#guiding like a lighthouse

[felassan]

What kind of spirit do you think Felassan waz?

Swag

[butt-puncher]

Still a wip but I wanted to post a spooky nico summoning spirits from their watery grave for halloween 👻

Edit:

Heres a close up :) 🦋

[bonepointlight]

roddacember day 1: character, and day 2: place. of course I had to choose verity, and the bone point light

[kraviolis]

i think camila noceda is one of those people who makes such an impact on people's lives that she ends up with a massive group of people who would all do absolutely anything for her & her family but she doesnt ever like. realize it until she actually asks for help and a hundred hands reach out to pull her back to her feet.

[timesnewfishcat]

sometimes you get trapped in the middle of the continent with no large body of water but you set up a lighthouse anyways

[thecherrygod]

currently thinking about lighthouse keeper hdb and ship captain kim kitsuragi................

like.. look. hes in the lighthouse. alone. only company his skills and some alcohol to also keep himself warm in the winter. most interactions he has are the people that he gets stuff for his own survival. dora's been out of the picture for a looooooong time now, he wasnt around often, the pay isnt relayable, and every time she met him he was worse, so she left. all he has is himself, and the lighthouse.

there are times in which the light will reflect on the fog in the ocean, and he will see her in there, as if she was a guardian angel with long blonde hair who would take any ship coming nearby into her hands as toy boats, and she could decide if theyd make it to safety, or if shed just drown it on a whim. all he can do is manifest her with the lights, but her actions are her own.

and then theres kim, the diligent captain of a ship that has all the love in his heart, something he can use to move through fog and pale alike without losing himself to his surroundings, always ready to make sure him and as many as his men survive what the sea has to offer them, but he knows its dangerous, all of them do, everyone is ready to lose their lives if it comes to it. storms and tides and an inavility to see through the weather, they are all ready to manouver the ship or die trying.

thankfully at the worst times, theres always a helping hand, a guiding light helping him move in the right direction, making sure hes able to keep them as safe as possible even through the worst storms and the densest of fogs hes ever seen.

[torchickentacos]

I never do this, but reblogs were off and I want to shout this at everyone. stealing this post.

more thoughts under read more. I know it's a popular saying and I never look down on people who say things like this before knowing the impact they have (or even after to an extent, I have too much benefit of the doubt to go around), as we all have things we say and do that have negative impacts, and sometimes you never know to change that until someone points it out. So this is NOT a call out post or whatever, this is my rambling emotional thoughts on a topic.

I think first and foremost, I'm bothered by the ableism of course. But secondary to that is my annoyance at seeing people act high and mighty about fandom discourse. Like, if you want to talk to adults with jobs, go to linkedin or something, not tumblr, where we do care about things, and where we do discuss things.

And I GET thinking some discourse is stupid. I DO! because guess what. some discourse is stupid skjfhsdjkjfhsdjfhkdjs. I've joked about the poke/amour stuff before. I'll clown on some things, and maybe that makes me a hypocrite, but I feel like a step is taken when you take it from 'making fun of the discourse', something we all do to an extent (which dare I say is a form of participating in it) to 'making fun of the people who engage in such discourse'. We are FREE to talk about how silly the voltron stuff was. We are FREE to be snarky about things because human nature is to be a bit of a hater sometimes. but do it in a way that jabs at the topic and not the people.

But I think a lot of it also hinges on how we see human value on a larger scale. People make fun of people who work retail, people who don't have jobs, people whose jobs are considered extra or undesirable like sex workers, et cetera, despite these jobs being IMPORTANT. It's disheartening to me to see people lean on these types of jabs, and I think it tends to paint human value as something purely based on what you can give out to the world. It leans on this sort of input-output based system of determining how valuable or worthy someone is. And if they don't meet that standard value of 'adult with job', then their opinions are moot as jobless losers in their mom's basements or whatever the fuck. I think the whole thing leans into the conservative 'special snowflake' attitude, which isn't something I think we should be leaning on in arguments or discussion.

And I think that the intent is usually not to be ableist. Most people don't start their day wondering how they can insult disabled people, I'd hope. But intent and impact are often detached, and good intent (avoiding discourse) can have a bad impact (making fun of people in the name of pointing out issues with disocurse). I also think race could be a component, given how racial discrimination in hiring is still a very real thing and is a real factor preventing people from getting 'GoOd ReAl JoBs', but I'll leave that side of the discussion to someone who is more qualified to talk on it than I am. Feel free to chime in with any insight on that side of the coin if you want!!! I imagine the same also goes for visibly queer people but I'm not going to get into the straight/cis passing stuff right now.

