#grasse guide

[misedejem]

Doodled some Elpis-era ancients because it was recently the third anniversary of the time we got to experience Emet-Selch take a work trip and proceed to get mercilessly bullied by every facet of that trip

Hyth absolutely knew exactly what he was in for the moment 'going to Elpis' was mentioned

[allisonperryart]

PDF:

Back from my birthday hiatus, and um, wow... was not expecting this kind of overwhelmingly positive reaction to a simple QRT about how we used Dissolve Mode in our BG paintings on Carol and the End of the World (see last image) - since people seemed to have enjoyed that so much, I thought I'd put all the pages of the Carol and the End of the World BG Paint style guide I drafted in one post! TBH I'd been meaning to do this for awhile but kept forgetting since I have it in a different folder than the BG paintings themselves... I believe all the paintings are mine and all the designs are by Alex Myung unless otherwise noted. I wrote this pretty early on pre-vis, so some of these guidelines got a little massaged during production, but the broad strokes are definitely still there! This wasn't the only style guide on the show BTW! A couple of our other leads Alex Myung and Kal Athannassov also put together a BG and Character Design style guide that are super cool - unfortunately I don't have the files myself (nor would I feel comfortable posting work that's not mine) nor do I think they've posted them yet, so if you two were looking for a sign to do so, this is it!! Now you have everything you need to paint like a Caroler - thanks for looking!! Showrunner: @dan-guterman Art direction: @ellemichalka

[tginen]

rung has a suggestion for that one day

[dailyanarchistposts]

Abolishing Capitalism

None of these options are long-term solutions. We live in a civilization based on the separation of society into haves and have-nots. This cannot be allowed to continue.

The entirety of potential political and social structures don’t balance on the axis of capitalism (and democracy, somehow always lumped with capitalism) and state communism. Capitalists would love for you to believe that, of course, because state communism is so clearly a terrible idea; they would love for people to think capitalism is the only alternative to Stalinist atrocity.

Capitalism is an atrocity, however, as a quick survey will let us know. Capitalism (the idea of not working for your money, but instead siphoning the wealth produced by others) has led us to the very brink of planetary ecocide with its mindless search for profit (a feature included even in the dictionary definition!).

Many people have theorized ways of eradicating the rampant criminality of capitalism. Socialism isn’t actually a dirty word, and can mean a whole host of things, many of which are as far from Stalinism as a system could possibly be.

But the simplest one is this: we, as small communities (often overlapping ones), can make decisions for ourselves by the means we best see fit. We can feed and care for ourselves and each other. We can work in ways that make us happy, we can work for projects that actually concern us. If we don’t let the ruling class rule us, we won’t be ruled. If you ask me, I’d call this system anarchism. Other people might call it different things like autonomism or horizontalism or just decentralization, direct democracy, or common sense.

But in order to do this, we have to take back the means of production. The rich have the things they have because they are dirty stinking thieves, whether they know it or not.

just a friendly word from some anarchists

[adachimoe]

Gigachad Ziodynecock: Grass Eater

I've not been able to find screenshots of this until recently when someone posted them on Twitter last month.

Can confirm - in both languages, the protagonist eats random grass that he assumes Nanako brought home from school lol. Not sure why this was removed in Golden. Was the protag eating grass too unhinged or something? C'mon Atlus.

[rxttenfish]

no aaravi isn't at war within herself because she's monster and human nor have any kind of warring natures because of it. she has warring natures within herself because she's both a jock and a nerd.

[verified-villain-fxcker]

Listening to you people bicker about the morality or lack there of within the IWTV show and its characters is driving me up the fucking walls.

[kaeyacollection]

Hey so uh

Are we being normal about this?

"In those days, a crimson moon shone down upon the subterranean realm, and not the dark sun of latter days." (Perinheri book)

And like the wiki says Kaeya's passive was changed from "Heart of the Abyss" because it unintentionally conflated with the Abyss in game and not the metaphor of "walking on thin ice over an abyss."

