#guggenheim entertainment

[graphicpolicy]

Preview: Black, White & Bloodshot #1 (of 4)

Black, White & Bloodshot #1 preview. Enter the world of Bloodshot in this brand-new Black, White, and Blood anthology! #comics #comicbooks

[keycomicbooks]

Green Lantern #14 (2024) Chris Samnee Card Stock Variant, Marc Guggenheim & Jeremy Adams Writers, Darick Robertson & Fernando Pasarin Pencils, 1st Team Appearance of the Shadow Lanterns, Absolute Power Event Tie-In

#GreenLantern #14 (2024) #ChrisSamnee Card Stock Variant, #MarcGuggenheim & #JeremyAdams Writers, #DarickRobertson & #FernandoPasarin Pencils, 1st Team Appearance of the #ShadowLanterns, #AbsolutePowerEvent Tie-In "Escape from Gamorra Island" HOW FAR WILL HAL JORDAN GO TO ESCAPE THE CLUTCHES OF #AMANDAWALLER? Hal Jordan must don the weapons of DC's greatest villains to escape Amanda Waller's clutches and reconnect with the heroes who are set to strike back at this new Absolute Power! https://www.rarecomicbooks.fashionablewebs.com/Green%20Lantern%202023.html#14 @rarecomicbooks Website Link In Bio Page If Applicable. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA #KeyComicBooks #DCComics #DCU #DCUniverse #KeyIssue

[didi-on-the-side]

First 2 days of my first solo trip.

its a little weird but pretty enjoyable. I'm not great at making random convo with people but I am good at entertaining myself. I think i picked a nice place for it, Bilbao was nice to wander around and I spent hours at the Guggenheim. San Sebastián is gorgeous and the food... 🤤 my high school Spanish is getting the workout of its life (and failing lol) I think it would all be a little better if it wasnt raining so much but 🤷🏾‍♀️

(and very windy 😋)

[litproducer]

•Name: Ariel

• Location: New York City

• Production coordinator at an apparel company; you chances are you own one of our products and a photographer.

• I grew up in NYC but at the age of 18 I left to be with my ex in California for 13 years.

• My ex and I met on AOL and were together for 15.5 year. 😵

• While in California I became good at videogames and even owned a video game business making $1,500/day.

• Became a pro gamer, attended E3, and contributed to game development.

• Wanted to be an entertainer growing up so I pursued voice acting, acting, dancing, singing, and drawing. My art was displayed in the Guggenheim at age 9.

For years I thought that Skills later helped me land small commercials and advance professionally. For example, I was the host of a podcast for a Californian city.

• Went from an F student in high school to earning a 3.99 GPA in college and graduated with 13 degrees. After that, I received full-ride offers to every college and university in California.

• Was pushed into the TA programs in college and got hired. I was a an official TA/SI Leader/Tutor for the college.

I never been proud of my accomplishments but typing this out I’m realizing I should be.

[s-o-a-p-ing]

W.H. Auden’s Christmas Oratio

 “For the Time Being”

Well, so that is that. Now we must dismantle the tree, Putting the decorations back into their cardboard boxes — Some have got broken — and carrying them up to the attic. The holly and the mistletoe must be taken down and burnt, And the children got ready for school.

There are enough Left-overs to do, warmed-up, for the rest of the week — Not that we have much appetite, having drunk such a lot, Stayed up so late, attempted — quite unsuccessfully — To love all of our relatives, and in general Grossly overestimated our powers.

Once again As in previous years we have seen the actual Vision and failed To do more than entertain it as an agreeable Possibility, once again we have sent Him away, Begging though to remain His disobedient servant, The promising child who cannot keep His word for long. The Christmas Feast is already a fading memory, And already the mind begins to be vaguely aware Of an unpleasant whiff of apprehension at the thought Of Lent and Good Friday which cannot, after all, now Be very far off.

But, for the time being, here we all are, Back in the moderate Aristotelian city Of darning and the Eight-Fifteen, where Euclid’s geometry And Newton’s mechanics would account for our experience, And the kitchen table exists because I scrub it. It seems to have shrunk during the holidays. The streets Are much narrower than we remembered; we had forgotten The office was as depressing as this.

