#gravity falls heritage post

[dyskoda]

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Stan's Twin Theory

Hey, this is a new blog dedicated to Gravity Falls, and specifically to theories about Gravity Falls. We have some interesting (possibly far-fetched) theories. This is one of them.

Stan’s Twin Theory:

Stan has to have a brother (although not necessarily a twin), because he’s Dipper and Mabel’s Great-Uncle, and they all share the same last name, therefore he must have a brother. However, we believe he has a twin. Here’s why:

twins are genetic (and the gene can skip generations) 

There are some pieces of evidence found in the show that supports our claim

We also believe that Stan’s twin may be the Author. Here’s why:                            

1. The Hiding Spot

Look, a hole in the ground

In Tourist Trapped, Dipper found the 3rd book in the forest near the Mystery Shack. This may seem like a stretch, but think about it! where would you hide something important that you might want to access easily? By your house.                                        

Gideon’s factory

In The Hand that Rocks the Mabel it is shown that Gideon’s family factory is located on Gopher Road, the same street as the Mystery Shack. 

The Mystery Shack’s address via the Deed is 618 Gopher Road.

This could explain how Gideon found the 2nd Journal. 

And it’s interesting to note that Gideon was searching for the 1st Journal at the Mystery Shack. 

Possible hiding spots

There are possible hiding spots listed in the 2nd Journal, they seem to be located around a building similar to the Mystery Shack.

2. The Bunker

The Bunker is located underground, in the forest near the Mystery Shack.

There is a sign on the wall of the bunker that says that it is a nuclear fallout shelter. Now, where would you build a fallout shelter? Near your house of course! During times of bomb scares people would build fallout shelters in their backyard.

And since the Author did experiments in the bunker and was observing a shapeshifter, it would be more convenient for him to have the bunker close to the place where he lived. 

3. The Glasses              

In Carpet Diem, a secret room is discovered in the Mystery Shack, and Stan finds a pair of glasses.                                                                  

Stan finds the glasses

Later he is seen staring at the glasses, and he frowns at them in both scenes.

Stan contemplating the glasses

This could possibly represent an old memory of a friend or *cough* brother. It is obvious that someone lived in that room at some point, so why would Stan want to cover it up?

!!!

In Dreamscapers, it is shown in the 2nd Journal that the Author was surprised to see glasses on the Bill Cipher wheel, possibly because those are his glasses.Take a look at the glasses, they are similar to the ones found in the secret room.

We don’t think these are Stan’s glasses because his glasses are square with rims at the bottom, while the glasses found in the room and on the wheel don’t have rims at the bottom and are rounded.

Also in Dreamscapers, is a flash back of Stan when he was just a wee lad.

Notice his glasses are square and have rims at the bottom.

Here is Stan a little bit older. Notice that he still has square rimmed glasses.

But, in The Time Traveler's Pig, a younger “Stan” is shown with round glasses without rims at the bottom. His glasses look exactly like the one’s found in the secret room. 

Is this really Stan?

Also, this “Stan” has a cleft chin, whereas we have never ever once seen Stan with a cleft chin (not even in flashbacks). 

4. The Calender

Another small point: the calendar in the secret room has the date July 4, 1982 circled. It can be assumed that 1982 is the year the room was abandoned.

The room definitely looks like it hasn’t been touched since the 80’s

However, in the Author’s bunker, there is a calendar on the wall. Guess what year is on the calendar. 1982.

The calendar in the Mystery Shack and the calendar in the Author’s Bunker are from the same year, 1982. 

This suggests that both the room in the Shack and the Bunker were abandoned around the same time. 

5. Wrestling Match Flashback

In a brief scene in Stan’s flashback in Dreamscapers, we see young Stan at a wrestling match. There is a kid reading a book in the stands that looks very similar to child Stan, he even seems to be wearing the same clothing.

Could this be Stan’s twin?

6. The Swing-set 

In Dreamscapers, Stan’s mindscape is very creepy. One notable object in Stan’s mind is a dilapidated swing-set. This is the stuff of horror movies. 

Good times

Since we can assume everything in the mind is a symbol of a significant part of Stan’s life, then this swing-set is very telling. It likely symbolizes a broken childhood. Since it is a two swing swing-set, it could symbolize another person, likely from Stan’s childhood. A close friend… or sibling…

The fact that only one of the swings is broken is also interesting. In Into the Bunker, the Shapeshifter states that the Author “hasn’t been himself in 30 years” suggesting that he probably went crazy. 

…

Are all these merely coincidences? Maybe… But this is Gravity Falls we’re talking about. This show is filled with foreshadowing, plot twists, and secrets. There is just no way that all of this could be a coincidence. 

So, what do you think? Is this a stretch? Or are we on to something? Feel free to comment with your own theories. The more the merrier! :)

[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

[summerspectre]

some resources to make today a little lighter

or, a really silly list of things that have kept me sane

cartoons, movies, animations— oh my!

