#great review

[sheldricklawfirm]

⭐️⭐️⭐️⭐️⭐️ FIVE STAR FRIDAYS❗️

Ms. Hoffman, thank you for this “FANTASTIC” 5 Star Friday review! It is always our pleasure to assist you, feel free to call us anytime.

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[byelacey]

oh my GOD you can’t just ask someone why they’re barking

now on instagram!

[nick-withiell]

My latest review for 'The Incredible Fortunes Of Riley' :

Reading this book feels like settling down in front of the fire with a warm brew on a chilly day. In fact, much of the happenings in the story itself are accompanied by a cup of tea at some point. The reader is taken on a gentle ramble through the life of a good, ordinary man and the often comedic comings and goings of a simpler times. The characters are comfortingly likeable and the whole book leaves you with a warm glow at the end. One for when you're feeling nostalgic and need reminding of the good in the world. A very enjoyable read. Justine Sharples.

[artsystudiofinds]

TESTIMONIAL

Thanks for the kind words! ★★★★★ "As always, excellent craftsmanship and customer service, comes VERY well packed and in usually a week or less via secure and tracked shipping services, and, am saying this as a 30+ years collector of moldavite and tektites, YES, Ashish only sells the real deal. His moldavite is real and I have confirmed it as such on each and every piece I have gotten from him (and there have been several now lol, in raw form, polished or faceted). He has high integrity and honor not only for his customers but also for the moldavite itself, and this is not only his business, it is also a spiritual endeavor to him as well, and I am proud to consider him a friend, now, too." Renee https://etsy.me/4bixmCc #etsy #lovefriendship #oval #straight #bezel #bohohippie #no #silver #men #green

Much thanks for the great review :))

[savebylou]

FITF show in Madrid, review translated:

Louis Tomlinson is touring the world thanks to the tour to present 'Faith in the Future' and after his stop in Bilbao, Madrid was next in his triplet in Spain. With tickets sold out in all venues, on October 5 they took to the WiZink Center stage for the first time. It must be remembered that he had visited La Riviera on his previous tour on March 10, 2020 just before the pandemic broke out. Just a few minutes passed 9 p.m. when the band took positions and with pyrotechnics, the Briton appeared amid deafening screams. Flooding the capital in red, the night began with 'The Greatest', 'Kill My Mind' or 'Bigger than Me', unleashing incredible dedication from the thousands of people who packed the venue. That night, there were even moments where the chants were heard louder than the singer. Something very normal considering the accumulated desire they had. After 'Holding on to Heartache' and 'Face the Music', Louis headed to the capital. The first thing I did was thank each person who was there that night. Meanwhile, I took the opportunity to catch my breath after a hectic start. Shortly after, the music continued playing with 'We Made It' and 'Paradise' before traveling back in time to his time in One Direction. With great force, Madrid and Louis united their voices in 'Night Changes' that prepared us for a 'Chicago' with which they overflowed with energy. Throughout the night, we saw pyrotechnics on stage and, above all, a harmony between the audience. 'High in California', 'Written All Over Your Face' and 'All This Time' were not missing that night while the Brit moved around every corner of the stage enjoying the audience's devotion. On several occasions the venue was illuminated with mobile phones, as was the case in 'She Is Beauty We Are World Class', creating a very special image. “It's fucking incredible to see how full it is and to see such a dedicated audience,” he said, full of excitement, admiring the thousands of people before him. Overflowing with happiness at what he was experiencing, he made Madrid continue singing with 'Copy of a Copy of a Copy' or his unmistakable 'Walls' before seeing him cover '505' by Arctic Monkeys. That night, we were immersed in a massive karaoke and the power of the songs did not diminish at any time. The capital had the task of leaving its throat and it showed it from start to finish. For the final stretch there were 'Back to You', the special and magical 'Angels Fly' and an 'Out of my System' with which he immortalized what he was experiencing that night. There were few songs that remained ahead but if Tomlinson was clear about one thing, it was that he was going to leave the rest. With 'Saturdays' there was a very special moment. The WiZink turned off its lights and thousands of flashlights illuminated it, watching the song go from strength to strength. It started in the most intimate way until it ended in style. As expected, another high point was experienced in 'Where Do Broken Hearts Go', shaking the foundations of the WiZink Center while there was no shortage of dancing on the floor. 'Silver Tongues' was in charge of putting an end to the night. With the audience jumping up and down, celebrating the music and watching them walk off the stage to the front row, Louis Tomlinson and Madrid signed their farewell. That October 5, the hearts of thousands of people beat to the same soundtrack. It was another night of dreams fulfilled, a long-awaited reunion where there was room for all kinds of emotions. Louis continues to show his evolution as an artist, with a firm step, offering a handful of songs that are anthems for his followers. The artist steps on stage with more and more confidence and manages to create a most magical atmosphere during his concerts. In addition, he has a veritable army of followers behind him who accompany him every step he takes.