To those who have seen The Child, however dimly, however incredulously, The Time Being is, in a sense, the most trying time of all. For the innocent children who whispered so excitedly Outside the locked door where they knew the presents to be Grew up when it opened. Now, recollecting that moment We can repress the joy, but the guilt remains conscious; Remembering the stable where for once in our lives Everything became a You and nothing was an It.

And craving the sensation but ignoring the cause, We look round for something, no matter what, to inhibit Our self-reflection, and the obvious thing for that purpose Would be some great suffering. So, once we have met the Son, We are tempted ever after to pray to the Father; “Lead us into temptation and evil for our sake.”

They will come, all right, don’t worry; probably in a form That we do not expect, and certainly with a force More dreadful than we can imagine.

In the meantime There are bills to be paid, machines to keep in repair, Irregular verbs to learn, the Time Being to redeem From insignificance. The happy morning is over, The night of agony still to come; the time is noon: When the Spirit must practice his scales of rejoicing Without even a hostile audience, and the Soul endure A silence that is neither for nor against her faith That God’s Will will be done, That, in spite of her prayers, God will cheat no one, not even the world of its triumph.

For the Time Being is a pivotal book in the career of one of the greatest poets of the twentieth century. W. H. Auden had recently moved to America, rethought his entire poetic and intellectual equipment, and reclaimed the Christian faith of his childhood.

Then, in short order, his relationship fell apart and his mother, to whom he was very close, died.

In the midst of this period of personal crisis and intellectual remaking, he decided to write a poem about Christmas and to have it set to music by his friend Benjamin Britten.

Applying for a Guggenheim grant, Auden explained that he understood the difficulty of writing something vivid and distinctive about that most clichéd of subjects, but welcomed the challenge.

In the end, the poem proved too long and complex to be set by Britten, but in it we have a remarkably ambitious and poetically rich attempt to see Christmas in double focus: as a moment in the history of the Roman Empire and of Judaism, and as an ever-new and always contemporary event for the believer. 

For the Time Being is Auden's only explicitly religious long poem, a technical tour de force, and a revelatory window into the poet's personal and intellectual development.

(Slightly edited from the Amazon page to which the original post was linked...)

[reynita9]

The year is 1912, The luxurious “Millionare’s Special” steam engine oceanliner RMS Titanic is about to embark on her maiden voyage. Aboard it are John Aster, Isador Strauss & Benjamin Guggenheim; three of the world’s wealthiest men, who are opposed to the creation of the federal reserve banking system and turning the USA into a corporation. JP Morgan Chase, the owner of the ship, coincidentally was not aboard. He’d intended to be, but cancelled just hours before it’s departure. Which is terrible considering he’d invested 7.5 million dollars into it (1911 7.5 million… according to an internet inflation calculator that is equivalent to $2,401,002,631.53 “two billion ,four hundred one million ,two thousand ,six hundred thirty one dollars and fifty three cents” in 2023!) Tragically amongst thousands of others Aster, Strauss, and Guggenheim perished at sea when The Titanic crashed at full speed into an established iceberg. So sad. But without them around to use their wealth and power in opposition of the creation of a Federal Reserve System, in 1913, a year later, it was signed into law.