into the spiderverse

gravity falls season 1

the amazing world of gumball

regular show

kitbull + pixar shorts

bluey

a random powerpuff girls full episode & also there's a second one (original series dw)

ramshackle thesis + pilot + stone gets microwaved

lackadaisy

game grumps animated

mbmbam animated + original non-animated podcast (some funny shit

the egg (one of my favorite short stories, feels topical)

youtube reccomendations that are overall a good time

yknow the guy who makes the ghost songs every year (ghost duet, choir, etc.)? he does cool shit (louie zong)

nerdy nummies (go rosanna)

cinematherapy (a family + couples therapist & a filmmaker react to films (ex: nimona, tangled, pride and prejudice, up, coraline) and draw very real and grounding lessons from them)

jaiden animations videos

elyse myers vlogs (vlogs as a creator with autism, agoraphobia, and ocd and i find her insights to be incredibly comforting + takes extra care to keep her family separate from her work and is worth supporting if you need a comfort youtuber)

miscellaneous myths (myths from different cultures told in bite sized videos, done by an excellent team)

minecraft youtube newer and older to binge

minecraft oasis - ihascupquake

aphmau minecraft diaries origins, 1, 2, rebirth

aphmau mystreet s1, s2, s3, s4, interlude, s5, s6

aphmau phoenix drop high (mystreet prologue) s1, s2

legitimately one of the best resources to binge dsmp

-> technoblade dsmp

"actually good videos" - a technoblade playlist

-> + @royalarchivist has plenty of qsmp clips :) i will not be further endorsing the series itself for personal reasons but it's still important to the mcyt community & archivist does an excelling job archiving

(if anyone has good playlists for the life series or hermitcraft, please repost with them!)

all time tumblr favorites

tumblr folk stories (highly recommend god of arepo)

queer granddad spongebob

bumblebees rolling balls around

the making of emperor's new groove

alex hirsch vs disney censors (this is on youtube but it feels tumblrian)

resources for...

caring for your introvert (a silly amongst the serious)

if you're lost right now

after a long cry

if you're falling out of a plane right now (completely serious. no jokes anymore i already spent my silly)

the trevor project online chatting option

the trevor project site (tap anywhere quickly to exit immediately)

crisis hotlines

(stay alive, you've got this)

relaxing/asmr

hang out with piplup

squirtle's day at the beach

pikachu by the patio

relaxing minecraft long play

accounts i suggest for a boost in joy:

-> @akindplace

-> @twopartposts

-> @traumasurvivorshelpingsurvivors

-> @i-am-a-fish (never seen a bad take)

-> @artsyaxolotl

-> @world-heritage-posts

and if you're reading this post at all, please feel free to add!

[velvet-vox]

My Top 10 Favourite Male Villains of all time.

"How arrogant of you to think that any of us are anything but irrelevant". -John Greer, Person of Interest (2011-2016).

There comes a moment in a blog's life where some things are just long overdue, and while the argument could be made that this happened way too early, I'd say that as long as this helps me to find my groove, I am free to experiment as much as I want.

So..... Villains.

Gotta love them. As long as I do not meet them in real life. This post is in particular about male villains since I have one dedicated to their female counterparts in the pipeline so expect that to come soon enough and for this part to be rewritten. By the way, "villain" is a generalisation, I can totally put antivillains, antagonists or more general antiheroes in this list; your definition of "Bad Guy" can vary greatly and so can mine, someone like Walter White from Breaking Bad could have made it in here. My taste is very unusual, so prepare yourself for some unexpected picks.

Also, since these are meant to be some big celebratory posts, for the occasion I'll reveal my Italian heritage and translate every line of dialogue in Italian and publish it separately with a link, so that English readers who are learning Italian can exercise.

Here's also a follow up to this post, the first part of my top 30 favourite female antagonists of all time. Check it out, if you are curious to see more.

The bad girls

But first, some honourable mentions:

Oropo (Wakfu): Once you see the number 2 spot for both this list and the female villains list you might notice that I tend to gravitate towards characters with wasted potential more often than not, but while we're just talking about this guy, I cannot stress enough the amount of unceremonious mishandling that lies within his concepts and execution. Really needed two seasons of 25 episodes each to explore it to their maximum.

Tai Lung (Kung Fu Panda): I love him, but not as much as others, it's a matter of personal preference. He's an amazing antagonist, so even if he is just an honourable mention, I wouldn't call him a lesser villain by any stretch of the imagination; I once felt like he was too sympathetic for his movie's sake, but looking back at it again, he's actually moderately evil for a lot of reasons, even if Shifu is the main one.

Bill Chyper (Gravity Falls): It's been way too long since I watched Gravity Falls, I really can't give you an accurate opinion on this guy anymore.

Flintheart Glomgold (DuckTales 2017): That season 2 episode. If you know what I'm talking about, you KNOW. Also the music for that whole sequence was a banger, really driving home the deranged nature of that twist reveal.

Big Jack Horner (Puss in Boots The Last Wish): I feel like when people praise Jack for being a breath of fresh air in a stale environment, they often forget just how good of a villain he was in his own right without the larger industry wide void of truly devious antagonists that act out of pure malice.

The Wolf (Puss in Boots The Last Wish): Two villain entries from one movie? Of course it was gonna be The Last Wish, what else could it be? Honestly I don't even wanna talk about this guy, you need to experience the movie for yourself.

Rob (The Amazing World of Gumball): Everything I have to say about this guy gets talked about much better by the number 6 Spot on this list, but as it stands Rob was my first villain OTP and the guy who opened the box of Pandora for me on what an antagonist could and should be, since then my perception of villainy only widened and now I enjoy their role in a story in much different way.

And now, with that out of the way, let's finally start with the ranking of my personal favourite male villains of all time.

Major spoilers down below:

Number 10: Silco (Arcane)

This guy is the reason that brought me to specify who or what counted for this list as trying to simplify Silco into one specific group of characters is a challenge that can only end in a misunderstanding of what makes Silco such a complex and fascinating character with an amazing character arc, that ends with him not being redeemed, mind you, but allows the audience to grieve in such a way that would make a side character death jealous.