[backstepping]

ayo edebiri: the movie reviewer we deserve

and her dad also has an account

[loppujenlopuks]

”Aarni Soivio's and Johannes Brotherus' relationship seems downright brotherly.” Sure…. cute nevertheless

Translation for the Tamperelainen review of the Maaasta Kuuhun kiertue, 23.11.2024, by Ville Laine

Show review and pictures | Overpowering Kuumaa concluded their tour in an ecstatic Nokia-arena - But what then?

Will Kuumaa create a frenzy in a full to the brim Nokia-arena? And is the rise to stadium level up next? Ville Laine went to see it. He grabbed a great picture collage along the way. Check out if you got into a picture.

After the buzz of the beginning of the year, the international concertist have been few and far between in Nokia-arena, save for Judas Priest and Bryan Adams who have been delightful exceptions-

This void has luckily been used by national stars from Apulanta to Maija Vilkkumaa and even this weekend the arena has not one but two sold out national concerts: now on Friday Kuumaa and right after on Saturday Vesterinen yhtyeineen.

Right from the start I have to admit that I am unfamiliar with Kuumaa, even though the band has managed to already perform in UMK and to collect themselves Emma-awards and to dominate the streaming charts.

Before heading to the hall I could for sure name one song from the band, Ylivoimainen, which may have been too overpowering to avoid hearing.

Now Kuumaa is, despite their less than ten years of age, on an ice hall tour, which ends today in the ten thousand-headed crowd in the sold out Nokia-arena.

Of the weekend's grand concerts I picked Kuumaa, because leaving your comfort zone occasionally is healthy and certainly, at least as a phenomenon, Kuumaa is worth the closer inspection.

I arrived at the hall around half an hour before Kuumaa's beginning, so the night's other performers were missed this time. Hall was well on its way to filling up and the expectant atmosphere was tangible. The security were somehow amazingly on top of the situation and were sending waves of the audience from the front towards the back. A quick look too the audience confirmed that as a middle aged assumed man* I was this time around quite the rarity, because the audience at least on the floor were mostly comprised of representation of all ages of the more beautiful gender, with the main part of the age distribution being around both sides of twenty.

*Miesoletettu (assumed man) or naisoletettu (assumed woman) are common terms in Finnish to refer to a person or a group, whose gender you don't actually know but for the sake of clarity and ease of speech, you would refer to as men or women, without saying that they are for sure such.

The audience was respectably dedicated. This was confirmed already at the point, when before the concert even properly began, a song started playing from the tape. Because I don't know Kuumaa's actual works, it's difficult to say if the song playing was theirs, but rarely I've heard that loud group singing before the actual performer themself are even on stage.

"However, no reveals were given during the show, and it ended in that even familiar to me work from the band, meaning the song Ylivoimainen."

After, the impressive tall video walls filled with the silhouettes of the band members "getting ready for the concert". As the band's singer-guitarist-songwriter Johannes Brotherus arrived alone first on stage the audience finally lost their minds totally. Soon arrived the rest of the band, so the core trio formed by drummer Jonttu Luhtavaara and bassist Aarni Soivio as well as the live group fill in, keyboardist Okko Saastamoinen.

After I photographed the first three songs, that often is the case for this song and dance, I moved to the side of the audience into the front most part of the floor, because getting into the mood is often helped by placing yourself near the most fanatic crowd. Though I have to admit, that the mood seemed to be through the roof all the way to the very back row.

Whenever the lights turned on in the audience, the hands were up just as much on the floor as in the seated stands all the way to the furthest back rows, the phone lights lit up the hall as an even sea during ballads and dancers were seen all around. If before the show the volume of the group singing was reaching the skies, then during the show it was practically a full two hours of even more roaringly noisy singing, at its peak even nearly covering the music coming from the stage.

It is delightful, that Kuumaa play actual instruments and at the latest by the song Mikä sua ajaa's saxophone solo, that was performed by Saastamoinen who otherwise resided behind his keyboard, got even an older man to smile contentedly. Before the song Brotherus asked the audience, how many of them knew the song in question and I may have been the only one in my section of the audience that didn't raise their hand. This was of course no surprise, as the songs and their lyrics seemed to be very familiar to the audience.

Brotherus worked as the main speaker to the audience and overall the front person for the whole band, as the others supported behind. As a musician he also presented his variable talents, because in addition to the guitar, violin and piano were at home in his hands.

Brotherus' presentation felt quite sincere as he for example read aloud in delight the numerous sings in the audience, spoke to the audience almost in a familiar manner without forgetting the further back stands. Despite his young age he seemed to be at home on the big stage. Of course a big part of the speeches were the basic " How are you doing, Tampere", "It's so fun to be here", "Sincere thank you for being here", "How are we doing" -set. He did even conclude, that "it's fun to end the tour in an intimate club" (the 10 000 person capacity sold out Nokia-arena).

The stage show rivaled the equivalent international "big names of poprock" like for example Robbie Williams' performance seen on the same stage quite some time back. The massive video walls of the stage were impressive and the other video walls of the arena were used well to create the feel of the big leagues.

