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hadtochangemyurlquick · 1 year ago
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clexa au where clarke has a twin.
avery and her were able to regularly switch places because they were identical and Avery took much more after Jake so was very techy. after clarke got arrested, however, she was forced to live under the floors. Post season 1, so avery came down with everyone else and pretends to be clarke while clarke's stuck in the mountain.
Avery as Clarke's reminder of who she once was, avery learning about the actions of her mother, avery grieving wells's death, avery falling in love with earth during a war, avery plunged into a war bc overnight her nerdy loser sister suddenly because a general? an amazon? a warrior woman? Clarke looking at avery and seeing youth, idealism, feeling older than the girl who was always literally in parallel with her entire life, trying to preserve her sister's image of her and incapable of doing so, people dying so quickly, people dying even faster, clarke the reason for it, my sister my responsibility
and don't even get me started on lexa, lexa who loves clarke the moment she sees her, lexa who has had to force her tender heart into a metal vault because the second someone touches it again it shatters. lexa meeting clarke who's idealistic and kind but knows what war is and lexa meeting Avery who is just, a child. an eighteen year old that has never left her mother's arms for any real length of time, never grappeled with the value of a human life. and avery is plunging herself into danger at every point. bc you know who it would make sense to go into the mountain to spy? the person with a background in tech, who the 100 would trust, who the mountain won't be looking for, who can handle tight spaces. it's not avery's fault, it's hard to be grounded when you've been on the ground for less than a month, it's hard to contemplate mortality when you never got to see your own father die, when you didn't have to sing atom to sleep, when you didn't have to pull a lever that could've killed your closest friends, when you've just been with your mother,
don't even get me started on raven, raven who abby hires because she can't lose another daughter, avery who finds out much later, and has to grapple with that, raven who has to grapple with that. that there's a hierarchy of importance and raven places third on it, and yes that's something that's obvious but it's hard, and maybe she would be able to walk without a brace, and avery who's mom killed her father and who still doesn't trust avery to fix a ship, who let clarke fall off the ark but wouldn't let avery, who chose clarke as the name to register on the ark's database bc clarke was ten minutes older, clarke who always comes first, and avery who never gets let go.
so maybe she goes into that mountain to get away from her mother, maybe she goes into it because watching raven hobble around makes her sick, maybe she goes into that mountain because she is an expendable version of Clarke, she always has been, and if she dies in that mountain she'll be doing what she was born for, and if she lives maybe she'll finally be done, and can be anyone else, maybe even no one.
avery as the one clarke leaves behind. avery as clarke's shadow, clarke as avery's shadow.
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hecateisalesbian · 1 year ago
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made this in like an hour
Lilith doesn’t like writing on walls doors
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beatcroc · 2 years ago
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there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y
hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]
#ramble after realtags yeag. shoutout to serrangelic btw suggesting the silhouettes thing bc i would have Died otherwise#pizza tower#peppino spaghetti#fake peppino#gustavo and brick#arting#pizzaposting#so anyway i think fake peppino has like. a general awareness that he is supposed to Be Peppino and that he was Made to do that#and likewise he does generally try to...do that. the thing he does NOT realize is hes like really goddamn bad at it#not to be mean but like...c'mon. they are pretty distinctly different kinds of guys even beyond the physiology yknow.#he's neither on-brand nor fooling anyone dsjdsjjkgfsd. BUT!#since the rest of the cast generally likes him [at least as I play it] he thinks hes doing just fine#he's like 'oh they r happy with me so i must be getting a good grade in being peppino :)'#so getting told that 'yeah you actually really suck at that but that was never the reason people liked you'#and told that by og model peppino no less--yknow THE guy he's supposed to be living up to#who's already a bit intimidating for that and who ALSO totally wrecked him TWICE in the tower#making him acutely familiar with just how formidable the guy is and how much there IS to live up to....#it's a Moment for sure. not really a sad or hurt one though. just... contemplative.#thinking abt people liking him for being the guy he's already naturally been being even though that guy is Not Peppino#i don't think he's gonna be super broken up about realizing he has a bad grade in peppino given everything else hes got now#nor do i really think he cares enough to go like reinvent himself or whatever after the fact#he seems to b pretty clearly having fun with it already so i think he just keeps doing that#and in some cases he still has the pre-installed peppino traits/instincts like to cooka da pizza. and that's fine#is this projection. yes. but if youve been following me awhile you know most of my character writing is ghdhfdgf#gonna kinda expand on all this in the gerome one which is...one after next. itll be a bit but man.#anyway peppino will never admit to anyone and especially not himself that he's gotten a little attached to the guy. hee hoo#pep tends to be kinda surly but he certainly has his ways of showing he cares. all of which are on display here#''that thing is not my son'' says man currently watching thing's antics with the 'bemused dad' arms crossed pose. yeah ok buddy.#gus is totally onto him already but hes not gonna say anything.#if u read all this ur prize is not having to go decode fp's rot13. his lines are ''meant to be you...?'' and ''wrong question.''
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kindaasrikal · 3 months ago
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Zane put your tits away they don’t need to be out that often
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teecupangel · 23 days ago
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Imagine if Obi-Wan kenobi came across toddler desmond while he was being all hermit like on tatooine. Or what if desmond was a part of his batchmates as initiates at the jedi temple? (ghost kenway nonny)
Desmond would be such a headache as Obi-Wan’s batchmate though. Like, that man would question everything about the Jedi Order and its teaching. His instructors would have a full hand just dealing with him but they don’t necessary think that he’s a bad egg. If anything, he’s showing how serious he is in trying to explain how a Jedi should be.