It’s interesting that now in present time, 2023, Billionaires were adventuring to the bottom of the ocean sea-floor, for entertainment’s sake, to traverse the oceanic graveyard of Titanic Shipwreckage.. of course they died too, and with full time coverage. All of those of us who never even asked suddenly being non-consensually updated and roped in. I was at work today and people were like “Did you hear? They ran out of air.” I’m like who the fuck even are they? But still, it’s trippy. Especially after a year of many satirical eat-the-rich-laugh-at-them-suffering films topped charts. In these times laughing at kings fall is all we have, I get it. But it gets weirder, because the CEO of OceanGate Expositions was married to a woman named Wendy Rush, who’s the great-great-great granddaughter (by blood) of Isador Strauss (remember him? mentioned above ^) it’s crazy! How esoteric. But I don’t really even want the focus to be on waterlogged billionaires or the late Strauss Bloodline.. I want to go back to 2023 JP Morgan Chase.. the original man is dead but his namesake and legacy live on, leeching evil into the earth. I wonder why it doesn’t get more press when ten days ago JP Morgan Chase Bank agreed to pay $260 million dollars to victims of Jeffrey Epstein to settle their class action lawsuit around the bank associating with Epstein as he trafficked people and even after he was convicted of pedophilia. TODAY, the same fucking day that these random rich bros die 20,000 leagues under the sea. 6/22/2023, JP Morgan Chase (bank) is fined 4 Million dollars for permanently deleting 47 million emails. I wonder what future lawsuits they sunk by deleting that info. I wonder if this OceanGate Submarine story is real or an intentional distraction/ psyop. Idk I’ve been writing for 15 min n just got hit with so much sleepiness I’m going to be lazy and not actually conclude this at all. Banks own media Banks have bloodlust Banks know how much we love bread and circuses and it’s all smoke and mirrors. A Triangle Of Sadness that we can’t do anything about until we realize how disgustingly low they will sink to get what they want. Abolishing these unimaginably massive wealth and power inequities is the only path forward, but first we have to sit with the information we’re given, and discern and be open minded, be curious, hold massive possibilities with our mind’s eyes. not shut down, or deflect with laughter. Not be lead like a mouse to a trap. They invest trillions into keeping us busy/distracted/subdued/subservient and it doesn’t even matter because we mock and police each other and make jokes of curiosity. “Conspiracy Bullshit” / unconscious trust and devotion.

I’m not saying any of this applies to anything: I am sure it is all coincidental, this is just here to make u smile. A joke. Love u.

[spite-and-waffles]

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A post shared by Candice Patton (@candicepatton)

I stan nobody but if I stan anyone I stan Candice Patton and her Iris West. The absolute hailstorm of racism, misogynoir, trauma and alienation this lady and her character has been subjected to from the get-go is unreal. And yet for nine whole years she breathed beauty and warmth and genuineness into her character, even when delivering the worst lines of dialogue she was made to say that she knew would cause huge backlash (apologies for linking Screen Rant. Broken clock etc.). She co-founded "Shethority" with her friends Maisie Richardson Sellers and Caity Lotz in the wake of the Kreisberg scandal. And she always put herself on the line to speak out and hold her bosses accountable as much as possible.

All this while her character was barely allowed to kiss her co-star onscreen, let alone act with the same casual sexuality of any other married TV couple in a 7pm slot, under the guise of The Flash being a "family show". My heart broke for how utterly worn down and traumatized she was by the end, because not only did Berlanti Studios or the CW not protect or accommodate their Black artists and those of colour, they're also known for subjecting them to racist, misogynistic harrassment and severe exploitation of even their white male talent. This woman wasn't allowed a Black hairdresser or makeup artist for eight seasons, was only allowed to show her natural hair on-screen after five years, and had to watch her black co-stars being sidelined, suppressed and subjected to all manner of indignity with little space to offer solidarity or speak out (I don't care if Berlanti hired them for Love, Simon, the way his fucking studio treated Keiynan Lonsdale was a crime). Even her co-star Grant Gustin only woke up and came to her defence against the online abuse hurled her way eight years in.

Berlanti has cultivated a wholly unearned reputation as an envelope-pusher for the gay community in the entertainment industry, while playing it so safe that the gay couples in his shows are barely allowed to make out– the same way they treat interracial couples with one white partner. His buddy Kreisberg finally met his downfall after sexually harrassing the female workers in his shows for four years, but Marc Guggenheim, Wendy Mericle and Geof Johns are also known racists and misogynists. Even after Stephen Amell's breakdown, Ruby Rose going public with her physical trauma, firing Superman and Lois's Black writer Nadria Tucker, numerous attempts by Black actresses to speak on their working conditions in the CW, and the consistent bald misogyny, ableism and racism of these shows' storylines, the white queers in fandom continue to valorize Berlanti. Now with the release of Red, White and Royal Blue on Amazon Prime in August, again using a Mexican director and characters of colour to use QPoC fans as a shield and buttress, Berlanti's stock is going to be even higher.

The Flash had the potential to be a truly great show, and Candice's Iris West a real foothold for Black actresses and interracial romances in the white-dominated TV entertainment industry. Instead it was just another opportunity for it to grind them to dust. Just like so many other Black women and WoC who try to lead the charge. But through it all, Ms. Patton held the line. Y'all never deserved her. I hope she gets to heal and move onto projects that value her and allow her her full range of voice and expression, that recognizes and rewards her incredible talent and work ethic.