But I mean

For an unintentional connection it sure does come up a lot

But even if we do disregard that and go based on the intended meaning (via the wiki)

"The Book of Songs·Xiaoya·Xiaomin": "It's like standing on the edge of a deep abyss, like walking on thin ice."

I mean on one hand, yes we already knew about Khaenri'ahs connection to the abyss long before the Abyss Order was founded and before Khaenri'ah got nerfed for crimes against Celestia (fuckin Gold had rift hounds like this isn't new)

BUT this is the first solid confirmation that the Abyss wasn't a side note some (lookin at you 5 sinners) dipped their toes into but a defining part of the dynasty if it was named after the damn thing, right?

From the book of The Little Witch and the Undying Fire:

You see, we also call a will that comes down from the heavens an "archon." They are normally planets that have sentient life on them, and they number seven, and therefore they are called the "seven archons." As for the virtuals, their number varies between one, two, and four. The planet the little witch was on may well have been one. And in the case of such a world, the "virtual" would be the "dark sun."

"The planet the little witch was on may well have been one." Has become such an important line in connecting the abyss as a guiding force, that was not just used by khaenri'ah, but influencing them even if the people didn't realize it

Walking on thin ice over the abyss, believing they could balance that danger, but the ice cracked and Celestia responded

King Irmin was indisposed, we saw the kind of madness that overcame Chlothar, who only got the second hand abyssal experience from Mr. Crystal himself (Vedrfolnir), Gold went Mold for a second if her chapter in The Little Witch has any accuracies to herself (also one of her companions becoming a pirate - I see you Kaeya's Grandpa)

For the Sinners to be seeking perfection when the Abyss Order talks about their guiding force being something of chaos

Idk it's just neat that one line can solidify and make sense of previous tales within the game that we didn't technically have the context for previously and I'm excited to see what the rare disease mentioned at the end is going to be

Also just as a bonus note

Celebration: Fruit of Wisdom

What knowledge might the fruit of wisdom bring, were it to descend upon the land? Either way, it'll taste good as a drink if left in Diona's hands.

I wasn't part of the event, but if they straight up saw fruits of wisdom and the first thought was to consume it then I just wonder if fruits of the abyss looked just as appetizing

[thebashfulbotanist]

You can use the submissions button to send us photos! We'd love to see the native plants you're growing, especially if you tell us a little about them and whereabouts they're from!

[girlfox]

first things first, ahri's shan hai skin is mind-blowingly gorgeous. her soft wavy hair in curly cloud patterns .. her gorgeous painted tails .. the unique shape of her whiskers .. the swipe of red under her eyes .. the chunky earrings .. she's THAT GIRL. but also i'm in love with how she manipulates fire in her foxfire skin, nature/flowers/foliage in her elderwood skin, and now water in her shan hai skin. she can really truly do it all.

[duckapus]

Pokemon/WarioWare crossover because why not throw yet another Anime Rewrite AU that I say I'll write a fic for and fully intend to but never do on the pile? (i have issues...)

Five years before the start of the series Delia and Ash find a girl around Ash's age with red eyes lost in a park who can't remember anything about herself except that her name is Ashley. Fallers are a bit more common in this timeline than others (though still pretty rare and not yet well understood) so when the authorities investigate they realize her situation pretty quickly...particularly how near-impossible it would be to get a 5-year-old who seems to be from a world without Pokemon (Fallers typically remember what Pokemon are and can name ones they're familiar with, so the fact that she only refers to them by general terms like "cat" or "bird" and is confused by a lot of their behavior is very telling). Delia, of course, agrees to take her in permanently after they break the news to her (she'd already been looking after Ashley during the investigation because of course she would).

So now Ash has a not-actually-a-twin sister. She still manages to become a witch-in-training since she's still got her massive potential for magic and witchcraft is canonically a thing in the Pokemon Anime. She even manages to summon Red and make him her familiar at seven. She's a bit more outgoing thanks to being raised in the Ketchum household instead of growing up more-or-less alone in that haunted mansion, but at her core she's still the grumpy little witch girl we know and love.

