suspects a thing, and I'm not surprised. People always see what they want to see. I've been the weird loner since middle school. Not the sad kind, of course, my pride wouldn't let me. I'm too good at things to be completely ignored. Teachers adore me, the event planning committee approaches me every year with tentative pleas for advice. The list goes on and on; what they don't understand is that it's just High School. Another year and I'll be out of there and nobody will be wiser.

I feel like a liar every time I'm excited. Because I'm not that - I don't care about their stupid field trips or collaborative projects. My mind is five steps and two hops ahead of that bullshit. It has to be or I just won't make it in the world.

"Parker-pen, Mr. Stark. G'day, sirs," I nodded, entering the lab, looking straight ahead. They both were hunched over... Something vaguely mechanical and I was terribly, horribly hungover. Saturday night was Science night but I'd gone to bed around 2PM after a party ran way too late.

"Hi," and "Powerpuff girl," came from them respectively, and they didn't even lift their heads.

I wondered if I could just skedaddle and leave them to their big brain time. "Is this a bad time? I can come tomorrow instead," I immediately regretted speaking, even to my own ears my voice sounds scratchy.

"No, actually, Dr. Ban-Bruce-wanted to talk to you," Peter mumbled out half-coherently. Tony kept ignoring me and I was fine with that. The less temptation I have the less trouble there will be.

"I'm not playing with his zucchini again," I groaned, causing the intricate pile of metal to squeak sadly as Pete tripped over his own damn body, jostling the prototype in the process. I could have sworn the room got several degrees hotter from the boy's blush alone.

Tony cackled, shuffling away from the newly ruined prototype. "He won the damn contest, you should've seen the judges faces," The engineer's grin threatened to split his face in half. I poked at my phone in muted interest. "Hold up, Friday has a recording. I definitely recorded the thing."

A holo-screen popped up. Tranquil scenes of a local fair, gourds and other assorted vegetables of various grotesque sizes were scattered throughout the square. An unmistakable mop of curly greying hair posed proudly next to a zucchini half the size of Hulk - I was fairly certain genetically engineering the plant was cheating and warned him so but somehow Banner managed to persuade the judges into letting him participate, and ultimately win, the competition for the Biggest Zucchini. Some of them were quite shocked at the size of that thing and well - well, their glances were quite contemplative to say the least.

"Damn, Tony, that blonde chick's face tells me all I need to know," I gave a lopsided smirk in the engineer's general direction. That was our thing, you see? He called me these ridiculous cutesy nicknames and asked me about getting my nails done or going to the mall and I'd make salacious comments and go on an occasional flirtatious spree. That was comfortable. We both enjoyed making Peter blush and giggle like the little schoolboy that he was.

"Our Brucie bear is a freak, don't let him tell you any different, Princess," Tony winked at me.

"Oh, I know all about it, Tones," I suggestively wiggled my eyebrows. Out of the corner of my eye, I saw Peter groan and palm his face. I briefly bumped my knuckles to Tony's outstretched hand and made my way to the adjacent lab that hosted the second resident crazy scientist.

"Bruce?"

"Oh, hi there, come on in," He smiled warmly at me and I relaxed, shrugging off the tension in my limbs that seemed to appear every time Tony was around me. Banner's soft, friendly nature always made me feel welcomed and appreciated.

We made small talk as I threw on a lab coat and some protective glasses and discarded my bag in the far corner, away from any possible explosions. I congratulated him on his recent victory - here is when I say that despite what most will say, Banner has a serious competitive mean streak and isn't afraid to get down and dirty when it comes to matters of his personal pride.

That's what makes us alike, I think. I have too much dignity and self-respect to walk around Tony with stars in my eyes and hang around his neck like yesterday's tie.