They are worried that this might lead to unsavory rumors.
And it did.
Desmond’s constant questioning of the teaching and discussing (debating) with others about the doctrine and sacred texts had led to a rumor that Desmond was a prime candidate to becoming a Sith.
Desmond knows of this and just ignores it because he knows that he won’t be tempted by the Dark Side.
That doesn’t mean he was on the Light Side though. He was narrowly tipping the line and the Brotherhood had always ‘stayed in the dark to serve the light’.
To be completely honest, Desmond knows himself enough to believe that he would probably have an easier time mastering the supposed powers the Dark Side uses but that would be it.
Using what the enemy uses against them…
If that ends with him going on a separate path from the Jedi Order then that was that.
Enter Obi-Wan Kenobi.
Nobody knows whose idea was it but Obi-Wan Kenobi, a batchmate of Desmond (no last name, orphan, unknown planet), was given the ‘mission’ as part of his training to keep an eye on Desmond. Not because they believe Desmond would become a Sith but to make sure he wasn’t isolated or felt alone.
In other words…
Obi-Wan was requested to be Desmond’s friend.
Desmond has no idea why this has happened.
Obi-Wan also has no idea why it has to be him.
But now…
They were going on a Jedi Order version of two unlikely students having a profound deep friendship in ‘highschool’.
Obi-Wan did not sign up for this.
Desmond did not want any of this.
But, my Force, were they now stuck with each other whether they like it or not.
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yes-ihavealwaysbeengreen · 7 months ago
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My Home Is You Part 3/3
A/N: Thank you so much for everyone that has read the first two parts and left a comment or some type of feedback. I really appreciate all of it.
Thank you to @kingliam2019 for requesting.
Thank you to: @jellybeanstacey0519 & @mrsyixingunicorn10 @peyton-warren @affabletimelady @arctickat2400 @luftmenchz @mrsevans90 for commenting and leaving feedback! :D
Fandom: The Ministry of Ungentlemanly Warfare
Pairing: Gus March-Phillips x Female Reader (she/her)
Warnings: 18+ for language, Nazi's, canon typical violence, possible spoilers for the movie, and mentions of sexual assault.
Part One Part Two
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There is no time to bring up what Gus said with the mission looming so close, and in the morning as the sun streams through the gaps in the wood, you observe the man beside you. He looks so peaceful in sleep and you run your finger over his cheek, pressing a soft kiss to his cheek before you go to climb out of bed.
“Where do you think you’re going?” he grumbles sleepily pulling you back into his arms and pressing his cheek to your own.
“I wanted to make a cup of tea,” you giggle, leaning back in his arms and turning your head to kiss him, “but someone won’t allow me.”
“That’s right,” he nods giving a little hmph, “I’m the mean old man who keeps you trapped in his bed, so he can have his wicked way with you. No tea for you, darling, just debauchery day and night.” He gives out a fake laugh like the Wicked Witch from that Wizard of Oz movie.
“Gus!” you shout, laughing when tickles your side with a laugh. He stops, keeping you close as you catch your breaths. “You’re ridiculous,” you chastise playfully.
“Ah yes,” he agrees with a smile, “but that’s why you love me.” You tense in his arms and he rubs his hands up and down your own, “what’s the matter?”
“Nothing,” you let out an awkward chuckle, “I just need to use the ladies room.” He lets you go with a raised brow as you almost trip over yourself trying to get away.
When you’re alone, you lean against the wall and take a deep breath. Everything he said the night before comes back and you give a soft smile realizing that yes, that is why you love him. The man who liberated you from a living hell twenty-three days prior, who held you through your nightmares, that taught you how to shoot, and make you laugh till you cried. Fuck, you loved Gus with all of your heart. But now was not the time to make such declarations. Not when the fate of the British Empire was at stake.
“You alright, my little Tiger,” you nearly jump out of your skin as Anders comes to lean against the wall beside you. “You seem to be deep in thought.”
“No,” you shake your head with a sigh, “no deep thoughts. I’ve just come to a realization.”
“Do you care to share it with ze rest of the class?” he smiles sitting down on a barrel and patting the spot beside him.
You sink into the seat with a sigh, “I love Gus.”
“Yes,” he nods, “we know. Now what is the realization?”
“That was the realization,” you gape at him, “what do you mean, we know?”
“Oh, it’s obvious, both of you are madly in love with the other.”
“Gus loves me?” you wrap your arms around your waist and lean back, looking at the sea repeating the words back to yourself, “he loves me.”
“The first night we met,” Anders grabs your hand and holds it gently, “Freddy told us that Gus looks at you like he just realized what love was. We live a life filled with blood and death at every corner but somehow in all that mess, you found each other. A love like that does not come every day. But when it does, you need to seize it my little tigress, seize it, and don’t let it go.”
Tears stream down your cheeks and he squeezes your hand and leans forward to press a kiss to your forehead before walking away leaving you with your thoughts. Neither of you notice the figure in the corner. Gus clenches his fist and glances away before marching back below deck to prepare for the meeting with Heron.
The rest of the day passes steadily by and you drop anchor just as the sun begins to set on the coordinates. You’d spent the day tucked away, watching the sea go by as you thought of Gus and how the hell you were supposed to tell him you loved him when he might die the following day. “Someone’s coming,” Henry shouts, and you stand, taking unsteady steps as the pins and needles attack your legs.
Gus stands at the front, his shoulders drawn tight and you move to stand beside him. He quickly glances down at you, his jaw clenched before he looks away. You shrink back from him falling into place beside Apple. He looks between you both with a raised brow. But you don’t have an answer for the icy treatment from the man who's been nothing but kind since the beginning.