Anyway, she and Ash both plan on challenging the Indigo League, though they're going to travel together at least for their Kanto Journey (...yeah they're definitely gonna stick together even after that 'cause this is still meant to be a canon rewrite), partly because they know ahead of time about the Starter shortage and they figure that as long as at least one of them gets a Pokemon they can help the other catch something on Route 1 so they don't have to wait a month for a new set to be available (what, you really think Oak would've left them in the lurch for a whole year if the shortage had been real and not a Timeline Preservation Measure? though given how big a head start that would give the other trainers (particularly Gary) it still makes sense why 10-year-old Ash acted like it was the end of the world).

Of course, their alarm clock mysteriously breaks and they oversleep and end up with a Pikachu who hates them and an Eevee with absolutely no thoughts in its fluffy little head.

Anyway, things are mostly normal for a while aside from Ashley and Red being along for the ride, up until Power of One, where they encounter Wario. Apparently he ended up in the Pokemon World because he found some sort of magical artifact during one of his treasure hunts. Notably, he isn't Amnesiac like most Fallers, and he's not from the version of the Mushroom World that Ashley originally came from, as evidenced by him recognizing her on-sight even though she would've disappeared before ever meeting him. Anyway, he helps them beat Laurence III, then decides to claim the Hikokyu as spoils of war and fix it up to use as the local WarioWare HQ. So he's settling down in Shamouti for the time being.

Meanwhile, back in the Mushroom world, the WarioWare crew and the main Mario cast are trying to figure out what happened to Wario. They eventually manage to create a pipe that goes between Diamond City and Shamouti at some point midway through Johto...and find out that he ran off to Johto with Melody to challenge their League because he found out that Pokemon Battling, especially official League matches, gets you prize money, and he needed funds for replacement parts to get the Hikokyu up and running. So Mario, Peach, and about half the crew are off to fetch him. They don't finally catch up with him until the Alto Maire incident. Ashley's part of the search party, so she and the AU's main Ashley (and both Reds of course) end up meeting and it's a bit awkward at first. They end up going by Ashley K (for Ketchum of course) and Ashley M (for Mushroom, since she doesn't have a last name and Ashley W would be too clunky to say, plus she wouldn't be caught dead naming herself after Wario) for the sake of convenience (the Reds follow suit, of course).

I also have the idea of having the Hikokyu set up shop in Orre after it's been made skyworthy again and fully converted into a second game studio, then having the WarioWare crew stumble into and run roughshod over Gale of Darkness's plot with their own brand of glorious mayhem while just trying to introduce their games to the fresh new audience the Pokemon World provides.

[y-rhywbeth2]

Its actually quite fun when you realise there's a load of time unaccounted for in a story, because then you get to fill in the gaps with all kinds of nonsense. Over 100 days unaccounted for...

[crowtheflow]

Wait let me try sth.

*Pulls out crucifix*

Did that work to free ya?

-Therapy Anon

That doesn't work on me.

If it doesn't do anything against the seek blob, why would it work on this idiot here?

Hey! I'm not an idiot! >:(

Yes you are.

Meanie >:(

LLLLLL

-curious "chug jug" dude, Crow

[dailyanarchistposts]

On May Day 2017, anarchists participated in lively demonstrations all around the United States, from the heartland to the coasts. In the Northwest, Seattle witnessed a successful block party at the site of a juvenile corrections center, while in Olympia anarchists barricaded train tracks to oppose fracking and clashed with police. Support arrestees here. Yet Portland, Oregon may take the cake for the most creative and combative May Day. Demonstrators not only defended themselves from unprovoked attacks from police who declared the march a riot—they also introduced exciting new innovations into the aesthetic of the black bloc street presence. Here, comrades from Portland explain their goals with the giant spiders they created for May Day, and offer a helpful guide for those who wish to make spiders of their own.