The quiet, even pace of doing lab work made me completely lose track of time. Some time passed as I felt the crick in my neck become noticeable, and the deep ache in my calves from standing and dancing yesterday worsened. I hopped onto the nearest table, hunched over a tablet, eyes skimming over research articles - most of it didn't register at all in the wake of a dull throb behind my temples. My hair limply hung over my face - I had to wash it to get rid of the stench-hard liquor and cigarettes - but I was way too lazy to style it properly.

I ignored the swaying strands until a large palm gently tucked them behind my ear, a white lab coat coming into my field of view. "You okay?" Banner's quiet voice interrupted my reading. I lifted eyes enough to see he was wearing a dorky button-up in some gross shade of blue under the lab coat. His eyes were affectionate behind thinly rimmed glasses.

"Rough Friday night?" He questioned.

I chuckled. "Yeah, I'm hungover as fuck." There was no point in hiding the obvious; I'm sure the bags under my eyes already had tattled on me.

He chuckled, too, leaning his hip against the table, one broad arm coming to wrap around me in a hug. Usually he wasn't so touchy-feely; but I wasn't complaining. Banner was really, really warm. "I'll spare you the lecture on underage drinking," He said with another chuckle.

"Yeah, it's pretty pointless. You'd be three years too late."

A deep sigh left him, both of his arms wrapping around me in a comfortable embrace. I rested my chin on his shoulder, trying my best to really avoid showing how touch-starved I was. I was a hundred percent sure they all figured out my family life was difficult; the last thing I needed was their pity.

"Y'know, we should sit down and talk someday," He said after a brief moment of hesitation. "About your future. College, maybe?"

I gave a non-committal hum, basking in the warmth of the hug, staring straight ahead with unseeing eyes - behind the glass divide, I could faintly distinguish Tony's and Peter's shapes, still bent over that bench the pile of metal.

"You have a lot of potential," Banner continued, his tone developing a gently admonishing hint. "I understand if you want to take some time off from your studies but I'd rather you succeed and not let all that potential go to waste," He finished, patting me on the back with a gentle hand.

I tried not to preen under his touch. "Are you attempting to guilt-trip me over a party, doctor Banner?" I teased him, expecting the smile that I felt being hidden by my hair. Sometimes I felt that I could read the man like an open book, he was so earnest about his interactions.

"I just - we want you to stay safe, okay? Don't blow your future for a little bit of fun," He shrugged carefully.

"Okay, Bruce," I simply replied, meaning it this time

He kept hugging me, running his hand over my back absentmindedly. Probably thinking about his recent science bender. I wasn't upset: my own brain tended to get tangled in personal projects, too. I had only one complaint and it was that the cuddle was making me sleepy.

I yawned, startling the man. Pulling away from the hug wasn't really an option. He was broad and quite strong, probably courtesy of the Hulk and radiation in his blood.

"Why don't we put you in a guest room for tonight?" He inquired and I nodded. "Call your parents for me, okay?"

"My mother is in Vancouver for the week and I doubt she would care anyway," I rolled my eyes. "She's in the middle of some shitstorm with OsCorp and their marketing department." If anything, I was grateful my mother was preoccupied with her job. Being around her was like hanging out on top of an iceberg in the far end of the ocean.

I felt Bruce's frown. His body tensed briefly, blink and you'll miss the hunch of his shoulders. "What about your dad?"

I cringed. "He's been in Ibiza since the season opened, no doubt snorting miles of coke and... " I hesitated. "You can guess the rest."

My dad was kind of a dick, but I don't blame him at all for being the way he is. My parents have been married for twenty years. They were happy, once - I saw their college pictures with my mother's bright smiles and bushy hair, and my dad's terrible fashion sense and their dog, a funny little runt with an atrocious name. Then mother had me and for a while, they were happy too, but it lasted about until she landed her first prospective job. Kind of cliché.

Bruce sighed again. "Okay. You hungry?"

"No, I'm not going near food until tomorrow. Nu-uh," I fake-retched next to his ear, making Bruce shiver and playfully pinch my side.

"It'll help with your hangover. Doctor's advice."