“Heron my old pal,” Gus grins, reaching across the two boats to shake his hand.
“Gus,” Heron replies, “may I introduce the Prince of Fernando Po, Kambili Kalu.”
“Don’t I know you from somewhere,” Gus puts a finger to his chin, “I could have sworn I’ve seen you before. Perhaps…do you play cricket?”
“I used to, at Eaton,” Bili poses and Gus laughs.
“Yes! I knew it, I remember seeing your portrait in the hall. Great to have you aboard old chap.”
“Glad to be of service. These Germans, they’re bad for business. I heard you could use a few more men,” he shouts something in another language and men come pouring out of every crevice of the tugboat. “Fourteen of my best men.”
“We have additional weapons,” Gus turns going to help Freddy hand over a box when Bili raises a hand with a laugh.
“I think we’re covered. You might want to borrow some of ours.” Bili shouts and the covers unveil an arsenal of weapons and bombs.
“Jolly good,” Gus grins, putting his hands on his hips. “Let’s get everything moved around and discuss the plan before it gets much later.” He turns back to you and the boys and gives the order, everyone moving to do a job but you.
“Gus,” you step towards him but he turns back towards the front of the boat to pull out the map laying it down on the small table. Heron comes aboard and pauses giving you a raised brow when you quickly say your name, “The boys found me with Appleyard.”
“Ah,” he nods, “well glad to have you with us, miss. Marjorie, my associate will be glad to have another woman around for company.”
“Where is she now?” you ask looking around, “did you bring her with you?”
“Oh no,” he shakes his head, “she is getting ready for the party tonight at my Casino. Her mission is different from our own I’m afraid. But we all have the same goal.”
“I see, well I look forward to meeting her when this is all said and done.”
He smiles, shaking your hand, “I’ll be happy to see you again, miss.”
“Heron!” Gus shouts, looking over at you but not keeping contact, “Come on. We have work to do, you can smile at the pretty girl later.”
That does it. “What the hell is your problem?” you shout, putting your hands on your hips. The rest of the men fall silent looking between the two of you. “What did I do wrong, Gus?”
“Nothing,” he lets out a tired sigh, “you did nothing wrong. It’s me that should be sorry.”
“What the hell are you talking about?!” you throw your arms up exasperated.
“I shouldn’t have pursued you, made you uncomfortable when all you wanted was Lassen.” Gus drops his shoulders, “it was wrong of me. You can move bunks and we never have to talk abo-”
“Are you out of your fucking mind?” Gus freezes watching you step over the ropes and boxes that litter the deck. “No seriously, did you hit your head?” You reach him, putting your hands over his head feeling for a bump.
“Uhm, no,” he grabs your wrists gently, lowering them back down. “I saw you two together.”
“What did you see? Hmm? What is it that you saw between me and Lassen that made you think I would be in love with anyone but you?” His eyes go wide but you’re on a roll, “and for that matter, when something is bothering you, you talk to me. You don’t ignore me and sulk like a child, do you understand me-”
He puts a hand to your mouth with a grin, “sorry darling, but could you repeat that last part?”
“Get off me,” you push his hand down, “what did you see between Lassen and I that would give the impression that I wanted to be with him?”
“That’s not what you said,” he frowns.
“Tell me!”
“I saw him kiss you on the forehead and hold your hand!” Gus shouts pointing back at Lassen.
“He was comforting me because I realized I was in love with YOU, you idiot!” Gus freezes, a smile slowly spreading across his face.
“You said it again,” he grins, cupping your cheeks, “you said you love me.”
“I do, you buffoon,” you say quietly, “I do love you, Gus. I just didn’t know how to tell you and then Lassen talked to me and I was planning to do it but you ignored me. You hurt me, Gus.”
“Darling,” he runs his thumb over your cheek, brushing away a stray tear, “Darling, please don’t cry. I never meant to hurt you. I was hurting, thinking you were choosing Lassen over me. God, I love you so much, woman. You are my sun and stars and everything in between.”
“You love me?” you whisper, moving closer to close the distance between you.
“More than you’ll ever know,” he presses his lips to your own and you melt into the kiss. The boat erupted in cheers from both sides and Bili slapped him on the back.
“Good show, old boy,” he shouts, breaking the two of you apart. Gus tucks you into his arms, a smile beaming on his face as he presses several kisses to your forehead. “Now,” Bili grins, “let’s kill some Nazis.”
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As the night descends the chill sets in and you shiver, watching the harbor lights glow. A jacket drapes over your shoulders and you smile, as Gus puts his arm around you. “It’s a beautiful evening,” he presses a kiss to your cheek, “shame it’s going to be ruined by bloodshed.”
“Hopefully none of ours,” he holds you tighter sitting down and you turn wrapping your arms around his neck, straddling his waist. “I couldn’t bear to live without you, Gus.”
“I know Darling,” he runs his hands up and down your back, “the feeling is mutual. It kills me to know you could be in any danger tonight.”
“I chose this team,” you run your fingertips over the nape of his neck, massaging, “I chose to fight alongside them. To fight alongside you.”
“You remember the plan? You’re in charge of the boat, you have an arsenal of bombs to deploy if needed, otherwise when we give the signal you get the hell out of here.”
“I’ll be away from all the action, Gus. I’ll be safe.”
He nods, “I know, but can’t blame a man for worrying about the love of his life being in harms way.” You smile and he kisses you softly, pressing his forehead to your own, “I meant everyword of it darling. I love you and one day I’m going to make me your husband.”
“I like the sound of that,” you giggle, kissing him softly, “not you making me your wife but you my husband.”