Fuck Berlanti, fuck the CW and fuck DCtv.

[ghofrana]

Best places to rent luxury apartments in Abu Dhabi

Introduction

Abu Dhabi, the capital city of the United Arab Emirates, is synonymous with elegance, modernity, and grandeur. Renowned for its stunning skyline, cultural landmarks, and luxurious lifestyle, the city presents an array of options for those seeking to rent lavish apartments. This guide will unveil the most desirable neighborhoods in Abu Dhabi, offering an in-depth look at the best places to rent luxury apartments and experience the epitome of upscale living.

Corniche

The Corniche stands as an iconic waterfront stretch that encapsulates Abu Dhabi's essence. This prime area offers a blend of opulent residential buildings, a pristine beachfront, and stunning views of the Arabian Gulf. The Corniche presents a selection of high-end apartment complexes, complete with cutting-edge amenities, top-notch security, and easy access to the city's cultural and entertainment hotspots.

Saadiyat Island

For those seeking a fusion of luxury and cultural enrichment, Saadiyat Island is an ideal destination. This upscale development is home to a collection of world-class museums, including the Louvre Abu Dhabi and the upcoming Guggenheim Abu Dhabi. The island also features exclusive residential communities offering luxurious apartments with panoramic sea views, lush green spaces, and proximity to some of the city's best beaches.

Al Reem Island

Al Reem Island is a modern marvel, boasting a myriad of skyscrapers and waterfront promenades. This cosmopolitan destination is renowned for its upscale residential towers, offering a range of luxurious apartments. The island's strategic location ensures a seamless connection to the city center, while its diverse dining, shopping, and leisure options make it a coveted spot for luxury apartment seekers.

Al Maryah Island

Dubbed Abu Dhabi's "Central Business District," Al Maryah Island seamlessly blends business and leisure. The island is home to the luxurious Abu Dhabi Galleria Mall, offering high-end shopping and dining experiences. The residential offerings on Al Maryah Island encompass sophisticated apartments with breathtaking views of the skyline and waterfront, providing an unparalleled urban living experience.

Yas Island

Known for its vibrant entertainment offerings, Yas Island is a haven for those seeking a dynamic lifestyle. Home to attractions like Yas Marina Circuit and Yas Waterworld, this area offers a range of luxury apartments catering to diverse tastes. Waterfront living, golf course views, and proximity to world-class theme parks make Yas Island an enticing option for those looking to experience the city's leisurely side.

Al Bateen

Al Bateen exudes elegance and tranquility, offering a serene environment for luxury living. This prestigious neighborhood is characterized by its tree-lined streets, upscale villas, and a selection of high-end apartments. Al Bateen's proximity to the Corniche and cultural landmarks, along with its emphasis on privacy and exclusivity, makes it a coveted address for discerning renters.

Al Raha Beach

Al Raha Beach presents a waterfront lifestyle that blends modern architecture with leisurely living. This waterfront community offers a range of luxurious apartments with views of the Arabian Gulf. The area is complemented by lush landscapes, retail outlets, and a tranquil atmosphere, making it a top choice for those seeking a harmonious blend of relaxation and sophistication.

Al Khalidiyah

Nestled in the heart of the city, Al Khalidiyah offers a central location combined with upscale living. This vibrant neighborhood features a mix of contemporary and traditional influences, providing residents with an array of dining, shopping, and recreational options. The area's luxury apartment complexes cater to cosmopolitan lifestyles, offering convenience and a sense of connectedness to the city's bustling energy.

Al Reef

For those desiring a suburban oasis, Al Reef offers a gated community experience just a short drive from the city center. This villa-centric development also features a selection of luxury apartments, providing a serene escape with modern amenities and a strong sense of community. Al Reef is an excellent choice for families and individuals seeking a balanced lifestyle.

Khalifa City

Khalifa City is a rapidly growing residential area known for its spacious properties and serene atmosphere. With a mix of modern apartment complexes and expansive villas, this locality offers a retreat from the city's hustle while maintaining easy accessibility. Khalifa City's luxury apartments come with ample space, green surroundings, and a family-friendly environment.

