#ground management

[themediaflair]

Ground Operations for Political Campaigns

Effective ground operations for guaranteed success in your election campaigns. For all your election needs, trust us in managing your campaigns.

[bet-on-me-13]

Steph's Year of Recovery

So! Danny noticed that a new face had made it's way into town. Two new faces actually, an older lady known as Dr Leslie, and a girl about his age called Steph.

He first met them when he was at the hospital for one of his parents. They had stood too close to an explosion again, and he met them while he was in the waiting Area.

Dr Leslie was a strict but obviously caring older woman, who seemed to be the one taking care of Steph as a kind of maternal figure, or maybe more like an Aunt. She greeted him simply and then walked away to talk with the Secretary, leaving him to talk to Steph.

Steph was a blond girl in a Wheelchair, and he could see bandages piking out of her clothes as he talked to her. She explained that she had been in an Accident a few weeks ago that left her wheelchair bound for a while, and that she had come to Amity for their surprisingly good Medical Centers.

He and Steph got along really well, and by the end of it he asked her for her Number so they could continue talking later. They stayed in touch, and when she was finally permitted to leave the Hospital, he introduced her to his friends. They all got along like a House on Fire, both figuratively and in one memorable case very literally (Vlad had pissed them off okay!)

Eventually Steph recovered enough that she moved from a Wheelchair to Crutches, and their shenanigans got even more chaotic (Vlad hadn't even pissed them off, this time was just for fun)

The only thing Danny could complain about was the fact that Steph was hiding something from them.

She said that she had been in an Accident a while ago, which was why they had come to Amity in the first place. But Danny knew it was more than that.

He could sense lingering traces of Death coming from her after all.

...

Steph honestly loved her current life.

Sure she had lost everything, her home, her health, her friends, her life, but she had gained new things too! Like Danny and the Gang! They were honestly some of the best friends she had ever had, and for some reason they just clicked with her instantly.

Danny was interesting and funny, Sam was vegan and a badass, Tucker was smart and witty, they all fit with her personality perfectly! It almost felt like she bad been friends with them for years. (She ignored the way her heart skipped a beat when she saw them)

But she still couldn't shake the sense that they were hiding something from her.

She knew it had something to do with the Ghost Problem in the town. And wasn't that a kicker, there was a whole Supernatural Ghost Outbreak in this Town and nobody knew about it. Dr Leslie had said that Amity was off the map enough to hide from Bruce, but she hadn't mentioned it was hidden from the Justice League itself!

Danny, Sam, and Tucker definitely knew more about it than they let on however. Whenever a Ghost Attack would happen, at least one of them would rush off with some practiced excuse and return after the Ghost Attack was over all dirty. She could guess what was going on, and she really didn't like it.

(This had killed her, she had died doing what they were doing, she didn't want to lose them)

Eventually she had to confront them, coincidentally on the same day they decided to confront her.

"Are you Vigilantes?" / "Did you die?"

"..."

"What?" / "What?"

[vilochkaaa]

why I haven't posted this yet... 💥

[afurtivecake]

Neil really isn't a reliable judge of cowardice because:

1)His standard of bravery is his mother, a woman who escaped with her son from her murderer mob boss husband because he was going to sell him to the mob but also decided she deserved alimony so she stole millions from her husband and his boss, and then evaded capture with her 10-year child in tow for 8 years across numerous countries. That's a hell of a bias to working with.

(Sorry Kevin, you were never going to beat Neil's mother in his rankings of "Bravest People I Know.")

2)Calling people cowards, or insinuating they're being cowards is like Neil's go-to insult. He just throws it out there all the time at everyone. And he does because it works.

Neil calls people cowardly for several purposes:

-He's trying to piss them off on purpose (Neil insults Riko during the interview by saying he's scared of facing Kevin.)

-He's trying to get them to do something and using it in a "don't be a fucking coward. just do it." sort of way (When he's trying to get Aaron to work things out with Andrew, he accuses Aaron of being too scared to face up to his mother's death so that he'd actually realize that's what he needs to work out with his brother. At the same time, he persuades Katelyn by telling her that she needs to stop being "collateral damage" and fight for herself. And somehow it works.)

-He's fishing for a reaction (After the Columbia incident, he insinuates that Andrew was too scared to point fingers at Drake and failed to protect the other kids all because he wanted Andrew to express his actual emotions.)

Whether or not he actually believes them to be cowards is almost besides the point. The fact is that by suggesting that they are cowards, Neil manages to make a lot of people dance to his tune.

Is it the best way to get people do things? Probably not. But it's a tactic that works for Neil.

All this to say, I don't think Neil calls Kevin a coward to express his disgust in him, I think he's doing it because, to him, "You're a coward", means "Hold strong and fight back."