And maybe I'm looking too far into it. Maybe I'm just thinking about it too much, maybe it's just a funny little saying that TOTALLY doesn't affect actual people in any way. After all, I'm just some jobless disabled loser in my parent's house talking about discourse on tumblr, aren't I?

[owlyjules]

Wisptober Day 17: Waiting

“On a weathered cliff overlooking the tempestuous sea, a monumental feminine figure stands vigil over dangerous shores.  She raises a flickering lantern above her head to cut through the darkness and guide returning ships safe to harbour.  

Local legend insists that she is an aggregation of all the sweethearts and wives still waiting for their beloved to come home.”

My idea was like " What if a ghost was a lighthouse!":D One day behind now but hopefully I can catch up this weekend!

[lonlonranching]

i’m thinking about Lake superior…… seeing that shit was literally crazy

[rhiaghostriley]

Okay, hear me out.

What if actually, Simon has only had a few girlfriends in his life, so caught up in his job he doesn't have time to hang out ?

What if Simon doesn't like one-night-stands, not comfortable enough to go to people he doesn't know ?

What if Simon is the man of one woman ? When he loves you, it's for life, through bad and ugly, because he is devoted and loyal. When he loves you, he only has eyes for you. Never would he look at another woman, because you fill his heart so completely that his brain is shut down and his eyes focused on your beauty. YOU are beautiful, YOU are the light of his life, it's YOUR smile that makes his breath catch and his heart skip a beat, so what's the matter of looking at what doesn't count ?

What if, despite all that, Simon is still emotionally immature, due to his lack of experience with relationships, but you teach him ?

You don't get mad or upset because you know he has the emotional baggage of a six years old, and in fact you love him for that. So you call him out, gently, when he overreacts, when he messes up.

What if actually, Simon is not a monster impossible to tame, but just a man love starved who needs to be guided, and as his lighthouse you and your love are the perfect tools for that ?

Even if people look at you, speechless and dumfounded, when they see you put your hands on his cheeks to catch his eyes, and Simon relax immediately to your touch, mumbling "Sorry, love" when he goes too far, but that's only because he loves you and wants the best for you.

Even if they don’t understand that what they see, the mask covering the face you love so much, the mountain of a man following you everywhere, hostile aura seeping through his eyes, when someone gets too close to you, but it's his way of loving you. Protecting you, making sure you're safe and sound at all times, because if you were not it would break him. He can't lose you, he told you, he'll love you forever.

What if Simon actually wore his heart on his sleeve, but just never learned how to love ?

[ringmaster-morningstar]

@brokendreamscreation

Yannis Ritsos, trans. by Kimon Friar, from a poem featured in "Erotica: Love Poems,"

[plutonianeris]

Asteroid Sirene (1009)

so now that shes gone you can embrace whats to come and die with a smile…

The Siren’s Face

In the first house, Sirene gives you a magnetic presence. Your very being becomes a song, calling others to you with an irresistible charm. People are drawn to you, captivated by your beauty and mystery. They want to be close, but you remain just out of reach, like the sea's horizon.

The Song of Desire

In the second house, Sirene's power weaves into what you own and value.You're drawn to beauty and luxury, and others are drawn to you because of your refined taste. You have a way of making people crave what you have, as though your possessions and sense of worth are enchanted by a siren's song.

The Seductive Whisper

With Sirene in the third house, your words have a magical pull. You speak, and people listen, hypnotized by the way you turn ordinary conversations into something almost poetic. There’s something in your voice, something mysterious, that keeps people coming back for more, even if they don’t understand why.

The Lure of Home

In the fourth house, Sirene sings through your home and roots. Your family life holds a deep, secret charm, like an old story whispered over and over. People feel comforted and enchanted in your presence, as though you carry with you the echo of a forgotten dream, a place they long to return to but can’t quite remember.

The Seduction of Joy

In the fifth house, your creativity and joy have a captivating glow. Every time you create something, be it art, romance, or laughter, it draws people in like a siren’s call. Your playful spirit is irresistible, making you the center of attention. Love and pleasure surround you like waves, leaving others enchanted in your wake.