Conclusion

Renting a luxury apartment in Abu Dhabi offers more than just a place to reside; it presents an immersive lifestyle defined by opulence, convenience, and sophistication. From the tranquil coastal settings of Al Reem Island and Al Raha Beach to the cultural vibrancy of Saadiyat Island and Al Maryah Island, each neighborhood offers a distinct experience. By exploring these exquisite locales, prospective residents can discover the perfect address that aligns with their preferences and aspirations, embracing the pinnacle of refined living in the heart of the UAE's capital.

As you embark on your journey to find the perfect luxury apartment in Abu Dhabi, Mirador Real Estate stands as your trusted partner, committed to making your dream of opulent living a reality. 

[drownmeinbeauty]

JUST THE WAY YOU ARE

What is the difference between a painting, drawing and illustration? And how many times can one paint one's wife? These questions entertained me as I navigated the crowded ramps of Gathering, the Alex Katz retrospective at the Guggenheim. It's a fitting title because the flat, oversized, prettily colored figures in Katz' canonical paintings fill the spaces of the museum like cocktail party guests, and also because the fundamental impression of the show is social rather than aesthetic. It captures the bourgeouis-bohemian milieu that Katz and his wife Ada travel in more powerfully than any aesthetic credo.

There are some dazzling works in the lower ramps, from the 1950's, with serious propositions about portraiture. Here figures are often set against a painted white backdrop, constructed paintstakingly from observation, with each brushstroke offering some critical piece of information, as semtiotics of character. Katz once said he wanted to paint faster than he could think, and the sincerity and unfussiness of these canvases communicate something close to love. A 1958 portrait of Irving and Lucy Sandler (Irving and Lucy) captures a tenderness and tenuousness about the young couple. Strange small drips of red color from his shirt collar and suit elbow, and the seemingly unfinished sliver of space in between them, feel charged with life. The two are set, simply, in the middle of a large primed canvas, shown nearly full-size, from the front, without any backdrop or acoutrements. The lack of bravado is impressive. This is a painter trying, simply, to capture the two people in front of him. And he does.

One online review refers to Alex Katz's Planes of Colour at the Guggenheim. That's a rich formal topic that's left mostly unexplored. There are some collages in the show (built very literally from paper "planes of colour") but, like the paintings, they are flattened, communicating beach scenes without any spatial tension, like a cartoon. They seem to abbreviate optics for facile comprehension.

There's a sameness to Katz's later paintings, which employ these planes of color as a signature style and Ada as his signature subject. One earlier painting, from 1960. shows her six times, from six different vantage points, while the painted portrait of a gentleman impinges on the left side of the canvas. It's about how one person can be many people, all at once, and how the work of the portraitist is relentless and futile, as their subject slips out of the present into something else, something entirely different, something perhaps unknowable. Katz's most famous works, the very pretty, very big views of Ada's face, are magnificent graphic design and magnificent love letters. But they lack the the poignancy of his early painted portraits, which struggle to capture a person who is at the very moment, as time, and they along with it, slip away.

Alex Katz, The Black Dress, 1960.

[tenaciouspostfun]



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Works & Process

The Guggenheim and Theater.



By Robert M Massimi. ( Broadway Bob).Published about 3 hours ago • 3 min read



Robert M. Massimi.

Works and Process put forth two shows at the Peter B. Lewis Theater: "Going Dark" and" AlgoRhythm". "Going Dark" blended music across Jazz, Brazilian, Soul and Funk. The numbers were based off of street life and the direction went towards just that; at times the actors were chatting one another on stage , at other times the talented musicians entertained the audience with cool, breakthrough tunes.

The music was blended with Tap dance; the Tap not only enhanced the show, it brought the music to the forefront. The dance to the music was well choreographed bringing the "Street" fun to the music; after all, what is "Street" without good music and dance?

Like "Algo", "The Sole's House" had several stories inside the music. In "Sole's House" the story was based as a theme on Jazz clubs as well as music that is played in the cities across the country. From Washington Heights to various areas in the Bronx, Brooklyn and Queens, New York, the "Street" scene has been big since the 1980's. People dance and play/ listen to music in groups and enjoy the different dance to the many genre's of music. This has created many singers and dancers throughout the 80's and 90's, even today.

