#grab what we like

[chitinleg]

got him off-balance!

[luigi-core]

what if i ended it all right now.

[puppetmaster13u]

Prompt 84

Amity Park absolutely adores her little ghostling, her little Gatekeeper who was of her own ectoplasm, reborn from her own blood in the center of her new heart. She absolutely adores her baby, practically a newborn, being only a year dead! 

So of course she had to gush and boast about her little phantom to the other city spirits! They all got together to gossip sometimes after all. And both Smallville and Fawcett started to gush about their own little ones back! 

Gosh they should set up a playdate at some point, her little phantom could use some friends in the mortal realm. Well some more friends, three is obviously not enough. Oh, Gotham and Bludhaven have come over as well! It’s a playdate then! 

Now if only each of their world’s timelines were synced up, but at least everyone is around the same age! 

[fullunadulteratedart]

soooo are we talking about the way Luffy actually grabbed onto Zoro's ear before whispering into it to wake him up during the ep2 crate scene or...?

(excuse the crappy quality screenshot and brightening)

[mettywiththenotes]

I like to imagine Kudou "Got together with Yoichi in less than 2 months" is infuriated with Izuku "Miscommunication with Kacchan for 10+ years" Midoriya

He is tapping his foot waiting for those kids to talk and kiss already

[skitskatdacat63]

these made me have a mental breakdown at 3 am tbh

[raycatz]

There's a headcanon from a while back that Warriors braids people's hair as an idle / to connect / to decompress. May I propose other small physical connections and comforts, like Legend giving back scritches?

If someone is seated on Legend's bedroll with him during downtime and they're just dozing or he sees someone who's tense and decompressing he'll reach a hand out and rub their back. If they respond well he'll give scritches. He doesn't have to ask or talk about what's bothering someone that way and can still give comfort. I think the motion would be soothing for him as well.

Wild will give scritches too but watch out because he'll start tickling and poking when he gets bored. Good hefty pats and a slight shake. Giving Wolfie / horsie pats to everyone haha!

Sky has the best hugs to sigh troubles away into and he will hold those who need it.

Time's hugs give strength. A hug that fills one with confidence.

Twi will give massages. Also the same kind of pats Wild gives and hair ruffles / scalp massages but he has better control of his own strength when messing with people from being big brother to the kids in Ordon. Wild's pats lean towards playfully riling someone up, and while Twilight's can also be that, they're more secure and comforting as well.

Hyrule and casual touch! Sitting just near enough that something is touching be it an arm or leg or leaning fully into someone. He'll get into the space of those who allow it and will take their hands and massage their palms or press their hands between his to keep them warm. We've seen him in the updates the past year or so grabbing Time's shirt when he made a breakthrough with Twi, and nudging an elbow at Legend when laughing. I think it's something he'd do more often the more comfortable he is with the chain. Resting an elbow on a shoulder, hitting an arm with the back of his hand to get someone's attention, offering a hand for calf stretches, playful rough housing, etc. I love it for him.

Four with the back scritches as well. I like a headcanon I've read in sister_dear's works where Four doesn't usually like people messing with his head, ruffling his hair, etc. But, I can see him accepting a palm to his forehead or over his eyes when he has a headache (from Twi specifically!), and doing so for others. He'll press his face to people like a cat and lean. Like Sky, he'll hold people. It's what he's found works. (He is little so finding a way to do so can be awkward but so help him he will protect those he cares for!!!)

Wind ruffles and braids hair as well. Also full out rough housing, play wrestling, trying to pick people up, etc. I can also see him sprawling over those he's comfortable with. They're his pillow now. Whoever he's fallen asleep on is no longer allowed to move. They have to deal with the fact that he heats up in his sleep too. (Space heater Wind.) But I think his slowed breathing and trust would be a comfort.

[houseswife]

house’s cane is grotesquely underutilised sexual style in fanfics considering that 1) it’s a long phallic object that he is constantly handling and 2) he straight up joked about fucking wilson with it that one time

[warlenys]

i live here

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

two hours later edit: you're allowed to reblog this! sorry about the confusion

[domokunrainbowkinz]

I hope will gets rightfully angry in book 3

[pinacoladamatata]

both hands full....

[dirty-droid]

So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.

First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.

It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.

Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.

Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.

And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.

I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.

This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.

Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.

It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"

"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"

... They don't pass a lot.

It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.

Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.

Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.

Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*

[kiwim7]

alan ross watching the ocean from the lyric and such

heres the ref i used for the main pic

[bericas]

isaac & scott / mason & theo | sometimes all i think about is you

[k-wame]

Stonemouth (2015) · S1·E01 · 08.06.2015