[puppyeared]

happy valentines day <3 i wanted to do more, but sadly i only had enough time to complete these two

please also don't forget Rafah is under attack and urgently needs help. you can buy esims, check the BDS boycott list, click the daily donation button and email your representatives (USA).

there will also be a global strike february 18 - 24.

[idkhowtopickausername]

Akio trying to convince Utena in the last episode that Anthy's suffering is a tragic but inevitable facet of reality and nothing can be done about it despite him being the primary one responsible for her suffering, and this being part of his smoke and mirrors illusion through which he maintains control, acting like his tower is the highest place in the world and he is the end of the world and there's nothing beyond the limits of his power and it's naive and delusional to think otherwise...and Anthy having internalized this idea that there's no hope for her and there's no possible future for her beyond Akio's abuse...and Utena rejecting this ultimately not out of some abstract idea of heroism or nobility or some clear idea of how to fix things but simply because she cannot accept it and she loves Anthy too much to not try to do something...and that giving Anthy the hope and courage to believe in a future where she can be loved and be happy and the strength to choose to leave herself and even subtly mock Akio's own immaturity and self-delusion on her way out the door as she goes to step over the line to the outside world while Akio is shocked because he never considered that his power over her was not absolute and he too believed in the indestructibility of the system he created...the revolution was the power to imagine the future!! the world (the stage) is free and wide!!

[accio-victuuri]

wang yibo can do no wrong in my eyes 🥹🥹🥹

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[fusionsprunt]

me when my meteor-powered robot gf attempts to murder me 😳😳

[phoenix-positivity]

Here are some links to worksheets about anger (you can download the pdfs for free and print them):

The cycle of anger

The anger iceberg

This worksheet discusses when your anger might have become more of a problem rather than a healthy emotion.

A small introduction to anger management

The 'anger thermometer' to identify your own gradations of anger

Anger warning signs

Anger stop signs (intended for children but I like this too)

Worksheet to identify triggers

A summary of anger management skills

Coping skills to deal with anger

The 'urge surfing' technique

Improving the moment when in distress worksheet

Distress Tolerance Skills (self-soothe with senses / distractions)

Distracting from distressing emotions worksheet

Interpersonal Effectiveness Skills (communicating needs, fostering positive interactions and self respect)

Communicating needs worksheet

Emotional Regulation Skills (opposite action, fact-checking, paying attention to bodily needs, guiding focus back to positivity)

Brief explanation of some relaxation techniques to use when angry

Questions to ask yourself about anger (good journalling prompts)

The 'fair fighting rules' aka how to engage healthily in arguments

Template for keeping an 'anger diary'

Template for keeping a 'coping skills log'

[waitineedaname]

what do u think ritsu would do if he got stuck in a time loop

oh he would go insane. like, immediately. you know how in a lot of time loop stories, there's a point where the character kind of loses it? it would take no time for ritsu to reach that point. like as soon as he realizes he's trapped, he will Freak The Fuck Out. he'll either throw himself really intensely into trying to figure out how to end the time loop, or he'll go completely off the deep end and start blowing shit up because it'll all be reset by the next day. potentially both.

of course, this is all presuming he's alone in the time loop. I think if he had someone else trapped in the time loop with him, he'd be less likely to lose his mind and instead would work really hard with them to break it. but if he's by himself in the time loop, he would not cope well

[somegrumpynerd]

Killer is the only one Nightmare can't track down easily, since he can feel the others by emotion but can't usually sense Killer's unless he's in stage 1.

This is a small part of why he and Color got off on the wrong foot, because the first time Color and Killer met was when he was helping Dream fight them and he managed to pull Killer away from the main fight to try and reason with him. While they were doing that, Nightmare decided to retreat but couldn't see Killer around and couldn't find him using emotions, so he had to leave without him. (He did return later to scour the place and found Killer waiting for him, since he'd refused Color's offer to go with them.)

This became a running theme, where sometimes after a battle Killer would be gone without a trace because he was off fighting/talking with Color and Nightmare would have to come back for him later. It's also what makes Nightmare a little uneasy in present day about Killer running off to hang out with Color sometimes, because if Color succeeds in convincing Killer not to return, Nightmare has no way of tracking him down anymore. He just has to trust that Killer will return at some point, and wait.

[jerreeeeeee]

lup and taako are not incredulous about each other’s taste in men their type is literally the same and they know it (dorks with a strange relationship to death)

[tanadrin]

Also a huge bummer that you did have people like Nikolai Petrakov and Valentin Pavlov who understood both the scope and the fundamental problems with the Soviet economy at the time, and had schemes for reform that could manage the transition to a market economy without the need for brutal shock therapy, but they get ignored or their plans don't get acted on because of Gorbachev's indecisiveness and his lack of economic acumen. It's a colossal missed opportunity.

[ahollowgrave]

-- lovers.

[to-the-all-blue]

Sanji fending off a mind-controlled Zoro to protect the crew and ending up skewered to a building like Aizen in Bleach send tweet