"Sole's House" gives the audience what creativity can bring when music flows freely. The band is able to improvise and adapt to the different sounds and melodies that they play. A keen eye can pick that up with the ever changing lighting as a backdrop... the lights change the mood as the music changes.

The nexus of this first act is that the band covers many years within forty minutes... the band when it is full on Jazz hits the New Orleans scene, the West Village landscape. As a time period, it could be the 50's or even today. The Brazilian flavor could be the Islands as well as "The Heights". The Funk and Soul is entrenched in the 70's, however, it still resonates today like it did then.

"Sole's House" is an excellent creation and re-creation of what a new sound can bring and out of it, creating new talent that brings forth that sound. The theater group gives us forty minutes of this flavor and mood of these select sounds.

.........................................................................................................................

AlgoRhythm .Kwikstep and Rockafella.

This side of the performance was based on was based on "Boggie" which was a takeoff on "What's Popping" or "Popping", a California creation. Under "Popping", a dance movement that was made popular by Michael Jackson. Many of the dance genre is robotic. The dance contort their bodies to an individual sound. Jackson was a master of this dance; from his famous "Moon Walk" to his sharp robotic movements, Jackson's dance style was as famous as his songs.

The thirty minute performance had different scenes against the backdrop of dance. We get a subway scene that was famous in the 80's and 90's. Many dances entertained the people waiting for a train. With "boom boxes" loud, the dancers would dance to the music in the hopes of tips. As new dances became popular, the street dancers would pick them up and that form of entertainment lasted for a good twenty years. Many of the dancers dressed like Michael Jackson as his popularity soared.

One of the scenes was particularly powerful: the fluid dance started with two dancers in a classroom learning science only to put that science theory into dance. The two bantered about the stage to a hard beat that had the audience moving to the music.

While the two different performances are somewhat works in progress, the two different shows were very engaging with subtle meaning. The second show were actors from the Bronx where the "Boggie" began, hence the "Boggie Down Bronx" meaning. The evening at the Guggenheim was fun and enlightening and worth seeing!

Michael Jackson, The Guggenheim, New York City, California, California Fires, Gavin Newsome, LA County, Los Angeles.

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About the Creator



Robert M Massimi. ( Broadway Bob).

I have been writing on theater since 1982. A graduate from Manhattan College B.S. A member of Alpha Sigma Lambda, which recognizes excellence in both English and Science. I have produced 14 shows on and off Broadway. I've seen over700 shows

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Get a look at Luciano Saracino and Ariel Olivetti's Black, White & Bloodshot story

Get a look at Luciano Saracino and Ariel Olivetti's Black, White & Bloodshot story #comics #comicbooks

Enter the world of Bloodshot in this brand-new Black, White, and Blood anthology! Meet Bloodshot, the world’s deadliest assassin! A super soldier engineered with Nanites, a versatile nanotechnology that allows Bloodshot to repair the damage inflicted on his body, change his appearance, and control machines. Black, White & Bloodshot comes from the creative minds of some of the world’s most…

[leprivatebanker]

Madison Square Garden Entertainment best idea for 2025 at Guggenheim

[walksofdubai0]

Abu Dhabi City Tour: Exploring the UAE's Capital

Abu Dhabi, the capital of the United Arab Emirates, is a vibrant blend of rich history, modern architecture, and cultural landmarks. A city tour of Abu Dhabi offers travelers an opportunity to experience the UAE’s luxurious charm and cultural depth. Here’s a guide to the must-see attractions in the city.

1. Sheikh Zayed Grand Mosque

One of the largest mosques in the world, Sheikh Zayed Grand Mosque is an architectural marvel that beautifully combines Islamic art and modern design. The gleaming white structure, with its 82 domes, massive chandeliers, and expansive courtyards, is a symbol of the UAE’s cultural and religious identity. Visitors can explore its stunning interiors and serene atmosphere.

2. Emirates Palace

The Emirates Palace is more than just a hotel; it’s an iconic symbol of luxury. This opulent landmark offers a glimpse into the lavish lifestyle of Abu Dhabi. Even if you’re not staying at the hotel, you can visit to enjoy its restaurants, cafes, and the well-manicured gardens overlooking the Arabian Gulf.