When writing an antagonistic character, Silco is my goal and high standard, and just for that he deserves all of my respect and endless praise.

Now, admittedly, Silco's arc takes a while to kick in, but it works out to his advantage by the end of it since you don't realise just how much you've grown to care for him until he's dead and you're left with the surprise.

10 out 10, the nation of Zaun would have been much better (worse) with him than with Vander.

Number 9: The Riddler (DC)

The Riddler is literally my ride or die villain, when I'm in the mood for him, he's literally my favourite antagonist ever; when I am not in the mood for him, I completely forget about his existence.

When compared to many other entries on this list, Riddler is definitely more on the pop culture side of antagonism, and when you've been around for almost a century, you tend to have many different versions of the same character written by different writers, so I wanted to highlight here my favourite versions of him:

Arkham Games: He's hilarious. He's not my ideal Riddler, but whenever he comes on screen, his whiny rat's ass voice stimulates my pheromones.

Batman The Animated Series: I've heard somewhere that this version of him is disappointing, and to that I'll say... yeah, but only when he wasn't on screen, because otherwise, he kind of slayed.

Matt Reeves The Batman: This is the version that rekindled my love for him after so long. Out of every interpretation of The Riddler throughout the years, this is the one version that treated Edward more as a character rather than an obstacle for Batman to overcome, and for that I'll be eternally grateful.

LEGO Batman The Videogame: My very first introduction to The Riddler and the Batman universe as a whole, this version has a permanent place in my heart , I love how much information and emotion you can get out of him by just looking at his mannerisms and quirks alone; unironically, being silent helps him reach that quote on quote idealised version of Riddler that I was talking about earlier.

Number 8: The Snatcher (A Hat In Time)

There are many things that can carry on a villain in a story, their evolution, stage presence, complexity, thematic contrast to their counterpart, and so on and so forth. While an antagonist can check off many of these boxes simultaneously (like the one pictured), there's one box that is almost impossible to truly nail perfectly: comedy.

You see, comedy is subjective, and when your main antagonist is also the funniest part of a given story, it becomes hard to also match a sense of gravity and menace that allows them to also be an imposing threat, even harder is to give said antagonist depth and a tragic backstory.

But somehow, out of nowhere, The Snatcher from A Hat In Time manages to simultaneously be the funniest character in his section of the game, carrie said energy throughout the whole experience even down to the DLC, simultaneously strikes the balance between being scary, wholesome, sympathetic and tragic, exude an insane amount of charisma, all while having a deeply disturbing backstory that touches on some heavy themes and re contextualises his actions into something more complicated and out of a broken man, everything I just said + he's the biggest bastard in his videogame and never repents nor does he have his actions called out.

Snatcher really has all the right cards that make a stationary character work and uses them to his maximum potential, and it works because his character arc throughout the game is more about becoming affectionate to Hat Kid than it is about redeeming himself.

Lastly, his voice actor, Luke Sizemore, aka Yungtown, really sells the performance of this devious soul eating worm and burns his catchphrases into your brain for the rest of eternity, much like his boss theme,

Your Contract Has Expired

A song that switches around being scary, epic, energetic and desperate in a short, yet perfectly paced amount of time. You need to listen to it regardless of if you've played the game or not.

Fool.

Number 7: Judge Claude Frollo (Hunchback of Notre Dame)

You can never say no to a classic.

There's nothing that I could say that hasn't already been said by thousands of videos on YouTube, but I'll try anyway: you see, Frollo is the reason why we need a new term to identify certain villains that aren't "sympathetic" but still make you feel some sort of human emotion and a form of "I wish someone could give you the care you need to fix your life", I guess the term empathetic exists, but when do you really see it used?

Now, don't get me wrong, Frollo is absolutely not sympathetic in the slightest, he wants to r##e a Romani woman that's way younger than him, but you can still feel that he's very troubled about it in the Hellfire scene and has definitely a lot of unidentified issues and internalised bigotry that could be worked through, even if it's too late to work through them right now.

In general, I feel like people forget that the main reason why past Disney villains worked had to do more with their human traits juxtaposed to their malice rather than just their plain wickedness, otherwise the Horned King from the Black Cauldron would be top of the Disney villains league and that couldn't be further from the truth.

We should really strive towards writing more villains like Frollo, less omnipotent beings that end up falling flat because they don't have much thematic relevance aside from being a threat (Bill Chyper works because he represents Ego and he's used sparingly) and more average vicious individuals who use their power and influence to get what they want.

All in all, if you've seen The Hunchback of Notre Dame, then you know why this guy is here, but just to cite a couple of repeated points, the Hellfire scene is perfect. It's immaculate. It's unreproducible; there will never be another scene like this coming out of the House of Mouse or animation ever again, the excessive amount of stars and elements that came together to create this gothic classic is so vast that it's literally a miracle.

Frollo is truly the personification of the dark, twisted side of humanity peaking through the door and into your mind, from which he shall never escape as his performance still remains perfect to this very day.

Number 6: The Spot (Spider-man across the Spiderverse)

"You've hit me with a bagel!" It's still the greatest villain origin story of all time. There's truly something maniacal about this reveal, like the entire universe was shattered and reality was shocked at the mere realization that while Miles was having his coming of age moment back in the first film, this guy was having his normal life completely and utterly shattered by a combination of both our heroes stepping up to do the right thing and our doofus lack of foresight and self reflection; all of this stuff is hilarious and completely made up for the film but good god they did such an amazing job tying all the elements together in an unexpected way that makes sense and parallels the journey that our protagonist faced in the first movie.

