#guess what im watching again

[fintenciate]

the best old man yaoi is burt/irving from severance and that is final

[goodatyugioh]

fellas is it gay to constantly think about a man calling you a dog and and saying he's your master

[sculkcensor]

my favourite part of the thing was when it said 'I'm the Thing' and thinged all over the place

[ender1821]

im a child of divorce

[k1tty5]

I saw you were asking for doodle reqs, feel free to ignore if thats no longer the case! If youre feeling like it, perhaps a creaking!etho? I hope tge life stuff gets better for you soon!

this turned into a bit Less of a doodle BUT I will never say no to drawing etho

EDITED VERSION with little nature-y things because i originally forgot i wanted to add them (oops) :

[many-gay-magpies]

man i love how there was rly just. NO hesitation on charles' part on deciding to go to hell to get edwin out. like, typically you'd expect at least SOME deliberation, but nope he was instantly just like "so you can make a portal to hell? okay make one, i'm going in." and yeah some of it can be left up to the fact that he's a ghost and not as liable to die in hell as someone living, but seriously the fact that that was his default course of action? just right off the bat? that level of devotion is frankly a little insane

[clonedchaos]

Welp, as I was googling some images for Yasammy week, I came across a thread and turns out one of my favorite Jurassic YouTubers is homophobic and a Yasammy hater…

(More ranting in the tags)

[kaeyachi]

One of the probable reasons as to why Kaeya didn't arrive on time for Crepus and Diluc when they were attacked was because he, and the knights with him, had no vision, and thus, cannot use a teleport waypoint.

Him receiving his cryo vision when he was supposed to get scorched by Diluc was genuinely the biggest slap to the face given to him by Celestia. It arrived just in time to save HIM.

Even now, the vision only heals and shields him alone as a manifestation of his desire to keep living from that fight... but he can't use it to help others.

[sprimps]

they're thinking about very different things

[boobchuy]

does it ever mess you up at like how good they implemented sasha's personality before she had any kind of actual screentime? like, you'd think she and marcy were ONLY Bad Friends with how anne seemed to confess how theyd made her do things she didnt wanna do, and that the 'good times' she was talking about was just her making excuses. but by the end of best fronds, you have grime showing sasha anne's shoe. 'now we know that you've been lying to us'

and it makes you think. HUH. maybe she does care. and its just uuueiuruuwuuwueuuwehuauueuuh

[youmakethelight]

I need scenes where Daryl explicitly shows that he loves Carol for all of who she is as a human. I know we know it, even though that feeling has been fading since the spin-off and even in parts of season 11. But I reallyyy need at least one scene where Daryl catches Carol doing something distinctly Carol and looks at her for a *prolonged* time with unambiguous love all over his face. And then he actively shows and tells her. Like the scenes where Aaron and Rosita see Carol putting herself through pain to kill the horse to feed Alexandria. I need to know that Daryl sees that in her. And I need to see him radiate intense love in her direction because she fucking needs it.

[the-eclectic-wonderer]

Your stunt double was murdered right in the middle of your kitchen.

Not just any stunt double, either. The one that spent 40 years, an entire lifetime, taking hits and rolling under cars and throwing herself into open fire as you. The one that's not you, but at the same time is maybe a better version of you, the you you would be if you had been just a pinch braver, just a pinch more likable; the one that's not you, but at the same time was the same character as you, and maybe she actually is you, in some ways (after all, you two are so similar that she was killed in your place, wasn't she?).

She was your stunt double, yes. But she was also the one who took your falls, who propped you up, who made sure you didn't spend your lunch break alone. You shared a role, you shared an apartment, you shared a girlfriend.

She took care of you in every way you can take care of a person.

And now she's gone.

It was possible to believe otherwise when she was just an absence on the other side of a phone (even though you knew, right from the start, that something was so, so wrong). It might even have been possible to believe it was all a colossal joke as you were cradling the iron trophies she was so proud to host in her bones. But luminol is unforgiving: you turn off the light and there it all is, her blood, her life slipping away from her right there on the tiles of your kitchen, and the message she left for you, the one thing she knew you'd understand right away, and there's no denying it anymore.

You are Charles-Haden Savage, and your stunt double was murdered in your place right in the middle of your kitchen.

Your hands still tingle with her ashes.