“Well we both know who the boss is in this relationship, my love. You tell me where to go and I follow. Till death do us part.”
“Till death do us part, Gus. But please don’t let that be tonight.”
“I don’t make promises I can’t keep,” he kisses you again, “but I dare them to try to take me away from you.”
“The lights should be out any minute now,” Bili comes to stand beside you, “we should get ready.”
“We’re ready,” Gus stands putting you on your feet. Suddenly a bomb goes off, and the lights of the harbor fade into darkness. “Show time.”
“Wait,” you grab his arm, pointing in the distance at a series of flashing lights, “what’s that?” Suddenly the wireless goes off downstairs and you follow behind Gus down below deck, Bili hot on your trail.
Gus sits at the controls, taking notes and cursing with each word. “Shit,” he whispers, before looking up at the men and clearing his throat, “they’ve reinforced the hull, the ship is unsinkable.”
“We can’t sink it?” you repeat, sliding into the seat beside him.
“Not with the amount we have,” he shakes his head, “goddamn it.” Gus reaches for the headset and switches it off so we can all hear, “M? Come in M?” Static meets them before the signal clears, “we have a situation, the tin has been reinforced, the corned beef cannot be cracked, do you copy it cannot be cracked.”
“Copy,” a voice says from the other end, “standby.” We all wait on bated breath before a new voice sounds on the radio. “Gus March-Phillips, this is Admiral Parker, I order you to abort the mission, do you copy? Abort mission and return home at once. This is an unsanctioned, unauthorized mission. Do you understand?”
“S-ssorry,” Gus pretends to cut out the signal and you grin as he makes noises like static, “can’t hear y-y-you, please fu-fuck o-off.” With that, he turns off the radio and puts his head in his hands, “well, what do we do now?”
“When did they reinforce the hull? Like between the last report and now, when did they have time to do that?” Freddy asks, scratching his head.
“That’s not important,” Gus interrupts, “the problem is, they did it.”
“No, it is important,” Freddy argues, “I’d like to know when in the twenty-something days we’ve been sailing did they manage to reinforce the hull?”
“He’s got a point,” Henry agrees before Gus shouts, shutting them both up.
“It’s not important right now! We have a mission to complete and I have no idea what to do.” The boys shout out ideas, each one more ridiculous than the last before Apple speaks up.
“If we can’t destroy the ships, let’s steal them.”
“Say more,” Gus encourages, pulling you into his lap and running his hand comfortingly over your waist. You all listen with bated breath at Apple’s plan. “It’s just crazy enough that it might work.” Gus looks at you with a grin, “And we all know what a mad bunch we are.”
Mad they may be but their professionalism wins out when it comes to pulling a plan out of their ass. In minutes, Bili was filled in on the plan and the boys sprung into action. “You remember what I taught you?” Henry asks, gently touching your shoulders, “the boys and I won’t be here to help you.”
“I remember Henry,” you nod, brushing off his hands, “I got this. I know the plan.” Henry nods before giving you a quick hug. The young Irishman was almost like a brother to you, and you’d hate to lose him. You tighten your arms before letting go. “Eh, do me a favor?” He nods, waiting expectantly, “Don’t die.”
He laughs, “I’ll try, but what are you always telling us? Don’t make a promise that ya can’t keep.” Henry lifts his cap before walking to the tug boat and climbing inside.
“I guess this is the end,” Freddy yawns, “It’ll be a terrible bore if we came all this way and died.” Freddy gives you a tight hug before pressing a device in your hand. You glance at him quizically and he winks, “You’ll know if and when to use it.”
“I’ll try to keep an eye on the old boy,” Apple takes his place giving you a quick squeeze and a kiss to the cheek. “Keep yourself out of trouble, won’t you?” You nod, feeling the tears well up, before a Danish Hammer forcibly pushes Apple aside.
“Oh, my little lamb is now a fierce tigress,” Anders chokes up, pulling you in for a hug so tight you’re sure some of your bones crack.
“Let her go, Lassen,” Gus pushes him away, “If you harm a hair on her body I don’t care if you’re my friend you’ll go for a dip in the Atlantic.”
“Gus,” you chastise, before turning to Anders, “take care of yourself, my friend. Though I know you don’t need it. I wish you luck.” He smiles, turns to the tug boat freezing, and turns slowly around when you clear your throat, “Don’t have too much fun.”
He grins like a child, caught with his hand in the cookie jar, “I’ll try for you.”
“It seems they have all fallen in love with you as much as I have,” Gus grinningly wraps his arms around your waist. “It’s hard to imagine them not.
“You’re biased, my love,” you press your forehead to his own, taking in a shuddering breath and closing your eyes over the sting of tears. “Gus…I.”
“Shhh,” he runs his fingers down your back, “let’s not do the dramatic goodbye. Let’s just say I’ll see you soon. Because I will,” he pulls you back, one finger on your chin, tilting your chin up. You blink your eyes open and the look in his eyes renders you speechless, utter devotion and love shine back at you. “I will see you again, either in this life or the next.” He leans in pressing his lips to your own, he’s warm and the scent of leather and cologne invades your senses leaving you drunk on him. He licks inside your mouth, tangling your tongues together as you grab the collar of his coat, tugging him closer. Before he pulls away with several small kisses to your lips, his mustache twitches with a smile, “I’ll see you soon, my love.”
“See you soon, Gus,” you reply breathlessly, releasing him and watching till he disappears into the tugboat and they pull away.
The waiting is infinite and you jump with every pop of a gun. The sea sways like a mother trying to calm her young, and you tighten your hand on the control Freddy gave you. It’s almost impossible to follow the figures of Gus and Henry as they move on the dock, taking out as many soldiers as possible, but you follow like a hawk, stalking her prey.