3. Qasr Al Watan

This majestic palace offers insight into the UAE's heritage and governance. Qasr Al Watan, also known as the Presidential Palace, is open to the public and showcases exhibitions on the UAE’s history, culture, and future aspirations. The intricate architecture and stunning craftsmanship of the palace make it a must-visit.

4. Louvre Abu Dhabi

Art enthusiasts will appreciate the Louvre Abu Dhabi, a world-class museum that bridges Eastern and Western artistic traditions. The museum, designed by Jean Nouvel, features a dome that creates a stunning "rain of light" effect inside. Its permanent collection includes works by artists from different time periods and regions, making it a truly global cultural hub.

5. Corniche

The Abu Dhabi Corniche is a picturesque waterfront stretching over 8 kilometers, perfect for a leisurely stroll or bike ride. It’s a great spot to enjoy the city's skyline, relax on the beach, or visit one of the nearby cafes. The well-maintained parks and children's play areas make it a family-friendly destination.

6. Heritage Village

Step back in time with a visit to the Abu Dhabi Heritage Village, a reconstruction of a traditional Emirati village. It offers visitors a look into the country’s Bedouin lifestyle, showcasing traditional crafts, workshops, and cultural displays. It’s a perfect spot to learn more about the UAE’s heritage.

7. Yas Island

For adventure seekers, Yas Island is a must-visit destination. Home to Ferrari World (the world’s fastest roller coaster), Yas Waterworld, and Yas Marina Circuit (which hosts the Abu Dhabi Grand Prix), this island offers plenty of entertainment options. Yas Mall, the largest shopping center in Abu Dhabi, is also located here, making it a haven for shoppers.

8. Saadiyat Island

Saadiyat Island is another cultural hotspot in Abu Dhabi. Known for its luxurious resorts and beautiful beaches, it's also home to the upcoming Guggenheim Abu Dhabi and Zayed National Museum. The island is ideal for those seeking a blend of culture, relaxation, and modern luxury.

9. Mangrove National Park

Nature lovers should not miss the chance to explore Abu Dhabi’s Mangrove National Park. This protected area is a haven for wildlife and offers serene kayaking tours through its lush mangroves. It’s a great way to experience the natural beauty of the city away from its bustling urban side.

10. Observation Deck at 300

For panoramic views of Abu Dhabi, head to the Observation Deck at 300 located in Etihad Towers. At 300 meters high, it’s the highest observation point in the city, offering stunning views of the skyline, the Corniche, and the Arabian Gulf. Enjoy a high tea experience while soaking in the breathtaking scenery.

Tips for an Abu Dhabi City Tour:

Dress Code: Respect the local culture by dressing modestly, especially when visiting religious sites like the Sheikh Zayed Grand Mosque.

Best Time to Visit: The ideal time to explore Abu Dhabi is between October and April when the weather is cooler.

Guided Tours: Consider booking a guided tour to learn more about the history and significance of the various sites.

Conclusion

Abu Dhabi is a city where tradition meets modernity, offering visitors a unique blend of culture, luxury, and natural beauty. Whether you’re interested in art, history, adventure, or relaxation, this city has something for everyone. A well-planned city tour will leave you with unforgettable memories of the UAE’s capital.

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Week 2 Artist Research

Anish Kapoor: Cloud Gate (2004)

Background:

Renowned British-Indian artist Anish Kapoor is known for his distinctive, large-scale sculptures. Cloud Gate, which was constructed in Chicago's Millennium Park in 2004, is among his most well-known creations. Known as "The Bean" because of its peculiar shape, the sculpture quickly gained popularity as a landmark.

Details:

Location: Millennium Park, Chicago. Duration: Permanent installation since 2004. Material: Stainless steel. The dimensions are 33 feet high, 42 feet wide, and 66 feet long. The cost is approximately $23 million and was funded by individual donations.

Installation:

168 stainless steel plates are welded and polished to create Cloud Gate's perfect, glossy appearance. The sculpture's mirrored finish reflects the surrounding population and the metropolitan skyline, producing dynamic and ever-changing viewpoints. Its highly polished surface and elliptical shape give it the appearance of liquid mercury.

Reflection:

Cloud Gate modifies the surroundings by captivatingly reflecting the skyline, clouds, and visitors. Its interactive nature is demonstrated by the regular people that walk around and under the sculpture, taking pictures and looking at their distorted reflections. The smooth, mirror-like surface of this material creates a unique visual experience for the observer by making it difficult to distinguish one thing from its surroundings.