[edsbacktattoo]

I have Gathered some Data

@skysofrey and I recently got into a discussion about names in OFMD. Specifically, how many times does Ed actually call Stede by his name in the show? We could only think of a few examples each and that didn't seem right. And because I'm insane, I decided to rewatch and note down every time a name was used, who used it, and who was being spoken to. Here are my findings!

Before you proceed, please know that this is strictly for fun and because I was curious. There are likely errors in the data (I'm sure I missed some things, I'm just one person.) but! I still think that what's been gathered is very interesting.

Here are some other fun/important/miserable things that I found in my travels:

There is one more time where Stede calls Ed “Edward,” and the only time it isn’t said to him directly. This is when Stede is addressing the petrified orange.

Of the five times that Stede is called “The Gentleman Pirate,” two of them are from Ed.

Ed calls Stede by his name only twelve times in the series. Only two of these instances are spoken to someone else. There are two others when Ed is looking for him at the pier, and therefore spoken to no one.

There are only ten instances of other characters calling Ed something other than his name or “Blackbeard.” Two of these are from Izzy, during the scene in Spanish Jackie’s bar, where he’s informing Stede that Ed would like to meet with him. During this scene, he only uses “my captain” and “my boss.” This is one of the very few times he doesn’t refer to Ed to other people as “Blackbeard” and it’s at the time that is arguably the most important. (He’s an idiot.)

Out of the twenty times that Ed refers to himself, fourteen of those are as “Blackbeard/The Kraken.” He refers to himself with names other than “Ed/Edward” 70% of the time. 50% of the times he refers to himself by his name are during the beach scene in episode nine, and there is only one instance where he uses his name that is not in Stede’s company. ("Actually, I do want to be called 'Ed' from now on.")

Izzy only refers to Ed as "Edward" to other people four times in the show. Two of those times are when he's marooning Stede's crew, and each time he uses his name in that scene, he takes on a mocking tone. Meaning that 50% of every instance he's referred to Ed as "Edward" to other people, he's been mocking his name.

Ed calls Stede "mate" as often as he calls him by his name, but he only calls him "mate" directly.

Stede calls Ed by his name only once more than Izzy does.

80% of the times Ed refers to himself by name happen in episode nine.

[sillygooseun]

guys help i’m thinking about the finale of spn

[trainingdummyrabbit]

theres something about the temporary nature of death and general impermanence in the pmoonverse thats driving me fucking crazy but i dont know if i have the mind to dissect it

like... in lobcorp, death just happens. its background noise. its sad, sure, but you get used to it. you dont really get anything from caring about it other than being a little sadder than usual. if your favorite guy dies, you can just try the day again. and repeat, over and over, until you get what you want this time. its easy to fuck up, but its easy to fix, if you have the mind for it. textually, nobody Really dies there, though; given the records team's deal. everyone is always recorded, retrieved, removed at a whims notice. if you miss someone, you can put them back. or not. it doesnt really matter. its a face to a function, mostly.

and similar goes for ruina-- though theres less of an ability to truly "lose" someone. the library holds tight to those in its wings, as anyone can simply be put back together if something were to happen to them. and if things dont go right, you can simply try again. and again, and again, and again; you have all the time in the world, really, and the patience to wait for them to inevitably come back. decay doesnt really exist in a place like that, does it? even those that became books were simply put back somewhere-- Somewhere, but as they were. the library appears and then disappears just as quickly; leaving a mark intangible, not unlike a dream, but a mark nonetheless.

and with limbus, turning back the clock is the entire name of the game. you can fuck up however you want to, react however you want to, and well. if you die, dante will just put you back. easy peasy. theres caveats this time, but more or less, death is pretty much just a smack on the wrist at this point. a little more than that for dante, but well, theyre fine, so. whatever, right? of course. i cant speak for them as much as i can the others, but its very much there. look at it, its on the ceiling, and all.

and like, its. well its obvious from a gameplay standpoint, it makes the whole thing Work. but due to the diegetic nature of the whole thing, it weaves a strange sort of sensation. doesnt matter what happened, doesnt matter what mark it leaves-- youre fine. get up. again. especially with the framing character-- dante is the only one who kinda has to deal with the direct fallout of these actions (though, the narrative seems to stop looking at it after a point, which is understandable, but also still paints a picture.) x and angela mostly tend to overlook the whole process, directing rather than personally experiencing the whole thing.

idunno. these concies sure dont quence, or something