“Come on, come on,” you whisper, waiting for the anchor to blow. It seems to take forever but when all falls silent, and the boats move into position the blast comes. It’s loud, sending a ripple through the waves and the dock becomes a fury of activity. Soldiers come pouring out of the only lit warehouse, like champagne pouring out of a bottle. “Oh fuck,” the shooting starts and you clutch the remote tighter. The lights are almost blinding and you stand going over to the wheel and holding yourself steady with the other hand.
The tugboats strain under the heavy weight of the ship, and bullets ricochet off the side. You can hear the shouts of the men, begging the boat to move and a pained cry has you on your tiptoes trying to get a glimpse of the injured party. The situation is grim and you look between the controller in your hands and the scene before you, take a deep breath, and press the button.
The blast is almost powerful enough to knock you over and you have to look away as the light from the explosion threatens to blind you. You slowly open your eyes, standing straight and mouth agape at the sight of the large ship coming straight toward you. “Fuck,” you manuver out of the way, falling into position behind them as you all make a mad dash out of the harbor.
“Those S-boats are gonna be on us soon!” One of the men shout from Bilis crew. Suddenly a second explosion rocks the boat and you turn wide eyed at the collection of S-boats exploding high into the sky.
The men cheer and you let out a breath you didn’t know you were holding, taking the helm and leading the boat out into open water. You try to catch sight of Gus but it’s dark and the boats are moving at full speed. You turn to see the burning harbor when you notice one of the tugs waiting, a familiar head of hair, standing at one end looking off in the distance.
Lights appear across the water and you fumble for the gun Gus left you. You aim, looking down the barrel as the boat gets closer, you can hear Bili shout that they need to go but something gives Gus pause. “It’s Heron!” he shouts, “don’t shoot!” You let out a gasp and lower the gun, adrenaline humming.
They pull alongside the tug and Heron and a beautiful woman in a white dress climb aboard before the tug starts moving closer. When they get about two feet from the edge, Gus runs across the deck of the tug and jumps aboard.
“We did it!” He grabs you, throwing his arms around you and spinning you around with a laugh. He lowers you to the ground, kissing you with his arm wrapped around you with his right, and attempting to steer with the left.
“If you crash, my ship, I’ll kill you boss!” Henry shouts and you break apart, gasping at the blood soaking through the cloth wrapped around his shoulder.
“Henry! You’re hurt!”
“Eh, it’s just a scratch,” he shrugs with a smile.
“Nice timing sweetheart,” Freddy shouts with a smile. “I was worried you weren’t gonna press it.”
“Freddy, I’d blow up a hundred harbors to keep my family safe.”
“Your family?” Gus smiles, “I like the sound of that.”
“Do you?” you ask, wrapping both arms around his waist. “How about another title.”
“What’s that?” He grins.
“My husband.”
Gus keeps his arm around you the entire time, the clock ticking on your time together as the small blip that is the destroyer becomes larger and larger. The ants atop the ship become humans, all standing in crisp white uniforms in a row, one more decorated than the others with a scowl on his face.
“I see we meet again,” the Admiral puts his hands on his hips, “you disobeyed a direct order-”
“We have something for you,” Gus interrupts, “found this ship just abandoned in the Atlantic. Thought it might be helpful for you.”
The Admiral raises his brow looking around your ragtag crew, “I see you’re in cahoots with pirates now?”
“Excuse you,” Gus shouts, “show some respect, you’re in the presence of royalty!”
Bili lifts an imaginary hat with a grin and the Admiral seems less than pleased as he scoffs. “All of you are under arrest by her Majestys government. Come aboard at once.”
“Gus,” you whisper, holding tighter around his waist as he presses a kiss to your head.
“We knew this was coming, Darling, just follow my lead.” He unwraps from your hold and moves around the ship, helping his men aboard the ship till the last one is loaded. Bili’s men stay aboard the tugboat, awaiting his orders.
“Admiral,” Bili bows, “my men and I have finished our work here. Your army will regain control of the Atlantic. I just ask for me and my men to return home to Fernando Po so we may begin the cleanup. We have a nasty bug, that I would very much like to stamp out.”
The Admiral raises his head, his mouth agape from reading the manifest of the ship and two tugs before coughing to clear his throat. “Uhm, yes,” he nods, “I suggest you and your men leave before I change my mind.” He turns to the rest of the crew with a frown, “as for the rest of you, it’s the brig for you.”
Everyone bids Bili goodbye as they are slowly ushered below deck to the brig to await arrival back in England. “This one doesn’t belong,” the Admiral stops the progression pointing to you, “you’re not in the report as a part of the mission. Who is she? What is her purpose here?”
“She’s not a part of the mission,” Gus hurries, halfway pushing you behind him, “we saved her from a Nazi garrison, she was being held captive with Captain Appleyard. I couldn’t leave her behind on that island so we brought her along until we could safely return her to England.”
“Did she have any role in this nonsense?” the Admiral gestures to the three ships floating nearby.
“No. We kept her below deck, away from the action. She’s just a civilian.”
“Gus-” you interrupt but go silent when he gives you a stern look before he masks it with a charming smile.
“She had not role in the plot sir, she’s innocent.”
“Very well,” the Admiral nods, “find her a room. But you go to the brig, March-Phillips. I’ll see you locked away for the rest of your life for this.”
“Gus,” you reach toward him but one of the soldiers holds you back, “let me go!”