The Enchantment of Work

In the sixth house, Sirene works her magic through your daily tasks. You bring a special allure even to the simplest routines, making them seem almost magical. People are drawn to how you handle things with such grace. But be careful—this placement can make you give too much of yourself, as if you’re constantly pouring your energy into the service of others, always leaving them wanting more.

The Siren’s Reflection

In the seventh house, your relationships are drenched in Sirene’s charm. Partners are mesmerized by your mysterious allure. They see in you something almost otherworldly, and though they try to hold onto you, you remain elusive, a dream they can never fully grasp. Love becomes a delicate dance of desire, with you always just out of reach, tempting them to come closer.

The Deep Seduction

In the eighth house, Sirene pulls you into life’s hidden depths—sex, secrets, and transformation. There’s a dark, alluring energy around you that others feel drawn to but may not fully understand. You captivate with your power to explore what others fear. Like the deep ocean, you are full of hidden treasures and mysteries, luring others to dive deeper, even if it terrifies them.

The Call of the Horizon

In the ninth house, Sirene calls you to explore distant places and ideas. Your curiosity about the world is like a siren’s song, pulling you toward the unknown. Others see in you a seeker, someone chasing dreams and wisdom far beyond the everyday. Your passion for adventure and truth enchants those who long for a life of freedom and exploration.

The Allure of Success

With Sirene in the tenth house, your career and reputation carry an undeniable allure. You become a figure that others admire from afar, like a lighthouse guiding ships in the night. Your ambitions have a seductive pull, and people are drawn to your vision of success. But, just like the sea, your achievements always seem to hold a little more mystery than meets the eye.

The Siren of Dreams

In the eleventh house, Sirene’s charm fills your friendships and dreams for the future. You stand out in social groups as someone with a captivating vision of a better world. People are drawn to your ideals, sensing that you hold the key to something extraordinary. Yet, your dreams are always just out of reach, as elusive and beautiful as a distant star.

The Ocean of Mysteries

In the twelfth house, Sirene whispers in your soul, pulling you toward the unknown. You are a dreamer, constantly moving between the world of reality and the realm of mystery. People are drawn to your deep, spiritual energy, sensing that you know secrets they’ve long forgotten. You are like the ocean itself—endless, deep, and always calling them to dive in, even if they don’t know where it will take them.

[veilkeeper]

there's something interesting about emmrich's hangout being so... structured and composed. everyone else's hangout is under the guise of some sort of errand, yes, but they're very casual and free-form. whereas with emmrich, he's taking you on this tour of the memorial gardens in the necropolis. and it is a tour—when he shows you the undead tableaux, it feels like he's reading off a script with the way he describes it to rook, tour guide style. and later, when he opens up to rook, it is always him initiating with the distinct feeling of something being said on purpose, like he had prepared to discuss it.

the flirt at the end gives a romance-flavoured explanation: that he was specifically trying to impress rook, that this is an attempt to endear himself to them. and in a lot of ways, it does look like that: he takes rook to one of the most beautiful, peaceful places he knows, opens up to them about his past, and then he has tea set up at the end of it, like a good host. (he is also rather caught off guard when you flirt with him here, and it could be interpreted as him being embarrassed at being caught out, or trying to walk it back so he doesn't offend).

however.... i don't really think that was his intention? this is probably coloured by the fact that i feel like, comparatively, emmrich has had very few one on one interactions with rook to this point and he breezes by the only flirt before this, but i don't think he walked into the memorial gardens with any intention to charm or otherwise woo rook, here. i think his intention was to get them alone and get an honest read on how they felt about him. specifically, about his work as a necromancer.

if you've rotated different people through the party with him, and if you've paid attention to the conversations he's had with others in the lighthouse, it becomes abundantly clear basically immediately that everyone has opinions on necromancy, and they largely fall into the territory of distrusting, put off, or even outright disgusted by it. a lot of emmrich's early banter with several party members is him going about the pretty exhausting ordeal of defending his magic, the mourn watch, his fields of study, manfred's existence, etc. and because of the lack of one on one time with rook, i'd be surprised if he felt like he'd really had an opportunity to get a read on what his new colleague actually thinks about it all.

so i think he is trying to impress rook, just... not like that. i think he's trying to prove that the necropolis is beautiful, that it's laden in history and rituals that mean something. that the mourn watch is good (the sort of order that would take in an orphan, and give him purpose and structure), and that even necromancers can fear death. i think he's trying to prove that he's a person, under all the misconceptions about his work that seem to go around the lighthouse when he isn't looking.

and i think that's why he looks so taken aback and genuinely surprised when rook flirts with him at the end—because it really wasn't his intention, but he recovers fast enough to pivot with grace. i don't think he's uninterested, i just think he wasn't sure rook could be.