Like with Rob from The Amazing World of Gumball, and a little bit like number 2 on this list, I just really enjoy the concept of turning background characters who had no relevance whatsoever into the big bad of the story who's been there all along and the heroes (and the audience) just couldn't notice.

With The Spot in particular, there's that sense of satisfaction of turning the wasted potential of a villain who has been underestimated for literal decades and treated as a "villain of the week" (God do I love the meta narrative of this movie) into an actual competent, well written antagonist that is aware of his reputation and strives towards bettering himself and his powers.

He's also the funniest character of his movie too and the voice acting of Jason Schwartzman only accentuates his mannerisms and pettyness.

He also has the coolest usage of portals I have ever seen and his whole "There's a hole inside all of us" metaphor is simultaneously hilarious and very deep personal information that can only be understood if you put yourself into his shoes.

I can't wait for Beyond the Spiderverse to come out and see how his arc resolves, more importantly, I wonder if he's going to rank higher in the future.

Number 5: Lord Shen (Kung Fu Panda)

"Happiness must be taken. And I'll take mine"

.....

What a character.

What a movie.

You cause so much pain and suffering, because you don't understand the people around you, and then those people banish you, and you can't understand why, so you start to believe that they hated you.

They never loved you, so you keep causing pain and suffering but it's not that easy anymore; the guilt starts to resurface, all those bodies keep piling up, but you can't stop because then it would have all been for nothing; so you keep chasing those dreams of grandeur because that's all you have left; the emptiness in your heart can no longer be filled by love, so you try to fill it with something else.

You try to fill it with power. You try to fill it with glory. You try to take everything else for yourself so that you can fill that cup, but it doesn't work, because that cup has no bottom.

And so you're left... with yourself.

And the damage you've done. But now it's different; you've failed. You are left with nothing. Nothing.

And so you outrage, for the last time... And then it all ends. Forever. And you've finally come to accept this, after all....... Who could ever love you?

Number 4: Spamton G Spamton (Deltarune)

You know, in retrospect, it's kind of insane what Toby Fox managed to achieve when creating Spamton.

Not only because Spamton feels like the most insane combination of ideas ever conceived, but also because Toby Fox created such a complex character with such a complicated language and personality and then not only shafted it all aside for the players to go out of their way to interact, but also made all of this in what are officially 2 or 3 cutscenes at most (4 if you consider his shop encounter as one) and only one of them being truly mandatory.

You spend so little time with Spamton, and most of that time is spent fighting him, and yet by the end of it you've become enlightened by the knowledge of him, that after a while... you forget how scary it all was.

All the memes comparing Spamton with Turbo are 100% correct and justified, Spamton truly is Turbo but better; you go through an insane rollercoaster of emotions with this character that you are left absolutely dumbfounded when it all comes to a stop and you go back to play the rest of chapter 2 normally.

His insane mannerisms and mood swings are pretty funny at first, but once you peel back the layers a bit they reveal a pretty realistic and sad portrayal of mental illness, mania and hysteria coupled with an unhealthy amount of social distancing, loneliness, and abandonment issues, that reinforce into your brain the idea of someone lacking proper healthcare and needing to be locked away from society for their (society) own good, simulating the vicious cycle that Spamton lives by: nobody wants to help him but he's still expected to act like a regular individual despite the amount of hardships he's facing and the lack of a support system keeping him from falling back into his bad habits.

I'll admit, I've considered putting Spamton in place of the Number 3 spot on this list; but then I've realised that on an objective level, the next entry totally deserves to be ranked above Spamton; plus, with at least 5 more chapters of Deltarune on our way, whose to say that one of the next gremlins won't be able to dethrone even the number 1 spot?

Drumroll for our top 3:

Nox, the Watchmaker (Wakfu)

There will never be another experience in my life as cathartic as watching the first season of Wakfu for the first time ever again.

On a later rewatch, the initial problems that you've noticed throughout the first half of the season and a little bit in the second half become too apparent to ignore, but the first time everything that goes from the ball tournament to the finale is one of the best paced arcs of television, and everything that happens when the team reaches the Sadida kingdom is just peak Wakfu.

And the king, the culprit, the crown jewel of properly paced stories and arcs is no other than the sad clockwork dilf himself: Noximilliem Coxen the Watchmaker.

Arguably, the greatest sympathetic villain of all time. There has never been another case of a character who has committed such vile, unspeakable crimes, and yet still managed to make me root for them while simultaneously not putting down the heroes.

And let's not be mistaken here, Nox is pretty evil:

Aside from the generic murder, Nox also defiled and stitched together the corpses of multiple victims and turned them into his obedient puppets in order to commit even more murder and genocide in order to achieve his goals.

Also, this is one of the funniest crimes Nox has committed: he abused his dog. It's really not that hilarious nor is it that important in the context of the show, but if you look back at it from an outside perspective then it's really like: Oh yeah. That happened too. Lol.

One of the best parts of his entire arc is his defeat. The "20 minutes" scene deserves a "One Villainous Scene" coverage video to forever immortalise it amongst the greatest. Everything from the music, the subversiveness, the cinematography, the voice acting and just the general art direction of it is worthy of an Eminem award at the Oscars, there's genuinely nothing wrong with this scene, it's truly immaculate.

Words alone cannot do justice to the treacherous, gut wrenching emotional rollercoaster that is experiencing his story for the first time. An hour long video essay would only serve to cover the basics and fundamentals, while for the real deal you need to watch the first season of Wakfu for yourself.