"You're not even that kind of doctor," I laughed, very gently poking him back, somewhere around his stomach. He squirmed.

"I have seven PhDs," Bruce smiled as he rested his chin on top of my head as he adjusted his torso to prevent my fingers from reaching his ticklish spots. I poked him again in retaliation, fully enjoying the snort and squirm I caused. Soft™. "Let's go get you settled in," Bruce, seemingly without any difficulty, picked me up, propping me against his hip like a toddler. It probably looked awkward but what the hell, I haven't been carried around since I can remember myself. My legs wrapped around his hips for balance, butt resting on his forearm.

"You're a showoff," I couldn't help but snort, getting a lopsided smirk in return.

He made his way over to the elevator with me dangling and examining my nails in an expectant fashion. Tony's jokes aside, I really enjoyed getting them done and weird colors were a quest of entertainment for me. I obviously couldn't have them very long because I worked in a lab so I chose outrageous prints and decorations instead. This week, each of my nails had a different style - thankfully my aesthetician was professional enough to make it look somewhat put together even if it took a good chunk of my allowance and an hour long Uber ride to get to her salon.

I noticed the dimmed lights in Tony's lab and none of Peter's usual mess scattered on the tables, figuring he'd already left. Stark himself stood propped against a table, watching something, smoothie in hand.

For only a brief moment, I let my eyes rake over his body, his beautiful, sculpted physique hugged by a pair of fitted jeans and an old Led Zeppelin tee. Tony's handsomeness wasn't obvious, it wasn't in-your-face kind of appearance like Captain America's, but the engineer was built sturdy and his arms - the only bare part of him - were riddled with scars. He used his strong, bulky body for work.

I turned away before I got too ahead of myself. Bruce smelled like lab equipment and rubbing alcohol, something that made me sober up and snap out of my daydream before Stark took notice and started teasing me about ogling him. My once-over lasted barely three seconds yet with Tony's genius, I always had to be on my toes.

I saw movement in my peripheral. Banner waved before entering the elevator - at Tony, probably, so I looked back, seeing the man watching us, content replaced with a contemplating frown. I waved at him, resting my cheek on Bruce's shoulder. "Tony's having a big mood," I noted quietly in the scientist's ear.

"You know Tony," Bruce sighed, adjusting his hold on me as the car ascended to the housing floors. "His brain runs a mile a minute and he can't make sense of it for the biggest part. Give him some time and he'll be back to his annoying self."

I didn't see Tony as annoying in any way, but then again, I was severely biased. The billionaire was quirky venturing into absurd but also clever and brilliant.

We had reached our destination and Bruce carefully set me down on my feet once the door to my room was open. A large queen bed, TV and another door to an adjacent bathroom. It was really simple but luxurious nonetheless - I had the exact same carpet at home, having heard my mother bitch about it's cost after seeing me spill soda on it way too many times.

"I'll let you get settled in. Ask Friday if you need something," Bruce awkwardly shuffled his feet, taking off his glasses and briefly examining them before putting them back on again. "Breakfast here is on the 74th floor starting around 7AM, someone will probably get you around nine if you sleep in," He finished, giving a shy tilt of his lips.

"Thanks, Brucie-bear," The nickname easily slipped from my lips. I didn't resist the urge to hug the kind scientist, quickly wrapping my arms around his middle, delightfully sighing when he immediately returned the gesture.

"Good night, Princess," I had to suppress a happy squeak when the man kissed my forehead before retreating and closing the door behind himself. A quick shower and a quest to find a power outlet to plug my charger into preceded my less than graceful flop into the bed. It felt like sleeping on a cloud, honestly, it had nothing on my mother's orthopaedic memory foam mattresses. I passed out faster than I’d ever had.

#Bun writes #party favours #Tony Stark x y/n #Tony Stark x reader #Bruce Banner x reader #Bruce Banner x y/n #Stephen Strange x reader #Stephen Strange x y/n #We're going to Hell y'all

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