[artytaeh]

I literally beg of you write mattheo with mother issues, calling reader mommy when he’s being all cuddly 🙏🏻

listen, mattheo riddle would sprint to the black lake and willingly drown himself in the cold water if someone was to ever, ever know about this, but—

merlin, mattheo really has difficult days sometimes. a bad day is one thing, but when school's stupid assignments accumulate with other frustrations, such as a fistfight, some stupid comment or a quidditch practice that doesn't go as mattheo would like...

fucking hell. mattheo doesn't even have the strength to beat something up to discharge the frustration inside of him.

the thing is, days like these transform the initial sense of anger to frustration, that slowly becomes sadness. melancholy even, if you will.

do things have to be so difficult to him? at times like these, mattheo doesn't know what to do. after all, he didn't have a supportive father, much less a caring mother to cuddle his heavy feelings away.

so he goes to you.

mattheo moves on autopilot, pacing around the halls, heavy steps as he does a beeline to your bedroom. he lacks some education, you see, because it's so rare for him to knock.

when he's like this, mattheo does worse than just open the door. he barges inside, demanding as he holds back those powerful feelings gnawing his heart.

it doesn't take a long time for mattheo to embrace your waist, manhandling you into the position he needs: his head resting on your soft chest, arms around your torso, laying on top of you.

yes, mattheo will nuzzle closer and close his eyes, drowning in the comfort of you; your warmth, your scent, the comfort and safe space you provide him. huh, for someone who lived this long without it, mattheo quickly becomes addicted, and used to this feeling.

... no, he won't say a thing about it. just let him nap a bit while you play with his curly hair; please and thank you very much.

this might be one of the only times you'll hear this man whine. if you dare to go away, nevermind if the dorm is literally on fire— mattheo glares and frowns at you, lacking any bite, only a silent plead for you to stay.

sometimes, if the frustration is still bubbling inside him, things might become... sexual. intimate, even.

⋯ ⋯ ﹒ 🪻 ’

the smooth and comfortable skin of your thighs serves as the most marvelous pillow for mattheo, offering him a half laying, half sitting position as he cuddles close to you.

for the life of him, this is an unspoken secret between you and him.

how would his best mates, hell, how would the entire school react if they knew how fast mattheo riddle, the supposedly tough and dominant slytherin, comes so fast like this?

mattheo hums and moans lowly, his lips curled around your nipple, sucking at the soft skin of your breast. his arm embraces your body, keeping you close— the other hand cups your other breast, much more gentle than the hungry, insatiable way that he makes you moan, his lips making your chest so, so sensitive.

that calloused hand of his squeezes your other breast, however, each time your hand tightens around his aching length— mattheo can't help but become a bit rougher as well.

fuck, mattheo can't think. he can't think, he won't be able to form one single thought at all.

so you guide him.

your voice is like the light of a lighthouse, guiding him through the darkness and intensity of the sea. mattheo swears that your voice never sounded this good, sultry and pleasant to his ears.

the moans he lets out from how your hand pumps at his length are sinful. do you have to be so cruel? no, you're being kind— taking care of him so, so well. your hand moves torturously, up and down, feeling how he throbs around those fingers that make his hips buck.

please praise him for doing so well. for once, mattheo doesn't complain or feels the need to be stubborn— do you want him to look at you? he will. is he supposed to lick or suck? he'll leave hickeys marking his territory, but please praise him. he's doing so good for you.