Number 2:

Bradford Buzzard (DuckTales 2017)

And now it's the perfect time to pull out my final wild card, the hole of the sink of my autism, the masterpiece of wasted potential that is Bradford Buzzard from the DuckTales remake of 2017.

When you'll also see the number 2 spot on my villainesses list, you'll come to realise that this spot is more of the "I really wish I could put this at number one but I can't because objectively he doesn't deserve it and the majority of things I love about him in canon were probably an afterthought and in fanon were never plausible to begin with."

And that's how I feel about Bradford Buzzard, an antagonist I spent more time thinking about than probably anybody else on the Earth.

The show runners were so genius for this: we are going to create an original character that will probably struggle to maintain a foot print on the franchise due to the way the Duck verse works, we'll give him an insanely cool backstory and motivation, all coupled with interesting character traits and ideology, we'll make him the ultimate foil to Scrooge McDuck that has been working with him for literal decades, we'll make him the one who has got the closest to isolating Scrooge and destroying his family, and THEN we'll turn him into a generic anime villain that shoots lasers and fumbles his own plan and loses because of insane plot armour and contrivance. Good job writers.

Anyway, I should probably make the case for why this guy ranks so highly in my mind to the point of almost taking the podium for my most liked villain of all time, especially when compared to the stiff competition that we just went through.

Now, part of it is just because this is a personal top 10 and so I can put whoever I want in whatever order I want. But also, with Bradford in particular, there's a personal aspect of relatability, various interests, and passions all coming together to make him stand out in my brain.

The thing is, I've had a pretty strong connection to Disney's Duck's comic books my entire life, even if my love for them came dwindling over time, so when I finally started watching the Reboot and it was amazing, all of that buried passion and love finally re emerged back to the surface, turning me into an annoying super fan. But while season 1 and 2 were great, season 3 actually gave me something to latch on for the rest of time even after the show had ended: the character of Bradford Buzzard.

You see, DuckTales, both in the shows and comics, always had a plethora of villains; from the crazy, megalomaniacal millionaires, to witches, demons, and other mythological creatures, to power hungry aliens, to straight up super-villains. But while all of that is true, there has never been another villain, aside from Magica, Glomgold and Rockerduck at traits, that was built specifically as the anti Scrooge McDuck, and even further, there has never been another antagonist who challenged the very core ideas and concepts of the entire franchise.

Bradford is like the Frank Grimes of DuckTales: just a regular, average, real world guy who's fed up with the nonsensical constant state at which their fictional universe operates and seeks to correct it in the most logical way possible. And while Frank was ultimately a victim of a world in which he couldn't conform, Bradford's outrageous and extreme plans and methods put him on everybody's hit list until he was left all alone, but not before indirectly causing every major disaster throughout the reboot's runtime.

A cold, calculating, machiavellian mastermind whose impact and presence secretly permeates the show, right till the very end.

Shame he wasn't written better.

And now, for the one and only,

Number 1:

Qilby (Wakfu)

Qilby is the biggest example of an anomaly that you could ever observe in a work of fiction. The first time experiencing a story is the most important and impactful moment of that story, as every future rewatch won't be as good as the first. In particular, this is an important aspect of twist villains, as they can only surprise you the first time, since at future rewatches the twist becomes predictable.

Furthermore, if the twist ends up ruining the character that was established up to this point, or it doesn't make any sense, then the story is kind of ruined and it only gets worse on future rewatches, since now you know that everything that you are seeing right now is ultimately worthless and doesn't provide any value.

So why do we love twist villains and keep churning them out? Well, you see, it's a matter of execution. A bad guy introduced in an unconventional manner is much more memorable than one introduced in a straightforward way; the twist can also serve to showcase different aspects of the character before becoming an obvious obstacle, be it quirks, interests, personality in casual settings, or cunning.

Let's not beat around the bush.

If Nox is the single greatest sympathetic villain of all time, then Qilby is by far the greatest twist villain of all time, and the crazy thing is, that he surprises you two times in a row, at first by revealing himself as more evil than you could ever imagine, and then, by outing himself as more complex than you could have ever anticipated.

Let me paint you the picture: you just finished the first season of Wakfu, and you are still pretty fresh of the hype surrounding Nox, so you think to yourself "Oh, now every future antagonist is ruined because nothing could ever top the emotional gut punch that I just went through. Whatever, I'm going to stick around just to see if the story gets worse" and you start the second season.

So far, everything is normal, even better of the first season in terms of engagement value, but you can't help but feel the lack of a Nox like figure inside of the story, but at this point, you just accept it.

Then the final six episodes roll around and OH MY GOD WHAT IS HAPPENING, HAS THE WHOLE SHOW JUST GONE INSANE?

Somehow, in some mystical, french, magical way, the season 2 finale is arguably even better than the ending of season 1 despite the fight having less buildup and introducing a lot of brand new characters and an entirely irrelevant faction into his conflict.

The entirety of the scene in Emrumb is some of the best writing I have ever experienced in any work of fiction, and the music accompanying it only accentuates the repressed dopamine being released after various episodes of filler, all of them important for this moment to be as impactful as it is.

Qilby is also just a great, tragic character, that is simultaneously an unforgivable bastard that tried to kill his family and doomed his entire race for a family trip, and a sad, nihilistic man still trying to reconcile his love for his family and his need for knowledge and discovery; his curse never truly allows him to move on or relate to others but his ego and need for his forgetful brothers attention just pushes him even further into resentment, ending up damaging himself and those around him, until he's finally isolated again by the vary people he harmed and showed his love towards.