The artwork has attracted tourists and locals alike as a representation of Chicago. The artwork fosters a sense of community as people gather around it and engage in conversation. Cloud Gate's ability to simultaneously reflect and change its surroundings makes it a powerful example of the power of public art.

In summary, Cloud Gate by Anish Kapoor is a stunning piece of public art that enhances Millennium Park and offers a unique, captivating experience. Its sculptural form and reflective surface give it a dynamic presence in the city, demonstrating Kapoor's ability to create engaging and thought-provoking art.

Reference:

Balmond, C., & Kapoor, A. (2005). Cloud Gate: Anish Kapoor's Millennium Park sculpture. The Art Institute of Chicago.

Kapoor, A., & Huyssen, A. (2015). Anish Kapoor: Memory. Guggenheim Museum Publications.

Senie, H. F. (2016). Memorials to Shattered Myths: Vietnam to 9/11. Oxford University Press.

This book includes a discussion on Cloud Gate as part of a broader analysis of memorials and public art.

Kamin, B. (2004, May 16). The Bean's sheen: Kapoor's Cloud Gate to dazzle Millennium Park. Chicago Tribune. https://www.chicagotribune.com/entertainment/chi-040516bean-story.html

Voigts, J. (2017, September 20). Jessie: The story behind Wandering Educators travel community. Teaching Traveling. https://www.teachingtraveling.com/jessie-the-story-behind-wandering-educators-travel-community/

Olafur Eliasson: The Weather Project (2003)

Background:

Olafur Eliasson, a Danish-Icelandic artist, is renowned for his enormous works that explore perception, movement, and environment. One of his best-known works, The Weather Project, debuted at Tate Modern's Turbine Hall in London in 2003. The installation, which was viewed by millions of people, became a modern art landmark.

Details:

Where: London's Tate Modern Time: October 2003 through March 2004. Materials: Scaffolding, aluminum, mist, mirrors, and monofrequency lights Dimensions: Approximately 500 feet long, 75 feet wide, and 115 feet high, the installation took up the whole Turbine Hall.

Installation:

A massive artificial sun was created for the Weather Project using hundreds of monofrequency lamps, which only produced one wavelength of yellow light. The sun was positioned at one end of the Turbine Hall, and with the aid of a semi-circular screen and a mirrored ceiling, it appeared to be a full, round sun. The auditorium was filled with mist from a network of humidifiers, which diffused the light and enhanced the ambient atmosphere.

Reflection:

The Weather Project created an immersive and captivating experience that transformed the industrial Turbine Hall into a magical setting. Visitors were drawn to the artificial sun, often sprawling out on the ground to bask in its radiance and watch their reflections in the mirrored ceiling. The installation encouraged both individual and collective reflection, allowing people to experience the environment in a fresh and contemplative way.

Eliasson's studies focused on the ways that weather and light alter mood and perception. His urban-setting reenactment of a natural disaster provoked viewers to consider their own relationship to the natural environment. As part of the project, which also demonstrated how art can redefine and transform locations, the Turbine Hall was turned into a haven of wonder and contemplation.

To sum up, Olafur Eliasson's The Weather Project was a revolutionary work of art that captivated audiences and changed the way people view art in public spaces. The immersive and reflected atmosphere demonstrated Eliasson's ability to attract visitors and inspire wonder and reflection through the use of light, mist, and mirrors.

Reference:

Gormley, A., & Eliasson, O. (2006). Olafur Eliasson: Surroundings Surrounded. Phaidon Press.

Tate. (2003). The Weather Project by Olafur Eliasson. Tate Modern. https://www.tate.org.uk/whats-on/tate-modern/olafur-eliasson-weather-project

Obrist, H. U., & Eliasson, O. (2008). Olafur Eliasson: The mediation of light. Thames & Hudson.

Dunkley, A. (2003). Olafur Eliasson: The Weather Project, Tate Modern [Image]. ResearchGate. https://www.researchgate.net/figure/Olafur-Eliasson-The-Weather-Project-2003-Tate-Modern-2003-C-Tate-Andrew-Dunkley_fig2_334122137