🗯️ : what do you say when i'm being so good to you? hm?

m : thank you. fuck, thank you so much, please don't stop. thank you, thank you...

the roles are usually reversed; mattheo is the one to dirty talk more during your intimate moments, to tease and provoke you— however, there's some strange kind of comfort and even relaxation during these occurrences, when mattheo riddle lets someone else take care of him, instead of being the one in charge all. the. time.

do not mention this to anyone either; mattheo will deny it with his life. five minutes later, as soon as you're alone, he'll give you a look that silently begs you to ignore him.

mattheo is a pda man. nevermind if you're in the privacy of your dorms, or in a crowded hallway; he likes to be touching you, with one arm wrapped around your shoulders or waist, at least holding hands.

during these times, however, mattheo becomes clingy. unbearably so; he'll hug you close, nuzzle closer, trying to have you as close as possible.

and the thing is, the word almost left his lips, once that he had been way too distracted to hold his tongue.

m : fuck, mm—

🗯️ : hm? what was that, love?

m : ... nothing, nothing. nevermind, and not a word about this.

if mattheo riddle already was embarrassed about breaking his tough guy demeanor, well, it would be a cold day in hell before anyone finds out that he almost called you mommy, this one time.

🪻 ; . . . fandom : harry potter.

— i'm so sorry for taking so long with this drabble </3 i've been doing really slow with my rq; i'm having a really hard week :( but i'm (slowly...) working on all of them! 🗯️

the headers + gifs + icons aren't mine. credits to the respective creators ! 🌷

[felassan]

DA:TV spoilers under cut.

The Felassan Files (DA:TV-specific post)

Post will be updated if/when needed as I go. This post is a WIP. :)

Please let me know if you have found a codex entry or note etc that I have missed in this post.

DATAMINING

“GENERAL FELASSAN AGE RANGE: 40 CHARACTER DESCRIPTION: The second in command of a resistance army. You’ve an elf who’s fought against the tyranny of your gods, cruel despots who’ve enslaved your people. You’re practical, level-headed, and have good sense for what other people are feeling, which makes you well-suited for your role. Your leader is an elf called Solas, a powerful mage who isn’t quite the people person you are. You respect him, and are there to help him with whatever he needs - especially when he needs guidance about being the face of a resistance.”

“BETRAYAL OF FELASSAN CHARACTER DESCRIPTION: A powerful undead born from Solas’s regrets and betrayals (in this case, Solas’s murder of his friend Felassan by stabbing him in the back).”

[original source, original post]

Betrayal of Felassan is an undead - a revenant - embodying one of Solas' greatest regrets, his murder of his friend.

CODEX ENTRIES

Codex Entry: Introduction to the Lighthouse

"Introduction to the Lighthouse Once, the Lighthouse was a place of learning, with tools to study the secret workings of great magic. When Solas rebelled against those who call themselves our gods, the Lighthouse became his center of operations, with tools to study the best ways to free ourselves from the tyranny of the Evanuris. You are safe here, both those of flesh and those of Fade. Any who wish to help are welcome. The magic of the Lighthouse will provide for your needs, see to your comfort, and even help you understand different tongues, for those who escaped here from distant parts of the empire. Should you have any other needs, ask for the Slow Arrow, and I will help. --Felassan"

Codex Entry: The Dread Wolf's Eluvian

"The Dread Wolf's Eluvian Most of us have only traveled through the eluvians at the whims of those who called themselves our gods. We know them as mirrors that always go from one to another, a bonded pair linked no matter the distance. Solas has outsmarted the so-called gods. If we used normal eluvians, they could track us to our lair. Solas has improved upon June's work by creating a mirror whose singing stone can change its tune to take us to any eluvian and not just its bonded partner. Thus, we can travel wherever this rebellion needs us, with no fear of pursuit. Travel is as safe as a normal eluvian. If you have questions, ask for the Slow Arrow, and I will guide you. --Felassan"

Codex Entry: About the Freed Slaves

"About the Freed Slaves We got word from the warding sites. Many dead, far more than the casualties we inflicted. The story being spread is that we killed everyone. Andruil's servants made examples of a few and claimed the Dread Wolf is trying to weaken Arlathan by attacking servants and destroying the wards. It's hard to tell what people really believe now. I know you're likely berating yourself reading this. Just remember the faces of the people we saved. We can't control what the Evanuris do. And yes, we have to keep playing up the Dread Wolf. The people need someone they believe is strong enough to protect them, or they'll never join us. Don't worry. I promise to mock you viciously if you ever start believing those stories yourself. --Felassan"

Codex entry: Aftermath of Disparaging the Gods

[codex entry is from game files]