He's as good as the evil secret sibling trope can get and I never get tired of watching him on screen. His reveal scene to Adamai still gives me the chills to this very day and demonstrated me just how good the surprise villain concept can get when it's executed correctly.

Just an all around great show.

[anistarrose]

[ID: Bill's death scene from Gravity Falls, where he's surrounded by flames and begging. Subtitle is edited to read: "Pwease I'll do anything!"

Second image is a text message from Stan, reading "Then perish," with an attached picture of his furious face, tinted red. End ID.]

[bridenore]

HD fic recs : Career - Aurors (part 2)

Here are a few recs where both Harry and Draco are Aurors. This is part two of three and focuses on 20k to 50k words fics. Listed in alphabetical order, as always.

Agnus Dei by SilentAuror [20k]

Post-Hogwarts. Mystery abounds in the Auror Department, and two of the Aurors find themselves experiencing a friendship more intense than it should be.

Boiling Point by @goldentruth813 [42k]

Ferveret - n. boiling point After an Auror raid gone wrong, Draco ends up trapped in a dodgy safehouse with nothing but Harry Potter’s dubious company and a dwindling supply of food. With only each other and the walls surrounding them, they’re forced to confront their past and their feelings which have long been threatening to boil over.

Draco Malfoy, Bloodsucking Fiend by @kbrick [23k]

There are two things that Draco’s Auror partner, Harry Potter, must never know about him. One is that he’s a vampire. The other is that he’s been completely, pathetically, head-over-heels in love with Harry for years. But when the duo is trapped inside an old shop on Diagon Alley with no means of escape, Draco finds himself fiending for blood and unable to put even a modicum of distance between himself and the man he can’t stop lusting after.

Eye of the Storm by Mx_Maneater [25k]

A storm rages blindly around a cabin with no doors. Without magic, Draco and Harry are trapped inside. 

Nothing But You On My Mind by @moonflower-rose [29k]

Potter has been in Australia on an internship for almost a year, and Draco cannot wait for him to get back home. They’ll finally have a chance to talk about their feelings for each other. What could possibly go wrong? Loads, as it turns out.

The Partner, The Rival and The Very Big Case  by oceaxe [24k]

When Harry and Nott are paired up to go undercover as fake boyfriends, Draco is disappointed not to get the assignment. It’s just professional jealousy that’s making him feel so upset. Obviously. He’s engaged to be married to Astoria, after all. But when he walks in on Nott kissing Harry for ‘practice’ and has a wild magic outbreak, he starts to think that something else might be going on. Is Nott right? Is Draco a homophobe? Or is there… just possibly… another explanation?

Poppiholla by @moonflower-rose [12k]

Harry had accepted that he would pine silently for Malfoy forever, but one, humid summer might change that. Hoppípolla by @moonflower-rose [20k] Falling in love was as easy as jumping in puddles, and Draco Malfoy was completely drenched.

Potential Gravity by @lol-zeitgeistic [32k]

Draco is not good at Cards Against Humanity, but Harry’s not good at being human, so it all works out. Except for the explosions. And Harry’s inability to live when Draco’s not around.

Resistance by SilentAuror [25k]

Everyone but Harry seems to have forgiven Malfoy his past, and tensions are thick in the Auror Department.

Stop All the Clocks (This Is the Last Time I’m Leaving Without You) by @firethesound [44k]

Living with Draco was difficult; living without him is unbearable. But if there’s one thing Harry learned from the war, it’s that even when one life ends, the rest of the world goes right on living.

Take These Lies by white_serpent [34k]

Repeatedly rejected by the Auror training programme, Draco Malfoy attempts an unorthodox method of gaining admission.  

Trust In A Broken Thing by SqueekaCuomo [23k]

If the ring was broken, that could only mean one thing… Harry Potter was dead.

Two Weeks by @shiftylinguini [21k]

If Harry had to guess which out of he or his Auror Partner, and tentative new friend, Draco Malfoy, would turn out to have Veela ancestry, his answer would be: neither, because that is ridiculous. Finding out the answer is actually him, and that his Veela heritage is wreaking havoc on his ability to work, sleep, and above all be in the same room as Malfoy, is a surprise to say the least. But this is fine. Harry’s been through worse, and he can just sit this one out, regardless of how much his body is screaming for the one person he doesn’t want to ask for help. Can’t he?

Waiting For A Song by @korlaena [49k]

After a couple years spent avoiding Draco in the Auror Department, Harry gets assigned to one of Draco’s strange cases. They investigate the mysterious disappearances of a witch and wizard, but in their search for the missing persons they find a lot more than they were looking for.

You Send Me (Honest You Do) by @firethesound [37k]

As far as potion accidents go in general, and deaging incidents go in particular, Draco knew this could have been so much worse. Harry only lost about ten years, and all his memories are still intact. But the sight of him looking as if he’s stepped straight out of Draco’s Hogwarts memories has dredged up a whole mess of complicated feelings Draco thought he’d buried years ago, and Draco really doesn’t know what to do with any of it.

I hope you enjoy these stories as much as I did!

[arianna-creates]

I miss Gravity Falls smth fierce, I miss the fanart and the hype and, despite not being a part of these communities, I miss the surge of meaningful posts about family, and trans rights, and Jewish heritage— I miss the way this show made small rural towns feel alive again

[thienvaldram]

Heritage Falls

Robert Banks Stewart Doctor fanart by Kevin for my Forgotten Lives x Gravity Falls crossover story Heritage Falls.