In an effort to bridge the gap between art and activism, giant spiders were assembled off-site and pushed up the street to the demonstration, stocked with water bottles, snacks, earplugs, and other party favors. The idea was to narrow the divide between “us” and “them” that often exists at demonstrations, and it was a complete success. We performed community outreach, engaged in cultural development, boosted morale, provided crucial supplies, and created an amazing photo opportunity in the process.

The concept is multi-dimensional: it works on many different levels. The idea began from frustrations around attendance at local demonstrations. In Portland, where the majority of citizens seem to be white, middle-class, and apolitical on account of these privileges, they don’t show up unless a demonstration concerns their interests specifically. However, Portlanders are fascinated by their own love of art and “wacky” stuff as well as the commodification of protest as “funtertainment.” We decided to embrace this love of the “weird” to test whether a hyper-localized approach to engaging people could succeed.

Our tactical art enabled us to fill a supporting role for other participants in the march, helping challenge narratives that the black bloc is an “othered” or “othering” tactic. Whether this separation is intentional or not, the fact remains that the general public is often hesitant to engage with us. Bearing that in mind—as well the tendency of the Portland Police Department to brutally shut down demonstrations—we stocked our Spiders with fliers, water, LAW (liquid, antacid, water, the eyewash with which street medics treat pepper spray), ear plugs, and snacks. We also included a few other party favors, because anarchy needs revelry!

We intentionally engaged with the folks around us. A lot of people walked up to ask what the spiders meant! It was inspiring to see so much dialogue between folks in everyday garb and folks in black bloc. We explained the ideas behind our actions as anarchists and the creations themselves: the three spiders representing Mutual Aid, Solidarity, and Direct Action.

A word about symbolism. The idea of using the spider as an icon of resistance is that spiders are always there watching, waiting, and keeping the environment free of pesky insects and other parasites that consume resources without supporting their fellow beings. While we may look scary, we’re here with you and for you. We are the spiders, and the insects are the societal ills that we fight against.

The symbolism of the black widow spider is rich with history that guides our work. We want to contribute to that rich history, adding our own interpretations. Mutual Aid, Solidarity, Direct Action are our black widow’s cruses. (Crux? Curse? Cures?)

In regards to developing our own culture, there are many barriers we face in this process. State repression is the biggest threat, of course. The specter of state repression can complicate organizing, planning, and building trust in our communities. Portland has a history of repression and slander, ruining the lives of activists and anarchists; these horror stories reverberate throughout the underground. We can’t allow ourselves to be publicly disparaged and forced into hiding by our adversaries and their culture war, so we create as a political act. Creating is intuitively human: we plan, we build, we think, we conspire, we imagine. It is also an activity in which everyone can engage to some degree while building new skills. It enables us to get to know each other, build trust, and share time and company.

More globally, seizing the Spectacle is a step towards our goals, because it allows us to dictate our own narratives. With the development of Public Relations and Social Engineering, the visage of capitalism has come to define its delusional reality. To paraphrase Guy Debord, lived experiences are now taken in as a collection of representational images. We can tell our own stories and show the general public what these three principles mean in action. We can create our own mythos, speaking out on our own terms, in our own language, with our own symbols. The state and media dictate too much of what we’re allowed to say and how it’s spun—it’s time to spin our own webs to connect and fortify our relationships.

We are building the bridges we need to move forward. The existing connections between art, activism, and anarchism are fiery and well-storied. The new wave of repression under Trump’s regime is still building steam, but it is already proving dangerous. We need to be more careful than ever. Art allows us to demonstrate and show our fangs, and we can use art to empower those around us.

[backgroundpropinspro]

ARTIST: nouconcept

LINK: HERE

[rxttenfish]

cracking myself up thinking about miranda lamenting to her wife that, UGH, REPLACING TEETH IS SO ANNOYING, she wishes she could do it like aaravi and just have one set and get it all done and over with at once.