"Aftermath of Disparaging the Gods You were right. The Evanuris did not like the insinuation that they need protection. The good news is that public sentiment has turned against the lyrium knights, and our agents got information that let us destroy one of the sarcophagi. The bad news is that Andruil and Ghilan'nain made a big show of putting down a protest in the east personally instead of sending the knights. Andruil left a crater where the town stood, and Ghilan'nain is using the people taken prisoner as fodder for her experiments. This isn't your fault, but still, this is exactly what I was worried about. It's not enough to be right about these things. We have to think about the consequences. --Felassan"

Codex Entry: Felassan's Concerns about the Dagger

[codex entry is from game files]

"Felassan's Concerns about the Dagger I'm keeping calm in front of the new recruits, but you've been dodging me for weeks now. We need to talk about the lyrium dagger. Yes, it's powerful. So is an erupting volcano, and nobody would try to harness that for power. (Well, maybe Andruil, but do you really want to be compared to Andruil?) We need to stop the Evanuris, but I'd rather we didn't destroy the world in the process. If you're certain you can control its power, tell me that. In those words. No equivocating. Also, you and I both know what this dagger means to you. I don't cast my best spells when my spirit is unbalanced. Do you? (That's a real question. Maybe you do!) I'm with you no matter what. --Felassan"

NOTES

Note: Mirrors Upon Mirrors

"MIRRORS UPON MIRRORS This place is amazing. June's normal eluvians function with twinned lyrium fragments. One always leads to another. Solas somehow talked the Crossroads into making Fade-eluvians that override them. His own network to run our rebellion. Provided you ignore all the old stories about holding mirrors up to mirrors and getting caught in the infinite reflections. - Felassan"

Note: An Unknown Artifact

"AN UNKNOWN ARTIFACT What are the Crossroads doing? “The spirits of the Crossroads do as they must, Felassan. As do we all.” Thank you, Solas. That's incredibly useful. Really helps your old friend pull together a rebellion against the Evanuris. - Felassan"

Note: The Blighted Tree

"THE BLIGHTED TREE This is a holy place. The tree draws strength from the earth, just as the first elves did. Some younger elves grow trees in the cities to honor their ancestors. Roots have a tendency to dig down and gnarl up, then twist around things they aren't supposed to, though. Hoping that metaphor doesn't stick. - Felassan"

Note: The Cathedral of Roots

"THE CATHEDRAL OF ROOTS When we first started, this was a safe place for spirits who joined our cause to find peace from the stress of battle. Now... I don't know. Not a lot of spirits use it any longer. Have they grown stronger, or has the fight against the Evanuris made demons of us all? - Felassan"

Note: A Refuge for Mythal

"A REFUGE FOR MYTHAL Solas always thought Mythal would join us eventually, that she was better than the rest of the Evanuris. He made this place so she'd be comfortable here once she joined the rebellion. Now it's too late. Solas has sealed this place off out of grief. He won't let me in. I'm sorry, my friend. There was something left for the war to take from you after all. - Felassan"

Note: Calm Before The Storm

"CALM BEFORE THE STORM I come here sometimes when I need to be myself. Not Solas's friend Felassan. Not the Slow Arrow of the rebellion. Just me. He hasn't been right since what happened with Mythal. He's planning something with the dagger. And if it were a good idea, he'd have told me. Damn it, Solas. I'm with you as long as we're protecting the innocent from the powerful, but you make it hard sometimes. - Felasan"

Note: The Empty Forest

"THE EMPTY FOREST This place used to be full of spirits who flocked to Solas's cause. When his ritual went wrong - when everything went wrong - he vanished, and the spirits stopped coming. Where are you, my friend? You stopped the Evanuris, but broke the world. Please tell me you didn't leave me to fix all this alone. - Felassan"

Note: Faded Note

[this note is not explicitly signed as being by Felassan, but it seems likely to me]

"FADED NOTE Look at this place. We planned a rebellion here once. Said we'd change the future of the elves, throw off tyrants, and we did. Now the path outside is fractured. It'll be hard rekindling all the eluvians. Solas, if you see this: I'll be looking for you, out in this world and in the mortal one. Don't cause too much trouble before I get there."

FELASSAN'S RUNE

"FELASSAN'S RUNE The power of Felassan's Rune is based on how much of the gods' influence you drove back in the Crossroads. Equip Felassan's Rune at the Character screen, and use [buttons] to activate it. This rune can only be used against Elgar'nan."