Description below

The Second Morbius Doctor is called away from his post in 1941 England due to a mysterious German incursion in a remote town in the Pacific Northwest known as Gravity Falls. When Patricia Ramirez overhears a man from a foreign government talking about the town. She steps in to help when no one else will. For a demon is coming back to Gravity Falls, and if it manages to return, it could mean the end of the world. Crossover between the Forgotten Lives Charity Anthologies (Doctor Who) and Gravity Falls, set a good thirty or so years before Stanford arrives in Gravity Falls and over a full half century prior to the series.

[anistarrose]

[Image description: art of a human Bill Cipher. He's skinny with a yellow vest, a triangular eye patch, and a floating top hat. He's grinning smugly, as his hand bursts into flame.

Second image is art by @valdevia from ThisIsNotAWebsiteDotCom. Regular Bill is pointing at Human Bill, angrily declaring: "Beware The Impostor." The design for Human Bill is extremely similar. End ID.]

throw me in the trash just do it

[thefakehedgehogaroundhere]

Redoing my blog intro post

Hi, I'm Logan/Faker. I use any pronouns except she/her, though I prefer it/he. If you want the specific labels just ask me. I am of Irish and American heritage. Spam liking/reblogging is always okay, just don't repost my art without credit.

Fandoms: Sanders Sides, Sonic, Owl House, Gravity Falls, Amphibia, Steven Universe (only sort of though), Wings of Fire, Warriors, Billie Bust Up, Starkid

DNI: Terfs, MAPs, Dream/Wilbur stans (if you're a mcyt fan I don't mind you being here, as long as you don't support Dream or Wilbur) anti-furs, zoos, racists, sexists, homophobes, transphobes

I'm a minor. I don't mind adults interacting with my page, but if you're going to be weird, please leave.

I'm currently in a relationship. Sarcastic flirting is fine, but don't take it super seriously. I also am known to prank people or tease them, so if I say or do something that hurts you in any way, please let me know. It's all sarcastic, but I don't want to cause any real problems.

I'm an atheist. I will respect all religions, but please do not push your religion onto me.

I'm a multishipper. While it's likely you'll see mainly Sonadow on this page, for example, you'll also see Sonally, Sonamy, Sonknux, etc. Don't be confused if you see something you didn't think I shipped.

OTHER BLOGS: This is my main, but it consists mostly of Sonic. My TSS blog is @muppetable, my WC/WOF sideblog is @coyotix, and my Sonic AUs are all on @faker-aus.

FRIENDS: @aerie-stotle, @jupitercl0uds, @chao-tea08 @nolongeronlyhereforthewhispangle, @sleepymushrxxm, @pacifistcowboy, @oddogoblino, @nico-the-overlord, @nodulemodule. I know there are several others, but I can't tag everyone and some of them don't know this blog exists.

TAGS I USE: faker.txt (textpost), faker.png (image post), faker's askbox (questions), faker and friends (threads or collabs w friends), motherfuckin ari (something ari said specifically)

SOCIALS:

Discord: thefakehedgehogaroundhere_17580

Youtube: Coyotix

Tiktok: coyotixx (I only really use this for edits and shitposts, Im not active much)

Email: azaleaedits2008@gmail.com

[callumexists]

INTRO POST

Hi! We're the Sacrificial Foxes (or the Heritage Sys)

Callum or Jamie || he/xe/shx/th3y || system

💌 taken x6 < Crow, Harvey, Faller, Silver, Vinnie, Clove 3💌

Think I'll miss him forever </3 (28/11/07 - 22/11/23)

Main Interests:

Reading

Greek Mythology

Climbing

Marauders

Virgin River TV show

Journaling

Poetry - Reading & Writing

Fanboy-ing

Writing

Fandoms:

The Marauders, PJO / Riordanverse, Cavetown, TOH, Chappell Roan, Heartstopper / Oesmanverse, The Hunger Games, Supernatural, The Inheritance Games, Gravity Falls (Kinda), Renee Rapp

[eldragon-x-moved]

HELP I FORGOT ABOUT THIS TWEET. Gravity Falls heritage post (derogatory)

[cosmicsponge2004]

Disney Heritage Post

“The Pyramid Guy from the opening credits literally has no significance to the show and never will. He’s just a generic image made to look mythological or spooky like most things in the intro.”

[yeehawgeek]

Howdy, im CJ! this is my main blog where i’ll post/reblog fandom content or whatever the hell i want

my art blog is @acryliccassetteart (here’s the masterlist)

multifandom (star wars, portal, gravity falls, the magnus archives, epic: the musical, monster high, ever after high, hermitcraft, life series)

frequently used tags explained under the cut (read the tags, esp if you want to block any content i may post)

antis discouraged, i can’t stop you but just be aware that i am anti-anti

#yeetalks- original posts, basically just me on my bs

#late night posting- this is gonna be my horny on main tag

ships: i will try to tag any ships as the most common name for them (ex. kanan x hera= #kanera, chell x GLaDOS= #chelldos, frankie stein x cleo de nile= #clankie, ect)

any characters with a first and last name are tagged as their first and last name if they have one. if they don’t, they’ll be tagged as #[series] [name]. Streamers/mcyt ppl will be tagged as their username

#posts that make me wanna bite someone- personal hall of fame, posts that i am printing out and sticking on my fridge

#posts with 10k to me- posts that are also on my metaphorical fridge that feel like they should’ve broken containment and be screenshotted and put on pinterest and reddit (only for when they have under 10k notes)

#posts that will never let me know peace- my own posts with 1k+ notes

#heritage post- typically for posts that have been making the rounds for years, or posts that have broken containment onto pinterest/reddit/twitter/whatever (for when a post doesn’t really fit with the other two hall of fame tags)

#beloved mutual(s)- when im interacting with or talking about a mutual (affectionate)

#others ocs- when there is a post containing other people’s ocs

#friends ocs- for posts with my mutuals’ ocs

[seventeendeer]

Kind of a weird request, and you don't have to do it if you don't want to, but I was wondering what exactly the Engineer would be like in terms of that TF2 analysis thing, and also is his depiction in things like the comics and expiration date accurate?

not a weird request at all!! I'm actually very curious about this myself!