“Get your hands off her,” Gus shouts, brushing off the soldiers trying to usher him below deck. “Admiral,” Gus turns towards the man, looking back and forth between the two of you. “Are you able to perform a wedding ceremony?”
“What are you bloody on about March-Phillips?!”
“You said I’m going to be locked away for the rest of my life, right? Well if that’s the case, sir, I’d rather leave my home and all my belongings to someone that needs it. Since I won’t be needing it where I’ll be going, sir.” Gus locks eyes with you, “that is if you’ll have me, darling?”
“Oh Gus,” you shake off the soldier's arm, “yes, a million times yes.”
“This is utter madness,” the Admiral scoffs before turning to his second, “Go to my quarters and get the bible off my bedside.” The man runs off and Gus steps closer, reaching out for your hands.
“One more request sir,” Gus turns, “would our friends be able to attend? I would very much like Captain Appleyard to be my best man.”
“And I’d like Anders Lassen to stand at my side,” you add, turning back to Gus with a smile.
“Very well,” the Admiral says, less than pleased with the whole situation.
In ten minutes the entire crew, your friends, and the Admiral stand at attention as you and Gus say your vows overlooking the Atlantic ocean. Anders stands at your side, holding the makeshift bouquet one of the soldiers fashioned out of knotted rope. “By the power vested in me by the United Kingdom and her Majesty’s Royal Navy, I now pronounce you man and wife. You may kiss the bride.”
Gus beams, pulling you close and dipping you into a passionate kiss as the ship explodes into thunderous applause. Anders sobs loudly, Marjorie handing him a handkerchief as he tries to muffle his tears. When Gus rights you, he presses another quick kiss to your lips, “I love you, and I’ll continue to love you for the rest of my life.”
“I love you too,” you cry, wrapping your arms around him, “I’ll be waiting Gus. I’ll wait forever for you to come home to me because my home is you.”
“Sorry to interrupt this happy moment,” one of the soldiers cuts in, “but you need to go back to the brig, sir.” Gus glares him down and he drops his head stepping away as Gus gives you a dozen more kisses before going with the soldier. He holds your gaze till the last second and you can’t help but feel a part of your soul go with him.
The rest of the journey feels endless, knowing the man you love and friends are below you locked in a cage awaiting trial. The men that call this vessel home are kind, bringing you meals and escorting you around the ship for a walk. And when the boat docks a week later you wait after disembarking hoping for a glimpse of your husband.
“Miss,” a man comes up beside you, “I’m Lieutent Fleming, I’ve been instructed to bring you home.”
“I want to wait,” you frown, “I want to see him.”
“I’m afraid that’s impossible, they’ve been instructed to wait till you’re gone before unloading the prisoners.”
You glare, “those prisoners, are the most loyal soldiers I’ve ever known. Do you have any idea what they’ve done for this country?!”
His eyes widen, “I assure you, I am well aware of their sacrifice. Please, let me get you home and safe and I’ll explain everything. We have a plan to get them out. Please,” he holds out an arm towards the waiting car. You glance back at the ship one last time before biting your lip to hold back the tears and follow him into the car.
As he drives the tears stream down your face and you try to keep the sob clawing at your throat at bay. “Don’t worry, miss,” Lieutent Fleming assures, “we will get them out.”
“Don’t make promises you can’t keep,” you whisper, burrowing down into the seat and closing your eyes.
The next six weeks pass in a blur of cleaning, coffee, and meetings with Ian. Lieutenant Fleming kept to his word and he’s been working alongside his boss, the mysterious M to get the boys and Marjorie from the military prison.
The day comes seven weeks and two days since you married Gus. “It’s time,” Ian quickly phones before the car arrives. You lock the door, pocketing the key and getting in.
“Good Morning Ian,” you smile, buckling up, and freezing when you notice it’s not Ian Fleming sitting across from you.
“Expecting someone else, were you?” Winston Churchill smiles across from you and you visibly swallow your mouth going dry. “Mrs. March-Phillips, I presume?” You nod, speechless, and he chuckles pleased, “you may call me Winston.”
“Oh, Mr. Churchill, I could never dream addressing you so informally,” you stumble over your words. “I just want my husband back, sir.”
“I understand,” he nods, putting his cigar back in his mouth and grinding down on one end while he talks. “You’re husband is a hero, and we need more like him. Men who are willing to take orders and give their own spin on them. Less yes sir, and no sir and more thinkers. I wish I had a hundred like him.”
You giggle, “I think theres no one out there quite like Gus.”
“Touche,” he grins, “I understand he’s been quite vocal about allowing visitors. The guards tell me they have a bag of letters for you upon arrival. He writes several daily but with the trial he was unable to send them. Another point he is most vocal about.”
The gate of the prison looms and your eyes widen as the car glides through and around the back out of view near the service entrance. “We can’t have anyone knowing I’m here.” You nod, following behind him as he gets out of the car and puts his hat on his head. A truck pulls up behind you and several soldiers disembark with baskets and silver tray ladden with rich foods. “I have to honor them somehow,” Mr. Churchill gives you a wink before he sets his face in the trademark scowl you’ve seen in the papers.
You follow as he walks down a dark corridor, his cane tapping on the floor almost soothing. “Stay here,” he stops just before the door, “you’ll be my last gift to them.” You pause, almost running around the corner but you know the anticipation is worth it. Mr. Churchills speech leaves tears gathering at the corner of your eyes and you ring your hands together as the soldiers carry in the food spreading it out on the table before them.
“And one last thing,” you perk up when you hear the chairs scrape across the floor as your friends prepare to dig into the feast. “Although this one is for you Captain March-Phillips than the rest of you. Come along, dear,” Mr. Churchill calls and you step around the corner, your heart nearly beating out of your chest.