Near the middle a warning of flashing lights were projected onto them and the song Täydellisin as well as nearly all those that followed got an additional spice of lasers splitting the air. Rakastaja and a few song near the end got even accompanied by pyro's, so all the elements for a visually impressive arena level show were in their place. A key part was of course the whole band's stage presence, that used the large size of the stage, especially as Brotherus and Soivio flew around the stage, and Soivio even went into the audience with his bass.

Musically the concert ,pved from one mood to the next, for example Juna-asema calmed the situation as phone lights twinkled on and right after Romuna revved it back up to it's peak. The songs seemed to be largely about love, or the ending of it, which is after all an eternal topic for songs.

As I said the selection of instruments was varied and the sound mixing at least at the front of the audience felt functional. Though I didn't pick up many songs from first listen, I did notice my foot tapping along at quite a few points.

Near the end we also saw a few guests on stage. At first on the screen rolled a video where, like in the spirit of the show Suomi Love, the band visited the home of a fan with the help of their friend, for example vacuuming and looking through the fridge. This fan named Viivi was apparently unaware that a visit like this had occurred, as their reactions were quiet surprised in the audience and in their speech after, as they were directed on stage with cheers to the stage and to the piano, next to Brotherus.

As a show of gratitude for supporting the band since 2017 they got a serenade right then in the form of the song Siks kai mä oon sun. This was certainly a memorable moment for the fan in question and to the rest of the audience and it highlighted the warm relationship between Kuumaa and their fans. As the song played, thousands of red cardboard hearts rose up in the audience to emphasize this mutual love.

In the end Brotherus teased the audience to follow the band's socials for the next phases in the band's journey. We'll be interested to wait and see what the band can do to defeat the ot finished arena tour, where the main show at Nokia-arena was certainly not the only one sold out. If the language of songs doesn't change, the only possible bigger stunt may be a national stadium tour. The olympic stadium or Ratina stadium have already been filled with many national artist's singular (or a few back to back) concerts, but there are more stadiums in Finland and the success of the band seems to be at it's peak, if any conclusions are to be drawn from tonight's ecstatic feel.

However, no reveals were given during the show, and it ended in that even familiar to me work from the band, meaning the song Ylivoimainen. Tonight the band did indeed seem just overpowering.

-

Captions for the pictures in the article:

Though Kuumaa's stage was in a way simplified, the visual whole was impressive and completely rivaled international names.

Kuumaa's Johannes Brotherus' presence was immediately sincere.

The audience was in ecstasy before the performer even got on stage.

Musically I was most taken by Okko Saastamoinen's saxophone solo.

Lasers were tightly splitting the air on end half of the show.

There were numerous messages in the audience to the band, that Brotherus read between songs.

The band's drummer Jonttu Luhtavaara got to show off his guitar skills as well.

The bassist of the band, Aarni soivio, also visited the audience with his stage.

Phone lights from the audience brought their own part to the show's visual impressiveness.

Aarni Soivio's and Johannes Brotherus' relationship seems downright brotherly.

Red hearts filled the audience during the song Siks kai mä oon sun.

Viivi will likely remember this concert for the rest of their life.

Kuumaa, aka Jonttu Luhtavaara, Johannes Brotherus and Aarni Soivio.

Additionally pyrotechnics were not forgotten about in the already impressive show.

Near the end the atmosphere rose to nearly trance-like.

[faithlesslovee]

male music critics are obsessed with accusing women of victimizing themselves instead of acknowledging that the entertainment industry is extremely predatory and it's primary victims are women and children. it's not exclusive to the industry either! a lot of women in general are victims/survivors, and they also get accused of just seeking sympathy or being perpetual victims when they talk about their experiences. I wonder why that might be 🤔

[niyana-the-ambiguous-mobian]

So I finally watched Puss in Boots 2....

[byelacey]

a guide on how to enjoy: LEAF 🍂

[unashamedly-enthusiastic]

Visited a cathedral today with the toddler

It was very odd that somewhere so deeply linked to my childhood is completely foreign to her

'so this is a church, people are quiet here, like a library'

'people have lit these candles as prayers'

'prayers are... prayers are where you wish and hope for something you really want'

'that's actually a very famous lady and a baby'

'look the baby grew up into that man there, lots of people think he was important'

'...no he's not really having a good time is he'

'not because he was naughty'

'ah no the lady wasn't naughty either'

[artsystudiofinds]

Testimonial:

Thanks for the kind words! ★★★★★ "Absolutely beautiful! And as always wonderful customer service!!" Angelana M. https://etsy.me/48PLCBu #etsy #moldavite #ethicalgemstones #bezel #minimalist #no #gold #men #green #lovefriendship

[jinxedshapeshifter]

One of my favorite things to do is go through Steam reviews and sort them by funny. Here's a collection of Steam reviews rated funny for The Great Ace Attorney Chronicles:

Bonus that I swear almost fucking killed me:

[dalekinapaintedparadise]

[mizgnomer]

David Tennant Year in Review - 2023

David’s television, film, convention, charity, and other appearances from 2022, all in one convenient photoset - with extra special thanks to Georgia and her excellent Instagram posts

Please see my [ David Tennant Year In Review tag ] for prior year-end posts dating back to 2014