As I mentioned in the big analysis post, I'm the most familiar with the cultural movements that shaped the characters of Scout, Soldier and Spy - I also have at least cursory knowledge of most of the rest of the mercs, with the unfortunate exception of Engie. I'm not very familiar with the exact cultural relationship between the American South and the rest of the US during this era, so it's difficult for me to pinpoint where the tropes he's based on came from. Sorry about that!

What I do know is that Southerners are often stereotyped as unintelligent and uncultured - the "twist" of a Southerner actually being highly intelligent "in spite of" their heritage is an old trope in fiction, dating back to at least the Cold War. We've seen examples of this trope as recently as Gravity Falls. There's an entire TV Tropes page listing instances of this trope across genres (look up the "Southern-fried genius" page, if you'd like to poke around some old media properties yourself).

While the political agenda behind stereotyping Southerners as stupid has historically had obvious advantages to people in power (I'd assume the stereotype dates back to at least the American Civil War), I don't know who benefitted from subverting the trope and why. I'd assume someone did, since all the other mercenaries are based on politically-charged stereotypes in media. If I had to make a semi-educated guess, I'd imagine it could have been an attempt to smoothe over some of the lingering cultural tensions between the South and the rest of the US, in order to unite the people against a foreign enemy? Simultaneously validating those who viewed the South as uncultured/"quirky", while also introducing the idea that they could still have something valuable to contribute to American society, and trying to make Southerners themselves feel like they had a seat at the table of American culture.

But this is all speculation! I'm not nearly informed enough on the subject to make any hard claims. If you'd like more info, I'd have a look into the relationship between the South and the rest of the US during this era (and right before), and see if you can spot any red threads.

One more thing that's worth mentioning is that technological advancement was a very widely-discussed topic during the Cold War. Most likely, you've heard about the space race - the US and Russia competing to be the first nation to launch a manned spacecraft to the moon. This was part of a larger technological rivalry between the two superpowers, both of which sought to prove the superiority of their own nation's scientists and technological advancement. As a result, the US heavily promoted the idea of American tech being uniquely miraculous, futuristic and almost mystical in nature, both to their own citizens (to encourage nationalistic values) and to foreigners (to improve their image in the eyes of allies, and to intimidate the enemy).

I'm 99% sure this is relevant to Engineer's character. An American character portrayed as friendly, approachable, humble and sort of "homey"/comfortable to be around, while also being insanely smart and capable of creating technology so advanced it borders on magic hits a very specific vibe that was very present in the minds of Americans during the Cold War.

By contrast, look at the sorts of tropes the other TF2 scientist calls back to - Medic, a foreigner, specifically a German (again, remember that World War 2 was still a fresh cultural wound across the world during the Cold War), is portrayed as a creepy, amoral Frankenstein-esque figure who is arguably the most cartoonishly "evil-coded" character on the team. While Engie is inspired by tropes associated with safety and home, as these concepts are portrayed in American media, Medic is arguably the most viscerally off-putting of the mercs. Pyro is made out to be more straight-up horrifying, but Medic is disturbing. Watch Meet the Medic and try to count how many common phobia-triggers are packed into that one short alone. Of course, in practice, both of these characters are simultaneously creepy, hyper-violent, and ultimately disarming and likeable (supporting the game being designed to enable silly, mindless, fun virtual violence), but the media stereotypes they're based on were intended to instill extremely different feelings in their contemporary audience.

So yeah, while I can't give you a definitive answer as to the specific source of Engie's character, I hope these details can help you get started on your own research! If nothing else, this small bit of context may help you out.

(Briefly touching on Engie's portrayal in the (newer) comics: he is not nearly unhinged enough. A common problem among all the mercs, but he definitely gets the worst of it. Later comics practically treat him as a plot device instead of as a main character in his own right, and it's a bummer. Without being super familiar with the media he's based on, I can't get into more depth than that or identify exactly what went wrong, but one thing I can say for sure is that he did not get to Use More Gun nearly as much as he should have.)

[gravityfallsheritageposts]

hiii welcome to gravity falls heritage posts!!! inspired by such blogs as @undertaleheritageposts and @mobpsychoheritageposts! just a silly little archive of nostalgic gfalls posts :)

help me out by submitting posts! you can do this by sending links through submissions or DMs (asks are open but they tend to break links)

rules:

suggestive jokes are fine but nothing straight up nsfw. NO incest/pedo. duh.

I'm mostly looking for posts from 2012-2016! but i'll accept posts made after if they're particularly Iconic

all types of posts are welcome; memes, fanart, theories, etc!

if you are op and don't want your post here just let me know and i'll remove it! i can also put you on a blacklist if you don't want any of your posts submitted

pre-NWHS posts are like candy to me :) "lost media" like fordese and fiddleford-mcgucket posts are GOLD

remember to stay kind, stay weird, and most of all stay silly :3