Gus’s eyes nearly bug out as they trail over every inch of you, the tap of the cane fading as the silence grows. His hair has grown out and his facial hair is unkept but he’s still as handsome as ever. “Hello,” you whisper, your hands clenching at your side nervously, “did you miss me?”
Freddy snorts, “Miss you?! God woman that’s all he bloody talks about!” Marjorie slaps him up the back of the head and you laugh before Gus launches himself at you.
“Darling,” he shudders, holding you tight and putting his face in your neck taking deep inhales, “god, I was going mad without you.”
“Can confirm,” Freddy shouts.
“Shut up, you wanker!” Henry hits him in the shoulder, “They haven’t seen each other for seven bloody weeks.”
The room fades away as they quarrel at the table, but you only notice Gus. The feel of his muscle through the prison jumpsuit, the scratch of his facial hair against your skin, the warmth from his mouth pressing kisses to your neck. “Gus,” you whisper, running your hands through his hair as his mouth seeks your own, and he presses a kiss to your lips for the first time in nearly two months.
“Fuck,” he groans, “I missed you.”
“The feeling is mutual. Home is too quiet without you, and I can’t fucking sleep without you, Gus. I’m not sure I ever want to again.”
“You won’t,” he nuzzles your cheek before closing his eyes and keeping you pressed into his arms, “I won’t ever leave you again, darling.”
“Did you say home?” Henry interrupts, a mouthful of meat pie filling his mouth as he talks between bites.
“Yes,” you nod, “I moved into Gus’s home while he’s been away. Ian Fleming helped me.”
“Ah-ha!” Food splatters across the table as he points at Freddy, “You owe me ten pounds!”
“The bet was, she would go home with him at the end of the mission! He never went home, so actually you owe me ten pounds!”
“You bet on us?” you ask, with a chuckle, Gus leading you over to the table and pulling you into his lap.
“Ja,” Anders nods, “there were several bets actually.”
“And this bet was if I would go home with Gus at the end of the mission?” they both nod digging back into their dinner. “Well then, Henry would win,” Freddy opens to his mouth to argue but you hold up a hand silencing him. You take the fork out of Gus’s hand feeding him bites of pie as he leans against your chest with his eyes closed, a smile stretched against his face. “Because as soon as you completed I went home with Gus. Maybe not physically but I’m his wife and he’s my husband and wherever I go he’s in my heart and I his.”
“That’s not how it works,” Freddy pouts.
“Don’t bet on me then, if you don’t like the outcome,” Gus laughs opening his eyes and pulling you down for a kiss.
His eyes are warm as he rubs his hand against your cheek, his friends laughing and teasing one another surrounded by good food. All's right with the world and in an hour they’ll be free. Gus pulls you in for another kiss his lips lingering a second longer as he whispers against your lips, a smile splitting his face, “that’s my girl.”
Requests are open. Got another idea for this fandom? Send them my way! Thanks for reading!
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rekenemee · 3 months ago
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Illustrations for the second chapter of my farmer OC x Alex fic, drawn by me :9
Read it here!
Ignore the scuffed background and perspectives of the Saloon picture, I was already tweaking out from having* to draw so many characters.
*I put myself in this predicament.
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morhido · 1 year ago
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I've been lost in the owl house sauce for about three years and as a result i've mentally compiled a list of the characters' speech patterns and body language. Then i realised i should probably do something with that information and decided to jot it all down :>>
This is just gonna be the hexsquad for now since my lists for other characters are fairly sparse but additions/requests are welcome! Mayhaps i'll add to it in the future sjdkshskj
(The 'other' category is for general quirks, or things that just didn't fit the other categories)
LUZ:
• Happy/excited: stamps feet with high knees, squeaks/makes high pitched sounds, makes fists and brings them to her chest/face
• Sad: will initially deny if she's upset, whether she fesses up is up to circumstance. Lowers her head, can become unresponsive, becomes tired, voice will generally remain quiet and flat even if something cheers her up, empathetic crier
• Stressed/overwhelmed: repeats phrases over ("no no no, you're belos, you're just belos!"), falls to her knees or puts on hood when overwhelmed, acts overly casual to compensate for her panicking ("yikes, my dude"), protective of others when in physical danger (usually holds amity's head). More comedically, can often make unnecessary/dramatic gestures (e.g. spinning, cartwheeling, flopping to the floor) when stressed
• Angry: gets louder, sometimes unwilling to hear the other person out, becomes very physical, loses volume control (often to her own detriment), sticks her elbows out to look more intimidating. More comedically, will sometimes make animal noises/gestures (e.g. hissing and clawing)
• Other: often prematurely assumes that people will react poorly to her ("she's gonna embarrass herself, i can't watch!" / "if amity sees this, she'll think i'm such a loser!" / "what if the palisman doesn't like me?"), can accidentally be inconsiderate of other people in favour of her impulse, resorts to violence quickly and generally doesn't try to make peace with adults, very easily becomes rambly with strong emotion and can repeat words and phrases, can become loud and panicky during combat if her goal is self-preservation but becomes much more focused if fighting with/protecting other people
WILLOW:
• Happy/excited: becomes very active and touchy, very straightforward, taps toes, will be oblivious if others are intimidated by her, voice pitches up when excited
• Sad: draws herself in, becomes quiet, looks down/closes her eyes, isolates herself, can become less responsive, talks to herself
• Stressed/overwhelmed: loses control of magic, covers hair, voice pitches up when extremely nervous, very rarely acts on impulse even when scared, high-pitched squeaks/screams when startled
• Angry: vines grow from the ground beneath her, shows vocal disdain for whatever is upsetting her, can become very sardonic ("you want me to give up? You want me to admit how stressed i am?"), can go from high and stern when upset ("you just met them, give them a chance!") to low and loud when fully angry ("what advice could you POSSIBLY give me??")