Close-up of the image of the rune from the pop-up above:

The rune comes in three different strengths, each with a differing design. The design increases in complexity as the rune's strength does. Image of the Ultimate version of the rune, called "The Ultimate Salvation of Felassan":

The design of the carvings of the Felassan runes btw are shaped like arrow-heads, very fitting for the Slow Arrow... :)

I think the two weaker versions of the rune are called The Lesser Salvation of Felassan and The Greater Salvation of Felassan respectively. The appearance of the "Lesser" version is the one shown in the close-up image from the pop-up. And the appearance of the "Greater" version is:

Morrigan's dialogue when she gives Rook the Ultimate version of the rune:

Morrigan: “‘Tis a difficult battle you face, but you are among more allies than you know. You have purified the Crossroads, uncovered ancient truths lost for ages, and earned the essence of Mythal. You are truly the champion of the Fade. Take this. Should your fight against Elgar’nan grow desperate, invoke the memories of the Dread Wolf’s rebels. For you, they will stand against tyranny one las time.”

Rune effects info boxes, explaining what the Ultimate version does in gameplay:

DIALOGUE (this section is a WIP)

The boss "Betrayal of Felassan" has the following lines of dialogue, said as combat barks during its boss fight:

“His back, turned.”

“A story, unfinished.”

“For the Wolf.”

“For freedom.”

These lines of dialogue refer to Solas' murder of Felassan as depicted in Dragon Age: The Masked Empire (and his regrets around this), Felassan's role in their rebellion, and Felassan and Solas' relationship.

MISC

Voice actor: Chris Gordon [IMDB]

Hair: I think Felassan's in-game hairstyle is available in the CC - Hair 47

Vallaslin: Mythal's (as was known before DA:TV released), specifically I think it's Design 34 from the CC

Armor: I think Felassan's in-game armor is available as an appearance Rook can have for theirs. The name and description of it are as follows -

"Arlathan’s Fall (Arlathan) Appearance The harder they hit you, the stronger your resolve. Crafted from ancient Arlathan alloys."

[writer-logbook]

How to get back into writing: a 5-steps guide

As someone who hasn't written anything in a decade, this is what I did to get back into writing seriously.

Identify which archetype of writer fits me better. You may have heard George R.R. Martin saying there are two types of writers: gardeners and architects. Whether you believe in that statement or not isn't relevant per se, but the actual meaning behind that point is that you need to get to know yourself as a writer, how you work, what you need, etc., so you can adapt your environment to achieve your goals. Speaking of which…Gentle reminder : you're a person not a robot. You are allowed to work the way you want to, and not to follow whatever pieces of advice that are linked to these archetypes.

Set a realistic word count/session I can stick to over the long term. When you're a 9-6 office employee, it's not always easy to find time to write and sometime our day at work got the very best of us. Having that in mind, I set my word count up to 200-500 words per session or 1 chapter per week (they're rather small in my case). Gentle reminder : babysteps are better than no-step at all.

If I'm not writing, fine, I'll do some research or anything else. Your story will always require something from you. When I'm not in the mood for writing, there are two options : forcing myself or doing what I call para-writing. For instance it's : reading articles or books about improving my writing style, improving my worldbuilding, drawing a map of my city etc. This are not things that would appear in the novel but it would guide me throughout the process the way a walking-stick would do for an injured man. Gentle reminder : you always find something useful to do but at the end of the day, you still have to write.

Have a general idea of what I want to tell. I won't lie, I've plotted my entire novel from the very beginning to the very end, which means I know exactly what to write and when. If you're against having a defined plot, I'm no one to judge, but having at least the key events or the major points will definitely help you. Like a lighthouse, it will help you navigate through the mists of confusion or hesitation. Gentle reminder : It's better to know where to go even if you end up losing yourself along the journey. Having the map doesn't mean you have to follow it, but rather when you can allow yourself to take a step to the side.

Write something I enjoy. A bit cliché I admit, but it's the best advice I could give. You'll spend hours, days, weeks - even years !- on that story so better buckle up to something you really want to write. Otherwise the risk is to abandon that hard-work you've done halfway through the process. No one needs that frustration and that self-doubting questionnings. No one. Not you. Not even me. Gentle reminder : it's okay to want readers and reviews but I promise you, your writing will be really different on something you trully want to share...Remember how pissful it was to write an essay for class you didn't want to ?