• Other: denial is default coping mechanism, very often does the gag of pretending to be intimidating and then doing something sweet/cute, will be oblivious to the other person's fear when this happens, love language is physical touch, makes her feelings known unless she's specifically not trying to upset people, can speak pretty formally ("enchanting!", "how dare you?"), talks to herself in second person when hyping herself up, takes offensive role in combat
AMITY:
• Happy/excited: voice can get louder, smiles with teeth when extremely excited, becomes more impulsive with what she says and does
• Sad: raises voice when trying to make a point, voice cracks, becomes quieter with remorse, remains very quiet and calm when comforting/confiding in someone else
• Stressed/overwhelmed: s1 amity would get extremely defensive if any vulnerability was exposed ("help? All you're doing is prying into your friends' lives!"), rambles when flustered, holds hem of skirt when she's nervous/doesn't know what to do, also generally moves hands a lot when nervous, attempts to leave situations that are upsetting her, high-pitched screams when startled (does this less throughout the series as she becomes more on-guard and impulsive)
• Angry: often gets louder and more animated (e.g. her trying to break out of the dome in clouds on the horizon), face turns red, pushes away the source of her anger, doesn't usually stay angry for long, moves her body forward (e.g. pointing, gesturing, or actually stepping forwards), will often stick her arms straight at her sides
• Other: generally uncomfortable leaving her comfort zone but extremely confident in fields that she already excels in, extremely accepting of change in other people, arguably the second most impulsive of the hexsquad (especially regarding luz's safety) and uses fire to solve a lot of her problems, will take control of a situation when she knows she's in the right ("you're gonna listen to me for once"), usually very perceptive to others' emotions
GUS:
• Happy/excited: draws fists up to face, big gestures (especially with hands/arms)
• Sad: self-blames/depricates ("yeah. It's all my fault"), curls up with his arms and head on his knees, usually very vocal about being upset with something, "you've done it again, augustus" (in the context of being tricked by someone), can remain in this state for a long time, draws in on himself but doesn't push other people away
• Stressed/overwhelmed: loses control of magic (finds it difficult to discern reality from illusions), often hides behind willow when scared, laughs/smiles nervously when anxious or flustered, can get tunnel vision on the thing that's upsetting him
• Angry: stays level-headed and doesn't often raise his voice, speech becomes more emphatic, can become snarkier ("hey belos, remember me?"), remains distant from the subject of his anger, usually stays in a stance
• Other: very eager to prove himself whenever he has the opportunity (love language is acts of service), most willing to resort to violence ("nobody's dying" "not with that attitude", usually in a joking manner), most annoyed by his friends' shenanigans but always willing to tag along, makes big gestures (especially when emphasising something), sometimes repeats phrases when feeling strong emotions ("gus? Nickname? HUMAN nickname?? GUS???" / "wait × 6, is this really what you wanna be doing with your life?")
HUNTER:
• Happy/excited: extremely animated with his hands, voice gets louder, becomes very confident. Is very playful and arrogant when in golden guard mode and will usually try to show off or start relying on empty threats
• Sad: voice goes quiet and airy, voice cracks, can become raspier
• Stressed/overwhelmed: doesn't like to be touched when upset, is overwhelmed by affection and will often start crying, goes silent and dissociates when processing upsetting information, voice cracks, becomes extremely snappy and irritable from long-term stress, freezes under pressure, draws in on himself when panicking, goes silent when flustered
• Angry: becomes grumpy when things don't go his way, is extremely animated and expressive when actually angry, can become sardonic, raises voice, makes small movements (e.g. shaking leg or pacing small area). As golden guard, would try to physically intimidate the other person (e.g. looming over or walking towards them)
• Other: doesn't tend to self-blame and will either pass the fault onto someone else ("you got us trapped in the emperor's mind!"), or acknowledge when someone else was in the wrong ("you were tricked. That's what belos does, he tricks people"). Almost never initiates combat and plays a more defensive role, extremely theatrical/expressive and talkative (will have to actively restrain himself to not talk about something), squeaks a lot
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andromacheflints · 2 years ago
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*crosses out "doomed by the narrative"*
*writes "doomed by virtue of being a girl in a story that's ultimately about men" in its place*
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hadtochangemyurlquick · 2 years ago
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@toogayforthisbull you have my whole ass and one of my boobs
“Toni, you have to get the fuck out of here,” Fatin said. “Please, I’m asking you now, okay? Please leave. Please come home. Please don’t stay here. Don’t even look at it, just trust me and come home. That’s all, okay?”
New ranch au dropped gang
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flowerakatsuka · 2 months ago
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it's halloween so i have an excuse to draw kurokara as character duos that remind me of them, so here's them as jigen and goemon from lupin the III!! 🎃🦇✨
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verademialove · 1 year ago
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“Pain is the essence of life. It’s a living human’s fate to struggle and move forward in spite of that pain.”
Tomorrow (2022)
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lollytea · 1 year ago
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✨️Artists✨️
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emoreooo · 1 year ago
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boy yuri
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agalychnisspranneusroseus · 1 month ago
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Amphibia is proof that the best character writing tip is to make everyone at least a little bit problematic
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fattylime · 2 years ago
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ur drawing of nacho was so cute 😭😭 do u think u could draw the bcs characters at pride??
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these were gonna be doodles but the mental illness kicked in
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